Like Daughter Quotes

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Hope can be a powerful force. Maybe there's no actual magic in it, but when you know what you hope for most and hold it like a light within you, you can make things happen, almost like magic.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
Sometimes one likes foolish people for their folly, better than wise people for their wisdom.
Elizabeth Gaskell (Wives and Daughters)
My mother... she is beautiful, softened at the edges and tempered with a spine of steel. I want to grow old and be like her.
Jodi Picoult
It's not like there's a law against flying." "Yes there is. The law of gravity.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
She moved like a poem and smiled like a sphinx.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
Love is a luxury." "No. Love is an element." An element. Like air to breathe, earth to stand on.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
That sounds terrific, thought Cary, just you, your comatose wife your shell-shocked son, and your daughter who hates your guts. Not to mention that your two kids may be in love with each other. Yeah, that sounds like a perfect family reunion.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
We've begun to raise daughters more like sons... but few have the courage to raise our sons more like our daughters.
Gloria Steinem
Every time you tell your daughter you yell at her out of love you teach her to confuse anger with kindness which seems like a good idea till she grows up to trust men who hurt her cause they look so much like you.
Rupi Kaur
Like mold on books, grow myths on history.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
For the way loneliness is worse when you return to it after a reprieve—like the soul’s version of putting on a wet bathing suit, clammy and miserable.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
I was minding my own buisness long before you and the princess started humping like rabbits.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
The only person that deserves a special place in your life is someone that never made you feel like you were an option in theirs.
Shannon L. Alder
Staying silent is like a slow growing cancer to the soul and a trait of a true coward. There is nothing intelligent about not standing up for yourself. You may not win every battle. However, everyone will at least know what you stood for—YOU.
Shannon L. Alder
Your children are not your children. They are sons and daughters of Life's longing for itself. They come through you but not from you. And though they are with you yet they belong not to you. You may give them your love but not your thoughts, For they have their own thoughts. You may house their bodies but not their souls, For thir souls dwell in the house of tomorrow, which you cannot visit, not even in your dreams. You may strive to be like them, but seek not to make them like you. For life goes not backward nor tarries with yesterday. You are the bows from which your children as living arrows are sent forth. The archer sees the make upon the path of the infinite, and He bends you with His might that His arrows may go swift and far. Let your bending in the archer's hand be for gladness. For even as He loves the arrow that flies, so He also loves the bow that is stable.
Kahlil Gibran
Yearning for love made her feel like a cat that was always twining around ankles, meowing Pet me, pet me, look at me, love me.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
...You are not just going to vanish like this, Karou. This isn't some goddamn Narnia book.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
She craved a presence beside her, solid. Fingertips light at the nape of her neck and a voice meeting hers in the dark. Someone who would wait with an umbrella to walk her home in the rain, and smile like sunshine when he saw her coming. Who would dance with her on her balcony, keep his promises and know her secrets, and make a tiny world wherever he was, with just her and his arms and his whisper and her trust.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
She had a sadness that was so deep, but it still could turn to light in a second, and when I saw her smile I wondered what it would be like to make her smile. I thought... I thought it would be like the discovery of smiling.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
Books can be possessive, can't they? You're walking around in a bookstore and a certain one will jump out at you, like it had moved there on its own, just to get your attention. Sometimes what's inside will change your life, but sometimes you don't even have to read it. Sometimes it's a comfort just to have a book around. Many of these books haven't even had their spines cracked. 'Why do you buy books you don't even read?' our daughter asks us. That's like asking someone who lives alone why they bought a cat. For company, of course.
Sarah Addison Allen (The Sugar Queen)
What if I take you apart and turn you into a toaster oven, how would you like that tin can?
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
You look like crap, prince. Did you miss me?" -Puck
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
There is nothing like wounded affection for giving poignancy to anger.
Elizabeth Gaskell (Wives and Daughters)
Once upon a time, an angel and a devil fell in love and dared to imagine a new way of living—one without massacres and torn throats and bonfires of the fallen, without revenants or bastard armies or children ripped from their mothers’ arms to take their turn in the killing and dying. Once, the lovers lay entwined in the moon’s secret temple and dreamed of a world that was a like a jewel-box without a jewel—a paradise waiting for them to find it and fill it with their happiness. This was not that world.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
Fat’ is usually the first insult a girl throws at another girl when she wants to hurt her. I mean, is ‘fat’ really the worst thing a human being can be? Is ‘fat’ worse than ‘vindictive’, ‘jealous’, ‘shallow’, ‘vain’, ‘boring’ or ‘cruel’? Not to me; but then, you might retort, what do I know about the pressure to be skinny? I’m not in the business of being judged on my looks, what with being a writer and earning my living by using my brain… I went to the British Book Awards that evening. After the award ceremony I bumped into a woman I hadn’t seen for nearly three years. The first thing she said to me? ‘You’ve lost a lot of weight since the last time I saw you!’ ‘Well,’ I said, slightly nonplussed, ‘the last time you saw me I’d just had a baby.’ What I felt like saying was, ‘I’ve produced my third child and my sixth novel since I last saw you. Aren’t either of those things more important, more interesting, than my size?’ But no – my waist looked smaller! Forget the kid and the book: finally, something to celebrate! I’ve got two daughters who will have to make their way in this skinny-obsessed world, and it worries me, because I don’t want them to be empty-headed, self-obsessed, emaciated clones; I’d rather they were independent, interesting, idealistic, kind, opinionated, original, funny – a thousand things, before ‘thin’. And frankly, I’d rather they didn’t give a gust of stinking chihuahua flatulence whether the woman standing next to them has fleshier knees than they do. Let my girls be Hermiones, rather than Pansy Parkinsons.
J.K. Rowling
So," he called to her back, "Just out of curiosity, you know, purely conversation and all, at what age will you be entertaining offers of marriage?" "You think it'll be so easy?" she called back over her shoulder. "No way. There will be tasks. Like in a fairy tale." "Sounds dangerous." "Very, so think twice." "No need," he said. "You're worth it.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
Many things that are true feel like a cheat. Kingdoms get the princes they deserve, farmers’ daughters die for no reason, and sometimes witches merit saving. Quite often, actually. You’d be surprised.
Patrick Ness (A Monster Calls)
You may not control all the events that happen to you, but you can decide not to be reduced by them. Try to be a rainbow in someone's cloud. Do not complain. Make every effort to change things you do not like. If you cannot make a change, change the way you have been thinking. You might find a new solution.
Maya Angelou (Letter to My Daughter)
And now, gentlemen, like your manners, I must leave you.
Dylan Thomas (Rebecca's Daughters)
Liraz may have captured Ziri's soul like a butterfly in a bottle, but that was only a formality. It was already hers. And, clearly, judging by the state of her laugh-sobbing in Karou's arms, hers was his, too.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
All I know is that I carried you for nine months. I fed you, I clothed you, I paid for your college education. Friending me on Facebook seems like a small thing to ask in return.
Jodi Picoult (Sing You Home)
So violent. You want to mug and tase everybody these days." "I do," Zuzana agreed. "I swear I hate more poeple every day. Everyone annoys me. If I'm like this now, what am I going to be like when I'm old?" "You'll be the mean old biddy who fires a BB gun at kids from her balcony." "Nah. BBs just rile 'em up. More like a crossbow. Or a bazooka.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
Make every effort to change things you do not like. If you cannot make a change, change the way you have been thinking. You might find a new solution.
Maya Angelou (Letter to My Daughter)
The older lady harrumphed. "I warned you, daughter. This scoundrel Hades is no good. You could've married the god of doctors or the god of lawyers, but noooo. You had to eat the pomegranate." "Mother-" "And get stuck in the Underworld!" "Mother, please-" "And here it is August, and do you come home like you're supposed to? Do you ever think about your poor lonely mother?" "DEMETER!" Hades shouted. "That is enough. You are a guest in my house." "Oh, a house is it?" she said. "You call this dump a house? Make my daughter live in this dark, damp-" "I told you," Hades said, grinding his teeth, "there's a war in the world above. You and Persephone are better off here with me." "Excuse me," I broke in. "But if you're going to kill me, could you just get on with it?
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
I love vengeance like normal people love sunsets and long walks on the beach. I eat vengeance with a spoon like it’s honey. In fact, I may not even be a real person, but just a vow of vengeance made flesh.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
Karou wished she could be the kind of girl who was complete unto herself, comfortable in solitude, serene. But she wasn't. She was lonely, and she feared the missingness within her as if it might expand and... cancel her. She craved a presence beside her, solid. Fingertips light at the nape of her neck and a voice meeting hers in the dark. Someone who would wait with an umbrella to walk her home in the rain, and smile like sunshine when he saw her coming. Who would dance with her on her balcony, keep his promises and know her secrets, and make a tiny world wherever he was, with just her and his arms and his whisper and her trust.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
She tastes like nectar and salt. Nectar and salt and apples. Pollen and stars and hinges. She tastes like fairy tales. Swan maiden at midnight. Cream on the tip of a fox’s tongue. She tastes like hope.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
Anyone who would wear all white like that clearly had issues. Just looking at him made her wish she had a paintball gun, but hell, you couldn’t pack for every eventuality.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
Skip meeting him? The butterflies, the pounding heart, the blushing? The part where you enter each other's magnetic fields for the first time, and it's like invisble lines of energy are drawing you together-
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
...And of course, your dad was always talking about you, so between him and Jenna, I feel like I already know you.” Man, first Cal, then Lara and the other Council members, now Vix. Did Dad have a blog about me or something? “My Daughter Sophie and Why You Should All Follow Her and/or Marry Her.
Rachel Hawkins (Demonglass (Hex Hall, #2))
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.” She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried. And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.” But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it. I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away. You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life. And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it. “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.” Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining. Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
Sarah Kay
I’d like to know more about this undercover agent who posed as my daughter’s date. The ubiquitous Tall, Dark, and Smoldering.' Nick put on his best meet-the-parent smile. 'I generally prefer to go by Nick.
Julie James (A Lot like Love (FBI/US Attorney, #2))
She studied me with concern. She touched the new streak of gray in my hair that matched hers exactly—our painful souvenir from holding Atlas's burden. There was a lot I'd wanted to say to Annabeth, but Athena had taken the confidence out of me. I felt like I'd been punched in the gut. I do not approve of your friendship with my daughter. "So," Annabeth said. "What did you want to tell me earlier?" The music was playing. People were dancing in the streets. I said, "I, uh, was thinking we got interrupted at Westover Hall. And… I think I owe you a dance." She smiled slowly. "All right, Seaweed Brain." So I took her hand, and I don't know what everybody else heard, but to me it sounded like a slow dance: a little sad, but maybe a little hopeful, too.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
By contrast, the grime of her journey, the outré inappropriateness of the state of her, it felt like armor. I earned this dirt. Respect. The dirt.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
You know not, yet, the sort of love that strikes like a lightning bolt; that clutches hold of you by the heart, as irrevocably as death; that becomes the lodestar by which you steer the rest of your life. I would not wish such a love on anyone, man or woman, for it can make your life a paradise, or it can destroy you utterly.
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
Mother was comfort. Mother was home. A girl who lost her mother was suddenly a tiny boat on an angry ocean. Some boats eventually floated ashore. And some boats, like me, seemed to float farther and farther from land
Ruta Sepetys (Salt to the Sea)
Why am I so drawn to you?" He muttered, almost to himself. "Why is it so hard to let go? I thought... at first... it was Ariella, that you remind me of so much. But it's not." Though he didn't smile, his eyes lightened a shade. "You're far more stubborn than she ever was." I sniffed. "That's like the pot calling the kettle black," I whispered, and a faint, tiny grin finally crossed his face, before his expression clouded and he lowered his head, touching his forehead to mine. "What do you want of me, Meghan?" he asked, a low thread of anguish flickering below the surface. Tears blurred my vision, all the fear and heartache of the past few days rising to the surface. "Just you," I whispered. "I just want you." -Ash and Meghan
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
You grew up too fast, baby." Didn't always feel that way, especially this morning when I couldn't find my other flip-flop and I'd been, like, two seconds from kicking a fit.
Jennifer L. Armentrout (Opal (Lux, #3))
What I like about The Sims is that I don't have a normal life at all, so I play this game where these people have these really boring, mundane lives. It's fun. My Sims family is called the Cholly family. I don't know why I picked that name; it's kind of random. The teenage daughter is my favourite, because I just had her go through this Goth phase. She's really kind of nerdy and she just became a concert violinist, which is pretty huge for the family. And she got into private school. But she started wearing black lipstick and she dyed her hair purple. It's pretty huge.
Gerard Way
Until a few days ago, humans had been little more than legend to him, and now here he was in their world. It was like stepping into the pages of a book -- a book alive with color and fragrance, filth and chaos -- and the blue-haired girl moved through it all like a fairy through a story, the light treating her differently than it did others, the air seemed to gather around her like held breath. As if this whole place was a story about her.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
We could mate. In a year our nestlings would be large enough to mob anyone we like...Should I begin to court you? Do you like grubs or ants better?...I will be here. In case you change your mind about mating.
Tamora Pierce (Trickster's Choice (Daughter of the Lioness, #1))
He saw so many emotions mingled on her face: anger disappointment, fear – and defiance. Like her daughter, thought Fenoglio again. So uncompromising, so strong. Women were different, no doubt about it. Men broke so much more quickly. Grief didn’t break women. Instead it wore them down, it hollowed them out, very slowly.
Cornelia Funke (Inkdeath (Inkworld, #3))
A wedding is for daughters and fathers. The mothers all dress up, trying to look like young women. But a wedding is for a father and daughter. They stop being married to each other on that day.
Sarah Ruhl (Eurydice)
Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date. ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved. ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri: ʺLooking forward to our chat.ʺ ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia." "Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Just answer me this. Is she worth it?" Ash's face went blank and cold, like a door slamming shut. "Would this be considered payment for finding sweetfinger?" he replied in a voice dead of emotion. The dwarf snorted. "Yeah, sure, whatever. But I want a serious answer, Prince." Ash was still for a moment. "Yes," he murmured, his voice so low I barely caught it. "She's worth it." "You know Mab will tear you apart for this." "I know.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
Alone, there is only the person inside. I've grown to like her better than the stuck-up husk of me. Alone, there is no perfect daughter, no gifted high school junior, no Kristina Georgia Snow. There is only Bree." (Ellen Hopkins)
Ellen Hopkins (Crank (Crank, #1))
Thermodynamic miracles... events with odds against so astronomical they're effectively impossible, like oxygen spontaneously becoming gold. I long to observe such a thing. And yet, in each human coupling, a thousand million sperm vie for a single egg. Multiply those odds by countless generations, against the odds of your ancestors being alive; meeting; siring this precise son; that exact daughter... Until your mother loves a man she has every reason to hate, and of that union, of the thousand million children competing for fertilization, it was you, only you, that emerged. To distill so specific a form from that chaos of improbability, like turning air to gold... that is the crowning unlikelihood. The thermodynamic miracle. But...if me, my birth, if that's a thermodynamic miracle... I mean, you could say that about anybody in the world!. Yes. Anybody in the world. ..But the world is so full of people, so crowded with these miracles that they become commonplace and we forget... I forget. We gaze continually at the world and it grows dull in our perceptions. Yet seen from the another's vantage point. As if new, it may still take our breath away. Come...dry your eyes. For you are life, rarer than a quark and unpredictable beyond the dreams of Heisenberg; the clay in which the forces that shape all things leave their fingerprints most clearly. Dry your eyes... and let's go home.
Alan Moore (Watchmen)
It wasn't disgust she felt for Karou, not anymore; it was indignation. Incredulity. A man like Akiva crosses worlds to find you, infiltrates the enemy capital just to dance with you, bends heaven and hell to avenge your death, saves your comrade and kin from torture and death, and you send him off looking gut-punched, diminished, carved hollow?
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
The first time I bring a girl home, and not only is she the daughter of a famous poker player, but she could easily bankrupt us all in a single hand. For being the family fuckup, I felt like I had finally gained a little respect from my older brothers. And it was all because of Abby.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Young girls are like helpless children in the hands of amorous men, whatever is said to them is true and whatever manipulation on their bodies seems like love to them, sooner or later, they come back to their senses, but the scars are not dead inasmuch as her spoiler lives.
Michael Bassey Johnson (Scars Of Beauty)
Your daughter is ugly. She knows loss intimately, carries whole cities in her belly. As a child, relatives wouldn’t hold her. She was splintered wood and sea water. They said she reminded them of the war. On her fifteenth birthday you taught her how to tie her hair like rope and smoke it over burning frankincense. You made her gargle rosewater and while she coughed, said macaanto girls like you shouldn’t smell of lonely or empty. You are her mother. Why did you not warn her, hold her like a rotting boat and tell her that men will not love her if she is covered in continents, if her teeth are small colonies, if her stomach is an island if her thighs are borders? What man wants to lay down and watch the world burn in his bedroom? Your daughter’s face is a small riot, her hands are a civil war, a refugee camp behind each ear, a body littered with ugly things but God, doesn’t she wear the world well.
Warsan Shire
Ash nodded. “Look for Oberon or Mab,” he said grimly, scanning the battlefield. “They’ll likely be on opposite sides of the river. Try not to engage anything, Goodfellow. We don’t want a fight — we just want to get the scepter to the queen.” “Don’t kid yourself, Prince.” Puck grinned and drew his daggers, pointing to Ash with the tip. “You’re a traitor, Meghan’s the Summer princess, and I’m Robin Goodfellow. I’m sure the ranks of Unseelie will just let us waltz right through.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
In my own worst seasons I've come back from the colorless world of despair by forcing myself to look hard, for a long time, at a single glorious thing: a flame of red geranium outside my bedroom window. And then another: my daughter in a yellow dress. And another: the perfect outline of a full, dark sphere behind the crescent moon. Until I learned to be in love with my life again. Like a stroke victim retraining new parts of the brain to grasp lost skills, I have taught myself joy, over and over again(15).
Barbara Kingsolver (High Tide in Tucson : Essays from Now or Never)
It was like one of those moments when people talked about their lives flashing before their eyes. Because as we stared at one another, every part of our relationship replayed in my mind's eye. I remembered how strong and invincible he'd been when we first met, when he'd come to bring Lissa and me back to the folds of Moroi society. I remembered the gentleness of his touch when he'd bandaged my bloodied and battered hands. I remembered him carrying me in his arms after Victor's daughter Natalie had attacked me. Most of all, I remembered the night we'd been together in the cabin, just before the Strigoi had taken him. A year. We'd known each other only a year, but we'd lived a lifetime in it.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
When my daughter was a toddler, I used to take her to a park not far from our apartment. One day as she was playing in a sandbox, an ice-cream salesman approached us. I purchased her a treat, and when I turned to give it to her, I saw her mouth was full of sand. Where I had intended to put a delicacy, she had put dirt. Did I love her with dirt in her mouth? Absolutely. Was she any less of my daughter with dirt in her mouth? Of course not. Was I going to allow her to keep the dirt in her mouth? No way. I loved her right where she was, but I refused to leave her there. I carried her over to the water fountain and washed out her mouth. Why? Because I love her. God does the same for us. He holds us over the fountain. "Spit out the dirt, honey," our Father urges. "I've got something better for you." And so he cleanses us of filth; immorality, dishonesty, prejudice, bitterness, greed. We don't enjoy the cleansing; sometimes we even opt for the dirt over the ice cream. "I can eat dirt if I want to!" we pout and proclaim. Which is true—we can. But if we do, the loss is ours. God has a better offer.
Max Lucado (Just Like Jesus)
The charitable say in effect, 'I seem to have more than I need and you seem to have less than you need. I would like to share my excess with you.' Fine, if my excess is tangible, money or goods, and fine if not, for I learned that to be charitable with gestures and words can bring enormous joy and repair injured feelings.
Maya Angelou (Letter to My Daughter)
The streets of Prague were a fantasia scarcely touched by the twenty-first century—or the twentieth or nineteenth, for that matter. It was a city of alchemists and dreamers, its medieval cobbles once trod by golems, mystics, invading armies. Tall houses glowed goldenrod and carmine and eggshell blue, embellished with Rococo plasterwork and capped in roofs of uniform red. Baroque cupolas were the soft green of antique copper, and Gothic steeples stood ready to impale fallen angels. The wind carried the memory of magic, revolution, violins, and the cobbled lanes meandered like creeks. Thugs wore Motzart wigs and pushed chamber music on street corners, and marionettes hung in windows, making the whole city seem like a theater with unseen puppeteers crouched behind velvet.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
He dropped the pretense, and dropped his head, so his brow came to rest against the sun-warmed top of hers. His arms went around her and drew her in, and Karou and Akiva were like two matches struck against each other to flare starlight. With a sigh, she softened, and it was pure homecoming to melt against him and rest.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
I figured you should have something both beautiful and functional, like you." He said it so quickly that it almost didn't register. I whipped my head around to look at him. "Max," I breathed, touching my heart with exaggerated awe, "you think I'm functional?" A dancing smile glinted in his eyes. "I think," he said, "that you are breathtakingly functional.
Carissa Broadbent (Daughter of No Worlds (The War of Lost Hearts, #1))
There will be other lives. There will be other lives for nervous boys with sweaty palms, for bittersweet fumblings in the backseats of cars, for caps and gowns in royal blue and crimson, for mothers clasping pretty pearl necklaces around daughters' unlined necks, for your full name read aloud in an auditorium, for brand-new suitcases transporting you to strange new people in strange new lands. And there will be other lives for unpaid debts, for one-night stands, for Prague and Paris, for painful shoes with pointy toes, for indecision and revisions. And there will be other lives for fathers walking daughters down aisles. And there will be other lives for sweet babies with skin like milk. And there will be other lives for a man you don't recognize, for a face in a mirror that is no longer yours, for the funerals of intimates, for shrinking, for teeth that fall out, for hair on your chin, for forgetting everything. Everything. Oh, there are so many lives. How we wish we could live them concurrently instead of one by one by one. We could select the best pieces of each, stringing them together like a strand of pearls. But that's not how it works. A human's life is a beautiful mess.
Gabrielle Zevin (Elsewhere)
We’re playing Three Wishes,” she told her friend. “Cake, hot bath, soft bed. How about you?” “World peace,” said Karou. Zuzana rolled her eyes. “Yes, Saint Karou.” “Cure for cancer,” Karou went on. “And unicorns for all.” “Bluh. Nothing ruins Three Wishes like altruism. It has to be something for yourself, and if it doesn’t include food, it’s a lie.” “I did include food. I said unicorns, didn’t I?” “Mmm. You’re craving unicorn, are you?” Zuzana’s brow furrowed. “Wait. Do they have those here?” “Alas, no.” “They did,” said Mik. “But Karou ate them all.” “I am a voracious unicorn predator.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
You are doing God's work. You are doing it wonderfully well. He is blessing you, and He will bless you, --even--no, -especially--when your days and your nights may be most challenging. Like the woman who anonymously, meekly, perhaps even with hesitation and some embarrassment, fought her way through the crowd just to touch the hem of the Master's garment, so Christ will say to the women who worry and wonder and weep over their responsibility as mothers, `Daughter, be of good comfort; thy faith hath made thee whole.' And it will make your children whole as well.
Jeffrey R. Holland
...I've made it my business to observe fathers and daughters. And I've seen some incredible, beautiful things. Like the little girl who's not very cute - her teeth are funny, and her hair doesn't grow right, and she's got on thick glasses - but her father holds her hand and walks with her like she's a tiny angel that no one can touch. He gives her the best gift a woman can get in this world: protection. And the little girl learns to trust the man in her life. And all the things that the world expects from women - to be beautiful, to soothe the troubled spirit, heal the sick, care for the dying, send the greeting card, bake the cake - allof those things become the way we pay the father back for protecting us...
Adriana Trigiani (Big Stone Gap (Big Stone Gap, #1))
The nurse whirled and fixed him with a gimlet eye. “You—” she began, then threw her hands up. “Go get ready, idiot. You’ve been hovering at the door like a lost puppy all day. Tell the prince we’ll be leaving as soon as Miss Chase is ready. Now, get.” Puck retreated, grinning, and the nurse sighed. “Those two,” she muttered. “They’re either best friends or darkest enemies, I can’t tell which. Come with me, Miss Chase.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
Percy pulled Annabeth close and kissed her... long enough for it to get really awkward for Piper, though she said nothing. She thought about the old rule of Aphrodite's cabin: that to be recognized as a daughter of the love goddess, you had to break someone's heart. Piper had long ago decided to change that rule. Percy and Annabeth were a perfect example of why. You should have to make someone's heart whole. That was a much better test. When Percy pulled away, Annabeth looked like a fish gasping for air. 'The Rivalry end here,' Percy said. 'I love you, Wise Girl.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
I only hope that one day I can frighten my daughter this much. Right now, she's not scared of my husband or me at all. I think it's a problem. I was a freshman home from college the first time my dad said, "You're going out at ten p.m.? I don't think so," and I just laughed and said, "It's fine." I feel like my daughter will be doing that to me by age six. How can I give her what Don Fey gave me? The gift of anxiety. The fear of getting in trouble. The knowledge that while you are loved, you are not above the law. The Worldwide Parental Anxiety System is failing if this many of us have made sex tapes.
Tina Fey (Bossypants)
It looks as though your shop is doing well," Luka said gazing around, "Could you help me find a gift for a lady friend of mine?" My heart plunged to my grenn satin slippers, and I had to stare down at Azarte for a minute, petting him hard. Naturally Luka had a "lady friend." She was probably nobly born: the daughter of a count or a duke. I imagined her having thick dark hair and clear skin, and was bitterly jealous. "Of course," I stammered after a time. "What would she like? A gown? A sash?" If she came in for a fitting, I decided to "accidentlly" poke her with every pin.
Jessica Day George
She reached out and touched the bright colors of the cashmere scarf, her face filled with wonder as much as shock. "This . . .this is Ibrahim's scarf . . .it's a family heirloom. . . " "No, it belongs to this mobster guy named Abe. . . [...] "Mom," I said disbelievingly. "You know Abe." "Yes, Rose. I know him." "Please don't tell me. . ." Oh, man. Why couldn't I have been an illegitimate half-royal like Robert Doru? Or even the mail-man's daughter? "Please don't tell me Abe is my father. . . . " She didn't have to tell me. It was all over her face. "Oh God, " I said. "I'm Zmey's daughter. Zmey Junior. Zmeyette, even." That got her attention. She looked up at me. "What on earth are you talking about?" "Nothing," I said.
Richelle Mead (Blood Promise (Vampire Academy, #4))
Dear Child, Sometimes on your travel through hell, you meet people that think they are in heaven because of their cleverness and ability to get away with things. Travel past them because they don't understand who they have become and never will. These type of people feel justified in revenge and will never learn mercy or forgiveness because they live by comparison. They are the people that don't care about anyone, other than who is making them feel confident. They don’t understand that their deity is not rejoicing with them because of their actions, rather he is trying to free them from their insecurities, by softening their heart. They rather put out your light than find their own. They don't have the ability to see beyond the false sense of happiness they get from destroying others. You know what happiness is and it isn’t this. Don’t see their success as their deliverance. It is a mask of vindication which has no audience, other than their own kind. They have joined countless others that call themselves “survivors”. They believe that they are entitled to win because life didn’t go as planned for them. You are not like them. You were not meant to stay in hell and follow their belief system. You were bound for greatness. You were born to help them by leading. Rise up and be the light home. You were given the gift to see the truth. They will have an army of people that are like them and you are going to feel alone. However, your family in heaven stands beside you now. They are your strength and as countless as the stars. It is time to let go! Love, Your Guardian Angel
Shannon L. Alder
I closed my eyes instead. And Puck kissed me. “If you are going to do that, would you mind not jostling the bed so much?” came a sarcastic voice near the headboard. “Perhaps you could roll around on the floor.” Blushing furiously, I looked up. Grimalkin lay on the pillow, watching us with a bemused, half-lidded stare. Puck followed my gaze and let out an explosive sigh. “Did I ever mention how much I hate cats?” “Do not blame me, Goodfellow.” Grimalkin blinked, managing to sound bored and indignant at the same time. “I was minding my own business long before you and the princess started humping like rabbits.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
Another night then,' Mom said. 'Maybe on the weekend we can have a barbecue and invite your sister.' 'Or,' I said turning to Rafe, 'if you want to skip the whole awkward meet-the-family social event you could just submit your life story including your view on politics religion and every social issue imaginable along with anything else you think they might need to conduct a thorough background check.' Mom sighed. 'I really don't know why we even bother trying to be subtle around you.' 'Neither do I. It's not like he isn't going to realize he's being vetted as daughter-dating material.' Rafe grinned. 'So we are dating.' 'No. You have to pass the parental exam first. It'll take you awhile to compile the data. They'd like it in triplicate.' I turned to my parents. 'We have Kenjii. We have my cell phone. Since we aren't yet officially dating I'm sure you'll agree that's all the protection we need.' Dad choked on his coffee.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
Puck threw Ash a mocking smile. “You look like crap, Prince. Did you miss me?” Ash frowned, stabbing a faery that was clawing at his feet. “What are you doing here, Goodfellow?” he asked coldly, which only caused Puck’s grin to widen. “Rescuing the princess from the Winter Court, of course.” Puck looked down as the wire-fey piled on the squealing boar, ripping and slicing. It exploded into a pile of leaves, and they skittered back in confusion. “Though it appears I’m saving your sorry ass, as well.” “I could’ve handled it.” “Oh, I’m sure.” Puck brandished a pair of curved daggers, the blades clear as glass. His grin turned predatory. “Well, then, shall we get on with it? Try to keep up, Your Highness.” “Just stay out of my way.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
In My Daughter's Eyes Lyrics In my daughter's eyes I am a hero I am strong and wise and I know no fear But the truth is plain to see She was sent to rescue me I see who I want to be In my daughter's eyes In my daughter's eyes Everyone is equal Darkness turns to light And the world is at peace This miracle God gave to me Gives me strength when I'm weak I find reason to believe In my daughter's eyes And when she wraps her hand around my finger Oh it puts a smile in my heart Everything becomes a little clearer I realize what life is all about It's hangin' on when your heart Is had enough It's givin' more when you feel like givin' up I've seen the light It's in my daughter's eyes In my daughter's eyes I can see the future A reflection of who I am And what we'll be And though she'll grow and someday leave Maybe raise a family When I'm gone I hope you'll see How happy she made me For I'll be there In my daughter's eyes
Martina McBride
An oncology ward is a battlefield, and there are definite hierarchies of command. The patients, they're the ones doing the tour of duty. The doctors breeze in and out like conquering heroes, but they need to read your child's chart to remember where they've left off from the previous visit. It is the nurses who are the seasoned sergeants -- the ones who are there when your baby is shaking with such a high fever she needs to be bathed in ice, the ones who can teach you how to flush a central venous catheter, or suggest which patient floor might still have Popsicles left to be stolen, or tell you which dry cleaners know how to remove the stains of blood and chemotherapies from clothing. The nurses know the name of your daughter's stuffed walrus and show her how to make tissue paper flowers to twine around her IV stand. The doctors may be mapping out the war games, but it is the nurses who make the conflict bearable.
Jodi Picoult (My Sister’s Keeper)
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.” “Yeah?” I leaned my forehead against his chest. “What about you?” “Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her. “Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.” “Ouch,” I said with a light laugh. “Sounds painful.” “Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—” “—and Chubs makes fun of you for it,” I added. “Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—” “—but who’s the coolest little girl on the planet,” I manage to squeeze out.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Galen Werner, you may choose one of my daughters to be your bride, and when I die, you shall sit beside her as co-ruler of Westfallin." "Your Majesty.... I - I don't know - " Rose felt her knees shaking. Did he not love her after all? "Psst, Galen?" Pansy tugged on his arm. Galen leaned down. "If Rose doesn't want you," the little girl whispered loudly, "you can marry me." Galen laughed shakily. "Thanks, Pansy." "Oh, Rose! Don't just stand there like a lump," Poppy said, poking her in the back. "If he's too embarrased, you should be the one to say something." "Poppy!" Daisy looked scandalized. "It's not Rose's place to - " Under cover of their squabbling, Rose took Galen's hand and moved closer to him. "Do you want to marry me?" she whispered in a much quieter tone than Pansy had used. "Yes," he said. "If neither of you is going to speak up," King Gregor said, "I shall simply have to decide it for myself!" "Father," Rose protested, "that won't be necessary!" "I choose Rose," Galen blurted out at the same time. "There. Done. Easy." King Gregor clapped his hands.
Jessica Day George (Princess of the Midnight Ball (The Princesses of Westfalin Trilogy, #1))
He is your Father, and His role is to protect you; He will comfort you and guide you. He will feed you; He will carry you when you are weak. He will seek you out when you go astray; He will help you in times of trouble. He will not let your enemies go unpunished; He will cherish you like a father cherishes his daughter. When you fall, He will pick you up; when you don’t understand, He will always understand. When you feel like life is weighing you down, He will lift you up. When you feel like giving up, He will encourage you to keep going. When you are sad, He will lighten your spirits. When you need advice, His line is open 24-7. When you feel unsafe, He will be your safety; when you are worried, He will be an ear to your concerns. When you feel burdened, offer your burden to Him and He will take it. Where you have been burnt, He will make you beautiful; where you hurt, He will heal. Whenever you feel lonely, He will always be with you. Where others have not supported you, He will support you. When you feel discouraged, He will be your encouragement. Where you don’t know, He will tell you when the time is right. When you feel unloved, remember that He has always loved you. You see limitations; God sees opportunities. You see faults; God sees growth. You see problems; God sees solutions. You see limitations; God sees possibilities. You see life; God sees eternity.
Corallie Buchanan (Watch Out! Godly Women on the Loose)
Then the best thing I can do is—" He froze. The brown eyes that had been narrowed with aggravation suddenly went wide with...what? Amazement? Awe? Or perhaps that stunned feeling I kept having when I saw him? Because suddenly, I was pretty sure he was experiencing the same thing I had earlier. He'd seen me plenty of times in Siberia. He'd seen me just the other night at the warehouse. But now...now he was truly viewing me with his own eyes. Now that he was no longer Strigoi, his whole world was different. His outlook and feelings were different. Even his soul was different. It was like one of those moments when people talked about their lives flashing before their eyes. Because as we stared at one another, every part of our relationship replayed in my mind's eye. I remembered how strong and invincible he'd been when we first met, when he'd come to bring Lissa and me back to the folds of Moroi society. I remembered the gentleness of his touch when he's bandaged my bloodies and bettered hands. I remembered him carrying me in his arms after Victor's daughter Natalie had attacked me. Most of all, I remembered the night we'd been together in the cabin, just before the Strigoi had taken him. A year. We'd known each other only a year but we'd lived a lifetime in it. And he was realizing that too, I knew as he studied me. His gaze was all-powerful, taking in every single one of my features and filing them away. Dimly, I tried to recall what I looked like today. I still wore the dress from the secret meeting and knew it looked good on me. My eyes were probably bloodshot from crying earlier, and I'd only had time for a quick brushing of my hair before heading off with Adrian. Somehow, I doubted any of it mattered. The way Dimitri was looking at me...it confirmed everything I'd suspected. The feelings he'd had for me before he'd been turned-the feelings that had become twisted while a Strigoi—were all still there. They had to be. Maybe Lissa was his savior. Maybe the rest of the Court thought she was a goddess. I knew, right then, that no matter how bedraggled I looked or how blank he tried to keep his face, I was a goddess to him.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
Ego Tripping I was born in the congo I walked to the fertile crescent and built the sphinx I designed a pyramid so tough that a star that only glows every one hundred years falls into the center giving divine perfect light I am bad I sat on the throne drinking nectar with allah I got hot and sent an ice age to europe to cool my thirst My oldest daughter is nefertiti the tears from my birth pains created the nile I am a beautiful woman I gazed on the forest and burned out the sahara desert with a packet of goat's meat and a change of clothes I crossed it in two hours I am a gazelle so swift so swift you can't catch me For a birthday present when he was three I gave my son hannibal an elephant He gave me rome for mother's day My strength flows ever on My son noah built new/ark and I stood proudly at the helm as we sailed on a soft summer day I turned myself into myself and was jesus men intone my loving name All praises All praises I am the one who would save I sowed diamonds in my back yard My bowels deliver uranium the filings from my fingernails are semi-precious jewels On a trip north I caught a cold and blew My nose giving oil to the arab world I am so hip even my errors are correct I sailed west to reach east and had to round off the earth as I went The hair from my head thinned and gold was laid across three continents I am so perfect so divine so ethereal so surreal I cannot be comprehended except by my permission I mean...I...can fly like a bird in the sky...
Nikki Giovanni
When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate. Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader. That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations. Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies? Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge. The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.
China Miéville
War seems like a fine adventure, the greatest most of them will ever know. Then they get a taste of battle. For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they’ve been gutted by an axe. They see the lord who led them there cut down, and some other lord shouts that they are his now, They take the wound, and when that’s still half-healed they take another. There is never enough to eat, their shoes fall to pieces from marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. If they want new boots or a warmer cloak or maybe a rusted iron half helm, they need to take them from a corpse, and before long they are stealing from the living too, from the small folk whose land they’re fighting in, men very like the men they used to be. They slaughter their sheep and steal their chickens, and from there it’s just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don’t know where they are or how to get back home and the lord they’re fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad in all steel, and the iron thunder of their charge seems to fill the world. And the man breaks.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Hinder me? Thou fool. No living man may hinder me!" Then Merry heard in all sounds of the hour the strangest. It seemed that Dernhelm laughed, and the clear voice was like the ring of steel. "But no living man am I! You are looking upon a woman. Eowyn am I, Eomund's daughter. You stand between me and my lord and kin. Begone, if you be not deathless! For living or dark undead, I will smite you, if you touch him." The winged creature screamed at her, but then the Ringwraith was silent, as if in sudden doubt. Very amazement for a moment conquered Merry's fear. He opened his eyes and the blackness was lifted from them. There some paces from him sat the great beast, and all seemed dark about it, and above it loomed the Nazgul Lord like a shadow of despair. A little to the left facing them stood whom he had called Dernhelm. But the helm of her secrecy had fallen from her, and and her bright hair, released from its bonds, gleamed with pale gold upon her shoulders. Her eyes grey as the sea were hard and fell, and yet tears gleamed in them. A sword was in her hand, and she raised her shield against the horror of her enemy's eyes.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
Betrayal is too kind a word to describe a situation in which a father says he loves his daughter but claims he must teach her about the horrors of the world in order to make her a stronger person; a situation in which he watches or participates in rituals that make her feel like she is going to die. She experiences pain that is so intense that she cannot think; her head spins so fast she can't remember who she is or how she got there. All she knows is pain. All she feels is desperation. She tries to cry out for help, but soon learns that no one will listen. No matter how loud she cries, she can't stop or change what is happening. No matter what she does, the pain will not stop. Her father orders her to be tortured and tells her it is for her own good. He tells her that she needs the discipline, or that she has asked for it by her misbehavior. Betrayal is too simple a word to describe the overwhelming pain, the overwhelming loneliness and isolation this child experiences. As if the abuse during the rituals were not enough, this child experiences similar abuse at home on a daily basis. When she tries to talk about her pain, she is told that she must be crazy. "Nothing bad has happened to you;' her family tells her Each day she begins to feel more and more like she doesn't know what is real. She stops trusting her own feelings because no one else acknowledges them or hears her agony. Soon the pain becomes too great. She learns not to feel at all. This strong, lonely, desperate child learns to give up the senses that make all people feel alive. She begins to feel dead. She wishes she were dead. For her there is no way out. She soon learns there is no hope. As she grows older she gets stronger. She learns to do what she is told with the utmost compliance. She forgets everything she has ever wanted. The pain still lurks, but it's easier to pretend it's not there than to acknowledge the horrors she has buried in the deepest parts of her mind. Her relationships are overwhelmed by the power of her emotions. She reaches out for help, but never seems to find what she is looking for The pain gets worse. The loneliness sets in. When the feelings return, she is overcome with panic, pain, and desperation. She is convinced she is going to die. Yet, when she looks around her she sees nothing that should make her feel so bad. Deep inside she knows something is very, very wrong, but she doesn't remember anything. She thinks, "Maybe I am crazy.
Margaret Smith (Ritual Abuse: What It Is, Why It Happens, and How to Help)
love. she liberated me to life, she continued to do that. and when she was in her final sickness i went out to san francisco and the doctor said she had 3 weeks to live, i asked her "would you come to north carolina?" she said yes. she had emphysema and lung cancer, i brought her to my home. she lived for a year and a half ..and when she was finally in extemis, she was on oxygen and fighting cancer for her life and i remembered her liberating me, and i said i hoped i would be able to liberate her, she deserved that from me. she deserved a great daughter and she got one. so in her last days, i said "i understand some people need permission to go… as i understand it you may have done what god put you here to do. you were a great worker, you must've been a great lover cause a lot of men and if I'm not wrong maybe a couple of woman risked their lives to love you. you were a piss poor mother of small children but a you were great mother of young adults, and if you need permission to go, i liberate you". and i went back to my house, and something said go back- i was in my pajamas, i jumped in my car and ran and the nurse said "she just gone". you see love liberates. it doesn't bind, love says i love you. i love you if you're in china, i love you if you're across town, i love you if you're in harlem, i love you. i would like to be near you, i would like to have your arms around me i would like to have your voice in my ear but thats not possible now, i love you so go. love liberates it doesn't hold. thats ego. love liberates.
Maya Angelou
Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
Gerard Nolst Trenité (Drop your Foreign Accent)
Once upon a time, before chimaera and seraphim, there was the sun and the moons. The sun was betrothed to Nitid, the bright sister, but it was demure Ellai, always hiding behind her bold sister, who stirred his lust. He contrived upon her bathing in the sea and he took her. She struggled, but he was the sun, and he thought he should have what he wanted. Ellai stabbed him and escaped, and the blood of the sun flew like sparks to earth, where it became seraphim- misbegotten children of fire. And like their father, they believed it their due to want, and take, and have. As for Ellai, she told her sister what had passed, and Nitid wept, and her tears fell to earth and became chimeara, children of regret. When the sun came again to the sisters, neither would have him. Nitid put Ellai behind her and protected her, though the sun, still bleeding sparks, knew Ellai was not as defenseless as she seemed. He plead with Nitid to forgive him but she refused, and to this day he follows the sisters across the sky, wanting and wanting and never having, and that will be his punishment, forever. Nitid is the goddess of tears and life, hunts and war, and her temples are too many to count. It is she who fills wombs, slows the hearts of the dying, and leads her children against the serephim. Her light is like a small sun; she chases away shadows. Ellai is more subtle. She is a trace, a phantom moon, and there are only a handful of nights she alone takes the sky. There are called Ellai nights, and they are dark and star-scattered and good for furtive things. Ellai is the goddes of assassins and secret lovers. Temples to her are few, and hidden, like the one in the requiem grove in the hills above Loramendi.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
It had been June, the bright hot summer of 1937, and with the curtains thrown back the bedroom had been full of sunlight, sunlight and her and Will's children, their grandchildren, their nieces and nephews- Cecy's blue eyed boys, tall and handsome, and Gideon and Sophie's two girls- and those who were as close as family: Charlotte, white- haired and upright, and the Fairchild sons and daughters with their curling red hair like Henry's had once been. The children had spoken fondly of the way he had always loved their mother, fiercely and devotedly, the way he had never had eyes for anyone else, and how their parents had set the model for the sort of love they hoped to find in their own lives. They spoke of his regard for books, and how he had taught them all to love them too, to respect the printed page and cherish the stories that those pages held. They spoke of the way he still cursed in Welsh when he dropped something, though he rarely used the language otherwise, and of the fact that though his prose was excellent- he had written several histories of the Shadowhunters when he's retired that had been very well respected- his poetry had always been awful, though that never stopped him from reciting it. Their oldest child, James, had spoken laughingly about Will's unrelenting fear of ducks and his continual battle to keep them out of the pond at the family home in Yorkshire. Their grandchildren had reminded him of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie. With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well- and Will, though too tired to laugh, had smiled at his sister and squeezed her hand. They had all laughed about his habit of taking Tessa on romantic "holidays" to places from Gothic novels, including the hideous moor where someone had died, a drafty castle with a ghost in it, and of course the square in Paris in which he had decided Sydney Carton had been guillotined, where Will had horrified passerby by shouting "I can see the blood on the cobblestones!" in French.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
First came bright Spirits, not the Spirits of men, who danced and scattered flowers. Then, on the left and right, at each side of the forest avenue, came youthful shapes, boys upon one hand, and girls upon the other. If I could remember their singing and write down the notes, no man who read that score would ever grow sick or old. Between them went musicians: and after these a lady in whose honour all this was being done. I cannot now remember whether she was naked or clothed. If she were naked, then it must have been the almost visible penumbra of her courtesy and joy which produces in my memory the illusion of a great and shining train that followed her across the happy grass. If she were clothed, then the illusion of nakedness is doubtless due to the clarity with which her inmost spirit shone through the clothes. For clothes in that country are not a disguise: the spiritual body lives along each thread and turns them into living organs. A robe or a crown is there as much one of the wearer's features as a lip or an eye. But I have forgotten. And only partly do I remember the unbearable beauty of her face. “Is it?...is it?” I whispered to my guide. “Not at all,” said he. “It's someone ye'll never have heard of. Her name on earth was Sarah Smith and she lived at Golders Green.” “She seems to be...well, a person of particular importance?” “Aye. She is one of the great ones. Ye have heard that fame in this country and fame on Earth are two quite different things.” “And who are these gigantic people...look! They're like emeralds...who are dancing and throwing flowers before here?” “Haven't ye read your Milton? A thousand liveried angels lackey her.” “And who are all these young men and women on each side?” “They are her sons and daughters.” “She must have had a very large family, Sir.” “Every young man or boy that met her became her son – even if it was only the boy that brought the meat to her back door. Every girl that met her was her daughter.” “Isn't that a bit hard on their own parents?” “No. There are those that steal other people's children. But her motherhood was of a different kind. Those on whom it fell went back to their natural parents loving them more. Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.” “And how...but hullo! What are all these animals? A cat-two cats-dozens of cats. And all those dogs...why, I can't count them. And the birds. And the horses.” “They are her beasts.” “Did she keep a sort of zoo? I mean, this is a bit too much.” “Every beast and bird that came near her had its place in her love. In her they became themselves. And now the abundance of life she has in Christ from the Father flows over into them.” I looked at my Teacher in amazement. “Yes,” he said. “It is like when you throw a stone into a pool, and the concentric waves spread out further and further. Who knows where it will end? Redeemed humanity is still young, it has hardly come to its full strength. But already there is joy enough int the little finger of a great saint such as yonder lady to waken all the dead things of the universe into life.
C.S. Lewis (The Great Divorce)
A man worth being with is one… That never lies to you Is kind to people that have hurt him A person that respects another’s life That has manners and shows people respect That goes out of his way to help people That feels every person, no matter how difficult, deserves compassion Who believes you are the most beautiful person he has ever met Who brags about your accomplishments with pride Who talks to you about anything and everything because no bad news will make him love you less That is a peacemaker That will see you through illness Who keeps his promises Who doesn’t blame others, but finds the good in them That raises you up and motivates you to reach for the stars That doesn’t need fame, money or anything materialistic to be happy That is gentle and patient with children Who won’t let you lie to yourself; he tells you what you need to hear, in order to help you grow Who lives what he says he believes in Who doesn’t hold a grudge or hold onto the past Who doesn’t ask his family members to deliberately hurt people that have hurt him Who will run with your dreams That makes you laugh at the world and yourself Who forgives and is quick to apologize Who doesn’t betray you by having inappropriate conversations with other women Who doesn’t react when he is angry, decides when he is sad or keep promises he doesn’t plan to keep Who takes his children’s spiritual life very seriously and teaches by example Who never seeks revenge or would ever put another person down Who communicates to solve problems Who doesn’t play games or passive aggressively ignores people to hurt them Who is real and doesn’t pretend to be something he is not Who has the power to free you from yourself through his positive outlook Who has a deep respect for women and treats them like a daughter of God Who doesn’t have an ego or believes he is better than anyone Who is labeled constantly by people as the nicest person they have ever met Who works hard to provide for the family Who doesn’t feel the need to drink alcohol to have a good time, smoke or do drugs Who doesn't have to hang out a bar with his friends, but would rather spend his time with his family Who is morally free from sin Who sees your potential to be great Who doesn't think a woman's place has to be in the home; he supports your life mission, where ever that takes you Who is a gentleman Who is honest and lives with integrity Who never discusses your private business with anyone Who will protect his family Who forgives, forgets, repairs and restores When you find a man that possesses these traits then all the little things you don’t have in common don’t matter. This is the type of man worth being grateful for.
Shannon L. Alder
is a broken man an outlaw?" "More or less." Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world... "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well
George R.R. Martin