Life Is Full Of Sorrow Quotes

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The truth is life is full of joy and full of great sorrow, but you can't have one without the other.
Andre Dubus III (House of Sand and Fog)
Never forget that God is your friend. And like all friends, He longs to hear what's been happening in your life. Good or bad, whether it's been full of sorrow or anger, or even when you're questioning why terrible things have to happen.
Nicholas Sparks (The Last Song)
It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing. It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive. It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of further pain!I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it. I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human. It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithlessand therefore trustworthy. I want to know if you can see beauty even when it's not pretty, every day,and if you can source your own life from its presence. I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!” It doesn't interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children. It doesn't interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back. It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away. I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
Oriah Mountain Dreamer
My life has been full of terrible misfortunes most of which never happened.
Michel de Montaigne
The woods are never solitary--they are full of whispering, beckoning, friendly life. But the sea is a mighty soul, forever moaning of some great, unshareable sorrow, which shuts it up into itself for all eternity.
L.M. Montgomery (Kilmeny of the Orchard)
I came to a clear conclusion, and it is a universal one: To live, to struggle, to be in love with life--in love with all life holds, joyful or sorrowful--is fulfillment. The fullness of life is open to all of us.
Betty Smith
It was as if June had given her a box—as if every parent gives their children a box—full of the things they carried. June had given her children this box packed to the brim with her own experiences, her own treasures and heartbreaks. Her own guilts and pleasures, triumphs and losses, values and biases, duties and sorrows. And Nina had been carrying around this box her whole life, feeling the full weight of it. But it was not, Nina saw just then, her job to carry the full box. Her job was to sort through the box. To decide what to keep, and to put the rest down. She had to choose what, of the things she inherited from the people who came before her, she wanted to bring forward. And what, of the past, she wanted to leave behind.
Taylor Jenkins Reid (Malibu Rising)
I mean talk. Never forget that God is your friend. And like all friends, He longs to hear what's been happening in your life. Good or bad, whether it's been full of sorrow or anger, and even when you're questioning why terrible things have to happen. So I talk with him.
Nicholas Sparks (The Last Song)
I fancied my luck to be witnessing yet another full moon. True, I’d seen hundreds of full moons in my life, but they were not limitless. When one starts thinking of the full moon as a common sight that will come again to one’s eyes ad-infinitum, the value of life is diminished and life goes by uncherished. ‘This may be my last moon,’ I sighed, feeling a sudden sweep of sorrow; and went back to reading more of The Odyssey.
Roman Payne
For with eyes made clear by many tears, and a heart softened by the tenderest sorrow, she recognized the beauty of her sister's life—uneventful, unambitious, yet full of the genuine virtues which 'smell sweet, and blossom in the dust', the self-forgetfulness that makes the humblest on earth remembered soonest in heaven, the true success which is possible to all.
Louisa May Alcott (Little Women)
You cannot trade the courage needed to live every moment for immunity from life's sorrows. We may say we know this but ours is the culture of the deal-making mind. From infancy, we have breathed in the belief that there is always a deal to be made, a bargain to be struck. Eventually, we believe, if we do the right thing, if we are good enough, clever enough, sincere enough, work hard enough, we will be rewarded. There are different verses to this song - if you are sorry for your sins and try hard not to sin again, you will go to heaven; if you do your daily practise, clean up your diet, heal your inner child, ferret out all your emotional issue's, focus your intent, come into alignment with the world around you, hone your affirmations, find and listen to the voice of your higher self, you will be rewarded with vibrant health, abundant prosperity, loving relations and inner peace - in other words, heaven! We know that what we do and how we think affects the quality of our lives. Many things are clearly up to us. And many others are not. I can see no evidence that the universe works on a simple meritocratic system of cause and effect. Bad things happen to good people - all the time. Monetary success does come to some who do not do what they love, as well as to some who are unwilling or unable to see the harm they do to the planet or others. Illness and misfortune come to some who follow their soul's desire. Many great artist's have been poor. Great teachers have lived in obscurity. My invitation, my challenge to you here, is to journey into a deeper intimacy with the world and your life without any promise of safety or guarantee of reward beyond the intrinsic value of full participation.
Oriah Mountain Dreamer (The Invitation)
Grace transforms our failings full of dread into abundant, endless comfort … our failings full of shame into a noble, glorious rising … our dying full of sorrow into holy, blissful life. …. Just as our contrariness here on earth brings us pain, shame and sorrow, so grace brings us surpassing comfort, glory, and bliss in heaven … And that shall be a property of blessed love, that we shall know in God, which we might never have known without first experiencing woe.
Julian of Norwich (Revelations of Divine Love)
THE INVITATION by Oriah Mountain Dreamer It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing. It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dreams, for the adventure of being alive. It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of future pain. I want to know if you can sit with pain, mine or your own, without moving to hide it, or fade it, or fix it. I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human. It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithless and therefore trustworthy. I want to know if you can see beauty even when it's not pretty, every day, and if you can source your own life from its presence. I want to know if you can live with failure, yours or mine, and still stand on the edge of the lake and shout to the silver of the full moon, "yes!" It doesn't interest me who you know, or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back. It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away. I want to know if you can be alone with your and if you truly like the company you keep in the empty moments.
Oriah Mountain Dreamer
...the girl longed for a love that could not be ended by death. From the time she was young, she knew that her true love was there, somewhere, living a life that would one day intersect her own. Knowing this made every day full of sweet possibility. Knowing that her true love lived and breathed and went about his day under her same sun made her fears vanish, her sorrows small, and her hopes high. Though she did not yet know his face, the color of his eyes, still she knew him better than anyone else knew him, knew his hopes and dreams, what made him laugh and cry.
Martine Leavitt (Keturah and Lord Death)
We who have been hunted through the rapids of life, torn from our former roots, always driven to the end and obliged to begin again, victims and yet also the willing servants of unknown mysterious powers, we for whom comfort has become an old legend and security, a childish dream, have felt tension from pole to pole of our being, the terror of something always new in every fibre. Every hour of our years was linked to the fate of the world. In sorrow and in joy we have lived through time and history far beyond our own small lives, while they knew nothing beyond themselves. Every one of us, therefore, even the least of the human race, knows a thousand times more about reality today than the wisest of our forebears. But nothing was given to us freely; we paid the price in full.
Stefan Zweig (The World of Yesterday)
I have lived a life full of love and pain, of Joy and Sorrow, and I live on still. i have many, many years ahead of me, each day with the potential to be filled to the brim with trials to face and challenges to overcome.
Alethea Kontis (Enchanted (Woodcutter Sisters, #1; Books of Arilland, #1))
The woods are never solitary– they are full of whispering, beckoning, friendly life. But the sea is a mighty soul, forever moaning of some great, unsharable sorrow which shuts it up into itself for all eternity. We can never pierce it’s infinite mystery– we may only wander, awed and spell-bound, on the outer fringe of it. The woods call us with a hundred voices, but the sea has one only– a mighty voice that drowns our souls in its majestic music. The woods are human, but the sea is of the company of the archangels.
L.M. Montgomery
The day has been so full of fret and care, and our hearts have been so full of evil and of bitter thoughts, and the world has seemed so hard and wrong to us. Then Night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained faces up to hers, and smiles; and though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone. Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night's heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and, borne on her dark wings, we pass for a moment into a mightier Presence than her own, and in the wondrous light of that great Presence, all human life lies like a book before us, and we know that Pain and Sorrow are but angels of God.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
You are far more than your worst day, your worst experience, your worst season, dear one. You are more than the sorriest decision you ever made. You are more than the darkest sorrow you’ve endured. Your name is not Ruined. It is not Helpless. It is not Victim. It is not Irresponsible. History is replete with overcomers who stood up after impossible circumstances and walked in freedom. You are not an anemic victim destined to a life of regret. Not only are you capable, you have full permission to move forward in strength and health.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Life is a strange thing. Why this longing for life? It is a game which no man wins. To live is to toil hard and to suffer sore, till old age creeps heavily upon us and we throw down our hands on the cold ashes of dead fires. It is hard to live. In pain the babe sucks his first breath, in pain the old man gasps his last, and all his days are full of trouble and sorrow; yet he goes down to the open arms of death, stumbling, falling, with head turned backward, fighting to the last. And death is kind. It is only life and the things of life that hurt. Yet we love life and we hate death. It is very strange.
Jack London
If each man or woman could understand that every other human life is as full of sorrows, or joys, or base temptations, of heartaches and of remorse as his own … how much kinder, how much gentler he would be.
William Allen White
Yet man dies not whilst the world, at once his mother and his monument, remains. His name is lost, indeed, but the breath he breathed still stirs the pine-tops on the mountains, the sound of the words he spoke yet echoes on through space; the thoughts his brain gave birth to we have inherited to-day; his passions are our cause of life; the joys and sorrows that he knew are our familiar friends--the end from which he fled aghast will surely overtake us also! Truly the universe is full of ghosts, not sheeted churchyard spectres, but the inextinguishable elements of individual life, which having once been, can never die, though they blend and change, and change again for ever.
H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
October Fullness” Little by little, and also in great leaps, life happened to me, and how insignificant this business is. These veins carried my blood, which I scarcely ever saw, I breathed the air of so many places without keeping a sample of any. In the end, everyone is aware of this: nobody keeps any of what he has, and life is only a borrowing of bones. The best thing was learning not to have too much either of sorrow or of joy, to hope for the chance of a last drop, to ask more from honey and from twilight. Perhaps it was my punishment. Perhaps I was condemned to be happy. Let it be known that nobody crossed my path without sharing my being. I plunged up to the neck into adversities that were not mine, into all the sufferings of others. It wasn’t a question of applause or profit. Much less. It was not being able to live or breathe in this shadow, the shadow of others like towers, like bitter trees that bury you, like cobblestones on the knees. Our own wounds heal with weeping, our own wounds heal with singing, but in our own doorway lie bleeding widows, Indians, poor men, fishermen. The miner’s child doesn’t know his father amidst all that suffering. So be it, but my business was the fullness of the spirit: a cry of pleasure choking you, a sigh from an uprooted plant, the sum of all action. It pleased me to grow with the morning, to bathe in the sun, in the great joy of sun, salt, sea-light and wave, and in that unwinding of the foam my heart began to move, growing in that essential spasm, and dying away as it seeped into the sand.
Pablo Neruda (The Essential Neruda: Selected Poems)
But if you knew that, why on earth did you marry her?" Rosemary asked. "Why?" Rhett's mouth twisted in a smile. "Because she was so full of fire and so recklessly, stubbornly brave.Because she was such a child beneath all her pretenses.Because she was unlike any woman I had ever known. She fascinated me,infuriated me, drove me mad. I loved her as consumingly as she loved him. From the day I first laid eyes on her. It was a kind of disease." There was a weight of sorrow in his voice. He bowed his head into his two hands and laughed shakily. His voice was muffled and blurred by his fingers. "What a grotesque practical joke life is. Now Ashley Wilkes is a free man and would marry Scarlett on a moment's notice, and I want to be rid of her. Naturally that makes her determined to have me. She wants only what she cannot have." Rhett raised his head. "I'm afraid," he said quietly, "afraid that it will all begin again. I know that she's heartless and completely selfish, that she's like a child who cries for a toy and then breaks it once she has it. But there are moments when she tilts her head at a certain angle, or she smiles that gleeful smile, or she suddenly looks lost-and I come close to forgetting what I know.
Alexandra Ripley (Scarlett)
The fullness of existence, life’s true richness, does not consist solely in health and happiness but in an ever-expanding range of joy and sorrow; and the broader the range, the richer life becomes.
Valentin Tomberg
I wish for sorrow to be a full stop and happiness to be a comma in my life.
Luffina Lourduraj
Happy?" asked Aquilina, with dreadful look, and a smile full of pity and terror. "Ah, you do not know what it is to be condemned to a life of pleasure.
Honoré de Balzac (The Wild Ass's Skin)
You still think I’m too optimistic, don’t you?” Shallan said. “It’s not your fault,” Kaladin said. “I’d rather be like you. I’d rather not have lived the life I have. I would that the world was only full of people like you, Shallan Davar.” “People who don’t understand pain.” “Oh, all people understand pain,” Kaladin said. “That’s not what I’m talking about. It’s . . .” “The sorrow,” Shallan said softly, “of watching a life crumble? Of struggling to grab it and hold on, but feeling hope become stringy sinew and blood beneath your fingers as everything collapses?” “Yes.” “The sensation—it’s not sorrow, but something deeper—of being broken. Of being crushed so often, and so hatefully, that emotion becomes something you can only wish for. If only you could cry, because then you’d feel something. Instead, you feel nothing. Just . . . haze and smoke inside. Like you’re already dead.” He stopped in the chasm. She turned and looked to him. “The crushing guilt,” she said, “of being powerless. Of wishing they’d hurt you instead of those around you. Of screaming and scrambling and hating as those you love are ruined, popped like a boil. And you have to watch their joy seeping away while you can’t do anything. They break the ones you love, and not you. And you plead. Can’t you just beat me instead?” “Yes,” he whispered. Shallan nodded, holding his eyes. “Yes. It would be nice if nobody in the world knew of those things, Kaladin Stormblessed. I agree. With everything I have.” He saw it in her eyes. The anguish, the frustration. The terrible nothing that clawed inside and sought to smother her. She knew. It was there, inside. She had been broken. Then she smiled. Oh, storms. She smiled anyway. It was the single most beautiful thing he’d seen in his entire life. “How?” he asked.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
Between the dark, heavily laden treetops of the spreading chestnut trees could be seen the dark blue of the sky, full of stars, all solemn and golden, which extended their radiance unconcernedly into the distance. That was the nature of the stars. and the trees bore their buds and blossoms and scars for everyone to see, and whether it signified pleasure or pain, they accepted the strong will to live. flies that lived only for a day swarmed toward their death. every life had its radiance and beauty. i had insight into it all for a moment, understood it and found it good, and also found my life and sorrows good.
Hermann Hesse
I was too angry for subtle, too full of rage for calm, I had no patience for clever, nor the time for caution. I was fury given wings, grief given strength and power given life.
Caroline Peckham (Sorrow and Starlight (Zodiac Academy, #8))
A sweet slip of a girl like you, why should you have to know anything about the sorrow of the world? You just believe me when I tell you... there's no way to live your life to the full and not have a reason to shed a tear now and again. It's not a bad feeling, child. That's what a lament does. It makes you feel happy to be sad, in a strange way. D'you see?
Clive Barker (Abarat: Days of Magic, Nights of War)
Don’t feel guilty, my dear. Living a full life, not dwelling in sorrow, that’s the best way to honor the dead.
Gina Wilkinson (When the Apricots Bloom)
Head full of sorrows, heart full of dreams. How to maintain the latter as life progresses? How not to let the first cancel the second?
Charles Frazier (Varina)
Lightheartedness was a treasure in a world too full of sorrows, a treasure little regarded and widely forfeited to agression, greed and horrendous tribal rituals.
Dick Francis (The Edge)
I was too angry for subtle, too full of rage for calm, I had no patience for clever, nor the time for caution. I was fury given wings, grief given strength and power given life. Whoever awaited us in that place would be better off running than trying to stand against the hell I brought with me now.
Caroline Peckham (Sorrow and Starlight (Zodiac Academy, #8))
Han was a sickness of the soul, an acceptance of having a life that would be filled with sorrow and resentment and knowing that deep down, despite this acceptance, despite cold and hard facts that proved life was long and full of undeserved miseries, “hope” was still a word that carried warmth and meaning.
Jean Kyoung Frazier (Pizza Girl)
Usually, even a non-Christian knows something about the earth, the heavens, and the other elements of the world, about the motion and orbit of the stars and even their size and relative positions, about the predictable eclipses of the sun and moon, the cycles of the years and the seasons, about the kinds of animals, shrubs, stones, and so forth, and this knowledge he holds to as being certain from reason and experience. Now, it is a disgraceful and dangerous thing for an infidel to hear a Christian, presumably giving the meaning of Holy Scripture, talking nonsense on these topics; and we should take all means to prevent such an embarrassing situation, in which people show up vast ignorance in a Christian and laugh it to scorn. The shame is not so much that an ignorant individual is derided, but that people outside the household of faith think our sacred writers held such opinions, and, to the great loss of those for whose salvation we toil, the writers of our Scripture are criticized and rejected as unlearned men. If they find a Christian mistaken in a field which they themselves know well and hear him maintaining his foolish opinions about our books, how are they going to believe those books in matters concerning the resurrection of the dead, the hope of eternal life, and the kingdom of heaven, when they think their pages are full of falsehoods on facts which they themselves have learnt from experience and the light of reason? Reckless and incompetent expounders of Holy Scripture bring untold trouble and sorrow on their wiser brethren when they are caught in one of their mischievous false opinions and are taken to task by those who are not bound by the authority of our sacred books. For then, to defend their utterly foolish and obviously untrue statements, they will try to call upon Holy Scripture for proof and even recite from memory many passages which they think support their position, although they understand neither what they say nor the things about which they make assertion [quoting 1 Tim 1:7].
Augustine of Hippo (The Literal Meaning of Genesis, Vol 2 (De Genesi ad litteram))
Father, he prayed silently, thank you for sending this boy into my life. Thank you for the joy and the sorrow he brings. Be with him always, to surround him with right influences, and when tests of any kind must come, give him wisdom and strength to act according to your will. Look over his mother, also, and the other children, wherever they are. Feed and clothe them, keep them from harm, and bring them one day into a full relationship with your Son.
Jan Karon (At Home in Mitford)
Life is full of difficult times. But someone out there always has it worse than you do. If you fill your days with pity, sorrowful for the way you have been treated, bemoaning your lot in life, blaming your circumstances on someone or something else, then life will be long and hard. If, on the other hand, you refuse to give up on your dreams, stand tall and strong against the odds—then life will be what you make of it—and you can make it great.
William H. McRaven (Make Your Bed: Little Things That Can Change Your Life...And Maybe the World)
Stop the pity party! Your sorrow is full and complete when you go through unfortunate circumstances and decide to mourn for life as a result of the unexpected.
Israelmore Ayivor (Daily Drive 365)
If I was to stay healthy, I knew I needed to limit the amount of sorrow in my life and increase the amount of love.
Rachel Dolezal (In Full Color: Finding My Place in a Black and White World)
Life is hard, no? And full of sorrow. The Pilani dance in defiance of death and grief and hardship. They choose to burn before the darkness, rather than to gutter out like a dim flame.
Alison Croggon (The Riddle)
They did not strive to gain knowledge of life as we strive to understand it, because their lives were full. But their knowledge was higher and deeper than the knowledge we derive from our science; for our science seeks to explain what life is and strives to understand it in order to teach others how to live, while they knew how to live without science... Oh, these people were not concerned whether I understood them or not; they loved me without it. But I knew too that they would never be able to understand me, and for that reason I hardly ever spoke to them of it. It remained somehow beyond the grasp of my reason, and yet it sank unconsciously deeper and deeper into my heart. I often told them that I had had a presentiment of it years ago and that all that joy and glory has been perceived by me while I was still back there as a nostalgic yearning, bordering at times on unendurably poignant sorrow; that I had had a presentiment of all of them and of their glory in the dreams of my heart and the reveries of my soul; and that I could often not look at the setting sun without tears. I was overpowered by the mere sensation of that dream and it alone survived in my sorely wounded heart.
Fyodor Dostoevsky (Notes from Underground)
There are times when your heart may be so full that it seems as though it is going to break. It may be sorrow, anguish, frustration, guilt, anger—any number of feelings can build up within until you reach your breaking point. At these times you have a couple choices to make: you can either try to handle it yourself or you can turn to God. And in turning to God, you can either do so superficially, or you can do so deeply, with total honesty.
Linda Boone (Intimate Life Lessons; developing the intimacy with God you already have.)
Don't wait for the coffee or the eggs or the shmuck in the front row to tell you how it is. You'll wait your whole life and then end up in an embankment with a heart full of sorrow and I could have done it betters. The way I see it, time is a con artist. The con artist telling you that this isn't a good time, you should wait. The right time will never exist. Like so many of the things we think are perfect and in the end turn out to be just ordinary.
Jennifer Pastiloff (On Being Human: A Memoir of Waking Up, Living Real, and Listening Hard)
There have been hours in my unhappy life, many of them, when the contemplation of death as the end of earthly sorrow - of the grave as a resting place for the tired and worn out body - has been pleasant to dwell upon. But such contemplations vanish in the hour of peril. No man, in his full strength, can stand undismayed, in the presence of the "king of terrors." Life is dear to every living thing; the worm that crawls upon the ground will struggle for it.
Solomon Northup (Twelve Years a Slave)
I come to call you Home. Those who resonate with my words and follow them internally, will find that place and know It's completeness, its joy and fullness. I have come to call you away from suffering, from fear and from a life of sorrow and into your own, divine Being. I did not come here to give you decorative stories, to excite your imagination, or sign you up for some long program but to show you how available Truth is, and to remind you that you are never separate from It. No person on this planet is apart from the Truth in the Heart and yet the world is so vast and varied in expression. The greatest good and greatest evil is here. In this forest of duality and complexity you must find your way Home. You must win your Self back. Wisdom and trust will be your compass. Many voices came to call us but we are here today because we are freshly called by the voice of God, Love, Truth. Do not come half way home, but fully home. I know the voice that called you is true and Truth and that where you are being called to is also Real. It is inside your own Heart. It is what gives me the strength to be here. I love to see the beings being set free from the hypnosis of conditioning; from fears, false projection and the grip of ego. And I know that to be liberated is not difficult. It requires only openness and the sincere desire to be free. I don't need to hear anything about your past. Your stories are of no interest to me. That is not how I know you. I know you only through your Heart. That is my true connection with you - the living power of God. It is That which I respond to in you and it is only This that I know. I can only keep reminding you of It by pointing you again and again to the obvious in yourself. Now you must respond to my pointing. This will complete this yoga of seeing. Find and be one with That which is imperishable. Be merged in the Absolute. Don't go to sleep.
Mooji
The word sadness originally meant "fullness," from the same Latin root, satis, that also gave us sated and satisfaction. Not so long ago, to be sad meant you were filled to the brim with some intensity of experience. It wasn't just a malfunction in the joy machine. It was a state of awareness– setting the focus to infinity and taking it all in, joy and grief all at once. When we speak of sadness these days, most of the time what we really mean is despair, which is literally defined as the absence of hope. But true sadness is actually the opposite, an exuberant upwelling that reminds you how fleeting and mysterious and open-ended life can be. That's why you'll find traces of the blues all over this book, but you might find yourself feeling strangely joyful at the end of it. And if you are lucky enough to feel sad, well, savor it while it lasts– if only because it means that you care about something in this world enough to let it under your skin.
John Koenig (The Dictionary of Obscure Sorrows)
Sweet for a little even to fear, and sweet, O love, to lay down fear at love’s fair feet; Shall not some fiery memory of his breath Lie sweet on lips that touch the lips of death? Yet leave me not; yet, if thou wilt, be free; Love me no more, but love my love of thee. Love where thou wilt, and live thy life; and I, One thing I can, and one love cannot—die. Pass from me; yet thine arms, thine eyes, thine hair, Feed my desire and deaden my despair. Yet once more ere time change us, ere my cheek Whiten, ere hope be dumb or sorrow speak, Yet once more ere thou hate me, one full kiss; Keep other hours for others, save me this. Yea, and I will not (if it please thee) weep, Lest thou be sad; I will but sigh, and sleep. Sweet, does death hurt? thou canst not do me wrong: I shall not lack thee, as I loved thee, long. Hast thou not given me above all that live Joy, and a little sorrow shalt not give? What even though fairer fingers of strange girls Pass nestling through thy beautiful boy’s curls As mine did, or those curled lithe lips of thine Meet theirs as these, all theirs come after mine; And though I were not, though I be not, best, I have loved and love thee more than all the rest. O love, O lover, loose or hold me fast, I had thee first, whoever have thee last; Fairer or not, what need I know, what care? To thy fair bud my blossom once seemed fair. Why am I fair at all before thee, why At all desired? seeing thou art fair, not I. I shall be glad of thee, O fairest head, Alive, alone, without thee, with thee, dead; I shall remember while the light lives yet, And in the night-time I shall not forget. Though (as thou wilt) thou leave me ere life leave, I will not, for thy love I will not, grieve; Not as they use who love not more than I, Who love not as I love thee though I die; And though thy lips, once mine, be oftener prest To many another brow and balmier breast, And sweeter arms, or sweeter to thy mind, Lull thee or lure, more fond thou wilt not find.
Algernon Charles Swinburne (Poems and Ballads)
Within this restless, hurried, modern world We took our hearts' full pleasure—You and I, And now the white sails of our ship are furled, And spent the lading of our argosy. Wherefore my cheeks before their time are wan, For very weeping is my gladness fled, Sorrow has paled my young mouth's vermilion, And Ruin draws the curtains of my bed. But all this crowded life has been to thee No more than lyre, or lute, or subtle spell Of viols, or the music of the sea That sleeps, a mimic echo, in the shell.
Oscar Wilde (The Ballad of Reading Gaol)
And they laughed a little and were very friendly together, the three of them, Anna, Emanuele and Giustino; and they were pleased to be together, the three of them, thinking of all those who were dead, and of the long war and the sorrow and noise and confusion, and of the long, difficult life which they saw in front of them now, full of all the things they did not know how to do.
Natalia Ginzburg (All Our Yesterdays)
Ah lucklesse babe, borne vnder cruell starre, And in dead parents balefull ashes bred, Full litle weenest thou, what sorrowes are Left thee for portion of thy liuelihed, Poore Orphane in the wide world scattered, As budding braunch rent from the natiue tree, And throwen forth, till it be withered: Such is the state of men: thus enter wee Into this life with woe, and end with miseree.
Edmund Spenser (The Faerie Queene)
Night’s heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and, borne on her dark wings, we pass for a moment into a mightier Presence than her own, and in the wondrous light of that great Presence, all human life lies like a book before us, and we know that Pain and Sorrow are but the angels of God.
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
On one side, across the channel, stretched the silvery sand shore of the bar; on the other extended a long, curving beach of red cliffs, rising steeply from the pebbled coves. It was a shore that knew the magic and mystery of storm and star. There is a great solitude about such a shore. The woods are never solitary-they are full of whispering, beckoning, friendly life. But the sea is a mighty soul, forever moaning of some great, unshareable sorrow, which shuts it up into itself for all eternity. We can never pierce its infinite mystery-We may only wander, awed and spell-bound, on the outer fringe of it. The woods call to us with a hundred voices, but the sea has one only-a mighty voice that drowns our souls in its majestic music. The woods are human, but the sea is in the company of the archangels.
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
Some of you seek for faith much in the same way as you would dig for a well. You turn the eye inward upon yourself and search amidst the depths of your polluted heart to find if faith is there; you search amid all your feelings at sermons and sacraments to see if faith is there; and still you find nothing but sin and disappointment. Learn Martha's plan. She looked full in the face of Jesus; she saw his dust-soiled feet and sullied garment, and his eye of more than human tenderness. She drank in his word: 'I am the resurrection and the life'; and in spite of all she saw and all she felt, she could not but believe. The discovery that Jesus made of his love and power, as the head of dead believers and the head of living believers, revived her fainting soul, and she cried: 'Yea, Lord, I believe.' Faith comes by hearing the voice of Jesus.
Robert Murray M'Cheyne (Comfort in Sorrow)
Shouldn't we fear life? Who steers a safe boat? Around us sorrow swells like a heaving ocean; we can see how the hungry waves lick the ship's sides, how they climb to board her. No safe anchorage, no solid ground, no steady ship, as far as the eye can see; only an unknown sky over an ocean full of trouble!
Selma Lagerlöf
The portraits, of more historical than artistic interest, had gone; and tapestry, full of the blue and bronze of peacocks, fell over the doors, and shut out all history and activity untouched with beauty and peace; and now when I looked at my Crevelli and pondered on the rose in the hand of the Virgin, wherein the form was so delicate and precise that it seemed more like a thought than a flower, or at the grey dawn and rapturous faces of my Francesca, I knew all a Christian's ecstasy without his slavery to rule and custom; when I pondered over the antique bronze gods and goddesses, which I had mortgaged my house to buy, I had all a pagan's delight in various beauty and without his terror at sleepless destiny and his labour with many sacrifices; and I had only to go to my bookshelf, where every book was bound in leather, stamped with intricate ornament, and of a carefully chosen colour: Shakespeare in the orange of the glory of the world, Dante in the dull red of his anger, Milton in the blue grey of his formal calm; and I could experience what I would of human passions without their bitterness and without satiety. I had gathered about me all gods because I believed in none, and experienced every pleasure because I gave myself to none, but held myself apart, individual, indissoluble, a mirror of polished steel: I looked in the triumph of this imagination at the birds of Hera, glowing in the firelight as though they were wrought of jewels; and to my mind, for which symbolism was a necessity, they seemed the doorkeepers of my world, shutting out all that was not of as affluent a beauty as their own; and for a moment I thought as I had thought in so many other moments, that it was possible to rob life of every bitterness except the bitterness of death; and then a thought which had followed this thought, time after time, filled me with a passionate sorrow.
W.B. Yeats (Rosa Alchemica)
To be in touch with wilderness is to have stepped past the proud cattle of the field and wandered far from the twinkles of the Inn's fire. To have sensed something sublime in the life/death/life movement of the seasons, to know that contained in you is the knowledge to pull the sword from the stone and to live well in fierce woods in deep winter. Wilderness is a form of sophistication, because it carries within it true knowledge of our place in the world. It doesn't exclude civilization but prowls through it, knowing when to attend to the needs of the committee and when to drink from a moonlit lake. It will wear a suit and tie when it has to, but refuses to trim its talons or whiskers. Its sensing nature is not afraid of emotion: the old stories are full of grief forests and triumphant returns, banquets and bridges of thorns. Myth tells us that the full gamut of feeling is to be experienced. Wilderness is the capacity to go into joy, sorrow, and anger fully and stay there for as long as needed, regardless of what anyone else thinks. Sometimes, as Lorca says, it means 'get down on all fours for twenty centuries and eat the grasses of the cemetaries.' Wilderness carries sobriety as well as exuberance, and has allowed loss to mark its face.
Martin Shaw (A Branch from the Lightning Tree (The Mythteller trilogy, vol. 1))
Even nowadays, children are often left at home during funerals, like dogs. Why should children be excluded from funerals when they’re so welcome at christenings and weddings? Not only can their presence be therapeutic for other adults and useful reminders that life, whatever death may do, goes on; not only is it unlikely that very young children will be upset, simply because they have only a vague idea of the concept of death. But not attending the funeral of someone close can be tremendously damaging for some people in later life. Middle-aged people who were not allowed to attend the funerals of grandparents or even parents, can still feel full of rage and sorrow.
Virginia Ironside (Youll Get Over It: The Rage Of Bereavement)
A valley full of genuine suffering, and of joys that often turn out to be false, and so incredibly tumultuous that it takes something God only knows how outrageous to cause a lasting stir. But here and there some immense heaping up of vices and virtues turns mere sorrow grand and solemn, and their very sight makes even selfishness and personal advantage stop and feel pity - though that notion of pity is much like some tasty fruit that gets gobbled right up. Civilization's high-riding chariot, like the believer-crushing car of the idol Juggernaut, barely slows down when it comes to a heart a bit harder to crack, and if such a heart gets in the way it's pretty quickly smashed, and on goes the glorious march.[...] After you've read all about Pere Goriot's miserable secrets, you'll have yourself a good dinner and blame your indifference on the author, scolding him for exaggeration, accusing him of having waxed poetic. Ah, but let me tell you: this drama is not fictional, it's not a novel. All is true - so true you'll be able to recognize everything that goes into it in your own life, perhaps even in your heart.
Honoré de Balzac (Père Goriot)
It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart’s longing. It doesn’t interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive. It doesn’t interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life’s betrayals or have become shriveled and closed from fear of further pain. I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it or fix it. I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human. It doesn’t interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithless and therefore trustworthy. I want to know if you can see beauty, even when it’s not pretty, every day, and if you can source your own life from its presence. I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!” It doesn’t interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children. It doesn’t interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back. It doesn’t interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away. I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
Oriah Mountain Dreamer (The Invitation)
Didn’t know anyone could see it,” Samuel said. “You know, Lee, I think of my life as a kind of music, not always good music but still having form and melody. And my life has not been a full orchestra for a long time now. A single note only—and that note unchanging sorrow. I’m not alone in my attitude, Lee. It seems to me that too many of us conceive of a life as ending in defeat.
John Steinbeck (East of Eden)
MAGIC OF SELF-TALK It is good to be alive. It is better to live a virtuous life. It is best to know supreme life and become Life. To become Life and to learn the art of living a supreme life, you need to learn the magic of self-talk. When you engage in positive self-talk with full awareness and understanding, you save yourself from various miseries and become capable of dissolving sorrows.
Sirshree (365 HAPPY QUOTES – DAILY INSPIRATIONS FROM SIRSHREE)
A book is good company. It is full of conversation without loquacity. It comes to your longing with full instruction, but pursues you never. It is not offended at your absent-mindedness, nor jealous if you turn to other pleasures, of leaf, or dress, or mineral, or even of books. It silently serves the soul without recompense, not even for the hire of love. And yet more noble, it seems to pass from itself, and to enter the memory, and to hover in a silvery transfiguration there, until the outward book is but a body, and its soul and spirit are flown to you, and possess your memory like a spirit. And while some books, like steps, are left behind us by the very help which they yield us, and serve only our childhood, or early life, some others go with us in mute fidelity to the end of life, a recreation for fatigue, an instruction for our sober hours, and a solace for our sickness or sorrow. Except the great out-doors, nothing that has no life of its own gives so much life to you.
Henry Ward Beecher
And the feeling, it gets left behind All the innocence lost at one time Significant, behind the eyes There's no need to hide... We're safe tonight The ocean is full 'cause everyone's crying The full moon is looking for friends at high tide The sorrow grows bigger when the sorrow's denied I only know my mind I am mine And the meaning, it gets left behind All the innocents lost at one time Significant, behind the eyes There's no need to hide... We're safe tonight And the feelings that get left behind All the innocents broken with lies Significance, between the lines (We may need to hide) And the meanings that get left behind All the innocents lost at one time We're all different behind the eyes There's no need to hide The selfish, they're all standing in line Faithing and hoping to buy themselves time Me, I figure as each breath goes by I only own my mind The North is to South what the clock is to time There's east and there's west and there's everywhere life I know I was born and I know that I'll die The in between is mine I am mine
Pearl Jam
People in the real world always say, when something terrible happens, that the sadness and loss and aching pain of the heart will “lessen as time passes,” but it isn’t true. Sorrow and loss are constant, but if we all had to go through our whole lives carrying them the whole time, we wouldn’t be able to stand it. The sadness would paralyze us. So in the end we just pack it into bags and find somewhere to leave it. That is what Miploris is: a kingdom where lone storytelling travelers come slowly wandering from all directions, dragging unwieldy luggage full of sorrow. A place where they can put it down and go back to life. And when the travelers turn back, they do so with lighter steps, because Miploris is constructed in such a way that irrespective of what direction you leave it, you always have the sun up ahead and the wind at your back.
Fredrik Backman
Alas," the Spider Queen said softly, "life needs dark leaves in the wreath. There cannot be true joy without sorrow, or real happiness without loss. They come as a pair. It is simply how it must be, if one is to live a full life. Take my own wreath, for example." She pointed at a particularly striking one made up of foliage so dark it was almost purple and black in places, but brightened with spectacular bursts of scarlet poinsettia. "I first saw the poinsettia in Mexico," she said. "The Euphorbia pulcherrima, to give it its botanical name, but it's also known as a 'Christmas star' because of its red pigment, so vibrant and bold. I would not give up my dark leaves if it meant losing the poinsettia," she said.
Alexandra Bell (The Winter Garden)
Tragedies, I was coming to realize through my daily studies in humanities both in and out of the classroom, were a luxury. They were constructions of an affluent society, full of sorrow and truth but without moral function. Stories of the vanquishing of the spirit expressed and underscored a certain societal spirit to spare. The weakening of the soul, the story of the downfall and the failed overcoming - trains missed, letters not received, pride flaring, the demolition of one's own offspring, who were then served up in stews - this was awe-inspiring, wounding entertainment told uselessly and in comfort at tables full of love and money. Where life was meagerer, where the tables were only half full, the comic triumph of the poor was the useful demi-lie. Jokes were needed. And then the baby feel down the stairs. This could be funny! Especially in a place and time where worse things happened. It wasn't that suffering was a sweepstakes, but it certainly was relative. For understanding and for perspective, suffering required a butcher's weighing. And to ease the suffering of the listener, things had better be funny. Though they weren't always. And this is how, sometimes, stories failed us: Not that funny. Or worse, not funny in the least.
Lorrie Moore (A Gate at the Stairs)
Whey they started walking again, he slipped his hand into Macon's. Those cool little fingers were so distinct, so particular, so full of character. Macon tightened his grip and felt a pleasant kind of sorrow sweeping through him. Oh, his life had regained all its old perils. He was forced to worry once again about nuclear war and the future of the planet. He often had the same secret, guilty thought that had come to him after Ethan was born: From this time on I can never be completely happy. Not that he was before, of course.
Anne Tyler (The Accidental Tourist)
To think that just when one's happiness is full to overflowing, and one is thoroughly in love with life, there should come upon one a taint of sorrow!" she murmured. Yes; such is the payment exacted for the Promethean fire. You must not only endure, you must even love and respect, the sorrow and the doubts and the self-questionings of which you have spoken: for they constitute the excess, the luxury, of life, and show themselves most when happiness is at its zenith, and has alloyed with it no gross desires. Such troubles are powerless to spring to birth amid life which is ordinary and everyday; they cannot touch the individual who is forced to endure hardship and want. That is why the bulk of the crowd goes on its way without ever experiencing the cloud of doubt, the pain of self-questioning. To him or to her, however, who voluntarily goes to meet those difficulties they become welcome guests, not a scourge. But one can never get even with them. To almost every one they bring sorrow and indifference. Yes; but that does not last. Later they serve to shed light upon life, for they lead one to the edge of the abyss whence there is no return--then gently force one to turn once more and look upon life. Thus they seem to challenge one's tried faculties in order that the latter may be prevented from sinking wholly into inertia.
Ivan Goncharov (Oblomov)
And yet it seems so full of comfort and of strength, the night. In its great presence, our small sorrows creep away, ashamed. The day has been so full of fret and care, and our hearts have been so full of evil and bitter thoughts, and the world has seemed so hard and wrong to us. Then night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained face upto hers, and smiles, and though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone. Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night's heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and borne on her dark wings, we pass for a moment into a mightier presence than her own, and in the wondrous light of that great presence, all human life's like a book before us, and we know that Pain and Sorrow are but the angels of God.
Jerome K. Jerome
A century gone by and still the wounds remain fresh , the problem unresolved and a zillion questions unanswered. The subliminal hyper nationalist state with so maligned dynamics that a simple wrong step is enough to wake the beast from its simmering slumber and throw the entire nation into whirl pool of unaccounted casualties.... A millions lives lost , businesses uprooted and educations at stake ...this is a jinxed paradise where the wails of the half widows reach the heavens and bring nothing but sorrow. Legend has it that this place will be swallowed in one great leap of water as we will self annihilate everything and thus life will complete its full circle. "Cursed be the ground for our sake. Both thorns and thistles it shall bring forth for us. For out of the ground we were taken, for the dust we are... and to the dust we shall return
BinYamin Gulzar
I didn’t know anyone could see it,” Samuel said. “You know, Lee, I think of my life as a kind of music, not always good music but still having form and melody. And my life has not been a full orchestra for a long time now. A single note only—and that note unchanging sorrow. I’m not alone in my attitude, Lee. It seems to me that too many of us conceive of a life as ending in defeat.” Lee said, “Maybe everyone is too rich. I have noticed that there is no dissatisfaction like that of the rich. Feed a man, clothe him, put him in a good house, and he will die of despair.
John Steinbeck (East of Eden)
A person frequently writes in order to escape madness and crushing despondency by culling moral lesson and healing growth serum from personal experiences. Akin to riders on a storm, and a dog without a bone, we only come to understand our limits by enduring suffering. Only by deliberately confronting the essential facts of life does a person come to understand humanity. Without suffering the full brunt of love, sorrow, pain, illness, death, and accepting the relentless march of time a person never comes to know anything at all regarding the wonderful mystery of life.
Kilroy J. Oldster (Dead Toad Scrolls)
Look at this site - it is beautiful and deep. When we come here, we get ourselves lost in its beauty and vastness. Years of sorrow and pain lies in the depth of this lake. You do not know what was here 40-50 years back. Probably, a ditch full of stagnant water and mud breeding mosquitoes. Now here we have beautiful lake surrounded by lush green bushes and beautiful flowers. The place is beautiful today, so we come and enjoy its company, its presence. We do not think about its past or we do not to know what will happen here years later. We enjoy the beauty of its present.
Ravindra Shukla (A Maverick Heart: Between Love and Life)
It doesn’t interest me what you do for a living. I want to know what you ache for and if you dare to dream of meeting your heart’s longing. It doesn’t interest me how old you are. I want to know if you will risk looking like a fool for love for your dream for the adventure of being alive. It doesn’t interest me what planets are squaring your moon... I want to know if you have touched the centre of your own sorrow if you have been opened by life’s betrayals or have become shrivelled and closed from fear of further pain. I want to know if you can sit with pain mine or your own without moving to hide it or fade it or fix it. I want to know if you can be with joy mine or your own if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful to be realistic to remember the limitations of being human. It doesn’t interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself. If you can bear the accusation of betrayal and not betray your own soul. If you can be faithless and therefore trustworthy. I want to know if you can see Beauty even when it is not pretty every day. And if you can source your own life from its presence. I want to know if you can live with failure yours and mine and still stand at the edge of the lake and shout to the silver of the full moon, “Yes.” It doesn’t interest me to know where you live or how much money you have. I want to know if you can get up after the night of grief and despair weary and bruised to the bone and do what needs to be done to feed the children. It doesn’t interest me who you know or how you came to be here. I want to know if you will stand in the centre of the fire with me and not shrink back. It doesn’t interest me where or what or with whom you have studied. I want to know what sustains you from the inside when all else falls away. I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
Oriah Mountain Dreamer
Life Contains Inevitable Difficulties Life is not only short, but difficult. There are times of great joy, love, triumph, and delight, moments when we are beside ourselves with happiness. But there are also times of inevitable sorrow: of sickness and loss, of grief and despair. There are also incomprehensible amounts of unnecessary sorrow: of senseless oppression and torment, slaughter and suffering. None of us escapes life unscathed. It is crucial to recognize this and not gloss over the inevitable difficulties of life, because “If a way to the Better there be, it exacts a full look at the Worst.” This is why religious scholar Jacob Needleman concluded, from his survey of world religions: The perception of the suffering inherent in the human condition, the perception of man’s inhumanity to man: this moment of awareness has been spoken of in all traditions as a tremendous moment. It is a tremendous moment because it is the recognition of suffering—both ours and the world’s—which gives birth to both compassion and the urge to awaken. These motives propel us to spiritual practice and thereby eventually allow us to escape suffering and to relieve the suffering of others. Our
Roger Walsh (Essential Spirituality: The 7 Central Practices to Awaken Heart and Mind)
I love everything about life,” Breitbart says, his voice growing louder now. “Familial love, parental love, spousal love, lust. I love beauty, I love fashion, I love art, I love music, I love food, I love plays, I love drama, I love poetry, I love movies. There are very few things I don’t have an interest in. I love being alive.” He’s gesturing widely, at the window, at the pouring, driving rain. “But even with all these loves,” he says, “you’re born with a set of limitations: your genetic legacy, your time, your place, your family. I could have been born a Rockefeller, but I wasn’t. I could have been born into a family living in a remote tribe where I thought God was a blue elephant, but I wasn’t. You’re born into this reality: that life is full of dangers, it’s an uncertain place. Events occur—you have an accident, someone shoots you, you develop an illness. All sorts of things happen. You have to respond.
Susan Cain (Bittersweet: How Sorrow and Longing Make Us Whole)
I always wanted magic to be real, and now I know that this world is much stranger and more miraculous than it appears. But I believe, more than I believe anything else, that the true miracle and beauty in life comes from living it. I hope you will come to agree with me. I know you're struggling this year, and I wish I could help you more. I wish I could be with you to help figure it all out. But I'll tell you the secret: no one has it figured out. The joy comes from figuring it out. One day at a time. Live your life, all of it, full of magic and miracles and beauty and pain and sorrow. You'll be glad you did. I am.
Leah Stecher (The Things We Miss)
Yesterday, I went to see Gladwell, who is home for a few days. A terrible blow has struck them, his young sister, so full of life, with dark eyes and hair, had fallen from a horse at Blackheath; they found her unconscious and she died five hours later, without regaining consciousness. She was seventeen years old. As soon as I heard the news, I went to see them, knowing that Gladwell was home. I left at eleven o’clock; and had a long walk to Lewisham. I crossed London from one end to the other and didn’t arrive at my destination until almost five o’clock. They had all just come back from the funeral; the whole household was in mourning. I was happy to have come, but confused, truly upset by the spectacle of a pain so great and so venerable. “Blessed are they that mourn, blessed are they that sorrow, but always rejoice, blessed are the pure in heart for they shall see God. Blessed are those that find love on their road, who are bound together by God, for to them all things will work together for their good.” I chatted for a long time, until evening, with Harry, about everything, the kingdom of God, the Bible; we chatted further, we walked up and down the station platform. Never will we forget the moments before we said goodbye.
Vincent van Gogh (The Letters of Vincent van Gogh)
It was a shore that knew the magic and mystery of storm and star. There is a great solitude about such a shore. The woods are never solitary--they are full of whispering, beckoning, friendly life. But the sea is a mighty soul, forever moaning of some great, unshareable sorrow, which shuts it up into itself for all eternity. We can never pierce its infinite mystery--we may only wander, awed and spell-bound, on the outer fringe of it. The woods call to us with a hundred voices, but the sea has one only--a mighty voice that drowns our souls in its majestic music. The woods are human, but the sea is of the company of the archangels.
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
If it is not my portion to meet thee in this life then let me ever feel that I have missed thy sight---let me not forget for a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours. As my days pass in the crowded market of this world and my hands grow full with the daily profits, let me ever feel that I have gained nothing---let me not forget for a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours. When I sit by the roadside, tired and panting, when I spread my bed low in the dust, let me ever feel that the long journey is still before me---let me not forget a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours. When my rooms have been decked out and the flutes sound and the laughter there is loud, let me ever feel that I have not invited thee to my house---let me not forget for a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.
Rabindranath Tagore (Gitanjali)
It can be too sad here. We so often lose our way. It is easy to sense and embrace meaning when life is on track. When there is a feeling of fullness—having love, goodness, family, work, maybe God as parts of life—it’s easier to navigate around the sadness that you inevitably stumble across. Life holds beauty, magic and anguish. Sometimes sorrow is unavoidable, even when your kids are little, when the marvels of your children, and your parental amazement, are all the meaning you need to sustain you, or when you have landed the job and salary for which you’ve always longed, or the mate. And then the phone rings, the mail comes, or you turn on the TV.
Anne Lamott (Stitches: A Handbook on Meaning, Hope and Repair)
We have seen the kind of morality which is even now shaping itself in the ideas of the masses and of the thinkers. This morality will issue no commands. It will refuse once and for all to model individuals according to an abstract idea, as it will refuse to mutilate them by religion, law or government. It will leave to the individual man full and perfect liberty. It will be but a simple record of facts, a science. And this science will say to man: "If you are not conscious of strength within you, if your energies are only just sufficient to maintain a colorless, monotonous life, without strong impressions, without deep joys, but also without deep sorrows, well then, keep to the simple principles of a just equality. In relations of equality you will find probably the maximum of happiness possible to your feeble energies. "But if you feel within you the strength of youth, if you wish to live, if you wish to enjoy a perfect, full and overflowing life --that is, know the highest pleasure which a living being can desire-- be strong, be great, be vigorous in all you do. "Sow life around you. Take heed that if you deceive, lie, intrigue, cheat, you thereby demean yourself. belittle yourself, confess your own weakness beforehand, play the part of the slave of the harem who feels himself the inferior of his master. Do this if it so pleases you, but know that humanity will regard you as petty, contemptible and feeble, and treat you as such. Having no evidence of your strength, it will act towards you as one worthy of pity-- and pity only. Do not blame humanity if of your own accord you thus paralyze your energies. Be strong on the other hand, and once you have seen unrighteousness and recognized it as such --inequity in life, a lie in science, or suffering inflicted by another-- rise in revolt against the iniquity, the lie or the injustice. "Struggle! To struggle is to live, and the fiercer the struggle the intenser the life. Then you will have lived; and a few hours of such life are worth years spent vegetating.
Pyotr Kropotkin (Anarchist Morality)
We know from the work of television critics and from the responses of our friends and from our own that there is little pride in the quality of television programs and less in the habit of extensive viewing. The television viewer’s implication in technology typically takes the form of complicity as defined in Chapter 15. We feel uneasiness about our passivity and guilt and sorrow at the loss of our traditions or alternatives.68 There is a realization that we are letting great things and practices drift into oblivion and that television fails to respond to our best aspirations and fails to engage the fullness of our powers. These impressions generally agree with more systematic findings that show that television is “not rated particularly highly as a general way of spending time, and in fact was evaluated below average compared to other free-time activities.”69
Albert Borgmann (Technology and the Character of Contemporary Life: A Philosophical Inquiry)
I will not, I cannot tell much in detail of the three years of our marriage, for my mind holds me back from speaking much of those doings and undertakings that seemed of such importance to us and filled our days so full. And indeed they were important both to us and to our people; and they have filled my life, not only then but ever since, completing me, so that though I knew the bitter grief of widowhood, I seldom felt the utter emptiness. I think if you have lost a great happiness and try to recall it, you are only asking for sorrow, but if you do not try to dwell on the happiness, sometimes you find it dwelling in your heart and body, silent but sustaining. The purest, most completest happiness I know is that of a baby at the breast and the mother giving suck. From that I know what perfect fulfillment is. But I cannot regain it by remembering, by speaking, by yearning. To have known it is enough, and all.
Ursula K. Le Guin (Lavinia)
Call to mind when you ever had a fixed purpose; how few days have passed as you had planned; when you were ever at your own disposal; when your face wore its natural expression; when your mind as undisturbed; what work you have achieved in such a long life; how many have plundered your life when you were unaware of your losses; how much you have lost through groundless sorrow, foolish joy, greedy desire, the seductions of society; how little of your own was left: to you. You will realize that you are dying prematurely.' So what is the reason for this? You are living as if destined to live for ever; your own frailty never occurs to you; you don't notice how much time has already passed, but squander it as though you had a full and overflowing supply - though all the while that very day which you are devoting to somebody or something may be your last. You act like mortals in all that you fear, and like immortals in all that you desire.
Seneca (On The Shortness Of Life)
YOU THINK YOU are the only person in this world who is waiting?” said Sister Mary Inconnu. She was pacing. I wished she would stop, because the light was bright at the window and it is hard sometimes to keep up with a pacing nun. I kept losing her. She said, “The world is full of people like you, waiting for change. Waiting for a job. A lover. Waiting for a bite to eat. A drink of water. Waiting for the winning lottery ticket. So don’t think about the end. Picture those people instead. Picture their waiting.” I have to admit I sighed. I shook my head. How does this help? I said with my eye. She sat. At least there was that. Then she said, “Because if you picture other people like you, you will no longer be alone. And when you share, you see that your own sorrow is not so big or special. You are only another person feeling sad, and soon it will pass and you will be another person, feeling happy. It takes the sting out of life, I find, when you realize you are not alone.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
I realized that my jaws were locked, teeth clenched, my eyes wide, and from the light-headedness, I imagined I must look frightfully pale. And I was holding my breath, resisting life so I could resist change from happening. I had so much fear in me. Fear that in this change my home would disappear. I had grown up under the memory of my brother's stories of home, and in the twelve years that had passed without him, I realized that I had been waiting, that I had never truly left Heuksan Island. The home Brother had told me about, I had dreamed of arriving there one day. A home where there was no more sorrow or tears, no more deaths or farewells. A place of togetherness. But now this place would change into a haunted mansion full of strangers and ghosts. How could I embrace them? What did family mean when family had gone away and returned, scarred to the point of being unrecognizable? How could you embrace a stranger with haunted eyes that looked right through you?
June Hur (The Silence of Bones)
A Palestinian village whose feudal owner sold it for a kiss through a pane of glass..." Nothing remained of Sireen after the auction apart from you, little prayer rug, because a mother slyly stole you and wrapped up her son who'd been sentenced to cold and weaning - and later to sorrow and longing. It's said there was a village, a very small village, on the border between sun's gate and earth. It's said that the village was twice sold - once for a measure of oil and once for a kiss through a pane of glass. The buyers and sellers rejoiced at its sale, the year the submarine was sunk, in our twentieth century. And in Sireen - the buyers went over the contract - were white-washed houses, lovers, and trees, folk poets, peasants, and children. (But there was no school - and neither tanks nor prisons.) The threshing floors, the colour of golden wine, and the graveyard were a vault meant for life and death, and the vault was sold! People say that there was a village, but Sireen became an earthquake, imprisoned by an amulet as it turned into a banquet - in which the virgins' infants were cooked in their mothers' milk so soldiers and ministers might eat along with civilisation! "And the axe is laid at the root of the tree..." And once again at the root of the tree, as one dear brother denies another and existence. Officer of the orbits... attend, O knight of death, but don't give in - death is behind us and also before us. Knight of death, attend, there is no time to retreat - darkness crowds us and now has turned into a rancid butter, and the forest too is full, the serpents of blood have slithered away and the beaker of our ablution has been sold to a tourist from California! There is no time now for ablution. People say there was a village, but Sireen became an earthquake, imprisoned by an amulet as it turned into a banquet - in which the virgins' infants were cooked in their mothers' milk so soldiers and ministers might eat, along with civilisation!
Samih Al-Qasim (Sadder than Water: New and Selected Poems)
The song she heard from the meadow was the same tune as the bird's call.She looked up in the trees.For a moment she thought she'd lost the bird, and she nearly cried out for him, but he fluttered down,landed right at her feet, and grew into a man." "Oh." Meg sighed.She'd always liked that part. "He whistled the tune once more, then the fey man said, 'My lady,will you dance?" "'I will.' She crossed the bridge to the meadow,and danced with the whistler." "Tell us they married," Meg said. "The story doesn't go like that," Poppy reminded. "It should." Meg stroked Tom's blood-clotted hair. I fumbled with the charcoal in my blackened fingers. As the story went, the girl danced through the seasons, but when she wandered home at last and reached her cottage door, she was a shriveled-up old women, for a hundred years had passed while she danced with the whistler,and everyone she'd known in her former life had died. Meg knew how it went.But when our eyes locked, I saw tonight she couldn't bear it. I found another bit of charcoal. "That very spring when the meadow was in bloom,the whistler, who had fey power to transform into a bird and sing any girl he wished to into the wood, chose the one girl who'd followed him so bravely and so far to be his wife. And she lived with him and the fey folk deep in Dragonswood in DunGarrow Castle, a place that blends into the mountainside and cannot be seen with human eyes unless the fairies will it so." I drew the couple hand in hand, rouch sketches on the cave wall; the stone wasn't smooth by any means. "She lived free among the fey folk and never wanted to return to her old life that had been full of hunger and sorrow under her father's roof." I sketched what came next before I could think of it. "A dragon came to their wedding," I said, drawing his right wing so large, I had to use the ceiling. "He lit a bonfire to celebrate their union." I drew the left wing spanning over the couple in the meadow. "And they lived all their lives content in Dragonswood.
Janet Lee Carey (Dragonswood (Wilde Island Chronicles, #2))
ON TIME RUTH HALEY BARTON There have to be times in your life when you move slow, times when you walk rather than run, settling into each step . . . There have to be times when you stop and gaze admiringly at loved ones, marveling that they have been given to you for this life . . . times when hugs linger and kisses are real, when food and drink are savored with gratitude and humility rather than gulped down on your way to something else. There have to be times when you read for the sheer pleasure of it, marveling at the beauty of words and the endless creativity in putting them together . . . times when you settle into the comforts of home and become human once again. There have to be times when you light a candle and find the tender place inside you that loves or sorrows or sings and you pray from that place, times when you let yourself feel, when you allow the tears to come rather than blinking them back because you don’t have time to cry. There have to be times to sink into the soft body of yourself and love what you love simply because love itself is a grace . . . times when you sit with gratitude for the good gifts of your life that get lost and forgotten in the rush of things . . . times to celebrate and play to roll down hills to splash in water or make leaf piles to spread paint on paper or walls or each other. There have to be times to sit and wait for the fullness of God that replenishes body, mind, and soul— if you can even stand to be so full. There has to be time for the fullness of time or time is meaningless.
Ruth Haley Barton (Embracing Rhythms of Work and Rest: From Sabbath to Sabbatical and Back Again (Transforming Resources))
Prayer to an Unseen Friend My special friend, thank you for listening to me. You know how hard I am trying to fulfill your faith in me. Thank You, also for the place in which I dwell. Let neither work nor play, no matter how satisfying or glorious, ever separate me for long from my precious family. Teach me how to play the game of life with fairness, courage, fortitude and confidence. Provide me with a few friends who understand me and yet remain my friends. Allow me a forgiving heart and a mind unafraid to travel though the trail may not be marked. Give me a sense of humor and a little leisure with nothing to do. Help me to strive for the highest legitimate reward of merit, ambition and opportunity, and yet never allow me to forget to extend a kindly, helping hand to others who need encouragement and assistance. Provide me with the strength to encounter whatever is to come, that I be brave in peril, constant in tribulation, temperate in anger and always prepared for any change of fortune. Enable me to give a smile instead of a frown, a kindly word instead of harshness and bitterness. Make me sympathetic to the grief of others, realizing that there are hidden woes in every life, no matter how exalted. Keep me forever serene in every activity of life, neither unduly boastful nor given to the more serious sin of self-depreciation. In sorrow, may my soul be uplifted, by the thought that if there were no shadow, there would be no sunshine. In failure, preserve my faith. In success, keep me humble. Steady me to do the full share of my work, and more, as well as I can, and when that is done, stop me, pay me what wages Thou wilt, and permit me to say, from a loving heart... A grateful Amen
Og Mandino (The Greatest Salesman in the World, Part II: The End of the Story)
Secondly, it impels us to live a life as free of trouble and as full of joy as possible, while assisting everyone else to achieve that goal on account of the common nature we share. For there’s never been an advocate of virtue and enemy of pleasure so grim and inflexible who won’t, as he directs you on to toils, vigils and self-denial, urge you at the same time to do your utmost to relieve the poverty and misfortune of others. He’ll regard such solidarity and mutual support as worthy of praise in the name of humanity, since it is essentially humane (and no other virtue is more fitting to human beings than that) to relieve the troubles of others, to wipe away their sorrows and bring them back to an agreeable, that is a pleasurable, life. Why, then, shouldn’t nature prompt us to do the same for ourselves? For either a joyful life, one full of pleasure, is a bad thing: in which case, not only should you not help anyone to it, but you should actively deprive them of it as noxious and harmful. Or else, if you are not only allowed but even obliged to assist others to such a joyful life, then why not first of all do it for yourself? You should be no less generous to yourself than you are to others.24
Thomas More (Utopia)
Saint John, in a moment of confusion, tells us not to love the world because "all that is in the world, the lust of the flesh, and the lust of the eyes, and the pride of life,is not of the Father, but is of the world." This injunction is at best a paradox. Our humble and astonishing inheritance is the world and only the world, whose existence we constantly test (and prove) by telling ourselves stories about it. The suspicion that we and the world are made in the image of something wonderfully and chaotically coherent far beyond our grasp, of which we are also part; the hope that our exploded cosmos and we, its stardust, have an ineffable meaning and method; the delight in retelling the old metaphor of the world as a book we read and in which we too are read; the conceit that what we can know of reality is an imagination made of language — all this finds its material manifestation in that self-portrait we call a library. And our love for it, and our lust to see more of it, and our pride in its accomplishments as we wander through shelves full of books that promise more and more delights, are among our happiest, most moving proofs of possessing, in spite of all the miseries and sorrows of this life, a more intimate, consolatory, perhaps redeeming faith in a method behind the madness than any jealous deity could wish upon us.
Alberto Manguel (The Library at Night)
Only a fool says in his heart There is no Creator, no King of kings, Only mules would dare to bray These lethal mutterings. Over darkened minds as these The Darkness bears full sway, Fruitless, yet, bearing fruit, In their fell, destructive way. Sterile, though proliferate, A filthy progeny sees the day, When Evil, Thought and Action mate: Breeding sin, rebels and decay. The blackest deeds and foul ideals, Multiply throughout the earth, Through deadened, lifeless, braying souls, The Darkness labours and gives birth. Taking the Lord’s abundant gifts And rotting them to the core, They dress their dish and serve it out Foul seeds to infect thousands more. ‘The Tree of Life is dead!’ they cry, ‘And that of Knowledge not enough, Let us glut on the ashen apples Of Sodom and Gomorrah.’ Have pity on Thy children, Lord, Left sorrowing on this earth, While fools and all their kindred Cast shadows with their murk, And to the dwindling wise, They toss their heads and wryly smirk. The world daily grinds to dust Virtue’s fair unicorns, Rather, it would now beget Vice’s mutant manticores. Wisdom crushed, our joy is gone, Buried under anxious fears For lost rights and freedoms, We shed many bitter tears. Death is life, Life is no more, Humanity buried in a tomb, In a fatal prenatal world Where tiny flowers Are ripped from the womb, Discarded, thrown away, Inconvenient lives That barely bloomed. Our elders fare no better, Their wisdom unwanted by and by, Boarded out to end their days, And forsaken are left to die. Only the youthful and the useful, In this capital age prosper and fly. Yet, they too are quickly strangled, Before their future plans are met, Professions legally pre-enslaved Held bound by mounting student debt. Our leaders all harangue for peace Yet perpetrate the horror, Of economic greed shored up Through manufactured war. Our armies now welter In foreign civilian gore. How many of our kin are slain For hollow martial honour? As if we could forget, ignore, The scourge of nuclear power, Alas, victors are rarely tried For their woeful crimes of war. Hope and pray we never see A repeat of Hiroshima. No more! Crimes are legion, The deeds of devil-spawn! What has happened to the souls Your Divine Image was minted on? They are now recast: Crooked coins of Caesar and The Whore of Babylon. How often mankind shuts its ears To Your music celestial, Mankind would rather march To the anthems of Hell. If humanity cannot be reclaimed By Your Mercy and great Love Deservedly we should be struck By Vengeance from above. Many dread the Final Day, And the Crack of Doom For others the Apocalypse Will never come too soon. ‘Lift up your heads, be glad’, Fools shall bray no more For at last the Master comes To thresh His threshing floor.
E.A. Bucchianeri (Vocation of a Gadfly (Gadfly Saga, #2))
Though all the brilliant intellects of the ages were to concentrate upon this one theme, never could they adequately express their wonder at this dense darkness of the human mind. Men do not suffer anyone to seize their estates, and they rush to stones and arms if there is even the slightest dispute about the limit of their lands, yet they allow others to trespass upon their life—nay, they themselves even lead in those who will eventually possess it. No one is to be found who is willing to distribute his money, yet among how many does each one of us distribute his life! In guarding their fortune men are often closefisted, yet, when it comes to the matter of wasting time, in the case of the one thing in which it is right to be miserly, they show themselves most prodigal. And so I should like to lay hold upon someone from the company of older men and say: "I see that you have reached the farthest limit of human life, you are pressing hard upon your hundredth year, or are even beyond it; come now, recall your life and make a reckoning. Consider how much of your time was taken up with a moneylender, how much with a mistress, how much with a patron, how much with a client, how much in wrangling with your wife, how much in punishing your slaves, how much in rushing about the city on social duties. Add the diseases which we have caused by our own acts, add, too, the time that has lain idle and unused; you will see that you have fewer years to your credit than you count. Look back in memory and consider when you ever had a fixed plan, how few days have passed as you had intended, when you were ever at your own disposal, when your face ever wore its natural expression, when your mind was ever unperturbed, what work you have achieved in so long a life, how many have robbed you of life when you were not aware of what you were losing, how much was taken up in useless sorrow, in foolish joy, in greedy desire, in the allurements of society, how little of yourself was left to you; you will perceive that you are dying before your season!"7 What, then, is the reason of this? You live as if you were destined to live forever, no thought of your frailty ever enters your head, of how much time has already gone by you take no heed. You squander time as if you drew from a full and abundant supply, though all the while that day which you bestow on some person or thing is perhaps your last. You have all the fears of mortals and all the desires of immortals. You will hear many men saying: "After my fiftieth year I shall retire into leisure, my sixtieth year shall release me from public duties." And what guarantee, pray, have you that your life will last longer? Who will suffer your course to be just as you plan it? Are you not ashamed to reserve for yourself only the remnant of life, and to set apart for wisdom only that time which cannot be devoted to any business? How late it is to begin to live just when we must cease to live! What foolish forgetfulness of mortality to postpone wholesome plans to the fiftieth and sixtieth year, and to intend to begin life at a point to which few have attained!
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
On the next floor below are the abdominal and spine cases, head wounds and double amputations. On the right side of the wing are the jaw wounds, wounds in the joints, wounds in the kidneys, wounds in the testicles, wounds in the intestines. Here a man realizes for the first time in how many places a man can get hit. Two fellows die of tetanus. Their skin turns pale, their limbs stiffen, at last only their eyes live—stubbornly. Many of the wounded have their shattered limbs hanging free in the air from a gallows; underneath the wound a basin is placed into which drips the pus. Every two or three hours the vessel is emptied. Other men lie in stretching bandages with heavy weights hanging from the end of the bed. I see intestine wounds that are constantly full of excreta. The surgeon’s clerk shows me X-ray photographs of completely smashed hipbones, knees and shoulders. A man cannot realize that above such shattered bodies there are still human faces in which life goes its daily round. And this is only one hospital, one single station; there are hundreds of thousands in Germany, hundreds of thousands in France, hundreds of thousands in Russia. How senseless is everything that can ever be written, done, or thought, when such things are possible. It must be all lies and of no account when the culture of a thousand years could not prevent this stream of blood being poured out, these torture-chambers in their hundreds of thousands. A hospital alone shows what war is. I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another. I see that the keenest brains of the world invent weapons and words to make it yet more refined and enduring. And all men of my age, here and over there, throughout the whole world see these things; all my generation is experiencing these things with me. What would our fathers do if we suddenly stood up and came before them and proffered our account? What do they expect of us if a time ever comes when the war is over? Through the years our business has been killing;—it was our first calling in life. Our knowledge of life is limited to death. What will happen afterwards? And what shall come out of us?
Erich Maria Remarque (All Quiet on the Western Front)
Ione III. TO-DAY my skies are bare and ashen, And bend on me without a beam. Since love is held the master-passion, Its loss must be the pain supreme — And grinning Fate has wrecked my dream. But pardon, dear departed Guest, I will not rant, I will not rail; For good the grain must feel the flail; There are whom love has never blessed. I had and have a younger brother, One whom I loved and love to-day As never fond and doting mother Adored the babe who found its way From heavenly scenes into her day. Oh, he was full of youth's new wine, — A man on life's ascending slope, Flushed with ambition, full of hope; And every wish of his was mine. A kingly youth; the way before him Was thronged with victories to be won; so joyous, too, the heavens o'er him Were bright with an unchanging sun, — His days with rhyme were overrun. Toil had not taught him Nature's prose, Tears had not dimmed his brilliant eyes, And sorrow had not made him wise; His life was in the budding rose. I know not how I came to waken, Some instinct pricked my soul to sight; My heart by some vague thrill was shaken, — A thrill so true and yet so slight, I hardly deemed I read aright. As when a sleeper, ign'rant why, Not knowing what mysterious hand Has called him out of slumberland, Starts up to find some danger nigh. Love is a guest that comes, unbidden, But, having come, asserts his right; He will not be repressed nor hidden. And so my brother's dawning plight Became uncovered to my sight. Some sound-mote in his passing tone Caught in the meshes of my ear; Some little glance, a shade too dear, Betrayed the love he bore Ione. What could I do? He was my brother, And young, and full of hope and trust; I could not, dared not try to smother His flame, and turn his heart to dust. I knew how oft life gives a crust To starving men who cry for bread; But he was young, so few his days, He had not learned the great world's ways, Nor Disappointment's volumes read. However fair and rich the booty, I could not make his loss my gain. For love is dear, but dearer, duty, And here my way was clear and plain. I saw how I could save him pain. And so, with all my day grown dim, That this loved brother's sun might shine, I joined his suit, gave over mine, And sought Ione, to plead for him. I found her in an eastern bower, Where all day long the am'rous sun Lay by to woo a timid flower. This day his course was well-nigh run, But still with lingering art he spun Gold fancies on the shadowed wall. The vines waved soft and green above, And there where one might tell his love, I told my griefs — I told her all! I told her all, and as she hearkened, A tear-drop fell upon her dress. With grief her flushing brow was darkened; One sob that she could not repress Betrayed the depths of her distress. Upon her grief my sorrow fed, And I was bowed with unlived years, My heart swelled with a sea of tears, The tears my manhood could not shed. The world is Rome, and Fate is Nero, Disporting in the hour of doom. God made us men; times make the hero — But in that awful space of gloom I gave no thought but sorrow's room. All — all was dim within that bower, What time the sun divorced the day; And all the shadows, glooming gray, Proclaimed the sadness of the hour. She could not speak — no word was needed; Her look, half strength and half despair, Told me I had not vainly pleaded, That she would not ignore my prayer. And so she turned and left me there, And as she went, so passed my bliss; She loved me, I could not mistake — But for her own and my love's sake, Her womanhood could rise to this! My wounded heart fled swift to cover, And life at times seemed very drear. My brother proved an ardent lover — What had so young a man to fear? He wed Ione within the year. No shadow clouds her tranquil brow, Men speak her husband's name with pride, While she sits honored at his side —
Paul Laurence Dunbar
He opened the door after letting me pound on it for almost five minutes. His truck was in the carport. I knew he was here. He pulled the door open and walked back inside without looking at me or saying a word. I followed him in, and he dropped onto a sofa I’d never seen before. His face was scruffy. I’d never seen him anything but clean-shaven. Not even in pictures. He had bags under his eyes. He’d aged ten years in three days. The apartment was a mess. The boxes were gone. It looked like he had finally unpacked. But laundry was piled up in a basket so full it spilled out onto the floor. Empty food containers littered the kitchen countertops. The coffee table was full of empty beer bottles. His bed was unmade. The place smelled stagnant and dank. A vicious urge to take care of him took hold. The velociraptor tapped its talon on the floor. Josh wasn’t okay. Nobody was okay. And that was what made me not okay. “Hey,” I said, standing in front of him. He didn’t look at me. “Oh, so you’re talking to me now,” he said bitterly, taking a long pull on a beer. “Great. What do you want?” The coldness of his tone took me aback, but I kept my face still. “You haven’t been to the hospital.” His bloodshot eyes dragged up to mine. “Why would I? He’s not there. He’s fucking gone.” I stared at him. He shook his head and looked away from me. “So what do you want? You wanted to see if I’m okay? I’m not fucking okay. My best friend is brain-dead. The woman I love won’t even fucking speak to me.” He picked up a beer cap from the coffee table and threw it hard across the room. My OCD winced. “I’m doing this for you,” I whispered. “Well, don’t,” he snapped. “None of this is for me. Not any of it. I need you, and you abandoned me. Just go. Get out.” I wanted to climb into his lap. Tell him how much I missed him and that I wouldn’t leave him again. I wanted to make love to him and never be away from him ever again in my life—and clean his fucking apartment. But instead, I just stood there. “No. I’m not leaving. We need to talk about what’s happening at the hospital.” He glared up at me. “There’s only one thing I want to talk about. I want to talk about how you and I can be in love with each other and you won’t be with me. Or how you can stand not seeing me or speaking to me for weeks. That’s what I want to talk about, Kristen.” My chin quivered. I turned and went to the kitchen and grabbed a trash bag from under the sink. I started tossing take-out containers and beer bottles. I spoke over my shoulder. “Get up. Go take a shower. Shave. Or don’t if that’s the look you’re going for. But I need you to get your shit together.” My hands were shaking. I wasn’t feeling well. I’d been light-headed and slightly overheated since I went to Josh’s fire station looking for him. But I focused on my task, shoving trash into my bag. “If Brandon is going to be able to donate his organs, he needs to come off life support within the next few days. His parents won’t do it, and Sloan doesn’t get a say. You need to go talk to them.” Hands came up under my elbows, and his touch radiated through me. “Kristen, stop.” I spun on him. “Fuck you, Josh! You need help, and I need to help you!” And then as fast as the anger surged, the sorrow took over. The chains on my mood swing snapped, and feelings broke through my walls like water breaching a crevice in a dam. I began to cry. I didn’t know what was wrong with me. The strength that drove me through my days just wasn’t available to me when it came to Josh. I dropped the trash bag at his feet and put my hands over my face and sobbed. He wrapped his arms around me, and I completely lost it.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))