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One day, the actress Dana Hill, my dear friend, bought me the book No Turn Unstoned, by Diana Rigg. It is a compilation of actors’, playwrights’, sets’, and costumes’ worst reviews. It has terrible reviews of award-winning actors ranging from Sarah Bernhardt to Lord Laurence Olivier. I pored over the pages, comforted to know at least I was in good company. This experience taught me something about myself, though—an even better lesson. I realized I had stored up and placed downstage, front and center, all the negative reviews I’d ever received in my life, while I’d pushed the positives upstage, hidden behind the scenery. Eventually I would have to find my way out from behind the backdrop.
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