Lip Tint Quotes

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Guys don't know the power we hold over them with the right tint of lip gloss.
Robin Mellom (Ditched: A Love Story)
Can you really ask what reason Pythagoras had for abstaining from flesh? For my part I rather wonder both by what accident and in what state of soul or mind the first man did so, touched his mouth to gore and brought his lips to the flesh of a dead creature, he who set forth tables of dead, stale bodies and ventured to call food and nourishment the parts that had a little before bellowed and cried, moved and lived. How could his eyes endure the slaughter when throats were slit and hides flayed and limbs torn from limb? How could his nose endure the stench? How was it that the pollution did not turn away his taste, which made contact with the sores of others and sucked juices and serums from mortal wounds? … It is certainly not lions and wolves that we eat out of self-defense; on the contrary, we ignore these and slaughter harmless, tame creatures without stings or teeth to harm us, creatures that, I swear, Nature appears to have produced for the sake of their beauty and grace. But nothing abashed us, not the flower-like tinting of the flesh, not the persuasiveness of the harmonious voice, not the cleanliness of their habits or the unusual intelligence that may be found in the poor wretches. No, for the sake of a little flesh we deprive them of sun, of light, of the duration of life to which they are entitled by birth and being.
Plutarch (Moralia)
Every word spoken in the past accumulated forms and colors in the self. What flows through the veins besides blood is the distillation of every act committed, the sediment of all the visions, wishes, dreams and experiences. All the past emotions converge to tint the skin and flavor the lips, to regulate the pulse and produce crystals in the eyes.
Anaïs Nin (The Four-Chambered Heart: V3 in Nin's Continuous Novel)
He had a fund of small talk, a pleasant voice, a caressing glance and his moustache was irresistible. Crisp and curly, it curved charmingly over his lip, fair with auburn tints, slightly paler where it bristled at the ends.
Guy de Maupassant (Bel-Ami)
Adam’s father just stood there, looking. And they sat there, looking back. Ronan was coiled and simmering, one hand resting on his door. “Don’t,” said Adam. But Ronan merely hit the window button. The tinted glass hissed down. Ronan hooked his elbow on the edge of the door and continued gazing out the window. Adam knew that Ronan was fully aware of how malevolent he could appear, and he did not soften himself as he stared across the patchy dark grass at Robert Parrish. Ronan Lynch’s stare was a snake on the pavement where you wanted to walk. It was a match left on your pillow. It was pressing your lips together and tasting your own blood.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
The potion drunk by lovers is prepared by no one but themselves. The potion is the sum of one's whole existence. Every word spoken in the past accumulated forms and color in the self. What flows through the veins besides blood is the distillation of every act committed, the sediment of all the visions, wishes, dreams, and experiences. All the past emotions converge to tint the skin and flavor the lips, to regulate the pulse and produce crystals in the eyes. The fascination exerted by one human being over another is not what he emits of his personality at the present instant of encounter but a summation of his entire being which gives off this powerful drug capturing the fancy and attachment. No moment of charm without long roots in the past, no moment of charm is born on bare soil, a careless accident of beauty, but is the sum of great sorrows, growths, and efforts. But love, the great narcotic, was the hothouse in which all the selves burst into their fullest bloom . . .
Anaïs Nin
Her teeth and lips are tinted purple from the Kool-Aid. Mine are probably purple too, but I can’t see them. You can’t see your own face from within it. This is something I have always struggled with
Emily R. Austin (Oh Honey)
Then, at a meeting, Petal Bear. Thin, moist, hot. Winked at him. . . . Grey eyes close together, curly hair the color of oak. The fluorescent light made her as pale as candle wax. Her eyelids gleamed with some dusky unguent. A metallic thread in her rose sweater. These faint sparks cast a shimmer on her like a spill of light. She smiled, the pearl-tinted lips wet with cider. . . . As she spoke she changed in some provocative way, seemed suddenly drenched in eroticism as a diver rising out of a pool gleams like chrome with a sheet of unbroken water for a fractional moment.
Annie Proulx
Finally, she’s satisfied with her appearance and takes the bigger jersey, puts her arms in, and slips it over her head. “How’s this?” she asks, her voice uncertain. I flick my eyes over at her and my heart stops. I swallow. Her hair is down and curling up around her face. A soft bloom tints her cheeks, and her lips are deep red.
Ilsa Madden-Mills (I Bet You (Waylon University, #2))
I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.
David Foster Wallace (Infinite Jest)
George thrust into Alma's hand a lithograph of a spotted 'Catasetum.' The orchid had been rendered so magnificently that it seemed to grow off the page. Its lips were spotted red against yellow, and appeared moist, like living flesh. Its leaves were lush and thick, and its bulbous roots looked as though one could shake actual soil off them. Before Alma could thoroughly take in the beauty, George handed her another stunning print- a 'Peristeria barkeri,' with its tumbling golden blossoms so fresh they nearly trembled. Whoever had tinted this lithograph had been a master of texture as well as color; the petals resembled unshorn velvet, and touches of albumen on their tips gave each blossom a hint of dew. Then George handed her another print, and Alma could not help but gasp. Whatever this orchid was, Alma had never seen it before. Its tiny pink lobes looked like something a fairy would don for a fancy dress ball.
Elizabeth Gilbert (The Signature of All Things)
Relax, it only hurts a little,” she murmured in Edwin’s ear as she stroked his head and shoulders from behind. “What you feel later more than makes up for it.”“But will I…will I have to drink blood after I am…initiated?” “Don’t worry, Edwin. I promise it will be many years before either you or Ophelia will need to seek your sustenance in such a manner.” Hamlet kissed his cheek. “Are you ready?” Edwin nodded. Closing his eyes, he turned his head slightly to give Hamlet easier access. He felt a momentary pinch and then… Ecstasy! Overwhelming warmth flooded his veins as colors exploded in his mind and a feeling of euphoria lifted him from the bed to the skies. He was flying free from the confines of his body. He soared above the clouds…heading into the stars. “Wonderful, isn’t it?” Ophelia giggled and clapped her hands. “I wish I could experience it more often, but Hamlet says it’s even better once you’re on the receiving end.” He opened his eyes slowly. Still light-headed, Edwin observed the gaze of mutual pleasure in Hamlet’s dark eyes. His sensual lips glistened with tint of red. Instead of horror or aversion, Edwin felt complete peace and contentment. “Thank you.” Without hesitation Edwin pulled Hamlet's lips to his and kissed him.
Cindy A. Matthews (Blood Bond (The Kindred Vampire, #2))
The potion drunk by lovers is prepared by no one but themselves. The potion is the sum of one's whole existence. Every word spoken in the past accumulated forms and colors in the self. What flows through the veins besides blood is the distillation of every act committed, the sediment of all the visions, wishes, dreams, and experiences. All the past emotions converge to tint the skin and flavor the lips, to regulate the pulse and produce crystals in the eyes.
Anaïs Nin
His mind was completely occupied with the image of Aline by the river, the rich mass of her pinned-up hair, the exquisite lines of her body and throat. Time had only made Aline's beauty more eloquent. Her body was ripe and fully developed, the form of a woman in her prime. With maturity, her face had become more delicately sculpted, the nose thinner, the lips faded from deep rose to the pale shade of pink that tinted the inside of a seashell. And there was that damned, never-forgotten beauty mark, the festive dark fleck that lured his attention to the tender corner of her mouth.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
Spring Lane burned with a mythology of chipped slates, pale wash-water blue and flaking at the seam. The summer yellow glow of an impending dawn diffused, diluted in the million-gallon sky above the tannery that occupied this low end of the ancient gradient, across the narrow street from where Phyllis and Michael stood outside the alley-mouth. The tannery’s high walls of browning brick with rusted wire mess over its high windows didn’t have the brutal aura that the building had down in the domain of the living. Rather it was softly iridescent with a sheen of fond remembrance – the cloisters of some mediaeval craft since disappeared – and had the homely perfume of manure and boiled sweets. Past the peeling wooden gates that lolled skew-whiff were yards where puddles stained a vivid tangerine harboured reflected chimney stacks, lamp black and wavering. Heaped leather shavings tinted with corrosive sapphire stood between the fire-opal pools, an azure down mounded into fantastic nests by thunderbirds to hatch their legendary fledglings. Rainspouts eaten through by time had diamond dribble beading on their chapped tin lips, and every splinter and subsided cobble sang with endless being. Michael Warren stood entranced and Phyllis Painter stood beside him, sharing his enchantment, looking at the heart-caressing vista through his eyes. The district’s summer sounds were, in her ears, reduced to a rich stock. The lengthy intervals between the bumbling drones of distant motorcars, the twittering filigree of birdsong strung along the guttered eaves, the silver gurgle of a buried torrent echoing deep in the night-throat of a drain, all these were boiled down to a single susurrus, the hissing tingling reverberation of a cymbal struck by a soft brush. The instant jingled in the breeze.
Alan Moore (Jerusalem)
the sweat from his dripping brow. But these slaves—look at them! Some are captured Romans, some Sicilians, many black Libyans, but all are in the last exhaustion, their weary eyelids drooped over their eyes, their lips thick with black crusts, and pink with bloody froth, their arms and backs moving mechanically to the hoarse chant of the overseer. Their bodies of all tints from ivory to jet, are stripped to the waist, and every glistening back shows the angry stripes of the warders. But it is not from these that the blood comes which reddens the seats and tints the salt water washing beneath their manacled
Arthur Conan Doyle (The Last Galley Impressions and Tales [with Biographical Introduction])
With Naomi's help, Lara bathed leisurely in hot lavender-scented water and smoothed perfumed cream over her shoulders, arms, and throat. A faint dusting of pearl powder gave a translucent gleam to her face, while an application of rose-tinted salve made her lips dewy and pink. Naomi pulled Lara's hair into a braided coil atop her head, giving the effect of a sable crown, and adorned it with individual pearls sewn onto pins. Lara's gown was simple yet beautiful, a delicate sheath of white overlaid with silvery gauze. The neckline swooped dramatically low, while the sleeves were nothing more than transparent bands of silver lace.
Lisa Kleypas (Stranger in My Arms)
Would we get on well together, do you think?” she asked dubiously, daring to play with the knot of his necktie, loosening the gray watered-silk fabric with her fingertips. “We’re opposites in nearly every regard.” Inclining his head, Marcus nuzzled the tender inside of her wrist, his lips brushing the blue-tinted veins that lay like fine lacework beneath the skin. “I am coming to believe that taking a wife who is exactly like myself would be the worst conceivable decision I could make.” “Perhaps you’re right,” Lillian mused, letting her fingertips curl into the gleaming close-cut hair at the side of his head. “You need a wife who won’t let you have your way all the time. One who…” She paused with a little shiver as his tongue touched a delicate spot near her inner elbow. “Who,” she continued, struggling to gather her thoughts, “would be willing to take you down a notch when you become too pompous…” “I am never pompous,” Marcus said, drawing the edge of her gown away from the vulnerable curve of her throat. Her breath hitched as he began to kiss the wing of her collarbone. “What would you call it when you carry on as if you always know best, and anyone who disagrees with you is an idiot?” “Most of the time, the people who disagree with me do happen to be idiots. I can’t help that.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
He was staring at the woman who stood holding the door open into another room . He weaved to his feet, lurching as he came near her, then he caught a whiff of perfume. The gray eyes seemed as big as saucers, like the eyes of a kitten when you hold its nose touching yours. He looked at the small mouth, the full lower lip, carefully tinted but not painted. She said nothing. As he started to push past her he seemed to fall; he found his arm around her and held on knowing that he was a fool, knowing something terrible would strike him dead, knowing he wanted to cry, to empty his bladder, to scream, to go to sleep, wondering as he tightened his arm around her…Stan lay sprawling on the floor.
William Lindsay Gresham (Nightmare Alley)
Even in the warm faelight of the foyer, the gown glittered and gleamed like a fresh-cut jewel. We had taken my gown from Starfall and refashioned it, adding sheer silk panels to the back shoulders, the glittering material like woven starlight as it flowed behind me in lieu of a veil or cape. If Rhysand was Night Triumphant, I was the star that only glowed thanks to his darkness, the light only visible because of him. I scowled up the stairs. That is, if he bothered to show up on time. My hair, Nuala had swept into an ornate, elegant arc across my head, and in front of it... I caught Cassian glancing at me for the third time in less than a minute and demanded, 'What?' His lips twitched at the corners. 'You just look so...' 'Here we go,' Mor muttered from where she picked at her red-tinted nails against the stair banister. Rings glinted at every knuckle, on every finger; stacks of bracelets tinkled against each other on either wrist. 'Official,' Cassian said with an incredulous look in her direction. He waved a Siphon-topped hand to me. 'Fancy.' 'Over five hundred years old,' Mor said, shaking her head sadly, 'a skilled warrior and general, famous throughout territories, and complementing ladies is still something he finds next to impossible. Remind me why we bring you on diplomatic meetings?' Azriel, wreathed in shadows by the front door, chuckled quietly. Cassian shot him a glare. 'I don't see you spouting poetry, brother.' Azriel crossed his arms, still smiling faintly. 'I don't need to resort to it.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
To the door of an inn in the provincial town of N. there drew up a smart britchka—a light spring-carriage of the sort affected by bachelors, retired lieutenant-colonels, staff-captains, land-owners possessed of about a hundred souls, and, in short, all persons who rank as gentlemen of the intermediate category. In the britchka was seated such a gentleman—a man who, though not handsome, was not ill-favoured, not over-fat, and not over-thin. Also, though not over-elderly, he was not over-young. His arrival produced no stir in the town, and was accompanied by no particular incident, beyond that a couple of peasants who happened to be standing at the door of a dramshop exchanged a few comments with reference to the equipage rather than to the individual who was seated in it. "Look at that carriage," one of them said to the other. "Think you it will be going as far as Moscow?" "I think it will," replied his companion. "But not as far as Kazan, eh?" "No, not as far as Kazan." With that the conversation ended. Presently, as the britchka was approaching the inn, it was met by a young man in a pair of very short, very tight breeches of white dimity, a quasi-fashionable frockcoat, and a dickey fastened with a pistol-shaped bronze tie-pin. The young man turned his head as he passed the britchka and eyed it attentively; after which he clapped his hand to his cap (which was in danger of being removed by the wind) and resumed his way. On the vehicle reaching the inn door, its occupant found standing there to welcome him the polevoi, or waiter, of the establishment—an individual of such nimble and brisk movement that even to distinguish the character of his face was impossible. Running out with a napkin in one hand and his lanky form clad in a tailcoat, reaching almost to the nape of his neck, he tossed back his locks, and escorted the gentleman upstairs, along a wooden gallery, and so to the bedchamber which God had prepared for the gentleman's reception. The said bedchamber was of quite ordinary appearance, since the inn belonged to the species to be found in all provincial towns—the species wherein, for two roubles a day, travellers may obtain a room swarming with black-beetles, and communicating by a doorway with the apartment adjoining. True, the doorway may be blocked up with a wardrobe; yet behind it, in all probability, there will be standing a silent, motionless neighbour whose ears are burning to learn every possible detail concerning the latest arrival. The inn's exterior corresponded with its interior. Long, and consisting only of two storeys, the building had its lower half destitute of stucco; with the result that the dark-red bricks, originally more or less dingy, had grown yet dingier under the influence of atmospheric changes. As for the upper half of the building, it was, of course, painted the usual tint of unfading yellow. Within, on the ground floor, there stood a number of benches heaped with horse-collars, rope, and sheepskins; while the window-seat accommodated a sbitentshik[1], cheek by jowl with a samovar[2]—the latter so closely resembling the former in appearance that, but for the fact of the samovar possessing a pitch-black lip, the samovar and the sbitentshik might have been two of a pair.
Nikolai Gogol (Dead Souls)
A written word is the choicest of relics. It is something at once more intimate with us and more universal than any other work of art. It is the work of art nearest to life itself. It may be translated into every language, and not only be read but actually breathed from all human lips;—not be represented on canvas or in marble only, but be carved out of the breath of life itself. The symbol of an ancient man’s thought becomes a modern man’s speech. Two thousand summers have imparted to the monuments of Grecian literature, as to her marbles, only a maturer golden and autumnal tint, for they have carried their own serene and celestial atmosphere into all lands to protect them against the corrosion of time. Books are the treasured wealth of the world and the fit inheritance of generations and nations. Books, the oldest and the best, stand naturally and rightfully on the shelves of every cottage. They have no cause of their own to plead, but while they enlighten and sustain the reader his common sense will not refuse them. Their authors are a natural and irresistible aristocracy in every society, and, more than kings or emperors, exert an influence on mankind.
Henry David Thoreau (Walden)
Tresses of lustrous, snow-white hair tumbled from their cloth-bound imprisonment, streaming like a waterfall down the young woman’s back. In an effort to make his student more at ease, Alexi did his best to appear wholly disinterested as she carefully removed her protections with delicate, private ceremony. But then she turned to face him, clutching those items that had held her unusual features in mystery : glasses, gloves, long scarf. "As you would have it so, Professor, here is your pupil in all her ghastliness." Though Miss Parker's hands clearly trembled, her voice did not. Luminous crystal eyes held streaks of pale blue shooting from tiny black pupils. A face youthful but devoid of color, smooth and unblemished like porcelain, had graceful lines as well-defined and proportioned as a marble statue. Her long, blanched locks shimmered in the candlelight like spider silk. Upon high cheekbones lay hints of rouge : any more would have appeared garish against her blindingly white skin, but she had been artful in her application. Her rosebud lips were tinted in the same manner. "You see, Professor, even you, so stern and stoic, cannot hide your shock, surprise, distaste-" "Distaste ?" he interrupted quietly. "Is that what you see ?
Leanna Renee Hieber (The Strangely Beautiful Tale of Miss Percy Parker (Strangely Beautiful, #1))
The studio was immense and gloomy, the sole light within it proceeding from a stove, around which the three were seated. Although they were bold, and of the age when men are most jovial, the conversation had taken, in spite of their efforts to the contrary, a reflection from the dull weather without, and their jokes and frivolity were soon exhausted. In addition to the light which issued from the crannies in the stove, there was another emitted from a bowl of spirits, which was ceaselessly stirred by one of the young men, as he poured from an antique silver ladle some of the flaming spirit into the quaint old glasses from which the students drank. The blue flame of the spirit lighted up in a wild and fantastic manner the surrounding objects in the room, so that the heads of old prophets, of satyrs, or Madonnas, clothed in the same ghastly hue, seemed to move and to dance along the walls like a fantastic procession of the dead; and the vast room, which in the day time sparkled with the creations of genius, seemed now, in its alternate darkness and sulphuric light, to be peopled with its dreams. Each time also that the silver spoon agitated the liquid, strange shadows traced themselves along the walls, hideous and of fantastic form. Unearthly tints spread also upon the hangings of the studio, from the old bearded prophet of Michael Angelo to those eccentric caricatures which the artist had scrawled upon his walls, and which resembled an army of demons that one sees in a dream, or such as Goya has painted; whilst the lull and rise of the tempest without but added to the fantastic and nervous feeling which pervaded those within. Besides this, to add to the terror which was creeping over the three occupants of the room, each time that they looked at each other they appeared with faces of a blue tone, with eyes fixed and glittering like live embers, and with pale lips and sunken cheeks; but the most fearful object of all was that of a plaster mask taken from the face of an intimate friend but lately dead, which, hanging near the window, let the light from the spirit fall upon its face, turned three parts towards them, which gave it a strange, vivid, and mocking expression. All people have felt the influence of large and dark rooms, such as Hoffmann has portrayed and Rembrandt has painted; and all the world has experienced those wild and unaccountable terrors - panics without a cause - which seize on one like a spontaneous fever, at the sight of objects to which a stray glimpse of the moon or a feeble ray from a lamp gives a mysterious form; nay, all, we should imagine, have at some period of their lives found themselves by the side of a friend, in a dark and dismal chamber, listening to some wild story, which so enchains them, that although the mere lighting of a candle could put an end to their terror, they would not do so; so much need has the human heart of emotions, whether they be true or false. So it was upon the evening mentioned. The conversation of the three companions never took a direct line, but followed all the phases of their thoughts; sometimes it was light as the smoke which curled from their cigars, then for a moment fantastic as the flame of the burning spirit, and then again dark, lurid, and sombre as the smile which lit up the mask from their dead friend's face. At last the conversation ceased altogether, and the respiration of the smokers was the only sound heard; and their cigars glowed in the dark, like Will-of-the-wisps brooding o'er a stagnant pool. It was evident to them all, that the first who should break the silence, even if he spoke in jest, would cause in the hearts of the others a start and tremor, for each felt that he had almost unwittingly plunged into a ghastly reverie. ("The Dead Man's Story")
James Hain Friswell
Carrying her over to his bed, he slowly laid her on it. She sank into the mattress with a dreamy murmur of a sigh. Though the protective impulse he had felt toward her earlier had returned full force, the soft and sensual moan from her lips filled him with a moment's blinding lust. Dear God. A tremor of hunger ran through him. His stare traveled over her lax face and down her white neck to her creamy chest. He swallowed hard, gazing at her breasts. Somehow, he became fixated on them again. Heart pounding, he moved slowly and with caution sat on the edge of the bed. Desire slammed through his veins, but he only meant to look. She was a harlot, she wouldn't care, as long as he had money, which he did, lots of it. Yet it amazed him that such beauty could be purchased for the taking. She was exquisite, with the dusky fringe of her lashes fanned above her cheeks in sleep. The thick and wavy cloud of her satiny brown hair flowed back from the pale oval of her face and spilled across his pillow. He marveled at the creamy shimmer of her complexion in the firelight, her flushed cheeks like delicate pink-tinted porcelain. His gaze traveled over her smooth forehead, the delicate twin arches of her light brown eyebrows, and her small, prettily formed nose. He would not have guessed her any common sort of wench. Then his attention strayed to her pink lips in ever-growing desire, a gathering smolder darkening his eyes. She had a very charming chin, slightly pronounced, and hinting at a firm stubbornness of character. He wanted to nibble its smooth rounded curve.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
I need to check your vitals, hon,” she explained. It had been several hours since I’d given birth. I guess this was the routine. She felt my pulse, palpated my legs, asked if I had pain anywhere, and lightly pressed on my abdomen, the whole while making sure I wasn’t showing signs of a blockage or a blood clot, a fever or a hemorrhage. I stared dreamily at Marlboro Man, who gave me a wink or two. I hoped he would, in time, be able to see past the vomit. The nurse then began a battery of questions. “So, no pain?” “Nope. I feel fine now.” “No chills?” “Not at all.” “Have you been able to pass gas in the past few hours?” *Insert awkward ten-second pause* I couldn’t have heard her right. “What?” I asked, staring at her. “Have you been able to pass gas lightly?” *Another awkward pause* What kind of question is this? “Wait…,” I asked. “What?” “Sweetie, have you been able to pass gas today?” I stared at her blankly. “I don’t…” “…Pass gas? You? Today?” She was unrelenting. I continued my blank, desperate stare, completely incapable of registering her question. Throughout the entire course of my pregnancy, I’d gone to great lengths to maintain a certain level of glamour and vanity. Even during labor, I’d attempted to remain the ever-fresh and vibrant new wife, going so far as to reapply tinted lip balm before the epidural so I wouldn’t look pale. I’d also restrained myself during the pushing stage, afraid I’d lose control of my bowels, which would have been the kiss of death upon my pride and my marriage; I would have had to just divorce my husband and start fresh with someone else. I had never once so much as passed gas in front of Marlboro Man. As far as he was concerned, my body lacked this function altogether. So why was I being forced to answer these questions now? I hadn’t done anything wrong. “I’m sorry…,” I stammered. “I don’t understand the question…” The nurse began again, seemingly unconcerned with my lack of comprehension skills. “Have you…” Marlboro Man, lovingly holding our baby and patiently listening all this time from across the room, couldn’t take it anymore. “Honey! She wants to know if you’ve been able to fart today!” The nurse giggled. “Okay, well maybe that’s a little more clear.” I pulled the covers over my head. I was not having this discussion.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I read a poem today that reminded me of you.” He gave her another sideways glance, as if confessing something naughty. “Would you like to hear it?” Her knees quivered beneath her skirts. Perhaps he did feel something for her. Perhaps he is now going to declare himself! “Yes, I would.” “Your chaperone is watching us from the parapets. It would be better for me to recite it more privately.” With gentle force, he guided her behind a tall hedge. Lydia’s belly fluttered as Deveril took both her hands. His hair gleamed like an angel’s wing. Would he tell her he couldn’t let her go, that they didn’t have to go to London? That instead they could remain here…together? “She walks in beauty, like the night,” he whispered. “Of cloudless climes and starry skies; And all that’s best of dark and bright Meet in her aspect and her eyes; Thus mellowed to that tender light Which heaven to gaudy day denies.” Vincent’s eyes were like a turbulent sea in a moonlit storm. He gazed at her as though she was something precious. Lydia sighed as his long fingers removed a pin from her hair. “One shade the more, one ray the less, Had half impaired the nameless grace Which waves in every raven tress,” Her breath caught as he twirled a lock of her hair. “Or softly lightens o’er her face; Where thoughts serenely sweet express, How pure, how dear their dwelling-place.” His hand crept up to caress her cheek, his intent gaze never wavering. “And on that cheek, and o’er that brow, So soft, so calm, yet eloquent, The smiles that win, the tints that glow,” His lips curved in a sensual smile as he concluded. “But tell of days in goodness spent, A mind at peace with all below, A heart whose love is innocent!” For an eternity, they stared as if peering into each other’s souls. His fingers slid past her cheek and threaded once more through her hair, sending the remaining pins scattering into the grass. “Lydia,” he whispered. Then his lips were on hers, warm, silken, teasing.
Brooklyn Ann (One Bite Per Night (Scandals with Bite, #2))
I read a poem today that reminded me of you.” He gave her another sideways glance, as if confessing something naughty. “Would you like to hear it?” Her knees quivered beneath her skirts. Perhaps he did feel something for her. Perhaps he is now going to declare himself! “Yes, I would.” “Your chaperone is watching us from the parapets. It would be better for me to recite it more privately.” With gentle force, he guided her behind a tall hedge. Lydia’s belly fluttered as Deveril took both her hands. His hair gleamed like an angel’s wing. Would he tell her he couldn’t let her go, that they didn’t have to go to London? That instead they could remain here…together? “She walks in beauty, like the night,” he whispered. “Of cloudless climes and starry skies; And all that’s best of dark and bright Meet in her aspect and her eyes; Thus mellowed to that tender light Which heaven to gaudy day denies.” Vincent’s eyes were like a turbulent sea in a moonlit storm. He gazed at her as though she was something precious. Lydia sighed as his long fingers removed a pin from her hair. “One shade the more, one ray the less, Had half impaired the nameless grace Which waves in every raven tress,” Her breath caught as he twirled a lock of her hair. “Or softly lightens o’er her face; Where thoughts serenely sweet express, How pure, how dear their dwelling-place.” His hand crept up to caress her cheek, his intent gaze never wavering. “And on that cheek, and o’er that brow, So soft, so calm, yet eloquent, The smiles that win, the tints that glow,” His lips curved in a sensual smile as he concluded. “But tell of days in goodness spent, A mind at peace with all below, A heart whose love is innocent!” For an eternity, they stared as if peering into each other’s souls. His fingers slid past her cheek and threaded once more through her hair, sending the remaining pins scattering into the grass. “Lydia,” he whispered. Then his lips were on hers, warm, silken, teasing. Her limbs melted. Intoxicating heat unfurled low in her body. Lydia reached up to pull him closer, to demand more. Vincent pulled back before she could grasp him. He took a deep, shuddering breath. “And that is your most important lesson in courtship, Lydia. Never allow a man to get you off alone, especially if he desires to recite poetry, and particularly Lord Byron’s verses.” A strangled gasp caught in her throat at his duplicity. It had all been part of the game! “You…you…” He held up a hand. “Now slap me with your fan in retaliation for taking such liberties.” Reeling in outrage, she fumbled in the pockets of her cloak for the ineffectual weapon. Vincent shrugged, undaunted at her ire. “That is why you should keep your fan at the ready.” Seizing the bundle of cloth-covered sticks, she smacked him soundly on the arm, much harder than Miss Hobson had instructed. “You are lucky I did not have my gun,” she hissed. How could he? To
Brooklyn Ann (One Bite Per Night (Scandals with Bite, #2))
A mortician is an illusionist. The goal is to cushion reality, slow down how fast the hurt seeps in. Cuts are filled, the gray pallor painted over. Lips moistened with tinted cream. Hair washed and combed but not overly styled. The embalmer’s threads and glue and brushstrokes must be invisible so that when a family looks into the face of a loved one for the last time, there is no sign of illness, injury, or suffering. The grieving can pretend that their loved ones are merely sleeping. That they will hear you when you bend over to whisper all you had meant to say. We need these illusions. Need to pretend the funeral will bring comfort. Closure. We need friends and family members saying, We’ve got you. You won’t slip away into a black hole of grief. You won’t. Look at the body again. See? No signs that he suffered.
Susan Henderson (The Flicker of Old Dreams)
The indigo tint of her nail polish, eye shadow, and lip gloss looked like something from the "undead' cosmetic line.
Dotti Enderle (Tell No One! (Ghost Detectors, #3))
Madam,’ said Ortho, prickling. ‘I will have you know that until yesterday I was captain of my own ship.’ Her lip curled. ‘Yesterday!—a thing of little value, O.P. It is but yesterday I had all Kingston—aye, all Jamaica—at my feet. And what will my brave yesterday buy me now? One sigh? One tint glance of admiration?’ She flung her hands out, despairingly. ‘It cannot even win me civility from a broken ship-master.
Crosbie Garstin (High Noon)
COCONUT OIL LIP BALM   1T coconut oil 1T honey 1T olive oil or red palm oil (for a tint of lip color)   Procedure:   -Mix and eat the oils together in low heat until they melt and are blended together well. -Start pouring the mixture onto a container. -Let cool.  
Speedy Publishing (Coconut Oil Bible: (Boxed Set): Benefits, Remedies and Tips for Beauty and Weight Loss)
He stood paralyzed with panic. Whatinhell was it? He stared at a flashing belt buckle, then tilted his head back, straining his neck. The freaking thing was eight feet tall. The enormous body radiated power that he could feel almost like a wave of heat, and the face—the face was a nightmare. Tawny yellow eyes, like a wolf’s, a distorted, outslung mouth with fangs, dammit, long white canines locked over the edges of the carmine lips. The huge hands had claws, thick, powerful, razor-edged—enameled with carmine polish . . . What? His gaze traveled back up to the monster’s face. The eyes were outlined with shadow and gold tint, echoed by a little gold spangle glued decoratively to one high cheekbone. The mahogany-colored hair was drawn back in an elaborate braid. The belt was cinched in tightly, emphasizing a figure of sorts despite the
Lois McMaster Bujold (Mirror Dance (Vorkosigan Saga, #8))
Beyond his volition, Vane's gaze lowered to her lips, to the soft rose-tinted curves he now knew so well. Their shape was etched in his mind, their taste imprinted on his senses. Patience's lids fluttered down. She stretched upward on her toes. Vane couldn't have drawn back from the kiss- couldn't have avoided it- had his life depended on it. Their lips touched, without the heat, without the driving compulsion that remained surging in their souls. Both held it back, denying it, content for one timeless moment simply to touch and be touched. To let the beauty of the fragile moment stretch, to let the magic of their heightened awareness wash over them. It left them quivering. Yearning. Curiously breathless, as if they'd been running for hours, curiously weak, as if they'd been battling for too long and nearly lost.
Stephanie Laurens (A Rake's Vow (Cynster, #2))
I had always hoped to die in my sleep with a peaceful look and a rose-tinted lip balm on, so the idea of having my mangled charred parts picked from a hundred mile radius was mortifying. That was no way to go if the Gods loved you, I reasoned. At thirteen, most of us beleived that we were loved. I did go home and write up that will, just in case they didn't
Nidhie Sharma (INVICTUS)
Judging by the barely perceptible pink tint painting his cheekbones and the way he’s pulled his lower lip into his mouth to gnaw on it, I’d say this exceptionally large man standing before me is currently playing shy. “Girlfriend?” He nods, scratching at his head. “Is that okay? I know I want to be with you. I know we’re compatible. I don’t need time to see if this will work, if I’m serious about you. I already know all that. I want you to be mine and I don’t want to share you with anyone else. The guys said we weren’t exclusive until we had this conversation and that you could date other people, but I don’t want that. I don’t want you with anyone else, only me. So be mine. Please.” My hand slides along the stubble lining his jaw. “How are you single?” “Because you’ve been playing hard to get for the last seven weeks, give or take.
Becka Mack (Consider Me (Playing For Keeps, #1))
Niko, whose head was cocked to the side, one hand tucking the wavy strands of his hair behind his ears. He had bleached it at the start of the year and it was now several shades lighter than the light honey tint of his skin. His well-shaped brows jumped up, like he was challenging her about something, but the smile on his lips was easy and light. It was a mask. She had seen it on the show a thousand times. Nobody ever got past the social mask Niko Hart put on.
Jane Washington (Plier (Ironside Academy, #1))
Dark, bottomless, espresso-colored eyes fringed with long, thick lashes. Full lips tinted by chocolate and roses. High cheekbones and one dimple on the right side. A bold nose dusted with exactly seven freckles. I blink to clear the mental image, sharpening
Kennedy Ryan (Block Shot (Hoops, #2))
Because flushed cheeks and high color are cues that men use to gauge a woman’s health, women rouge their cheeks artificially to trigger men’s attraction. Because smooth, clear skin is one of men’s evolved desires, women cover up blemishes, use moisture cream, apply astringents, and get facelifts. Because lustrous hair is one of men’s evolved desires, women highlight, bleach, tint, or dye their hair, and they give it extra body with conditioners, egg yolks, beer, or weaves. Because full red lips trigger men’s evolved desires, women apply lipstick skillfully and even get injections to enlarge their lips for the “bee-stung” look. And because firm, youthful breasts stimulate men’s desires, women obtain breast implants and wear push-up bras.
David M. Buss (The Evolution of Desire: Strategies of Human Mating)
Mulan found it easier to face the morning by pretending that her clothes were armor. The stiff coronation robe Ting was smoothing down over her shoulders? She imagined it woven with threads of spun gold, the embroidered phoenixes stitched with blazing-red iron. Her sash, hanging loose down her back, was a shoulder guard of blue iron, and the phoenixes on her shoes were spikes and spurs. “Please keep your head forward, Empress.” A handmaiden gripped a handful of hair, pulling it taut enough to make Mulan’s eyes water. The hair, at least, was easy to imagine as a helmet. By the time the maid finished wrapping it around multiple combs and adorning the layered buns with everything from flowers to jade to tiny golden bells, Mulan’s coiffure would stop arrows far better than anything the imperial blacksmiths could craft. The maid inserted one last pin and stepped back. “All done.” She pulled the train of Mulan’s robe out as Mulan stepped in front of a full-length mirror. Mulan’s reflection was warped and metallic on the coppery finish, but she could see that she was made up as intricately as the finest ladies of court, her face powdered white, her eyes lined with charcoal, and her lips painted red as her sash. Her eyebrows had been shaved and drawn back in with blue-black pigment. Tiny silver beads adorned her yellow-tinted forehead, and three flowers had been painted on her right cheek. “Armor,” Mulan said under her breath. “Your Majesty?” “Nothing, just talking to myself.
Livia Blackburne (Feather and Flame (The Queen's Council, #2))
Mulan found it easier to face the morning by pretending that her clothes were armor. The stiff coronation robe Ting was smoothing down over her shoulders. She imagined it woven with threads of spun gold, the embroidered phoenixes stitched with blazing-red iron. Her sash, hanging loose down her back, was a shoulder guard of blue iron, and the phoenixes on her shoes were spikes and spurs. “Please keep your head forward, Empress.” A handmaiden gripped a handful of hair, pulling it taut enough to make Mulan’s eyes water. The hair, at least, was easy to imagine as a helmet. By the time the maid finished wrapping it around multiple combs and adorning the layered buns with everything from flowers to jade to tiny golden bells, Mulan’s coiffure would stop arrows far better than anything the imperial blacksmiths could craft. The maid inserted one last pin and stepped back. “All done.” She pulled the train of Mulan’s robe out as Mulan stepped in front of a full-length mirror. Mulan’s reflection was warped and metallic on the coppery finish, but she could see that she was made up as intricately as the finest ladies of court, her face powdered white, her eyes lined with charcoal, and her lips painted red as her sash. Her eyebrows had been shaved and drawn back in with blue-black pigment. Tiny silver beads adorned her yellow-tinted forehead, and three flowers had been painted on her right cheek. “Armor,” Mulan said under her breath. “Your Majesty?” “Nothing, just talking to myself.
Livia Blackburne
It’s called a bath.” She makes a point of leaning forward and sniffing at my shirt. “Ever heard of it?” I know from running here I must stink, but that’s not disgust on her pretty features. She’s trying to convince herself she’s not attracted to me and it’s cute as hell. I scratch at my chin, then, in a low tone, say, “Nope, can you explain it?” “Soap, water, look it up.” She tries to move around me, but I sway my body to mimic her movements just for sport. “Isn’t that where you’re all naked and lathering up that creamy skin with bubbles?” Relishing the tint to her cheeks, I brush past her, letting her move into the office, and call over my shoulder, “Thanks for the visuals, by the way, the towel over the weekend, I’ll be thinking about it all day.” I reel her in and watch her blow. “You make me gag,” she says, then catches her words. Her shoulders deflate, and a grin tugs high on my lips. “Yep, sure would, sweetheart.” The door slams shut, and a real chuckle resonates from my gut.
Ker Dukey (Lust (The Elite Seven, #1))
Thus a dish of tench and eel was arranged so that the pointed head of the eels, gills splayed, thrust through a sea of delicate yellow sauce (toasted breadcrumbs, red wine and vinegar, more red wine reduced to defrutum, long pepper, grains of paradise, cloves, all passed through a sieve and tinted with saffron) towards the gaping lips of the tench. A plate of grilled partridges was presented with the birds still spitted from arsenal to beak, the spits radiating out from a magnificent cockerel, skinned, roasted and recloaked in its feathers, tail and red-combed head; the whole arranged on an armature so that it raised one leg and crowed at the ceiling. Inside the hollow body of the cockerel I had arranged a small silver alembic, its narrow end, no wider than a stalk of grass (I had borrowed it from an alchemist I knew through the Academy) protruding from the beak, and below it a tiny spirit lamp, which I lit as the serving men were already taking the dish away. The alembic was filled with Greco wine tinted with the milk of almonds, and I calculated that the wine would boil more or less when the dish was set on the table, and jet from the proud cock, showering the skewered partridges in aromatic white sauce. There were the ripest figs, all splitting, of course, served with boiled crayfish- as eager, these bright red fellows, to explore the figs as the eels had been curious about the tench- and torte of rucola and pine nuts, liberally spiced with garlic and cloves.
Philip Kazan (Appetite)
Every statuette is a shape imagined in the point of convergence of the capable pro. The specialist has been pondering it for quite a while, the way by which a parent expects a child, or a brave life adornment envisions that her life partner will return home. Carved Wooden Figures By then they put their hands into the earth and make a remarkable pearl or emerge artful culminations if they are painters. Stone carvers are as regularly as conceivable energized by out of date Gods, unbelievable creatures, and marvellous holy people. They breathe life into the legend. Statues are dumbfounding, dynamic, survive and imaginative. They converse with you in a thousand of calm ways. They look perfect and inaccessible, comparatively as from a serene, pixie heaven. No doubt the Gods are to an amazing degree living in them, sitting tight for individuals to take in life in their signs from earth and marble. Carved Wooden Figures They advancement to us, they boggle, they whisper. Statues are tirelessly related to time everlasting. We scan for noteworthiness, we research, and we respect great statues of Egyptian cats. Carved Wooden Figures A bit of the statuettes looks so legitimate, it takes after they are living. There once carried on a stone expert named Pygmalion, who made a figure of a female shape so grand, that he started to look all starry looked toward at it. He respected Venus, the Goddess, and she offered life to his regarded statue. Her skin was pale, her carriage was to some degree firm, her eyes had a vacant look, regardless she had trademark tints on her lips, eyes, hair and chests. The grandness of an uncommon statue can enamour her creator, and despite breath life into stone.
Carved Wooden Figures
You have two hands, Mr Felix. I understand that's all a lonely single man needs." She clamped her lips together and forced herself to remain calm until the door closed behind her. She blinked in the late afternoon sunlight, feeling like she'd been inside a surreal film and the real world was definitely a relief. Sunset tinted the path as she followed the yellow brick road away from the rock star the newspapers called the Wizard of Aus.
Demelza Carlton (Maid for the Rock Star (Romance Island Resort, #1))
We pulled into the so-called safe zone, next to a pair of tow teams that had sidelined themselves, and as King reached past me to untether his camera case and assemble his housing, I started at Jaws. At about 40 feet, this wasn't the biggest day on record, but somehow that diminished nothing. The wave was breathtaking. As it rose, its face opened up to the cliffs and its lip curled over a full-bellied barrel. Except for the luminous glints of turquoise at its peak, the wave was sapphire blue, gin clear, and flecked with white. If heaven were a color it would be tinted like this. You could fall into this water and happily never come out and you could see it forever and never get tired of looking. Jaws did not permit its spectators to daydream about being someplace else, to feel bored or irritated or jaded. Watching it was an instant antidote to petty problems. There could be no confusion about who called the shots out here, at this gorgeous, haunted, heavy, lush, primordial place, with all its unnameable blues and its ability to nourish you and kill you at the same time. There was unspeakable power at Jaws, but it was the beauty that got me.
Susan Casey (The Wave: In Pursuit of the Rogues, Freaks, and Giants of the Ocean)