Curtain Cleaning Quotes

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Yes, when I get big and have my own home, no plush chairs and lace curtains for me. And no rubber plants. I'll have a desk like this in my parlor and white walls and a clean green blotter every Saturday night and a row of shining yellow pencils always sharpened for writing and a golden-brown bowl with a flower or some leaves or berries always in it and books . . . books . . . books. . . .
Betty Smith
I have realized that mystery is what keeps people away, and I’ve grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let’s peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write.
Amy Poehler (Yes Please)
But the address, if it ever existed, never was sent, which made me sad, there was so much I wanted to write her: that I'd sold two stories, had read where the Trawlers were countersuing for divorce, was moving out of the brownstone because it was haunted. But mostly, I wanted to tell about her cat. I had kept my promise; I had found him. It took weeks of after-work roaming through those Spanish Harlem streets, and there were many false alarms--flashes of tiger-striped fur that, upon inspection, were not him. But one day, one cold sunshiny Sunday winter afternoon, it was. Flanked by potted plants and framed by clean lace curtains, he was seated in the window of a warm-looking room: I wondered what his name was, for I was certain he had one now, certain he'd arrived somewhere he belonged. African hut or whatever, I hope Holly has, too.
Truman Capote (Breakfast at Tiffany’s and Three Stories)
The house was clean, scrubbed and immaculate, curtains washed, windows polished, but all as a man does it - the ironed curtains did not hang quite straight and there were streaks on the windows and a square showed on the table when a book was moved.
John Steinbeck (East of Eden)
Take it from cats If someone moves to make room for you, take up more room. If someone is looking over there, there’s something to see. If somebody sneezes, run. If someone brings a bag into your home, look inside it. If you don’t want someone to leave, sit on his suitcase. Clean between your toes. Flaunt your full figure. Hide loose change. Even though you can take care of yourself, it’s okay to let someone be nice to you. It’s fine to take a nap on the laundry. If you stand in a kitchen long enough, someone will feed you. If you’re alone in bed, use all the pillows. Just because it’s gorgeous outside doesn’t mean you have to go outside. Just because you can fit into something tight doesn’t mean that you belong in it. If you trust someone, open yourself like a cheap umbrella. If you want to be left alone, park yourself in a closet. If you want to surprise someone, lie in a bathtub and then jerk back the curtain when he sits on the toilet. If you’re not interested, don’t look interested. You don’t have to chase every bird that you see.
Helen Ellis (American Housewife)
Yes, when I get big and have my own home, no plush chairs and lace curtains for me. And no rubber plants. I'll have a desk like this in my parlor and white walls and a clean green blotter every Sunday night and a row of shining yellow pencils always sharpened for writing and a golden-brown bowl with a flower or some leaves or berries always in it and books...books..books.
Betty Smith
I had kept my promise; I had found him. It took weeks of after-work roaming through those Spanish Harlem streets, and there were many false alarms—flashes of tiger-striped fur that, upon inspection, were not him. But one day, one cold sunshiny Sunday winter afternoon, it was. Flanked by potted plants and framed by clean lace curtains, he was seated in the window of a warm-looking room: I wondered what his name was, for I was certain he had one now, certain he’d arrived somewhere he belonged. African hut or whatever, I hope Holly has, too.
Truman Capote (Breakfast at Tiffany's and Three Stories)
A war raged between my jokey and protective brain and my squishy and tender heart. I have realized that mystery is what keeps people away, and I've grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let's peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write.
Amy Poehler
So here we go, you and me. Because what else are we going to do? Say no? Say no to an opportunity that may be slightly out of our comfort zone? Quiet our voice because we are worried it is not perfect? I believe great people do things before they are ready. This is America and I am allowed to have healthy self-esteem. This book comes straight from my feisty and freckled fingers. Know it was a battle. Blood was shed. A war raged between my jokey and protective brain and my squishy and tender heart. I have realized that mystery is what keeps people away, and I’ve grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let’s peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write.
Amy Poehler (Yes Please)
Hiki Komori stirred Aurora away from the orgy and handed her a clean napkin. ‘Sorry about them. It’s the Rhapsody. To them, the real world is something akin to a cardboard reality.’ ‘Why do it at all?’ she pouted, trying to wipe her shoe with the napkin. ‘Why take the damn drug?’ ‘To escape their mortality, naturally. The great curtain call frightens them, so they avoid the applause. More so, they perform badly, spitting their lines out in spite. They are embittered and hungry and will no doubt eat your child. 'Yes, the soul of humanity will end in two days. But we’ve buried its body fifty decades before, wouldn’t you think? Come, Miss Aurora,’ he beckoned, ‘the lair of the Dragon runs deeper still.
Louise Blackwick (5 Stars)
Will you pour out tea, Miss Brent?' The el­der wom­an replied: 'No, you do it, dear. That tea-​pot is so heavy. And I have lost two skeins of my grey knitting-​wool. So an­noy­ing.' Ve­ra moved to the tea-​ta­ble. There was a cheer­ful rat­tle and clink of chi­na. Nor­mal­ity returned. Tea! Blessed or­di­nary everyday af­ter­noon tea! Philip Lom­bard made a cheery re­mark. Blore re­spond­ed. Dr. Arm­strong told a hu­mor­ous sto­ry. Mr. Jus­tice War­grave, who or­di­nar­ily hat­ed tea, sipped ap­prov­ing­ly. In­to this re­laxed at­mo­sphere came Rogers. And Rogers was up­set. He said ner­vous­ly and at ran­dom: 'Ex­cuse me, sir, but does any one know what's become of the bath­room cur­tain?' Lom­bard's head went up with a jerk. 'The bath­room cur­tain? What the dev­il do you mean, Rogers?' 'It's gone, sir, clean van­ished. I was go­ing round draw­ing all the cur­tai­ns and the one in the lav -​ bath­room wasn't there any longer.' Mr. Jus­tice War­grave asked: 'Was it there this morn­ing?' 'Oh, yes, sir.' Blore said: 'What kind of a cur­tain was it?' 'Scar­let oil­silk, sir. It went with the scar­let tiles.' Lom­bard said: 'And it's gone?' 'Gone, Sir.' They stared at each oth­er. Blore said heav­ily: 'Well - af­ter all-​what of it? It's mad - ​but so's everything else. Any­way, it doesn't matter. You can't kill any­body with an oil­silk cur­tain. For­get about it.' Rogers said: 'Yes, sir, thank you, sir.' He went out, shut­ting the door.
Agatha Christie (And Then There Were None)
I turned and held the blade above us all as an ineffective shield. The bloodstain on the ceiling now spread almost wall to wall; in our corner, a single triangle of clean space remained. Elsewhere torrents of blood fell in curtains, roaring, driving, gusting like rain waves in a thunderstorm. The floor was awash. It pooled between the floorboards and lashed up against the wainscoting. The chandelier dripped with it: the crystals shone red. Now I knew why the chamber was without furniture of any kind, why it had been deserted for so many years. Now I knew why it had the name it did.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
So what do I do? What do we do? How do we move forward when we are tired and afraid? What do we do when the voice in our head is yelling that WE ARE NEVER GONNA MAKE IT? How do we drag ourselves through the muck when our brain is telling us youaredumbandyouwillneverfinishandnoonecaresanditistimeyoustop? Well, the first thing we do is take our brain out and put it in a drawer. Stick it somewhere and let it tantrum until it wears itself out. You may still hear the brain and all the shitty things it is saying to you, but it will be muffled, and just the fact that it is not in your head anymore will make things seem clearer. And then you just do it. You just dig in and write it. You use your body. you lean over the computer and stretch and pace. You write and then cook something and write some more. you put your hand on your heart and feel it beating and decide if what you wrote feels true. You do it because the doing of it is the thing. The doing is the thing. The talking and worrying and thinking is not the thing. That is what I know. Writing the book is about writing the book. So here we go, you and me. Because what else are we going to do? Say no? Say no to an opportunity that may be slightly out of our comfort zone? Quiet our voice because we are worried it is not perfect? I believe great people do things before they are ready. This is America and I am allowed to have healthy self-esteem. This book comes straight from my feisty and freckled fingers. Know it was a battle. Blood was shed. A war raged between my jokey and protective brain and my squishy and tender heart. I have realized that mystery is what keeps people away, and I've grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let's peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write.
Amy Poehler (Yes Please)
I have realized that mystery is what keeps people away, and I’ve grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let’s peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around.
Amy Poehler (Yes Please)
So, we had our slices served out, as if we were two thousand troops on a forced march instead of a man and boy at home; and we took gulps of milk and water, with apologetic countenances, from a jug on the dresser. In the meantime, Mrs. Joe put clean white curtains up, and tacked a new flowered-flounce across the wide chimney to replace the old one,
Charles Dickens (Great Expectations)
A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.
Maya Angelou (A Brave and Startling Truth)
over our house. My mother became nearly mute and more often than not the only sound from her was weeping. She kept the curtains drawn so that it felt as if permanent night had fallen. Never much concerned anyway with her mundane domestic duties she completely stopped cooking and cleaning and sat for hours in the quiet dark of the living room. She was flesh without spirit, eyes without sight. It felt as
William Kent Krueger (Ordinary Grace)
What is this, behind this veil, is it ugly, is it beautiful? It is shimmering, has it breasts, has it edges? I am sure it is unique, I am sure it is what I want. When I am quiet at my cooking I feel it looking, I feel it thinking 'Is this the one I am too appear for, Is this the elect one, the one with black eye-pits and a scar? Measuring the flour, cutting off the surplus, Adhering to rules, to rules, to rules. Is this the one for the annunciation? My god, what a laugh!' But it shimmers, it does not stop, and I think it wants me. I would not mind if it were bones, or a pearl button. I do not want much of a present, anyway, this year. After all I am alive only by accident. I would have killed myself gladly that time any possible way. Now there are these veils, shimmering like curtains, The diaphanous satins of a January window White as babies' bedding and glittering with dead breath. O ivory! It must be a tusk there, a ghost column. Can you not see I do not mind what it is. Can you not give it to me? Do not be ashamed--I do not mind if it is small. Do not be mean, I am ready for enormity. Let us sit down to it, one on either side, admiring the gleam, The glaze, the mirrory variety of it. Let us eat our last supper at it, like a hospital plate. I know why you will not give it to me, You are terrified The world will go up in a shriek, and your head with it, Bossed, brazen, an antique shield, A marvel to your great-grandchildren. Do not be afraid, it is not so. I will only take it and go aside quietly. You will not even hear me opening it, no paper crackle, No falling ribbons, no scream at the end. I do not think you credit me with this discretion. If you only knew how the veils were killing my days. To you they are only transparencies, clear air. But my god, the clouds are like cotton. Armies of them. They are carbon monoxide. Sweetly, sweetly I breathe in, Filling my veins with invisibles, with the million Probable motes that tick the years off my life. You are silver-suited for the occasion. O adding machine----- Is it impossible for you to let something go and have it go whole? Must you stamp each piece purple, Must you kill what you can? There is one thing I want today, and only you can give it to me. It stands at my window, big as the sky. It breathes from my sheets, the cold dead center Where split lives congeal and stiffen to history. Let it not come by the mail, finger by finger. Let it not come by word of mouth, I should be sixty By the time the whole of it was delivered, and to numb to use it. Only let down the veil, the veil, the veil. If it were death I would admire the deep gravity of it, its timeless eyes. I would know you were serious. There would be a nobility then, there would be a birthday. And the knife not carve, but enter Pure and clean as the cry of a baby, And the universe slide from my side.
Sylvia Plath
As I followed the chief waiter with my eyes, I could not help thinking that the garden in which he had gradually blown to be the flower he was, was an arduous place to rise in. It had such a prescriptive, stiff-necked, long-established, solemn, elderly air. I glanced about the room, which had had its sanded floor sanded, no doubt, in exactly the same manner when the chief waiter was a boy - if he ever was a boy, which appeared improbable; and at the shining tables, where I saw myself reflected, in unruffled depths of old mahogany; and at the lamps, without a flaw in their trimming or cleaning; and at the comfortable green curtains, with their pure brass rods, snugly enclosing the boxes; and at the two large coal fires, brightly burning; and at the rows of decanters, burly as if with the consciousness of pipes of expensive old port wine below; and both England and the law appeared to me to be very difficult indeed to be taken by storm.
Charles Dickens (David Copperfield)
It was her only room, I now saw, trying not to look around too conspicuously—it served as her kitchen, bedroom, and sitting area. It was immaculately clean, the narrow bed in one corner made up with a white quilt and ornamented with several white pillows embroidered in bright colors. Next to the bed stood a table that held a book, a lamp with a glass chimney, and a pair of eyeglasses, and beside that a small chair. At the foot of the bed was a wooden chest, painted with flowers. The kitchen area, where we sat, consisted of a simple cookstove and a table and chairs. There was no electricity, nor was there a bathroom (I learned about the outhouse in the back garden only later in the visit). On one wall hung a calendar with a photograph of workers in a factory, and on another wall hung a piece of embroidery in red and white. There were flowers in a jar and white curtains at the windows. A tiny woodstove stood near the kitchen table, with sticks of wood piled next to it.
Elizabeth Kostova (The Historian)
Therefore, brothers, since we have confidence to enter the holy places by the blood of Jesus, by the new and living way that he opened for us through the curtain, that is, through his flesh, and since we have a great priest over the house of God, let us draw near with a true heart in full assurance of faith, with our hearts sprinkled clean from an evil conscience and our bodies washed with pure water. Let us hold fast the confession of our hope without wavering, for he who promised is faithful.
Anonymous (ESV Reader's Bible)
All elves were jaw-droppingly gorgeous, but there was something particularly handsome about Keefe Sencen—and the boy was well aware of it. Though he seemed a little off his game at the moment. His smug smirk was noticeably absent as he scrounged around his blankets, searching for something. “Here,” Ro said, tossing Keefe a wrinkled black tunic from the floor. “Bet you’re wishing it didn’t smell so much like sweaty boy in here, huh?” “It’s fine,” Sophie promised, even if the room could definitely use some airing out. A good cleaning would work wonders too. Everywhere she looked were piles of crumpled clothes and scattered shoes and stacks of papers and plates of half-eaten food. And all the thick curtains were drawn tight, leaving the space dim and stuffy. The room was clearly designed to be beautiful, with marble floors broken up by rugs woven to look like pristine sand, and seafoam walls inlaid with starfish and anemone shells. But under Keefe’s care, it was a disaster zone. Even the furniture had a strange randomness to the arrangement that made Sophie wonder if he’d moved it all just to bug his dad.
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
She was a clean, mean old woman. She looked at the dust-gray rotting curtains, threw them out, and made new ones. She dug grease out of the stove that had been there since Charles’ mother died. And she leached the walls of a brown shiny nastiness deposited by cooking fat and kerosene lamps. She pickled the floors with lye, soaked the blankets in sal soda, complaining the whole time to herself, “Men—dirty animals. Pigs is clean compared. Rot in their own juice. Don’t see how no woman ever marries them. Stink like measles. Look at oven—pie juice from Methusaleh.
John Steinbeck (East of Eden)
She visited a nursing home nearby. 'It was actually one of the nicer ones,' she said. 'It was clean.' But it was a nursing home. 'You had the people in their wheelchairs all slumped over and lined up in the corridors. It was horrible.' It was the sort of place, she said, that her father feared more than anything. 'He did not want his life reduced to a bed, a dresser, a tiny TV, and half of a room with the curtain between him and someone else.' But, she said, as she walked out of the place she thought, 'This is what I have to do.' Awful as it seemed, it was where she had to put him. Why, I asked?
Atul Gawande (Being Mortal: Medicine and What Matters in the End)
And now he learned how men can consider other men as beasts and that the easiest way to get along with such men was to be a beast. A clean face, an open face, an eye raised to meet an eye—these drew attention and attention drawn brought punishment. Adam thought how a man doing an ugly or a brutal thing has hurt himself and must punish someone for the hurt. To be guarded at work by men with shotguns, to be shackled by the ankle at night to a chain, were simple matters of precaution, but the savage whippings for the least stir of will, for the smallest shred of dignity or resistance, these seemed to indicate that guards were afraid of prisoners, and Adam knew from his years in the army that a man afraid is a dangerous animal. And Adam, like anyone in the world, feared what whipping would do to his body and his spirit. He drew a curtain around himself. He removed expression from his face, light from his eyes, and silenced his speech. Later he was not so much astonished that it had happened to him but that he had been able to take it and with a minimum of pain. It was much more horrible afterward than when it was happening. It is a triumph of self-control to see a man whipped until the muscles of his back show white and glistening through the cuts and to give no sign of pity or anger or interest. And Adam learned this.
John Steinbeck (East of Eden)
Fireheart sprang forward and burst through the curtain of lichen. Tigerclaw and Bluestar were writhing on the floor of the den. Bluestar’s claws scored again and again across Tigerclaw’s shoulder, but the deputy’s greater weight kept her pinned down in the soft sand. Tigerclaw’s fangs were buried in her throat, and his powerful claws raked her back. “Traitor!” Fireheart yowled. He flung himself at Tigerclaw, slashing at his eyes. The deputy reared back, forced to release his grip on Bluestar’s throat. Fireheart felt his claws rip through the deputy’s ear, spraying blood into the air. Bluestar scrambled to the side of the den, looking half stunned. Fireheart could not tell how badly hurt she was. Pain lanced through him as Tigerclaw gashed his side with a blow from his powerful hindpaws. Fireheart’s paws skidded in the sand and he lost his balance, hitting the ground with Tigerclaw on top of him. The deputy’s amber eyes blazed into his. “Mousedung!” he hissed. “I’ll flay you, Fireheart. I’ve waited a long time for this.” Fireheart summoned every scrap of skill and strength he possessed. He knew Tigerclaw could kill him, but in spite of that he felt strangely free. The lies and the need for deceit were over. The secrets—Bluestar’s and Tigerclaw’s—were all out in the open. There was only the clean danger of battle. He aimed a blow at Tigerclaw’s throat, but the deputy swung his head to one side and Fireheart’s claws scraped harmlessly through thick tabby fur. But the blow had loosened Tigerclaw’s grip on him. Fireheart rolled away, narrowly avoiding a killing bite to his neck. “Kittypet!” Tigerclaw taunted, flexing his haunches to pounce again. “Come and find out how a real warrior fights.” He threw himself at Fireheart, but at the last moment Fireheart darted aside. As Tigerclaw tried to turn in the narrow den, his paws slipped on a splash of blood and he crashed awkwardly onto one side. At once Fireheart saw his chance. His claws sliced down to open a gash in Tigerclaw’s belly. Blood welled up, soaking into the deputy’s fur. He let out a high-pitched caterwaul. Fireheart pounced on him, raking claws across his belly again, and fastening his teeth into Tigerclaw’s neck. The deputy struggled vainly to free himself, his thrashing growing weaker as the blood flowed. Fireheart let go of his neck, planting one paw on Tigerclaw’s outstretched foreleg, and the other on his chest. “Bluestar!” he called. “Help me hold him down!” Bluestar was crouching behind him in her moss-lined nest. Blood trickled down her forehead, but that did not alarm Fireheart as much as the look in her eyes. They were a vague, cloudy blue, and she stared horror-struck in front of her as if she was witnessing the destruction
Erin Hunter (Warriors Boxed Set (Books 1-3))
Why couldn't my mother and I figure out how it was done? My mother deserved a home. It didn't even need to be a mansion, just a little cottage with a rose garden and cream colored curtains and rugs that were soft and clean and kissed your bare feet as you walked across them. That would be plenty. It mad me mad that my mother didn't have nice things, madder still that I couldn't provide them for her, and furious that I couldn't say any of this aloud, because my mother was striving to be upbeat. Taking care of my mother meant saying nothing to disrupt her fragile optimism, so I would press my forehead against the window, harder until it hurt, and shift my focus from the mansions to my reflection in the glass.
J.R. Moehringer (The Tender Bar: A Memoir)
Did I...' 'Ser the curtains on fire?' He lifts a brow. 'Yes.' 'Oh.' I can't find it in me to be embarrassed, so I brush the backs of my fingers across the stubble along his jaw. 'And you put it out.' 'Yes. Right before I destroyed your throwing target.' He grimaces. 'I'll get you a new one.' I glance over at the armoire. 'And we...' 'Yep.' He lifts his brows. 'and I'm pretty sure you need a new chair, too.' 'That was...' I didn't even get the man's pants entirely off, and my dressing gown is haphazardly hanging from one shoulder. 'Frighteningly perfect.' He cups the side of my face. ' We should get you cleaned up and to sleep. We can worry about... your room tomorrow. Ironically, your bed is the only thing we didn't wreck.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
to look around. At first sight, the apartment was perfectly ordinary. He made a quick circuit of the living room, kitchenette, bathroom, and bedroom. The place was tidy enough, but with a few items strewn here and there, the sort of things that might be left lying around by a busy person—a magazine, a half-finished crossword puzzle, a book left open on a night table. Abby had the usual appliances—an old stove and a humming refrigerator, a microwave oven with an unpronounceable brand name, a thirteen-inch TV on a cheap stand, a boom box near a modest collection of CDs. There were clothes in her bedroom closet and silverware, plates, and pots and pans in her kitchen cabinets. He began to wonder if he’d been unduly suspicious. Maybe Abby Hollister was who she said she was, after all. And he’d taken a considerable risk coming here. If he was caught inside her apartment, all his plans for the evening would be scotched. He would end up in a holding cell facing charges that would send him back to prison for parole violation. All because he’d gotten a bug up his ass about some woman he hardly knew, a stranger who didn’t mean anything. He decided he’d better get the hell out. He was retracing his steps through the living room when he glanced at the magazine tossed on the sofa. Something about it seemed wrong. He moved closer and took a better look. It was People, and the cover showed two celebrities whose recent marriage had already ended in divorce. But on the cover the stars were smiling over a caption that read, Love At Last. He picked up the magazine and studied it in the trickle of light through the filmy curtains. The date was September of last year. He put it down and looked at the end tables flanking the sofa. For the first time he noticed a patina of dust on their surfaces. The apartment hadn’t been cleaned in some time. He went into the kitchen and looked in the refrigerator. It seemed well stocked, but when he opened the carton of milk and sniffed, he discovered water inside—which was just as well, since the milk’s expiration period had ended around the time that the People cover story had been new. Water in the milk carton. Out-of-date magazine on the sofa. Dust everywhere, even coating the kitchen counters. Abby didn’t live here. Nobody did. This apartment was a sham, a shell. It was a dummy address, like the dummy corporations his partner had set up when establishing the overseas bank accounts. It could pass inspection if somebody came to visit, assuming the visitor didn’t look too closely, but it wasn’t meant to be used. Now that he thought about it, the apartment was remarkable for what
Michael Prescott (Dangerous Games (Abby Sinclair and Tess McCallum, #3))
Stockholm, May 1943 I am on a stake, thought eighteen-year-old Tatiana, waking up one cold summer morning. I cannot live like this anymore. She got up from the bed, washed, brushed her hair, collected her books and her few clothes, and then left the hotel room as clean as if she had not been in it for over two months. The white curtains blowing a breeze into the room were unrelenting. Inside herself was unrelenting. Over the desk there was an oval mirror. Before Tatiana tied up her hair she stared at her face. What stared back at her was a face she no longer recognized. Gone was the round baby shape; a gaunt oval remained over her drawn cheekbones and her high forehead and her squared jaw and her clenched lips. If she had dimples still, they did not show; it had been a long time since her mouth bared teeth or dimples. The scar on her cheek from the piece of the broken windshield had healed and was fading into a thin pink line. The freckles were fading too, but it was the eyes Tatiana recognized least of all. Her once twinkling green eyes set deep into the pale features looked as if they were the only ghastly crystal barriers between strangers and her soul. She couldn’t lift them to anyone. She could not lift them to herself. One look into the green sea, and it was clear what raged on behind the frail façade. Tatiana brushed her shoulder blade-length platinum hair. She didn’t hate her hair anymore. How could she, for Alexander had loved it so much. She would not think of it. She wanted to cut it all off, shear herself like a lamb before the slaughter, she wanted to cut her hair and take the whites out of her eyes and the teeth out of her mouth and tear the arteries out of her throat.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
For most people moving is a tiring experience. When on the verge of moving out to a new home or into a new office, it's only natural to focus on your new place and forget about the one you’re leaving. Actually, the last thing you would even think about is embarking on a heavy duty move out clean. However, you can be certain that agents, landlords and all the potential renters or buyers of your old home will most definitely notice if it's being cleaned, therefore getting the place cleaned up is something that you need to consider. The process of cleaning will basically depend to things; how dirty your property and the size of the home. If you leave the property in good condition, you'll have a higher the chance of getting back your bond deposit or if you're selling, attracting a potential buyer. Below are the steps you need to consider before moving out. You should start with cleaning. Remove all screws and nails from the walls and the ceilings, fill up all holes and dust all ledges. Large holes should be patched and the entire wall checked the major marks. Remove all the cobwebs from the walls and ceilings, taking care to wash or vacuum the vents. They can get quite dusty. Clean all doors and door knobs, wipe down all the switches, electrical outlets, vacuum/wipe down the drapes, clean the blinds and remove all the light covers from light fixtures and clean them thoroughly as they may contain dead insects. Also, replace all the burnt out light bulbs and empty all cupboards when you clean them. Clean all windows, window sills and tracks. Vacuum all carpets or get them professionally cleaned which quite often is stipulated in the rental agreement. After you've finished the general cleaning, you can now embark on the more specific areas. When cleaning the bathroom, wash off the soap scum and remove mould (if any) from the bathroom tiles. This can be done by pre-spraying the tile grout with bleach and letting it sit for at least half an hour. Clean all the inside drawers and vanity units thoroughly. Clean the toilet/sink, vanity unit and replace anything that you've damaged. Wash all shower curtains and shower doors plus all other enclosures. Polish the mirrors and make sure the exhaust fan is free of dust. You can generally vacuum these quite easily. Finally, clean the bathroom floors by vacuuming and mopping. In the kitchen, clean all the cabinets and liners and wash the cupboards inside out. Clean the counter-tops and shine the facet and sink. If the fridge is staying give it a good clean. You can do this by removing all shelves and wash them individually. Thoroughly degrease the oven inside and out. It's best to use and oven cleaner from your supermarket, just take care to use gloves and a mask as they can be quite toxic. Clean the kitchen floor well by giving it a good vacuum and mop . Sometimes the kitchen floor may need to be degreased. Dust the bedrooms and living room, vacuum throughout then mop. If you have a garage give it a good sweep. Also cut the grass, pull out all weeds and remove all items that may be lying or hanging around. Remember to put your garbage bins out for collection even if collection is a week away as in our experience the bins will be full to the brim from all the rubbish during the moving process. If this all looks too hard then you can always hire a bond cleaner to tackle the job for you or if you're on a tight budget you can download an end of lease cleaning checklist or have one sent to you from your local agent. Just make sure you give yourself at least a day or to take on the job. Its best not to rush through the job, just make sure everything is cleaned thoroughly, so it passes the inspection in order for you to get your bond back in full.
Tanya Smith
It makes you worry about what people think about who you married, or if your new house you bought is less expensive than the last one you bought, or that your husband may have a roving eye.” Amanda felt a sudden twinge of sympathy, and ruthlessly tried to quell it. She really didn’t want to feel it for the mayor at all. “Doesn’t excuse her bad behavior, I know, but thought it would help for you to hear a bit about her. My Dad says she used to be really well-liked in town. She didn’t always push people around like this.” Amanda thought about that, trying to imagine the mayor as a carefree bride, hopeful for her future. It wasn’t easy. She needed some time to think about it. Maybe the mayor changed because she thought she had to change, or because she was afraid what would happen to her world if she didn’t. Maybe she was just trying to survive. Amanda subdued any twinges of compassion as she furiously cleaned in the corner between the wall and the massive bed. Yes, people change, she thought, but that doesn’t give anyone the right to treat other people like garbage. Just because she had a bad life doesn’t mean she can act like she rules everyone else. She saw the corner of the torn envelope the moment she flipped back the corner of the rug. She picked it up and was just going to toss it into the small garbage can she was dragging with her through the room, when her eyes caught some writing on the outside. YOU HAVE TWO HOURS Big dark letters, written in an angry scrawl across the front. Amanda’s blood ran cold. This wasn’t a piece of mail carelessly left. This was something that had been deliberately hidden, and that was much more personal and angry. She glanced sideways at James, who was busy ripping down the heavy velvet curtains, a cloud of dust poofing around his head. It took only a moment for Amanda to fold the envelope in half and stuff it into her pocket. She patted it hard to ensure there’d be no telltale bulge, and pulled the
Carolyn L. Dean (Bed, Breakfast & Bones (Ravenwood Cove Mystery #1))
In Hiding - coming summer of 2020 WAYNE ANTHONY SEEKS REDEMPTION FROM A BAD DAY - Although warned about getting the stitches wet, he believed a hot shower was the only road to his redemption. Experienced taught him the best way to relieve the tightness in his lower back was by standing beneath the near-scalding water. Dropping the rest of his clothing, he turned the shower on full blast. The hot water rushed from the showerhead filling the tiny room with steam, instantly the small mirror on the medicine cabinet fogged up. The man quietly pulled the shower curtain back and entered the shower stall without a sound. Years of acting as another’s shadow had trained him to live soundlessly. The hot water cascaded over his body as the echo from the pounding water deadened slightly. Grabbing the sample sized soap, he pulled the paper off and tossed the wrapper over the curtain rail. Wayne rubbed the clean smelling block until his large hands disappeared beneath the lather. He ignored the folded washcloth, opting to use his hands across his body. Gently he cleaned the injury allowing the slime of bacterial soap to remove the residual of the rust-colored betadine. All that remained when he finished was the pale orange smear from the antiseptic. This scar was not the only mar to his body. The water cascaded down hard muscles making rivulets throughout the thatches of dark hair. He raised his arms gingerly as he washed beneath them; the tight muscles of his abdomen glistened beneath the torrent of water. Opening a bottle of shampoo-slash-conditioner, he applied a dab then ran his hands across his scalp. Finally, the tension in his square jaw had eased, making his handsome face more inviting. The cords of his neck stood out as he rinsed the shampoo from his hair. It coursed down his chest leading down to his groin where the scented wash caught in his pelvic hair. Wayne's body was one of perfection for any woman; if that was, she could ignore the mutilations. Knife injuries left their mark with jagged white lines. Most of these, he had doctored himself; his lack of skill resulted in crude scars. The deepest one, undulated along the left side of his abdomen, that one had required the art of a surgeon. Dropping his arms, he surrenders himself to the pelting deluge from the shower. The steamy water cascaded down his body, pulling the soap toward the drain. Across his back, it slid down several small indiscernible pockmarks left by gunshot wounds, the true extent of their damage far beneath his skin. Slowly the suds left his body, snaking down his muscular legs. It slithered down the scars on his left knee, the result of replacement surgery after a thug took a bat to it. Wayne stood until the hot water cooled, and ran translucent over his body. Finally, he washes the impact of the long day from his mind and spirit.
Caroline Walken
As Frank promised, there was no other public explosion. Still. The multiple times when she came home to find him idle again, just sitting on the sofa staring at the rug, were unnerving. She tried; she really tried. But every bit of housework—however minor—was hers: his clothes scattered on the floor, food-encrusted dishes in the sink, ketchup bottles left open, beard hair in the drain, waterlogged towels bunched on bathroom tiles. Lily could go on and on. And did. Complaints grew into one-sided arguments, since he wouldn’t engage. “Where were you?” “Just out.” “Out where?” “Down the street.” Bar? Barbershop? Pool hall. He certainly wasn’t sitting in the park. “Frank, could you rinse the milk bottles before you put them on the stoop?” “Sorry. I’ll do it now.” “Too late. I’ve done it already. You know, I can’t do everything.” “Nobody can.” “But you can do something, can’t you?” “Lily, please. I’ll do anything you want.” “What I want? This place is ours.” The fog of displeasure surrounding Lily thickened. Her resentment was justified by his clear indifference, along with his combination of need and irresponsibility. Their bed work, once so downright good to a young woman who had known no other, became a duty. On that snowy day when he asked to borrow all that money to take care of his sick sister in Georgia, Lily’s disgust fought with relief and lost. She picked up the dog tags he’d left on the bathroom sink and hid them away in a drawer next to her bankbook. Now the apartment was all hers to clean properly, put things where they belonged, and wake up knowing they’d not been moved or smashed to pieces. The loneliness she felt before Frank walked her home from Wang’s cleaners began to dissolve and in its place a shiver of freedom, of earned solitude, of choosing the wall she wanted to break through, minus the burden of shouldering a tilted man. Unobstructed and undistracted, she could get serious and develop a plan to match her ambition and succeed. That was what her parents had taught her and what she had promised them: To choose, they insisted, and not ever be moved. Let no insult or slight knock her off her ground. Or, as her father was fond of misquoting, “Gather up your loins, daughter. You named Lillian Florence Jones after my mother. A tougher lady never lived. Find your talent and drive it.” The afternoon Frank left, Lily moved to the front window, startled to see heavy snowflakes powdering the street. She decided to shop right away in case the weather became an impediment. Once outside, she spotted a leather change purse on the sidewalk. Opening it she saw it was full of coins—mostly quarters and fifty-cent pieces. Immediately she wondered if anybody was watching her. Did the curtains across the street shift a little? The passengers in the car rolling by—did they see? Lily closed the purse and placed it on the porch post. When she returned with a shopping bag full of emergency food and supplies the purse was still there, though covered in a fluff of snow. Lily didn’t look around. Casually she scooped it up and dropped it into the groceries. Later, spread out on the side of the bed where Frank had slept, the coins, cold and bright, seemed a perfectly fair trade. In Frank Money’s empty space real money glittered. Who could mistake a sign that clear? Not Lillian Florence Jones.
Toni Morrison (Home)
Clear Your Mind   Clearing your mind is the same as clearing your environment. Seeing a lot of stuff cluttered on the floor or disorganized in your cabinets can make you crazy. Your mind becomes confused with a lot of things that you see and this might cause you headaches. Try to organize your things in boxes, clean your room, fix your bed, sweep your floor, open your curtains to let the sunshine in and arrange things according to size or color. If you work on your desk, this is the best time to organize documents into folders, arrange them properly in drawers and throw out those that are not needed anymore. Making a habit of cleaning your environment can clear your mind and can make your life easier.
Kerry Elise (The Best of Dr. Oz: Medical Secrets)
on cable. "Could it be? Yes, it is! Broccoli kicks the bucket. A Christmas miracle. God bless us, every one." He's on his knees with his hands folded in prayer, looking up at the ceiling. "Alright wise guy, help your sister out and clean it up." Ryan is not as amused. It gets dark early this time of year. By five o'clock it's pitch black and the lights are on outside while the curtains inside the house are drawn shut. When I was much younger last year, I would try playing out in the backyard after the sun went down and I kept running head first into the wooden fence. If I remember right, it probably took about ten collisions
Patrick Yearly (A Lonely Dog on Christmas)
I have realized that mystery is what keeps people away, and I’ve grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let’s peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around.
Anonymous
He pulled out a couple of mugs while she warmed up the cocoa. He chuckled and she turned to see what was funny and nearly had a heart attack. He was holding one hot pink and white mug while reading it, the other sitting on the counter: Men should be like my curtains, easy to pull and well hung. Her lips parted, she had to have turned cherry red, and she turned away quickly before she burned the cocoa. Now what? Explain that a friend had given them to her when her last boyfriend and she had parted company? Or just ignore the fact that they were drinking out of those cups while she was having hot cocoa with him and pretend she wasn’t embarrassed to the tip of her toes? He brought the mugs over. “Anything else?” “There’s a can of whipped cream in the fridge, if you want some.” “Real cream,” he said, eyeing the can. “Looks good.” He gave it to her, and he lifted the mugs. She shook up the can and pointed it at the right mug, pushed the nozzle, and the cream dripped and fizzled. Not to be thwarted, she shook it again, hoping that it wasn’t defective. And then the whipped cream swirled around with perfect ridges in a twirl on top with a cute little pointy peak. Perfect. Then she turned to the other mug, shook the can again, and pushed the nozzle. It was working great until halfway through her little mountain of whipped cream twirling to perfection, when the nozzle malfunctioned again and spewed whipped cream everywhere. In horror, she stopped what she was doing and stared at the white cream splattered all over Allan’s chest and a few that had dotted his boxer briefs. Her mouth agape, she glanced up at him. His eyes sparkled with mirth and he laughed. “Oh, oh, let me get something to wipe it up,” she said, belatedly, and set the can of whipped cream on the counter. She grabbed some paper towels and wetted them, then rushed back to wipe the mess up. He was still holding onto both hot pink mugs of cocoa. She had every intention of taking one of the mugs and letting him clean himself, but he just moved his arms apart as if to say she made the mess, she could wash it up. She thought she was going to die. Yes, he was totally hot. And yes, she’d fantasized about making love to him—since they were both unattached, and she truly liked him. But in her wildest dreams she would never have imagined making him cocoa in the middle of the night in her duplex while he stood in sexy silk briefs, not baggy, but nice and form fitting, and then she proceeded to splatter him with whipped cream. All over his tanned chest and those black briefs.
Terry Spear (SEAL Wolf In Too Deep (Heart of the Wolf, #18))
At the end of June, we had to move from our flat. Exxon had extended my husband’s assignment for another six months and the landlord wanted a huge rent increase that the company would not cover. At the beginning of July, we moved to 11 Eaton Mews South, a small carriage house I had found. The house was owned by an American expatriate, Jud James, who had installed new appliances and cleaned all the curtains and carpets for us--a considerable improvement over the flat. Jud was proud of the fact that earlier on he had leased his house for a while to Richard Leakey, the famous anthropologist. I wonder how Jud felt when the young nanny in his house became engaged to the Prince of Wales.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
I have realized that mystery is what keeps people away, and I’ve grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let’s peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write. Except
Amy Poehler (Yes Please)
I’ve grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let’s peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write.
Amy Poehler (Yes Please)
Mistress Rafferty,” began the Sergeant in self-conscious formality of tone, “I am a much older man than the one we have just laid to rest, but I am sober, honest and mindful of the plight of those placed in the situation you find yourself facing. You must take another husband straightway, and there’s many’ll be lining up for the privilege. First, though, I wants to put a proposition before you. My age is forty-six, and I’m due for promotion again before too long passes. I drinks a spot of porter now and again, but no more than that. As a boy I was school-taught and I keeps my hand in by studying from books. I’m clean and tidy about the place, and mostly of a quiet disposition. As a sergeant I earns enough to be comfortable, and my quarters is shaded by trees so it don’t get too plaguey hot. I’ve watched you, Mistress Rafferty, and it seems to me you’re a hard-working girl with fingers that are nimble and a disposition that’s livelier than most. I wouldn’t ask nothing of you save housekeeping and a mite of companionship. In return, I offers you the quietness of my quarters, the use of my books, and a trusty protection. You can have a bed of your own behind a curtain, and the freedom to make the place suitable for a female to occupy.” He shifted from the stiff pose he had adopted and fingered his brown moustache nervously. “I’m a lonely sort of man, Mistress Rafferty, and I’d be a dutiful husband. Oh yes,” he added quickly, as if remembering something he had left out of the rehearsed speech, “I won’t fill the place with the smoke of my cigars to upset you, but step outside when I lights one.
Elizabeth Darrell (Forget the Glory)
The airport was small, clean, and mostly empty. Outside it was pitch-black, as if someone had hung blackout curtains on the windows.
Glynnis MacNicol (No One Tells You This)
If the future was to be defined by a more honest and nuanced sexual culture, one in which sexual diversity was valued, the people with maximalist ambitions were futurists, and they had knowledge unavailable to those who had not considered their extremes. A better sexuality, if such a thing were possible, would be discovered by people who explored the widest range of sexual practice, not those who treated it as resistant to literal representation. I valued the ideas of feminism that spoke of liberating feminine sexuality from masculine ideas of sexiness, but it was as if, having cleaned out the clutter of masculine pornographic language and imagery, the only inoffensive concept left was a spartan white room dotted with patches of sunlight, starched curtains gently blowing from the open floor-to-ceiling windows.
Emily Witt (Future Sex: A New Kind of Free Love)
These are for you.  You have two choices.  You can use them when Rachel’s gone, or you can wait until she’s back, and I’m sure she’d be happy to help you.” He studied me for a moment then walked out of the kitchen, turning toward the bathroom.  I followed a few steps behind. A startled yelp escaped me when I rounded the corner and caught sight of a naked backside.  Without much thought, I tossed the soap and toothbrush in and slammed the door shut. “You could have waited until I put the stuff in there,” I said through the door as my heart thundered in my ears.  I took a steadying breath and heard the water turn on, the clink of his dog tag hitting the sink, then the shower curtain move. Who would have thought he would even know how to use a shower?  I hadn’t.  On the way home, I’d started to think of all the different things I would need to explain, like making sure to position the curtain inside the tub.  Standing outside the door, still reeling from the view I’d gotten, I realized I might see the same thing again if I didn’t get him a towel. I’d packed two bath towels.  Purchased from a discount store, they both sported gaudy floral designs.  I grabbed one and waited outside the door again until I heard him splashing in the shower.  Then, I knocked. “I have a towel for you,” I said through the door.  “If you’re still in the shower, I can open the door and toss it on the toilet seat.  Okay?”  I didn’t hear anything.  No surprise.  “Okay, I’m coming in.”  I waited a moment for any indication that I shouldn’t enter. When the water continued to run, I cautiously opened the door.  As soon as I saw a clear path to the toilet seat, I tossed the towel.  Standing just inside the bathroom with my hand wrapped around the door handle for a quick exit, I paused.  His new toothbrush rested on the sink. “My toothpaste is the one marked with the pink nail polish on the cap.  I’ll let you use it as long as you promise not to squeeze the tube from the middle.” His answer took the form of an accurately aimed splash of water over the top of the shower curtain.  I barely dodged it. “You’re cleaning that up.” I
Melissa Haag (Hope(less) (Judgement of the Six #1))
A raindrop strikes the lawn, sending up a tiny plume of dust. Others follow, a barrage of dusty explosions bursting all around me. The leaves of the banyan tree rebound from their impact. The parrots disappear from sight. In the distance, the clouds seem to reach down to touch the earth. And then a curtain of water falls quietly and shatters across the city with a terrifying roar, drenching me instantly. I hear the hot concrete of the driveway hissing, turning rain back into steam, and I smell the dead grass that lies under the dirt of the lawn. I fill my mouth with water, gritty at first, then pure and clean, and roll into a ball with my face pressed against my knees, sucking on a hailstone, shivering as wet cloth sticks to my body. Heavy drops beat their beat on my back and I rock slowly, my thoughts silenced by the violence of the storm, gasping in the sudden, unexpected cold.
Mohsin Hamid (Moth Smoke)
CHRISTMAS FUSS IN BARBADOS IN THE 70’S 1.BUY A BOTTLE OF FALERNUM 2.PUT DOWN CONGOLEUM IN THE SHEDROOF, AFTER SCRUBBING/VARNISHING THE FLOOR 3.WASH DOWN THE HOUSE AND CLEANED THE WINDOWS 4.BAKE GREAT CAKE AND PUDDING 5.GRATE COCONUTS TO MAKE SWEETBREAD 6.HUNG UP CURTAIN RODS/ NEW CURTAINS ON CHRISTMAS EVE 7.TRUST CREAM SACHETS IN FANCY BOTTLES/BIG WHEEL COLOGNE, SKIN SOFTENERS FROM AVON LADY 8.BUY ENGLISH APPLES AND A SHADDOCK FROM THE MARKET 9.WEED AROUND THE HOUSE 10. A CASE OF SOFT DRINKS-JU-C, FRUTEE, BIM, BBC GINGER, COKES 11.GO TO ELLIS QUARRY AND GET SOME MARL 12.PICK GREEN PEAS 13.STEEP SORREL 14.CHANGE THE CUSHION COVERS 15.SANDPAPER THE MAHOGANY CHAIRS 16.CLEAN THE CABINET AND WASHED ALL THE FINE CHINA 17.BUY HAM IN WHITE BURLAP BAG 18.DECANTER OF PORT WINE 19.PICK UP CLOTHES FROM THE NEEDLE WORKER 20.WASH AND PRESS HAIR 21.BUY PIECE OF FRESH PORK 2016
Charmaine J. Forde
The soul wants to forget all other realities to create the appearance of starting with a clean slate and then act like it is “discovering” and “learning” and what’s most important: Experiencing surprise – a concept that has little meaning for the infinite-self. The benefit of this existence is the joy of discovery and not knowing what’s going to come next. Do you recall situations from your childhood in which you were absolutely thrilled that you didn’t know what is behind the curtain? Isn’t it a bit dull of this society to want to have everything planned and figured out beforehand for reasons of “security” (which is actually fear). If you say “no” to your joy for reasons of “security”, the only security you are going to get is the security of joylessness and boredom. Therefore, take part in the “movie” willingly. The more you love life as it is, the more it will love you as you are. “Paradoxically”, the more you love “normal” life, the more you will “ascend” spiritually. Wanting to get away from here, as many “spiritual” teachings propose, binds you to this reality even more…as all resistance binds you.
Frederick Dodson
Richard found a job at the Holiday Inn, keeping the place clean, carrying luggage, and doing light maintenance work. The money wasn’t bad and there were lots of women for him to look at. He had become acutely aware of women and sex; he would masturbate frequently as he imagined different scenarios—most involving bondage—with the attractive women he saw around the hotel. His first problems at the Holiday Inn occurred when he was in the hotel elevator with two girls in their teens. He smiled at one of them and told her he thought she was pretty. She said thank you and promptly told her parents Richard had made a pass. Her parents complained to the assistant manager, who told the manager, who promptly summoned Richard to the office. Richard was told he was not to flirt with the guests’ daughters and was warned that if another such incident happened he’d be fired. He promised it wouldn’t. The manager made him apologize to the girls’ parents and the incident was forgotten. After being employed at the Holiday Inn for three months, Richard was given a master key to the hotel’s rooms. He says he got it from his friend, who had worked at the hotel but had been fired for being late and not showing up. By now Richard was 5′10″ with taut, sinewy muscles. He was very well coordinated, the fastest runner in his class. He was still enrolled in Jefferson High, but for the most part he didn’t attend classes. From the very first, Richard had gone back to the hotel at night to look in the windows. The hotel had curtains of stiff fabric, and there was frequently an inch or two where someone could look in. The unsuspecting guests had no idea he was there, spying on them, fantasizing about them. He began testing himself, becoming bolder and entering the rooms with his pass key while the guests were sleeping. That’s when the most valuables were there, he realized.
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
Five things I could see. The window had six panes. The curtains were blue. The rug was thin and old. Mósí was looking at me like I was crazy. My sheet had flowers. Four things I could feel. My pajamas were soft and warm. The floor was cold. I plopped down beside Mósí and stroked his soft fur. He headbutted me and his nose was a little wet, but when I kissed him and he rubbed my chin and I kissed him again, my heart started to feel a little better. Three things I could hear. Mósí purring, really loud. That made me smile, and I kissed him again, and he crawled up in my lap and I hugged him. His purr was so loud I couldn’t really hear anything else, but I guess silence is a thing. And when I listened very, very hard, I could hear the sea. Two things I could smell. I breathed in and tried to name it, like I was one of my characters. It smelled like dampness and stone. And Mósí, who always smells clean and sweet and nice. I kissed him again, closing my eyes, and felt tears stinging my eyelids. I love him so much. He is the best cat ever in the world. I was supposed to think of one thing I could taste, but I didn’t want to get up, and anyway my heart felt better. My dad did a good thing with Mósí. My cat doesn’t care what happened to me, what I did. He just wants me to love him.
Barbara O'Neal (The Lost Girls of Devon)
Practice & Ash 2. Scales of the Malefic Viper 3. Lucenti Plains 4. Pondering on Ponds 5. Introspection 6. Intermission 1 – Viridia (1/2) 7. Intermission 1 – The Malefic Viper (2/2) 8. Moment of Curiosity 9. Cleaning Up the Plains 10. The Great White Stag 11. No Rest for the Wicked 12. Loot & Healing 13. True Protagonist 14. Into the Dark 15. The Right Way 16. Dark Mana & Dark Tunnels 17. Many Rats! Handle it! 18. Dark Attunement 19. Nest Watcher 20. A Final Gift 21. Willful Ignorance 22. The Balance Broken 23. Beers & Exposition 24. Of Fate & Destiny 25. William & Jake 26. Spring Cleaning = Loot 3.0 27. Valley of Tusks 28. Going with the Flow 29. The Right Way Forward 30. Mana 101 31. A Thoughtful Touch 32. Pigs for Slaughter 33. Limit Break 34. Falling Rocks 35. Horde Leader 36. Next Target: King of the Forest 37. King 38. Eclipse 39. Fall 40. When the Curtains Fall 41. Tutorial Rewards: Titles & Math 42. Tutorial Rewards: Narrowing Down Options 43. Tutorial Rewards: Getting Stuff 44. Intermission 2 - Life after Death (Casper) 45. Records 46. A Godlike Getaway 47. Danger Bath 48. Second Part? 49. Embracing Power 50. Defiance & Gains 51. You know, I'm something of a sage myself 52. Homecoming 53. Intermission 3 - Carmen 54. Intermission 4 - Noboru Miyamoto 55. Intermission 5 - Eron 56. The Blue Marble 57. One Step Mile 58. Pylon of Civilization 59. Intermission 6 - Matteo (1/2) 60. Intermission 6 - Matteo (2/2) 61. The Times They Are A-Changin' 62. Monsters 63. Living with the Consequences 64. Points of View 65. Going Down 66. Two Kinds of People 67. Big Blue Mushroom 68. Delegating (avoiding) Responsibilities 69. Construction Plans 70. First World Problems 71. How to Train Your Dragon Wings 72. Freedom
Zogarth (The Primal Hunter 2 (The Primal Hunter, #2))
Beanie had bought a dog on Friday, a red setter, beautiful red shiny coat, but stupid, scatty and the worst dog she could have rescued from the pound for a two up two down with a small yard. They took it out all weekend. Jordi and Greg loved it and called it Dillan. When they came home from school that Monday, it had ripped the place to shreds. The curtain she had made herself, the rubbish bin contents, the sofa – in tatters. Everything up turned, crap everywhere. They cleaned up as best they could and hid upstairs with the dog. When she came home late, even though she had a skinful, she knew what the dog had done. They waited in bed, holding the dog. She was too strong. It screamed as she dragged it down the stairs.
Mark Shearman (Spoils of the Moon)
They’d better. Imagine if we all stopped working. Imagine what would happen to this country.” Angel has fantasized about this scenario. Those skyline centrepieces would shine only in an architect’s imagination; that reclaimed land on the island’s edge would once more be underwater. In houses, dishes would become crusty with old food stains, curtains would grow furry coats of dust, and plants would shrivel into nothingness. Mustiness would replace the smell of air freshener and clean laundry. Children would wander the streets, not knowing how to get home after school. The windows would be left open, and after storms, spider wasps would pack their conical dirt nests against the sturdy surfaces of bookcases and bed frames.
Balli Kaur Jaswal (Now You See Us)
I looked around the cabin--its white walls, the linen curtains that puffed in the breeze like sails, paintings of boats and nautical knots. This place, I knew, would not remember me. Already, most traces of my presence had been swept away and scrubbed clean. But what about Jude? I wanted to stain him, like pollen Wanted to press into his skin, Remember me here.
Madelaine Lucas (Thirst for Salt)
10 Items People Forget To Pack When Moving Into A New Home Moving into a new home with your family is the world’s happiest thing. In the excitement of shifting from an old house to a new one, people often forget some of the most obvious and essential items. In this article, I am listing down the 10 most essential items people forget to buy or pack when moving into a new home. Let’s get started. 10 Items People Forget To Pack When Moving Into A New Home 1. Smart Door Lock – This should be your number one priority especially if you have kids and pets. Buy the best smart door lock to keep your loved ones safe. 2. Laundry Basket – Yes, one of the most obvious things that you forgot to pack. This is the last thing that comes to mind when packing, and sometimes it’s completely missed. 3. Extra Bulb – Always keep an extra bulb with you even if all the bulbs in your new home are working fine. You never know when you might need one. 4. Drapes & Curtains – This will help you keep your windows covered if you do not want neighbors peeping inside your home. 5. Extension Cord – Not all your electronic appliances will have long cords. It’s best to have an extension cord handy so that you do not struggle to operate your home and kitchen appliances. 6. Ladder – Reaching your attic or storage space to store your belongings will be easy if you have a ladder with you. 7. Home Cleaning Essentials – Some areas of your home might need cleaning as soon as you shift, especially your living room where you will first gather all your packed stuff to starting arranging them in their correct places. This is when you will need cleaning supplies so that your new home doesn’t look dirty. 8. Wardrobe Hanger – The wardrobe hanger will help you arrange your clothes in a neat manner and will take less space so that you can accommodate more. 9. Kitchen Linens – If you love to walk into a clean kitchen this is a must-have item and you should not forget to pack these. 10. Flashlight – You never know when you might have to use a flashlight so it’s best to have one or two of these handy.
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Tim expands confidentially. ‘You know, Hester, I’m certain those young devils in the Mess were up to some mischief this afternoon. Shouldn’t be surprised if they had a girl hidden behind the curtain.’ ‘Whatever made you think that?’ I wonder, in a voice trembling with suppressed mirth. Having decided to make a clean breast of the whole adventure to Tim, I find these suspicions of his somewhat amusing. Tim laughs – ‘You should have been there – they were tumbling over each other to be nice to Uncle Frankie and to get him out of the place. Jack went white as a ghost when the old man made a move towards the window. Wonder what Grace would say if she knew – I’ll get on to them tomorrow about it, see if I don’t.
D.E. Stevenson (Mrs Tim of the Regiment (Mrs. Tim #1))
There are large and stately studios, panelled and high, in strong stone houses filled with gleaming brass and polished oak. There are workaday studios – summer perching-places rather than settled homes – where a good north light and a litter of brushes and canvas form the whole of the artistic stock-in-trade. There are little homely studios, gay with blue and red and yellow curtains and odd scraps of pottery, tucked away down narrow closes and adorned with gardens, where old-fashioned flowers riot in the rich and friendly soil. There are studios that are simply and solely barns, made beautiful by ample proportions and high-pitched rafters, and habitable by the addition of a tortoise stove and a gas-ring. There are artists who have large families and keep domestics in cap and apron; artists who engage rooms, and are taken care of by landladies; artists who live in couples or alone, with a woman who comes in to clean; artists who live hermit-like and do their own charing. There are painters in oils, painters in water-colours, painters in pastel, etchers and illustrators, workers in metal; artists of every variety, having this one thing in common – that they take their work seriously and have no time for amateurs.
Dorothy L. Sayers (Five Red Herrings (Lord Peter Wimsey, #7))
I am your shower curtain and I am watching you. I surround you, I shield you, and I like you. I like to see the water touch you, travel down upon you, searching, falling away from you. I like to see you lather. I like to see you rinse. I like to see you thinking your thoughts with your eyes closed. I do not like to hear you hum. I do not like to hear you sing. I like you quiet. I like you thinking, silently, your lips moving, your eyes closed tight. I like your fingers. Your wrists, your toes. I like your shins. Your knees. I like the way the water funnels between your legs and cascades down, turning in corkscrews. I like it when you like yourself. When you give a moment to your thighs. When you give a moment to the back of your neck, to the inner fold of your arm. Take a moment. Give yourself time. Take the soap and make circles on your flesh. Make slow circles on your flesh. Make long elliptical shapes upon your beautiful flesh. Your beautiful flesh today. Tomorrow your flesh will be different. It will be older. Appreciate it now. Your flesh is a miracle. You started from nothing. From an egg too small to see. Then a relentless multiplication of cells, each one a miracle, each one a preposterous happening. And from this ridiculous profusion now you are you. You are a giant. You are a giant and water is falling upon you and you are cleaning yourself because you are beautiful. Please don’t think about anything else. I know I said I liked to see you think but that, i realize now, is not true. I don’t want to see you think. I only want the elliptical touching of your flesh. throw your mind away and enjoy your wet flesh. thrill in your existence. Your persistence. the fact that you can be here, under this falling water. this, as much as any other reason, is why you are here, why you exist. to enjoy this. to feel this. it is good enough. It is good enough to justify everything else.
Dave Eggers
Duct tape, it turns out, is useful for many things beyond household repair. When I woke up, my wrists and legs had been bound. My lips had been sealed shut. I remember running my tongue over my front teeth, feeling the sticky residue of the adhesive. It’s a nothing moment, I know. But it’s one of those things that lift the curtain every now and then. I hate going to the dentist, because after a cleaning by the hygienist, my tongue wanders over the slickness of my teeth. Even when I tell myself not to, I do it. I feel the smoothness and think of the glue from the duct tape. Every single time.
Gregg Olsen (Lying Next to Me)
know my way around here now!” The group, impressed, followed Kells. “Why can’t I go, too?” Belinda asked. “Because I have plans for you, Miss Jessup,” he drawled. He caught her hand in his and led her toward the white frame house. “What sort of plans?” she asked suspiciously. He paused with a secretive grin. “What do you think?” He leaned closer, threatening her mouth with his, so that when he spoke she felt his clean, minty breath on her lips. “Well, I could be thinking about how big and soft the sofa in the living room is,” he murmured. “And how well two people would fit on it.” She could barely breathe. Her heart was thumping madly against her rib cage. “Or,” he added, lifting his head, “I might have something purely innocent in mind. Why not come with me and find out?” He tugged at her hand and she fell into step beside him, just when she’d told herself she wasn’t about to do that. He led her up the steps and into the house. It was cool and airy, with light colored furniture and sedate throw rugs. There were plain white priscilla curtains at the windows, and the kitchen was spacious and furnished in white and yellow. “It’s very nice,” she said involuntarily, turning around to look at her surroundings.
Diana Palmer (Love With a Long, Tall Texan (Long, Tall Texans Book 21))
But here I am, having worked so hard and for so long that I’ve made myself sick. And worst of all, I’ve nearly forgotten how to rest. I’m tired, inevitably. But it’s more than that. I’m hollowed out. I’m tetchy and irritable, constantly feeling like prey, believing that everything is urgent and that I can never do enough. And my house—my beloved home—has suffered a kind of entropy in which everything has slowly collapsed and broken and worn out, with detritus collecting on every surface and corner, and I have been helpless in the face of it. Since being signed off sick, I’ve been forced to lean back on the sofa and stare at the wreckage for hours at a time, wondering how the hell it got so bad. There’s not a single soothing place left in the house, where you can rest a while without being reminded that something needs to be mended or cleaned. The windows are clouded with the dusty veil of a hundred rainstorms. The varnish is wearing from the floorboards. The walls are dotted with nails that are missing their pictures or holes that should be filled and painted over. Even the television hangs at a drunken angle. When I stand on a chair and empty the top shelf in the wardrobe, I find that I have meant to replace the bedroom curtains at least three times in the last few years, and every bundle of fabric I’ve bought has ended up folded neatly and stowed away, entirely forgotten. That I’m noticing these things only now that I’m physically unable to remedy them feels like the kind of exquisite torture devised by vengeful Greek gods. But here it is: my winter. It’s an open invitation to transition into a more sustainable life and to wrest back control over the chaos I’ve created. It’s a moment when I have to step into solitude and contemplation. It’s also a moment when I have to walk away from old alliances, to let the strings of some friendships fall loose, if only for a while. It’s a path I’ve walked over and over again in my life. I have learned the skill set of wintering the hard way.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
It was after midnight when I shut my laptop and walked upstairs, entering our dark room. I sat down on our bed and felt him stir. What do I remember about waking him? I remember my husband being disoriented. Of course he was disoriented—his wife woke him up, using another woman’s name in the dark, a name she wasn’t supposed to know. Maybe you want a scene here—you want “show don’t tell,” you want to “see it,” you want the author to “put you in the room”—but I can’t build a scene from this amnesia. I can’t show you because I can’t see it or hear it myself. But while we’re on the subject: Why would you want to be in that room with us? Why would you want to see the faded turquoise quilt on our bed, and the laundry basket full of clean, folded clothes near the closet doors, and the narrow sliver of streetlight making its way through a crack in the curtains? Maybe I’m sparing you something.
Maggie Smith (You Could Make This Place Beautiful)