Life On Mars Quotes

We've searched our database for all the quotes and captions related to Life On Mars. Here they are! All 100 of them:

Life is only precious because it ends, kid. Take it from a god. You mortals don't know how lucky you are
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
His talent was as natural as the pattern that was made by the dust on a butterfly's wings. At one time he understood it no more than the butterfly did and he did not know when it was brushed or marred. Later he became conscious of his damaged wings and of their construction and he learned to think and could not fly any more because the love of flight was gone and he could only remember when it had been effortless.
Ernest Hemingway
Life goes on. Get over it. You're still young. It'll get better. Blah, Blah, Blah
David Levithan (Marly's Ghost)
I don’t want my thoughts to die with me, I want to have done something. I’m not interested in power, or piles of money. I want to leave something behind. I want to make a positive contribution - know that my life has meaning.
Temple Grandin
There's always someone who cares. Someone whose life would simply stop. You just don't know it yet, or you haven't found them yet.
Fuyumi Soryo
If we are to feel the positive feelings of love, happiness, trust, and gratitude, we periodically also have to feel anger, sadness, fear, and sorrow.
John Gray (Men Are from Mars, Women Are from Venus)
It's a noir world. Unfair things happen.
Rob Thomas
Love is always ready to deny itself, to give, sacrifice, just in the measure of its sincerity and intensity. Perfect love is perfect self-forgetfulness. Hence where there is love in a home, unselfishness is the law. Each forgets self and lives for others. But where there is selfishness it mars joy. One selfish soul will destroy the sweetness of life in any home. It is like an ugly bush in the midst of a garden of flowers. It was selfishness that destroyed the first home and blighted all the loveliness of Paradise; and it has been blighting lovely things in earth's home ever since. We need to guard against this spirit.
J.R. Miller
Why is there no life on Mars?” Scott paused. “Because Jason Steed went there.
Mark A. Cooper (Nautilus (Jason Steed #6))
everything/ that ever was still is, somewhere
Tracy K. Smith (Life on Mars: Poems)
I’m totally calm. I would just like to know who marred your skin so that I can put a name and face to the creature I’m going to kill very slowly.” “I think we might have different definitions of calm,” I said wryly. “I’ve never been calmer in my life.
Jennifer L. Armentrout (Every Last Breath (The Dark Elements, #3))
And for about the millionth time in her life she felt an overwhelming gratitude for her best friend. Because she knew he wouldn't mention this afterward; she knew he wouldn't take it as a sign that she was losing her nerve or was in too deep. There weren't many people in this world who would let you be vulnerable and still believe you were strong.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
Advice for a human. 90. But know this. Men are not from Mars. Women are not from Venus. Do not fall for categories. Everyone is everything. Every ingredient inside a star is inside you, and every personality that ever existed competes in the theatre of your mind for the main role. 91. You are lucky to be alive. Inhale and take in life's wonders. Never take so much as a single petal of a flower for granted.
Matt Haig (The Humans)
I was so frustrated with him. "I just want to be enough for you, but I never can be. This can never be enough for you. But this is all you get. You get me, and your family, and this world. This is your life. I'm sorry if it sucks. But you're not going to be the first man on Mars, and you're not going to be an NBA star, and you're not going to hunt Nazis.
John Green (The Fault in Our Stars)
This royal throne of kings, this scepter’d isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea, Which serves it in the office of a wall Or as a moat defensive to a house, Against the envy of less happier lands, This blessed plot, this earth, this realm, this England, This nurse, this teeming womb of royal kings, Fear’d by their breed and famous by their birth, Renowned for their deeds as far from home, For Christian service and true chivalry, As is the sepulchre in stubborn Jewry Of the world’s ransom, blessed Mary’s Son, This land of such dear souls, this dear dear land, Dear for her reputation through the world, Is now leased out, I die pronouncing it, Like to a tenement or pelting farm: England, bound in with the triumphant sea, Whose rocky shore beats back the envious siege Of watery Neptune, is now bound in with shame, With inky blots and rotten parchment bonds: That England, that was wont to conquer others, Hath made a shameful conquest of itself. Ah, would the scandal vanish with my life, How happy then were my ensuing death!
William Shakespeare (Richard II)
Yes, the money could be better spent on Earth. But would it? Since when has money saved by government redlining been spent on education and cancer research? It is always squandered. Let's squander some on Mars. Let's go out and play.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
[The Old Astronomer to His Pupil] Reach me down my Tycho Brahe, I would know him when we meet, When I share my later science, sitting humbly at his feet; He may know the law of all things, yet be ignorant of how We are working to completion, working on from then to now. Pray remember that I leave you all my theory complete, Lacking only certain data for your adding, as is meet, And remember men will scorn it, 'tis original and true, And the obloquy of newness may fall bitterly on you. But, my pupil, as my pupil you have learned the worth of scorn, You have laughed with me at pity, we have joyed to be forlorn, What for us are all distractions of men's fellowship and smiles; What for us the Goddess Pleasure with her meretricious smiles. You may tell that German College that their honor comes too late, But they must not waste repentance on the grizzly savant's fate. Though my soul may set in darkness, it will rise in perfect light; I have loved the stars too fondly to be fearful of the night. What, my boy, you are not weeping? You should save your eyes for sight; You will need them, mine observer, yet for many another night. I leave none but you, my pupil, unto whom my plans are known. You 'have none but me,' you murmur, and I 'leave you quite alone'? Well then, kiss me, -- since my mother left her blessing on my brow, There has been a something wanting in my nature until now; I can dimly comprehend it, -- that I might have been more kind, Might have cherished you more wisely, as the one I leave behind. I 'have never failed in kindness'? No, we lived too high for strife,-- Calmest coldness was the error which has crept into our life; But your spirit is untainted, I can dedicate you still To the service of our science: you will further it? you will! There are certain calculations I should like to make with you, To be sure that your deductions will be logical and true; And remember, 'Patience, Patience,' is the watchword of a sage, Not to-day nor yet to-morrow can complete a perfect age. I have sown, like Tycho Brahe, that a greater man may reap; But if none should do my reaping, 'twill disturb me in my sleep So be careful and be faithful, though, like me, you leave no name; See, my boy, that nothing turn you to the mere pursuit of fame. I must say Good-bye, my pupil, for I cannot longer speak; Draw the curtain back for Venus, ere my vision grows too weak: It is strange the pearly planet should look red as fiery Mars,-- God will mercifully guide me on my way amongst the stars.
Sarah Williams (Twilight Hours: A Legacy of Verse)
I still live.
Edgar Rice Burroughs (John Carter of Mars (Barsoom, #11))
Space doesn't just encompass the sublime and the ridiculous. It erases the line between.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
I’m pretty much fucked. That’s my considered opinion. Fucked. Six days into what should be the greatest two months of my life, and it’s turned into a nightmare.
Andy Weir (The Martian: Stranded on Mars, one astronaut fights to survive)
listen: the dark we've only ever imagined now audible, thrumming, marbled with static like gristly meat. a chorus of engines churns. silence taunts: a dare. everything that disappears disappears as if returning somewhere.
Tracy K. Smith (Life on Mars: Poems)
I love the stillness of the wood; I love the music of the rill: I love the couch in pensive mood Upon some silent hill. Scarce heard, beneath yon arching trees, The silver-crested ripples pass; and, like a mimic brook, the breeze Whispers among the grass. Here from the world I win release, Nor scorn of men, nor footstep rude, Break into mar the holy peace Of this great solitude. Here may the silent tears I weep Lull the vested spirit into rest, As infants sob themselves to sleep Upon a mothers breast. But when the bitter hour is gone, And the keen throbbing pangs are still, Oh, sweetest then to couch alone Upon some silent hill! To live in joys that once have been, To put the cold world out of sight, And deck life's drear and barren scene With hues of rainbow-light. For what to man the gift of breath, If sorrow be his lot below; If all the day that ends in death Be dark with clouds of woe? Shall the poor transport of an hour Repay long years of sore distress— The fragrance of a lonely flower Make glad the wilderness? Ye golden house of life's young spring, Of innocence, of love and truth! Bright, beyond all imagining, Thou fairy-dream of youth! I'd give all wealth that years have piled, The slow result of Life's decay, To be once more a little child For one bright summer's day.
Lewis Carroll
ROXANE: Live, for I love you! CYRANO: No, In fairy tales When to the ill-starred Prince the lady says 'I love you!' all his ugliness fades fast-- But I remain the same, up to the last! ROXANE: I have marred your life--I, I! CYRANO: You blessed my life! Never on me had rested woman's love. My mother even could not find me fair: I had no sister; and, when grown a man, I feared the mistress who would mock at me. But I have had your friendship--grace to you A woman's charm has passed across my path.
Edmond Rostand (Cyrano de Bergerac)
Every mode of travel has its signature mental aberration.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
In games there are rules, but in life the rules keep changing.
Kim Stanley Robinson (Red Mars (Mars Trilogy, #1))
Death isn't empty like you say it is. Emptiness is life without freedom, Darrow. Emptiness is living chained by fear, fear of loss, of death. I say we break those chains. Break the chains of fear and you break the chains that bind us to the Golds, to the Society. Could you imagine it? Mars could be ours. It could belong to the colonists who slaved here, died here." Her face is easier to see as the night fades through the clear roof. It is alive, on fire. "If you led the others to freedom. The things you could do, Darrow. The things you could make happen." She pauses and I see her eyes are glistening. "It chills me. You have been given so, so much, but you set your sights so low." "You repeat the same damn points," I say bitterly. "You think a dream is worth dying for. I say it isn't. You say it's better to die on your feet. I say it's better to live on our knees." "You're not even listening!" she snaps. "We are machine men with machine minds, machine lives …" "And machine hearts?" I ask. "That's what I am?" "Darrow …" "What do you live for?" I ask her suddenly. "Is it for me? Is it for family and love? Or is it just for some dream?" "It's not just some dream, Darrow. I live for the dream that my children will be born free. That they will be what they like. That they will own the land their father gave them." "I live for you," I say sadly. She kisses my cheek. "Then you must live for more.
Pierce Brown (Red Rising (Red Rising Saga, #1))
Love hath so long possess'd me for his own And made his lordship so familiar That he, who at first irk'd me, is now grown Unto my heart as its best secrets are. And thus, when he in such sore wise doth mar My life that all its strength seems gone from it. Mine inmost being then feels thoroughly quit Of anguish, and all evil keeps afar. Love also gathers to such power in me That my sighs speak, each one a grievous thing. Always soliciting My Gabriel's salutation piteously. Whenever he beholds me, it is so, Who is more sweet than any words can show.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
It's a god-awful small affair To the girl with the mousy hair But her mummy is yelling, "No!" And her daddy has told her to go But her friend is nowhere to be seen Now she walks through her sunken dream To the seat with the clearest view And she's hooked to the silver screen. - Life on Mars?
David Bowie
It’s hard to look the people you love in the face when they’ve seen you fuck up everything you touch. Sometimes, it’s easier to rebuild your life if you’re with someone who’s been as low as you’ve been.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
Take the time to slow down, relax, meditate, and contemplate the wonders within. You will discover an inner calm and balance that previously eluded you.
Joanne Madeline Moore (Love and Sex Signs: Venus, Mars and Astrology)
He has a minor in explosives and the slightly bitter, misanthropic personality of someone who shouldn't.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
…Those who’ve marred their appearance in any way by their actions in life aren’t forced to witness that marring. If they were, they’d become self-conscious and be unable to concentrate on improving themselves.
Richard Matheson (What Dreams May Come)
I just want to be enough for you, but I never can be. This can never be enough for you. But this is all you get. You get me, and your family, and this world. This is your life. I'm sorry if it sucks. But you're not going to be the first man on Mars and you're not going to be an NBA star, and you're not going to hunt Nazis.
John Green (The Fault in Our Stars)
The life that was to make his soul would mar his body.
Oscar Wilde (The Picture of Dorian Gray)
the act of vomiting deserves your respect. It's an orchestral event of the gut.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
time never stops, but does it end? and how many lives before take-off, before we find ourselves beyond ourselves, all glam-glow, all twinkle and gold?
Tracy K. Smith (Life on Mars: Poems)
Mine own people do not care for me, John Carter; I am too unlike them. It is a sad fate, since I must live my life amongst them.
Edgar Rice Burroughs (A Princess of Mars (Barsoom, #1))
The suffix 'naut' comes from the Greek and Latin words for ships and sailing. Astronaut suggests 'a sailor in space.' Chimponaut suggests 'a chimpanzee in sailor pants'.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
We are between the wild thoat of certainty and the mad zitidar of fact - we can escape neither.
Edgar Rice Burroughs (The Gods of Mars (Barsoom #2))
A man's deepest fear is that he is not good enough or that he is incompetent. He compensates for this fear by focusing on increasing his power and competence. Success, achievement, and efficiency are foremost in his life ... A man appears most uncaring when he is afraid.
John Gray (Men Are from Mars, Women Are from Venus)
People seem weak, but they’re strong. They seem strong, but they’re weak. No matter how much you cry, you still have to sleep. And you even get hungry. You suddenly realize you’re doing the same things you did yesterday. You say hi to your friends and smile just like you did yesterday. Life goes on as if nothing ever happened… I want to go somewhere… Anywhere… Somewhere where I can forget everything. …where I’ll forget everything …and be reborn. Mars Volume 18
Fuyumi Soryo
I am sorry my life is so marred and maimed by extravagance. But I cannot live otherwise. I, at any rate, pay the penalty of suffering.
Oscar Wilde (The Complete Letters of Oscar Wilde)
A man could say every day that he wanted to change his life, was going to change it, and every day the lament became merely a part of the life he was already living, so that the desire for change was in fact a kind of stasis that allowed the unchanged life to continue, because at least the man knew to disapprove of it, which reassured him not all was lost.
Rachel Kushner (The Mars Room)
some like to imagine a cosmic mother watching through a spray of stars, mouthing 'yes, yes' as we toddle towards the light, biting her lip of we teeter at some ledge. longing to sweep us to her breast, she hopes for the best.
Tracy K. Smith (Life on Mars: Poems)
But I couldn’t. It was real; I knew it, even in the dark. Raised yellow streak of paint on the wing and feathers scratched in with the butt of the brush. One chip on the upper left edge that hadn’t been there before, tiny mar less than two millimeters, but otherwise: perfect. I was different, but it wasn’t. And as the light flickered over it in bands, I had the queasy sense of my own life, in comparison, as a patternless and transient burst of energy, a fizz of biological static just as random as the street lamps flashing past.
Donna Tartt (The Goldfinch)
The Old Ones knew that life is not rare, but precious; not fragile, but vulnerable. Life is as deep as the seas in which it was born, as strong as the mountains that give it shelter, as universal as the stars themselves.
Ben Bova (Mars Life (The Grand Tour, #17))
As for a spoiled life, no life is spoiled but one whose growth is arrested. If you want to mar a nature, you have merely to reform it.
Oscar Wilde
Giving up on love is the same thing as giving up on life itself.
David Levithan (Marly's Ghost)
Collectively, these findings tell us it’s conceivable that life began on Mars and later seeded life on Earth, a process known as panspermia.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
When you are lying in bed angry with your backs turned towards each other, imagine Satan sleeping in the space between you.
Mark Driscoll (Real Marriage: The Truth About Sex, Friendship, & Life Together)
We were outside the world, we didn't even own things -- some clothes. . . . This arrangement resembles the prehistoric way to live, and it therefore feels right to us, because our brains recognize it from 3 millions of years practicing it. In essence our brains grew to their current configuration in response to the realities of that life. So as a result people grow powerfully attached to that kind of life, when they get the chance to live it. It allows you to concentrate your attention on the real work, which means everything that is done to stay alive, to make things, or satisfy one's curiosity, or play. That is utopia.
Kim Stanley Robinson (Red Mars (Mars Trilogy, #1))
In high school, I played a lot of Dungeons and Dragons. (You may not have guessed this botanist/mechanical engineer was a bit of a nerd in high school, but indeed I was.) In the game I played a cleric. One of the magic spells I could cast was “Create Water.” I always thought it was a really stupid spell, and I never used it. Boy, what I wouldn’t give to be able to do that in real life right now.
Andy Weir (The Martian: Stranded on Mars, one astronaut fights to survive)
This ones for you and me, living out our dreams. We're all right where we should be.
Bruno Mars
No one is excluded from the astronaut corps based on penis size.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
You’re going to have people who are going to say ‘Oh, you know like, she just writes songs about her ex-boyfriends’ and I think frankly that’s a very sexist angle to take. No one says that about Ed Sheeran. No one says it about Bruno Mars. They’re all writing songs about their exes, their current girlfriends, their love-life, and no one raises a red flag there.
Taylor Swift
[...] the body is what we lean toward, tensing as it darts, dancing away. but it's the voice that enters us. even saying nothing. even saying nothing over and over absently to itself
Tracy K. Smith (Life on Mars: Poems)
There is much pain that is quite noiseless; and vibrations that make human agonies are often a mere whisper in the roar of hurrying existence. There are glances of hatred that stab and raise no cry of murder; robberies that leave man or woman forever beggared of peace and joy, yet kept secret by the sufferer—committed to no sound except that of low moans in the night, seen in no writing except that made on the face by the slow months of suppressed anguish and early morning tears. Many an inherited sorrow that has marred a life has been breathed into no human ear.
George Eliot (Felix Holt: The Radical)
Man must become comfortable in flowing from one role to another, one set of values to another, one life to another. Men must be free from boundaries, patterns and consistencies in order to be free to think, feel and create in new ways. Men have admired Prometheus and Mars too long; our God must become Proteus.
Luke Rhinehart (The Dice Man)
The nobility of the human spirit grows harder for me to believe in. War, zealotry, greed, malls, narcissism. I see a backhanded nobility in excessive, impractical outlays of cash prompted by nothing loftier than a species joining hands and saying “I bet we can do this.” Yes, the money could be better spent on Earth. But would it? Since when has money saved by government red-lining been spent on education and cancer research? It is always squandered. Let’s squander some on Mars. Let’s go out and play.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
Yes,’ he cried, ‘you have killed my love! You used to stir my imagination. Now you don’t even stir my curiosity. You simply produce no effect. I loved you because you were marvelous, because you had genius and intellect, because you realized the dreams of great poets and gave shape and substance to the shadows of art. You have thrown it all away. You are shallow and stupid. My God! how mad I was to love you! What a fool I have been! You are nothing to me now. I will never see you again. I will never think of you. I will never mention your name. You can’t know what you were to me, once. Why, once… Oh, I can’t bear to think of it! I wish I had never laid eyes upon you! You have spoiled the romance of my life. How little you can know of love if you say it mars your art! Without your art you are nothing. I would have made you famous, splendid, magnificent. The world would have worshiped you, and you would have borne my name. What are you now? A third-rate actress with a pretty face.
Oscar Wilde (The Picture of Dorian Gray)
I want a woman to love me for me and not just for my piggly diggly...You catch my drift?
Bruno Mars
It's never over. Not really. Not when you stay down there as long as I did, not when you've lived in the netherworld longer than you've lived in this material one, where things are very bright and large and make such strange noises. You never come back, not all the way. Always, there is an odd distance between you and the people you love and the people you meet, a barrier, thin as the glass of a mirror. You never come all the way out of the mirror; you stand, for the rest of your life, with one foot in this world and one in another, where everything is upside down and backward and sad. It is the distance of marred memory, of a twisted and shape-shifting past. When people talk about their childhood, their adolescence, their college days, I laugh along and try not to think: that was when I was throwing up in my elementary school bathroom, that was when I was sleeping with strangers to show off the sharp tips of my bones, that was when I lost sight of my soul and died. And it is the distance of the present, as well - the distance that lies between people in general because of the different lives we have lived. I don't know who I would be, now, if I had not lived the life I have, and so I cannot alter my need for distance - nor can I lessen the low and omnipresent pain that that distance creates. The entirety of my life is overshadowed by one singular and near-fatal obsession.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
To the rocket scientist, you are a problem. You are the most irritating piece of machinery he or she will ever have to deal with. You and your fluctuating metabolism, your puny memory, your frame that comes in a million different configurations. You are unpredictable. You're inconstant. You take weeks to fix. The engineer must worry about the water and oxygen and food you'll need in space, about how much extra fuel it will take to launch your shrimp cocktail and irradiated beef tacos. A solar cell or a thruster nozzle is stable and undemanding. It does not excrete or panic or fall in love with the mission commander. It has no ego. Its structural elements don't start to break down without gravity, and it works just fine without sleep. To me, you are the best thing to happen to rocket science. The human being is the machine that makes the whole endeavor so endlessly intriguing.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
Once upon a time, a woman told this to her daughter: Save yourself. The girl didn’t think to ask for what? She looked into her mother’s face and answered Yes. Years later, alone in the room where she lives The daughter listens to the life she’s been saved from: Evening patter. Summer laughter. Young bodies Racing into the unmitigated happiness of danger.
Tracy K. Smith (Life on Mars: Poems)
We ran like young wild furies, where angels feared to tread. The woods were dark and deep. Before us demons fled. We checked Coke bottle bottoms to see how far was far. Our worlds of magic wonder were never reached by car. We loved our dogs like brothers, our bikes like rocket ships. We were going to the stars, to Mars we'd make round trips. We swung on vines like Tarzan, and flashed Zorro's keen blade. We were James Bond in his Aston, we were Hercules unchained. We looked upon the future and we saw a distant land, where our folks were always ageless, and time was shifting sand. We filled up life with living, with grins, scabbed knees, and noise. In glass I see an older man, but this book's for the boys.
Robert McCammon
Upon the occasion of history's first manned flight - in the 1780's aboard the Montgolfier brothers' hot-air balloons - someone asked Franklin what use he saw in such frivolity. "What use," he replied, "is a newborn baby?
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
Helen leaned down over her husband and ran her lips lightly across his bare shoulder in good-bye. Maybe, someday, she would find him by the River Styx. There, they could wash all their hateful memories away, and walk into a new life together, a life that didn’t have the dirty paw prints of a dozen gods and a dozen kings marring it. Such a beautiful thought. Helen vowed that she would live a hundred lives of hardship for one life—one real life—with Paris. They could be shepherds, just as they had dreamed once when they had met at the great lighthouse long ago. She’d be anything, really, a shopkeeper, or a farmer, whatever, as long as they were allowed to live their lives and each other freely. She dressed quickly, imagining herself tending a shop somewhere by the sea, hoping that someday this dream would come true.
Josephine Angelini (Goddess (Starcrossed, #3))
Five hundred years before Christ was born, the Greek philosopher Heraclitus told his students that "everything changes except the law of change". He said: "You cannot step in the same river twice." The river changes every second; and so does the man who stepped in it. Life is a ceaseless change. The only certainty is today. Why mar the beauty of living today by trying to solve the problems of a future that is shrouded in ceaseless change and uncertainty-a future that no one can possibly foretell?
Dale Carnegie
The Field of Mars, June, death, life, white nights, Dasha, Dimitri, the all came… And went. But there Alexander still was, standing on that street, on that curb, in the sun, looking at her under the elms, looking at provenance across from him provenance in a white dress with red roses, licking her ice cream with red lips, singing. His and only his for one hundred minutes, blink of an eye and gone. It all was.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
When some people talk about money They speak as if it were a mysterious lover Who went out to buy milk and never Came back, and it makes me nostalgic For the years I lived on coffee and bread, Hungry all the time, walking to work on payday Like a woman journeying for water From a village without a well, then living One or two nights like everyone else On roast chicken and red wine.
Tracy K. Smith (Life on Mars: Poems)
Even if you've never experienced the wonderful things in life, only after something has been contaminated and marred will it become a beautiful thing. Pain can be healed with gentle care, darkness can be removed with sunlight. Don't underestimate the small things. Everything is significant.
Natsuki Takaya (Fruits Basket, Vol. 7)
The Weather In Space Is God being pure force? The wind Or what commands it? When our lives slow And we can hold all that we love, it sprawls In our laps like a gangly doll. When the storm Kicks up and nothing is ours, we go chasing After all we're certain to lose, so alive --- Faces radiant with panic.
Tracy K. Smith (Life on Mars: Poems)
By the way, were we to find life-forms on Venus, we would probably call them Venutians, just as people from Mars would be Martians. But according to rules of Latin genitives, to be “of Venus” ought to make you a Venereal. Unfortunately, medical doctors reached that word before astronomers did. Can’t blame them, I suppose. Venereal disease long predates astronomy, which itself stands as only the second oldest profession.
Neil deGrasse Tyson (Death by Black Hole: And Other Cosmic Quandaries)
For Oscar, high school was the equivalent of a medieval spectacle, like being put in the stocks and forced to endure the peltings and outrages of a mob of deranged half-wits, an experience from which he supposed he should have emerged a better person, but that’s not really what happened—and if there were any lessons to be gleaned from the ordeal of those years he never quite figured out what they were. He walked into school every day like the fat lonely nerdy kid he was, and all he could think about was the day of his manumission, when he would at last be set free from its unending horror. Hey, Oscar, are there faggots on Mars?—Hey, Kazoo, catch this. The first time he heard the term moronic inferno he know exactly where it was located and who were its inhabitants.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
sometimes, what i see is a library in a rural community. all the tall shelves in the big open room. and the pencils in a cup at circulation, gnawed on by the entire population. the books have lived here all along, belonging for weeks at a time to one or another in the brief sequence of family names, speaking (at night mostly) to a face, a pair of eyes. the most remarkable lies.
Tracy K. Smith (Life on Mars: Poems)
Thatcher once said that if she were a visitor from Mars required to create a constitutional system, "I would set up ... a hereditary monarchy, wonderfully trained, in duty and in leadership which understands example, which is always there, which is above politics, for which the whole nation has an affection and which is a symbol of patriotism.
Sally Bedell Smith (Elizabeth the Queen: The Life of a Modern Monarch)
My waiter friend, Laurent, working at the Brasserie Champs du Mars near the Eiffel Tower, one night while serving me Une Grande Beer, explained his life. “I work from ten to twelve hours, sometimes fourteen,” he says, “and then at midnight I go dancing, dancing, dancing until four or five in the morning and go to bed and sleep until ten and then up, up and to work by eleven and another ten or twelve or sometimes fifteen hours of work.” “How can you do that?” I ask. “Easily,” he says. “To be asleep is to be dead. It is like death. So we dance, we dance so as not to be dead. We do not want that.” “How old are you?” I ask, at last. “Twenty-three,” he says. “Ah,” I say and take his elbow gently. “Ah. Twenty-three, is it?” “Twenty-three,” he says, smiling. “And you?” “Seventy-six,” I say. “And I do not want to be dead, either. But I am not twenty-three. How can I answer? What do I do?” “Yes,” says Laurent, still smiling and innocent, “what do you do at three in the morning?” “Write,” I say, at last. “Write!” Laurent says, astonished. “Write?” “So as not to be dead,” I say. “Like you.” “Me?” “Yes,” I say, smiling now, myself. “At three in the morning, I write, I write, I write!
Ray Bradbury (The Illustrated Man)
His fingertips moved soft and warm across the lightning crack that marred my cheek. “The Grand Canyon was carved by a river. It sliced through the rock, revealing layer upon layer of beauty. Beauty that couldn’t be seen until the earth was cut open. One little sliver of water…” “Evan…” “One little sliver.” He traced the ragged seam down to my chin. “The majesty of the Canyon is that depth. All that beauty lay buried for years until the river cut it open. Then all was revealed.
Emma Scott (How to Save a Life (Dreamcatcher, #1))
The intense thereness of it-haecceity Sax had called it once, when John had asked him something about his religious beliefs-I believe in haecceity, Sax had said, in thisness, in here-and-nowness, in the particular individuality of every moment. That's why I want to know what is this? what is this? what is this? Now, remembering Sax's odd word and his odd religion, John finally understood him; because he was feeling the thisness of the moment like a rock in his hand, and it felt as if his entire life had been lived only to get him to this moment.
Kim Stanley Robinson (Red Mars (Mars Trilogy, #1))
People can't anticipate how much they'll miss the natural world until they are deprived of it. I have read about submarine crewmen who haunt the sonar room, listening to whale songs and colonies of snapping shrimp. Submarine captains dispense 'periscope liberty'- a chance to gaze at clouds and birds and coastlines and remind themselves that the natural world still exists. I once met a man who told me that after landing in Christchurch, New Zealand, after a winter at the South Pole research station, he and his companions spent a couple days just wandering around staring in awe at flowers and trees. At one point, one of them spotted a woman pushing a stroller. 'A baby!' he shouted, and they all rushed across the street to see. The woman turned the stroller and ran.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
I was still young and the whole world of beauty was opening before me, my own officious obstructions were often swept aside and, startled into self-forgetfulness, I again tasted Joy. ... One thing, however, I learned, which has since saved me from many popular confusions of mind. I came to know by experience that it is not a disguise of sexual desire. ... I repeatedly followed that path - to the end. And at the end one found pleasure; which immediately resulted in the discovery that pleasure (whether that pleasure or any other) was not what you had been looking for. No moral question was involved; I was at this time as nearly nonmoral on that subject as a human creature can be. The frustration did not consist in finding a "lower" pleasure instead of a "higher." It was the irrelevance of the conclusion that marred it. ... You might as well offer a mutton chop to a man who is dying of thirst as offer sexual pleasure to the desire I am speaking of. ... Joy is not a substitute for sex; sex is very often a substitute for Joy. I sometimes wonder whether all pleasures are not substitutes for Joy.
C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
And tomorrow, next month, next year? It will take a long time. Years from now, they will still be arranging the pieces they know, puzzling over her features, redrawing her outlines in their minds. Sure that they've got her right this time, positive in this moment that they understand her completely, at last. They will think of her often: when Marilyn opens the curtains in Lydia's room, opens the closet, and begins to take the clothing from the shelves. When their father, one day, enters a party for the first time does not glance, quickly, at all the blond heads in the room. When Hannah begins to stand a little straighter, when she begins to speak a bit clearer, when one day she flicks her hair behind her ear in a familiar gesture and wonders, for a moment, where she got it. And Nath. When at school people ask if he has siblings: two sisters, but one died; when one day, he looks at the small bump that will always mar the bridge of Jack's nose and wants to trace it, gently, with his finger. When a long, long time later, he stares down at the silent blue marble of the earth and thinks of his sister, as he will at every important moment of his life. He doesn't know this yet, but he senses it deep down in his core. So much will happen, he thinks, that I would want to tell you.
Celeste Ng (Everything I Never Told You)
I believe that if one man were to live out his life fully and completely, were to give form to every feeling, expression to every thought, reality to every dream—I believe that the world would gain such a fresh impulse of joy that we would forget all the maladies of mediaevalism, and return to the Hellenic ideal—to something finer, richer, than the Hellenic ideal, it may be. But the bravest man amongst us is afraid of himself. The mutilation of the savage has its tragic survival in the self denial that mars our lives. We are punished for our refusals. Every impulse that we strive to strangle broods in the mind, and poisons us. The body sins once, and has done with its sin, for action is a mode of purification. Nothing remains then but the recollection of a pleasure, or the luxury of a regret. The only way to get ride of temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it is forbidden to itself, with desire for what its monstrous laws have made monstrous and unlawful. It has been said that the great events of the world take place in the brain. It is in the brain, and the brain only, that the great sins of the world take place also.
Oscar Wilde (The Picture of Dorian Gray)
When a person dies, they cross over from the realm of freedom to the realm of slavery. Life is freedom, and dying is a gradual denial of freedom. Consciousness first weakens and then disappears. The life-processes – respiration, the metabolism, the circulation – continue for some time, but an irrevocable move has been made towards slavery; consciousness, the flame of freedom, has died out. The stars have disappeared from the night sky; the Milky Way has vanished; the sun has gone out; Venus, Mars and Jupiter have been extinguished; millions of leaves have died; the wind and the oceans have faded away; flowers have lost their colour and fragrance; bread has vanished; water has vanished; even the air itself, the sometimes cool, sometimes sultry air, has vanished. The universe inside a person has ceased to exist. This universe is astonishingly similar to the universe that exists outside people. It is astonishingly similar to the universes still reflected within the skulls of millions of living people. But still more astonishing is the fact that this universe had something in it that distinguished the sound of its ocean, the smell of its flowers, the rustle of its leaves, the hues of its granite and the sadness of its autumn fields both from those of every other universe that exists and ever has existed within people, and from those of the universe that exists eternally outside people. What constitutes the freedom, the soul of an individual life, is its uniqueness. The reflection of the universe in someone's consciousness is the foundation of his or her power, but life only becomes happiness, is only endowed with freedom and meaning when someone exists as a whole world that has never been repeated in all eternity. Only then can they experience the joy of freedom and kindness, finding in others what they have already found in themselves.
Vasily Grossman (Life and Fate)
What did one see if one looked in any depth into the world of this writer's fiction? Elegant self-control concealing from the world's eyes until the very last moment a state of inner disintegration and biological decay; sallow ugliness, sensuously marred and worsted, which nevertheless is able to fan its smouldering concupiscence to a pallid impotence, which from the glowing depths of the spirit draws strength to cast down a whole proud people at the foot of the Cross and set its own foot upon them as well; gracious poise and composure in the empty austere service of form; the false, dangerous life of the born deceiver, his ambition and his art which lead so soon to exhaustion ---
Thomas Mann (Death in Venice and Other Tales)
Then they wondered if there were men in the stars. Why not? And as creation is harmonious, the inhabitants of Sirius ought to be huge, those of Mars middle-sized, those of Venus very small. Unless it is the same everywhere. There are businessmen, police up there; people trade, fight, dethrone their kings. Some shooting stars suddenly slid past, describing a course in the sky like the parabola of a monstrous rocket. ‘My Word,’ said Bouvard, ‘look at those worlds disappearing.’ Pecuchet replied: ‘If our world in its turn danced about, the citizens of the stars would be no more impressed than we are now. Ideas like that are rather humbling.’ ‘What is the point of it all?’ ‘Perhaps there isn’t a point.’ ‘Yet…’ and Pecuchet repeated the word two or three times, without finding anything more to say.
Gustave Flaubert (Bouvard and Pécuchet)
We’re going to discuss only four or five different problems the Earth has, though there are multiple different scenarios going on. If any one of these scenarios were to break down, all life on the planet would eventually die. And at the moment, they’re all about to break down — it’s just a matter of which one breaks down first. And whenever one system goes, then all the rest of them will go eventually, and that’s it, there won’t be any more human life. It will be over with, and we’ll end up just like Mars or the dinosaurs. A few years ago, around the turn of this century, there were thirty million species of life forms on Earth — thirty million different species of life. In 1993 there were about fifteen million. It took billions of years to create these life forms, and in less than a blink of an eye, a mere hundred years, half of the life on this dear Earth is dead. Around thirty species a minute are now becoming extinct somewhere. If you were to watch this planet from space, it would appear to be dying very, very rapidly. Yet we’re going on as though nothing’s happening and everything’s great. We’re sticking money in the bank and driving our cars and just wiggling right on. Yet from an honest point of view, we have a real life-and-death problem going on here on Earth, and few people seem to be really serious about it.
Drunvalo Melchizedek (The Ancient Secret of the Flower of Life, Vol. 1)
No, she will never come to life. She has played her last part. But you must think of that lonely death in the tawdry dressing-room simply as a strange lurid fragment from some Jacobean tragedy, as a wonderful scene from Webster, or Ford, or Cyril Tourneur. The girl never really lived, and so she has never really died. To you at least she was always a dream, a phantom that flitted through Shakespeare's plays and left them lovelier for its presence, a reed through which Shakespeare's music sounded richer and more full of joy. The moment she touched actual life, she marred it, and it marred her, and so she passed away. Mourn for Ophelia, if you like. Put ashes on your head because Cordelia was strangled. Cry out against Heaven because the daughter of Brabantio died. But don't waste your tears over Sibyl Vane. She was less real than they are.
Oscar Wilde
No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man’s and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinised and studied, perhaps almost as narrowly as a man with a microscope might scrutinise the transient creatures that swarm and multiply in a drop of water. With infinite complacency men went to and fro over this globe about their little affairs, serene in their assurance of their empire over matter. It is possible that the infusoria under the microscope do the same. No one gave a thought to the older worlds of space as sources of human danger, or thought of them only to dismiss the idea of life upon them as impossible or improbable. It is curious to recall some of the mental habits of those departed days. At most terrestrial men fancied there might be other men upon Mars, perhaps inferior to themselves and ready to welcome a missionary enterprise. Yet across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us. And early in the twentieth century came the great disillusionment
H.G. Wells (The War of the Worlds)
The two creatures were sexless. But he of Malacandra was masculine (not male); she of Perelandra was feminine (not female). Malacandra seemed to him to have the look of one standing armed, at the ramparts of his own remote archaic world, in ceaseless vigilance, his eyes ever roaming the earth-ward horizon whence his danger came long ago. "A sailor's look," Ransom once said to me; "you know... eyes that are impregnated with distance." But the eyes of Perelandra opened, as it were, inward, as if they were the curtained gateway to a world of waves and murmurings and wandering airs, of life that rocked in winds and splashed on mossy stones and descended as the dew and arose sunward in thin-spun delicacy of mist. On Mars the very forests are of stone; in Venus the lands swim. For now he thought of them no more as Malacandra and Perelandra. He called them by their Tellurian names. With deep wonder he thought to himself, "My eyes have seen Mars and Venus. I have seen Ares and Aphrodite.
C.S. Lewis (Perelandra (The Space Trilogy, #2))
Invitation to Eternity Say, wilt thou go with me, sweet maid, Say, maiden, wilt thou go with me Through the valley-depths of shade, Of bright and dark obscurity; Where the path has lost its way, Where the sun forgets the day, Where there's nor light nor life to see, Sweet maiden, wilt thou go with me? Where stones will turn to flooding streams, Where plains will rise like ocean's waves, Where life will fade like visioned dreams And darkness darken into caves, Say, maiden, wilt thou go with me Through this sad non-identity Where parents live and are forgot, And sisters live and know us not? Say, maiden, wilt thou go with me In this strange death of life to be, To live in death and be the same, Without this life or home or name, At once to be and not to be— That was and is not—yet to see Things pass like shadows, and the sky Above, below, around us lie? The land of shadows wilt thou trace, Nor look nor know each other's face; The present marred with reason gone, And past and present both as one? Say, maiden, can thy life be led To join the living and the dead? Then trace thy footsteps on with me: We are wed to one eternity.
John Clare (Poems Chiefly from Manuscript)
Here I am, a bundle of past recollections and future dreams, knotted up in a reasonably attractive bundle of flesh. I remember what this flesh has gone through; I dream of what it may go through. I record here the actions of optical nerves, of taste buds, of sensory perception. And, I think: I am but one more drop in the great sea of matter, defined, with the ability to realize my existence. Of the millions, I, too, was potentially everything at birth. I, too, was stunted, narrowed, warped, by my environment, my outcroppings of heredity. I, too, will find a set of beliefs, of standards to live by, yet the very satisfaction of finding them will be marred by the fact that I have reached the ultimate in shallow, two-dimensional living - a set of values. This loneliness will blur and diminish, no doubt, when tomorrow I plunge again into classes, into the necessity of studying for exams. But now, that false purpose is lifted and I am spinning in a temporary vacuum. At home I rested and played, here, where I work, the routine is momentarily suspended and I am lost. There is no living being on earth at this moment except myself. I could walk down the halls, and empty rooms would yawn mockingly at me from every side. God, but life is loneliness, despite all the opiates, despite the shrill tinsel gaiety of "parties" with no purpose, despite the false grinning faces we all wear. And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter - they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. Yes, there is joy, fulfillment and companionship - but the loneliness of the soul in it's appalling self-consciousness, is horrible and overpowering.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Emotional exhaustion follows fast on the footsteps of physical and mental depletion. I feel my lifeblood draining away in an oily spigot of inner turmoil. Questions abound and personal survival hinges upon sorting through possible solutions and selecting the most fitting answers. Is my pain real or simply an illusion of a frustrated ego? What do I believe in? What is my purpose? I aspire to discover a means to live in congruence with the trinity of the mind, body, and spirit. Can I discover a noble path that frees me from the shallowness of decadent physical and emotional desires? Can I surrender any desire to seek fame and fortune? Can I terminate a craving to punish other persons for their perceived wrongs? Can I recognize that forgiving persons whom offended me is a self-initiated, transformative act? Can I conquer an irrational fear of the future? Can I accept the inevitable chaos that accompanies life? Can I find a means to achieve inner harmony by steadfastly resolving to live in the moment free of angst? Can I purge egotisms that mar an equitable perception of life by renunciation of the self and all worldly endeavors? Can I live a harmonious existence devoid the panache of vanities?
Kilroy J. Oldster (Dead Toad Scrolls)
I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.
Alfred Bruce Douglas
The Active Life If an expert does not have some problem to vex him, he is unhappy! If a philosopher's teaching is never attacked, she pines away! If critics have no one on whom to exercise their spite, they are unhappy. All such people are prisoners in the world of objects. He who wants followers, seeks political power. She who wants reputation, holds an office. The strong man looks for weights to lift. The brave woman looks for an emergency in which she can show bravery. The swordsman wants a battle in which he can swing his sword. People past their prime prefer a dignified retirement, in which they may seem profound. People experienced in law seek difficult cases to extend the application of the laws. Liturgists and musicians like festivals in which they parade their ceremonious talents. The benevolent, the dutiful, are always looking for chances to display virtue. Where would the gardener be if there were no more weeds? What would become of business without a market of fools? Where would the masses be if there were no pretext for getting jammed together and making noise? What would become of labor if there were no superfluous objects to be made? Produce! Get results! Make money! Make friends! Make changes! Or you will die of despair! Those who are caught in the machinery of power take no joy except in activity and change--the whirring of the machine! Whenever an occasion for action presents itself, they are compelled to act; they cannot help themselves. They are inexorably moved, like the ma- chine of which they are a part. Prisoners in the world of objects, they have no choice but to submit to the demands of matter! They are pressed down and crushed by external forces, fashion, the mar- ket, events, public opinion. Never in a whole lifetime do they re- cover their right mind! The active life! What a pity!
Thomas Merton (The Way of Chuang Tzu (Shambhala Library))
XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.
Robert Browning
Sparks come from the very source of light and are made of the purest brightness—so say the oldest legends. When a human Being is to be born, a spark begins to fall. First it flies through the darkness of outer space, then through galaxies, and finally, before it falls here, to Earth, the poor thing bumps into the orbits of planets. Each of them contaminates the spark with some Properties, while it darkens and fades. First Pluto draws the frame for this cosmic experiment and reveals its basic principles—life is a fleeting incident, followed by death, which will one day let the spark escape from the trap; there’s no other way out. Life is like an extremely demanding testing ground. From now on everything you do will count, every thought and every deed, but not for you to be punished or rewarded afterward, but because it is they that build your world. This is how the machine works. As it continues to fall, the spark crosses Neptune’s belt and is lost in its foggy vapors. As consolation Neptune gives it all sorts of illusions, a sleepy memory of its exodus, dreams about flying, fantasy, narcotics and books. Uranus equips it with the capacity for rebellion; from now on that will be proof of the memory of where the spark is from. As the spark passes the rings of Saturn, it becomes clear that waiting for it at the bottom is a prison. A labor camp, a hospital, rules and forms, a sickly body, fatal illness, the death of a loved one. But Jupiter gives it consolation, dignity and optimism, a splendid gift: things-will-work-out. Mars adds strength and aggression, which are sure to be of use. As it flies past the Sun, it is blinded, and all that it has left of its former, far-reaching consciousness is a small, stunted Self, separated from the rest, and so it will remain. I imagine it like this: a small torso, a crippled being with its wings torn off, a Fly tormented by cruel children; who knows how it will survive in the Gloom. Praise the Goddesses, now Venus stands in the way of its Fall. From her the spark gains the gift of love, the purest sympathy, the only thing that can save it and other sparks; thanks to the gifts of Venus they will be able to unite and support each other. Just before the Fall it catches on a small, strange planet that resembles a hypnotized Rabbit, and doesn’t turn on its own axis, but moves rapidly, staring at the Sun. This is Mercury, who gives it language, the capacity to communicate. As it passes the Moon, it gains something as intangible as the soul. Only then does it fall to Earth, and is immediately clothed in a body. Human, animal or vegetable. That’s the way it is. —
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
A naturalist should look at the world with warm affection, if not ardent love. The life the scalpel has ended ought to be honored by a caring, devoted appreciation for that creature’s unrepeatable individuality, and for the fact that, at the same time, strange as this may seem, this life stands for the entire natural kingdom. Examined with attention, the dissected hare illuminates the parts and properties of all other animals and, by extension, their environment. The hare, like a blade of grass or a piece of coal, is not simply a small fraction of the whole but contains the whole within itself. This makes us all one. If anything, because we are all made of the same stuff. Our flesh is the debris of dead stars, and this is also true of the apple and its tree, of each hair on the spider’s legs, and of the rock rusting on planet Mars. Each minuscule being has spokes radiating out to all of creation. Some of the raindrops falling on the potato plants in your farm back in Sweden were once in a tiger’s bladder. From one living thing, the properties of any other may be predicted. Looking at any particle with sufficient care, and following the chain that links all things together, we can arrive at the universe—the correspondences are there, if the eye is skillful enough to detect them. The guts of the anatomized hare faithfully render the picture of the entire world. And because that hare is everything, it is also us. Having understood and experienced this marvelous congruity, man can no longer examine his surroundings merely as a surface scattered with alien objects and creatures related to him only by their usefulness. The carpenter who can only devise tabletops while walking through the forest, the poet who can only remember his own private sorrows while looking at the falling snow, the naturalist who can only attach a label to every leaf and a pin to every insect—all of them are debasing nature by turning it into a storehouse, a symbol, or a fact. Knowing nature, Lorimer would often say, means learning how to be. And to achieve this, we must listen to the constant sermon of things. Our highest task is to make out the words to better partake in the ecstasy of existence.
Hernan Diaz (In the Distance)
RubyMars: Have you heard anything else about when you’re leaving for good? AHall80: Not yet, but everything seems to be on schedule. Should be about 8 weeks. The longest 8 weeks of my life. RubyMars: I’m sure. AHall80: I want a shitty, greasy, deep dish pizza like you can’t imagine. I can already taste it. AHall80: A hot shower… a real bed… AC everywhere… RubyMars: Clean clothes? AHall80: Clean clothes. Clean socks. No sand. RubyMars: Clean underwear. RubyMars: No sand? I thought you were planning on going to the beach? AHall80: The beach is different. There’s water. It isn’t just desert and more desert. RubyMars: I guess that makes sense. RubyMars: My brother said once that his goal is to never see sand in his life again. AHall80: For real. RubyMars: What I didn’t finish saying was that he said that, but he’s gone to Cancun twice with his boyfriend, LOL. AHall80: It’s different. I’m over this sand shit. AHall80: Never again RubyMars: Does that mean you’re dead set on not re-enlisting? AHall80: … RubyMars: Whatever you want. I’m not judging. We don’t have to talk about it. AHall80: It’s not that I don’t want to talk about it… RubyMars: But you don’t want to talk about it. AHall80: :] Basically. RubyMars: I’ll change the subject then. RubyMars: Have you gone #2 lately? AHall80: Three days ago. RubyMars: Are you joking? AHall80: I wish. RubyMars: AARON AHall80: I know. I KNOW. RubyMars: Does it hurt? AHall80: Uh, when it comes out? RubyMars: Omg RubyMars: Aaron RubyMars: I meant your stomach. RubyMars: Does your stomach hurt? RubyMars: I can’t breathe RubyMars: Or type RubyMars: I didn’t mean your… rectum. RubyMars: Aaron? RubyMars: Aaron? RubyMars: Are you there? RubyMars: AARON? AHall80: You’re not the only one who couldn’t breathe or type. RubyMars: LMAO I’m crying. AHall80: me too AHall80: me too RubyMars: I mean… you can tell me if your butt hurts too, I guess. AHall80: Ruby, stop RubyMars: Seriously. You can tell me. I won’t judge. RubyMars: It happens. RubyMars: I think. AHall80: Stop RubyMars: I can’t breathe AHall80: I don’t know when the last time I laughed so hard was. AHall80: Everyone is looking at me wondering wtf happened. RubyMars: Your rectum happened AHall80: BYE RubyMars: I can’t stop laughing AHall80: You’re never hearing from me again RubyMars: There are tears coming out of my eyes. AHall80: Bye. I’ll write you again when I find my balls. RubyMars: It was nice knowing you. AHall80: BYE
Mariana Zapata (Dear Aaron)
1)    The woman has intuitive feelings that she is at risk. 2)    At the inception of the relationship, the man accelerated the pace, prematurely placing on the agenda such things as commitment, living together, and marriage. 3)    He resolves conflict with intimidation, bullying, and violence. 4)    He is verbally abusive. 5)    He uses threats and intimidation as instruments of control or abuse. This includes threats to harm physically, to defame, to embarrass, to restrict freedom, to disclose secrets, to cut off support, to abandon, and to commit suicide. 6)    He breaks or strikes things in anger. He uses symbolic violence (tearing a wedding photo, marring a face in a photo, etc.). 7)    He has battered in prior relationships. 8)    He uses alcohol or drugs with adverse affects (memory loss, hostility, cruelty). 9)    He cites alcohol or drugs as an excuse or explanation for hostile or violent conduct (“That was the booze talking, not me; I got so drunk I was crazy”). 10)   His history includes police encounters for behavioral offenses (threats, stalking, assault, battery). 11)   There has been more than one incident of violent behavior (including vandalism, breaking things, throwing things). 12)   He uses money to control the activities, purchase, and behavior of his wife/partner. 13)   He becomes jealous of anyone or anything that takes her time away from the relationship; he keeps her on a “tight leash,” requires her to account for her time. 14)   He refuses to accept rejection. 15)   He expects the relationship to go on forever, perhaps using phrases like “together for life;” “always;” “no matter what.” 16)   He projects extreme emotions onto others (hate, love, jealousy, commitment) even when there is no evidence that would lead a reasonable person to perceive them. 17)   He minimizes incidents of abuse. 18)   He spends a disproportionate amount of time talking about his wife/partner and derives much of his identity from being her husband, lover, etc. 19)   He tries to enlist his wife’s friends or relatives in a campaign to keep or recover the relationship. 20)   He has inappropriately surveilled or followed his wife/partner. 21)   He believes others are out to get him. He believes that those around his wife/partner dislike him and encourage her to leave. 22)   He resists change and is described as inflexible, unwilling to compromise. 23)   He identifies with or compares himself to violent people in films, news stories, fiction, or history. He characterizes the violence of others as justified. 24)   He suffers mood swings or is sullen, angry, or depressed. 25)   He consistently blames others for problems of his own making; he refuses to take responsibility for the results of his actions. 26)   He refers to weapons as instruments of power, control, or revenge. 27)   Weapons are a substantial part of his persona; he has a gun or he talks about, jokes about, reads about, or collects weapons. 28)   He uses “male privilege” as a justification for his conduct (treats her like a servant, makes all the big decisions, acts like the “master of the house”). 29)   He experienced or witnessed violence as a child. 30)   His wife/partner fears he will injure or kill her. She has discussed this with others or has made plans to be carried out in the event of her death (e.g., designating someone to care for children).
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)