Lock Stock Quotes

We've searched our database for all the quotes and captions related to Lock Stock. Here they are! All 87 of them:

I was just stock in the middle, vague and undefined.
Sarah Dessen (Lock and Key)
Isn't it strange how reading a book is a sin, but locking a girl in the stocks and leaving her to the dogs is another day of the Good Father's work?
Alexis Henderson (The Year of the Witching (Bethel, #1))
You still mine babe?" "Lock, stock and barrel baby" I whispered as his lips found mine.
D.H. Sidebottom (Shocking Heaven (Room 103, #1))
Wir haben beide das Locked-In-Syndrom, jeder auf seine Weise, ich in meinem Gehause, er in seinem 3ten Stock
Jean-Dominique Bauby
Tough to part; lock, stock and barrel. Something remains, like recognizable tastes and smells, which kindle the faculty of memory, yea-pricks the soul.
Aporva Kala (Life... Love... Kumbh...)
It’s how we keep our heads above water in a world that’s so incredibly dangerous for us. We notice everything, take stock of possible threats, and lock it all in our memory.
Nick Brooks (Promise Boys: A Blockbuster YA Mystery Thriller)
Failure was a luxury we couldn't afford, all chained together as we were, our fates locked up tight. One box office flop from a female director and no one wanted "girl" movies, one stock market plunge from a company with a woman CEO and women couldn't lead, one false accusation and we were liars, all of us. Because when we failed it was because of our chromosomes, it wasn't because of a market dip or an ineffective advertising campaign or plain bad luck.
Chandler Baker (Whisper Network)
Turning back to the crowd I say, “I am duty bound to make this plea, but I want to say, with all due respect to the governor here, that I doubt seriously that he will do — cannot do — anything. And for the reason that he is owned, lock, stock and barrel, by the capitalists who placed him here in this building.” — Mother Jones
Jerry Ash (Hellraiser—Mother Jones: An Historical Novel)
The civilized want people to make their living individually, and they want them to live separately, behind locked doors—one family to a house, each house fully stocked with refrigerators, television sets, washing machines, and so on.
Daniel Quinn (Beyond Civilization: Humanity's Next Great Adventure)
Harrow hatte sich auf einem Sofa ausgestreckt, das mit abgewetztem Brokat bezogen war. Ihre Gewänder hatte sie abgelegt, die dürren, schwarz gekleideten Beine an den Knöcheln überkreuzt. Für Gideon sah sie wie ein bösartiger Stock aus.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
...he was one of the great intellectuals of the 1940s who completed their higher studies in the West and returned to their country to apply what they had learned there—lock, stock, and barrel—within Egyptian academia. For people like them, “progress” and “the West” were virtually synonymous, with all that that entailed by way of positive and negative behavior. They all had the same reverence for the great Western values—democracy, freedom, justice, hard work, and equality. At the same time, they had the same ignorance of the nation’s heritage and contempt for its customs and traditions, which they considered shackles pulling us toward Backwardness from which it was our duty to free ourselves so that the Renaissance could be achieved.
Alaa Al Aswany (The Yacoubian Building)
It was not the house of someone who liked books. It did not have a well-stocked library. It was not even stuffed with books. Thomas could not see any part of the house that was not mostly book. Books rose from the floor to the ceiling in unruly, tottering towers. Books held up tables and chairs—and sat in the chairs, at the tables, as though quite ready for supper to be served, so long as supper was more books. They sprawled over the dining table like a feast of many colors. Books climbed the stairs, ran up and down the hallways, curled up before the fireplace, were wedged into the cabinets beside cups and saucers, held open doors and locked them shut. They left no room on the sofa to sit, nor in the kitchen to stand, nor on the floor to lie down. Books had already taken every territory and occupied it.
Catherynne M. Valente (The Boy Who Lost Fairyland (Fairyland, #4))
He belonged lock, stock, and cock to that fucking Duke bitch.
Jackie Collins (Chances (Lucky Santangelo #1))
You’re not gonna believe what just happened to me,” Jase says the minute I flip my cell open, taking advantage of break at the B&T. I turn away from the picture window just in case Mr. Lennox, disregarding the break sign, will come dashing out to slap me with my first-ever demerit. “Try me.” His voice lowers. “You know how I put that lock on the door of my room? Well, Dad noticed it. Apparently. So today, I’m stocking the lawn section and he comes up and asks why it’s there.” “Uh-oh.” I catch the attention of a kid sneaking into the hot tub (there’s a strict no-one-under-sixteen policy) and shake my head sternly. He slinks away. Must be my impressive uniform. “So I say I need privacy sometimes and sometimes you and I are hanging out and we don’t want to be interrupted ten million times.” “Good answer.” “Right. I think this is going to be the end of it. But then he tells me he needs me in the back room to have a ‘talk.’” “Uh-oh again.” Jase starts to laugh. “I follow him back and he sits me down and asks if I’m being responsible. Um. With you.” Moving back into the shade of the bushes, I turn even further away from the possible gaze of Mr. Lennox. “Oh God.” “I say yeah, we’ve got it handled, it’s fine. But, seriously? I can’t believe he’s asking me this. I mean, Samantha. Jesus. My parents? Hard not to know the facts of life and all in this house. So I tell him that we’re moving slowly and—” “You told him that?” God, Jase! How am I ever going to look Mr. Garret in the eye again? Help. “He’s my dad, Samantha. Yeah. Not that I didn’t want to exit the conversation right away, but still . . .” “So what happened then?” “Well, I reminded him they’d covered that really thoroughly in school, not to mention at home, and we weren’t irresponsible people.” I close my eyes, trying to imagine having this conversation with my mother. Inconceivable. No pun intended. “So then . . . he goes on about”—Jase’s voice drops even lower—“um . . . being considerate and um . . . mutual pleasure.” “Oh my god! I would’ve died. What did you say?” I ask, wanting to know even while I’m completely distracted by the thought. Mutual pleasure, huh? What do I know about giving that? What if Shoplifting Lindy had tricks up her sleeve I know nothing about? It’s not like I can ask Mom. “State senator suffers heart attack during conversation with daughter.” “I said ‘Yes sir’ a lot. And he went on and on and on and all I could think was that any minute Tim was gonna come in and hear my dad saying things like, ‘Your mom and I find that . . . blah blah blah.’” I can’t stop laughing. “He didn’t. He did not mention your mother.” “I know!” Jase is laughing too. “I mean . . . you know how close I am to my parents, but . . . Jesus.
Huntley Fitzpatrick (My Life Next Door)
If I forget you, let my right hand be forgotten,” her mouth was saying. “Add more also, if aught but death part me and thee.” And, unsteadily: “Griddle.” The hands must have withdrawn; she found herself facedown on the mattress, sobbing as she had not sobbed since she was a child. Someone said, “Everybody out. Go—” But this was more than she could take stock of. Harrow was too amazed by her body’s expanding capacity for despair. It was as though her feeling doubled even as she looked at it, unfolding, like falling down an endless flight of stairs. She dug her hands into the mattress and she cried for Gideon Nav.
Tamsyn Muir (Harrow the Ninth (The Locked Tomb, #2))
Back in Brooklyn, the wind was sharp and the streets were slick and Kat just really wished her Uncle Eddie believed in leaving a key under the mat instead of maintaining his strict stance that anyone who could not break into his Brooklyn brownstone had absolutely no business staying there without him. “Is there a problem, Kitty Kat?” a voice said from over Kat’s shoulder. Kat’s fingers were frozen and her breath fogged, and she’d had a far too upbeat rendition of “White Christmas” stuck in her head on a perpetual loop for the past eight hours. So, yes, there was a problem. But Kat would never, ever admit it. “I’m fine, Gabrielle,” she told her cousin. “Really?” Gab asked. “Because if you can’t handle Uncle Eddie’s lock then someone is going to get a lump of coal in her stocking again this Christmas.” “It wasn’t coal,” Kat shot back. “It was a very rare mineral from a condemned mine in South Africa, and it was a very thoughtful gift.
Ally Carter (The Grift of the Magi (Heist Society, #3.5))
We’re in bad shape as a country. We’re suffering from the collapse of both political parties. They’re bought out. They’re owned by corporate America, lock, stock, and barrel. The media is sold out. The corporate dominant culture, which is driven by the market, the bottom line, sells out everything.
Studs Terkel (Hope Dies Last: Keeping the Faith In Troubled Times)
There is no rule about anything in the stock market save perhaps one. That rule is that the key to market tops and bottoms or the key to market advances or declines will never work more than once. The lock, so to speak, is always changed. Therefore, a little horse sense is far more useful than a lot of theory.
Gerald M. Loeb (The Battle for Investment Survival (Essential Investment Classics))
There are indeed in some writers visible instances of deep thoughts, close and acute reasoning, and ideas well pursued. The light these would give, would be of great use, if their readers would observe and imitate them; all the rest at best are but particulars fit to be turned into knowledge, but that can be done only by our own meditation, and examining the reach, force, and coherence of what is said; and then, as far as we apprehend and see the connection of ideas, so far it is ours; without that, it is but so much loose matter floating in our brain. The memory may be stored, but the judgment is little better, and the stock of knowledge not increased, by being able to repeat what others have said or produce the arguments we have found in them. Such a knowledge as this is but knowledge by hearsay, and the ostentation of it is at best but talking by rote, and very often upon weak and wrong principles. For all that is to be found in books is not built upon true foundations, nor always rightly deduced from the principles it is pretended to be built on.
John Locke (Locke's Conduct of the Understanding)
I ask him if he tried to rape Nyla. “Laws are silent in times of war,” Tactus drawls. “Don’t quote Cicero to me,” I say. “You are held to a higher standard than a marauding centurion.” “In that, you’re hitting the mark at least. I am a superior creature descended from proud stock and glorious heritage. Might makes right, Darrow. If I can take, I may take. If I do take, I deserve to have. This is what Peerless believe.” “The measure of a man is what he does when he has power,” I say loudly. “Just come off it, Reaper,” Tactus drawls, confident in himself as all like him are. “She’s a spoil of war. My power took her. And before the strong, bend the weak.” “I’m stronger than you, Tactus,” I say. “So I can do with you as I wish. No?” He’s silent, realizing he’s fallen into a trap. “You are from a superior family to mine, Tactus. My parents are dead. I am the sole member of my family. But I am a superior creature to you.” He smirks at that. “Do you disagree?” I toss a knife at his feet and pull my own out. “I beg you to voice your concerns.” He does not pick his blade up. “So, by right of power, I can do with you as I like.” I announce that rape will never be permitted, and then I ask Nyla the punishment she would give. As she told me before, she says she wants no punishment. I make sure they know this, so there are no recriminations against her. Tactus and his armed supporters stare at her in surprise. They don’t understand why she would not take vengeance, but that doesn’t stop them from smiling wolfishly at one another, thinking their chief has dodged punishment. Then I speak. “But I say you get twenty lashes from a leather switch, Tactus. You tried to take something beyond the bounds of the game. You gave in to your pathetic animal instincts. Here that is less forgivable than murder; I hope you feel shame when you look back at this moment fifty years from now and realize your weakness. I hope you fear your sons and daughters knowing what you did to a fellow Gold. Until then, twenty lashes will serve.” Some of the Diana soldiers step forward in anger, but Pax hefts his axe on his shoulder and they shrink back, glaring at me. They gave me a fortress and I’m going to whip their favorite warrior. I see my army dying as Mustang pulls off Tactus’s shirt. He stares at me like a snake. I know what evil thoughts he’s thinking. I thought them of my floggers too. I whip him twenty brutal times, holding nothing back. Blood runs down his back. Pax nearly has to hack down one of the Diana soldiers to keep them from charging to stop the punishment. Tactus barely manages to stagger to his feet, wrath burning in his eyes. “A mistake,” he whispers to me. “Such a mistake.” Then I surprise him. I shove the switch into his hand and bring him close by cupping my hand around the back of his head. “You deserve to have your balls off, you selfish bastard,” I whisper to him. “This is my army,” I say more loudly. “This is my army. Its evils are mine as much as yours, as much as they are Tactus’s. Every time any of you commit a crime like this, something gratuitous and perverse, you will own it and I will own it with you, because when you do something wicked, it hurts all of us.” Tactus stands there like a fool. He’s confused. I shove him hard in the chest. He stumbles back. I follow him, shoving. “What were you going to do?” I push his hand holding the leather switch back toward his chest. “I don’t know what you mean …” he murmurs as I shove him. “Come on, man! You were going to shove your prick inside someone in my army. Why not whip me while you’re at it? Why not hurt me too? It’ll be easier. Milia won’t even try to stab you. I promise.” I shove him again. He looks around. No one speaks. I strip off my shirt and go to my knees. The air is cold. Knees on stone and snow. My eyes lock with Mustang’s. She winks at me and I feel like I can do anything.
Pierce Brown (Red Rising (Red Rising Saga, #1))
Our Constitution is not good. It is a document designed to create a society of enduring white male dominance, hastily edited in the margins to allow for what basic political rights white men could be convinced to share. The Constitution is an imperfect work that urgently and consistently needs to be modified and reimagined to make good on its unrealized promises of justice and equality for all. And yet you rarely see liberals make the point that the Constitution is actually trash. Conservatives are out here acting like the Constitution was etched by divine flame upon stone tablets, when in reality it was scrawled out over a sweaty summer by people making deals with actual monsters who were trying to protect their rights to rape the humans they held in bondage. Why would I give a fuck about the original public meaning of the words written by these men? Conservatives will tell you that the text of laws explicitly passed in response to growing political, social, or economic power of nonwhite minorities should be followed to their highest grammatical accuracy, and I’m supposed to agree the text of this bullshit is the valid starting point of the debate? Nah. As Rory Breaker says in the movie Lock, Stock and Two Smoking Barrels: “If the milk turns out to be sour, I ain’t the kind of pussy to drink it.” The Constitution was so flawed upon its release in 1787 that it came with immediate updates. The first ten amendments, the “Bill of Rights,” were demanded by some to ensure ratification of the rest of the document. All of them were written by James Madison, who didn’t think they were actually necessary but did it to placate political interests.
Elie Mystal (Allow Me to Retort: A Black Guy’s Guide to the Constitution)
Pretend that you are the Voice of the People. Whitaker and Baxter bought radio ads, sponsored by “the Citizens Committee Against the Recall,” in which an ominous voice said: “The real issue is whether the City Hall is to be turned over, lock, stock, and barrel, to an unholy alliance fronting for a faceless man.” (The recall was defeated.) Attack, attack, attack. Said Whitaker: “You can’t wage a defensive campaign and win!” Never underestimate
Jill Lepore (These Truths: A History of the United States)
SATURDAY AT THE STORE is a nightmare. We are besieged by do-it-yourselfers wanting to spruce up their homes. Mr. and Mrs. Clayton and John and Patrick—the two other part-timers—and I are besieged by customers. But there’s a lull around lunchtime, and Mrs. Clayton asks me to check on some orders while I’m sitting behind the counter at the register discreetly eating my bagel. I’m engrossed in the task, checking catalog numbers against the items we need and the items we’ve ordered, eyes flicking from the order book to the computer screen and back as I make sure the entries match. Then, for some reason, I glance up … and find myself locked in the bold gray gaze of Christian Grey, who’s standing at the counter, staring at me. Heart failure. “Miss Steele. What a pleasant surprise.” His gaze is unwavering and intense. Holy crap. What the hell is he doing here, looking all outdoorsy with his tousled hair and in his cream chunky-knit sweater, jeans, and walking boots? I think my mouth has popped open, and I can’t locate my brain or my voice. “Mr. Grey,” I whisper, because that’s all I can manage. There’s a ghost of a smile on his lips and his eyes are alight with humor, as if he’s enjoying some private joke. “I was in the area,” he says by way of explanation. “I need to stock up on a few things. It’s a pleasure to see you again, Miss Steele.” His voice is warm and husky like dark melted chocolate fudge caramel … or something.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
And so, with their first public action on Halloween of 1968, the feminist activist group called W.I.T.C.H. was born. Its members donned witch costumes, replete with brooms and pointy black hats, and did a public ritual performance of hexing the New York Stock Exchange. Did it work? Well, as Gloria Steinem wrote about the incident in New York magazine, “A coven of 13 members of W.I.T.C.H. demonstrates against that bastion of white supremacy: Wall Street. The next day, the market falls five points.” (The glue that the witches added to the locks of the NYSE doors also added a bit of whammy, no doubt.)
Pam Grossman (Waking the Witch: Reflections on Women, Magic, and Power (Witchcraft Bestseller))
Army ants and driver ants, or rather their colonies taken together as amoeba-like units, are both ruthless and terrible predators of their respective jungles. Both cut to pieces anything animal in their path, and both have acquired a mystique of terror in their own land. Villagers in parts of South America are reputed traditionally to vacate their villages, lock, stock and barrel when a large ant army is approaching, and to return when the legions have marched through, having cleaned out every cockroach, spider and scorpion even from the thatched roofs. I remember as a child in Africa being more frightened of driver ants than of lions or crocodiles.
Richard Dawkins (The Blind Watchmaker: Why the Evidence of Evolution Reveals a Universe Without Design)
No Teacher for Present (The Sonnet) Life's purpose is realization of life, Beyond the narrowness of yesterday. Instead of waiting for a fictitious future, Life is whatever you make of it today. The past is always afraid of the future, Don't let their fear ruin your present. The future may be condescending to the past. Don't let such arrogance ruin your humanness. Embrace the wonders that the past has to offer, Learn from their blunders even through their denial. Be mindful of the direction that you are headed, Then leap to work on the present, lock, stock 'n barrel. Neither past nor future is qualified to teach the present. All present must find their way free from all allegiance.
Abhijit Naskar (Mucize Misafir Merhaba: The Peace Testament)
Lela’s love affair with nuptials was born at the age of eleven, when she watched two epic weddings on TV. In July of 1981, Lady Diana Spencer and Prince Charles of Wales were wed in London. Back home in Wisconsin, Lela watched every minute of it with her mom, perched on the edge of their brown pleather sectional. Then, in November, fictional couple Luke and Laura tied the knot on every teenage girl’s favorite soap opera, General Hospital. Actress Genie Francis wore a bizarre head-hugging veil and a dress that looked like a marshmallow. Her groom, Anthony Geary, rocked his deceptively fluffy ‘80s hair. Lela couldn’t help but be transfixed. It all felt larger than life. And her little eleven year-old heart gave into it lock, stock and barrel.
Karen Booth (Gray Hair Don't Care (Never Too Late, #1))
screen T.V. A comfortable and well-stocked family room, including a wet bar with a locked liquor cabinet and a closet with door standing open, shelves packed with tennis rackets and snowshoes and ice skates. All the accoutrements of a well-off, athletic family in a room now tainted with the overwhelming presence of death. The father was slumped in a club chair in front of the television with a rifle at his feet and a bloody cavern where his head had been. Blood and brains sprayed the carpet beneath him. At first glimpse just about anyone would see it as a suicide. “Basement is concrete block,” Epps said. “Family probably never heard the shot.” “The gun his?” Roarke asked, and heard the edge in his voice. “From the cabinet upstairs. Guy is a sportsman,” Aceves answered.
Alexandra Sokoloff (Blood Moon (The Huntress/FBI Thrillers, #2))
The accident has occurred, the ship has broken, the motor of the car has failed, we have been separated from the others, we are alone in the sand, the ocean, the frozen snow I remember what I have to do in order to stay alive, I take stock of our belongings most of them useless I know I should be digging shelters, killing seabirds and making clothes from their feathers cutting the rinds from cacti, chewing roots for water, scraping through the ice for treebark, for moss but I rest here without power to save myself, tasting salt in my mouth, the fact that you won't save me watching the mirage of us hands locked, smiling, as it fades into the white desert. I touch you, straighten the sheet, you turn over in the bed, tender sun comes through the curtains Which of us will survive which of us will survive the other
Margaret Atwood (Power Politics: Poems (A List))
Andy smiled and tapped the side of my head. “Not bad. There’s more up there than marshmallows, I guess. But we took care of the possibility that Jim might die while I was in the slam. The box is in the Peter Stevens name, and once a year the firm of lawyers that served as Jim’s executors sends a check to the Casco to cover the rental of the Stevens box. “Peter Stevens is inside that box, just waiting to get out. His birth certificate, his Social Security card, and his driver’s license. The license is six years out of date because Jim died six years ago, true, but it’s still perfectly renewable for a five-dollar fee. His stock certificates are there, the tax-free municipals, and about eighteen bearer bonds in the amount of ten thousand dollars each.” I whistled. “Peter Stevens is locked in a safe deposit box at the Casco Bank in Portland and Andy Dufresne is locked in a safe deposit box at Shawshank,” he said.
Stephen King (Different Seasons: Four Novellas)
Well, it was a kind of back-to-front program. It’s funny how many of the best ideas are just an old idea back-to-front. You see there have already been several programs written that help you to arrive at decisions by properly ordering and analysing all the relevant facts so that they then point naturally towards the right decision. The drawback with these is that the decision which all the properly ordered and analysed facts point to is not necessarily the one you want.’ ‘Yeeeess...’ said Reg’s voice from the kitchen. ‘Well, Gordon’s great insight was to design a program which allowed you to specify in advance what decision you wished it to reach, and only then to give it all the facts. The program’s task, which it was able to accomplish with consummate ease, was simply to construct a plausible series of logical-sounding steps to connect the premises with the conclusion. ‘And I have to say that it worked brilliantly. Gordon was able to buy himself a Porsche almost immediately despite being completely broke and a hopeless driver. Even his bank manager was unable to find fault with his reasoning. Even when Gordon wrote it off three weeks later.’ ‘Heavens. And did the program sell very well?’ ‘No. We never sold a single copy.’ ‘You astonish me. It sounds like a real winner to me.’ ‘It was,’ said Richard hesitantly. ‘The entire project was bought up, lock, stock and barrel, by the Pentagon. The deal put WayForward on a very sound financial foundation. Its moral foundation, on the other hand, is not something I would want to trust my weight to. I’ve recently been analysing a lot of the arguments put forward in favour of the Star Wars project, and if you know what you’re looking for, the pattern of the algorithms is very clear. ‘So much so, in fact, that looking at Pentagon policies over the last couple of years I think I can be fairly sure that the US Navy is using version 2.00 of the program, while the Air Force for some reason only has the beta-test version of 1.5. Odd, that.
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
She sent a serving girl out to fetch some food. A beef pie, bread and butter and plenty of the sweet stuff that she loved. She devoured a treacle pudding, closing her eyes to savor every sticky crumb. Sugar. How she had craved the stuff. Though her belly was full, still she helped herself from a paper bag of sugarplums, globes of candied fruits that made her cheeks bulge. Was this happiness, she wondered? She was full of food again, and as sleepy as a suckled child. She pictured a well-stocked larder, and the chance to make all the delights in Mother Eve's Secrets. She would help herself to the best, of course, for she who stirs the pot never starves. A comfortable future lay before her, all for the taking. Mrs. Quin bustled back into the room and began to dress her face. Gone were the worst of the bran-specks and flaking red sores. Instead, she had the prettiness of a portrait on an enameled tin; a smudgy confection of pink and cream. "A rosy blush," Mrs. Quin said benignly, "is the fashion nowadays." While Mrs. Quin deposited her half a crown in a locked trunk, Mary slipped a bottle of Pear's Almond Bloom and a tin of White Imperial Powder into her skirts.
Martine Bailey (A Taste for Nightshade)
The combination of loss aversion and narrow framing is a costly curse. Individual investors can avoid that curse, achieving the emotional benefits of broad framing while also saving time and agony, by reducing the frequency with which they check how well their investments are doing. Closely following daily fluctuations is a losing proposition, because the pain of the frequent small losses exceeds the pleasure of the equally frequent small gains. Once a quarter is enough, and may be more than enough for individual investors. In addition to improving the emotional quality of life, the deliberate avoidance of exposure to short-term outcomes improves the quality of both decisions and outcomes. The typical short-term reaction to bad news is increased loss aversion. Investors who get aggregated feedback receive such news much less often and are likely to be less risk averse and to end up richer. You are also less prone to useless churning of your portfolio if you don’t know how every stock in it is doing every day (or every week or even every month). A commitment not to change one’s position for several periods (the equivalent of “locking in” an investment) improves financial performance.
Daniel Kahneman (Thinking, Fast and Slow)
Every now and then, I take a stock of you, just to be sure I am according you the respect you deserve. If I can't add to or subtract from you, then I am constrained to constantly learning to manage you better. If nothing can be done except within the space you provide, then I am stuck with you. I understand opportunities, and indeed life itself, are locked up in your bowels. I have decided, God helping me, to see you as you are - a friend. You are not against me. You are actually on my side. You are my ally in the pursuit of my dreams. You are an equal opportunity gift from God to all of mankind. You are the mystery I have to decode, as I try to unravel which portion of you I should devote to what portion of my life at any particular moment. I take responsibility for the way I treat you. If I think you are holding a gun to my head, then I haven't treated you well. If I fritter you away on frivolities, I have to admit I haven't accorded you the respect you deserve. If i am able to devote sufficient portion of your value to my most important priorities, I feel a sense of accomplishment. Dear God. Please help me to utilize every moment in TIME in furtherance of my life's purpose and destiny.
Abiodun Fijabi
Those of us who hope to be their allies should not be surprised, if and when this day comes, that when those who have been locked up and locked out finally have the chance to speak and truly be heard, what we hear is rage. The rage may frighten us; it may remind us of riots, uprisings, and buildings aflame. We may be tempted to control it, or douse it with buckets of doubt, dismay, and disbelief. But we should do no such thing. Instead, when a young man who was born in the ghetto and who knows little of life beyond the walls of his prison cell and the invisible cage that has become his life, turns to us in bewilderment and rage, we should do nothing more than look him in the eye and tell him the truth. We should tell him the same truth the great African American writer James Baldwin told his nephew in a letter published in 1962, in one of the most extraordinary books ever written, The Fire Next Time. With great passion and searing conviction, Baldwin had this to say to his young nephew: This is the crime of which I accuse my country and my countrymen, and for which neither I nor time nor history will ever forgive them, that they have destroyed and are destroying hundreds of thousands of lives and do not know it and do not want to know it …. It is their innocence which constitutes the crime …. This innocent country set you down in a ghetto in which, in fact, it intended that you should perish. The limits of your ambition were, thus, expected to be set forever. You were born into a society which spelled out with brutal clarity, and in as many ways as possible, that you were a worthless human being. You were not expected to aspire to excellence: you were expected to make peace with mediocrity …. You have, and many of us have, defeated this intention; and, by a terrible law, a terrible paradox, those innocents who believed that your imprisonment made them safe are losing their grasp on reality. But these men are your brothers—your lost, younger brothers. And if the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it. For this is your home, my friend, do not be driven from it; great men have done great things here, and will again, and we can make America what it must become. It will be hard, but you come from sturdy, peasant stock, men who picked cotton and dammed rivers and built railroads, and, in the teeth of the most terrifying odds, achieved an unassailable and monumental dignity. You come from a long line of great poets since Homer. One of them said, The very time I thought I was lost, My dungeon shook and my chains fell off …. We cannot be free until they are free. God bless you, and Godspeed.67
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colourblindness)
Wave after wave of an orgasm broke over her, but soon it would be over for him. “Stop,” Livia panted. Blake paused as Livia swallowed to try to compose herself. She was here for a reason. “The mask. Take it off. I want you to kiss me.” Livia watched his eyes. He was scared. “Blake, you’re inside of me. I’ll keep you safe. You’re inside of me.” Livia squeezed him again, reminding him exactly where he was. Blake smiled at the sensation. “Do it for me, Livia. Please.” And even though they were naked and locked in the most intimate embrace, this was the striptease. Livia went slowly, rolling up the knit ski mask like a stocking. First his jaw came into the light. Livia slowed, tracing its strong line with her finger. Next, his lips lost their frame, then his eyes left their prison. He closed them. Finally, his wild, messy hair was free. Livia tossed the mask aside. And waited. Open your eyes. After a moment Blake looked around his sunny meadow. A breeze stirred the trees high up, and they released a shower of fall colors. In the silence of the day, the leaves hitting the ground sounded like applause. Quiet applause for a quiet victory. The o in sorry vanished. Blake looked at Livia beneath him. She smiled. “Five hundred ninety-eight,” he whispered. Still counting. “Yes! Yes. I knew you could do this. I knew you could do this.” Livia beamed with pride. Blake blurred as her eyes became two pools of tears. He kissed her softly, but Livia wanted the rough thrusts back. She pulled away and wiped her eyes. “Giddy up!” Livia spanked Blake playfully. He gave a little chuckle before he put her out of her misery. If she thought he was going fast and hard before, she was wrong. Blake was almost done when he let Livia’s leg slip from his shoulder. He kissed her with his clever tongue and moaned loudly into her mouth.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
The population, who are, ultimately, indifferent to public affairs and even to their own interests, negotiate this indifference with an equally spectral partner and one that is similarly indifferent to its own will: the government [Ie pouvoir] . This game between zombies may stabilize in the long term. The Year 2000 will not take place in that an era of indifference to time itself - and therefore to the symbolic term of the millennium - will be ushered in by negotiation. Nowadays, you have to go straight from money to money, telegraphically so to speak, by direct transfer (that is the viral side of the matter). A viral revolution, then, more akin to the Glass Bead Game than to the steam engine, and admirably personified in Bernard Tapie's playboy face. For the look of money is reflected in faces. Gone are the hideous old capitalists, the old-style industrial barons wearing the masks of the suffering they have inflicted. Now there are only dashing playboys, sporty and sexual, true knights of industry, wearing the mask of the happiness they spread all around themselves. The world put on a show of despair after 1968. It's been putting on a big show of hope since 1980. No more tears, alright? Reaganite optimism, the pump ing up of the dollar. Fabius's glossy new look. Patriotic conviviality. Reluctance prohibited. The old pessimism was produced by the idea that things were getting worse and worse. The new pessimism is produced by the fact that everything is getting better and better. Supercooled euphoria. Controlled anaesthesia. I should like to see the equivalent of Bernard Tapie in the world of business emerge in the world of concepts. Buying up failing concepts, swallowing them up, dusting them off (firing all the deadbeats who are in the way), putting them back into circulation with a dynamic virginity, sending them shooting up on the Stock Exchange and then abandoning them afterwards like dogs. Some people do this very well. It is perhaps better to save tired concepts by maintaining them in a super cooled state like unemployed labour, or locking them away in interactive data banks kept alive on a respirator.
Jean Baudrillard (Cool Memories)
But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything. And all this mental thrashing and tossing was mixed up with recurring images, or half-dreams, of Popchik lying weak and thin on one side with his ribs going up and down—I’d forgotten him somewhere, left him alone and forgotten to feed him, he was dying—over and over, even when he was in the room with me, head-snaps where I started up guiltily, where is Popchik; and this in turn was mixed up with head-snapping flashes of the bundled pillowcase, locked away in its steel coffin.
Donna Tartt (The Goldfinch)
THE NIGHTGOWN was only the first of the garments in the box. There were seven nightgowns, in fact—one for each day of the week—of delicate silk, lovely georgette, and beautiful tiffany. As Alexandra pulled them out, she draped them on the bed. She’d never seen a nightgown that wasn’t white, but these were almond and pale blush pink, powder blue and soft peach, with delicate edgings of lace and intricate, exquisite embroidery. “They’re stunning,” she said. “Madame Rodale has nothing like them in her book of fashion plates.” Tris just grinned. He seemed different tonight. More relaxed, less worried. She didn’t know what had prompted his sudden good humor, but she didn’t want to question it. She’d rather enjoy it instead. After the afternoon she’d had—starting with Elizabeth’s letter and ending with three fruitless interviews—she wasn’t about to risk the one thing that seemed to be going right. “Are you going to try one on for me?” he asked. Her face heated. He chose a nightgown off the bed, palest lavender with black lace and violet embroidery. “This one,” he said, handing it to her. “Do you require assistance with your dress?” “Just the buttons,” she said, and turned to let him unfasten them. She shifted the nightgown in her hands. It felt so light. “There,” he said when the back of her green dress gaped open. He kissed her softly on the nape of her neck, then settled on one of the striped chairs, sipping from the glass of port he’d brought upstairs with him. “Use the dressing room. I’ll be waiting.” In the dressing room, she shakily stripped out of her frock, chemise, shoes, and stockings, then dropped the nightgown over her head and smoothed it down over her hips. The fabric whispered against her legs. She turned to see herself in the looking glass. Sweet heaven. She’d never imagined nightgowns like this existed. Her nightgowns all had high collars that tied at the throat. This one had a wide, low neckline. Her nightgowns all had long, full sleeves. This one had tiny puffed sleeves that began halfway off her shoulders. Her nightgowns were made of yards and yards of thick, billowing fabric. This one was a slender column that left no curve to the imagination. It was wicked. “Are you ready yet?” Tris called. Alexandra swallowed hard, reminding herself that he’d seen her in less clothing. And he was her husband. Still, wearing the nightgown for him somehow felt more intimate than wearing nothing at all. She was as ready as she’d ever be. Drawing a deep breath, she exited the dressing room, walked quickly through the sitting room, and paused in the bedroom’s doorway. She dropped her gaze, then raised her lashes, giving him the look—the one Juliana had said would make men fall at her feet. Judging from the expression on Tris’s face, it was a good thing he was sitting. The way he looked at her made her heartbeat accelerate. He rose and moved toward her. She met him halfway, licking suddenly dry lips. “Will you kiss me?” she asked softly, reaching up to sweep that always unruly lock off his forehead. It worked this time. He kissed her but good.
Lauren Royal (Alexandra (Regency Chase Brides #1))
By now, though, it had been a steep learning curve, he was fairly well versed on the basics of how clearing worked: When a customer bought shares in a stock on Robinhood — say, GameStop — at a specific price, the order was first sent to Robinhood's in-house clearing brokerage, who in turn bundled the trade to a market maker for execution. The trade was then brought to a clearinghouse, who oversaw the trade all the way to the settlement. During this time period, the trade itself needed to be 'insured' against anything that might go wrong, such as some sort of systemic collapse or a default by either party — although in reality, in regulated markets, this seemed extremely unlikely. While the customer's money was temporarily put aside, essentially in an untouchable safe, for the two days it took for the clearing agency to verify that both parties were able to provide what they had agreed upon — the brokerage house, Robinhood — had to insure the deal with a deposit; money of its own, separate from the money that the customer had provided, that could be used to guarantee the value of the trade. In financial parlance, this 'collateral' was known as VAR — or value at risk. For a single trade of a simple asset, it would have been relatively easy to know how much the brokerage would need to deposit to insure the situation; the risk of something going wrong would be small, and the total value would be simple to calculate. If GME was trading at $400 a share and a customer wanted ten shares, there was $4000 at risk, plus or minus some nominal amount due to minute vagaries in market fluctuations during the two-day period before settlement. In such a simple situation, Robinhood might be asked to put up $4000 and change — in addition to the $4000 of the customer's buy order, which remained locked in the safe. The deposit requirement calculation grew more complicated as layers were added onto the trading situation. A single trade had low inherent risk; multiplied to millions of trades, the risk profile began to change. The more volatile the stock — in price and/or volume — the riskier a buy or sell became. Of course, the NSCC did not make these calculations by hand; they used sophisticated algorithms to digest the numerous inputs coming in from the trade — type of equity, volume, current volatility, where it fit into a brokerage's portfolio as a whole — and spit out a 'recommendation' of what sort of deposit would protect the trade. And this process was entirely automated; the brokerage house would continually run its trading activity through the federal clearing system and would receive its updated deposit requirements as often as every fifteen minutes while the market was open. Premarket during a trading week, that number would come in at 5:11 a.m. East Coast time, usually right as Jim, in Orlando, was finishing his morning coffee. Robinhood would then have until 10:00 a.m. to satisfy the deposit requirement for the upcoming day of trading — or risk being in default, which could lead to an immediate shutdown of all operations. Usually, the deposit requirement was tied closely to the actual dollars being 'spent' on the trades; a near equal number of buys and sells in a brokerage house's trading profile lowered its overall risk, and though volatility was common, especially in the past half-decade, even a two-day settlement period came with an acceptable level of confidence that nobody would fail to deliver on their trades.
Ben Mezrich (The Antisocial Network: The GameStop Short Squeeze and the Ragtag Group of Amateur Traders That Brought Wall Street to Its Knees)
It took two hours to read the report, which was more thorough than Devon would have ever expected--and it didn’t appear to be finished by half. Apparently West was visiting every tenant farm on the estate, making detailed notes about each family’s problems and concerns, the conditions of their property, their knowledge and views of farming techniques. Sensing a movement, Devon turned in his chair and saw Kathleen in the doorway. She was dressed in widow’s weeds again, her hair pinned in a braided coil, her wrists encircled with demure white cuffs. Her cheeks were very pink. Devon could have devoured her in one bite. Instead, he gave her a neutral glance as he rose to his feet. “Skirts,” he said in a tone of mild surprise, as if it were a novelty to see her in a dress. “Where are you going?” “To the library for a lesson with the girls. But I noticed that you were in here, and I wondered if you’d read Mr. Ravenel’s report.” “I have. I’m impressed by his dedication. Also rather astonished, since West advised me to sell the estate, lock, stock, and barrel, just before he left London.” Kathleen smiled and studied him with those tip-tilted eyes. He could see tiny rays in the light brown irises, like gold threads. “I’m very glad you didn’t,” she said softly. “I think perhaps he might be too.” All the heat from their earlier encounter came rushing back so fast that it hurt, his flesh rising with a swift ache beneath the layers of his clothes. Devon was profoundly grateful for the concealment of his suit coat.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
It’s all yours. Lock, stock, and cobwebs.
Mariah Stewart (Almost Home (Chesapeake Diaries #3))
Two whole continents, North America and Australia, had been made virtually as white in blood as the European motherland; two other continents, South America and Africa, had been extensively colonized by white stocks; while even huge Asia had seen its empty northern march, Siberia, pre-empted for the white man’s abode. Even where white populations had not locked themselves to the soil few regions of the earth had escaped the white man’s imperial sway, and vast areas inhabited by uncounted myriads of dusky folk obeyed the white man’s will. Beside
T. Lothrop Stoddard (The Rising Tide of Color Against White World-Supremacy)
The Troll Sonnet When someone says, your life is a joke, Hold your silence 'n smile without outrage. You do not become an immortal legend, Without facing a million slurry comments. Fight injustice, but be silent at mockery, To retaliate mockery is to become mockery. Those who mock, don't really mock at you, They are just validating their own inferiority. Tremendous spirit for your life's purpose, And uniform silence towards all who mock, That is the key to timeless achievement, Be unperturbed 'n dive in lock, barrel 'n stock. Silence is the best response to all mockery. Mockery is the sincerest form of flattery.
Abhijit Naskar (Dervish Advaitam: Gospel of Sacred Feminines and Holy Fathers)
The AR-57, also known as the AR Five Seven, is available as either an upper receiver for the AR-15/M16 rifle or a complete rifle, firing 5.7×28mm rounds from standard FN P90 magazines. It was designed by AR57 LLC and[3] was produced by AR57 of Kent, Washington, United States. The AR-57 PDW upper is a new design on AR-15/M16 rifles, blending the AR-15/M16 lower with a lightweight, monolithic upper receiver system chambered in FN 5.7×28mm. This model is also sold as a complete rifle, supplied with two 50-round P90 magazines.[1] The magazines mount horizontally on top of the front handguard, with brass ejecting through the magazine well. Hollow AR-15 magazines can be used to catch spent casings. Unlike the standard AR-15 configuration which uses a gas-tube system , the AR-57 cycles via straight blowback.[6] A fully automatic version exists and was marketed as a competitor to the P90 and other personal defense weapons.[7] Manufactured by the eponymous AR57 LLC, and chambered in 5.7x28mm, this upper is less powerful than the standard 5.56mm version, but it has certain tangible advantages, including reduced muzzle blast, a high practical rate of fire, nonexistent recoil, and the ability to use folding stocks. Since the buffer is located within the receiver, folding stocks may also be used for compact storage or carry. To load, place the base plate of a standard FN P90 magazine into the recess on the front of the upper, then press the feed lip side down on the catch located above and slightly back of the bolt. To charge, pull on the right-side nonreciprocating handle and release. The right-side charging hand placement makes it accessible for operation by the strong hand. Since it only has to be operated once every 50 shots, the time penalty for moving the hand off the pistol grip isn’t too great. Empties will eject downward through the nominal magazine well. Some people use a 20-round magazine body with the feed lips, spring and follower removed to act as a brass catcher. The magazine has no provision for activating the bolt lock when empty, but the bolt can be locked open using the catch on the lower. The upper runs very cleanly and reliably, requiring no maintenance after the first 500 shots. The AR57 comes with a medium fluted barrel, reasonable for a varmint rifle but excessive for a defensive carbine. Burning around six grains per shot, 5.7x28mm runs much cooler than 5.56mm, which burns four or more times as much. That yields much reduced muzzle blast and far greater heat endurance, of course at the cost of a roughly 40 percent slower bullet.
ssecurearmsllc
train me, nice as could be other than acting like she’s my mom, all honey-this and honey-that and “You think you can remember all that, sweetie?” Just three or four years out of high school herself. But she did have three kids, so probably she’d wiped so many asses she got stuck that way. I didn’t hold it against her. Coach Briggs’s brother stayed upstairs in the office. Heart attack guy was a mystery. First they said he might come back by the end of summer. Then they all stopped talking about him. As far as customers, every kind of person came in. Older guys would want to chew the fat outside in the dock after I loaded their grain bags or headgates or what have you. I handled all the larger items. They complained about the weather or tobacco prices, but oftentimes somebody would recognize me and want to talk football. What was my opinion on our being a passing versus running team, etc. So that was amazing. Being known. It was the voice that hit my ear like a bell, the day he came in. I knew it instantly. And that laugh. It always made you wish that whoever made him laugh like that, it had been you. I was stocking inventory in the home goods aisle, and moved around the end to where I could see across the store. Over by the medications and vaccines that were kept in a refrigerator case, he was standing with his back to me, but that wild head of hair was the giveaway. And the lit-up face of Donnamarie, flirting so hard her bangs were standing on end. She was opening a case for him. Some of the pricier items were kept under lock and key. I debated whether to go over, but heard him say he needed fifty pounds of Hi-Mag mineral and a hundred pounds of pelleted beef feed, so I knew I would see him outside. I signaled to Donnamarie that I’d heard, and threw it all on the dolly to wheel out to the loading dock. He pulled his truck around but didn’t really see me. Just leaned his elbow out the open window and handed me the register ticket. He’d kept the Lariat of course, because who wouldn’t. “You’ve still got the Fastmobile, I see,” I said. He froze in the middle of lighting a smoke, shifted his eyes at me, and shook his head fast, like a splash of cold water had hit him. “I’ll be goddamned. Diamond?” “The one,” I said. “How you been hanging, Fast Man?” “Cannot complain,” he said. But it seemed like he wasn’t a hundred percent on it really being me loading his pickup. He watched me in the side mirror. The truck bounced a little each time I hefted a mineral block or bag into the bed. Awesome leaf springs on that beauty. I came around to give him back his ticket, and he seemed more sure.
Barbara Kingsolver (Demon Copperhead)
Questions for ourselves: “How much do we want it?” “What sacrifices are we willing to make to see this project succeed?” “Have we ‘moved’—lock, stock, and barrel—to our inner Paris?
Steven Pressfield (Put Your Ass Where Your Heart Wants to Be)
And then, not to be mentioned on the same page, because some apothecary or medical man may renew my stock as it was renewed in Stockholm. I should be sorry to be reduced to the state of the two animals I see but do not hear in the corner by my stool – do not hear, so that their frenzied, tight-locked battle has a horror of its own – yet man (or at all events this particular man) is so weak that if an innocent leaf can protect him even a little then hey for the innocent
Patrick O'Brian (The Nutmeg of Consolation (Aubrey/Maturin, #14))
We must not, however, think that the anima is “good.” The anima is neither good nor bad; she just is. She wants life, and so she seems to want both good and bad, or, rather, she is not concerned with these moral categories. That is why working with the anima is always a delicate matter. One can no more deliver oneself over to the anima lock stock and barrel than one can surrender the whole of oneself to any particular psychological functions or quality. It is also the anima who seems to arouse a man’s capacity for love. When we first fall in love we are flooded with powerful, life-giving emotions. This is why the anima can be best described poetically and not scientifically, dramatically and not concretely. Yet, as we have seen, a man’s relationship with her must develop beyond the mere sensation of falling or being in love, as he must come to perceive that the life-giving feminine soul is within himself. He cannot afford to let his anima live only in projection onto a woman, but most reach beyond this projection to search for the soul within himself.
John A. Sanford (The Invisible Partner: How the Male and Female in Each of Us Affects Our Relationships)
He’d lugged his fair share of those exact same bags in MI, though they’d all been khaki or olive drab. But he knew the type. It was a portable weapons locker. Sure enough, when she removed a small but sturdy lock from the zippers and hauled down on them, then flung the bag open, he could see a veritable armory inside. There were handguns and submachine guns and shotguns and some sort of sniper rifle, very high-tech-looking with a folding stock and a sleek body. But there were other weapons in there as well, knives and swords and axes and clubs and even an honest-to-God crossbow. It was like Dirty Harry meets King Arthur, and all in a seedy motel room!
Aaron Rosenberg (Incursion (O.C.L.T. Supernatural Thrillers Book 4))
The true irony is that political progressives are so indentured to Keynesian theories of demand stimulus that they have eagerly turned the nation’s central bank over to Wall Street lock, stock, and barrel.
David A. Stockman (The Great Deformation: The Corruption of Capitalism in America)
It’s Kat we’re here for. She’s in trouble.” “Enough trouble for you to land your shuttle in the center of my garden, almost crushing some very devout pilgrims?” Mother L’rin raised one pink-tinged eyebrow at them. She was of the native stock of Twin Moons, with no Kindred blood at all, which explained the way she blended into her own garden. “Yes,” Deep snapped back. “I gave them time to get out of the way.” “Barely.” Her voice was mild but her pink and gold eyes flashed. “You must care for her deeply, this Kat.” “Not really.” Deep shrugged, trying to look unconcerned. “But we have been charged with her safety. So—” “Yes, we care,” Lock interrupted his brother. “We care very much. Both of us.” He squeezed Kat’s hand gently and shot Deep a warning look to keep his mouth shut.
Evangeline Anderson (Sought (Brides of the Kindred, #3))
What was it I was hanging on to? What was it that was hanging on to me? What was standing between me and my freedom? The rest of the house was asleep. I lay on my back with my hands under my head staring at the darkened ceiling and all at once, very quietly, I let go of my ego. With a new note in the wind yelling at me not to be a fool, I turned myself over to God - lock, stock, and adventure. There wasn't much faith in my prayer. I just said, 'Lord, if You will show me the way, I will follow You. Amen.' It was as simple as that.
Brother Andrew (God's Smuggler)
to
Melody Carlson (Lock, Stock, and Over a Barrel (Dear Daphne #1))
Fuck,” Syn growled. He was still thinking of solutions when he heard something scrape against his doorknob. Something metal was tampering with the lock. If he were anywhere else in the apartment he wouldn’t have heard it, but he was right next to the door, so he could hear someone trying to get in. He instinctually moved to stand in front of Furi, pulling his Sig from its holster and unlocking the safety. He felt Furi tensing behind him. He could hear the tool manipulating the lock mechanism. Is this bastard really fuckin’ brave enough to break into my home in broad goddamn daylight? Syn was in awe at the size of this guy’s balls. The closet door was arm's length away. He yanked it open and grabbed the blanket off the top shelf, pulling his loaded twelve-gauge shotgun down just as the door eased open. All Syn could see was the tip of a black boot. Furi griped his shoulder. “Hey. Listen to this!” Syn yelled out. He put the stock of the gun firmly against his shoulder and pulled the pump back in two extremely swift moves. The sound was extremely loud and intimidating in the quiet room, by far the scariest sound an intruder could hear. “Don’t shoot, Dirty Harry.” The irritating chuckle that followed was unmistakable. “Son of a bitch,” Syn grumbled. “Day, have you lost your fuckin’ mind?” His Lieutenants came all the way through the door, Day laughing at the pissed look on Syn's face and Furi leaning on the wall behind him recovering from a panic attack. “Syn. What the hell is going on man? Are you really gonna put a buckshot in someone you think is breakin’ into your little-ass apartment? Because, you do know that that’s excessive force, right?” God asked, looking at him expectantly. “I was just scaring them off. No one comes in after hearing that sound, trust me.” Syn removed the shell and placed the gun back in the closet, covering it with the blanket. He turned to look at Furi. He looked a little pale but he was okay. Syn spun back around, “Day. Knock on my damn door like a normal visitor and wait for me to say come in!” Day pfftd, plopping down on the couch. “You don’t invite the wind. The wind just–” “Stop saying that stupid wind bullshit. Because if your door is shut and you weather guard that bitch then the wind stays the fuck out until ... You. Open. The. Door.” Syn’s dark eyes bored into Day’s hazel ones. God’s laugh was raspy, while Day looked bewildered. “But we’re family.” “Oh for fuck’s sake,” Syn grumbled, he had to get going; he had no time to explain to Day about how to behave in civilized society. He turned serious eyes back on Furi. “I gotta go, but I really think–” Furi pulled Syn to him before he could finish the sentence, kissed him hard on the mouth before turning, heading to the bedroom. “Just concentrate on your job and don’t take any officers away from their assignments to follow me. There could be someone out there who really needs their help.” Syn didn’t get to say anything else because Furi had closed the bedroom door. End of discussion.
A.E. Via
Over the years I've done everything from small organization units in condo closets with sliding doors, to one massive one-thousand-square-foot duplex closet for a pamper socialite that included a wall of climate-controlled storage for her substantial fur collection, and no lie, a CIA-level fingerprint lock on the door. The only thing that was ever more fun was doing a panic room for a paranoid woman who had recently lost her husband. She wanted to be sure that if someone broke into her Gold Coast brownstone she could survive in comfort for at least a week. We referred to her as the Preppy Prepper, giving her a large panic room with en suite bathroom, which included a mini kitchen stocked with canned caviar and smoked oysters and splits of vintage champagne, completely upholstered in a huge-scale blowsy floral chintz.
Stacey Ballis (Recipe for Disaster)
He went around the float, then stopped. “What are you doing?” Crouched on the porch, she held a broom like a baseball bat, bottom side up, then slowly lowered it. “I wasn’t sure it was you.” “And you thought to do in whoever it was with a broom?” “I didn’t have anything else.” Rolling his eyes, he snatched the broom from her hand and tossed it to the ground. “Go to bed, Georgie. I’ll do this.” “No, no. I need to come.” She rubbed an eye with her fist, looking like the child she’d dressed to be. “I mean it.” He turned her toward the door. “Go on.” She locked her knees. “I’m going with you, Luke.” His eyes had long since adjusted to the dark, but even still he squinted. “Are you wearing a nightcap?” Straightening the stocking on her head, she circled round him, then climbed up into the float. She might think she wore a clever disguise, but no boy he’d ever seen moved like that. He slammed his eyes shut. The woman was crazy as popcorn on a hot skillet.
Deeanne Gist (Love on the Line)
Never again would I have that kind of love. Wouldn't even try to look for it either. What was the point? To this day, Maddie Davis still owned that shit. Lock, stock, and barrel.
J.E. Parker (Every Moment with You (Redeeming Love #1))
Once, ten years ago, at a Sunday-afternoon party in some apartment that she remembered now as being labyrinthine, although it probably had only four bedrooms, as opposed to the place she shared with her brother and her father that had two, Mike Shea had seized her by the wrist and pulled her into a dim room and plastered his mouth against hers before she could catch her breath. She had known him since high school, he was part of the crowd she went with then, and he had kissed her once or twice before—she remembered specifically the train station at Fishkill, on a snowy night when they were all coming back from a sledding party—but this was passionate and desperate, he was very drunk, and rough enough to make her push him off if he had not, in the first moment she had come up for air, gently taken off his glasses and placed them on a doilied dresser beside them, and then, in what seemed the same movement, reached behind her to lock the door. It was the odd, drunken gentleness of it, not to mention the snapping hint of danger from the lock, that changed her mind. And after two or three rebukes when he tried to get at the buttons that ran up the back of her dress, she thought, Why not, and although her acquiescence seemed to slow him down a bit, as if he was uncertain of the next step, she was enjoying herself enough by then to undo the last button without prompting and then to pull her bare shoulder and arm up out of the dress—first one then the other—and to pull dress and slip (she didn’t wear a bra, no need) down to her waist in a single gesture. And then—was it just the pleasure of the material against her bare flesh, his shirt front, her wool?—she slowly pushed dress and slip and garter belt and stockings down over her narrow hips until they fell to her feet. And then she stepped out of her shoes. (“Even the shoes?” the priest had whispered in the confessional the following Saturday, as if it was more than he could bear, or imagine—as if, she thought later, he was ready to send her to perdition or ask her for a date.)
Alice McDermott (After This)
I want to see you in your presents.” Dave’s gaze locked onto his. “Naked, except for panties, a garter belt and stockings.” Shawn’s
K.C. Wells (Lace (A Material World #1))
Spain has a dark side that is often overlooked.
E.J. WOOD (Lock, Stock and Two Smoking Paellas: Living in Spain can often be more manure than roses)
Living in Spain is not all sun, sea and sand. Sometimes it's more manure than roses
E.J. WOOD (Lock, Stock and Two Smoking Paellas: Living in Spain can often be more manure than roses)
Rabbi Stephen Wise wrote to the legal scholar Felix Frankfurter that Roosevelt was “all clay and no granite,” because under only slight pressure from Hearst the governor had decided “to repudiate the League of Nations, lock, stock and barrel, and to talk like a Kansas grocery-store oracle about making the European nations pay their debts.
Eric Rauchway (Winter War: Hoover, Roosevelt, and the First Clash Over the New Deal)
Exit (with a profit or loss) when the stock closes below its 200-day moving average. Use this method to capture longer moves. Exit (with a profit or loss) when the 50-day moving average crosses below the 200-day moving average. Use this method to capture longer moves. Use a 10-day or 20-day exponential moving average (EMA) as a trailing stop. Exit your position if the stock has a daily close below this EMA. You can also scale out of a profitable position. Sell 25% of your position every Monday for 4 weeks in a row, or something similar. That is a good way to lock in some profits, while still keeping some exposure to the stock in case it continues to move higher.
Matthew R. Kratter (A Beginner's Guide to the Stock Market)
So,” Roland says, rolling it off his tongue until that one little word sounds obscene. “What’s my punishment for peeping?” No words. None. This man makes my blood boil. He leaves me torn between punching him smack in the jaw and telling him to go back to hell—or else doing something so rotten I’m sure it means jail time. I’m paralyzed with choices. Finally, my hand decides for me. I square my jaw, stretch up on my toes, and—while he locks up, staring at me with wide eyes—grasp a fistful of his hair, and yank. I’m not trying to make him bald or anything. I just want to make a point. But I’m not expecting the way his breath catches. The way he goes stock-still with a vibrant intensity, and a faint, rough sound catches in the back of his throat. Something that sounds like pleasure. His eyes close, the expression on his face searing into my head—until I realize what I’m doing and just how insane he’s made me. Snatching my hand back, I retreat a step, struggling to catch my breath. Roland’s eyes drift open slowly, lingering in a slow, searching burn. “Interesting. I had no idea you were so kinky, Miss Landry,” he whispers. Oh. Oh, frick. I’ve done it now.
Nicole Snow (Damaged Grump)
Isn’t it strange how reading a book is a sin, but locking a girl in the stocks and leaving her to the dogs is another day of the Good Father’s work?
Alexis Henderson (The Year of the Witching)
Busy During the Day? Set Automatic Trade Triggers If you work during the day and can’t watch the market, you can set “conditional orders” ahead of time with your broker. It can be a great way to catch a big breakout—even as you’re plugging away at your day job. And when you’re on vacation and can’t watch your stocks closely, you also can set conditional sell orders to lock in your gains or cut short any losses if the stock declines.
Matthew Galgani (How to Make Money in Stocks Getting Started: A Guide to Putting CAN SLIM Concepts into Action)
My God, I’d never have thought the idea of strangling another human being would give me such enormous satisfaction. But I’m sure if I could just get my hands around that Basta’s neck, I —” On seeing the shock in Meggie’s eyes she fell guiltily silent, but Meggie just shrugged her shoulders. “I feel the same,” she murmured and began scratching an M on the wall with the key of her bicycle lock. Weird to think she still had that key in her pants pocket—like a souvenir of another life. Elinor ran her finger down one of the runs in her stockings, and Mo turned on his back and stared up at the ceiling. “I’m so sorry, Meggie,” he said suddenly. “I’m so sorry I let them take the book away from me.” Meggie scratched an E into the wall. “It doesn’t make any difference,” she said, stepping back. The Gs in her name looked like nibbled Os. “You probably couldn’t have read her back out of it again anyway.” “No, probably not,” murmured Mo and went on staring at the ceiling. “It’s not your fault,” said Meggie.
Cornelia Funke (Inkheart / Inkspell / Inkdeath (The Inkheart Trilogy #1-3))
I can’t let her off the hook. She wrote regency porn about my husband.
Addison Moore (Lock, Stock, and Feral (Country Cottage Mysteries, #15))
Semi-Charmed Life" Doo doo doo, doo doo-doo doo... I'm packed and I'm holding I'm smiling, she's living, she's golden She lives for me, says she lives for me Ovation, her own motivation She comes round and she goes down on me And I make her smile, like a drug for you Do ever what you wanna do, coming over you Keep on smiling, what we go through One stop to the rhythm that divides you And I speak to you like the chorus to the verse Chop another line like a coda with a curse Come on like a freak show takes the stage We give them the games we play, she said... I want something else to get me through this Semi-charmed kinda life, baby, baby I want something else, I'm not listening when you say good-bye Doo doo doo, doo doo-doo doo... The sky was gold, it was rose I was taking sips of it through my nose And I wish I could get back there, someplace back there Smiling in the pictures you would take Doing crystal meth, will lift you up until you break It won't stop, I won't come down I keep stock with a tick-tock rhythm, a bump for the drop And then I bumped up, I took the hit that I was given Then I bumped again, then I bumped again I said... How do I get back there to the place where I fell asleep inside you How do I get myself back to the place where you said... I want something else to get me through this Semi-charmed kinda life, baby, baby I want something else, I'm not listening when you say good-bye I believe in the sand beneath my toes The beach gives a feeling, an earthy feeling I believe in the faith that grows And the four right chords can make me cry When I'm with you I feel like I could die And that would be alright, alright And when the plane came in, she said she was crashing The velvet it rips in the city, we tripped on the urge to feel alive Now I'm struggling to survive, Those days you were wearing that velvet dress You're the priestess, I must confess Those little red panties they pass the test Slide up around the belly, face down on the mattress one And you hold me, and we're broken Still it's all that I wanna do, just a little now Feel myself, heading off the ground I'm scared, I'm not coming down No, no And I won't run for my life She's got her jaws now locked down in a smile But nothing is alright, alright And I want something else to get me through this life Baby, I want something else Not listening when you say Good-bye, good-bye, good-bye, good-bye Doo doo doo, doo doo-doo doo... The sky was gold, it was rose (Doo doo doo, doo doo-doo doo...) I was taking sips of it through my nose (Doo doo doo, doo doo-doo doo...) And I wish I could get back there (Doo doo doo, doo doo-doo doo...) Someplace back there, in the place we used to start (Doo doo doo, doo doo-doo doo...) I want something else (Doo doo doo, doo doo-doo doo...) Third Eye Blind (1997)
Third Eye Blind
I think it would be for the best if we both pretend yesterday afternoon- in the woods- it never happened. Wouldn't you agree?" "I would." He takes a step closer, his eyes still locked on hers. He is no longer smiling. "And I think we should avoid any future situations that put us in close proximity to each other." "Like this one?" "Yes." Jack nods, still holding her eye, and she tries hard to control the rise of blood to her face as a fragment of something from the woods comes back to her- the sensation of his fingers running down the curve of her collarbone, his mouth against her neck. "Good." She clears her throat. "I'm glad we understand each other." "We do." He takes another step towards her, so close now that she wonders if it is the breeze through the open window she can feel on her skin, or his warm breath. "I think that is our problem, Lillian. We understand each other. You and I, we seem to share something." Lillian can hear her heart beating in her ribcage. "I felt it that first moment I saw you... at the party." Lillian swallows. "You feel it too, don't you?" he asks. The sun, now low in the sky, filters through the trees outside in the arboretum, casting them both in a burnished glow. She knows she must go. She knows she must turn and leave the room, but something in his eyes holds her fixed to the spot. "Tell me that it's not just me, that I'm not imagining this," he says in a low voice. There is a stillness in the room, as if they both await the next breath, the next word. She swallows. "I feel it, too." She isn't sure who takes the next step but it doesn't really matter; she is in his arms again and he is kissing her, pulling her close and all reason and rational thought- all the jumbled arguments she has agonized over- fly away like a flock of birds startled from the branches of a tree. Her arms are wrapped around his waist and his hands are on her face and in her hair as they stumble backwards. She meets the edge of the desk, and then he is lifting her onto its surface, several brushes clattering to the floor as he presses against her. "We mustn't," she sighs, but already her fingers are tugging at the buttons of his shirt. She parts her legs and his hands move under her skirt, his fingertips grazing the bare skin above her silk stockings. "Do you want me to stop?" he asks, his breath hot against her neck. But she draws him to her again, pressing her mouth against his ear to whisper her answer. "Don't stop. I don't want you to stop.
Hannah Richell (The Peacock Summer)
The jellycrusts, scorning the protection of travelling within armoured trucks, walked in the dry lands in ragged groups, pushing or dragging their belongings in carts or sledges. Their skins were concealed by thick, insulating gel once manufactured for military use. Since then, the jellycrusts had bought up all the remaining stocks of the stuff, slapping it on their own integrement, where it accumulated the dust and debris of the desert lands; hence their nickname. It reminded Leila of certain larval creatures who once lived in freshwater streams, and which perhaps still did somewhere, who attached stones and water rubbish to their skins, making a shell to live in. The jellycrusts could look like that: frightening, peeling, gaunt creatures. She used to wonder whether they ever washed it all off and started again from a clear skin. Did they make love? It was not a pleasant image. The gel had a strange smell, rather like a room that had been locked up too long; a wooden room beaten by sunheat, rotted by rain, stale and with the promise of hidden corruption. Jellycrusts always wore bulky, colourless clothes, quasi-military in appearance, heavily adorned with totemic ornaments, constructed from the desert trash.
Storm Constantine (Hermetech)
I also like to look for growth stocks, where the float is less than 20% of the total number of shares outstanding. The “float” is simply the number of shares of a stock that are actually available for trading. To calculate the float, you just take the total number of shares outstanding and subtract all closely-held shares (those held by founders, employees, and original investors that are locked up and thus unable to be traded).
Matthew R. Kratter (A Beginner's Guide to the Stock Market)
I'm very good at arranging hair," the maid said firmly. "And Lady Westcliff told me to use her very own pearl hairpins for you. Now, if you'll sit at the dressing table, miss...?" Touched by Lillian's generosity in sending her own maid, Hannah complied. It took an eternity to curl her hair with hot tongs, and arrange it in pinned-up curls, with gleaming white pearls scattered amid the dark locks of her hair. The maid helped her into the white ballgown, and gave her a pair of silver-embroidered silk stockings from Evie. After fastening a pearl necklace from Annabelle Hunt around Hannah's neck, the maid helped her to tug on a pair of long white satin gloves from Daisy Swift. The wallflowers, Hannah thought with a grateful smile, were her own group of fairy godmothers.
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
In my study, next to my desk, is a locked bookcase that contains a collection of volumes I value more than any of the hundreds of other books that fill a multitude of shelves in our home. Of these precious publications, the most prized and well-guarded is a slim first edition of 104 pages, simply titled Jungle Stories by Jim Corbett. The cover is of plain brown paper, with no illustrations or colouring. This thin little book was privately printed by Corbett, for family and friends, at the London Press in Nainital in 1935. Only a hundred copies were produced, of which very few remain. My copy came to me through my parents. They were given it by friends, who had once been Corbett’s neighbours in Nainital. By the time I received it, the book had been covered with a protective sleeve of clear plastic. The title page is signed by Jim Corbett, in a neat, fastidious hand. Several years after Jungle Stories was published, Lord Linlithgow, Viceroy of India from 1936-43, requested a copy. He had met Corbett, who assisted in organizing viceregal shoots in the terai and was already regarded as a legendary shikari and raconteur. After reading the book, Linlithgow recommended that it be published by the Oxford University Press in Bombay. Jungle Stories is, essentially, the first draft of Man-eaters of Kumaon. Several of the chapters are identical, including stories of ‘The Pipal Pani Tiger’ and ‘The Chowgarh Tigers’, as well as an angling interlude, ‘The Fish of My Dreams.’ Corbett expanded this book into its present form by adding six more tales, including an account of the first man-eater he killed in 1907, near Champawat. This tigress was responsible for the deaths of 436 victims and her destruction helped cement Corbett’s reputation as a hunter. In recognition of his success, Sir J. P. Hewett, Lieutenant Governor of the United Provinces, presented him with a .275 Rigby-Mauser rifle. An engraved citation on a silver plaque was fixed to the stock. Corbett later bequeathed this weapon to the Oxford University Press, who sent it to their head offices in England. Eventually, the gun was confiscated by the police in Oxford because the publishers didn’t have a licence. For a number of years, John Rigby & Co., gunsmiths, displayed the rifle at their showroom in London, along with a copy of Jungle Stories. In February 2016, Corbett’s rifle was purchased at auction by an American hunter for $250,000. Following this, the rifle was brought to India for a week and briefly displayed at Corbett Tiger Reserve, as part of a promotional event. The editor at OUP, who shepherded Man-eaters of Kumaon to publication, was R. E. ‘Hawk’ Hawkins, himself a legend, who contributed greatly to India’s canon of nature writing. In his introduction to a collection of Corbett’s stories, Hawkins describes how this book came into his hands:
Jim Corbett (Man-eaters of Kumaon)
Take profits when you are so excited and happy about your trade that you are losing sleep. Take profits if a stock moves up 100% in 2 weeks or less. Take profits when you are up 300% from your entry price. Take profits when all of your friends and CNBC begin to talk a lot about the stock. At this point, the trade has become crowded, and hence much more dangerous. Take profits if a taxi driver or barber tell you to buy the stock. Exit (with a profit or loss) when the stock closes below its 50-day moving average. Use this method to capture shorter moves. Exit (with a profit or loss) when the stock closes below its 200-day moving average. Use this method to capture longer moves. Exit (with a profit or loss) when the 50-day moving average crosses below the 200-day moving average. Use this method to capture longer moves. Use a 10-day or 20-day exponential moving average (EMA) as a trailing stop. Exit your position if the stock has a daily close below this EMA. You can also scale out of a profitable position. Sell 25% of your position every Monday for 4 weeks in a row, or something similar. That is a good way to lock in some profits, while still keeping some exposure to the stock in case it continues to move higher.
Matthew R. Kratter (A Beginner's Guide to the Stock Market)
I’d heard rumors from all kinds of sources about Mike Pence being owned—lock, stock, and Bible—by billionaire corporate overlords who intended to elevate him to president as soon as possible.
Stephanie Winston Wolkoff (Melania and Me)
They own you. They own you lock, stock and barrel. You might as well be their slaves. You are their slaves. Isn’t it time to free yourselves? What are you going to do? Anything?
Joe Dixon (The Ownership Wars: Who Owns You?)
Ramadan, the faithful are known to block streets, driveways, and fire-hydrants with their parked cars, and trample across neighborhood yards while approaching the mosque on foot. If, as apologists maintain, jihad really is the internal struggle to become a better person, one wonders why manners seem to degrade as Muslim numbers increase. But wait—if jihad is actually about struggling to implement sharia as the necessary precondition to Islamicizing a society, it all makes perfect sense. The overflow parking situation became intolerable in Falls Church, and to ease it somewhat, neighboring churches offered the use of their lots in an overture of Christian charity. Predictably, Abdul-Malik accepted the ecumenical gesture as a concession. “If Islam really catches on in the area,” he smirked to Sperry, “maybe the neighborhood churches will come over lock, stock, and barrel, and we can all share our parking lots.”8 Islamists are happy to expand Islam’s American enclaves one
Andrew C. McCarthy (The Grand Jihad: How Islam and the Left Sabotage America)
The two men got down to business, and made a deal that would pay off for both: Trump would outsource—lock, stock, and barrel—his naming of Supreme Court justices and other judicial appointments to Leo, and Leo would vouch for him with the Religious Right and his army of rich donors and right-wing lawyers. The
David Brock (Stench: The Making of the Thomas Court and the Unmaking of America)
Nazmahal 2, Sonnet of Lost Love You know who the biggest enemy of the lover is? It's the behaviorist. The behaviorist warns, but the lover wants to believe - the behaviorist restrains, but the lover wants to fall. So far, every time the behaviorist has had the final word - I told you so - yet the lover never learns the lesson. Still at the faintest possibility of love, lover jumps in, lock, stock and barrel. Love misplaced is not love wasted, Love misplaced is heart sweetened. Trust misplaced is not trust lost, Trust misplaced is humanity tested. Every good deed is a test of heart, Every act of love is existence tried. It's okay to be disappointed in deception, but never let it turn your ideals into a lie.
Abhijit Naskar (Azad Earth Army: When The World Cries Blood)
They had bought the amerikan dream lock, stock, and barrel and seemed unaware that, for the majority of Black and Third World people, the amerikan dream is the amerikan nightmare.
Assata Shakur (Assata: An Autobiography)
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It is curious,” he observed, “how the English-speaking peoples have always had [a] fear of one-man power,” or “handing themselves over, lock, stock and barrel, body and soul, to one man, and worshipping him as if he were an
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