“
People worry about kids playing with guns, and teenagers watching violent videos; we are scared that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands - literally thousands - of songs about broken hearts and rejection and pain and misery and loss.
”
”
Nick Hornby (High Fidelity)
“
A good head and good heart are always a formidable combination. But when you add to that a literate tongue or pen, then you have something very special.
”
”
Nelson Mandela
“
Augustus Waters was a self-aggrandizing bastard. But we forgive him. We forgive him not because he had a heart as figuratively good as his literal one sucked, or because he knew more about how to hold a cigarette than any nonsmoker in history, or because he got eighteen years when he should've gotten more.'
'Seventeen,' Gus corrected.
'I'm assuming you've got some time, you interupting bastard.
'I'm telling you,' Isaac continued, 'Augustus Waters talked so much that he'd interupt you at his own funeral. And he was pretentious: Sweet Jesus Christ, that kid never took a piss without pondering the abundant metaphorical resonances of human waste production. And he was vain: I do not believe I have ever met a more physically attractive person who was more acutely aware of his own physical attractiveness.
'But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him.'
I was kind of crying by then.
”
”
John Green (The Fault in Our Stars)
“
When you love someone, truly love them, you lay your heart open to them. You give them a part of yourself that you give to no one else, and you let them inside a part of you that only they can hurt-you literally hand them the razor with a map of where to cut deepest and most painfully on your heart and soul. And when they do strike, it’s crippling-like having your heart carved out.
”
”
Sherrilyn Kenyon
“
She didn't understand that. "How can anyone be afraid of love?"
"How can they not?" His face was completely aghast. "When you love someone... truly love them, friend or lover, you lay your heart open to them. You give them a part of yourself that you give to no one else, and you let them inside a part of you that only they can hurt—you literally hand them the razor with a map of where to cut deepest and most painfully on your heart and soul. And when they do strike, it's crippling—like having your heart carved out. It leaves you naked and exposed, wondering what you did to make them want to hurt you so badly when all you did was love them. What is so wrong with you that no one can keep faith with you? That no one can love you? To have it happen once is bad enough... but to have it repeated? Who in their right mind would not be terrified of that?
”
”
Sherrilyn Kenyon (Devil May Cry (Dark-Hunter, #11))
“
We are literally in the heart of Jesus," he said. "I thought we were in a church basement, but we are literally in the heart of Jesus."
"Someone should tell Jesus," I said. "I mean, it's gotta be dangerous, storing children with cancer in your heart."
"I would tell Him myself," Augustus said, "but unfortunately I am literally stuck inside of His heart, so He won't be able to hear me.
”
”
John Green (The Fault in Our Stars)
“
Your heart literally hurts when it's breaking. You can feel it, every beat another ache, and nothing you can do will stop it, either from beating or breaking.
”
”
Alison McGhee (All Rivers Flow to the Sea)
“
There are different wells within your heart.
Some fill with each good rain,
Others are far too deep for that.
In one well
You have just a few precious cups of water,
That "love" is literally something of yourself,
It can grow as slow as a diamond
If it is lost.
Your love
Should never be offered to the mouth of a
Stranger,
Only to someone
Who has the valor and daring
To cut pieces of their soul off with a knife
Then weave them into a blanket
To protect you.
There are different wells within us.
Some fill with each good rain,
Others are far, far too deep
For that.
”
”
The Divan
“
So we literally made the earth move? A slight pause, before Kaleb said, I suggest we don’t engage in sex in populated areas.
”
”
Nalini Singh (Heart of Obsidian (Psy-Changeling, #12))
“
Isaac was still clinging to the lectern. He started to cry. He pressed his forehead down to the podium and I watched his shoulders shake, and then finally, he said, 'Goddamn it, Augustus, editing your own eulogy.'
'Don't swear in the Literal Heart of Jesus,' Gus said.
'Goddamn it," Isaac said again.
”
”
John Green (The Fault in Our Stars)
“
Cameron, my heart is quite literally in this," he hisses through gritted teeth.
Swooning words. A romantic declaration. I can barely stop my eyes from rolling.
"Save it for when we get her back," I grumble.
”
”
Victoria Aveyard (King's Cage (Red Queen, #3))
“
Was it possible to physically feel the moment you lost your heart to someone? Because Lucie was fairly sure she'd just lost hers, and the spot where it should have been literally hurt.
”
”
Gina L. Maxwell (Seducing Cinderella (Fighting for Love, #1))
“
Sometimes, when something hurts us, our hearts break a little-in a slightly ... more literal way than for humans. Our pain sort of spills out and onto anyone around us. We call it a cracked heart.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
We just sat there quiet for a long time, which was fine, and I was thinking about way back in the very beginning in the Literal Heart of Jesus...
”
”
John Green (The Fault in Our Stars)
“
Ever notice how the heart is literally caged by the ribs? That’s insane. As if our body knows it can break so easily, it needs to be protected.
”
”
L.J. Shen (Pretty Reckless (All Saints High, #1))
“
My heart literally aches, that shit is not made up; it hurts for an unexpected, brief time warp of suddenly wanting and longing and believing, but then not having.
”
”
Rachel Cohn (Nick & Norah's Infinite Playlist)
“
We're out of time, Payton. You said it yourself: the only way we'll make it is for us to go into this together. I know we can do this. But I need you to believe it. You need to believe... in us."
Peyton didn't say anything for a long moment, and J.D. could literally hear his heart beating. Then she finally answered.
"It would have to be called Kendall and Jameson."
It took J.D a moment to catch on. Then he grinned. "No way. Jameson and Kendall. It's alphabetical."
"You told our boss that you banged me on top of your desk."
"Kendall and Jameson sounds great
”
”
Julie James (Practice Makes Perfect)
“
He presses his forehead down on the podium and I watched his shoulders shake, and then finally, he said, "Goddamn it, Augustus, editing your own eulogy."
"Don't swear in the Literal Heart of Jesus," Gus said.
”
”
John Green (The Fault in Our Stars)
“
Nostalgia - its delicate, but potent. Teddy told me that in Greek nostalgia literally means “the pain from an old wound.” It’s a twinge in your heart far more powerful than memory alone. This device isn’t a spaceship, it’s a time machine. It goes backwards, and forwards… it takes us to a place where we ache to go again. It’s not called the wheel, it’s called the carousel. It let’s us travel the way a child travels - around and around, and back home again, to a place where we know are loved.
”
”
Don Draper
“
Whatever teaches us to talk to ourselves is important: whatever teaches us to sing ourselves out of despair. But the painting has also taught me that we can speak to each other across time. And I feel I have something very serious and urgent to say to you, my non-existent reader, and I feel I should say it as urgently as if I were standing in the room with you. That life—whatever else it is—is short. That fate is cruel but maybe not random. That Nature (meaning Death) always wins but that doesn’t mean we have to bow and grovel to it. That maybe even if we’re not always so glad to be here, it’s our task to immerse ourselves anyway: wade straight through it, right through the cesspool, while keeping eyes and hearts open. And in the midst of our dying, as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn’t touch. For if disaster and oblivion have followed this painting down through time—so too has love. Insofar as it is immortal (and it is) I have a small, bright, immutable part in that immortality. It exists; and it keeps on existing. And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next.
”
”
Donna Tartt (The Goldfinch)
“
Toxic relationships are dangerous to your health; they will literally kill you. Stress shortens your lifespan. Even a broken heart can kill you. There is an undeniable mind-body connection. Your arguments and hateful talk can land you in the emergency room or in the morgue. You were not meant to live in a fever of anxiety; screaming yourself hoarse in a frenzy of dreadful, panicked fight-or-flight that leaves you exhausted and numb with grief. You were not meant to live like animals tearing one another to shreds. Don't turn your hair gray. Don't carve a roadmap of pain into the sweet wrinkles on your face. Don't lay in the quiet with your heart pounding like a trapped, frightened creature. For your own precious and beautiful life, and for those around you — seek help or get out before it is too late. This is your wake-up call!
”
”
Bryant McGill
“
In Greek, “nostalgia” literally means “the pain from an old wound”. It’s a twinge in your heart, far more powerful than memory alone. This device isn’t a spaceship, it’s a time machine. It goes backwards and forwards, it takes us to a place where we ache to go again.
”
”
Don Draper
“
I could not put the Bible down. I literally could not. It felt as if my heart would stop beating, perhaps implode, if I put it down.
”
”
Nabeel Qureshi (Seeking Allah, Finding Jesus: A Devout Muslim Encounters Christianity)
“
In fact her maturity and blood kinship converted her passion to fever, so it was more affliction than affection. It literally knocked her down at night, and raised her up in the morning, for when she dragged herself off to bed, having spent another day without his presence, her heart beat like a gloved fist against her ribs. And in the morning, long before she was fully awake, she felt a longing so bitter and tight it yanked her out of a sleep swept clean of dreams.
”
”
Toni Morrison (Song of Solomon)
“
Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death. We misconstrue the nature of even those few days or weeks. We might expect if the death is sudden to feel shock. We do not expect the shock to be obliterative, dislocating to both body and mind. We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe that their husband is about to return and need his shoes. In the version of grief we imagine, the model will be "healing." A certain forward movement will prevail. The worst days will be the earliest days. We imagine that the moment to most severely test us will be the funeral, after which this hypothetical healing will take place. When we anticipate the funeral we wonder about failing to "get through it," rise to the occasion, exhibit the "strength" that invariably gets mentioned as the correct response to death. We anticipate needing to steel ourselves the for the moment: will I be able to greet people, will I be able to leave the scene, will I be able even to get dressed that day? We have no way of knowing that this will not be the issue. We have no way of knowing that the funeral itself will be anodyne, a kind of narcotic regression in which we are wrapped in the care of others and the gravity and meaning of the occasion. Nor can we know ahead of the fact (and here lies the heart of the difference between grief was we imagine it and grief as it is) the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaninglessness itself.
”
”
Joan Didion (The Year of Magical Thinking)
“
No one ever tells you how much a heartbreak physically hurts. How it literally feels like you've been kicked down the stairs. How you can't swallow. How every muscle aches. How your heart lurches inside you like it's been poisoned. Nobody tells you that.
”
”
Holly Bourne (It Only Happens in the Movies)
“
People always want to know what it feels like, so I’ll tell you: there’s a sting when you first slice, and then your heart speeds up when you see the blood, because you know you’ve done something you shouldn’t have, and yet you’ve gotten away with it. Then you sort of go into a trance, because it’s truly dazzling—that bright red line, like a highway route on a map that you want to follow to see where it leads. And—God—the sweet release, that’s the best way I can describe it, kind of like a balloon that’s tied to a little kid’s hand, which somehow breaks free and floats into the sky. You just know that balloon is thinking, Ha, I don’t belong to you after all; and at the same time, Do they have any idea how beautiful the view is from up here? And then the balloon remembers, after the fact, that it has a wicked fear of heights.
When reality kicks in, you grab some toilet paper or a paper towel (better than a washcloth, because the stains don’t ever come out 100 percent) and you press hard against the cut. You can feel your embarrassment; it’s a backbeat underneath your pulse. Whatever relief there was a minute ago congeals, like cold gravy, into a fist in the pit of your stomach. You literally make yourself sick, because you promised yourself last time would be the last time, and once again, you’ve let yourself down. So you hide the evidence of your weakness under layers of clothes long enough to cover the cuts, even if it’s summertime and no one is wearing jeans or long sleeves. You throw the bloody tissues into the toilet and watch the water go pink before you flush them into oblivion, and you wish it were really that easy.
”
”
Jodi Picoult (Handle with Care)
“
Oh, Cameron," Eldon replied in a whisper, moving closer and brushing his lips over Cameron's mouth. "You are literally the very reason my heart beats. Nothing I have lost can compare with the love in you I have found.
”
”
Zathyn Priest (Liquid Glass)
“
I’ve lived the literal meaning of the “land of the free” and “home of the brave.” It’s not corny for me. I feel it in my heart. I feel it in my chest. Even at a ball game, when someone talks during the anthem or doesn’t take off his hat, it pisses me off. I’m not one to be quiet about it, either.
”
”
Chris Kyle (American Sniper)
“
Cameron, my heart is quite literally in this,
”
”
Victoria Aveyard (King's Cage (Red Queen, #3))
“
And then . . . we’re going to get in my car.”
I waited for him to elaborate on a destination. “And?”
He gently kissed the nape of my neck. “What do you think?”
I couldn’t help a small gasp of delight. “Oh, wow.”
“I know, right? I was racking my brain for the best present ever, and then I realized that nothing was going to rock your world more than you and me in your favorite place in the entire world.”
I swallowed. “I’m kind of embarrassed at how excited I am about that.” Never had I guessed my love of cars would play a role in my sex life. Eddie was right. Something had happened to me.
“It’s okay, Sage. We’ve all got our turn-ons.”
“You kind of ruined the surprise, though.”
“Nah. It’s part of the gift: you getting to think about it for the next three days.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
Yet, at the same time, as the Eastern sages also knew, man is a worm and food for worms. This is the paradox: he is out of nature and hopelessly in it; he is dual, up in the stars and yet housed in a heart-pumping, breath-gasping body that once belonged to a fish and still carries the gill-marks to prove it. His body is a material fleshy casing that is alien to him in many ways—the strangest and most repugnant way being that it aches and bleeds and will decay and die. Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with a towering majesty, and yet he goes back into the ground a few feet in order to blindly and dumbly rot and disappear forever. It is a terrifying dilemma to be in and to have to live with. The lower animals are, of course, spared this painful contradiction, as they lack a symbolic identity and the self-consciousness that goes with it. They merely act and move reflexively as they are driven by their instincts. If they pause at all, it is only a physical pause; inside they are anonymous, and even their faces have no name. They live in a world without time, pulsating, as it were, in a state of dumb being. This is what has made it so simple to shoot down whole herds of buffalo or elephants. The animals don't know that death is happening and continue grazing placidly while others drop alongside them. The knowledge of death is reflective and conceptual, and animals are spared it. They live and they disappear with the same thoughtlessness: a few minutes of fear, a few seconds of anguish, and it is over. But to live a whole lifetime with the fate of death haunting one's dreams and even the most sun-filled days—that's something else.
”
”
Ernest Becker (The Denial of Death)
“
Heart lesson #3: post-heartbreak survival.
The heart is resilient, I mean literally. When a body is burned, the heart is the last organ to oxidize. While the rest of the body can catch flame like a polyester sheet on campfire, it takes hours to burn the heart to ash. My dear sister, a near-perfect organ! Solid, inflammable.
”
”
Ibi Kaslik (Skinny)
“
At heart, science is the quest for awesome - the literal awe that you feel when you understand something profound for the first time. It's a feeling we are all born with, although it often gets lost as we grow up and more mundane concerns take over our lives.
”
”
Sean Carroll (The Particle at the End of the Universe: How the Hunt for the Higgs Boson Leads Us to the Edge of a New World)
“
In case you haven't noticed, people get hard-hearted against the people they hurt. Because they can't stand it. Literally. To think we did that to someone. I did that. So we think of all the reasons why it's okay we did whatever we did.
”
”
Elizabeth Strout (The Burgess Boys)
“
How is that weird?” Dark the First asked incredulously. “Literally everyone does it. Literally.”
“I really wish you’d stop saying literally,” Dark the Second said. “I literally don’t think you understand what that word means.
”
”
T.J. Klune (The Lightning-Struck Heart (Tales From Verania, #1))
“
You're still in it. You'll always be in it. No, not literally. But in your heart. Nothing ever ends, not if it's gone that deep. You'll always be walking wounded. That's the only choice, after a while. Walking wounded, or dead. Don't you agree?
”
”
Julian Barnes (The Only Story)
“
He once told me about polar bears - what solitary animals they are. They mate just once a year. One time in a whole year. There is no such thing as a lasting male-female bond in their world. One male polar bear and one female polar bear meet by sheer chance somewhere in the frozen vastness, and they mate. It doesn't take long. And once they are finished, the male runs away from the female as if he is frightened to death: he runs from the place where they have mated. He never looks back - literally. The rest of the year he lives in deep solitude. Mutual communications - the touching of two hearts - do not exist for them. So, that is the story of polar bears - or at least it is what my employer told me about them.'
How very strange.'
Yes, it is strange. I remember asking my employer, ' Then what do polar bears exist for?' ' Yes, exactly,' he said with a big smile. 'Then what do we exist for?
”
”
Haruki Murakami (After the Quake)
“
The old Amy, the girl of the big laugh and the easy ways, literally shed herself, a pile of skin and soul on the floor, and stepped this new, brittle, bitter Amy ... a razor-wire knot daring me to unloop her, and I was not up to the job with my thick, numb, nervous fingers. Country fingers. Flyover fingers untrained in the intricate, dangerous work of 'solving Amy'. When I'd hold up the bloody stumps, she'd sigh and turn to her secret mental notebooks on which she tallied all my deficiencies, forever noting disappointments, frailties, shortcomings.
”
”
Gillian Flynn (Gone Girl)
“
He's just my first love. My first crush. Maybe that's why they called it crush. Because it indeed crush you. Literally. Break your heart. Leave pain. Rip you apart.
”
”
Yuli Pritania (On(c)e)
“
Man is out of nature and hopelessly in it; he is dual, up in the stars and yet housed in a heart-pumping, breath-gasping body that once belonged to a fish and still carries the gill-marks to prove it. His body is a material fleshy casing that is alien to him in many ways—the strangest and most repugnant way being that it aches and bleeds and will decay and die. Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with atowering majesty, and yet he goes back into the ground a few feet in order blindly and dumbly to rot and disappear forever.
”
”
Ernest Becker (The Denial of Death)
“
Sahara knew she should be worried about the fact that she’d been in bed with a man who’d caused that kind of damage with a momentary and, according to him, minor loss of telekinetic control during intimacy, but she felt her lips kick up at the corners. So we literally made the earth move?
A slight pause, before Kaleb said, I suggest we don’t engage in sex in populated areas.
The cool comment made her burst into laughter.
”
”
Nalini Singh (Heart of Obsidian (Psy-Changeling, #12))
“
My heart throbs and aches and, for once, it's not for myself. It's for all of us. It's for everyone who knows what it's like to be helpless, to have to watch on the sidelines, to be paralyzed, literally unable to do anything.
”
”
Sarah Wylie (All These Lives)
“
I was born with a bad heart—literally and figuratively. But you gave your heart to me, and because of you, I will live. Because of you, I will never take my life for granted ever again.
”
”
K.M. Moronova (The Fabric of Our Souls)
“
The mind is constantly generating thoughts and the voice of the heart is literally drowned out by the ‘thought-churn’ making it difficult to access intuitive knowledge. If you stop the train of thoughts and simply contemplate the emptiness, you will hear the rustle of the morning stars, the inner voice that has no words. The heart could provide answers to many of our questions if only we could hear its voice.
”
”
Vadim Zeland (Reality Transurfing Steps I-V)
“
My heart literally aches, that shit is not made up.
”
”
Rachel Cohn (Nick & Norah's Infinite Playlist)
“
I didn’t know hearts could literally ache like this. It hurts so much I want to reach inside and rip it out of my chest so I’ll never feel this again
”
”
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
“
When you love someone... truly love them, friend or lover, you lay your heart open to them. You give them a part of yourself that you give to no one else, and you let them inside a part of you that only they can hurt—you literally hand them the razor with a map of where to cut deepest and most painfully on your heart and soul. And when they do strike, it's crippling—like having your heart carved out. It leaves you naked and exposed
”
”
Sherrilyn Kenyon (Devil May Cry (Dark-Hunter, #11))
“
Rukia, let me ask you something. From your experience where do you think your heart is?" "um well if I had to guess I think somewhere around here isn't that right?" "If you want to be literal about it. But in my opinion it's more a state of mind. I believe its right here, not inside our bodies at all. I think a heart is created between people when they meet for the first time, a bond that's brought to life between individuals. It's an emotional connection, when you think about something or care about someone, that's where your heart is born. If you were the only person that existed in this world, your heart would have no way of forming so it just wouldn't be anywhere. There's nothing to worry about Rukia. If you believe with all of your heart that you belong here, then this is where you'll stay. If your heart is here then that's all the reason in the world you need to be here. You must never doubt that. But listen Rukia, in the fights to come, there's something I must warn you about. Something you must promise me you will never ever do. I mean this. You must never die alone. Our souls are our bodies and when we die our bodies turn to dust and become the reishi that go on to form the soul society, but where do our hearts go? We entrust our hearts to our friends. If you entrust your heart to your friends it will continue to live on inside them. That's the most important thing you'll learn from my training. Don't you dare die alone Rukia.
”
”
Tite Kubo
“
One should never underestimate the staying power of a woman who had literally nowhere else to be.
”
”
Lucy Gilmore (The Lonely Hearts Book Club)
“
Her heart literally stopped and she felt her fight-or-flight mode kick in. Part of her wanted to hide and cry, while the other part of her wanted to reach for her 9mm and shoot the bastard.
”
”
Kathleen Brooks (Risky Shot (Bluegrass Series, #2))
“
Augustus Waters was a self-aggrandizing bastard. But we forgive him. We forgive him not because he had a heart as figuratively good as his literal one sucked, or because he knew more about how to hold a cigarette than any nonsmoker in history, or because he got eighteen years when he should've gotten more."
"Seventeen," Gus corrected.
"I'm assuming you've got some time, you interrupting bastard.
"I'm telling you," Isaac continued, "Augustus Waters talked so much that he'd interrupt you at his own funeral. And he was pretentious: Sweet Jesus Christ, that kid never took a piss without pondering the abundant metaphorical resonances of human waste production. And he was vain: I do not believe I have ever met a more physically attractive person who was more acutely aware of his own physical attractiveness.
"But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him." [...]
"And then, having made my rhetorical point, I will put my robot eyes on, because I mean, with robot eyes you can probably see through girls’ shirts and stuff. Augustus, my friend, Godspeed."
Augustus nodded for a while, his lips pursed, and then gave Isaac a thumbs-up. After he'd recovered his composure, he added, "I would cut the bit about seeing through girls' shirts."
Isaac was still clinging to the lectern. He started to cry. He pressed his forehead down to the podium and I watched his shoulders shake, and then finally, he said, "Goddamn it, Augustus, editing your own eulogy.
”
”
John Green (The Fault in Our Stars)
“
Revelation
WE make ourselves a place apart
Behind light words that tease and flout,
But oh, the agitated heart
Till someone find us really out.
’Tis pity if the case require
(Or so we say) that in the end
We speak the literal to inspire
The understanding of a friend.
But so with all, from babes that play
At hide-and-seek to God afar,
So all who hide too well away
Must speak and tell us where they are
”
”
Robert Frost (A Boy's Will)
“
I shall live forever. And I don't mean in a metaphorical sense. I don't mean I'll live forever in the hearts and minds of my readers. I mean I will literally live forever, drawing as I do from your pain and suffering.
Your pain makes me strong.
”
”
Derek Landy
“
So what do you do when you are stuck?
The first thing I do when I am stuck is pray. But I’m not talking about a quick, Help me Lord, Sunday’s a comin’ prayer. When I get stuck I get up from my desk to head for my closet. Literally. If I‘m at the office I go over to a corner that I have deemed my closet away from home. I get on my knees and remind God that this was not my idea, it was His…
None of this is new information to God…
Then I ask God to show me if there is something He wants to say to prepare me for what He wants me to communicate to our congregation. I surrender my ideas, my outline and my topic. Then I just stay in that quiet place until God quiets my heart…
Many times I will have a breakthrough thought or idea that brings clarity to my message. . .
Like you, I am simply a mouthpiece. Getting stuck is one way God keeps me ever conscious of that fact.
”
”
Andy Stanley (Communicating for a Change: Seven Keys to Irresistible Communication)
“
God’s relationship with us and with our world is just that: a relationship. As with every relationship, there’s a certain amount of unpredictability, and the ever-present likelihood that you’ll get hurt. The ultimate risk anyone ever takes is to love, for as C. S. Lewis says, “Love anything and your heart will be wrung and possibly broken. If you want to make sure of keeping it intact you must give it to no one, not even an animal.” But God does give it, again and again and again, until he is literally bleeding from it all. God’s willingness to risk is just astounding—far beyond what any of us would do were we in his position.
”
”
John Eldredge (Wild at Heart Revised and Updated: Discovering the Secret of a Man's Soul)
“
Out there was a man who had murdered his daughter. And another who had stepped on her heart. His hatred should be aimed at the one who killed her, but all he could picture was Yoshino being literally kicked out of that car.
”
”
Shūichi Yoshida (Villain)
“
Technologies of the soul tend to be simple, bodily, slow and related to the heart as much as the mind. Everything around us tells us we should be mechanically sophisticated, electronic, quick, and informational in our expressiveness - an exact antipode to the virtues of the soul. It is no wonder, then, that in an age of telecommunications - which, by the way, literally means "distant connections" - we suffer symptoms of the loss of soul. We are being urged from every side to become efficient rather than intimate.
”
”
Thomas Moore
“
When people would ask me what I’m addicted to, I always said ‘music.’ And while they’d laugh it off like it’s a cliché, I’m actually a complete shopaholic when it comes to records. I’d literally buy 10 albums a week for years, so when I went to that Virgin Records and it said ‘going out of business,’ my heart stopped.
”
”
Blake Lewis
“
What came first, the music or the misery? Did I listen to music because I was miserable? Or was I miserable because I listened to music? Do all those records turn you into a melancholy person?
People worry about kids playing with guns, and teenagers watching violent videos; we are scared that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands - literally thousands - of songs about broken hearts and pain and misery and loss. The unhappiest people I know, romantically speaking, are the ones who like pop music the most; and I don't know whether pop music has caused this unhappiness, but I do know that they've been listening to the sad songs longer than they've been living the unhappy lives.
”
”
Nick Hornby (High Fidelity)
“
I have always been interested in this man. My father had a set of Tom Paine's books on the shelf at home. I must have opened the covers about the time I was 13. And I can still remember the flash of enlightenment which shone from his pages. It was a revelation, indeed, to encounter his views on political and religious matters, so different from the views of many people around us. Of course I did not understand him very well, but his sincerity and ardor made an impression upon me that nothing has ever served to lessen.
I have heard it said that Paine borrowed from Montesquieu and Rousseau. Maybe he had read them both and learned something from each. I do not know. But I doubt that Paine ever borrowed a line from any man...
Many a person who could not comprehend Rousseau, and would be puzzled by Montesquieu, could understand Paine as an open book. He wrote with a clarity, a sharpness of outline and exactness of speech that even a schoolboy should be able to grasp. There is nothing false, little that is subtle, and an impressive lack of the negative in Paine. He literally cried to his reader for a comprehending hour, and then filled that hour with such sagacious reasoning as we find surpassed nowhere else in American letters - seldom in any school of writing.
Paine would have been the last to look upon himself as a man of letters. Liberty was the dear companion of his heart; truth in all things his object.
...we, perhaps, remember him best for his declaration:
'The world is my country; to do good my religion.'
Again we see the spontaneous genius at work in 'The Rights of Man', and that genius busy at his favorite task - liberty. Written hurriedly and in the heat of controversy, 'The Rights of Man' yet compares favorably with classical models, and in some places rises to vaulting heights. Its appearance outmatched events attending Burke's effort in his 'Reflections'.
Instantly the English public caught hold of this new contribution. It was more than a defense of liberty; it was a world declaration of what Paine had declared before in the Colonies. His reasoning was so cogent, his command of the subject so broad, that his legion of enemies found it hard to answer him.
'Tom Paine is quite right,' said Pitt, the Prime Minister, 'but if I were to encourage his views we should have a bloody revolution.'
Here we see the progressive quality of Paine's genius at its best. 'The Rights of Man' amplified and reasserted what already had been said in 'Common Sense', with now a greater force and the power of a maturing mind. Just when Paine was at the height of his renown, an indictment for treason confronted him. About the same time he was elected a member of the Revolutionary Assembly and escaped to France.
So little did he know of the French tongue that addresses to his constituents had to be translated by an interpreter. But he sat in the assembly. Shrinking from the guillotine, he encountered Robespierre's enmity, and presently found himself in prison, facing that dread instrument.
But his imprisonment was fertile. Already he had written the first part of 'The Age of Reason' and now turned his time to the latter part.
Presently his second escape cheated Robespierre of vengeance, and in the course of events 'The Age of Reason' appeared. Instantly it became a source of contention which still endures. Paine returned to the United States a little broken, and went to live at his home in New Rochelle - a public gift. Many of his old companions in the struggle for liberty avoided him, and he was publicly condemned by the unthinking.
{The Philosophy of Paine, June 7, 1925}
”
”
Thomas A. Edison (Diary and Sundry Observations of Thomas Alva Edison)
“
Blindly inheriting idols reflected how polytheism froze critical thinking. A stone statue might be designed to appear awe-inspiring, but its inherent lack of physical dynamism signified a stagnant worldview. The Qur’an repeatedly invokes the Arabic term for idol—sanam—literally, “frozen in time.
”
”
Mohamad Jebara (The Life of the Qur'an: From Eternal Roots to Enduring Legacy)
“
11:20 a.m.
This is my fabulous life: the Sex God left for Whakatane last month and he has taken my heart with him.
11:25 a.m.
Not literally, of course, otherwise there would be a big hole in my nunga-nungas.
11:28 a.m.
And also I would be dead. Which quite frankly would be a blessing in disguise.
”
”
Louise Rennison (Away Laughing on a Fast Camel (Confessions of Georgia Nicolson, #5))
“
Police, the literal progeny of slave catchers, meant harm to out community, and the race or class of any one officer, nor the good heart of an officer, could change that. No isolated acts of decency could wholly change an organization that became and institution that was created not to protect but to catch, control and kill us.
”
”
Patrisse Khan-Cullors (When They Call You a Terrorist: A Black Lives Matter Memoir)
“
Your heart is factually a part of the universe, which is a miracle of endless force and boundless beauty.
There is literally no way that you are not part of that.
Despair can force you to turn your eyes away from this fact, but it is the real truth and it will be waiting to be with you when you are free enough to turn back to it.
”
”
Jenny Slate (Little Weirds)
“
One can only return to the fact that even the most ordinary, good-hearted, intelligent people are literally prone to believing the most blatantly nonsensical untruths. And this comes from the realization that there are some opinions and some beliefs so incredibly inane, we may actually on occasion feel insane for not believing them; and that is probably because in giving the benefit of the doubt we self-doubt, we convince ourselves into lame passivity and blind acceptance, we tell ourselves, 'Maybe I'm just missing something here.
”
”
Criss Jami (Healology)
“
The briefest and slipperiest of the seasons, the one that won't be held to account - because summer won't be held at all, except in bits, fragments, moments, flashes of memory of so-called or imagined perfect summers, summers that never existed.
Not even this one she's in exists. Even though it's apparently the best summer so far of the century. Not even when she's quite literally walking down a road as beautiful and archetypal as this through an actual perfect summer afternoon.
So we mourn it while we're in it.
Look at me walking down a road in summer thinking about the transience of summer.
Even while I'm right at the heart of it I just can't get to the heart of it.
”
”
Ali Smith (Summer (Seasonal Quartet, #4))
“
Repentance is not subsequent to belief; it is part of belief. It is belief in action-choice that flow out of conviction. Repentance literally means "a change of mind" (in Greek, metanoia; meta-"new", noia="mind") about Jesus. Repentance is not merely changing your action; it is changing your actions because you have changed your attitude about Jesus' authority and glory.
”
”
J.D. Greear (Stop Asking Jesus Into Your Heart: How to Know for Sure You Are Saved)
“
The wealth of the imperial countries is our wealth too. On the universal plane this affirmation, you may be sure, should on no account be taken to signify that we feel ourselves affected by the creations of Western arts or techniques. For in a very concrete way Europe has stuffed herself inordinately with the gold and raw materials of the colonial countries:
Latin America, China, and Africa. From all these continents, under whose eyes Europe today raises up her tower of opulence, there has flowed out for centuries toward that same Europe diamonds and oil, silk and cotton, wood and exotic products. Europe is literally the creation of the Third World. The wealth which smothers her is that which was stolen from the underdeveloped peoples. The ports of Holland, the docks of Bordeaux and Liverpool were specialized in the Negro slave trade, and owe their renown to millions of deported slaves. So when we hear the head of a European state declare with his hand on his heart that he must come to the aid of the poor underdeveloped peoples, we do not tremble with gratitude. Quite the contrary; we say to ourselves: "It's a just reparation which will be paid to us.
”
”
Frantz Fanon (The Wretched of the Earth)
“
Ohmigod,” I moan, clutching my stomach. I’m sure I’m going to be sick. I’m going to become an exhibitionist vomiter.
My heart is back to beating—racing, actually—as a new level beyond mortification slams into me. I sounded just like the actress in that awful video of Ben’s that Kacey made me watch over the summer. Literally. I accidently walked in on those weirdos watching it one night. Kacey took that as an opportunity to pin me down on the couch while Trent, Dan, and Ben howled with laughter at my flaming cheeks and horrified shrieks.
My sister is the Antichrist. This is all her fault. Hers and Stayner’s. And those stupid Jell-O shooters.
”
”
K.A. Tucker (One Tiny Lie (Ten Tiny Breaths, #2))
“
Cupid, that chubby cherub love dispenser, is dead. But before he died, he appointed me his apprentice in love.
I loved Cupid, and that was precisely why I killed him. I strangled him. Then I shot him 17 times with his heart-shaped arrows.
Then I burned his body while I roasted and toasted marshmallows and toasted to the good times he brought to the world.
Then I took his ashes and mixed them in cake batter and literally consumed him.
Mark it down: I have officially taken over as the foremost authority on love.
I can't fly around like he could, but I have other endearing qualities. I can’t think of any at the moment, but I must have some.
”
”
Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
“
What came first--the music or the misery? Did I listen to music because I was miserable? Or was I miserable because I listened to music? Do all those records turn you into a melancholy person? People worry about kids playing with guns, and teenagers watching violent videos; we are scared that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands-- literally thousands-- of songs about broken hearts and rejection and pain and misery and loss.
”
”
Nick Hornby (High Fidelity)
“
He leaned his head against the dark iron gate, and Evangeline would forever remember the way he looked just then.
He was still indescribably breathtaking, but it was all the tragic beauty of a sky where every single star was falling. His hair was a storm of broken gold. HIs eyes were a mess of silver and blue. The deadness she'd seen her first night in Valorfell was gone, but now she understood why it had been there, why he seemed so unable to give comfort or kindness. The girl who was supposed to be his one true love had literally stabbed him in the heart.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
I’d barely unplugged the vacuum and turned around to put everything back when I sucked in a breath and let out the girliest, most pathetic squeak in the universe. It wasn’t “ahh” or “eep. It just sounded, well, I’m not sure what it sounded like, but I would never take credit for it.
Aiden stood there, not even two feet away, literally cloaked in the darkness of the hallway like a damn serial killer.
“You scared the hell out of me!” My heart… I was going to have a heart attack. I had to slap my hand over my chest like that would help it stay in place. “Oh my God.
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
There is a road in the hearts of all of us, hidden and seldom traveled, which leads to an unkown, secret place. The old people came literally to love the soil, and they sat or reclined on the ground with a feeling of being close to a mothering power. Their teepees were built upon the earth and their altars were made of earth. The soul was soothing, strengthening, cleansing, and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly. He can see more clearly into the mysteries of life and come closer in kinship to other lives about him.
”
”
Luther Standing Bear
“
there’s just something about him that makes my heart beat way too fast and my nerves a little too jumpy. But then there are times when he makes me feel so… angry. I mean, I have literally wanted to smack him since the moment we met. But then… there’s this tiny part of me that only wants to smack him so I feel his skin under my palm. And I’m just so confused. I’ve never met anyone so incredible, yet so infuriating
”
”
Tracie Puckett (Just a Little Crush (Just a Little, #1))
“
On turning to the Work in Progress we find that the mirror is not so convex. Here is direct expression--pages and pages of it. And if you don’t understand it, Ladies and Gentlemen, it is because you are too decadent to receive it. You are not satisfied unless form is so strictly divorced from content that you can comprehend the one almost without bothering to read the other. This rapid skimming and absorption of the scant cream of sense is made possible by what I may call a continuous process of copious intellectual salivation. The form that is an arbitrary and independent phenomenon can fulfil no higher function than that of stimulus for a tertiary or quartary conditioned reflex of dribbling comprehension. . . Mr. Joyce has a word to say to you on the subject: “Yet to concentrate solely on the literal sense or even the psychological content of any document to the sore neglect of the enveloping facts themselves circumstantiating it is just as harmful; etc.” And another: “Who in his hearts doubts either that the facts of feminine clothiering are there all the time or that the feminine fiction, stranger than facts, is there also at the same time, only a little to the rere? Or that one may be separated from the orther? Or that both may be contemplated simultaneously? Or that each may be taken up in turn and considered apart from the other?”
Here form is content, content is form. You complain that this stuff is not written in English. It is not written at all. It is not to be read--or rather it is not only to be read. It is to be looked at and listened to. His writing is not about something; it is that something itself.
”
”
Samuel Beckett
“
Come, Paul!" she reiterated, her eye grazing me with its hard ray like a steel stylet. She pushed against her kinsman. I thought he receded; I thought he would go. Pierced deeper than I could endure, made now to feel what defied suppression, I cried -
"My heart will break!"
What I felt seemed literal heart-break; but the seal of another fountain yielded under the strain: one breath from M. Paul, the whisper, "Trust me!" lifted a load, opened an outlet. With many a deep sob, with thrilling, with icy shiver, with strong trembling, and yet with relief - I wept.
"Leave her to me; it is a crisis: I will give her a cordial, and it will pass," said the calm Madame Beck.
To be left to her and her cordial seemed to me something like being left to the poisoner and her bowl. When M. Paul answered deeply, harshly, and briefly - "Laissez-moi!" in the grim sound I felt a music strange, strong, but life-giving.
"Laissez-moi!" he repeated, his nostrils opening, and his facial muscles all quivering as he spoke.
"But this will never do," said Madame, with sternness. More sternly rejoined her kinsman -
"Sortez d'ici!"
"I will send for Père Silas: on the spot I will send for him," she threatened pertinaciously.
"Femme!" cried the Professor, not now in his deep tones, but in his highest and most excited key, "Femme! sortez à l'instant!"
He was roused, and I loved him in his wrath with a passion beyond what I had yet felt.
"What you do is wrong," pursued Madame; "it is an act characteristic of men of your unreliable, imaginative temperament; a step impulsive, injudicious, inconsistent - a proceeding vexatious, and not estimable in the view of persons of steadier and more resolute character."
"You know not what I have of steady and resolute in me," said he, "but you shall see; the event shall teach you. Modeste," he continued less fiercely, "be gentle, be pitying, be a woman; look at this poor face, and relent. You know I am your friend, and the friend of your friends; in spite of your taunts, you well and deeply know I may be trusted. Of sacrificing myself I made no difficulty but my heart is pained by what I see; it must have and give solace. Leave me!"
This time, in the "leave me" there was an intonation so bitter and so imperative, I wondered that even Madame Beck herself could for one moment delay obedience; but she stood firm; she gazed upon him dauntless; she met his eye, forbidding and fixed as stone. She was opening her lips to retort; I saw over all M. Paul's face a quick rising light and fire; I can hardly tell how he managed the movement; it did not seem violent; it kept the form of courtesy; he gave his hand; it scarce touched her I thought; she ran, she whirled from the room; she was gone, and the door shut, in one second.
The flash of passion was all over very soon. He smiled as he told me to wipe my eyes; he waited quietly till I was calm, dropping from time to time a stilling, solacing word. Ere long I sat beside him once more myself - re-assured, not desperate, nor yet desolate; not friendless, not hopeless, not sick of life, and seeking death.
"It made you very sad then to lose your friend?" said he.
"It kills me to be forgotten, Monsieur," I said.
”
”
Charlotte Brontë (Villette)
“
The word "Eucharist" means literally "act of thanksgiving." To celebrate the Eucharist and to live a Eucharistic life has everything to do with gratitude. Living Eucharistically is living life as a gift, a gift for which one is grateful. But gratitude is not the most obvious response to life, certainly not when we experience life as a series of losses! Still, the great mystery we celebrate in the Eucharist and live in a Eucharistic life is precisely that through mourning our losses we come to know life as a gift.
”
”
Henri J.M. Nouwen (With Burning Hearts: A Meditation on the Eucharistic Life)
“
The results of the study were astoundingly clear: The more childhood trauma someone had suffered, the worse their health outcomes were in adulthood. And their risk for contracting diseases didn’t go up just a few percentage points. People with high ACE scores were about three times as likely to develop liver disease, twice as likely to develop cancer or heart disease, four times as likely to develop emphysema.[2] They were seven and a half times more likely to become alcoholics, four and a half times more likely to suffer from depression, and a whopping twelve times more likely to attempt suicide.[3] Scientists have learned that stress is literally toxic. Stress chemicals like cortisol and adrenaline surging through our bodies are healthy in moderation—you wouldn’t be able to get up in the morning without a good dose of cortisol. But in overwhelming quantities, they become toxic and can change the structure of our brains. Stress and depression wear our bodies out. And childhood trauma affects our telomeres. Telomeres are like little caps on the ends of our strands of DNA that keep them from unraveling. As we get older, those telomeres get shorter and shorter. When they’ve finally disappeared, our DNA itself begins to unravel, increasing our chances of getting cancer and making us especially susceptible to disease. Because of this tendency, telomeres are linked to human lifespan. And studies have shown that people who suffered from childhood trauma have significantly shortened telomeres.[4]
”
”
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
“
When you love someone... truly love them, friend or lover, you lay your heart open to them. You give them a part of yourself that you give to no one else, and you let them inside a part of you that only they can hurt—you literally hand them the razor with a map of where to cut deepest and most painfully on your heart and soul. And when they do strike, it's crippling—like having your heart carved out. It leaves you naked and exposed, wondering what you did to make them want to hurt you so badly when all you did was love them. What is so wrong with you that no one can keep faith with you? That no one can love you? To have it happen once is bad enough... but to have it repeated? Who in their right mind would not be terrified of that?
”
”
Sherrilyn Kenyon (Devil May Cry (Dark-Hunter, #11))
“
One morning early, I couldn't sleep, so I walked down to the beach. And I saw you. For a minute- I didn't realize it was you. You were wearing this long scarf thing tied around your waist, lots of wild colors, and it blew around your legs. You had on a red bathing suit under it."
"You..." She literally had to catch her breath. "You remember what I was wearing?"
"Yes I do. And I remember your hair was longer than it is now, halfway down your back. All those mad curls flying. Bare feet. All that golden skin, wild colors, mad curls. My heart just stopped. I thought: That's the most beautiful woman I've ever seen. And I wanted that woman, in a way I'd never wanted one before."
He stopped, turned a little as she simply stared at him. "Then I saw it was you. You walked off, down the beach, the surf foaming up over your bare feet, your ankles, your calves. And I wanted you. I thought I'd lost my my mind.
”
”
Nora Roberts (Bed of Roses (Bride Quartet, #2))
“
Slow to anger.” The Hebrew phrase is literally “long of nostrils.” Picture an angry bull, pawing the ground, breathing loudly, nostrils flared. That would be, so to speak, “short-nosed.” But the Lord is long-nosed. He doesn’t have his finger on the trigger. It takes much accumulated provoking to draw out his ire. Unlike us, who are often emotional dams ready to break, God can put up with a lot. This is why the Old Testament speaks of God being “provoked to anger” by his people dozens of times (especially in Deuteronomy; 1–2 Kings; and Jeremiah). But not once are we told that God is “provoked to love” or “provoked to mercy.” His anger requires provocation; his mercy is pent up, ready to gush forth. We tend to think: divine anger is pent up, spring-loaded; divine mercy is slow to build. It’s just the opposite. Divine mercy is ready to burst forth at the slightest prick.
”
”
Dane C. Ortlund (Gentle and Lowly: The Heart of Christ for Sinners and Sufferers)
“
There is overwhelming evidence that meditation can increase focus and decrease anxiety, depression, and cortisol flooding. There is evidence that it decreases activation in the amygdala, one epicenter of fear in the brain, and increases activity in the prefrontal cortex. People who meditate are able to unstick themselves from cyclical, dangerous thinking and see things from a calmer, more positive perspective. The sympathetic nervous system, or the fight or flight system, is activated by stress. This is the system that gets us ready to run. The counter to this is the parasympathetic nervous system, the resting and digesting system. It lowers heart rate and blood pressure, slows breathing, and directly counters the stress response. Meditation activates the parasympathetic nervous system. It’s literally the antidote to stress. Plus, it’s what all the evolved, cool girls who look good without makeup are doing, according to social media.
”
”
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
“
Religion knew the truth of metaphor and symbol for almost all of history until the past few hundred years, and especially until the wrongly named Enlightenment in the 17th and 18th centuries. Then we started confusing rational and provable with real. We actually regressed and went backward. In trying to defend its ground in the face of rationalism and scientism, religion tried to become "rational" itself and lost its alternative consciousness, which many of us call contemplation. It's as though we tried to deal with Mystery with the entirely wrong "software". We lost access to the higher levels of consciousness, the transrational, the transpersonal, the transcendent itself. Most tragic, we lost most inner experience of our own outer belief systems. That is the heart of religion's problem today, and it is indeed a deep and serious problem for upcoming generations. My generation took the symbols to literally, and now the following generation is just throwing them all out as useless. We are both losing. It might surprise you, but both religious fundamentalism and atheism are similar in that they are self-contained rational systems. Such a system works if you stay inside its chosen logic and territory.
”
”
Richard Rohr (Immortal Diamond: The Search for Our True Self)
“
My difficulties lay deeper. It was more than I could believe that Jesus was the only incarnate son of God, and that only he who believed in him would have everlasting life. If God could have sons, all of us were His sons. If Jesus was like God, or God Himself, then all men were like God and could be God Himself. My reason was not ready to believe literally that Jesus by his death and by his blood redeemed the sins of the world. Metaphorically there might be some truth in it. Again, according to Christianity only human beings had souls, and not other living beings, for whom death meant complete extinction; while I held a contrary belief. I could accept Jesus as a martyr, an embodiment of sacrifice, and a divine teacher, but not as the most perfect man ever born. His death on the Cross was a great example to the world, but that there was anything like a mysterious or miraculous virtue in it my heart could not accept. The pious lives of Christians did not give me anything that the lives of men of other faiths had failed to give. I had seen in other lives just the same reformation that I had heard of among Christians. Philosophically there was nothing extraordinary in Christian principles. From the point of view of sacrifice, it seemed to me that the Hindus greatly surpassed the Christians. It was impossible for me to regard Christianity as a perfect religion or the greatest of all religions.
”
”
Mahatma Gandhi (Gandhi: An Autobiography)
“
Sometimes... Come on, how often exactly, Bert? Can you recall four, five, more such occasions? Or would no human heart have survived two or three? Sometimes (I have nothing to say in reply to your question), while Lolita would be haphazardly preparing her homework, sucking a pencil, lolling sideways in an easy chair with both legs over its arm, I would shed all my pedagogic restraint, dismiss all our quarrels, forget all my masculine pride - and literally crawl on my knees to your chair, my Lolita! You would give me one look - a gray furry question mark of a look: "Oh no, not again" (incredulity, exasperation); for you never deigned to believe that I could, without any specific designs, ever crave to bury my face in your plaid skirt, my darling! The fragility of those bare arms of yours - how I longed to enfold them, all your four limpid lovely limbs, a folded colt, and take your head between my unworthy hands, and pull the temple-skin back on both sides, and kiss your chinesed eyes, and - "Please, leave me alone, will you," you would say, "for Christ's sake leave me alone." And I would get up from the floor while you looked on, your face deliberately twitching in imitation of my tic nerveux. But never mind, never mind, I am only a brute, never mind, let us go on with my miserable story.
”
”
Vladimir Nabokov (Lolita)
“
Gradually the idea for a book began to take shape. It was to be a wildly ambitious and intolerant work, a kind of 'Anatomy of Restlessness' that would enlarge on Pascal's dictum about the man sitting quietly in a room. The argument, roughly, was as follows: that in becoming human, man had acquired, together with his straight legs and striding walk, a migratory 'drive' or instinct to walk long distances through the seasons; that this 'drive' was inseparable from his central nervous system; and, that, when warped in conditions of settlement, it found outlets in violence, greed, status-seeking or a mania for the new. This would explain why mobile societies such as the gypsies were egalitarian, thing-free and resistant to change; also why, to re-establish the harmony of the First State, all the great teachers - Buddha, Lao-tse, St Francis - had set the perpetual pilgrimage at the heart of their message and told their disciples, literally, to follow The Way.
”
”
Bruce Chatwin (Anatomy of Restlessness: Selected Writings, 1969-1989)
“
If you don’t drink coffee, you should think about two to four cups a day. It can make you more alert, happier, and more productive. It might even make you live longer. Coffee can also make you more likely to exercise, and it contains beneficial antioxidants and other substances associated with decreased risk of stroke (especially in women), Parkinson’s disease, and dementia. Coffee is also associated with decreased risk of abnormal heart rhythms, type 2 diabetes, and certain cancers.12, 13 Any one of those benefits of coffee would be persuasive, but cumulatively they’re a no-brainer. An hour ago I considered doing some writing for this book, but I didn’t have the necessary energy or focus to sit down and start working. I did, however, have enough energy to fix myself a cup of coffee. A few sips into it, I was happier to be working than I would have been doing whatever lazy thing was my alternative. Coffee literally makes me enjoy work. No willpower needed. Coffee also allows you to manage your energy levels so you have the most when you need it. My experience is that coffee drinkers have higher highs and lower lows, energywise, than non–coffee drinkers, but that trade-off works. I can guarantee that my best thinking goes into my job, while saving my dull-brain hours for household chores and other simple tasks. The biggest downside of coffee is that once you get addicted to caffeine, you can get a “coffee headache” if you go too long without a cup. Luckily, coffee is one of the most abundant beverages on earth, so you rarely have to worry about being without it. Coffee costs money, takes time, gives you coffee breath, and makes you pee too often. It can also make you jittery and nervous if you have too much. But if success is your dream and operating at peak mental performance is something you want, coffee is a good bet. I highly recommend it. In fact, I recommend it so strongly that I literally feel sorry for anyone who hasn’t developed the habit.
”
”
Scott Adams (How to Fail at Almost Everything and Still Win Big: Kind of the Story of My Life)
“
I was asked to talk to a roomful of undergraduates in a university in a beautiful coastal valley. I talked about place, about the way we often talk about love of place, but seldom how places love us back, of what they give us. They give us continuity, something to return to, and offer familiarity that allows some portion of our lives to remain collected and coherent.
They give us an expansive scale in which our troubles are set into context, in which the largeness of the world is a balm to loss, trouble, and ugliness.
And distant places give us refuge in territories where our own histories aren't so deeply entrenched and we can imagine other stories, other selves, or just drink up quiet and respite.
The bigness of the world is redemption.
Despair compresses you into a small space, and a depression is literally a hollow in the ground. To dig deeper into the self, to go underground, is sometimes necessary, but so is the other route of getting out of yourself, into the larger world, into the openness in which you need not clutch your story and your troubles so tightly to your chest.
Being able to travel in both ways matters, and sometimes the way back into the heart of the question begins by going outward and beyond. This is the expansiveness that comes literally in a landscape or that tugs you out of yourself in a story.....
I told the student that they were at an age when they might begin to choose the places that would sustain them the rest of their lives, that places were much more reliable than human beings, and often much longer-lasting, and I asked each of them where they felt at home. They answered, each of them, down the rows, for an hour, the immigrants who had never stayed anywhere long or left a familiar world behind, the teenagers who'd left the home they'd spent their whole lives in for the first time, the ones who loved or missed familiar landscapes and the ones who had not yet noticed them.
I found books and places before I found friends and mentors, and they gave me a lot, if not quite what a human being would. As a child, I spun outward in trouble, for in that inside-out world [of my family], everywhere but home was safe. Happily, the oaks were there, the hills, the creeks, the groves, the birds, the old dairy and horse ranches, the rock outcroppings, the open space inviting me to leap out of the personal into the embrace of the nonhuman world.
”
”
Rebecca Solnit (The Faraway Nearby)
“
The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist – a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers … all these things support, transport and nourish us.
”
”
Frédéric Gros (A Philosophy of Walking)
“
Such was also the case with Nietzsche, a volcanic genius if ever there was one. Here, too, there is passionate exteriorization of an inward fire, but in a manner that is both deviated and demented; we have in mind here, not the Nietzschian philosophy, which taken literally is without interest, but his poetical work, whose most intense expression is in part his ‘Zarathustra’. What this highly uneven book manifests above all is the violent reaction of an a priori profound soul against a mediocre and paralyzing cultural environment; Nietzsche’s fault was to have only a sense of grandeur in the absence of all intellectual discernment. ‘Zarathustra’ is basically the cry of a grandeur trodden underfoot, whence comes the heart-rending authenticity – grandeur precisely – of certain passages; not all of them, to be sure, and above all not those which express a half-Machiavellian, half-Darwinian philosophy, or minor literary cleverness. Be that as it may, Nietzsche’s misfortune, like that of other men of genius, such as Napoleon, was to be born after the Renaissance and not before it; which indicates evidently an aspect of their nature, for there is no such thing as chance.
”
”
Frithjof Schuon (To Have a Center (Library of Traditional Wisdom))
“
The strident emotional belief that children made you happy, even when all the data pointed to misery. The high-amplitude fear of sharks and dark-skinned snipers who would never kill you; indifference to all the toxins and pesticides that could. The mind was so rotten with misrepresentation that in some cases it literally had to be damaged before it could make a truly rational decision—and should some brain-lesioned mother abandon her baby in a burning house in order to save two strangers from the same fire, the rest of the world would be more likely to call her a monster than laud the rationality of her lifeboat ethics. Hell, rationality itself—the exalted Human ability to reason—hadn’t evolved in the pursuit of truth but simply to win arguments, to gain control: to bend others, by means logical or sophistic, to your will. Truth had never been a priority. If believing a lie kept the genes proliferating, the system would believe that lie with all its heart. Fossil feelings. Better off without them, once you’d outgrown the savanna and decided that Truth mattered after all. But Humanity wasn’t defined by arms and legs and upright posture. Humanity had evolved at the synapse as well as at the opposable thumb—and those misleading gut feelings were the very groundwork on which the whole damn clade had been built. Capuchins felt empathy. Chimps had an innate sense of fair play. You could look into the eyes of any cat or dog and see a connection there, a legacy of common subroutines and shared emotions.
”
”
Peter Watts (Firefall (Firefall #1-2))
“
Their other hands flipped up, palm to palm, and Merik’s only consolation as he and the domna slid into the next movement of the dance was that her chest heaved as much as his did. Merik’s right hand gripped the girl’s, and with no small amount of ferocity, he twisted her around to face the same direction as he before wrenching her to his chest. His hand slipped over her stomach, fingers splayed. Her left hand snapped up—and he caught it. Then the real difficulty of the dance began. The skipping of feet in a tide of alternating hops and directions. The writhing of hips countered the movement of their feet like a ship upon stormy seas. The trickling tap of Merik’s fingers down the girl’s arms, her ribs, her waist—like the rain against a ship’s sail. On and on, they moved to the music until they were both sweating. Until they hit the third movement. Merik flipped the girl around to face him once more. Her chest slammed against his—and by the Wells, she was tall. He hadn’t realized just how tall until this precise moment when her eyes stared evenly into his and her panting breaths fought against his own. Then the music swelled once more, her legs twined into his, and he forgot all about who she was or what she was or why he had begun the dance in the first place. Because those eyes of hers were the color of the sky after a storm. Without realizing what he did, his Windwitchery flickered to life. Something in this moment awoke the wilder parts of his power. Each heave of his lungs sent a breeze swirling in. It lifted the girl’s hair. Kicked at her wild skirts. She showed no reaction at all. In fact, she didn’t break her gaze from Merik, and there was a fierceness there—a challenge that sent Merik further beneath the waves of the dance. Of the music. Of those eyes. Each leap backward of her body—a movement like the tidal tug of the sea against the river—led to a violent slam as Merik snatched her back against him. For each leap and slam, the girl added in an extra flourishing beat with her heels. Another challenge that Merik had never seen, yet rose to, rose above. Wind crashed around them like a growing hurricane, and he and this girl were at its eye. And the girl never looked away. Never backed down. Not even when the final measures of the song began—that abrupt shift from the sliding cyclone of strings to the simple plucking bass that follows every storm—did Merik soften how hard he pushed himself against this girl. Figuratively. Literally. Their bodies were flush, their hearts hammering against each other’s rib cages. He walked his fingers down her back, over her shoulders, and out to her hands. The last drops of a harsh rain. The music slowed. She pulled away first, slinking back the required four steps. Merik didn’t look away from her face, and he only distantly noticed that, as she pulled away, his Windwitchery seemed to settle. Her skirts stopped swishing, her hair fluttered back to her shoulders. Then he slid backward four steps and folded his arms over his chest. The music came to a close. And Merik returned to his brain with a sickening certainty that Noden and His Hagfishes laughed at him from the bottom of the sea.
”
”
Susan Dennard (Truthwitch (The Witchlands, #1))
“
She’s the reason he will probably become an embittered old fuck before he’s even of legal drinking age, distrusting women and writing rude songs about them, and basically from here into eternity thinking all chicks are lying cheating sluts because one of them broke his heart. He’s the type of guy that makes girls like me frigid. I’m the girl who knows he’s capable of poetry, because, like I said, there are things I just know. I’m the one who could give him that old-fashioned song title of a thing called Devotion and True Love (However Complicated), if he ever gave a girl like me a second glance. I’m the less-than-five-minute girlfriend who for one too-brief kiss fantasized about ditching this joint with him, going all the way punk with him at a fucking jazz club in the Village or something. Maybe I would have treated him to borscht at Veselka at five in the morning, maybe I would have walked along Battery Park with him at sunrise, holding his hand, knowing I would become the one who would believe in him. I would tell him, I heard you play, I’ve read your poetry, not that crap your band just performed, but those love letters and songs you wrote to Tris. I know what you’re capable of and it’s certainly more than being a bassist in an average queercore band—you’re better than that; and dude, having a drummer, it’s like key, you fucking need one. I would be equipment bitch for him every night, no complaints. But, no, he’s the type with a complex for the Tris type: the big tits, the dumb giggle, the blowhard. Literally.
”
”
Rachel Cohn
“
Everything belonged to him--but that was a trifle. The thing was to know what he belonged to, how many powers of darkness claimed him for their own. That
was the reflection that made you creepy all over. It was impossible--it was not good for one either--trying to imagine. He had taken a high seat amongst the devils of the land--I mean literally. You can't understand.
How could you?--with solid pavement under your feet, surrounded by kind neighbors ready to cheer you or to fall on you, stepping delicately between the butcher and the policeman, in the holy terror of scandal and gallows and lunatic asylums--how can you imagine what particular region of the first ages a man's untrammeled feet may take him into by the way of solitude--utter solitude without a policeman--by the way of silence, utter silence, where no warning voice of a kind neighbor can be heard whispering of public opinion?
These little things make all the great difference.
When they are gone you must fall back upon your own innate strength, upon your own capacity for faithfulness. Of course you may be too much of a fool to go wrong--too dull even to know you are being assaulted by the powers of darkness. I take it, no fool ever made a bargain for his soul with the devil: the fool is too much of a fool, or the devil too much of a devil--I don't know which. Or you may be such a thunderingly exalted creature as to be altogether deaf and blind to
anything but heavenly sights and sounds. Then the earth for you is only a standing place -- and whether to be like this is your loss or your gain I won't pretend to say. But most of us are neither one nor the other.
The earth for us is a place to live in, where we must put up with sights, with sounds, with smells too, by Jove!-- breathe dead hippo, so to speak, and not be contaminated. And there, don't you see?
Your strength comes in, the faith in your ability for the digging of unostentatious holes to bury the stuff in--your power of devotion, not to yourself, but to an obscure, back-breaking business. And that's difficult enough.
Mind, I am not trying to excuse or even explain--I am trying to account to myself for--for--Mr. Kurtz--for the shade of Mr. Kurtz.
This initiated wraith from the back of Nowhere honored me with its amazing confidence before it vanished altogether. This was because it could speak English to me.
The original Kurtz had been educated partly in England, and--as he was good enough to say himself--his sympathies were in the right place. His mother was half-English, his father was half-French.
All Europe contributed to the making of Kurtz.
”
”
Joseph Conrad (Heart of Darkness)
“
Gregori brought Savannah's hand to the warmth of his mouth,his breath heating the pulse beating in her wrist. The night is especially beautiful, mon petit amour.Your hero saved the girl, walks among humans, and converses with a fool.That alone should bring a smile to your face.Do not weep for what we cannot change.We will make certain that this human with us comes to no harm.
Are you my hero,then? There were tears in her voice, in her mind, like an iridescent prism. She needed him, his comfort,his support under her terrible weight of guilt and love and loss.
Always,for all eternity, he answered instantly,without hesitation, his eyes hot mercury. He tipped her chin up so that she met the brilliance of his silver gaze.Always, mon amour.His molten gaze trapped her blue one and held her enthralled. Your heart grows lighter.The burden of your sorrow becomes my own. He held her gaze captive for a few moments to ensure that she was free of the heaviness crushing her.
Savannah blinked and moved a little away from him, wondering what she had been thinking of.What had they been talking about?
"Gary." Gregori drawled the name slowly and sat back in his chair,totally relaxed. He looked like a sprawling tiger,dangerous and untamed. "Tell us about yourself."
"I work a lot.I'm not married. I'm really not much of a people person. I'm basically a nerd."
Gregori shifted, a subtle movement of muscles suggesting great power. "I am not familiar with this term."
"Yeah,well,you wouldn't be," Gary said. "It means I have lots of brains and no brawn.I don't do the athlete thing. I'm into computers and chess and things requiring intellect. Women find me skinny,wimpy,and boring. Not something they would you." There was no bitterness in his voice,just a quiet acceptance of himself,his life.
Gregori's white teeth flashed. "There is only one woman who matters to me, Gary, and she finds me difficult to live with.I cannot imagine why,can you?"
"Maybe because you're jealous, possessive, concerned with every single detail of her life?" Gary plainly took the question literally, offering up his observations without judgement. "You're probably domineering,too. I can see that. Yeah.It might be tough."
Savannah burst out laughing, the sound musical, rivaling the street musicians. People within hearing turned their heads and held their breath, hoping for more. "Very astute, Gary.Very, very astute. I bet you have an anormous IQ."
Gregori stirred again, the movement a ripple of power,of danger. He was suddenly leaning into Gary. "You think you are intelligent? Baiting the wild animal is not too smart.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
lower her to my side and pull her against me so that her head is resting on my jacket. Her breath tastes like starburst and it makes me want to keep kissing her until I can identify every single flavor. Her hand touches my arm and she gives it a tight squeeze just as my tongue slips inside her mouth. That would be strawberry on the tip of her tongue. She keeps her hand on my arm, periodically moving it to the back of my head, then returning it to my arm. I keep my hand on her waist, never once moving it to touch any other part of her. The only thing we explore is each other’s mouths. We kiss without making another sound. We kiss until the alarm sounds off on my phone. Despite the noise, neither of us stops kissing. We don’t even hesitate. We kiss for another solid minute until the bell rings in the hallway outside and suddenly lockers are slamming shut and people are talking and everything about our moment is stolen from us by all the inconvenient external factors of school. I still my lips against hers, then slowly pull back. “I have to get to class,” she whispers. I nod, even though she can’t see me. “Me, too,” I reply. She begins to scoot out from beneath me. When I roll onto my back, I feel her move closer to me. Her mouth briefly meets mine one more time, then she pulls away and stands up. The second she opens the door, the light from the hallway pours in and I squeeze my eyes shut, throwing my arm over my face. I hear the door shut behind her and by the time I adjust to the brightness, the light is gone again. I sigh heavily. I also remain on the floor until my physical reaction to her subsides. I don’t know who the hell she was or why the hell she ended up here, but I hope to God she comes back. I need a whole hell of a lot more of that. • • • She didn’t come back the next day. Or the day after that. In fact, today marks exactly a week since she literally fell into my arms, and I’ve convinced myself that maybe that whole day was a dream. I did stay up most of the night before watching zombie movies with Chunk, but even though I was going on two hours of sleep, I don’t know that I would have been able to imagine that. My fantasies aren’t that fun. Whether she comes back or not, I still don’t have a fifth period and until someone calls me out on it, I’ll keep hiding out in here. I actually slept way too much last night, so I’m not tired. I pull my phone out to text Holder when the door to the closet begins to open. “Are you in here, kid?” I hear her whisper. My heart immediately picks up pace and I can’t tell if it’s that she came back or if it’s because the
”
”
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
“
I believe this movement will prevail.
I don’t mean it will defeat, conquer, or create harm to someone else.
Quite the opposite.
I don’t tender the claim in an oracular sense.
I mean that the thinking that informs the movement’s goals will reign. It will soon suffuse most institutions, but before then, it will change a sufficient number of people so as to begin the reversal of centuries of frenzied self-destructive behavior. Some say it is too late, but people never change when they are comfortable. Helen Keller threw aside the gnawing fears of chronic bad news when she declared, “I rejoice to live in such a splendidly disturbing time!” In such a time, history is suspended and thus unfinished. It will be the stroke of midnight for the rest of our lives.
My hopefulness about the resilience of human nature is matched by the gravity of our environmental and social condition. If we squander all our attention on what is wrong, we will miss the prize: In the chaos engulfing the world, a hopeful future resides because the past is disintegrating before us. If that is difficult to believe, take a winter off and calculate what it requires to create a single springtime. It’s not too late for the world’s largest institutions and corporations to join in saving the planet, but cooperation must be on the planet’s terms. The “Help Wanted” signs are everywhere. All people and institutions including commerce, governments, schools, churches and cities, need to learn from life and reimagine the world from the bottom up, based on the first principles if justice and ecology. Ecological restoration is extraordinarily simple: You remove whatever prevents the system from healing itself. Social restoration is no different.
We have the heart, knowledge, money and sense to optimize out social and ecological fabric.
It is time for all that is harmful to leave. One million escorts are here to transform the nightmares of empire and the disgrace of war on people and place. We are the transgressors and we are the forgivers.
“We” means all of us, everyone. There can be no green movement unless there is also a black, brown and copper movement. What is more harmful resides within is, the accumulated wounds of the past, the sorrow, shame, deceit, and ignominy shared by every culture, passed down to every person, as surely as DNA, as history of violence and greed. There is not question that the environmental movement is most critical to our survival. Our house is literally burning, and it is only logical that environmentalists expect the social justice movement to get on the environmental bus. But is actually the other way around; the only way we are going to put out this fire is to get on the social justice bus and heal our wounds, because in the end, there is only one bus.
Armed with that growing realization, we can address all that is harmful externally.
What will guide us is a living intelligence that creates miracles every second, carried forth by a movement with no name.
”
”
Paul Hawken
“
Leave all the ‘wise men to mock it or tolerate.’ Let them reach the moon or the stars, they are all dead. Nothing lives outside of man. Man is the living soul, turning slowly into a life-giving Spirit. But you cannot tell it except in a parable or metaphor to excite the mind of man to get him to go out and prove it. Leave the good and evil and eat of the Tree of Life. Nothing in the world is untrue if you want it to be true. You are the truth of everything that you perceive. ‘I am the truth, and the way, the life revealed.’ If I have physically nothing in my pocket, then in Imagination I have MUCH. But that is a lie based on fact, but truth is based on the intensity of my imagination and then I will create it in my world. Should I accept facts and use them as to what I should imagine? No. It is told us in the story of the fig tree. It did not bear for three years. One said, ‘Cut it down, and throw it away.’ But the keeper of the vineyard pleaded NO’! Who is the tree? I am the tree; you are the tree. We bear or we do not. But the Keeper said he would dig around the tree and feed it ‘or manure it, as we would say today’ and see if it will not bear. Well I do that here every week and try to get the tree ‘you’ me to bear. You should bear whatever you desire. If you want to be happily married, you should be. The world is only response. If you want money, get it. Everything is a dream anyway. When you awake and know what you are creating and that you are creating it that is a different thing. The greatest book is the Bible, but it has been taken from a moral basis and it is all weeping and tears. It seems almost ruthless as given to us in the Gospel, if taken literally. The New Testament interprets the Old Testament, and it has nothing to do with morals. You change your mind and stay in that changed state until it unfolds. Man thinks he has to work himself out of something, but it is God asleep in you as a living soul, and then we are reborn as a life-giving spirit. We do it here in this little classroom called Earth or beyond the grave, for you cannot die. You can be just as asleep beyond the grave. I meet them constantly, and they are just like this. Same loves and same hates. No change. They will go through it until they finally awake, until they cease to re-act and begin to act. Do not take this story lightly which I have told you tonight. Take it to heart. Tonight when you are driving home enact a scene. No matter what it is. Forget good and evil. Enact a scene that implies you have what you desire, and to the degree that you are faithful to that state, it will unfold in your world and no power can stop it, for there is no other power. Nothing is independent of your perception of it, and this goes for that great philosopher among us who is still claiming that everything is independent of the perceiver, but that the perceiver has certain powers. It is not so. Nothing is independent of the perceiver. Everything is ‘burned up’ when I cease to behold it. It may exist for another, but not for me. Let us make our dream a noble one, for the world is infinite response to you, the being you want to be. Now let us go into the silence.
”
”
Neville Goddard (The Law: And Other Essays on Manifestation)