Lighter Thief Quotes

For, by the disaster of his charity, God plays out at last the Game that began with the dawn of history. In the Garden of Eden - in the paradise of pleasure - where God laid out his court and first served the hint of meaning to humankind - Adam strove with God over the tree of the knowledge of good and evil. But God does not accept thrown-down racquets. He refuses, at any cost, to take seriously, our declination of the game; if Adam will not have God's rules, God will play by Adam's. In another and darker garden he accepts the tree of our choosing, and with nails through his hands and feet he volleys back meaning for unmeaning. As the darkness descends, at the last foul drive of a desperate day, he turns to the thief on the right and brings off the dazzling backhand return that fetches history home in triumph: Today shalt thou be with me in Paradise. God has Gardens to give away! He has cities to spare! He has history he hasn't even used! The last of all the mercies is that God is lighter than we are, that in the heart of the Passion lies the divine mirth, and that even in the cities of our exile he still calls to Adam only to catch the Glory, to offer the world, and return the service that shapes the City of God.

Nostromo is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the Typhoon volume of short stories. I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life. And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible. What, however, did cause me some concern was that after finishing the last story of the Typhoon volume it seemed somehow that there was nothing more in the world to write about. This so strangely negative but disturbing mood lasted some little time; and then, as with many of my longer stories, the first hint for Nostromo came to me in the shape of a vagrant anecdote completely destitute of valuable details. As a matter of fact in 1875 or ’6, when very young, in the West Indies or rather in the Gulf of Mexico, for my contacts with land were short, few, and fleeting, I heard the story of some man who was supposed to have stolen single-handed a whole lighter-full of silver, somewhere on the Tierra Firme seaboard during the troubles of a revolution. On the face of it this was something of a feat. But I heard no details, and having no particular interest in crime qua crime I was not likely to keep that one in my mind. And I forgot it till twenty-six or seven years afterwards I came upon the very thing in a shabby volume picked up outside a second-hand book-shop. It was the life story of an American seaman written by himself with the assistance of a journalist. In the course of his wanderings that American sailor worked for some months on board a schooner, the master and owner of which was the thief of whom I had heard in my very young days. I have no doubt of that because there could hardly have been two exploits of that peculiar kind in the same part of the world and both connected with a South American revolution.

Here the clouds constantly adjusted like obedient phantoms, so that shadows never lengthened or shortened. At any point in space, Limbo never became any darker or lighter than the moment before.

The single eye of his machine collects the event: this fragile body, which, shed of clothes, is now like a dark sapling whipped about in the wind. The tire is flung around the boy. He is losing consciousness but revives with sudden panic when he is doused with petrol. From the distance, two traffic officers, the ones they call Yellow Fever, watch. The splashing liquid is lighter than water, it is fragrant, it drips off him, beads in his woolly hair. He glistens. The begging stops. He stops begging and he is not yet lit. The whites of his eyes are bright as lamps. And then only the last thing, which is soon supplied. The fire catches with a loud gust, and the crowd gasps and inches back. The boy dances furiously but, hemmed down by the tire, quickly goes prone, and still. The most vivid moment in the fire’s life passes, and its color dulls and fizzes out. The crowd, chattering and sighing, momentarily sated, melts away. The man with the digicam lowers his machine. He, too, disappears. Traffic quickly reconstitutes around the charred pile. The air smells of rubber, meat, and exhaust.

I knew exactly what was going on, but I unfortunately didn't have a firearm. (Adam have most likely offered someone 6000 Euros, to end this all, then and there. Tomas. 10%) Only a mini baseball bat. A Louisville Slugger. And Martina’s weapon of choice: a broom. The witches’ vehicle. Before I could tell him to go to Hell, a neighbor exited the building and let the stranger claiming to be from the gas company inside. Now the stranger dressed in black was running up the 94 stairs. I could hear his footsteps approaching. I didn't have time to react, grab the biggest knife from the kitchen, and stand by my entrance door. He was already upstairs, right outside my apartment door. He began knocking loudly and aggressively, whether with his metal ring or a lighter. I looked through the peephole, but he had covered it with a black folder, which I soon realized was an iPad. Covering his face. Covering my eyes. The same speech repeated played through the iPad, ensuring that I wouldn't recognize his voice and open the door. „I am from the gas company, looking for Tomas Adam Nyapi.” He kept playing in a prerecorded voice on the iPad outside my door, "Open up", "It's the gas company", and "We are looking for Tomas Adam Nyapi." I was trying to pay attention and make sense of it all, trying to figure out who it could be. But the Catalan girl couldn't keep quiet and yelled at the person in Spanish with her strong Catalan accent, after a minute or two: "Who are you and what do you want? Go away before I call the police!" Suddenly, the stranger began sprinting down the 94 stairs upon realizing that I wasn't alone. In case the reason for his visit wasn't clear enough. He was running so fast that he nearly stumbled, clearly determined to prevent me from catching up with him. I swung open my door and peered down the stairwell, straining my eyes to discern his identity, but the darkness obscured any details in the vertical tunnel below. By the time he reached the bottom of the stairs, I hurried to my loggia to catch a glimpse of him. He was tall and thin, with long legs, and his strides were hurried and distinct, unlike anyone else. Deep inside, I knew it was Mario Larese. Mister Twister. I recognized his movements, but it wasn't until 2023 that I had concrete confirmation. An evidence orgy. Mario had been sent to either spy on me or seek revenge for my closure of the club, with him being responsible for triggering the landslide, the avalanche. The mafia had dispatched Mario to finish what he/they had started. With Adam and the rest of them. Mario. Adam. Nico. Ferran. „The Beatles.” „Plus Yoko.” The Nazi junkies had sent him to deliver the final blow, the fatal shot, the kill. It was Mario who was accountable - the thief, the liar, the "Romanian gypsy." To deliver „The Final Solution”, to sever ties. And keep that 60,000 as well of course. Shortly after the stranger (Mario) had left our address Martina called me on the phone.