Locke Movie Quotes

We've searched our database for all the quotes and captions related to Locke Movie. Here they are! All 100 of them:

You can’t be serious,” Eve said. “Guys. People get eaten in places like this. At the very least, we get locked in a room and terrible, evil things get done to us and put on the Internet. I’ve seen the movies.” "Eve,” Michael said. “Horror movies are not documentaries.
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
Closing his eyes, he sent up a prayer to anyone who was listening, asking please, for God's sake, stop sending him signals that they were right for each other. He'd read that book, seen the movie, bought the soundtrack, the DVD, the T-shirt, the mug, the bobble-head, and the insider's guide. He knew every reason they could have been lock and key. But just as he was aware of all that aligned them, he was even clearer on how they were damned to be ever apart.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
She knew with suddeness and ease that this moment would be with her always, within hand's reach of memory. She doubted if they all sensed it - they had seen the world - but even George was silent for a minute as they looked, and the scene, the smell, even the sound of the band playing a faintly recognisable movie theme, was locked forever in her, and she was at peace.
Stephen King (Carrie)
You’re lost in your own world, in the things that happen there, and you’ve locked all the doors. Sometimes I look at you sleeping. I wake up and look at you and I feel closer to you when you’re like that, unguarded, than when you’re awake. When you’re awake you’re like someone with her eyes closed, watching a movie on the inside of your eyelids. I can’t reach you anymore. Once upon a time I could, but not now, and not for a long time.
Nicole Krauss (Great House)
All around us were people I had spent ten years avoiding--shapeless women in wool bathing suits, dull-eyed men with hairless legs and self-conscious laughs, all Americans, all fearsomely alike. These people should be kept at home, I thought; lock them in the basement of some goddamn Elks Club and keep them pacified with erotic movies; if they want a vacation, show them a foreign art film; and if they still aren't satisfied, send them into the wilderness and run them with vicious dogs.
Hunter S. Thompson (The Rum Diary)
ALPHA-60: Your name is written "Ivan Johnson," but it is pronounced "Lemmy Caution," Secret Agent Zero Zero Three of the Outlands. You are a threat to the security of Alphaville. CAUTION: I refuse to become what you call "normal." ... ALPHA-60: You cannot escape. The door is locked. CAUTION: Try to stop me, pal.
Jean-Luc Godard (Alphaville)
Teacher, may I ask a question?” “Sure,” he said, surprised, and he shook his fingers free of clinging sand. “Shoot.” “What does it mean to love God?” “Decent dinner and a bottle of average rosé. Maybe a movie. I’m not picky.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
Looking back on it, it's like watching a horror flick and wondering why the characters are so determined to ignore the danger signs. When a spectral voice says, GET OUT, you should do it. But in real life, you don't know that you're in a scary movie. You think your wife is being overly emotional. You quietly hope it's because she's pregnant, because a baby is what you need to lock this thing in and throw away the key.
Tayari Jones (An American Marriage)
Life was hard sometimes and there was no book or movie that could prepare you for how harsh it could be.
Mariana Zapata (Under Locke)
Instead of becoming depressed that I was in the locked ward of a mental hospital, I pretended I was playing a role in a movie, possibly on my way to an Emmy.
Augusten Burroughs (Running with Scissors)
He dropped my fingers and planted his palms on the counter, one on either side of me. He kept them close enough that his arms were brushing my ribs as he hovered over me. His blue eyes locked on mine, the serious gaze deepening. “I want to know if you want to. Will you go to the movies with me?
C.L. Stone (Drop of Doubt (The Ghost Bird, #5))
Our first point of discussion is the hunt. (...) My idea is to start the film with an image of the vixen locked out of her lair which has been plugged up. Her terror as she's pursued across the country. This is a big deal. It means training a fox from birth or dressing up a dog to look like a fox. Or hiring David Attenbrorough, who probably knows a few foxes well enough to ask a favour.
Emma Thompson (The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film)
Pink Balloons My name is Olivia King I am five years old My mother bought me a balloon. I remember the day she walked through the front door with it. The curly hot pink ribbon trickling down her arm, wrapped around her wrist . She was smiling at me as she untied the ribbon and wrapped it around my hand. "Here Livie, I bought this for you." She called me Livie. I was so happy . I'd never had a balloon before. I mean, I always saw balloon wrapped around other kids wrist in the parking lot of Wal-Mart , but I never dreamed I would have my very own. My very own pink balloon. I was excited! So ecstatic! So thrilled! i couldn't believe my mother bought me something! She'd never bought me anything before! I played with it for hours . It was full of helium and it danced and swayed and floated as I drug it around from room to room with me, thinking of places to take it. Thinking of places the balloon had never been before. I took it in the bathroom , the closet , the laundry room , the kitchen , the living room . I wanted my new best friend to see everything I saw! I took it to my mother's bedroom! My mothers Bedroom? Where I wasn't supposed to be? With my pink balloon... I covered my ears as she screamed at me, wiping the evidence off her nose! She slapped me across the face as she told me how bad I was! How much I misbehaved! How I never listened! She shoved me into the hallways and slammed the door, locking my pink balloon inside with her. I wanted him back! He was my best friend! Not her! The pink ribbon was still tied around my wrist so I pulled and pulled , trying to get my new best friend away from her. And it popped. My name is Eddie. I'm seventeen years old. My birthday is next week. I'll be big One-Eight. My foster dad is buying me these boots I've been wanting. I'm sure my friends will take me out to eat. My boyfriend will buy me a gift, maybe even take me to a movie. I'll even get a nice little card from my foster care worker, wishing me a happy eighteenth birthday, informing me I've aged out of the system. I'll have a good time. I know I will. But there's one thing I know for sure I better not get any shitty ass pink balloons!
Colleen Hoover (Slammed (Slammed, #1))
Don’t you take the past and just put it in a room in the basement and lock the door and never go in there? That’s what I do. And then you meet someone special and all you want to do is toss them the key. Say, “Open up, step inside.” But you can’t because it’s dark. And there are demons. — Tom Ripley, The Talented Mr. Ripley
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made)
Yesterday it was sun outside. The sky was blue and people were lying under blooming cherry trees in the park. It was Friday, so records were released, that people have been working on for years. Friends around me find success and level up, do fancy photo shoots and get featured on big, white, movie screens. There were parties and lovers, hand in hand, laughing perfectly loud, but I walked numbly through the park, round and round, 40 times for 4 hours just wanting to make it through the day. There's a weight that inhabits my chest some times. Like a lock in my throat, making it hard to breathe. A little less air got through and the sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories, but the panic kept growing, exploding in my chest. Tears falling on the desk tick tick tick me not making a sound and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind, but anxiety eats you up and I just want to be fine. This is not beautiful. This is not useful. You can not do anything with it and it tries to control you, throw you off your balance and lovely ways but you can not let it. I cleaned up. Took myself for a walk. Tried to keep my eyes on the sky. Stayed away from the alcohol, stayed away from the destructive tools we learn to use. the smoking and the starving, the running, the madness, thinking it will help but it only feeds the fire and I don't want to hurt myself anymore. I made it through and today I woke up, lighter and proud because I'm still here. There are flowers growing outside my window. The coffee is warm, the air is pure. In a few hours I'll be on a train on my way to sing for people who invited me to come, to sing, for them. My own songs, that I created. Me—little me. From nowhere at all. And I have people around that I like and can laugh with, and it's spring again. It will always be spring again. And there will always be a new day.
Charlotte Eriksson
They’ll continue to catch mine the way they are in this movie moment— like a latch hooking me, then locking us into place.
Jessica Joyce (The Ex Vows)
Failure was a luxury we couldn't afford, all chained together as we were, our fates locked up tight. One box office flop from a female director and no one wanted "girl" movies, one stock market plunge from a company with a woman CEO and women couldn't lead, one false accusation and we were liars, all of us. Because when we failed it was because of our chromosomes, it wasn't because of a market dip or an ineffective advertising campaign or plain bad luck.
Chandler Baker (Whisper Network)
Well, I know a guy, he's from far far away He's a songwriter, he got something to say He says, "People in this city are too busy to hang out This town's so spread out, no one would hear you if you shout" Everyone's got a script to sell and someplace else they want to be There's always a lock that would open if you could just find the key" (It Ain't Easy Being Green)
Shannon McNally
When John took those naked pictures, the most popular singer was a girl with a tiny stick body and a large deferential head, who sang in a delicious lilt of white lace and promises and longing to be close. When she shut herself up in her closet and starved herself to death, people were shocked. But starvation was in her voice all along. That was the poignancy of it. A sweet voice locked in a dark place, but focused entirely on the tiny strip of light coming under the door. I drop the rag in the bucket and smoke some more, ashing into the sink,. A tiny piece of the movie from the naked time plays on my eyeball: A psychotic killer is blowing up amusement parks. At the head of the crowd clamoring to ride the roller coaster is a slim, lovely man with long blond hair and floppy clothes and big, beautiful eyes fixed on a tiny strip of light that only he can see.
Mary Gaitskill
I got hold of a copy of the video that showed how Saddam Hussein had actually confirmed himself in power. This snuff-movie opens with a plenary session of the Ba'ath Party central committee: perhaps a hundred men. Suddenly the doors are locked and Saddam, in the chair, announces a special session. Into the room is dragged an obviously broken man, who begins to emit a robotic confession of treason and subversion, that he sobs has been instigated by Syrian and other agents. As the (literally) extorted confession unfolds, names begin to be named. Once a fellow-conspirator is identified, guards come to his seat and haul him from the room. The reclining Saddam, meanwhile, lights a large cigar and contentedly scans his dossiers. The sickness of fear in the room is such that men begin to crack up and weep, rising to their feet to shout hysterical praise, even love, for the leader. Inexorably, though, the cull continues, and faces and bodies go slack as their owners are pinioned and led away. When it is over, about half the committee members are left, moaning with relief and heaving with ardent love for the boss. (In an accompanying sequel, which I have not seen, they were apparently required to go into the yard outside and shoot the other half, thus sealing the pact with Saddam. I am not sure that even Beria or Himmler would have had the nerve and ingenuity and cruelty to come up with that.)
Christopher Hitchens (Hitch 22: A Memoir)
Shit, I'm sorry. I'm so sorry," I yelped. Harry was rubbing his jaw. "What was that?" My keys were in my fingers, my back was to him. I fumbled with the lock. I had to get out of here. Oh my God, I'd tried to kiss him and ended up headbutting him. Like a freaking.. WWE wrestler. "I don't know what happend. I'm sorry. I have to go. Thanks for... everything...sorry." The door opend. I couldn't get through it quickly enough. What was wrong with me? Seriously, what was I doing? I HEADBUTTED HIM.
Holly Bourne (It Only Happens in the Movies)
Star Trek? Oh, I did my homework. TOS, TNG, DS9. Even Voyager and Enterprise. I watched them all in chronological order. The movies, too. Phasers locked on target.
Ernest Cline (Ready Player One (Ready Player One, #1))
Real spies don't have all the cool gadgets you see in the movies," Dak said, watching Sera struggle with the lock. "Though I sure wish we had a sonic screwdriver right about now.
Jennifer A. Nielsen (Behind Enemy Lines (Infinity Ring, #6))
Up above Aliens hover Making home movies For the folks back home Of all these weird creatures Who lock up their spirits Drill holes in themselves And live for their secrets
Radiohead
picking a lock isn’t as easy as it appears to be in movies. Neither is seducing a woman or killing a man, or anything else.
Dean Koontz (Velocity)
A girl in my high school once told me I had pretty eyes. I was puffed up over that until I was like thirty. You wouldn’t believe how stupid guys get over compliments on our looks, I was vain as. But my eyes weren’t anything special—light brown, not even hazel, yellow on a sunny day. The morning after the lights went out they lighted to dark amber, then they went the colour of new lager, and on the third day they were gold. P—said I looked like a Māori TV Pink Panther. C— said I looked like Edward Cullen from that old Twilight movie, if Edward Cullen had the body of a history teacher. A— said I looked cool. He was the only one.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
Tony Stark/Iron Man, like Victor Frankenstein before him, has built the monster that may make his worst fear a reality. And now he and his friends are locked into the battle with the monster sworn to destroy them.
Chris Soth (Mini-Movie Breakdown: Avengers: Age of Ultron)
I don’t believe in love at first sight or soul mates or any of that guff you see in the movies. You know, where you meet someone in an impossibly coincidental way and you lock eyes and true, everlasting love ensues.
Ciara Smyth (The Falling in Love Montage)
Is that a no?" I said. "No. I mean.." He struggled for the smile again. "I'm just waiting for the punch line. Something about making it date so I need to pay. Or you expecting flowers. Or.." He trailed off. "There isn't a punch line," I said. I rose onto my knees and inched over, in front of him. Then I stopped about a foot away. "No punch line, Daniel," I said. "I'm asking if you'll go out with me." He didn't answer. Just reched out, his hand sliding between my hair and face, pulling me toward him and.. And he kissed me. His lips touched mine, tentatively, still unsure, and I eased closer, my arms going around his neck. He kissed me for real then, a long kiss that I felt in the bottom of my soul, a click, some deep part of me saying, "Yes, this is it." Even when the kiss broke off, it didn't end. It was like coming to the surface for a quick gasp of air, then plunging back down again, finding that sweet spot again, and holding onto it for as long as we could. Finally it tapered off, and we were lying on the picnic blanket, side by side, his hand on my hip, kissing slower now, with more breaks for air. until I said, "We should have done that sooner." He smiled, a lazy half smile, and he just looked at me for a moment, our gazes locked, lying there in drowsy happiness, before he said, "I think now's just fine." And he kissed me again, slower and softer now, as we rested there, eyes half closed. "So, about Saturday, did you ask me?" he said after a minute, "Because I'm pretty sure that means yo're paying." "Nope. You were imaging it. Considering how you eat, the meal bill is all yours. But I will spring for the movie. And bring you flowers." He chuckled. "Will you?" "Yep, a dozen pink roses, which you'll have to carry all night or risk offending me." "And what happens if I offend you?" "You don't get any more of this." I leaned in and kissed him again. And we stayed out there, on the blanket, as the sun fell, talking and kissing mostly, just being together. We had a long road ahead of us, and I knew it wasn't going to be easy. But I had everything I wanted-everything I needed-and I'd get through it just fine. We all would.
Kelley Armstrong (The Rising (Darkness Rising, #3))
The movie Mr. Nobody examines the core belief that we can find happiness if we make the right choices in life. We can’t; it’s impossible. But the belief that we have real choices that can bring us what we want is cherished by the ego because it keeps us locked into a never-ending quest of looking for happiness where it can’t be found. Mr. Nobody demonstrates that all the choices of this world are made because we have forgotten God and therefore believe in an illusory world of duality. None of our choices are real because they are a choice between the images of this made-up world; that is, a choice between illusions. They are nothing more than hypotheticals, which serve as meaningless distractions.
David Hoffmeister (Quantum Forgiveness: Physics, Meet Jesus)
Every time you jump the fence, it looks like it's going to topple over. Would it kill you to go through the gate?" "Your dad put a lock on it," I said, "so I can't anymore." "Oh-five, oh-four, two-one," she said, rolling her eyes. "Just put in the number, use the gate like a civilized human, and maybe don't even talk to me when you retrieve your misdirected sports paraphernalia. Zero contact would be cool." "But how could I tell you how much I like your new hair if I didn't speak?
Lynn Painter (Better Than Before (Betting on You, #0.5; Better than the Movies, #0.5))
He’s brought a sleeping bag, one of those big green bulky L.L. Bean ones. I look at it questioningly. Following my gaze, he turns red. “I told my parents I was going to help you study, then we might watch a movie, and if it got late enough, I’d crash on your living room floor.” “And they said?” “Mom said, ‘Have a nice time, dear.’ Dad just looked at me.” “Embarrassing much?” “Worth it.” He walks slowly over, his eyes locked on mine, then puts his hands around my waist. “Um. So . . . are we going to study?” My tone’s deliberately casual. Jase slides his thumbs behind my ears, rubbing the hollow at their base. He’s only inches from my face, still looking into my eyes. “You bet. I’m studying you.” He scans over me, slowly, then returns to my eyes. “You have little flecks of gold in the middle of the blue.” He bends forward and touches his lips to one eyelid, then the other, then moves back. “And your eyelashes aren’t blond at all, they’re brown. And . . .” He steps back a little, smiling slowly at me. “You’re already blushing—here”—his lips touch the pulse at the hollow of my throat—“and probably here . . .” The thumb that brushes against my breast feels warm even through my T-shirt. In the movies, clothes just melt away when the couple is ready to make love. They’re all golden and backlit with the soundtrack soaring. In real life, it just isn’t like that. Jase has to take off his shirt and fumbles with his belt buckle and I hop around the room pulling off my socks, wondering just how unsexy that is. People in movies don’t even have socks. When Jase pulls off his jeans, change he has in his pocket slips out and clatters and rolls across the floor. “Sorry!” he says, and we both freeze, even though no one’s home to hear the sound. In movies, no one ever gets self-conscious at this point, thinking they should have brushed their teeth. In movies, it’s all beautifully choreographed, set to an increasingly dramatic soundtrack. In movies, when the boy pulls the girl to him when they are both finally undressed, they never bump their teeth together and get embarrassed and have to laugh and try again. But here’s the truth: In movies, it’s never half so lovely as it is here and now with Jase.
Huntley Fitzpatrick (My Life Next Door)
He’s so tired of the drug war, which is really just a war on broken people, many who’ve suffered childhood trauma. Locking them up does nothing. Plenty of people in the system want to help. But his clients are like an army from a zombie movie. Help one, and a hundred more appear.
Alex Finlay (The Night Shift)
At the time, the doors to the cathedral were kept locked because the federal government had ordered all gathering places to remain closed: theaters, movie houses, bars, and of course, churches. For a while, poor Father Pedro had defied the order, saying that nobody had the right to close the House of the Lord, much less refuse Communion to believers, even if fewer and fewer attended. Sick but soldiering on, he had died suddenly three days ago while reciting the Credo in the first mass of the day. The handful of churchgoers had run out without even crossing themselves.
Sofía Segovia (The Murmur of Bees)
Then this week happened. The week where I was told Ariana would not be here at all, and that they would write around her absence this episode by having her character be locked in a box. Are you. Kidding me. So I have to turn down movies while Ariana’s off whistle-toning at the Billboard Music Awards? Fuck. This.
Jennette McCurdy (I'm Glad My Mom Died)
Likewise—now don’t laugh—cars and trucks should view the bike lanes as if they are sacrosanct. A driver would never think of riding up on a sidewalk. Most drivers, anyway. Hell, there are strollers and little old ladies up there! It would be unthinkable, except in action movies. A driver would get a serious fine or maybe even get locked up. Everyone around would wonder who that asshole was. Well, bike lanes should be treated the same way. You wouldn’t park your car or pull over for a stop on the sidewalk, would you? Well then, don’t park in the bike lanes either—that forces cyclists into traffic where poor little meat puppets don’t stand a chance.
David Byrne (Bicycle Diaries)
What isn’t scary can do you in. Snacking doesn’t intimidate anybody. Neither does watching TV. Or sitting in a movie with a large drink and so much popcorn that it comes in a tub. Driving to work and parking in the garage doesn’t upset any applecarts, but riding your bike and asking for a place to lock it up just might. Suggesting to your boyfriend that you’d like to go to the soup-and-salad place instead of the he-man chuck-wagon could be awkward…[but] you are committed to living fully. You are going to take care of you, no matter who suggests that you’re selfish or full of yourself. Living well will give you the emotional energy you need to fulfill your destiny.
Victoria Moran (Fat, Broke & Lonely No More: Your Personal Solution to Overeating, Overspending, and Looking for Love in All the Wrong Places)
Closing his eyes, he sent up a prayer to anyone who was listening, asking please, for God’s sake, stop sending him signals that they were right for each other. He’d read that book, seen the movie, bought the sound track, the DVD, the T-shirt, the mug, the bobble-head, and the insider’s guide. He knew every reason they could have been lock and key.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
When I was a kid I watched a documentary about the movie Planet of the Apes. The first one, with Charlton Heston. They were talking about how they would make up all the extras as various types of apes, like chimps and gorillas and orangutans, and then the extras would go to lunch and they would segregate. All the people made up like gorillas would sit with other gorillas, all the chimps would sit with chimps.
John Scalzi (Unlocked: An Oral History of Haden's Syndrome (Lock In, #0.5))
Our Constitution is not good. It is a document designed to create a society of enduring white male dominance, hastily edited in the margins to allow for what basic political rights white men could be convinced to share. The Constitution is an imperfect work that urgently and consistently needs to be modified and reimagined to make good on its unrealized promises of justice and equality for all. And yet you rarely see liberals make the point that the Constitution is actually trash. Conservatives are out here acting like the Constitution was etched by divine flame upon stone tablets, when in reality it was scrawled out over a sweaty summer by people making deals with actual monsters who were trying to protect their rights to rape the humans they held in bondage. Why would I give a fuck about the original public meaning of the words written by these men? Conservatives will tell you that the text of laws explicitly passed in response to growing political, social, or economic power of nonwhite minorities should be followed to their highest grammatical accuracy, and I’m supposed to agree the text of this bullshit is the valid starting point of the debate? Nah. As Rory Breaker says in the movie Lock, Stock and Two Smoking Barrels: “If the milk turns out to be sour, I ain’t the kind of pussy to drink it.” The Constitution was so flawed upon its release in 1787 that it came with immediate updates. The first ten amendments, the “Bill of Rights,” were demanded by some to ensure ratification of the rest of the document. All of them were written by James Madison, who didn’t think they were actually necessary but did it to placate political interests.
Elie Mystal (Allow Me to Retort: A Black Guy’s Guide to the Constitution)
When I work with Godfrey, I don’t spend a lot of time looking at the image. I look at it once. Maybe twice, but not more than twice. Then I depend on the inaccuracy of my memory to create the appropriate distance between the music and the image. I knew right away that the image and the music could not be on top of each other, because then there would be no room for the spectators to invent a place for themselves. Of course, in commercials and propaganda films, the producers don’t want to leave a space: the strategy of propaganda is not to leave a space, not to leave any question. Commercials are propaganda tools in which image and music are locked together in order to make an explicit point, like “Buy these shoes” or “Go to this casino.” The strategy of art is precisely the opposite. I would describe it this way: When you listen to a piece of music and you look at an image at the same time, you are metaphorically making a journey to that image. It’s a metaphorical distance, but it’s a real one all the same, and it’s in that journey that the spectator forms a relationship to the music and the image. Without that, it’s all made for us and we don’t have to invent anything. In works like Godfrey’s, and in works, for that matter, like Bob Wilson’s, the spectators are supposed to invent something. They are supposed to tell the story of Einstein. In Godfrey’s movies Koyaanisqatsi and Powaqqatsi, the words in the title are the only words there are. The journey that we make from the armchair to the image is the process by which we make the image and the music our own. Without that, we have no personal connection. The idea of a personal interpretation comes about through traversing that distance.
Philip Glass
In a sea of a thousand faces God’s eyes are always locked on us (like the slow-motion scenes of eyes locking in a crowd in the movie The Passion of the Christ). We all tie for first place in His heart and His gaze is firmly set on each of us. Not to put us down when we’re wrong or off, but because He’s enamoured by us. There’s no kinder heart, no kinder eyes and no kinder love than that of God. His words of affirmation over me have always filled my hunger.
Koki Oyuke (Chosen Not Cheated: Discover God's Goodness Through Life's Detours, Denials and Doubts)
A major defining factor was my wanting him to be part of the DC Universe. Because if someone as powerful as the Sandman was running all the dreams in the world, a natural question would be “Why haven’t we heard about him by now?” The answer I came up with was “He’s been locked away.” And that solution formed an image in my head of a naked man in a glass cell. My next question was “How long had he been trapped there?” The movie Awakenings hadn’t been made yet, but I’d read Oliver Sacks’s book a few months earlier, so I knew about the encephalitis lethargica, or “sleepy sickness,” that had swept Europe in 1916. Scientists to this day don’t understand what caused it, and I loved the idea of blaming it on the Sandman’s imprisonment, so I determined the length of his stay to be seventy-two years—ending in late 1988, when the series debuted. And so on; each plot point just seemed to naturally lead to the next one.
Hy Bender (The Sandman Companion)
Because here’s the thing. We can do a lot in thirty-five days.” He sat on the bed and pulled her down next to him. “I mean, think about books and movies. You can watch a great love story in two hours, right? Or read one in maybe two days? So imagine what we can do with thirty-five. We can celebrate a whole year of holidays. We can lock the door at night and turn the music up and memorize each other. We can taste and smell and touch every single thing we love about this whole town, so we never forget, no matter who we turn into out there.” He hugged her hands tightly with his. “And then when it’s time to leave each other, we’ll go off smiling into the future, and we won’t be distracted by all that ‘when will I find true love’ stuff people always worry about because they don’t know how it feels. Because we’ll already know how it feels. And if neither one of us ever gets another great love story, this one will be enough to last our whole entire lives.
J.C. Lillis (We Won't Feel a Thing)
I squeezed her hand. “He’s not coming back, Carlee” When I said her name, her whole body stiffened, her eyes opening wide and clearing, as though a veil over them had lifted. “Carlee,” she whispered. I nodded and waited for her to freak out, to start screaming or crying, bracing myself and getting ready to hug her or carry her back to the village, whatever it took. For a few impossibly long moments she didn’t say anything, didn’t move, and I wondered if the shock had broken her brain. Then her brown eyes locked on mine again, narrowing into slits. “I’m gonna kill that effing creep.” I laughed, relief flooding through me, and threw my arms around her neck. “No, seriously. I’m going to kill him! I can’t believe I bought his stupid lines! I don’t care how pretty he was, I mean, have you seen what I’m wearing?” Laughing, I nodded into her shoulder. “So not the style.” “I know, right? I look like an extra in some fantasy movie. Some stupid fantasy movie.
Kiersten White (Endlessly (Paranormalcy, #3))
Twenty minutes later, I was sitting in the federal building that housed the Department of Homeland Security, about fifteen stories up, locked in a standard federal issue interrogation room. Metal chair, metal table, big one-way mirror window, just like the movies. My arms were bound behind me with at least three flex-cuffs. The only addition to the room were the four tactical team members standing in each corner of the room, M4 rifles slung across their chests. Books, Splitter, Data and old Rattler himself, Agent Simmons.
John Conroe (Demon Driven (Demon Accords, #2))
This is not the "relativism of truth" presented by journalistic takes on postmodernism. Rather, the ironist's cage is a state of irony by way of powerlessness and inactivity: In a world where terrorism makes cultural relativism harder and harder to defend against its critics, marauding international corporations follow fair-trade practices, increasing right-wing demagoguery and violence can't be answered in kind, and the first black U.S. president turns out to lean right of center, the intelligentsia can see no clear path of action. Irony dominates as a "mockery of the promise and fitness of things," to return to the OED definition of irony. This thinking is appropriate to Wes Anderson, whose central characters are so deeply locked in ironist cages that his films become two-hour documents of them rattling their ironist bars. Without the irony dilemma Roth describes, we would find it hard to explain figures like Max Fischer, Steve Zissou, Royal Tenenbaum, Mr. Fox, and Peter Whitman. I'm not speaking here of specific political beliefs. The characters in question aren't liberals; they may in fact, along with Anderson himself, have no particular political or philosophical interests. But they are certainly involved in a frustrated and digressive kind of irony that suggests a certain political situation. Though intensely self-absorbed and central to their films, Anderson's protagonists are neither heroes nor antiheroes. These characters are not lovable eccentrics. They are not flawed protagonists either, but are driven at least as much by their unsavory characteristics as by any moral sense. They aren't flawed figures who try to do the right thing; they don't necessarily learn from their mistakes; and we aren't asked to like them in spite of their obvious faults. Though they usually aren't interested in making good, they do set themselves some kind of mission--Anderson's films are mostly quest movies in an age that no longer believes in quests, and this gives them both an old-fashioned flavor and an air of disillusionment and futility.
Arved Mark Ashby (Popular Music and the New Auteur: Visionary Filmmakers after MTV)
Lake Natron resided in northern Tanzania near an active volcano known as Ol Doinyo Lengai. It was part of the reason the lake had such unique characteristics. The mud had a curious dark grey color over where Jack had been set up for observation, and he noted that there was now an odd-looking mound of it to the right of one of the flamingo’s nests. He zoomed in further and further, peering at it, and then realized what he was actually seeing. The dragon had crouched down beside the nests and blended into the mud. From snout to tail, Jack calculated it had to be twelve to fourteen feet long. Its wings were folded against its back, which had small spines running down the length to a spiky tail. It had a fin with three prongs along the base of the skull and webbed feet tipped with sharp black talons. He estimated the dragon was about the size of a large hyena. It peered up at its prey with beady red eyes, its black forked tongue darting out every few seconds. Its shoulder muscles bunched and its hind legs tensed. Then it pounced. The dark grey dragon leapt onto one of flamingoes atop its nest and seized it by the throat. The bird squawked in distress and immediately beat its wings, trying to free itself. The others around them took to the skies in panic. The dragon slammed it into the mud and closed its jaws around the animal’s throat, blood spilling everywhere. The flamingo yelped out its last breaths and then finally stilled. The dragon dropped the limp carcass and sniffed the eggs before beginning to swallow them whole one at a time. “Holy shit,” Jack muttered. “Have we got a visual?” “Oh, yeah. Based on the size, the natives and the conservationists were right to be concerned. It can probably wipe out a serious number of wildlife in a short amount of time based on what I’m seeing. There’s only a handful of fauna that can survive in these conditions and it could make mincemeat out of them.” “Alright, so what’s the plan?” “They told me it’s very agile, which is why their attempts to capture it haven’t worked. I’m going to see if it responds to any of the usual stimuli. So far, they said it doesn’t appear to be aggressive.” “Copy that. Be careful, cowboy.” “Ten-four.” Jack glanced down at his utility belt and opened the pocket on his left side, withdrawing a thin silver whistle. He put it to his lips and blew for several seconds. Much like a dog whistle, Jack couldn’t hear anything. But the dragon’s head creaked around and those beady red eyes locked onto him. Jack lowered the whistle and licked his dry lips. “If I were in a movie, this would be the part where I said, ‘I’ve got a bad feeling about this.’” The dragon roared, its grey wings extending out from its body, and then flew straight at him.
Kyoko M. (Of Claws & Inferno (Of Cinder & Bone, #5))
The United States exclusively among all other nations has committed herself to the vast distribution of academic & scientific books in the international markets for all readers worldwide. The United States has been blessed by God for preserving the written word of Science in contrast to the vernacular tongues of Europe that cannot transcend the temporally paralyzed and ensnaring intellect of that spatially inanimate and socialist continent. And dubbing English movies is a practice that is obviously not going to free the individuals from the social noise of Europe to structure their own intellect onto paper - taking into consideration the massive market and social-locking effects of cinematography in the west.
Ibrahim Ibrahim (Quotable: My Worldview)
na kept her head down and pulled Lockie out into the street. She hoped he would manage to avoid standing on anything. His bare feet were already filthy but the streets of the Cross held the worst bits of human detritus. Tina didn’t want to have to deal with a piece of glass in Lockie’s foot, or worse. He was walking on tiptoe and more than one adult stopped to look at them. Tina moved quickly, getting Lockie out of sight before the questions had time to form. People tended to ask a lot more questions in the daytime. They saw things more clearly. Tina preferred the dark, where it was easy to hide.She had no idea what she was going to do with the kid after the new clothes and a shower. Maybe if he was warm and fed he would agree to walk into the police station and tell his story. Maybe he just needed a little time. He looked like a thinker. It was possible that she was really fucking up by keeping him. She had no idea what his body had been through. He could drop dead right now or have some kind of psycho meltdown.He looked at the ground as he walked. He held her hand and she guided him around the obstacles. He would not look up.He was locked up inside himself. His body was doing what it needed to do and maybe somewhere in his mind he was trying to find a key. If she got him to go to the police they would bring in a counsellor. Someone with a box of dolls and a soft voice. She had seen a movie about it. Lockie would be able to point to the doll and tell everyone exactly how his childhood had been taken. But would that help? Tina hoped he would be ready to talk to the police soon. If he wasn’t she was really screwed.
Nicole Trope (The Boy Under the Table)
To my children three. Life is like a movie, it starts and it ends.If you are reading this probably i'm gone. but my presence is always with you. All wanted to say how much I loved you. and I wanted to share my life journey with all of you. When I Conceived each of you, I can feel the butterflies in my tummy and I already fail in love with you. When each of you were born, tears dropped of my eye, I know it that was a happy tears. When you said dada, I was excited and happy to hear you saying it over and over. I see you growing like a flower and flying like a bird in front of my eye, in front of the pales a colorful garden who always stay blooming. Slowly you gew wing and all you flew away from the nest. All i'm left with good memories an album full of beautiful of pictures.from you baby showers, 1st word, 1st birthdays,1st trip to Disney or Universal Studios, each of you got to meet your favored TV characters. Your smiley faces was telling me I was doing ok as a parent, although I been told I'm the worst mom. But I know you did not mean that, you meant to say I love you mom. and I love you to my children, It was a nice journey. If I have to go back on time to change the way I raised you, I won't change a thing, beside some of your friends, but you were old enough and free to make your own choices. You have to make your mistakes and i'm pretty sure you learned from them. But at the end I never worry about you, because I'm pretty sure I give 200% as a parent. I know I taught, I armed and I shield you with everything including knowledge you need to survive in world. Remember don't matter how old are you, you always will be my babies. and I always be your Angel ! "Toko - Lock " te ka nana sho. Love Mom & Grandma!
Zybejta (Beta) Metani' Marashi
She stood in front of the mirror a long time, and finally decided she either looked like a sap or else she looked very beautiful. One of the other. Six different ways she tried out her hair. The cowlicks were a little trouble, so she wet her bangs and made three spit curls. Last of all she stuck the rhinestones on her hair and put on plenty of lipstick and paint. When she finished she lifted up her chin and half-closed eyes like a movie star. Slowly she turned her face from one side to the other. It was beautiful she looked - just beautiful. She didn’t feel herself at all. She was somebody different from Mick Kelly entirely. Two hours to pass before the party would begin, and she was ashamed for any of her family to see her dressed so far ahead of time. She went into the bathroom again and locked the door. She couldn’t mess up her dress by sitting down, so she stood in the middle of the floor. She felt so different from the old Mick Kelly that she knew this would be better than anything else in her whole life.
Carson McCullers (The Heart Is a Lonely Hunter)
When investing in cryptocurrencies, one must exercise extreme caution. My capital investment was locked along with all of my returns at a binary investment firm, which was the exact issue I was having. Though I genuinely think there are legitimate businesses you can invest in, the difficulty is how to know for sure before making a decision. It was almost like watching a movie as the whole thing played out for me when I fell for these con artists posing as investors. Before it happened to me, I was unable to believe that such things exist. But when it turned out that I couldn't withdraw my money, I started looking for a way to get it back. Fortunately, through recommendations from others, I was introduced to a recovery agent named Fastfund Recovery. When I discovered that the scammers' website had been taken down, Fastfund Recovery was such a lifesaver; they were able to access it and helped me get my money back. I can't be more grateful. You can catch up with them by email. Fastfundrecovery8(@)gmail com . w/a 18075007554
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Marlboro Man and I walked together to our vehicles--symbolically parked side by side in the hotel lot under a cluster of redbud trees. Sleepiness had definitely set in; my head fell on his shoulder as we walked. His ample arms gripped my waist reassuringly. And the second we reached my silver Camry, the temperature began to rise. “I can’t wait till tomorrow,” he said, backing me against the door of my car, his lips moving toward my neck. Every nerve receptor in my body simultaneously fired as his strong hands gripped the small of my back; my hands pulled him closer and closer. We kissed and kissed some more in the hotel parking lot, flirting dangerously with taking it a step--or five--further. Out-of-control prairie fires were breaking out inside my body; even my knees felt hot. I couldn’t believe this man, this Adonis who held me so completely and passionately in his arms, was actually mine. That in a mere twenty-four hours, I’d have him all to myself. It’s too good to be true, I thought as my right leg wrapped around his left and my fingers squeezed his chiseled bicep. It was as if I’d been locked inside a chocolate shop that also sold delicious chardonnay and french fries…and played Gone With the Wind and Joan Crawford movies all day long--and had been told “Have fun.” He was going to be my own private playground for the rest of my life. I almost felt guilty, like I was taking something away from the world. It was so dark outside, I forgot where I was. I had no sense of geography or time or space, not even when he took my face in his hands and touched his forehead to mine, closing his eyes, as if to savor the powerful moment. “I love you,” he whispered as I died right there on the spot. It wasn’t convenient, my dying the night before my wedding. I didn’t know how my mom was going to explain it to the florist. But she’d have to; I was totally done for. I’d had half a glass of wine all evening but felt completely inebriated. When I finally arrived home, I had no idea how I’d gotten there. I was intoxicated--drunk on a cowboy. A cowboy who, in less than twenty-four hours, would become my husband.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
So, my true first time with a boy was like this… You can look but you cannot touch Ha- that is what I thought, I was so wrong too and it was not with him either regrettably. It was okay my heart was beating so rapidly; I thought that it was going to explode out of my chest. The silky-smooth skin ran along my body; it was like an enchanted expression of togetherness. At last, I felt as if I was loved. But I was not with the one that I loved. His brown eyes glazed- sweetly and softly into mine. I was so looking forward to this kiss and moment all my life. However, he walked with me in his arms to his bed. Then I was on his bed stripped of all forms of dignity. The lights were off, and the door was locked, and that took me back to when I was a little girl. Loving at night just holds onto me tight. The room is lit by the moonlight. When you are looking down at me is what you are seeing all right? This is maybe my special night. I cannot believe I am with a football player! I was not prepared at all for the performance of lovemaking. I had no idea what I was doing. I was thinking to myself this is not like the movies at all! Yes, all the touching was extremely steamy, like before and then again, the playing around that he did on me was more intriguing, to say the least. I was thinking that he was the sweetest guy on earth. However, all the thoughts in my mind ran fast… thoughts like should we be doing this? Yet, I am so shy and nervous my knees were knocked beforehand. Then again, this is going to be so beautiful; I had fantasized about this moment since I was a young girl. ‘Yet, I have to say to all you girls out there, to lose it when you are ready to. Please do it for you and no one else. It is about your timing, and what you choose to do, you can choose when and whom you let in!’ So, starting I felt like my tearing and breaking-in took forever, and that his pushing forward was never going to stop, love is painful in more than one way, it was so intense. Yet, it was so perfect and feels so amazing with him now sliding in and out of me. It hurt at the start, but it got more enjoyable, that is for sure. Yet also, it was like being run over by a speeding train, and I could not help but feel that he was not meant to be my first. Me being so naïve and only sixteen years of age I was so embarrassed by the fact that I was so under-experienced in sensual activities. I wanted to make the best of the moments of intimacy. I was happy to say that I got my first French kiss as well, but his soft little kiss was sweeter, the first time we kissed as I remember at that time.
Marcel Ray Duriez
The perfect girl what can I say; to be so close yet, feel miles away. I want to run to her, but have to walk out the door going the other way. The only words spoken to her are- ‘Have a nice day.’ I think about her and the summer, and what it could have been with her. It reminds me of- sixteen, you are on my mind all the time. I think about you. It is like a vision of the stars shining, ribbon wearing, bracelet making, and holding hands forever. All the sunflowers in the hayfields and kissing in the rain, no more brick walls, no more falling teardrops of pain, and no more jigsaw puzzle pieces would remain. True love should not be such a game; does she feel the same. She is everything that I cannot have, and everything I lack. What if every day could be like this- Diamond rings, football games, and movies on the weekends? It is easy to see she belongs to me; she is everything that reminds me of ‘sixteen’ everything that is in my dreams. Everything she does is amazing, but then again, I am just speculating, and fantasizing about Nevaeh Natalie, who just turned the age of sixteen! Nevaeh- I recall my first boy kiss was not at all, what I thought it was going to be like. I was wearing a light pink dress, and flip-flops that were also pink with white daisy flowers printed on them. I loosened my ponytail and flipped out my hair until my hair dropped down my back, and around my shoulders. That gets A guy going every time, so I have read online. He was wearing ripped-up jeans and a Led Zeppelin t-shirt. He said that- ‘My eyes sparkled in blue amazement, which was breathtaking, that he never saw before.’ Tell me another line… I was thinking, while Phil Collins ‘Take Me Home’ was playing in the background. I smiled at him, he began to slowly lean into me, until our lips locked. So, enjoy, he kissed me, and my heart was all aflutter. When it happened, I felt like I was floating, and my stomach had butterflies. My eyes fastened shut with no intentions of me doing so during the whole thing. When my eyes unfastened my feelings of touch engaged, and I realized that his hands are on my hips. His hands slowly moved up my waist, and my body. I was trembling from the exhilaration. Plus, one thing led to another. It was sort of my first time, kissing and playing with him you know a boy, oh yet not really, I had gotten to do some things with Chiaz before like, in class as he sat next to me. I would rub my hand on it under the desks- yeah, he liked that, and he would be. Oh, how could I forget this… there was this one time in the front seat of his Ford pickup truck, we snuck off… and this was my first true time gulping down on him, for a lack of a better term. As I had my head in his lap and was about to move up for him to go in me down there, I was about to get on top and let him in me. When we both heard her this odd, yet remarkably loud scream of bloody murder! Ava was saying- ‘You too were going to fuck! What the fuck is going on here? Anyways, Ava spotted us before he got to ‘Take me!
Marcel Ray Duriez (Nevaeh The Miracle)
I climbed under the covers and shone the flashlight on Mason's gift: a roll of something or somethings, bound in string. I unfurled it to reveal an 8x10 black-and-white photograph. The girl in the picture was me. Me in the Mystery Machine, eyes locked with the eye of Mason's camera, mouth tilted in an incredulous smirk. It was the girl from the mirror, it was the girl from the wall in McGrath's tomb, it was the girl from the moon, as far away as that. A familiar girl with a faraway look in her eye. I'd know her anywhere; I didn't know her at all. Over her eyes Mason had outlined a pair of 3-D movie glasses–a nod to Weegee's 3-D-movie lovers, no doubt, although this girl–me, I– was alone, not locked in some passionate embrace. Underneath her/my face, Mason had taped a fortune cookie message: One who admires you greatlyis hidden before your eyes. God! He almost had me. So if I was the 3-D girl with hidden eyes, did he think I was his admirer? Oh, Mr. Mad Hatter, I thought. How fearfully wrong thou art.
Sarah Combs (Breakfast Served Anytime)
She knew with suddenness and ease that this moment would be with her always, within hand's reach of memory. She doubted if they all sensed it - they had seen the world - but even George was silent for a minute as the looked, and the scene, the smell, even the sound of the band playing a faintly recognizable movie theme, was locked forever in her, and she was at peace.
Stephen King
that it’s getting tougher and tougher to pin their jobs on hoods, tougher to make a rap stick. For good or ill, that’s the way it is. You damn near have to catch them in the act of dismembering the body … And I had it. I was lugging my damned camera. Maybe there’d been a reason—besides the fact that I had some splendidly provocative shots of Tootsie in the exposed footage—for my hanging onto the Bolex. The next best thing to actually catching hoods in the commission of a crime should be a movie of them in the middle of it. A shot of them chasing after me, shooting at me, should be enough for any court in the land, temporarily. That meant I would have to get into the film somehow, myself, while taking care that the action was merely of the boys shooting at me, not in me. So, for one, I couldn’t stand holding the camera, filming them while they ran down on top of me. And for another, I was going to have to run at least another mile. But I was quite a bit ahead of them now—though a shot still rang out from time to time—so I sprinted as hard as I could for a hundred yards, the last thirty of which were quite straight, and then skidded to a stop. The Bolex was battery-operated and, once started, would function unaided until the film ran out, if I locked the shutter release down. But there was only one hundred feet of film, and that would run past the lens in four minutes. I didn’t think I could be sure of running another mile in four minutes—not after what I’d recently been through. In fact, I was pretty sure I couldn’t. But there was still a way. If I set the camera speed to expose not the normal sixteen frames a second but only eight, which I could do merely by turning a little knob on the side of the camera, the thing would run twice as long, or for eight minutes. True, when projected it would be in fast motion, the action speeded up, but that didn’t matter. The faces—and guns—of those lobs would be identifiable. The only ticklish part, actually, after adjusting the lens aperture and frames-per-second setting, was spotting a limb in the right place and at the right angle to hold the camera firmly. But I found one suitable, jammed the Bolex into place pointing back down the path, depressed and locked the shutter release to start it whirring and moved out of there.
Richard S. Prather (Shell Scott PI Mystery Series, Volume Six)
Fight Club’s quiet 1996 release came just a few years after the arrival of the so-called men’s movement, in which dissatisfied dudes looking to reclaim their masculinity would gather for all-male retreats in the woods. They’d bang drums and lock arms in the hope of escaping what had become a “deep national malaise,” noted Newsweek. “What teenagers were to the 1960s, what women were to the 1970s, middle-aged men may well be to the 1990s: American culture’s sanctioned grievance carriers, diligently rolling their ball of pain from talk show to talk show.
Brian Raftery (Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen)
Surely a young beauty like yourself is lonely, too. It can be a part of the game, if you like.” “Get off,” she said, thoroughly done with this. His answer was to lean in closer. So she kneed him in the groin. As hard as she could. “Aw, ow, dammit!” He doubled over and thudded onto his knees. Jane brushed off her knee, feeling like it had touched something dirty. “Aw, ow, dammit indeed! What’re you thinking?” Jane heard hurried footsteps coming down the stairs. It was Mr. Nobley. “Miss Erstwhile!” He was barefoot in his breeches, his shirt untucked. He glanced down at the groaning man. “Sir Templeton!” “Ow, she kicked me,” said Sir Templeton. “Kneed him, I kneed him,” Jane said. “I don’t kick. Not even when I’m a ninja.” Mr. Nobley stood a moment in silence, looking over the scene. “I hope you remembered to shout ‘Ya’ when taking him down. I hear that is very effective.” “I’m afraid I neglected that bit, but I’ll certainly ‘ya’ from here to London if he ever touches me again.” “Miss Erstwhile, were you perhaps employed by your president’s armed forces in America?” “What? Don’t British women know how to use their knees?” “Happily, I have never put myself in a position to find out.” He stared at the prostrate Sir Templeton. “Did he hurt you?” “Frankly, your arm-yanking earlier was worse.” “I see. Perhaps you should retire to your chambers, Miss Erstwhile. Would you like me to escort you?” “I’m fine,” she said, “as long as there aren’t any other Sir Templetons lurking upstairs.” “Well, I cannot give Colonel Andrews a glowing reference, but I believe the way is safe.” She stepped closer to Mr. Nobley and whispered, “Are you going to out me to Mrs. Wattlesbrook for the servants’ quarters lurking?” “I think,” he said, nudging the prostrate Sir Templeton with his foot, “that you have suffered enough tonight.” Mr. Nobley smiled at her, the first time she had seen his real smile. She wouldn’t go so far as to call it a grin. His lips were closed, but his eyes brightened and the corners of his mouth definitely turned up, creating pleasing little cheek wrinkles on either side as though the smile were in parentheses. It bothered her in a way she couldn’t explain, like feeling itchy but not knowing exactly where to scratch. He was not particularly amused, she saw, but smiled to reassure her. Wait, who wanted to reassure her? Mr. Nobley or the actual man, Actor X? “Thanks. Good night, Mr. Nobley.” “Good night, Miss Erstwhile.” She hesitated, then left, Sir Templeton’s groans following her up the stairs. On the second floor, Aunt Saffronia was emerging from her room, clutching a white shawl over her nightgown. “What was that noise? Is everything all right?” “Yes. It was…your husband. He was being inappropriate.” Aunt Saffronia blinked. “Inebriated?” “Yes.” She nodded slowly. “I’m sorry, Jane.” Jane wasn’t sure if Aunt Saffronia was speaking to Jane the niece or Jane the client. For the first time it didn’t matter; both Janes felt exactly the same. She acknowledged the apology with a nod, went to her room, and locked the door behind her. She thought she was angry but instead she plopped herself down on her bed, put her face in her pillow, and laughed. “What a joke,” she said, sounding to herself like the movie incarnation of Lydia Bennet. “I come for Mr. Darcy, fall for the gardener, and get propositioned by the drunk husband.” Tomorrow would be different. Tomorrow she would play for real. She was going to drive full force into the game, have a staggering good time, and kick the nasty Darcy habit for good. She fell asleep with the ticklish thought of Mr. Nobley’s smile.
Shannon Hale (Austenland (Austenland, #1))
Tommy didn’t notice any of this. He was locked into a scene and a moment he couldn’t bring to life. It was as horrifyingly transfixing as watching a baby crawl across the 405 freeway. We were all waiting for a miracle.
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made (A Gift for Film Buffs))
He frowned and reached out, lifting a lock of her hair off her shoulder. “Do you have mud in your hair?” “Probably,” she said. “I was standing on the porch, appreciating the beauty of this nice spring morning when one end gave way and spilled me right into a big, nasty mud puddle. And I wasn’t brave enough to try out the shower—it’s beyond filthy. But I thought I got it all off.” “Oh, man,” he said, surprising her with a big laugh. “Could you have had a worse day? If you’d like, I have a shower in my quarters—clean as a whistle.” He grinned again. “Towels even smell like Downy.” “Thanks, but I think I’ll just move on. When I get closer to the coast, I’m going to get a hotel room and have a quiet, warm, clean evening. Maybe rent a movie.” “Sounds nice,” he said. “Then back to Los Angeles?” She shrugged. “No,” she said. She couldn’t do that. Everything from the hospital to the house would conjure sweet memories and bring her grief to the surface. She just couldn’t move on as long as she stayed in L.A. Besides, now there was nothing there for her anymore.
Robyn Carr (Virgin River (Virgin River #1))
What’s that like, being a movie star?” “Being a star, as you put it, is like living an imaginary life. Acting, however, is the hardest work you’ll ever find. Look at me,” she said, connecting with his eyes. “Closely, closely—yes, like that. Now look angry.” He scowled for her. “Very nice,” she said. “Now—look vulnerable.” He frowned in confusion. “Not easy, is it? Add to that, you have to memorize one hundred and twenty pages of dialogue, be on the set at 6:00 a.m. and won’t get done before 10:00 p.m., you’ll either sweat or freeze, you’ll stand at attention for so many goddamn hours your hips will lock and the man you have to kiss will have breath that would gag a maggot or the promising young actress who’s playing your daughter will be a snotty little shit who holds up the whole production and costs everyone time and money.” She leaned back and grinned at him. “It’s not easy. I swear to God.” “Well, no wonder you retired.” “Why’d
Robyn Carr (Second Chance Pass)
Eric immediately turned around and tried to run back out the door. BONK! He bounced off the door. He tried the wall. Same result. “I’m sorry, but we’ve locked everything down,” Jevvrey said. Eric spun around. Jevvrey was looking at him through the futuristic glasses. He waved to Eric. “Bluetooth Go Wild goggles. $99.99. Available soon for pre-order.” I looked around the room. Jevvrey had added a few things since I’d last seen it. For one, he was sitting on a swivel chair in front of a six-foot-tall black rectangle in the middle of the room. It looked like one of those supercomputers from the movies with switches and buttons and blinking lights all over it. The other thing was Mr. Gregory, sitting at his desk in front of a laptop, looking miserable. “I was hoping you’d make it in time,” Jevvrey said. “In time for what?” “We’re about to find out what happens at the end of the game!” Jevvrey took out his phone and tapped on the screen. “Mark?” Eric asked. Jevvrey nodded. “He’s fading fast now.” He turned the phone around so we could see it. Mark was fading. Not like his health or anything — he was actually disappearing
Dustin Brady (Trapped in a Video Game: Book Two)
Before we took the trip, he had never been on an elevator, eaten a hamburger, or enjoyed a chocolate milkshake. He’d never seen a vacuum cleaner, dishwasher, trash compactor, ATM, vending machine, car with automatic locks, or Western-style movie theater. He had never been to a shopping mall, ridden in a car on the Interstate, or traveled at over 40 miles an hour. He’d never seen a rodeo, the Metropolitan Museum of Art, or the Rubin Museum of Art in New York filled with Himalayan art, or drunk a single-malt scotch. Now he counts all of these marvels of Western culture as some of his favorite things.
Linda Leaming (Married to Bhutan)
If we lack either self-awareness or confidence in who we are, we run the risk of allowing others to define who we are or who we should be.
Lisa Locke (Blockbuster Love - Part 1: Romance: Lessons from the Movies on How to Create Lasting Love)
I take great pride in not being that girl in the horror movies who knows a serial killer is axing people out in the woods and so decides that a nature walk is a brilliant idea. I’m the lock-myself-in-the-basement-with-a-shotgun-and-some-napalm sort of woman.
Diana Pharaoh Francis (Edge of Dreams (Diamond City Magic, #2))
Do you fancy catching a movie at the Sturbridge Theater tonight? That new Robert Pattinson movie is showing,” I ask her, the phone cradled against my chest. “Definitely sign me up for that!” Ari replies, chuckling as I mock scowl. Her easy laugh warms my soul. “We’re in,” I tell Gil, arranging to meet him and his date in the diner later. “So, who is it this time?” Ari asks, resting her chin in her hands. “Anyone we know?” Considering I can count the girls on one hand who have enjoyed more than one date with Gil, I doubt it’ll be someone familiar. “I didn’t ask; guess we’ll find out soon enough.” “Five bucks says it’s a blonde,” Ari quips. “That’s one bet I’m not taking,” I admit, twirling a lock of her hair around my finger. “Gil’s penchant for blondes is world-renowned.
Siobhan Davis (Light of a Thousand Stars (True Calling #2.5))
Someone as locked down and in control as Jeter was probably not much tempted by gambling and recreational drugs. (His only admitted addiction is the nicely self-deprecating one of too much movie watching. “During the off-season, I go to the movies almost every day,” he’s told reporters. “You hear about women buying shoes? I buy DVDs. I definitely have a problem.”)
Joseph Bottum (The Swinger (Kindle Single))
I should say that it was only for me that Marxism seemed over. Surely, I would tell G. at least once a week, it had to count for something that every single self-described Marxist state had turned into an economically backward dictatorship. Irrelevant, he would reply. The real Marxists weren’t the Leninists and Stalinists and Maoists—or the Trotskyists either, those bloodthirsty romantics—but libertarian anarchist-socialists, people like Anton Pannekoek, Herman Gorter, Karl Korsch, scholarly believers in true workers’ control who had labored in obscurity for most of the twentieth century, enjoyed a late-afternoon moment in the sun after 1968 when they were discovered by the New Left, and had now once again fallen back into the shadows of history, existing mostly as tiny stars in the vast night sky of the Internet, archived on blogs with names like Diary of a Council Communist and Break Their Haughty Power. They were all men. The group itself was mostly men. This was, as Marxists used to say, no accident. There was something about Marxist theory that just did not appeal to women. G. and I spent a lot of time discussing the possible reasons for this. Was it that women don’t allow themselves to engage in abstract speculation, as he thought? That Marxism is incompatible with feminism, as I sometimes suspected? Or perhaps the problem was not Marxism but Marxists: in its heyday men had kept a lock on it as they did on everything they considered important; now, in its decline, Marxism had become one of those obsessive lonely-guy hobbies, like collecting stamps or 78s. Maybe, like collecting, it was related, through subterranean psychological pathways, to sexual perversions, most of which seemed to be male as well. You never hear about a female foot fetishist, or a woman like the high-school history teacher of a friend of mine who kept dated bottles of his own urine on a closet shelf. Perhaps women’s need for speculation is satisfied by the intense curiosity they bring to daily life, the way their collecting masquerades as fashion and domesticity—instead of old records, shoes and ceramic mixing bowls—and their perversity can be satisfied simply by enacting the highly artificial role of Woman, by becoming, as it were, fetishizers of their own feet.
Katha Pollitt (Learning to Drive (Movie Tie-in Edition): And Other Life Stories)
True Love… it’s the most wonderful human emotion and one of the most elusive. We search for it, trying to find that one person in the whole world worthy enough to spend our lives with. When you look at the trail of broken hearts, the rivers of tears and the broken dreams, it’s quite obvious that it’s not an easy dream to achieve. Don’t we rightly call it the Quest for Love? That’s why when we think we’ve found the right person, we are giddy with happiness and relief. Finally! The answer to our prayers has come after such a long wait. We are safe. We are loved. A lot of women view marriage this way and I blame that on all the Walt Disney cartoons we watched as little girls. There’s this beautiful helpless princess locked away in a castle and here comes this handsome prince to save her from her miserable life. Classic. Then, after the grand wedding ball, the movie ends with: “And They Lived Happily Ever After.” That’s it? What happened afterwards? Nothing’s mentioned about that. We are made to think that it all ends there, that the couple’s happiness is secured and a given. They love each other, right? They went through all that trouble just to be together. So they’ll be happy. End of story.
Eeva Lancaster (You're Getting Married Soon... Now What?)
Trump’s unexpected win created a persuasion bomb that no one knew how to defuse. The anti-Trumpers were locked into their Hitler movie, and confirmation bias would keep them there. It was a terrible situation for a country. And it was an enormous challenge for Trump, the Master Persuader.
Scott Adams (Win Bigly: Persuasion in a World Where Facts Don't Matter)
Unless you're living in the best neighborhoods, Philadelphia is indeed everything David Lynch claims it is: a very sick, twisted, violent, fear-ridden, decadent and decaying place. Huyen was so shocked, she wanted to go back to Vietnam immediately. Only pride prevented her from doing so. Grays Ferry was sullen and desolate and everyone seemed paranoid. Saigon is often squalid but it is never desolate. Vietnam is a disaster, agreed, but it is a socialized disaster, whereas America is -- for many people, natives or not -- a solitary nightmare. If Americans weren't so stoic and alienated, if they weren't' so cool, they wouldn't be so quiet about their desperation. Huyen could handle poverty, but she had no aptitude for paranoia, the one skill you needed to survive in Philadelphia. In Saigon you dreaded being cheated or robbed; in Philadelphia you feared getting raped and killed. In the end, Philadelphia was even worse than Eraserhead, because it didn't last for 108 minutes but went on forever. As in Vietnam, Huyen sought comfort in American movies to escape from the real America she could see just outside her window. Every American home was its own inviolable domain, a fortress with the door never left open. The rest of the world could go to hell as long as there was enough beer in the fridge and a good game on TV. And utopia was already on the internet, why go outside if you didn't have to? In the morning, Huyen kept the door locked, bolted and chained, and watched Jerry Springer -- in his glasses and tweed suit the image of a college professor -- to learn more about Americans and improve her colloquial English. In the afternoon, she took a bus to the YMCA to attend an ESL class. At night, the couple barely screwed in the land of bountiful screwing. His wife was so tense, Jaded went back to masturbating.
Linh Dinh (Love Like Hate)
Just one more way they were compatible. Closing his eyes, he sent up a prayer to anyone who was listening, asking please, for God’s sake, stop sending him signals that they were right for each other. He’d read that book, seen the movie, bought the sound track, the DVD, the T-shirt, the mug, the bobble-head, and the insider’s guide. He knew every reason they could have been lock and key. But just as he was aware of all that aligned them, he was even clearer on how they were damned to be ever apart. “Are
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
To put it simply, blue-sky opportunities are about skating to where the puck will be, not where it is now. Sometimes blue-sky opportunities arise by thinking more broadly or reframing how you’re approaching a problem: Blockbuster saw its business as “video stores” and was locked into handing customers tapes and DVDs. Netflix focused on “content delivery,” and it didn’t matter if that content came from the mail or streaming video. By thinking about how to let customers watch movies and TV shows in a different way, Netflix saw a means to exceed Blockbuster’s local maxima and find a new global maxima.
Product School (The Product Book: How to Become a Great Product Manager)
Tharion finished Sofie’s inbox, checked the junk folder, and then finally the trash. It was mostly empty. He clicked open her sent folder, and groaned at the tally. But he began reading again. Click after click after click. His phone chimed with an alert: thirty minutes until he needed to get into the water. He could reach the air lock in five minutes, if he walked fast. He could get through another few emails before then. Click, click, click. Tharion’s phone chimed again. Ten minutes. But he’d halted on an email dated three years ago. It was so simple, so nonsensical that it stood out. Subject: Re: Dusk’s Truth The subject line was weird. But the body of her email was even weirder. Working on gaining access. Will take time. That was it. Tharion scanned downward, toward the original message that Sofie had replied to. It had been sent two weeks before her reply. From: BansheeFan56 Subject: Dusk’s Truth Have you gotten inside yet? I want to know the full story. Tharion scratched his head, opened another window, and searched for Dusk’s Truth. Nothing. No record of a movie or book or TV show. He did a search on the email system for the sender’s name: BansheeFan56. Another half-deleted chain. This one originating from BansheeFan56. Subject: Project Thurr Could be useful to you. Read it. Sofie had replied: Just did. I think it’s a long shot. And the Six will kill me for it. He had a good feeling he knew who “the Six” referred to: the Asteri. But when Tharion searched online for Project Thurr, he found nothing. Only news reports on archaeological digs or art gallery exhibits featuring the ancient demigod. Interesting. There was one other email—in the drafts folder. BansheeFan56 had written: When you find him, lie low in the place I told you about—where the weary souls find relief from their suffering in Lunathion. It’s secure. A rendezvous spot? Tharion scanned what Sofie had started to reply, but never sent. Thank you. I’ll try to pass along the info to my She’d never finished it. There were any number of ways that sentence could have ended. But Sofie must have needed a place where no one would think to look for her and her brother. If Sofie Renast had indeed survived the Hind, she might well have come here, to this very city, with the promise of a safe place to hide. But this stuff about Project Thurr and Dusk’s Truth … He tucked those tidbits away for later. Tharion opened a search field within Declan’s program and typed in the sender’s address. He started as the result came in. Danika Fendyr.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
So, with no prospects and no skills (again, I majored in The History and Literature of Russia and Britain), I got ahead of the millennial curve and moved back to my parents’ house and into my childhood bedroom. Which, if you haven’t done it, is one of the most humiliating experiences an adult can go through. At first you think, No big deal. It’s like I’m back in high school, except no curfew and I can drink in front of my parents! Then you have one drink in front of your parents in your childhood kitchen and you’re like, I’m the saddest boy on Earth. There’s something about moving back home after college that eliminates all the respect you accumulated by going away to college. All the bragging your parents did about you going to a good school disappears overnight. You live in their house, yet they dare not speak your name in public, for fear that a friend of theirs with a working child will ask, “And what is Colin doing now?” So you slink around and try to eat alone at odd hours and then go to a movie at 11:45 P.M. on a Tuesday with your one other loser friend who moved back home. Then you go to a diner at 2 A.M. and see your high school girlfriend and she’s already married with three kids and you don’t understand how that’s even physically possible. (Or why she’s at a diner at 2 A.M. with three kids at home.) So you ask the diner to make your plate of eggs “to go” to escape the whole scene and now you’re eating cold eggs in the basement of your house at 3 A.M., watching Howard Stern tell a porn star to kiss Gary the Retard, because that’s easily the most thrilling moment of your day. And pretty soon you’re thinking, Why the fuck did I major in the History and Literature of Russia and Britain? After a few weeks of extreme depression, I talked to a couple friends from college who were equally miserable and unemployed, and we all decided: Let’s move to Manhattan or Brooklyn or wherever we can get an apartment and just force ourselves to get jobs and become actual adults. And my parents were like, “No…don’t…” And then closed the door behind me and locked it.
Colin Jost (A Very Punchable Face)
Conspiracy theorists thought Holden was murdered, citing his CIA connections and the “locked-room” theory, while movie fans the world over were shocked and amazed that a man with his fame and wealth had died in such a horrific manner.
Howard Johns (Drowning Sorrows: A True Story of Love, Passion and Betrayal)
Seriously, though,” he says, lifting a brow. “I imagine there’s a pissed-off movie star with a security team straight out of a combat zone searching Peachwood County for a runaway bride right about now. It’s not that I couldn’t take them. I’m just wondering if I need to call for reinforcements.
Adriana Locke (This Much Is True (Marshall Family, #2))
the passenger’s seat. I nodded. “She knows better than to ask anything. She’s watching a movie right now and has promised to lock up everything before she goes to bed. She’s got a pistol with her in the living room and one in her bedroom.” “You don’t think anyone’s going to bother her at your place, do you?” Ida Belle asked. “It would be stupid to,” I said. “But Sinful has coughed up a big share of stupid.” “That’s true enough,” Ida Belle said. “The bigger question is what about Carter?” Gertie asked. “Are things still tense between the two of you?” “It’s gotten a little better,” I said. “But then, we’ve hardly seen each other, so that’s kinda the default.
Jana Deleon (Reel of Fortune (Miss Fortune Mystery, #12))
Maybe a dashingly handsome man strolls down the beach, our eyes lock on one another, which begins our love story. Our story will be so magical it will make even the best of Hallmark movies seem like nothing.
Melissa Baldwin (Can We Talk? (Question, #1))
People who watched too many movies about hackers had all sorts of ludicrous ideas about what they were capable of. In general, they hugely overestimated hackers’ ability to do certain things. But there was one area in which hackers were routinely underestimated, and that was lock picking. For them, picking locks was a nice way to kick back and relax after a long day of doing pen tests on corporate networks. No hacker loft was complete without a shoebox full of old locks, handcuffs, and so on, that these guys would sit around and pick just for the fun of it.
Neal Stephenson (Reamde)
Even after I met a nurse in Detroit who opened doors inside me I hadn’t known I’d locked. Even then, I’d still see Sally sipping coffee at a diner counter, or sticking her arm out of a dressing room for another size, or in the balcony at a movie theater watching a picture by herself. And each time, I’d feel that same inner gasp, that exquisite anticipation—that moment the lights go down and the film begins, that moment when, for just a few seconds, the whole world feels on the verge of awakening.
Lara Prescott (The Secrets We Kept)
My name is Olivia King I am five years old. My mother bought me a balloon. I remember the day she walked through the front door with it. The curly hot-pink ribbon trickling down her arm, wrapped around her wrist. She was smiling at me as she untied the ribbon and wrapped it around my hand. “Here, Livie, I bought this for you.” She called me Livie. I was so happy. I’d never had a balloon before. I mean, I always saw balloons wrapped around other kids’ wrists in the parking lot of Walmart, but I never dreamed I would have my very own. My very own pink balloon. I was so excited! So ecstatic! So thrilled! I couldn’t believe my mother bought me something! She’d never bought me anything before! I played with it for hours. It was full of helium, and it danced and swayed and floated as I pulled it around from room to room with me, thinking of places to take it. Thinking of places the balloon had never been before. I took it into the bathroom, the closet, the laundry room, the kitchen, the living room. I wanted my new best friend to see everything I saw! I took it to my mother’s bedroom! My mother’s Bedroom? Where I wasn’t supposed to be? With my pink balloon… I covered my ears as she screamed at me, wiping the evidence off of her nose. She slapped me across the face and reminded me of how bad I was! How much I misbehaved! How I never listened! She shoved me into the hallway and slammed the door, locking my pink balloon inside with her. I wanted him back! He was my best friend! Not hers! The pink ribbon was still tied around my wrist so I pulled and pulled, trying to get my new best friend away from her. And it popped. My name is Eddie. I’m seventeen years old. My birthday is next week. I’ll be the big One-Eight. My foster dad is buying me these boots I’ve been wanting. I’m sure my friends will take me out to eat. My boyfriend will buy me a gift, maybe even take me to a movie. I’ll even get a nice little card from my foster-care worker, wishing me a happy eighteenth birthday, informing me I’ve aged out of the system. I’ll have a good time. I know I will. But there’s one thing I know for sure. I better not get any shitty-ass pink balloons!
Colleen Hoover (Slammed (Slammed, #1))
not yet allowing himself to wallow in the wave of relief coursing through his body, and pushed through it, ignoring questions barked at him in a foreign language. He galloped down a set of steps, past another pair of cops rushing in the opposite direction, barely meriting a second glance on this occasion. As he left the park, crossing a road that was cordoned off to traffic at either end, he breathed out a long, deep, endless sigh of relief that flooded out of him with the relentless power of the Nile emptying into the Mediterranean Sea. It was only now that he recognized how fast his heart was beating, or felt the beads of sweat dripping off his forehead – both more a result of tension than exertion. “That was close,” he groaned, cursing himself for breaking the cardinal rule of espionage and thrusting himself into the center of attention. “Too damn close.” And it was far from over. He might have escaped the first cordon of cops, but before long the whole of central Moscow would be on lockdown. He needed to get out before it was too late. Trapp fought against his instincts and slowed his pace, walking casually down a side street, past a government building with a small brass plaque outside which read, ‘Federal Agency for State Property Management’ in English letters under the Cyrillic. He kept his head low, pointed at the ground, hoping that it would obscure him from the surveillance cameras that dotted the area, but knowing that it probably wouldn’t. That’s a problem for another day. He cast a quick look around to make sure no one was paying him any attention, and when he was certain that they were not, he ducked into a space between two parked cars, crouched down, and pulled on the neon vest he had previously stowed by his breast. Again, the disguise was skin deep, but if one of the cops he’d just passed managed to radio in a description, then perhaps this costume change might add a layer of distance. It was better than nothing. He started walking again, slowly enough not to draw the eye, fast enough to put as much distance between himself and what was about to turn into a very hot crime scene as possible. As he walked, his fingers played with the rock he had carried all this time, searching for a seam or a catch. He knew that it would not be locked, or contain the kind of self-destruct device so beloved of Hollywood movies. There wasn’t the space, and besides, any competent intelligence agency would be able to defeat such protections quickly enough. Trapp found it, worked the bottom of the rock open, and saw a memory stick sitting in a foam indentation. He pulled it free, put it into the coin pocket of his denim jeans, and dumped the two halves of the rock into an overflowing trash can. It was only then that the question came to him. What the hell do I do now? 35 The village of Soloslovo was 20 miles from Central Moscow, about thirty minutes by car in light traffic, or twenty on a high-powered motorcycle the likes of which Eliza Ikeda rode as she zipped past, around
Jack Slater (Flash Point (Jason Trapp, #3))
CARY GRANT IS THE MCCARTNEY OF MOVIE STARS—HIS STORY has much to tell us about Paul’s. They share a spiritual connection, beyond their pronunciation of “Judy.” (Paul described his “hey Judy-Judy-Judy” ad libs as “Cary Grant on heat.”) They dazzled Americans as the ultimate English dream dates—yet both were self-inventions, street guys who taught themselves to pose as posh charmers. Both grew up working-class in hardscrabble industrial cities; both lost their mothers at a young age. (Grant, whose real name was Archibald Leach, was nine when he was told his mother had gone on a trip; more than twenty years later, after he was famous, he learned she was locked up in an institution and got her released.) Both dropped out of school to fight their way into the sleaziest sewers of show biz—Grant joined a troupe of traveling acrobats, which must have been an even rougher scene than the Reeperbahn—yet to them it was a world of freedom and excitement. But both found lasting fame by turning on the charm for Americans who saw them as dapper gentlemen. “Everyone wants to be Cary Grant,” Grant once said. “Even I want to be Cary Grant.
Rob Sheffield (Dreaming the Beatles: The Love Story of One Band and the Whole World)
Jenna, you are halfway to freedom from Wayne. A few more months and you can hand him back to us, and not have to deal with him anymore. If you launch this business with him, you are locked in, day in and day out, for a minimum of four or five years. And really, can you imagine him really helping at these events? I just see him knocking over ice sculptures, and tipping over cakes, and generally being a bull in the china shop everywhere he goes. A bull on steroids. With an inner ear imbalance. On roller skates." "Enough, lawdouche, she gets it." "I know. But again, Wayne is pretty clear that his area here would be identifying and helping land clients, and consulting on thematic details and event brainstorming, and keeping up with all industry aspects of the target market." "You mean going to movies, reading comics, and playing video games." "Yep, something like that." "You can't really be thinking you are going to do this." "I can be thinking that. And I'm pretty sure that the only opinion I asked you for on this was legal ramifications and financial obligations. I don't really care about your personal opinions." "Well, that hurts my feelings, because I still care about you on a personal level, and I think this is a huge mistake for you personally." I wait for my heart to race, for the sweats to start, for my colon to twist itself into a pretzel. And when none of that happens, I look at Brian. "I think, that being the case, that perhaps you ought to speak to your partners about who might be the best attorney to work with me moving forward." "You're firing me? Because I care about you?" "I'm firing you because I need an attorney who is less personally interested in the decisions I make. I'm a big girl, and I have a dad. And clearly, this is no longer a good fit. I'll appreciate a call from the other partners by the end of the week with a plan that I can review." "Seriously, I feel like you've completely lost your mind!" "Careful, Brian. At the moment, I'm asking you be removed from my account. However uncomfortable that may be for you with your partners, I assume you would rather that, than having to explain why I'm leaving the firm entirely. And I will be advising Wayne to shift to the same person I am with, obviously, for convenience." His chiseled jaw snaps shut, and while I can see a dozen retorts on the tip of his tongue, he doesn't speak. "Thank you. I'll review this further, and will discuss my decision with my new attorney. You'll get formal word from Wayne on his choice soon, I'm sure.
Stacey Ballis (Out to Lunch)
No, I'll mostly be watching you, anyway.’ His fingers traced patterns across the skin of my arm, raising goosebumps. ‘Will you cry?’ ‘Probably,’ I admitted, ‘if I'm paying attention.’ ‘I won't distract you then.’ But I felt his lips on my hair, and it was very distracting. The movie eventually captured my interest, thanks in large part to Marcel whispering Romeo's lines in my ear-his irresistible, velvet voice made the actor's voice sound week and coarse by comparison. And I did cry, to his amusement, when Juliet woke and found her new husband dead. ‘I'll admit, I do sort of envy him here, ‘Marcel said, drying the tears with a lock of my hair. ‘She's very pretty.’ He made a disgusted sound. ‘I don't envy him the girl-just the ease of the suicide,’ he clarified in a teasing tone. ‘You humans have it so easy! All you have to do is throw down one tiny vial of plant extracts…’ ‘What?’ I gasped. ‘It's something I had to think about once, and I knew from Chiaz's experience that it wouldn't be simple. I'm not even sure how many ways Chiaz tried to kill himself in the beginning… after he realized what he'd become…’ His voice, which had grown serious, turned light again. ‘And he's still in excellent health.’ I twisted around so that I could read his face. ‘What are you talking about?’ I demanded. ‘What do you mean, this something you had to think about once?’ ‘Last spring, when you were… nearly killed…’ He paused to take a deep breath, snuggling to return to his teasing tone. ‘Of course, I was trying to focus on finding you alive, but part of my mind was making contingency plans. As I said, it's not as easy for me as it is for a human.’ For one second, the memory of my last trip to Phoenix washed over my head and made me feel dizzy. I could see it all so clearly-the the blinding sun, the heat waves coming off the concrete as I ran with desperate haste to find the sadistic angel who wanted to torture me to death. James, waiting in the mirrored room with my mother as his hostage-or so I'd thought. I hadn't known it was all a ruse. Just as James hadn't known that Marcel was racing to save me; Marcel made it in time, but it had been a close one. Unthinkingly, my fingers traced the crescent-shaped scar on my hand that was always just a few degrees cooler than the rest of my skin. I shook my head as if I could shake away the bad memories and tried to grasp what Marcel meant. My stomach plunged uncomfortably. ‘Contingency plans?’ I repeated. ‘Well, I wasn't going to live without you.’ He rolled his eyes as if that fact were childishly obvious. ‘But I wasn't sure how to do it- I knew Emmah and Joh would never help… so I was thinking maybe I would go to Italy and do something to provoke the Ministry.’ I didn't want to believe he was serious, but his golden eyes were brooding, focused on something far away in the distance as he contemplated ways to end his own life. Abruptly, I was furious. ‘What is Vulture?’ I demanded. ‘The Ministry is a family,’ he explained, his eyes still remote. ‘A very old, very powerful family of our kind. They are the closest thing our world has to a royal family, I suppose. Chiaz lived with them briefly in his early years, in Italy, before he settled in America-do you remember the story?’ ‘Of course, I remember.
Marcel Ray Duriez (Nevaeh Hard to Let Go)
Your wish, my command.’ Marcel sprawled on the couch while I started the movie, fast-forwarding through the opening credits. When I perched on the edge of the sofa in front of him, he wrapped his arms around my waist and pulled me against his chest. It wasn't exactly as comfortable as a sofa cushion would be, what with his chest being hard and cold-and perfect-as an ice sculpture, but it was preferable. He pulled the old afghan off the back of the couch and draped it over me, so I wouldn't freeze beside his body. ‘You know, I've never had much patience with Romeo,’ he commented as the movie started. ‘What's wrong with Romeo?’ I asked, a little offended. Romeo was one of my favorite fictional characters. Until I'd met Marcel, I'd had a thing for him. ‘Well, first, he's in love with this Rosaline-don't you think it makes him seem a little fickle? And then, a few minutes after their wedding, he kills Juliet's cousin. That's not very brilliant. Mistake after mistake. Could he have destroyed his happiness any more thoroughly?’ I sighed. ‘Do you want me to watch this alone?’ ‘No, I'll mostly be watching you, anyway.’ His fingers traced patterns across the skin of my arm, raising goosebumps. ‘Will you cry?’ ‘Probably,’ I admitted, ‘if I'm paying attention.’ ‘I won't distract you then.’ But I felt his lips on my hair, and it was very distracting. The movie eventually captured my interest, thanks in large part to Marcel whispering Romeo's lines in my ear-his irresistible, velvet voice made the actor's voice sound week and coarse by comparison. And I did cry, to his amusement, when Juliet woke and found her new husband dead. ‘I'll admit, I do sort of envy him here, ‘Marcel said, drying the tears with a lock of my hair.
Marcel Ray Duriez (Nevaeh A Void She Cannot Feel)
My parents had always told me that I should treat older women with kindness and respect—though I suppose they had never suspected that I would ever be confronting an evil woman in charge of a criminal organization who had killers poised outside our house. Therefore, I might not have treated Ms. E with kindness or respect, and I might have possibly punched her in the face a few times. Not that she treated me with much kindness or respect either. Fistfights in real life are rarely as cool as the ones you see in the movies. Instead, there’s a lot of writhing around on the floor, trying to get in a good shot at the other person and usually failing. At one point, Ms. E locked both of her pantyhosed legs around my head for a brief moment—which was an experience I would prefer to never think of again—but I then drove my knee into some part of her that made her yelp in pain, and I wriggled away.
Stuart Gibbs (Spy School British Invasion)
Dammit. Forgot my clothes. Again. My brain truly is the Bermuda triangle. Info comes in and poof, it vanishes. I have excellent recall for the oddest things. Mating rituals? Check. Football stats? Locked and loaded. Movie quotes? Branded in my skull. My classes at Braxton? Freaking ghost town with tumbleweeds blowing through it. That plane has flown over thr triangle and disappeard.
Ilsa Madden-Mills (The Revenge Pact (Kings of Football, #1))
People who watched too many movies about hackers had all sorts of ludicrous ideas about what they were capable of. In general, they hugely overestimated hackers’ ability to do certain things. But there was one area in which hackers were routinely underestimated, and that was lock picking. For them, picking locks was a nice way to kick back and relax after a long day of doing pen tests on corporate networks.
Neal Stephenson (Reamde)
Silence replaces conversation. Turning away replaces turning towards. Dismissiveness replaces receptivity. And contempt replaces respect. Emotional withholding is, I believe, the toughest tactic to deal with when trying to create and maintain a healthy relationship, because it plays on our deepest fears—rejection, unworthiness, shame and guilt, the worry that we’ve done something wrong or failed or worse, that there’s something wrong with us. ♦◊♦ But Sara’s description is more accurate and compelling than mine. Her line, “quietly sucks out your integrity and self-respect” is still stuck in my head three days later. It makes me think of those films where an alien creature hooks up a human to some ghastly, contorted machine and drains him of his life force drop by drop, or those horrible “can’t watch” scenes where witches swoop down and inhale the breath of children to activate their evil spells of world domination. In the movies, the person in peril always gets saved. The thieves are vanquished. The deadly transfusion halted. And the heroic victim recovers. But in real life, in real dysfunctional relationships, there’s often no savior and definitely no guarantee of a happy ending. Your integrity and self-respect can indeed be hoovered out, turning you into an emotional zombie, leaving you like one of the husks in the video game Mass Effect, unable to feel pain or joy, a mindless, quivering animal, a soulless puppet readily bent to the Reapers’ will. Emotional withholding is so painful because it is the absence of love, the absence of caring, compassion, communication, and connection. You’re locked in the meat freezer with the upside-down carcasses of cows and pigs, shivering, as your partner casually walks away from the giant steel door. You’re desperately lonely, even though the person who could comfort you by sharing even one kind word is right there, across from you at the dinner table, seated next to you at the movie, or in the same bed with you, back turned, deaf to your words, blind to your agony, and if you dare to reach out, scornful of your touch. When you speak, you might as well be talking to the wall, because you’re not going to get an answer, except maybe, if you’re lucky, a dismissive shrug.
Thomas G. Fiffer (Why It Can't Work: Detaching from dysfunctional relationships to make room for true love)
Production of the new format was delayed by disagreements between the Hollywood studios, with Warners in particular balking at the lack of adequate protection against copyright theft. With release dates of their films being staggered across the world, it was possible for a movie to be available on video in the US before it had received its theatrical outing in some countries. If pirates made a digital copy – an exact copy – of a title, they could distribute it quicker and wider than ever, owing to the emergence of the World Wide Web. After much discussion, the global market was divided into six regions and discs were digitally locked. A chip inside each player decoded only those discs appropriate to the region in which they were sold.
Michael Binder (A Light Affliction: a History of Film Preservation and Restoration)
Closing his eyes, he sent up a prayer to anyone who was listening, asking please, for God’s sake, stop sending him signals that they were right for each other. He’d read that book, seen the movie, bought the sound track, the DVD, the T-shirt, the mug, the bobble-head, and the insider’s guide. He knew every reason they could have been lock and key. But just as he was aware of all that aligned them, he was even clearer on how they were damned to be ever apart.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
I don’t believe in love at first sight or soul mates or any of that guff you see in the movies. You know, where you meet someone in an impossibly coincidental way and you lock eyes and true, everlasting love ensues.
Ciara Smyth
You can’t mean to marry her!” Roslyn’s shrill voice rose. “Do you forget how she stole from you? That she tried to ruin your company? If you need any reminders, just look at the new hotels going up in Paris and Rome. Your hotels, Chrysander. Only they’re going up under your competitor’s name.” A haze blew through Marley’s mind. Red hot. Like a swarm of angry bees, tidbits of information began buzzing in her head. And suddenly it was as if a dam broke. The locked door in her mind that she’d tried so hard to budge simply opened, and the past came roaring through with vicious velocity. She swayed and gripped the door frame tighter. Nausea boiled in her stomach as each and every moment flashed like a movie in fast-forward. Chrysander’s angry accusation of thievery. His ordering her from their apartment, his life. Her abduction and the months she’d spent in hopeless fear, waiting for Chrysander to answer the ransom demands. Demands he’d ignored. Oh God, she was going to be sick. He’d left her. Discarded her like a piece of rubbish. The half million dollars, a paltry sum to a man of Chrysander’s means, was an amount he’d been unwilling to part with to ensure her return. Everything had been a lie. He’d lied to her nonstop since she’d awoken in the hospital. He didn’t love her or want her. He despised her. She hadn’t been worth half a million dollars to him. Pain splintered through her chest as she shattered. As everything she’d known as true suddenly turned black. Her heart withered and cracked, falling in pieces around her. He hadn’t tried to save her. The tortured cry that ripped from her mouth echoed through the room. She clamped a hand over her lips, but it was too late. Everyone looked her way. Theron flinched, and an odd discomfort settled over Piers’s face. She met Chrysander’s gaze, and she could see the truth in his eyes as he realized that she remembered.
Maya Banks (The Tycoon's Pregnant Mistress (Anetakis Tycoons, #1))
The Year Of The Cat" On a morning from a Bogart movie In a country where they turn back time You go strolling through the crowd like Peter Lorre Contemplating a crime She comes out of the sun in a silk dress running Like a watercolor in the rain Don't bother asking for explanations She'll just tell you that she came In the year of the cat She doesn't give you time for questions As she locks up your arm in hers And you follow till your sense of which direction Completely disappears By the blue tiled walls near the market stalls There's a hidden door she leads you to These days, she says, "I feel my life Just like a river running through" The year of the cat Why she looks at you so coolly? And her eyes shine like the moon in the sea She comes in incense and patchouli So you take her, to find what's waiting inside The year of the cat Well morning comes and you're still with her And the bus and the tourists are gone And you've thrown away your choice you've lost your ticket So you have to stay on But the drumbeat strains of the night remain In the rhythm of the new-born day You know sometime you're bound to leave her But for now you're going to stay In the year of the cat Year of the cat
Al Stewart
Gents, any girl who thinks Space Jam is a good movie is a lockdown. Meaning, lock her down right away, she’s a keeper.
Meghan Quinn (The Modern Gentleman)