“
It was odds on they would find out one of the team had escaped the blast, and it wouldn’t be long before they knew which one. Then they would come looking for him.
And Conor intended they should find him.
”
”
Michael Parker (The Eagle's Covenant)
“
Why would you want to kidnap Herr Schiller’s grandson?”
Jansch looked at his boss. He arched his eyebrows. “I wouldn’t.”
“I know you wouldn’t. But amuse me, please.”
Jansch studied the car for a moment. “Leverage,” he said eventually.
”
”
Michael Parker (The Eagle's Covenant)
“
Feel the power of the Dark Side," he murmured.
"Always," Parker said.
”
”
Greg Cox (The Bestseller Job (Leverage, #3))
“
Parker and Hardison look like they're having a good time."
"I see," Nate said. "Should we be worried?
”
”
Greg Cox (The Bestseller Job (Leverage, #3))
“
He's not dead, Parker." He clenched his jaw so hard she could see the muscles working in it.
"Are you just saying that to make me feel better?"
"No, I'm saying it to make myself feel better.
”
”
Matt Forbeck (The Con Job (Leverage, #1))
“
Hardison held up a gigantic bag that Parker could have used as a dress. "I picked up all sorts of things," he said with a smile. "I grabbed the entire run of Chew, and I savaged the first trade paperback for the Magic: The Gathering comic, signed by the writer, no less.
”
”
Matt Forbeck (The Con Job (Leverage, #1))
“
Who the hell is Warren Ellis again?”
Hardison gaped at the man. “Only one of the greatest comics writers in the past twenty years. Might as well ask who Alan Moore is, or Frank Miller, or Mark Waid, or Brian Michael Bendis, or Marv Wolfman, or Geoff Johns.”
Eliot gave Hardison a blank look as they wove their way through the hall. Parker took the lead, toting a printed sign with her. Eliot and Hardison trailed in her wake. They made a point of striding right past Patronus’s booth. They didn’t turn to see if he noticed them.
“No one?” Hardison said. “Nothing? Not even Kurt Busiek? Neil Gaiman?”
“I have a life. I do things, active things. I date women.”
“Stan Lee?”
Eliot gave Hardison that one with a wag of his head. “Who hasn’t heard of Stan Lee?”
“All right,” Hardison said with satisfaction. “You had me worried there, man.
”
”
Matt Forbeck (The Con Job (Leverage, #1))
“
Why is it that men reduce themselves to one-liners and bad movie quotes whenever they get into a fight?" said Parker. "Is there some kind of script they're supposed to follow when they get to this point? Or does the raging testosterone just shut down their higher brain functions?
”
”
Matt Forbeck (The Con Job (Leverage, #1))
“
Sophie(female): This life is not worth living without the people that make us want to tear down those walls. The thrill of vulnerability the danger of opening your heart. It makes us feel alive.
Parker(female): I feel alive when I'm jumping down a building.
Sophie(female): Maybe that's why they call it 'Falling in love
”
”
Leverage Sophie and Parker
“
There’s Miss Dupree!” As Parker joined Ashley at the window, the girl bounced eagerly on her tiptoes, using his arm for leverage. “Oh my God--it looks like our whole class is really here.”
Parker scowled. “She probably bribed them. She probably told them she’d give them A’s on all their projects if they came and walked through ours.
”
”
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
“
creating a company for acquisition or IPO is different from building a profitable enterprise; it’s about building a sellable enterprise. Startups are not trying to earn revenue (which is a liability); they are setting themselves up to win more capital. They are not part of the real economy or even the real world but part of the process through which working assets are converted into new stockpiles of dead ones. That’s all they have really accomplished with whatever digital fad they’ve foisted onto the market or sold to yesterday’s tech winners. They thought they were engineering a new technology, when they were actually engineering a reallocation of capital. That’s why digital entrepreneurs who do win often end up becoming the next generation of venture capitalists. Everyone from Marc Andreessen (Netscape) to Sean Parker (Napster) to Peter Thiel (PayPal) to Jack Dorsey (Twitter) now runs venture funds of his own. Facebook and Google, once startups themselves, now acquire more businesses than they incubate internally. With each new generation, firms and investors leverage the startup economy more deliberately, or even cynically. After all, a win is a win.
”
”
Douglas Rushkoff (Throwing Rocks at the Google Bus: How Growth Became the Enemy of Prosperity)
“
I bought their pitch about eyeglasses being a fucked-up industry,” says Ben Lerer, a managing partner at Lerer Hippeau. “They showed you don’t need innovation around what you sell. You can succeed with innovation around the way you sell it. Leverage the traditional supply chain and sell direct to the consumer. Take your savings from the wholesale channel and pass it on to the consumer.
”
”
Lawrence Ingrassia (Billion Dollar Brand Club: How Dollar Shave Club, Warby Parker, and Other Disruptors Are Remaking What We Buy)
“
Before you can begin to leverage your creative power, you have to first know who you are, how you operate, what you’re here to do and how your energy is influenced by others. Your
”
”
Karen Curry Parker (Abundance by Design: Discover Your Unique Code for Health, Wealth and Happiness with Human Design (Life by Human Design))
“
The last few years had taught her that, bizarrely, there might be more to life than money, heists, and adrenaline. A crazy idea, no kidding, and she wasn't entirely convinced yet, but maybe, just maybe, she could be something more than a thief?
”
”
Greg Cox (The Bestseller Job (Leverage, #3))
“
Sure, I could have, no problem. The security they got around those room booking systems is like a kid’s playpen, but I just couldn’t bring myself to do it.”
Eliot reached across Parker to grab Hardison by the front of his shirt, but Parker shoved her shoulder between the two men, foiling the effort. “That’s your thing, man,” Eliot said over Parker’s shoulder as Hardison backed away into the corner of the cab. “What’s stopping you?”
Hardison shrugged, embarrassed. “All the people who come out here, they’re doing it for the sheer joy of being a geek about something. Might be the Avengers, Star Wars, Sailor Moon, or even them sparkly vampires, but hey, they took a week off work, saved up all their pennies for the badges—which sell out in about ninety minutes—and got their butts out there for the show. I—I just couldn’t do that to them.
”
”
Matt Forbeck (The Con Job (Leverage, #1))
“
Sounds great,” Cha0s said. “It’s a date!”
Parker ended the call. “Ew, ew, ew!” she said. “I want to wash off my phone. No, I want to disinfect it. No, I want to throw it into the ocean.”
“When we’re done,” Nate said. “You might need that until then.”
“Great work, Parker,” Sophie said. “You reeled him in well. You could have a future in that sort of work.”
“Don’t even think about it,” Parker said. “For Hardison, I’ll do it, but—ew!
”
”
Matt Forbeck (The Con Job (Leverage, #1))
“
You want some?” Cha0s said as he turned toward Eliot. “Come and get it!”
“Why is it that men reduce themselves to one-liners and bad movie quotes whenever they get into a fight?” said Parker. “Is there some kind of script they’re supposed to follow when they get to this point? Or does the raging testosterone just shut down their higher brain functions?
”
”
Matt Forbeck (The Con Job (Leverage, #1))
“
How did you get the badges?” Parker asked. “You didn’t steal a badge from a pro, did you?”
“Of course not,” Hardison said. “Geek solidarity to the end.”
“Then whose name is this on my badge? Who’s Diana Prince?”
Hardison laughed. “That’s Wonder Woman’s secret identity.”
Parker giggled at that. “And who are you? Carl Lucas?”
“That’s Luke Cage’s original name.”
“Who?” Eliot didn’t bother to conceal his irritation.
“Luke Cage? You know, Power Man? Of Power Man and Iron Fist?” Hardison waited for a response that never came. “Sweet Christmas, what’s wrong with you people?”
“We have lives. And just who am I supposed to be, huh? Batman’s secret sidekick?”
“You’d like that, wouldn’t you?” Sophie said. Nate gave her a nudge with his elbow, and she fixed him with a mischievous smile.
“Naw, man,” said Hardison. “I wouldn’t do that to you. I know how you feel about ‘fictional’ people.”
“So who the hell is Warren Ellis?”
“He’s a comic-book writer. Good one.”
Eliot groaned. “For God’s sake, do I look like a comic-book writer?”
“Hey, don’t knock Warren Ellis. He wrote all sorts of great stuff. Global Frequency, The Authority, Transmetropolitan. Good stuff.
”
”
Matt Forbeck (The Con Job (Leverage, #1))
“
But I don’t understand,” she said. “Why have you been following me all over the world? Why didn’t you just approach me before?”
“I’ve wanted to,” he confessed. “But I kept chickening out. I meant to in Frankfurt, but then you spotted me and I lost my nerve. I didn’t want you to think I was some sort of creepy stalker.”
“God forbid,” Eliot muttered.
Larry looked nervously at Eliot. “Then your bodyguard took off after me and I just panicked. And then there was that scary blonde in the dog costume…”
“Scary?” Parker reacted, her indignation coming through Sophie’s earbud loud and clear. “I was adorable.”
“My personal assistant,” Sophie explained. “She’s a furry.
”
”
Greg Cox (The Bestseller Job (Leverage, #3))
“
How and why is this happening? Let’s break it down. In the world of platforms, the Internet no longer acts merely as a distribution channel (a pipeline). It also acts as a creation infrastructure and a coordination mechanism. Platforms are leveraging this new capability to create entirely new business models. In addition, the physical and the digital are rapidly converging, enabling the Internet to connect and coordinate objects in the real world—for example, through smartphone apps that allow you to control your home appliances at long distance. Simultaneously, organizational boundaries are being redefined as platform companies leverage external ecosystems to create value in new ways.7 In this new stage of disruption, platforms enjoy two significant economic advantages over pipelines. One of these advantages is superior marginal economics of production and distribution.
”
”
Geoffrey G. Parker (Platform Revolution: How Networked Markets Are Transforming the Economy and How to Make Them Work for You: How Networked Markets Are Transforming the Economy―and How to Make Them Work for You)
“
It’s a classic scam.”
“Classic or classless?” Hardison said. “Ripping off old people for the simple crime of trusting you doesn’t seem like much of a challenge.”
“Aren’t we a little out of this guy’s league?” Parker said, blunt as ever.
“The man’s out to rob these comic-book legends of the last things they want to get rid of,” Hardison said. “They gave the world some of its finest heroes. Saving them’s the least we can do.
”
”
Matt Forbeck (The Con Job (Leverage, #1))