Litter Best Quotes

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You are so ugly that when your mom dropped you off at school, she got a ticket for littering.
THE CLOWN FACTORY (INSULTS - The Best Insults Ever - Win at any verbal argument!)
Even though Graham and I went back to arguing and stealing socks and hiding each other's toothbrushes in the litter box, I didn't forget that Graham didn't think I needed a best friend, because either it meant he thought I was cool enough to handle everything alone or—and this was what I hoped—it meant that he was my best friend, quietly, forever, no matter what. I mean, after all, whose skates had I been wearing?
Hannah Moskowitz (Zombie Tag)
You're in trouble. Do you expect me to just walk away?" "I wouldn't hold it against you if you did." "In know you wouldn't. That's only one of the reasons I'm crazy about you. I've got a million more." "Just a million?" "Okay, a million plus one—your cat." She giggled. "You're bonding with Saladin?" "Somebody has to protect that cat from your cousin Ian. And I feed him. The cat. Not Ian. He's on his own. Anyway, if that doesn't get me Perfect Boyfriend status, I don't know what will." "Emptying the litter box?" "Hey. I have my limits." Amy laughed. She had the phone pressed to her ear so tightly it burned. She closed her eyes, picturing his face... Ian's crisp voice broke in. "All right, lovebirds, let's move on. No offense, but I believe Amy and Dan might need a short course in style and class." "Is this the nonoffensive part?" Dan asked. "I can't wait until you really insult us." "Let's deal with reality, shall we? You don't just walk into an auction house in your jeans and backpacks. You have to blend in. And that's going to be hard." Ian sniffed. "Considering that you're Americans." "What are you talking about, dude?" Dan asked. "This is my best SpongeBob T-shirt.
Jude Watson (A King's Ransom (The 39 Clues: Cahills vs. Vespers, #2))
Strength, I had learned, was like this littered forest floor, built of small triumphs and infinite blunders, sunny hours followed by sudden storms that tore it all down. We are one and all alike if for no other reason than the excruciating and beautiful way we grow piece by unpredictable piece, falling, pushing from the debris, rising again, and hoping for the best.
Shelley Read (Go as a River)
Eyes often have an implicit censorious power.22 Post a large picture of a pair of eyes at a bus stop (versus a picture of flowers), and people become more likely to clean up litter. Post a picture of eyes in a workplace coffee room, and the money paid on the honor system triples. Show a pair of eyes on a computer screen and people become more generous in online economic games.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
Neither of them noticed Jane for a moment, which was for the best, as Jane looked like parts of her had been ripped up and flung into the wind. While Hunter smiled at Savannah, little pieces of Jane fluttered down to the parking lot. ... She waded through the litter of her old self and climbed into the battered Taurus.
Janette Rallison (My Fair Godmother (My Fair Godmother, #1))
4. You are so ugly that when your mom dropped you off at school, she got a ticket for littering.
THE CLOWN FACTORY (INSULTS - The Best Insults Ever - Win at any verbal argument!)
She was dangerous. I’d heard the rumors, that she had a history as a wild woman, that she’d been married to a gambler, maybe even been one herself, that her past was scandalous at best. But who was I to judge? My past was littered with scandal.
Margaret Madigan (Gambling on the Outlaw (Nevada Bounty #1))
Even the deepest point in the ocean is littered with trash: a grocery bag was recently seen drifting along the bottom of the Mariana Trench.
Michio Kaku (The Best American Science And Nature Writing 2020 (The Best American Series))
The two-man crew of the patrol boat does not speak English. Rachel exploits this as best she can, while still dumping life jackets in the water. “What? I don’t understand what you’re saying? Do you speak English?” They confirm in their native tongue that they obviously do not. Rachel must be putting on a theatrical display, because the small boat rocks while she talks. “I don’t need these life jackets anymore,” she says, in her thickest Italian accent. “The colors are all wrong for me. I mean, look at this orange. Ew, right?” Galen rolls his eyes. I try not to giggle. “And this green? Hideous!” she continues. The men get more irate when she doesn’t stop littering their domain. “Hey, what the…Don’t touch me! I have a foot injury, you jerk!” Galen and I slink below the surface. “We knew that might happen,” he says.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Years later, I read that someone had found genetic components to good motherhood. The Mest and the Peg3 genes occur on chromosome 19, and, ironically, they only work if they’re inherited from the father. Imprinting like this usually occurs in evolution because of a genetic battle of the sexes; it’s in the best interests of the female to have more litters, but it’s in the best interests of the male to protect the child that’s already been born. The jury is still out on these
Jodi Picoult (Vanishing Acts)
Because you took advantage of a sinner because you took advantage because you took because you took advantage of my disadvantage … “That’s good, you know. That’s damned good.” … when I stood Adam-naked before a federal law and all its stinging stars “Oh, grand stuff!” … Because you took advantage of a sin when I was helpless moulting moist and tender hoping for the best dreaming of marriage in a mountain state aye of a litter of Lolitas … “Didn’t get that.” Because you took advantage of my inner essential innocence because you cheated me— “A little repetitious, what? Where was I?” Because you cheated me of my redemption because you took her at the age when lads play with erector sets “Getting smutty, eh?” a little downy girl still wearing poppies still eating popcorn in the colored gloam where tawny Indians took paid croppers because you stole her from her wax-browed and dignified protector spitting into his heavy-lidded eye ripping his flavid toga and at dawn leaving the hog to roll upon his new discomfort the awfulness of love and violets remorse despair while you took a dull doll to pieces and threw its head away because of all you did because of all I did not you have to die
Vladimir Nabokov (Lolita)
It was still pretty dark down here, so I took out my flashlight and headed east, weaving my way through the dark maze, doing my best to remain unseen while being careful to avoid tripping over a shopping cart, engine block, or one of the other pieces of junk littering the narrow alleys between the stacks.
Ernest Cline (Ready Player One (Ready Player One, #1))
His long, braided hair is as white as snow, whereas mine is blacker than a raven’s. He is tall and I am the runt of the litter. Ying and yang, black and white, yet we each have a little of the other within us. He has some of my strength, and I have some of his playfulness. He’s my best friend, practically human-looking, human enough for me.
Arabella K. Federico (The Mark of Chaos and Creation (Mark of Creation Chronicles, #1))
She’d best get the hell outta here pretty damn quick. Finally he stood and tossed some cash on the littered table then glanced at the pretty lady shifter. He frowned and gave Joe a look. “With the hunt going down tonight, it might be a good idea to give the little blonde a heads up. She needs to hit the road.” When Joe nodded, Mad shrugged, determined to put some distance between himself and the sexy stranger. “Best take off and see what’s what, Joe. You take care now.” He felt the woman’s eyes on him as he made his way to the door and stopped to return her stare. A sound similar to white noise buzzed in his ears and fairly rattled his brain then stopped almost as soon as it started. Chills raced over his arms. What the fuck?
Regina Carlysle (Mad Moon (High Plains Shifters, #6))
I looked around me at the birth and growth and death piled atop one another, at the open bellies of downed trees feeding new sprouts, all the life pushing through every crook and crevice and possibility for light. It was an ancient intelligence far too rich and complex to fully grasp but exactly what I needed to remind myself that it is in these layers of time that everything becomes itself… Strength, I had learned, was like this littered forest floor, built of small triumphs and infinite blunders, sunny hours followed by sudden storms that tore it all down. We are one and all alike if for no other reason than the excruciating and beautiful way we grow piece by unpredictable piece, falling, pushing from the debris, rising again, and hoping for the best
Shelley Read (Go as a River)
Because you took advantage of a sinner because you took advantage because you took because you took advantage of my disadvantage when I stood Adam-naked before a federal law and all its stinging stars Because you took advantage of a sin when I was helpless moultng moist and tender hoping for the best dreaming of marriage in a mountain state aye of a litter of Lolitas Because you took advantage of my inner essential innocence because you cheated me-- Because you cheated me of my redemption because you took her at the age when lads play with erector sets a little downy girl still wearing poppies still eating popcorn in the colored gloam where tawny Indians took paid croppers because you stole her from her wax-browed and dignified protector spitting into his heavy-lidded eye ripping his flavid toga and at dawn leaving the hog to roll upon his new discomfort the awfulness of love and violets remorse despair while you took a dull doll to pieces and threw its head away because of all you did because of all I did not you have to die
NABOKOV (Lolita)
On your left you can see the Stationary Circus in all its splendor! Not far nor wide will you find dancing bears more nimble than ours, ringmasters more masterful, Lunaphants more buoyant!” September looked down and leftward as best she could. She could see the dancing bears, the ringmaster blowing peonies out of her mouth like fire, an elephant floating in the air, her trunk raised, her feet in mid-foxtrot—and all of them paper. The skin of the bears was all folded envelopes; they stared out of sealing-wax eyes. The ringmaster wore a suit of birthday invitations dazzling with balloons and cakes and purple-foil presents; her face was a telegram. Even the elephant seemed to be made up of cast-off letterheads from some far-off office, thick and creamy and stamped with sure, bold letters. A long, sweeping trapeze swung out before them. Two acrobats held on, one made of grocery lists, the other of legal opinions. September could see Latin on the one and lemons, ice, bread (not rye!), and lamb chops on the other in a cursive hand. When they let go of the trapeze-bar, they turned identical flips in the air and folded out into paper airplanes, gliding in circles all the way back down to the peony-littered ring. September gasped and clapped her hands—but the acrobats were already long behind them, bowing and catching paper roses in their paper teeth.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. I can't just sit back and watch from a distance anymore. From here on in, everything I'll tell you is colored by the subjective experience of being part of events. Here's where my story splits, divides, undergoes meiosis. Already the world feels heavier, now I'm a part of it. I'm talking about bandages and sopped cotton, the smell of mildew in movie theaters, and of all the lousy cats and their stinking litter boxes, of rain on city streets when the dust comes up and the old Italian men take their folding chairs inside. Up until now it hasn't been my word. Not my America. But here we are, at last.
Jeffrey Eugenides (Middlesex)
Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. I can't just sit back and watch from a distance anymore. From here on in, everything I'll tell you is colored by the subjective experience of being part of events. Here's where my story splits, divides, undergoes meiosis. Already the world feels heavier, now I'm a part of it. I'm talking about bandages and sopped cotton, the smell of mildew in movie theaters, and of all the lousy cats and their stinking litter boxes, of rain on city streets when the dust comes up and the old Italian men take their folding chairs inside. Up until now it hasn't been my world. Not my America. But here we are, at last.
Jeffrey Eugenides (Middlesex)
In a test of the theory, Kees Keizer of the University of Groningen in the Netherlands asked whether cues of one type of norm violation made people prone to violating other norms.39 When bicycles were chained to a fence (despite a sign forbidding it), people were more likely to take a shortcut through a gap in the fence (despite a sign forbidding it); people littered more when walls were graffitied; people were more likely to steal a five-euro note when litter was strewn around. These were big effects, with doubling rates of crummy behaviors. A norm violation increasing the odds of that same norm being violated is a conscious process. But when the sound of fireworks makes someone more likely to litter, more unconscious processes are at work.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
Sometimes my clients are unclear about whether they are striving toward their potential or are on a search for glory, but a search for glory is pretty easy to spot. Any search for glory is propelled by what Horney called the tyranny of the should. Listening to Talia talk, it was difficult not to notice the “shoulds” and “supposed to’s” that littered her sentences: Work should be Wow! She should be in graduate school. Her life should look better than it did. Shoulds can masquerade as high standards or lofty goals, but they are not the same. Goals direct us from the inside, but shoulds are paralyzing judgments from the outside. Goals feel like authentic dreams while shoulds feel like oppressive obligations. Shoulds set up a false dichotomy between either meeting an ideal or being a failure, between perfection or settling. The tyranny of the should even pits us against our own best interests.
Meg Jay (The Defining Decade: Why Your Twenties Matter--And How to Make the Most of Them Now)
Is that what we do? We pitch our tents, do our little clown shows, and then take off up the road to the next town ahead? Leaving our science-fictional debris on the blasted dirt to poison the minds of future generations, like the alien litter in STALKER and ROADSIDE PICNIC. Flying cars rusting out like Saturn Five rockets propped up as roadkill talismans at Kennedy, leaking toxins into the soil. Jetpacks oozing fuel from cracks in their tanks and poisoning the grass. Three-ring moonbases crumbling in the solar wind. Birdshit on the time machines. Big fat rats scavenging broken packs of food capsules, Best Before Date of 1971. A Westinghouse Robot Smoking Companion, vintage of 1931, slumped up against a tree, tin fingers still twitching for a cigarette. Vines growing through a busted cyberspace deck. The shreds of inflatable furniture designed for the space hospitals of 1955. Lizards perched atop a weather control cannon. Atomic batteries mouldering inside the grips of laser pistols abandoned in the weeds.
Warren Ellis (CUNNING PLANS: Talks By Warren Ellis)
A text comes from Wallace. An actual text too, not a message through the forum app. I gave him my number awhile back, before Halloween, but not because I wanted him to call me or anything. I wrote it on the edge of our conversation paper in homeroom and slid it over to him because sometimes I see something and think, Wallace would laugh at that, I should send him a picture of it, but the messaging app is terrible with pictures and texting is way better. So he texts me now, and it’s a picture. A regular sweet potato pie. Beneath the picture, he says, I really like sweet potato pie. I text back, Yeah, so do I. Then he sends me a picture of his face, frowning, and says, No, you don’t understand. Then another picture, closer, just his eyes. I REALLY like sweet potato pie. A series of pictures comes in several-second intervals. The first is a triangular slice of pie in Wallace’s hand. Then Wallace holding that slice up to his face—it’s soft enough to start collapsing between his fingers. The next one has him stuffing the slice into his mouth, and in the final one it’s all the way in, his cheeks are puffed out like a chipmunk’s, and he’s letting his eyes roll back like it’s the best thing he’s ever eaten. I purse my lips to keep my laugh in, but my parents are fine-tuned to the slightest hint of amusement from me, and they both look up. “What’s so funny, Eggs?” Dad says. “Nothing,” I reply. Nothing makes a joke less funny than someone wanting in on it, especially parents. Wow, I say to Wallace. You really like sweet potato pie. He sends one more picture, this one with him embracing the pie pan, gazing lovingly at it. We’re to be married in the spring. An actual laugh escapes me. I really hope Wallace is having a better Thanksgiving than I am. It seems like he is. I take a picture of myself pouting and send it to him, saying, Aw, the cutest of cute couples. ... Another picture from Wallace waits for me. In this one, an empty pie pan littered withcrumbs sits on the floor beside a large knife. Wallace kneels next to it with morecrumbs on his sweater, expression horrified. NOOOO WHAT HAVE I DONE MY LOVE OUR MARRIAGE ’TIS ALL FOR NAUGHT I text back: Oh no!! Not sweet potato bride! Another picture comes: Wallace sprawled on the floor beside the pie pan, one arm thrown over his eyes. Let me only be accused of loving her too much. Wallace is definitely having a better Thanksgiving than me.
Francesca Zappia (Eliza and Her Monsters)
When Dad pulled up in front of the house, the three of us sat still for a moment and stared at the gloomy pile of bricks my great-aunt called home. Up close, it looked even worse than it had from a distance. Ivy clung to the walls, spreading over windows and doors. A wisteria vine heavy with bunches of purple blossoms twisted around the porch columns. Paint peeled, loose shutters banged in the wind, slates from the roof littered the overgrown lawn. Charles Addams would have loved it. So would Edgar Allan Poe. But not me. No, sir, definitely not me. Just looking at the place made my skin prickle. Dad was the first to speak. “This is your ancestral home, Drew,” he said, once more doing his best to sound excited. “It was built by your great-great-grandfather way back in 1865, right after the Civil War. Tylers have lived here ever since.” While Dad babbled about family history and finding your roots and things like that, I let my thoughts drift to Camp Tecumseh again. Maybe Martin wasn’t so bad after all, maybe he and I could have come to terms this summer, maybe we-- My fantasies were interrupted by Great-aunt Blythe. Flinging the front door open, she came bounding down the steps. The wind ballooned her T-shirt and swirled her gray hair. If she spread her arms, she might fly up into the sky like Mary Poppins.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
Many kinds of animal behavior can be explained by genetic similarity theory. Animals have a preference for close kin, and study after study has shown that they have a remarkable ability to tell kin from strangers. Frogs lay eggs in bunches, but they can be separated and left to hatch individually. When tadpoles are then put into a tank, brothers and sisters somehow recognize each other and cluster together rather than mix with tadpoles from different mothers. Female Belding’s ground squirrels may mate with more than one male before they give birth, so a litter can be a mix of full siblings and half siblings. Like tadpoles, they can tell each other apart. Full siblings cooperate more with each other than with half-siblings, fight less, and are less likely to run each other out of the territory when they grow up. Even bees know who their relatives are. In one experiment, bees were bred for 14 different degrees of relatedness—sisters, cousins, second cousins, etc.—to bees in a particular hive. When the bees were then released near the hive, guard bees had to decide which ones to let in. They distinguished between degrees of kinship with almost perfect accuracy, letting in the closest relatives and chasing away more distant kin. The correlation between relatedness and likelihood of being admitted was a remarkable 0.93. Ants are famous for cooperation and willingness to sacrifice for the colony. This is due to a quirk in ant reproduction that means worker ants are 70 percent genetically identical to each other. But even among ants, there can be greater or less genetic diversity, and the most closely related groups of ants appear to cooperate best. Linepithema humile is a tiny ant that originated in Argentina but migrated to the United States. Many ants died during the trip, and the species lost much of its genetic diversity. This made the northern branch of Linepithema humile more cooperative than the one left in Argentina, where different colonies quarrel and compete with each other. This new level of cooperation has helped the invaders link nests into supercolonies and overwhelm local species of ants. American entomologists want to protect American ants by introducing genetic diversity so as to make the newcomers more quarrelsome. Even plants cooperate with close kin and compete with strangers. Normally, when two plants are put in the same pot, they grow bigger root systems, trying to crowd each other out and get the most nutrients. A wild flower called the Sea Rocket, which grows on beaches, does not do that if the two plants come from the same “mother” plant. They recognize each others’ root secretions and avoid wasteful competition.
Jared Taylor
Despite the best laid plans and the best people, a project can still experience ruin and decay during its lifetime. Yet there are other projects that, despite enormous difficulties and constant setbacks, successfully fight nature's tendency toward disorder and manage to come out pretty well. What makes the difference? In inner cities, some buildings are beautiful and clean, while others are rotting hulks. Why? Researchers in the field of crime and urban decay discovered a fascinating trigger mechanism, one that very quickly turns a clean, intact, inhabited building into a smashed and abandoned derelict [WK82]. A broken window. One broken window, left unrepaired for any substantial length of time, instills in the inhabitants of the building a sense of abandonment—a sense that the powers that be don't care about the building. So another window gets broken. People start littering. Graffiti appears. Serious structural damage begins. In a relatively short space of time, the building becomes damaged beyond the owner's desire to fix it, and the sense of abandonment becomes reality. The "Broken Window Theory" has inspired police departments in New York and other major cities to crack down on the small stuff in order to keep out the big stuff. It works: keeping on top of broken windows, graffiti, and other small infractions has reduced the serious crime level.
Andrew Hunt (Pragmatic Programmer, The: From Journeyman to Master)
Echad is first mentioned in the garden. It says a man and a woman, when they join together, become echad, or “one.” But that word echad is more explosive with meaning than just one flesh. It can literally mean to fuse together at the deepest part of our beings. Two becoming one, completely glued together, completely meshing. I still remember one of the hardest conversations I have had with Alyssa. We were just starting to date again, and were sitting in the car after a wonderful date night. We knew marriage was a possibility on the horizon, and I felt like I finally had to share things in my past that would affect her if we got married. I was incredibly nervous, as well as terrified of rejection or hurt, but I realized that if intimacy were to grow, I had to get vulnerable. For marriage to be what it truly is—two people becoming one in mind, body, soul, and spirit—I had to be honest. I remember sharing with her many things, but specifically some details of my sexual past. My teenage years were littered with me almost worshiping sexual fulfillment in pornography, partying, and girls. And I say worship, because that was where I got my worth, value, and purpose as well as what I most lived for (which is what the definition of worship is). I had to apologize and ask forgiveness from Alyssa for things I had done before I even knew her because of echad—one form of complete and utter intimacy. Because of that beauty, mystery, and power, God created it to function best in a man and a woman coming together for life and constantly echading or fusing together. I needed forgiveness because I had betrayed echad. I had betrayed oneness. I had betrayed intimacy. And if I wasn’t honest about it, it’d be a little part of my life or heart that Alyssa didn’t know—thus blocking echad. But something really peculiar happened in that moment. With the grace and forgiveness of Jesus, Alyssa forgave me. She heard all that I was and am, and still wanted to walk this journey with me. I still remember the tenderness in her voice as she spoke truth and forgiveness over me. In that moment I was exposed and known, and yet because of Alyssa’s grace, I was at the same time loved. And that is where intimacy is found—to be fully loved and to be fully known. To be fully loved, but not fully known will always allow us to buy the lie that “if they only knew the real me, they wouldn’t want me anymore.” And to be fully known but not fully loved feels sharp, painful, at a level of rejection that hurts so bad. But to be fully known and at the same time fully loved, now that is intimacy. I don’t want to give the wrong impression. Intimacy is certainly romantic in some aspects, but at its deepest level, it’s much more than that. It can be experienced with friends and family, not just spouses and loved ones.
Jefferson Bethke (It's Not What You Think: Why Christianity Is About So Much More Than Going to Heaven When You Die)
Didn’t you ever notice that whatever you wanted or whatever you set out to do, Cora wanted to do it too?” Noah asked. “She wasn’t like that.” “She was, Mer. And it’s okay to admit it. One of the hardest things about Cora dying is that everyone wants to erase her—the real Cora. They talk about her as though she were perfect. She wasn’t. ‘Don’t talk ill of the dead,’ people say. But if we aren’t truthful about who our loved ones were, then we aren’t really remembering them. We’re creating someone who didn’t exist. Cora loved you. She loved me. But what she did was not okay. And I’m pissed off about it.” Mercedes reeled back, stunned. “Geez, Noah. Tell me how you really feel. She still deserves our compassion,” she rebuked. He nodded. “Everyone deserves compassion. And I know suicide isn’t always a conscious act. Most of the time it’s sheer desperation. It’s a moment of weakness that we can’t come back from. But regardless of illness or weakness, if we don’t own our actions and don’t demand that others own theirs, then what’s the point? We might as well give up now. We have to expect better of ourselves. We have to. I expect more of my patients, and when I expect more—lovingly, patiently—they tend to rise to that expectation. Maybe not all the way up, but they rise. They improve because I believe they can, and I believe they must. My mom was sick. But she didn’t try hard enough to get better. She found a way to cope—and that’s important—but she never varied from it. Life has to be more than coping. It has to be.” Mercedes nodded slowly, her eyes clinging to his impassioned face. She’d struck a nerve, and he wasn’t finished. “I know it’s not something we’re supposed to say. We’re supposed to be all-loving and all-compassionate all the time. But sometimes the things we aren’t supposed to say are the truths that keep us sane, that tether us to reality, that help us move the hell on! I know some of my colleagues would be shocked to hear it. But pressure—whether it’s the pressure of society, or the pressure of responsibility, or the pressure that comes with being loved and being needed—isn’t always a bad thing. You’ve heard the cliché about pressure and diamonds. It’s a cliché because it’s true. Pressure sometimes begets beautiful things.” Mercedes was silent, studying his handsome face, his tight shoulders, and his clenched fists. He was weary, that much was obvious, but he wasn’t wrong. “Begets?” she asked, a twinkle in her eye. He rolled his eyes. “You know damn well what beget means.” “In the Bible, beget means to give birth to. I wouldn’t mind giving birth to a diamond,” she mused. “You ruin all my best lectures.” There was silence from the kitchen. Silence was not good. “Gia?” Noah called. “What, Daddy?” she answered sweetly. “Are you pooping in your new princess panties?” “No. Poopin’ in box.” “What box?” His voice rose in horror. “Kitty box.” Noah was on his feet, racing toward the kitchen. Mercedes followed. Gia was naked—her Cinderella panties abandoned in the middle of the floor—and perched above the new litter box. “No!” Noah roared in horror, scooping her up and marching to the toilet. “Maybe it won’t be a turd, Noah. Maybe Gia will beget a diamond,” Mercedes chirped, trying not to laugh. “I blame you, Mer!” he called from the bathroom. “She was almost potty-trained, and now she wants to be a cat!
Amy Harmon (The Smallest Part)
We had little money but didn’t think of ourselves as poor. Our vision, if I can call it that, was not materialistic. If we had a concept about ourselves, it was egalitarian, although we would not have known what that word meant. We spoke French entirely. There was a bond between Cajuns and people of color. Cajuns didn’t travel, because they believed they lived in the best place on earth. But somehow the worst in us, or outside of us, asserted itself and prevailed and replaced everything that was good in our lives. We traded away our language, our customs, our stands of cypress, our sugarcane acreage, our identity, and our pride. Outsiders ridiculed us and thought us stupid; teachers forbade our children to speak French on the school grounds. Our barrier islands were dredged to extinction. Our coastline was cut with eight thousand miles of industrial channels, destroying the root systems of the sawgrass and the swamps. The bottom of the state continues to wash away in the flume of the Mississippi at a rate of sixteen square miles a year. Much of this we did to ourselves in the same way that a drunk like me will destroy a gift, one that is irreplaceable and extended by a divine hand. Our roadsides are littered with trash, our rain ditches layered with it, our waterways dumping grounds for automobile tires and couches and building material. While we trivialize the implications of our drive-through daiquiri windows and the seediness of our politicians and recite our self-congratulatory mantra, laissez les bons temps rouler, the southern rim of the state hovers on the edge of oblivion, a diminishing, heartbreaking strip of green lace that eventually will be available only in photographs.
James Lee Burke (The New Iberia Blues (Dave Robicheaux #22))
I do not need a ring. I tried marriage before, as many know. Let me state here that Tom Dennis was a good, decent man who treated me gently and, when I asked, he let me go. I do believe he loved me. But my fiancé was no easy roommate, leaving glasses on wood tables (wood tables, dear reader!) and dropping socks and candy wrappers whenever they ceased being of immediate use; he became like those beachgoers who assume their litter will go out with the tide. I should have known from this that my relationship was in some trouble. But I knew all couples had these fights, and I assumed they were not a detour from love but its bumpy path. So imagine my surprise when (Tom Dennis far in the rearview mirror) I moved into the Shack with Less and this new roommate began to exhibit the same tendencies—socks on the floor, underwear behind the bathroom door, unwashed plates—and, reader, I didn’t care at all! I remember making the bed and finding underneath his pillow a mushroom-like profusion of tissues (for his morning nose-blow) and being filled with…not rage, but tenderness! With Tom Dennis, it was a chore I was willing to bear. With Less—I did not care at all. I stared at those tissues, stupefied. I did not care at all. The difference, you see, dear reader, is that I love him. How do I put it? He is not the best, God knows. He is not the best. But he is the best I ever had. Because to love someone ridiculous is to understand something deep and true about the world. That up close it makes no sense. Those of you who choose sensible people may feel secure, but I think you water your wine; the wonder of life is in its small absurdities, so easily overlooked. And if you have not shared somebody’s tilted view of the horizon (which is the actual world), tell me: what have you really seen?
Andrew Sean Greer (Less Is Lost (Arthur Less #2))
He opened the door after letting me pound on it for almost five minutes. His truck was in the carport. I knew he was here. He pulled the door open and walked back inside without looking at me or saying a word. I followed him in, and he dropped onto a sofa I’d never seen before. His face was scruffy. I’d never seen him anything but clean-shaven. Not even in pictures. He had bags under his eyes. He’d aged ten years in three days. The apartment was a mess. The boxes were gone. It looked like he had finally unpacked. But laundry was piled up in a basket so full it spilled out onto the floor. Empty food containers littered the kitchen countertops. The coffee table was full of empty beer bottles. His bed was unmade. The place smelled stagnant and dank. A vicious urge to take care of him took hold. The velociraptor tapped its talon on the floor. Josh wasn’t okay. Nobody was okay. And that was what made me not okay. “Hey,” I said, standing in front of him. He didn’t look at me. “Oh, so you’re talking to me now,” he said bitterly, taking a long pull on a beer. “Great. What do you want?” The coldness of his tone took me aback, but I kept my face still. “You haven’t been to the hospital.” His bloodshot eyes dragged up to mine. “Why would I? He’s not there. He’s fucking gone.” I stared at him. He shook his head and looked away from me. “So what do you want? You wanted to see if I’m okay? I’m not fucking okay. My best friend is brain-dead. The woman I love won’t even fucking speak to me.” He picked up a beer cap from the coffee table and threw it hard across the room. My OCD winced. “I’m doing this for you,” I whispered. “Well, don’t,” he snapped. “None of this is for me. Not any of it. I need you, and you abandoned me. Just go. Get out.” I wanted to climb into his lap. Tell him how much I missed him and that I wouldn’t leave him again. I wanted to make love to him and never be away from him ever again in my life—and clean his fucking apartment. But instead, I just stood there. “No. I’m not leaving. We need to talk about what’s happening at the hospital.” He glared up at me. “There’s only one thing I want to talk about. I want to talk about how you and I can be in love with each other and you won’t be with me. Or how you can stand not seeing me or speaking to me for weeks. That’s what I want to talk about, Kristen.” My chin quivered. I turned and went to the kitchen and grabbed a trash bag from under the sink. I started tossing take-out containers and beer bottles. I spoke over my shoulder. “Get up. Go take a shower. Shave. Or don’t if that’s the look you’re going for. But I need you to get your shit together.” My hands were shaking. I wasn’t feeling well. I’d been light-headed and slightly overheated since I went to Josh’s fire station looking for him. But I focused on my task, shoving trash into my bag. “If Brandon is going to be able to donate his organs, he needs to come off life support within the next few days. His parents won’t do it, and Sloan doesn’t get a say. You need to go talk to them.” Hands came up under my elbows, and his touch radiated through me. “Kristen, stop.” I spun on him. “Fuck you, Josh! You need help, and I need to help you!” And then as fast as the anger surged, the sorrow took over. The chains on my mood swing snapped, and feelings broke through my walls like water breaching a crevice in a dam. I began to cry. I didn’t know what was wrong with me. The strength that drove me through my days just wasn’t available to me when it came to Josh. I dropped the trash bag at his feet and put my hands over my face and sobbed. He wrapped his arms around me, and I completely lost it.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
For a moment, the fog remained unmoved. It sat around, swirling in place, very clearly listening but showing no sign of offering answers. Then, just as Nausicaä began to contemplate conjuring a few more fireballs, the fog began to thin. Little by little it drained from the air until, finally, all that was left was a vaguely damp, translucent haze. She could only stare at what was revealed. “Huh,” she breathed when speech at last overcame her surprise. “This is…new.” It wasn’t just the changelings that had gathered. They were present, of course—one mere step away. Nausicaä briefly took in the unmistakable pale green tint of his fawn-brown skin and the snaking twists of ivy that grew from the sharp flares of his little shoulders. But there were others. There were so many others. In all of Nausicaä’s very long life, she had never encountered so many of magic’s children in one place. The crowd of them stretched far in almost every direction, faces of all shapes and sizes peeking out of the foliage and trees. There were centaurs, goblins, brownies, imps and sprites. There were redcaps, with their crimson-stained hats and vicious scythes, which glinted in the moonlight. There were kelpies dripping sodden weeds, lilies strangled in their manes. Littered throughout the branches above were crows that weren’t really crows at all, but sluagh—wandering souls of the violent dead who preyed on those soon to die. There were larger things too. Unnameable things. Things that had undoubtedly been calling this forest their home long before Nausicaä had ever been born. She narrowed her eyes at the distance—something massive as a mobile hill stood still as silence too far away for mortal eyes to see. Their form was not unlike an overlarge, poisonous tree frog, all vibrant blues and yellows and greens, a crown of velvet antlers on their head and hundreds of glittering black eyes on their face. A freaking Forest Guardian, she would hazard a guess, not that she’d ever seen one to say for sure. “Uh…okay, well, weird time to have a company meeting, but you do you, I guess. I’m going to…go. Gar, maybe it’s best you stick with these guys until I square things up with my Reaper. Thanks for lifting the fog, forest brats! Good luck with…whatever this is. May the force be with you.” She turned back around. There weren’t any faeries in front of her, either—just trees and misty gloom and a darkness unnatural even for this time of night. And, of course, the glass-chime tinkling of magic, which now sounded to her a bit distressed.
Ashley Shuttleworth (A Dark and Hollow Star (The Hollow Star Saga, #1))
If a season like the Great Rebellion ever came to him again, he feared, it could never be in that same personal, random array of picaresque acts he was to recall and celebrate in later years at best furious and nostalgic; but rather with a logic that chilled the comfortable perversity of the heart, that substituted capability for character, deliberate scheme for political epiphany (so incomparably African); and for Sarah, the sjambok, the dances of death between Warmbad and Keetmanshoop, the taut haunches of his Firelily, the black corpse impaled on a thorn tree in a river swollen with sudden rain, for these the dearest canvases in his soul's gallery, it was to substitute the bleak, abstracted and for him rather meaningless hanging on which he now turned his back, but which was to backdrop his retreat until he reached the Other Wall, the engineering design for a world he knew with numb leeriness nothing could now keep from becoming reality, a world whose full despair he, at the vantage of eighteen years later, couldn't even find adequate parables for, but a design whose first fumbling sketches he thought must have been done the year after Jacob Marengo died, on that terrible coast, where the beach between Luderitzbucht and the cemetery was actually littered each morning with a score of identical female corpses, an agglomeration no more substantial-looking than seaweed against the unhealthy yellow sand; where the soul's passage was more a mass migration across that choppy fetch of Atlantic the wind never left alone, from an island of low cloud, like an anchored prison ship, to simple integration with the unimaginable mass of their continent; where the single line of track still edged toward a Keetmanshoop that could in no conceivable iconology be any part of the Kingdom of Death; where, finally, humanity was reduced, out of a necessity which in his loonier moments he could almost believe was only Deutsch-Sudwestafrika's (actually he knew better), out of a confrontation the young of one's contemporaries, God help them, had yet to make, humanity was reduced to a nervous, disquieted, forever inadequate but indissoluble Popular Front against deceptively unpolitical and apparently minor enemies, enemies that would be with him to the grave: a sun with no shape, a beach alien as the moon's antarctic, restless concubines in barbed wire, salt mists, alkaline earth, the Benguela Current that would never cease bringing sand to raise the harbor floor, the inertia of rock, the frailty of flesh, the structural unreliability of thorns; the unheard whimper of a dying woman; the frightening but necessary cry of the strand wolf in the fog.
Thomas Pynchon (V.)
There is no fault that can’t be corrected [in natural wine] with one powder or another; no feature that can’t be engineered from a bottle, box, or bag. Wine too tannic? Fine it with Ovo-Pure (powdered egg whites), isinglass (granulate from fish bladders), gelatin (often derived from cow bones and pigskins), or if it’s a white, strip out pesky proteins that cause haziness with Puri-Bent (bentonite clay, the ingredient in kitty litter). Not tannic enough? Replace $1,000 barrels with a bag of oak chips (small wood nuggets toasted for flavor), “tank planks” (long oak staves), oak dust (what it sounds like), or a few drops of liquid oak tannin (pick between “mocha” and “vanilla”). Or simulate the texture of barrel-aged wines with powdered tannin, then double what you charge. (““Typically, the $8 to $12 bottle can be brought up to $15 to $20 per bottle because it gives you more of a barrel quality. . . . You’re dressing it up,” a sales rep explained.) Wine too thin? Build fullness in the mouth with gum arabic (an ingredient also found in frosting and watercolor paint). Too frothy? Add a few drops of antifoaming agent (food-grade silicone oil). Cut acidity with potassium carbonate (a white salt) or calcium carbonate (chalk). Crank it up again with a bag of tartaric acid (aka cream of tartar). Increase alcohol by mixing the pressed grape must with sugary grape concentrate, or just add sugar. Decrease alcohol with ConeTech’s spinning cone, or Vinovation’s reverse-osmosis machine, or water. Fake an aged Bordeaux with Lesaffre’s yeast and yeast derivative. Boost “fresh butter” and “honey” aromas by ordering the CY3079 designer yeast from a catalog, or go for “cherry-cola” with the Rhône 2226. Or just ask the “Yeast Whisperer,” a man with thick sideburns at the Lallemand stand, for the best yeast to meet your “stylistic goals.” (For a Sauvignon Blanc with citrus aromas, use the Uvaferm SVG. For pear and melon, do Lalvin Ba11. For passion fruit, add Vitilevure Elixir.) Kill off microbes with Velcorin (just be careful, because it’s toxic). And preserve the whole thing with sulfur dioxide. When it’s all over, if you still don’t like the wine, just add a few drops of Mega Purple—thick grape-juice concentrate that’s been called a “magical potion.” It can plump up a wine, make it sweeter on the finish, add richer color, cover up greenness, mask the horsey stink of Brett, and make fruit flavors pop. No one will admit to using it, but it ends up in an estimated 25 million bottles of red each year. “Virtually everyone is using it,” the president of a Monterey County winery confided to Wines and Vines magazine. “In just about every wine up to $20 a bottle anyway, but maybe not as much over that.
Bianca Bosker (Cork Dork: A Wine-Fueled Adventure Among the Obsessive Sommeliers, Big Bottle Hunters, and Rogue Scientists Who Taught Me to Live for Taste)
We've been here three days already, and I've yet to cook a single meal. The night we arrived, my dad ordered Chinese takeout from the old Cantonese restaurant around the corner, where they still serve the best egg foo yung, light and fluffy and swimming in rich, brown gravy. Then there had been Mineo's pizza and corned beef sandwiches from the kosher deli on Murray, all my childhood favorites. But last night I'd fallen asleep reading Arthur Schwartz's Naples at Table and had dreamed of pizza rustica, so when I awoke early on Saturday morning with a powerful craving for Italian peasant food, I decided to go shopping. Besides, I don't ever really feel at home anywhere until I've cooked a meal. The Strip is down by the Allegheny River, a five- or six-block stretch filled with produce markets, old-fashioned butcher shops, fishmongers, cheese shops, flower stalls, and a shop that sells coffee that's been roasted on the premises. It used to be, and perhaps still is, where chefs pick up their produce and order cheeses, meats, and fish. The side streets and alleys are littered with moldering vegetables, fruits, and discarded lettuce leaves, and the smell in places is vaguely unpleasant. There are lots of beautiful, old warehouse buildings, brick with lovely arched windows, some of which are now, to my surprise, being converted into trendy loft apartments. If you're a restaurateur you get here early, four or five in the morning. Around seven or eight o'clock, home cooks, tourists, and various passers-through begin to clog the Strip, aggressively vying for the precious few available parking spaces, not to mention tables at Pamela's, a retro diner that serves the best hotcakes in Pittsburgh. On weekends, street vendors crowd the sidewalks, selling beaded necklaces, used CDs, bandanas in exotic colors, cheap, plastic running shoes, and Steelers paraphernalia by the ton. It's a loud, jostling, carnivalesque experience and one of the best things about Pittsburgh. There's even a bakery called Bruno's that sells only biscotti- at least fifteen different varieties daily. Bruno used to be an accountant until he retired from Mellon Bank at the age of sixty-five to bake biscotti full-time. There's a little hand-scrawled sign in the front of window that says, GET IN HERE! You can't pass it without smiling. It's a little after eight when Chloe and I finish up at the Pennsylvania Macaroni Company where, in addition to the prosciutto, soppressata, both hot and sweet sausages, fresh ricotta, mozzarella, and imported Parmigiano Reggiano, all essential ingredients for pizza rustica, I've also picked up a couple of cans of San Marzano tomatoes, which I happily note are thirty-nine cents cheaper here than in New York.
Meredith Mileti (Aftertaste: A Novel in Five Courses)
I stopped struggling, going limp in his arms. He reached around us and shoved the door closed, spinning around and facing us toward the kitchen. “I was trying to make you breakfast.” It took a moment for his words and their meaning to sink in. I stared dumbfounded across the room and past the island. There was smoke billowing up from the stove and the window above the sink was wide open. Bowls and spoons littered the island and there was a carton of eggs sitting out. He was trying to cook. He was really bad at it. I started to laugh. The kind of laugh that shook my shoulders and bubbled up hysterically. My heart rate was still out of control, and I took in a few breaths between laughs to try and calm it down. He said something, but I couldn’t hear him because the fire alarm was still going off. I had no doubt half the neighborhood was now awake from the sound. He didn’t bother to put me down, instead hauling me along with him, where he finally set me down, dragged a chair over near the alarm, and climbed up to remove the battery. The noise cut off and the kitchen fell silent. “Well, shit,” he said, staring at the battery in his hand. A giggle escaped me. “Does this always happen when you cook?” He shrugged. “The only time I ever cook is when it’s my turn at the station.” His forehead creased and a thoughtful look came over his face. “The guys are never around when it’s my night to cook. Now I know why.” He snagged a towel off the counter and began waving away the rest of the lingering smoke. I clicked on the vent fan above the stove. There was a pan with half a melted spatula, something that may or may not have once been eggs, and a muffin tin with half-burned, half-raw muffins (how was that even possible?). “Well, this looks…” My words faltered, trying to come up with something positive to say. “Completely inedible?” he finished. I grinned. “You did all this for me?” “I figured after a week of hospital food, you might like something good. Apparently you aren’t going to find that here.” I had the urge to hug him. I kept my feet planted where they were. “Thank you. No one’s ever ruined a pan for me before.” He grinned. “I have cereal. Even I can’t mess that up.” I watched as he pulled down a bowl and poured me some, adding milk. He looked so cute when he handed me the bowl that I lifted the spoon and took a bite. “Best cereal I ever had.” “Damn straight.” I carried it over to the counter and sat down. “After we eat, would you mind taking me to my car? I hope it’s still drivable.” “What about the keys?” “I have a security deposit box at the bank. I keep my spare there in case I ever need them.” “Pretty smart.” “I have a few good ideas now and then.” “Contrary to the way it looks, I do too.” “Thank you for trying to make me breakfast. And for the cereal.” He walked over to the stove and picked up the ruined pan. “You died with honor,” he said, giving it a mock salute. And then he threw the entire thing into the trashcan. I laughed. “You could have washed it, you know.” He made a face. “No. Then I might be tempted to use it again.
Cambria Hebert (Torch (Take It Off, #1))
Reinvention is my philosophy, if you want to call it that,” he says, looking out the window. “Imagination is the key to creating a life that is ever new.” Stanley turns his eyes to me. “We are each of us a changeling person,” he says. “We are not going to be the same decade after decade. Wisdom results from confronting not only one’s desires and capacities but also one’s limitations.” “The Layers,” one of Stanley’s best-loved poems, is his crystallization of this wisdom. I have walked through many lives, some of them my own, and I am not who I was, though some principle of being abides from which I struggle not to stray. When I look behind, as I am compelled to look before I can gather strength to proceed on my journey, I see the milestones dwindling toward the horizon and the slow fires trailing from the abandoned camp-sites, over which scavenger angels wheel on heavy wings. Oh, I have made myself a tribe out of my true affections, and my tribe is scattered! How shall the heart be reconciled to its feast of losses? In a rising wind the manic dust of my friends, those who fell along the way, bitterly stings my face. Yet I turn, I turn, exulting somewhat, with my will intact to go wherever I need to go, and every stone on the road is precious to me. In my darkest night, when the moon was covered and I roamed through wreckage, a nimbus-clouded voice directed me: “Live in the layers, not on the litter.” Though I lack the art to decipher it, no doubt the next chapter in my book of transformations is already written. I am not done with my changes.
Mark Matousek (When You're Falling, Dive: Lessons in the Art of Living)
he talked until their food arrived, littering his chat with references to ‘ninety k’ and ‘a quarter of a mill’, and every sentence was angled, like a mirror, to show him in the best possible light: his cleverness, his quick thinking, his besting of slower, stupider yet more senior colleagues...
Robert Galbraith (The Silkworm (Cormoran Strike, #2))
We all love our cats and try to find best products for our furry friend. Cute litter box will guide you what qualities a litter box should have and how to find best suitable litter box for your cat according to her needs. We will also guide about other accessories which a litter needs for better performance.
Cute Litter Box
The pantheon of those who won’t is the best church poetry has to offer. It’s a temple perfumed with the incense of sacrificed literary reputation, littered with bankruptcy notices for cynical cultural capital, warmed by the greater fire of the intrinsic, populated by the most famous and the most anon.
Anne Boyer (A Handbook of Disappointed Fate)
Bella, Samuel explained, had recently produced a litter of burnished bronze puppies. The other Zappia children were busy selling most of them to tourists gullible enough to believe they were a rare African breed of lion-hunting dog, but Samuel had kept one. "The best one. I saved for you. See how he looks at you?" It was true: the puppy in my basket had stopped its squirming to stare up at me with damp, blue-sheened eyes, as if awaiting divine instruction.
Alix E. Harrow (The Ten Thousand Doors of January)
With a deep breath you reach down and grab the rope that holds the tether to the ground. You feel the stability that the tether provides. You don’t want to make a choice. The guides look at you with a confident smile on their faces. Stable and grounded. The ground looks rough, though. It is littered with all of your problems. Scattered like junk, thrown about in the wind. From where you were standing you just could not see them. With a confident resigned tug, you pull the tether out of the ground and start to float upwards. Some stress is good. Breathe in and out, Good breath in and bad breath out. You have less stress, and you are lighter than before. In and out. Pure in, stress out. As you leave the ground, then you are unsure that you made the right decision. You are now at the whims of the wind. You can't go back, though. You take an another deep, steadying breath. You proceed to your seat and start to float away. It is pretty simple and floats up gently without incident. The guide looks at you and with a friendly smile and slap on the back says “Well aren’t you brave for trusting the sky. We will do our best to guide you up here.
Charles Thornton (Untethered Mind Meditation Release your Brain from Stress (Mindful Meditations for Life Book 2))
We turned onto the thoroughfare and walked north toward the palace, and my spirits lifted. Despite the destruction and death, this was a glorious day for Hytanica. I started to say something to this effect to Galen, but he halted, his face ashen, and the words died on my lips. His hand fell on my shoulder, and I looked at him in confusion, then followed his gaze farther up the road. My eyes fell on Steldor, who was kneeling on the unforgiving stone of the street, a few other men milling around him, and my confusion grew. Shouldn’t Galen be pleased to find his best friend? I couldn’t see what Steldor was doing, but after a moment he stood, and the men who were with him lifted a flat litter bearing a body. My eyes took in the height and build of the man lying unnaturally still, the nearly black hair, the officer’s insignia on the black leather jerkin, the blood--and my breath caught in my throat. I tried to run to Steldor, denials raging in my head, but Galen pulled me against his chest. I stared uncomprehendingly at the litter, the image burning itself into my brain, while tears stung my eyes. Cannan’s arms were folded over his chest, his sword tucked beneath his hands. It was really the only evidence any of us needed. As sobs shook me, Galen passed me into the arms of my suitor and advanced upon his best friend, his motion unnaturally stiff. Steldor turned his head at the sound of the approaching footsteps, his dark eyes dry but looking helpless, hopeless and alone. Cannan had been Galen’s father the same way he had been Steldor’s, and the young men stood side by side, watching the Hytanican soldiers carry the litter toward the palace, not moving until it was out of sight. Both of them seemed lost, not knowing what to do or say, then they wrapped their arms around one another in a fierce embrace, befitting the brothers that they were. They held each other for a long time, almost as unmoving as their deceased father. I fell back against Grayden, losing what little strength remained to me, and he hugged me, eventually leading me back to my house. Though I was only eighteen, I felt I had stumbled upon one of life’s few truisms: with every step forward came a step backward, with every gain came a loss and with every joy came tears. In the end, the best for which one could hope was to leave the world in better straits than existed on the day of your birth; to have truly lived. And oh, how Cannan, the Captain of the Guard, had lived.
Cayla Kluver (Sacrifice (Legacy, #3))
Three and a half hours and a lot of curse words and tears later, my hands still ached, my elbows did too, and every step I took hurt the joints in my knees and the painfully stretched skin covering them. If I didn’t have black pants on, I was sure I’d look like I’d gotten into a fight with a bear cub and lost. Bad. Feeling defeated but trying my best not to, I sucked in one breath after another, forcing my feet to keep fucking going until I made it to the stupid-ass parking lot. I’d gone through periods of pure rage toward everything on the way down. Over the trail in the first place. Over doing this. Over the sun being out. At my mom for bamboozling me. I’d even been pissed off at my boots and would have taken them off and thrown them into the trees, but that was considered littering and there were too many rocks. It was the boots’ fault for being slippery, the sons of bitches. I was donating them the first chance I got, I’d decided at least ten times. Maybe I’d burn them. Okay, I wouldn’t because it was bad for the environment and there was still a fire ban in effect, but whatever. Pieces of shit.
Mariana Zapata (All Rhodes Lead Here)
All knowing Mother," he said, with his head bowed. "I'm sorry human beings are such a blight, I'm sorry we litter your earth and choke the fish in your oceans with plastic grocery sacks. We have been given incomprehensible beauty on this earth, but we don't see it. We walk around angry and blind and ungrateful. I wish we were better, our dumb human race, but I don't have much hope that we ever will be. The best I can do today is say: Thank you for this world of miracles. We will try to be more grateful. And less ridiculous.
Katherine Center (Happiness for Beginners)
archaeology department. Even Sera had been thrilled in the beginning. “I’m totally taking advantage of your fainting spell to take a break myself,” Nora said as she sat in the sparse grass beneath a pine tree. The parasol-shaped trees littered the rolling hills around the site. Sitting next to her best friend, Sera scoffed. “I didn’t faint.” According to Nora, Chad’s debonair looks meant he also happened to be the star of almost every female student’s romantic fantasies. Not yet forty, the man was just beginning to show signs of his age with salt-and-pepper hair. His bachelor status only added fuel to the flame. For the most part, Sera found him to be as charming, witty, and good-looking as anyone did. But when she remembered some of his more suggestive comments and inappropriate touches over the summer, her nose scrunched up. She had a feeling he was single for other, less attractive reasons than just not having found the right woman. Much to her annoyance, trying to be polite and not rock the boat somehow meant he didn’t get the hint she wasn’t interested. Bringing up her boyfriend, Hiro, seemed to register even less. “I wouldn’t have blamed you if you had fainted,” Nora said. “Did you see the size of that ruby? It was a ruby, right?
Stephanie Mirro (Curse of the Vampire (Immortal Relics #1))
How's Tuscany." "The birthplace of the Italian Renaissance? Full of winding roads, hills and valleys, where a morning mist rolls out in the distance, and the forests are littered with leaves so golden red that the entire world feels like it's on fire in the very best way? That Tuscany?
Jennifer Lynn Barnes
You have to leave, " Severus repeats, trying to push the wolf away and only meeting firm shoulder muscles littered with scars. Lupin has lost a cardigan. And a shirt. Severus does not remember removing them but he is currently holding the sleeve of a ripped shirt which he drops, dazedly, lowering his lips to brush against a large, puckered wound across his bicep. Terrible idea. Best fucking idea I have ever had. "Then tell me to," Lupin has a fist full of Severus' hair and yanks his face up. Lupin's pupils are blown wide, dark moons with a ring of amber. There is no regret there. And tomorrow he shall be gone. "I will." Severus pushes the half naked wolf away and brushes past him, grabbing his wrist at the last minute to pull him along to the bedroom. Lupin's thin torso is robed in wounds and marks like an ancient tree with names carved into the bark. Cartography of scars. I shall map every single fucking one. "Later.
elph13 (The Heir to the House of Prince)
Seven extra grams of grated nutmeg makes all the difference. Best cinnamon-streusel pumpkin muffin ever. Or at least so far." I opened my eyes, making a slow assessment of my kitchen. Four other batches of pumpkin muffins littered the countertop, many of them on their sides after I took one bite and impatiently tossed them aside. This batch, the fifth, was the queen of the bunch. "I do have some reservations about the pecans." My fluffy panda-head slippers slapped on the wood floors as I walked back to the oven. Holding my butter-smudged working recipe up to the light, I considered the next round of alterations. "I wonder about almonds. Or no! Pistachios!
Kimberly Stuart (Sugar)
All-knowing Mother,” he said, with his head bowed. “I’m sorry human beings are such a blight. I’m sorry we litter your earth and choke the fish in your oceans with plastic grocery sacks. We have been given incomprehensible beauty on this earth, but we don’t see it. We walk around angry and blind and ungrateful. I wish we were better, our dumb human race, but I don’t have much hope that we ever will be. The best I can do today is say: Thank you for this world of miracles. We will try to be more grateful. And less ridiculous.” On the first day, or even during the first week, I would have been looking out of the side of my eyes, like Is this dude for real? But now, as he came to a close, I started to clap. Everybody else started to clap, too, and shout things like, “Go, Boss! Tell it like it is!
Katherine Center (Happiness for Beginners)
The lights went back to the green of safety—but she stood trembling, unable to move. That’s how it works for the travel of one’s body, she thought, but what have they done to the traffic of the soul? They have set the signals in reverse—and the road is safe when the lights are the red of evil—but when the lights are the green of virtue, promising that yours is the right-of-way, you venture forth and are ground by the wheels. All over the world, she thought—those inverted lights go reaching into every land, they go on, encircling the earth. And the earth is littered with mangled cripples, who don’t know what has hit them or why, who crawl as best they can on their crushed limbs through their lightless days, with no answer save that pain is the core of existence—and the traffic cops of morality chortle and tell them that man, by his nature, is unable to walk.
Ayn Rand (Atlas Shrugged)
I believe in travel. I believe that by disorienting us, it rearranges us. Travel builds character and ignites imagination, nurtures independence and humility, catalyzes curiosity and self-examination. It can be a bulwark against stagnation, and a call to action. It widens our worldview and brings us face-to-face with our privilege, as it forces us to reassess entrenched beliefs and long-held concepts. Of course, travel is no magical elixir. I've stopped believing it's 'fatal to prejudice,' as Mark Twain famously declared (if only it were that simple), but I do hold that it's a solid start toward upending our biases and assumptions, because it compels us to see beyond the abstractions of a foreign land to its humanity. But travel has a shadow side, too: there's the environmental impact of flying and cruising, the crowding of our planet's most wondrous places, the littering of sacred sites, the pricing-out of locals. And it has dreadful roots (colonialism, capitalism) and gruesome side effects (exploitation, exoticism, saviorism). I wrestle with this duality. How do I reconcile the damage travel does with the awareness that it profoundly enriches my life; that it is not only my livelihood but also, at time, my sanity? It's another area in which I get hopelessly lost. And while I may never navigate this ethical tangle, I recognize that travel itself is what helps me make sense of - or at least pay more attention to - a world both exquisite and unbearably cruel.
Lavinia Spalding (The Best Women's Travel Writing, Volume 12: True Stories from Around the World)
Silence is stealth and cunning and watching. Silence is a sniper waiting patiently on the other side of a half broken wall, their good eye trained to your forehead. Silence is the moment of peace after the pin is pulled from the grenade. Silence is the lull before your best friend shouts, “Move!” Silence is all you hear just before it explodes. Boom. Silence is the corpses littering the field of yesterday’s battle.
Daryl Banner (Born Again Sinner (Spruce Texas Romance, #2))
If brute force wouldn't suffice, however, there was always the famous Viking cunning. The fleet was put to anchor and under a flag of truce some Vikings approached the gate. Their leader, they claimed, was dying and wished to be baptized as a Christian. As proof, they had brought along the ailing Hastein on a litter, groaning and sweating.  The request presented a moral dilemma for the Italians. As Christians they could hardly turn away a dying penitent, but they didn't trust the Vikings and expected a trick. The local count, in consultation with the bishop, warily decided to admit Hastein, but made sure that he was heavily guarded. A detachment of soldiers was sent to collect Hastein and a small retinue while the rest of the Vikings waited outside.  Despite the misgivings, the people of Luna flocked to see the curiosity of a dreaded barbarian peacefully inside their city. The Vikings were on their best behavior as they were escorted to the cathedral, remaining silent and respectful. Throughout the service, which probably lasted a few hours, Hastein was a picture of reverence and weakness, a dying man who had finally seen the light. The bishop performed the baptism, and the count stood in as godfather, christening Hastein with a new name. When the rite had concluded, the Vikings respectfully picked up the litter and carried their stricken leader back to the ships.  That night, a Viking messenger reappeared at the gates, and after thanking the count for allowing the baptism, sadly informed him that Hastein had died. Before he expired, however, he had asked to be given a funeral mass and to be buried in the holy ground of the cathedral cemetery.  The next day a solemn procession of fifty Vikings, each dressed in long robes of mourning, entered the city carrying Hastein's corpse on a bier. Virtually all the inhabitants of the city had turned out to witness the event, joining the cavalcade all the way to the cathedral. The bishop, surrounded by a crowd of monks and priests bearing candles, blessed the coffin with holy water, and led the entire procession inside.  As the bishop launched into the funerary Mass, reminding all good Christians to look forward to the day of resurrection, the coffin lid was abruptly thrown to the ground and a very much alive Hastein leapt out. As he cut down the bishop, his men threw off their cloaks and drew their weapons. A few ran to bar the doors, the rest set about slaughtering the congregation.  At the same time – perhaps alerted by the tolling bell – Bjorn Ironside led the remaining Vikings into the city and they fanned out, looking for treasure. The plundering lasted for the entire day. Portable goods were loaded onto the ships, the younger citizens were spared to be sold as slaves, and the rest were killed. Finally, when night began to fall, Hastein called off the attack. Since nothing more could fit on their ships, they set fire to the city and sailed away.97 For the next two years, the Norsemen criss-crossed the Mediterranean, raiding both the African and European coasts. There are even rumors that they tried to sack Alexandria in Egypt, but were apparently unable to take it by force or stealth.
Lars Brownworth (The Sea Wolves: A History of the Vikings)
Vaughn?” she inquired. “One of them. Neil. It’s a family business.” Winsome and Gerry showed their warrant cards and Neil Vaughn invited them inside. The side of an old cardboard box served as a doormat, and they wiped their feet as best they could without reducing it to shreds. Vaughn seemed to be the only person around. After he asked them to sit down, he returned to a desk littered with papers and swiveled his chair to face them. The inside of the trailer was bleak, as such places usually are, and on the pasteboard walls were hung with a girlie calendar curling at the edges, a large chart with written-in squares and an Ordnance Survey
Peter Robinson (In the Dark Places (Inspector Banks #22))
Trudy let out a long breath and hung her head. “Actually, it’s kinda embarrassing,” she said from beneath a curtain of curls. “My mum, she’s been perfecting bioluminescent yeast and lactobacillus strains, some with firefly splices, some with blue glowing Noctiluca plankton splices. Last week, for a lark she grabbed the wrong starter—the perils of using lab equipment for lab work and yogurt starter, I guess—and cultured some goats milk. We enjoyed it for breakfast. The cats got intae it, they ate it as weel. There was also some question, possible contamination of the kraut,” she said brightly. “We first noticed Boo’s—my baby brother, Boo’s short for the ‘Nobu’ in ‘Schrödinger Nobu Duncan Yamaguchi’—glowing nappy later thae evening when I helped put him tae bed. Next we saw the litter box, the glowing cat box, full of glowing cat turds.” She made a disgusted, resigned face. “Ye ken whit they’re like! They play catty-cake with their leavings and as ye can see, whaur kitty’s shitty paws go so does the yellow glow. Nar, I know,” she finished. “Wait, not so fast Yamaguchi,” said Olivia. “Does this mean you’ve been dropping glow sticks off at the pool, leaving bioluminescent raver monkey arms in the bowl, stocking the ole’ lake with incandescent brown trout much?” Trudy looked truly horrified, mortified. “SHUT UP,” she whispered in crisply articulated exasperation, pale green eyes bulging. “I really, really dinna want tae talk aboot it, much less think aboot it,” she added with a convulsive shiver. “Ye, Rosebeetle, dinna even think aboot it either!” He gave her his best what-who-me-? look in reply. “And stop looking at my bahookie!” With difficulty he and Olivia tore their eyes from her curvy derrière. “Glow-poops,” said Byron quickly, “we’re all thinking it.” Trudy glared at him.
Johannes Johns (The Redwood Revenger)
All-knowing Mother... I'm sorry human beings are such a blight. I'm sorry we litter your earth and choke the fish in your oceans with plastic grocery sacks. We have been given incomprehensible beauty on this earth, but we don't see it. We walk around angry and blind and ungrateful. I wish we were better, our dumb human race, but I don't have much hope that we ever will be. The best I can do today is say: Thank you for this world of miracles. We will try to be more grateful. And less ridiculous.
Katherine Center
How This Bad Habit Hurts Your Productivity Yielding to others’ demands for your time and attention lessens your productivity in five ways. First, it disrupts your work flow. You lose whatever momentum you managed to build through focused attention. Without distractions, that momentum helps you to complete tasks in less time. Second, it allows other people to dictate how you spend your time. You’re never in charge of your day, which means you can’t accurately plan it. Indeed, any plans you make are little more than wishes, or best-case scenarios. Third, saying “yes” gives you less time to address your own responsibilities. That can be disastrous if you’re working under an impending deadline. The people you help benefit by completing their tasks, but your own tasks remain unfinished. You may even be forced to work overtime to meet your responsibilities (see Day 7 for more on this bad habit). Fourth, it reduces the quality of your work. After spending considerable time helping others meet their responsibilities, you may be forced to rush through your own in order to finish them under deadline. The more you rush, the greater the likelihood you’ll make mistakes. While one or two mistakes are unlikely to cause a major problem, work littered with them will. Fifth, you risk suffering from burnout. Continuously relenting to others’ demands increases your stress levels. Deadlines loom and your work piles up as you spend your available time helping coworkers with their tasks. It’s tough to be productive when you’re feeling overstretched and under pressure. Let’s make a change. Following are seven steps to take if you want to learn to say “no” to your coworkers, friends and family members.
Damon Zahariades (The 30-Day Productivity Boost (Vol. 1): 30 Bad Habits That Are Sabotaging Your Time Management (And How To Fix Them!))
The Younger Dryas impacts, and subsequent sustained cataclysm, changed the face of the earth completely and wrought particularly significant havoc across North America. We have considered the question of huge volumes of meltwater released into the Arctic and Atlantic Oceans from the destabilized ice sheet and looked at the effects on global climate. But keep in mind that those enormous floods also devastated the rich North American mainland to the south, perhaps the best and most bounteous real estate then available anywhere. This immense and extraordinary deluge, 'possibly the largest flood in the history of the world,' swept away and utterly demolished everything that lay in its path. Jostling with icebergs, choked by whole forests ripped up by their roots, turbulent with mud and boulders swirling in the depths of the current, what the deluge left behind can still be seen in something of its raw form in the Channeled Scablands of the state of Washington today--a devastated blank slate [...] littered with 10,000-ton 'glacial erratics,' immense fossilized waterfalls, and 'current ripples' hundreds of feet long and dozens of feet high. If there were cities there, before the deluge, they would be gone. If there was any evidence of anything that we would recognize as technology there, before the deluge, it would be gone.
Graham Hancock (America Before: The Key to Earth's Lost Civilization)
Hindsight was littered with maybes and should haves, so he set it aside as best he could” - Love Spring Eternal by Sheena Jolie (SJ Himes).
Sheena Jolie
With a snarl of pain, she forced herself to sit up, her head spinning with the sudden movement. One hand touched her temple, sticky with dried blood. She winced, feeling a gash along her eyebrow. It was long but shallow, and already scabbing over. She clenched her jaw, teeth grinding, as she surveyed the beach with squinting eyes. The ocean stared back at her, empty and endless, a wall of iron blue. Then she noticed shapes along the beach, some half-buried in the sand, others caught in the rhythmic pull of the tide. She narrowed her eyes and the shapes solidified. A torn length of sail floated, tangled up with rope. A shattered piece of the mast angled out of the sand like a pike. Smashed crates littered the beach, along with other debris from the ship. Bits of hull. Rigging. Oars snapped in half. The bodies moved with the waves. Her steady breathing lost its rhythm, coming in shorter and shorter gasps until she feared her throat might close. Her thoughts scattered, impossible to grasp. All thoughts but one. “DOMACRIDHAN!” Her shout echoed, desperate and ragged. “DOMACRIDHAN!” Only the waves answered, crashing endless against the shore. She forgot her training and forced herself to stand, nearly falling over with dizziness. Her limbs aches but she ignored it, lunging toward the waterline. Her lips moved, her voice shouting his name again, though she couldn’t hear it above the pummel of her own heart. Sorasa Sarn was no stranger to corpses. She splashed into the waves with abandon, even as her head spun. Sailor, sailor, sailor, she noted, her desperation rising with every Tyri uniform and head of black hair. One of them looked ripped in half, missing everything from the waist down. His entrails floated with the rear of him, like a length of bleached rope. She suspected a shark got the best of him. Then her memories returned with a crash like the waves. The Tyri ship. Nightfall. The sea serpent slithering up out of the deep. The breaking of a lantern. Fire across the deck, slick scales running over my hands. The swing of a greatsword, Elder-made. Dom silhouetted against a sky awash with lightning. And then the cold, drowning darkness of the ocean. A wave splashed up against her and Sorasa stumbled back to the shore, shivering. She had not waded more than waist deep, but her face felt wet, water she could not understand streaking her cheeks. Her knees buckled and she fell, exhausted. She heaved a breath, then two. And screamed. Somehow the pain in her head paled in comparison to the pain in her heart. It dismayed and destroyed her in equal measure. The wind blew, stirring salt-crusted hair across her face, sending a chill down to her soul. It was like the wilderness all over again, the bodies of her Amhara kin splayed around her. No, she realized, her throat raw. This is worse. There is not even a body to mourn. She contemplated the emptiness for awhile, the beach and the waves, and the bodies gently pressing into the shore. If she squinted, they could only be debris from the ship, bits of wood instead of bloated flesh and bone. The sun glimmered on the water. Sorasa hated it. Nothing but clouds since Orisi, and now you choose to shine.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))