Lesbian Lovers Quotes

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Do people always fall in love with things they can't have?' 'Always,' Carol said, smiling, too.
Patricia Highsmith (The Price of Salt)
She puts her hands on either side of my face, and the room falls away. I have never gotten so lost in a kiss before. And then, the space between us explodes. My heart keeps missing beats and my hands cannot bring her close enough to me. I taste her and realize I have been starving. I have loved before, but it didn't feel like this. I have kissed before, but it didn't burn me alive. Maybe it lasts a minute, and maybe it's an hour. All I know is that kiss, and how soft her skin is when it brushes against mine, and that even if I did not know it until now, I have been waiting for this person forever.
Jodi Picoult
There’s a Greek legend—no, it’s in something Plato wrote—about how true lovers are really two halves of the same person. It says that people wander around searching for their other half, and when they find him or her, they are finally whole and perfect. The thing that gets me is that the story says that originally all people were really pairs of people, joined back to back, and that some of the pairs were man and man, some woman and woman, and others man and woman. What happened was that all of these double people went to war with the gods, and the gods, to punish them, split them all in two. That’s why some lovers are heterosexual and some are homosexual, female and female, or male and male.
Nancy Garden (Annie on My Mind)
The first time someone else touched me with the intent to pleasure, I fell in love. Not with that person, but with the act itself. Such intimacy and accord. Even with the awkwardness of first time lovers there was a grace and purity, carnal and beautiful that I knew from that moment on I could never live without.
Fiona Zedde (Bliss)
She had seen just now what she had only sensed before, that the whole world was ready to be their enemy, and suddenly what she and Carol had together seemed no longer love or anything happy but a monster between them, with each of them caught in a fist.
Patricia Highsmith (The Price of Salt)
June, you have killed my sincerity too. I will never again know who I am, what I am, what I love, what I want. Your beauty has drowned me, the core of me. You carry away with you a part of me reflected in you. When your beauty struck me, it dissolved me. Deep down, I am not different from you. I dreamed you, I wished for your existence. You are the woman I want to be. I see in you that part of me which is you. I feel compassion for your childish pride, for your trembling unsureness, your dramatization of events, your enhancing of the loves given to you. I surrender my sincerity because if I love you it means we share the same fantasies, the same madness.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 1: 1931-1934)
My first female lover was a Jewish woman. She was butch, but not in a swaggering macho way- she could pass as a yeshiva boy, pale and intense. Small, almost fragile, she exuded a powerful sense of herself. She had not been to a synagogue in years, but kept the law of kashrut, and taught me my first prayers in Hebrew. She cooked, she read, she ironed her dress shirts and polished her boots meticulously, and admired femme women enormously. She was also the first person ever- including myself- to bring me to multiple orgasms. She taught me to ask for what I wanted in bed, then encouraged me to expect it from her and future lovers. She taught me to get her off with fingers, tongue, lips, sex toys, and my voice. She showed me how to masturbate in different positions, and fisted me during my menstrual cramps to provide an internal massage- and to demonstrate that a sexual act without orgasm was also an acceptable, intimate act. She never separated sexuality from the rest of her life; it was as integral to her as her Judaism. This was how I wanted to be. Not just sexually, although certainly that way too. This is how I wanted to move through the world. -- Karen Taylor (from "Daughters of Zelophehad")
Lawrence Schimel (First Person Queer: Who We Are (So Far))
A different lover is not a sin
Lady Gaga (Lady Gaga - Born This Way Piano, Vocal and Guitar Chords)
I left the bed as she had left it, unmade and rumpled, coverlets awry, so that her body's print might rest still warm beside my own. Until the next day I did not go to bathe, I wore no clothes and did not dress my hair, for fear I might erase some sweet caress. That morning I did not eat, nor yet at dusk, and put no rouge nor powder on my lips, so that her kiss might cling a little longer. I left the shutters closed, and did not open the door, for fear the memory of the night before might vanish with the wind.
Pierre Louÿs (The Songs of Bilitis)
Some women who married and also had lesbian relationships were genuinely bisexual. Many others married because they could see no other viable choice in the day.
Lillian Faderman (Odd Girls and Twilight Lovers: A History of Lesbian Life in Twentieth-Century America)
Most people who are would each not be in love with their partner, if they did not have the kind of genitals they have.
Mokokoma Mokhonoana
Perhaps rage was an inextricable part of lesbian-feminism, because once these women analyzed the female's position in society they realized they had much to be furious about.
Lillian Faderman (Odd Girls and Twilight Lovers: A History of Lesbian Life in Twentieth-Century America)
Marynka was Midday. Her opposite. Her rival. Her. . . Was there even a word for a rival who you also wanted to kiss? Whatever she was, Marynka was the very last person she should be having those sorts of thoughts about.
Alicia Jasinska (The Midnight Girls)
There was no way to tell their mothers the truth and make them believe it, that hearts that loved boys and girls were no more reckless or easily won than any other heart. They loved who they loved. They broke how they broke. And the way it happened depended less on what was under their lovers’ clothes and more on what was wrapped inside their spirits. What secret halls and trapdoors their sounds held, and what each one hid and guarded.
Anna-Marie McLemore (Wild Beauty)
Wren didn't think kissing anyone had ever felt like this. Like it was pulling. her together and breaking her apart all at the same time. As if this kiss could make her. A kiss to end times. Perhaps a kiss to start times.
G. Benson (Purposefully Accidental)
Of course many of us were loaded with self-hate and wanted to change. How could it have been otherwise? All we heard and read about homosexuality was that crap about how we were inverts, perverts, queers — a menace to children, poison to everybody else, doomed never to be happy.
Lillian Faderman (Odd Girls and Twilight Lovers: A History of Lesbian Life in Twentieth-Century America)
They were Catholic, my lovers, All in an access of crossing themselves, Particularly their fingers Behind their suspendered backs-- And that was the women.
Shay Caroline (Gemini/Scorpio/Capricorn)
So often, beauty had absolutely nothing to do with the way something looked and everything to do with how it made you feel.
Lucy Bexley (HOWL: Home of the Wayward Lovers (I Heart SapphFic Pride Collection, #7))
Being your friend and knowing that you're happy, even if it's with someone else, even if my heart is breaking, is worth it. But if you love me? If you love me Mia, then be brave and love me.
Haley Cass (Down to a Science (I Heart Sapphfic Pride Collection, #1))
I swear to love you always. To back you up even when you're wrong. To make you laugh when you realize you've built that IKEA bookshelf all backwards. To indulge every whim and passion. And to always be your number one fan. Until death do us part, I will stand by your side.
J.J. Arias (Guava Flavored Lies)
A woman who dared to live as an overt homosexual in such unwelcoming times might well have an ego of impressive strength and health that permitted her it know her own mind and to be true to her conception of herself.
Lillian Faderman (Odd Girls and Twilight Lovers: A History of Lesbian Life in Twentieth-Century America)
Funny how you can’t turn that off, isn’t it?” Ledalus laughed, scoffing as she crossed her arms over her chest. “Does it hurt? Loving someone who can’t love you back?
Victoria Cerises (Grave Delights)
To learn of the existence of other lesbians through the media, no matter how unfortunate those characters were, must have been reassuring to women who loved other women.
Lillian Faderman (Odd Girls and Twilight Lovers: A History of Lesbian Life in Twentieth-Century America)
You are cruel even in love," Iona whispers, "How can you make me feel this way? I ought to hate you. I wanted to hate you.
Luna Oblonsky (Her Spell That Binds Me)
I’ve learned that love is about finding someone who pulls you to them even when reason might tell you otherwise. Someone who pushes you out of your comfort zone, not because of them doing or saying anything, necessarily, but because they make you want to try new things. They make you want to be daring, because maybe something new and scary doesn’t feel quite as scary by their side.
Haley Cass (Those Who Wait)
THE LESBIAN AVENGERS Their motto playfully proclaimed “we recruit,” and recruit this group did. Formed in the 1990s to bring attention to lesbian causes, the Lesbian Avengers spent Valentine’s Day handing out chocolate kisses in Grand Central Station that read, “You’ve just been kissed by a lesbian.” In Bryant Park, they unveiled a papier-mâché sculpture of Alice B. Toklas embracing her lover, Gertrude Stein. The Avengers also ate fire, which would become their dramatic trademark—first practiced as an homage to an Oregon gay man and lesbian woman who were burned to death after a Molotov cocktail was thrown into the apartment they shared.
Jess Bennett (Feminist Fight Club: An Office Survival Manual for a Sexist Workplace)
I think of how, even as a feminist lesbian, I have so wanted to ignore my own homophobia, my own hatred of myself for being queer. I have not wanted to admit that my deepest personal sense of myself has not quite "caught up" with my "woman-identified" politics. I have been afraid to criticize lesbian writers who choose to "skip over" these issues in the name of feminism. In 1979, we talk of "old gay" and "butch and femme" roles as if they were ancient history. We toss them aside as merely patriarchal notions. And yet, the truth of the matter is that I have sometimes taken society's fear and hatred of lesbians to bed with me. I have sometimes hated my lover for loving me. I have sometimes felt "not woman enough" for her. I have sometimes felt "not man enough." For a lesbian trying to survive in a heterosexist society, there is no easy way around these emotions. Similarly, in a white-dominated world, there is little getting around racism and our own internalization of it. It's always there, embodied in someone we least expect to rub up against.
Cherríe L. Moraga (This Bridge Called My Back: Writings by Radical Women of Color)
We are all two spirited beings in one body. We originated from a Soul that is two-spirited, male and female in one body. When you validate, honor, and love the opposite within, you validate, honor, and love both the opposite and same-ness with another human being. A healthy relationship starts by loving the internal twin flame relationship, which results in attracting a healthy external twin flame relationship.
Deborah Bravandt
The breeze carried the music into the distant country plains, past the bullet trains, across the majestic cornfields and the Christmas tree farms. The music swept past the Georgia orange trees, the droning honeybees, and the shining seas of the Atlantic. It wafted past the London Pier. Young Britney wanted all of Nod to hear.
David Paul Kirkpatrick (The Address Of Happiness)
I came of age in a culture where gay marriage went from comic impossibility to foregone conclusion to law of the land. I haven't been closeted in almost a decade. Even so I am unaccountably haunted by the specter of the lunatic lesbian. I did not want my lover to be dogged by mental illness or a personality disorder or rage issues. I did not want her to act with unflagging irrationality. I didn't want her to be jealous or cruel. Years later, if I could say anything to her, I'd say "For fuck's sake, stop making us look bad.
Carmen Maria Machado (In the Dream House)
The truth hadn't killed me, and I now knew who I was. Georgina Wilkes-a lover, a mother, a daughter, a sister and most of all, a well-balanced human being.
Diana Jayne (Who Am I?)
I think I need to take frequent breaks from kissing your body to return to your lips, kissing you feels so good.
J.Y. Tacheva (How We Fall in Love: The Tale Scheherazade Didn't Tell)
Tudo isso porque ter vencido me daria sobrevivência, mas Leona? Leona me dava vontade de viver.
Sarah Oliveira (Opostas em Guerra: Um enemies to lovers nos anos 80 (Portuguese Edition))
Aquarius is less of a “free lover” than she pretends to be. She just likes to fuck her friends every once in a while.
Jill Dearman (Queer Astrology for Women: An Astrological Guide for Lesbians)
Regret is a bitter pill to swallow, Rebecca. Fear causes you to make extremely regrettable decisions. Even if you think you’re doing the right thing.
Jourdyn Kelly (Becoming: An LA Lovers Book)
Life is contradictory. It's complicated, but it's simple. It's painful, but it's joyful. Life is like a rose. Mish, and every rose has its thorns. It's equal parts dangerous and beautiful.
Lily Seabrooke (Every Rose)
This was the kiss of champions, the one that said all the things she was certain of in her heart. The kiss that took all the risks on love and poured them directly from her heart into Beth's heart.
Renée Dahlia (Show Queen (Seraph's Burlesque Club, #3))
Men are jerks. If I were a woman I'd be a lesbian. You get to make love to other women and have little to do with asshole men. Lesbians are better lovers, too, because they know where everything is.
Lionel Fisher (Celebrating Time Alone: Stories Of Splendid Solitude)
I believe in the remade life, the possibilities inherent in our lesbian and gay chosen families, our families of friends and lovers, the healing that can take place among the most wounded of us. My family of friends has kept me alive through lovers who have left, enterprises that have failed, and all too many stories that never got finished. That family has been part of remaking the world for me.
Dorothy Allison
i have been told many times by family, friends, colleagues and strangers that I, a black African Muslim lesbian, am not included in this vision; that my dreams are a reflection of my upbringing in a decadent, amoral Western society that has corrupted who I really am. But who am I, really? Am I allowed to speak for myself or must my desires form the battleground for causes I do not care about? My answer to that is simple: ‘no one allows anyone anything.’ By rejecting that notion you discover that only you can give yourself permission on how to lead your life, naysayers be damned. In the end something gives way. The earth doesn’t move but something shifts. That shift is change and change is the layman’s lingo for that elusive state that lovers, dreamers, prophets and politicians call ‘freedom’.
Diriye Osman (Fairytales for Lost Children)
My mouth finds hers, and for a moment, the kiss is gentle, like coming home after a long time away and pausing in the doorway to let the comfort and familiarity settle deep in your body. She feels like home.
Katia Rose (Just Might Work)
They’d been high school besties who’d dropped off the map when Mia went to college across the country in Seattle, and Sky stayed at home going to culinary school instead. Tale as old as the stale crackers in the back of her pantry.
Katherine McIntyre (Confined Desires (Rehoboth Pact #1))
One Saturday morning walking to the farmers' market with my lover she tells me she needs to look like a man on the street. She hates binding her breasts. Hates having breasts, hates not passing. I press her. I ask her, but what do you feel like when you're naked in bed with me? Do you like your body then? She is quiet. Later she tells me she had a dream. Her mother brought home a bottle of medicine from the hospital for her. The doctor says she has to take it. The medicine is testosterone. On Shabbat I remember to pray for enough space inside of me to hold all the darkness of the night and all the sunlight of the day. I pray for enough space for transformations as miraculous as the shift from day to night. Later when that lover has changed his name and an ex-boyfriend has come out to me as a lesbian I go to visit my best friend's sister-turned-brother-turned-sister-again and she tells me about the blessing of having many names and using them all at once.
M.J. Kaufman
In ancient Greece, adolescence was a time when young men left their biological families to become the lovers of adult men. Sexuality was but one element of an affectional and educational relationship in which youths learned the ways of manhood
Barry D. Adam (The Rise of a Gay and Lesbian Movement (Social Movements Past and Present Series))
Then there’s the sort that puts you out before you really “come,” and go on writhing their loins till they bring themselves off against your thighs. But they’re mostly the Lesbian sort. It’s astonishing how Lesbian women are, consciously or unconsciously. Seems to me they’re nearly all Lesbian.
D.H. Lawrence (Lady Chatterley's Lover)
I am not defined by transient fame, or by childhood sexual abuse, or by world records. I don't wake up each morning a woman, a senior citizen, a lesbian, a Democrat, a human rights advocate, an atheist, a pacifist, an animal lover, an environmentalist. I may be all of these things, although above all I'm just a person who cherishes a bold journey. A person who refuses to let this one wild and precious life slip quietly by.
Diana Nyad (Find a Way)
People who think that queer life consists of sex without intimacy are usually seeing only a tiny part of the picture, and seeing it through homophobic stereotype. The most fleeting sexual encounter is, in its way intimate. And in the way many gay men and lesbians live, quite casual sexual relations can develop into powerful and enduring friendships. Friendships, in turn, can cross into sexual relations and back. Because gay social life is not as ritualized and institutionalized as straight life, each relation is an adventure in nearly un-charted territory—whether it is between two gay men, or two lesbians, or a gay man and a lesbian, or among three or more queers, or between gay men and the straight women whose commitment to queer culture brings them the punishment of the "fag hag" label. There are almost as many kinds of relationship as there are people in combination. Where there are -patterns, we learn them from other queers, not from our-parents or schools or the state. Between tricks and lovers and exes and friends and fuckbuddies and bar friends and bar friends' tricks and tricks' bar friends and gal pals and companions "in the life," queers have an astonishing range of intimacies. Most have no labels. Most receive no public recognition. Many of these relations are difficult because the rules have to be invented as we go along. Often desire and unease add to their intensity, and their unpredictability. They can be complex and bewildering, in a way that arouses fear among many gay people, and tremendous resistance and resentment from many straight people. Who among us would give them up? Try standing at a party of queer friends and charting all the histories, sexual and nonsexual, among the people in the room. (In some circles this is a common party sport already.) You will realize that only a fine and rapidly shifting line separates sexual culture from many other relations of durability and care. The impoverished vocabulary of straight culture tells us that people should be either husbands and wives or (nonsexual) friends. Marriage marks that line. It is not the way many queers live. If there is such a thing as a gay way of life, it consists in these relations, a welter of intimacies outside the framework of professions and institutions and ordinary social obligations. Straight culture has much to learn from it, and in many ways has already begun to learn from it. Queers should be insisting on teaching these lessons. Instead, the marriage issue, as currently framed, seems to be a way of denying recognition to these relations, of streamlining queer relations into the much less troubling division of couples from friends.
Michael Warner (The Trouble with Normal: Sex, Politics, and the Ethics of Queer Life)
I go to sleep at night in the arms of my lover dreaming of lesbian paradise. What a nightmare, then, to open my eyes to the reality of lesbian battering. It feels like a nightmare trying to talk about it, like a fog that tightens the chest and closes the throat…. We are so good at celebrating our love. It is so hard for us to hear that some lesbians live, not in paradise, but in a hell of fear and violence” (Lisa Shapiro, commentary in Off Our Backs, 1991).
Carmen Maria Machado (In the Dream House)
They no longer felt desolate, hungry outcasts; unloved and unwanted, despised of the world. They were lovers who walked in the vineyard of life, plucking the warm, sweet fruits of that vineyard. Love had lifted them up as on wings of fire, had made them courageous, invincible, enduring. Nothing could be lacking to those who loved—the very earth gave of her fullest bounty. The earth seemed to come alive in response to the touch of their healthful and eager bodies—nothing could be lacking to those who loved.
Radclyffe Hall (The Well of Loneliness)
I came of age in a culture where gay marriage went from comic impossibility to foregone conclusion to law of the land. I haven’t been closeted in almost a decade. Even so I am unaccountably haunted by the specter of the lunatic lesbian. I did not want my lover to be dogged by mental illness or a personality disorder or rage issues. I did not want her to act with unflagging irrationality. I didn’t want her to be jealous or cruel. Years later, if I could say anything to her, I’d say, “For fuck’s sake, stop making us look bad.
Carmen Maria Machado (In the Dream House)
Lesbian communities tend to be more intricate and intimate than other communities because of this lack of attachment to outcomes. You might hit on a girl and find out she’s monogamously partnered, but you end up falling in love with her ex, who’s also the nanny of her kids. This kind of thing isn’t weird at all in many queer communities. So embrace the possibility of nuance in relationships. Flirt and play with the intention of connection in its myriad ways, and odds are, you’ll find something that works for both/all of you.
Allison Moon (Girl Sex 101: A Queer Pleasure Guide For Women and Their Lovers)
Because I love you, Mia Sharpe. You are my route to happiness. All of my routes to happiness lead to you, and I haven’t ever found anyone else that has even come close. I love that you are willing to sit in an empty apartment until you find just the right piece of antique furniture that speaks to you even if it takes months. I love the way you call me Beckett most of the time, and Ellie only when it really matters. I love the way you tell people what their gift is when you hand them a wrapped present. I love that you became a firefighter so that you can save people from suffering what you’ve suffered. And I love you so much, that I’ll love you through all of the times where you find it hard to love yourself. Every day. Because there isn’t a piece of you that’s ruined inside, no matter what you might think on your worst days.
Haley Cass (Down to a Science (I Heart Sapphfic Pride Collection, #1))
But since we’re on the topic of identity and narrative voice - here’s an interesting conundrum. You may know that The Correspondence Artist won a Lambda Award. I love the Lambda Literary Foundation, and I was thrilled to win a Lammy. My book won in the category of “Bisexual Fiction.” The Awards (or nearly all of them) are categorized according to the sexual identity of the dominant character in a work of fiction, not the author. I’m not sure if “dominant” is the word they use, but you get the idea. The foregrounded character. In The Correspondence Artist, the narrator is a woman, but you’re never sure about the gender of her lover. You’re also never sure about the lover’s age or ethnicity - these things change too, and pretty dramatically. Also, sometimes when the narrator corresponds with her lover by email, she (the narrator) makes reference to her “hard on.” That is, part of her erotic play with her lover has to do with destabilizing the ways she refers to her own sex (by which I mean both gender and naughty bits). So really, the narrator and her lover are only verifiably “bisexual” in the Freudian sense of the term - that is, it’s unclear if they have sex with people of the same sex, but they each have a complex gender identity that shifts over time. Looking at the various possible categorizations for that book, I think “Bisexual Fiction” was the most appropriate, but better, of course, would have been “Queer Fiction.” Maybe even trans, though surely that would have raised some hackles. So, I just submitted I’m Trying to Reach You for this year’s Lambda Awards and I had to choose a category. Well. As I said, the narrator identifies as a gay man. I guess you’d say the primary erotic relationship is with his boyfriend, Sven. But he has an obsession with a weird middle-aged white lady dancer on YouTube who happens to be me, and ultimately you come to understand that she is involved in an erotic relationship with a lesbian electric guitarist. And this romance isn’t just a titillating spectacle for a voyeuristic narrator: it turns out to be the founding myth of our national poetics! They are Emily Dickinson and Walt Whitman! Sorry for all the spoilers. I never mind spoilers because I never read for plot. Maybe the editor (hello Emily) will want to head plot-sensitive readers off at the pass if you publish this paragraph. Anyway, the question then is: does authorial self-referentiality matter? Does the national mythos matter? Is this a work of Bisexual or Lesbian Fiction? Is Walt trans? I ended up submitting the book as Gay (Male) Fiction. The administrator of the prizes also thought this was appropriate, since Gray is the narrator. And Gray is not me, but also not not me, just as Emily Dickinson is not me but also not not me, and Walt Whitman is not my lover but also not not my lover. Again, it’s a really queer book, but the point is kind of to trip you up about what you thought you knew about gender anyway.
Barbara Browning
Dream House as Fantasy Fantasy is, I think, the defining cliché of female queerness. No wonder we joke about U-Hauls on the second date. To find desire, love, everyday joy without men’s accompanying bullshit is a pretty decent working definition of paradise. The literature of queer domestic abuse is lousy with references to this(27) punctured(28) dream(29), which proves to be as much a violation as a black eye, a sprained wrist. Even the enduring symbol of queerness—the rainbow—is a promise not to repeat an act of supreme violence by a capricious and rageful god: I won’t flood the whole world again. It was a one-time thing, I swear. Do you trust me? (And, later, a threat: the next time, motherfuckers, it’ll be fire.) Acknowledging the insufficiency of this idealism is nearly as painful as acknowledging that we’re the same as straight folks in this regard: we’re in the muck like everyone else. All of this fantasy is an act of supreme optimism, or, if you’re feeling less charitable, arrogance. Maybe this will change someday. Maybe, when queerness is so normal and accepted that finding it will feel less like entering paradise and more like the claiming of your own body: imperfect, but yours. --- 27. “I go to sleep at night in the arms of my lover dreaming of lesbian paradise. What a nightmare, then, to open my eyes to the reality of lesbian battering. It feels like a nightmare trying to talk about it, like a fog that tightens the chest and closes the throat…. We are so good at celebrating our love. It is so hard for us to hear that some lesbians live, not in paradise, but in a hell of fear and violence” (Lisa Shapiro, commentary in Off Our Backs, 1991). 28. “What will it do to our utopian dyke dreams to admit the existence of this violence?” (Amy Edgington, from an account of the first Lesbian Battering Conference held in Little Rock, AR, in 1988). 29. From a review of Behind the Curtains, a 1987 play about lesbian abuse: “By writing the play [and] by portraying both joy and pain in our lives, [Margaret Nash rejects the] almost reflex assumption that lesbians have surpassed the society from which we were born and, having come out, now exist in some mystical utopia” (Tracey MacDonald, Off Our Backs, 1987).
Carmen Maria Machado (In the Dream House)
She had only to call and Mary would come, bringing all her faith, her youth and her ardour. Yes, she had only to call, and yet—would she ever be cruel enough to call Mary? Her mind recoiled at that word; why cruel? She and Mary loved and needed each other. She could give the girl luxury, make her secure so that she need never fight for her living; she should have every comfort that money could buy. Mary was not strong enough to fight for her living. And then she, Stephen, was no longer a child to be frightened and humbled by this situation. There was many another exactly like her in this very city, in every city; and they did not all live out crucified lives, denying their bodies, stultifying their brains, becoming the victims of their own frustrations. On the contrary, they lived natural lives—lives that to them were perfectly natural. They had their passions like everyone else, and why not? They were surely entitled to their passions? They attracted too, that was the irony of it, she herself had attracted Mary Llewellyn—the girl was quite simply and openly in love. 'All my life I've been waiting for something...' Mary had said that, she had said: 'All my' life I've been waiting for something...I've been waiting for you.' Men—they were selfish, arrogant, possessive. What could they do for Mary Llewellyn? What could a man give that she could not? A child? But she would give Mary such a love as would be complete in itself without children. Mary would have no room in her heart, in her life, for a child, if she came to Stephen. All things they would be the one to the other, should they stand in that limitless relationship; father, mother, friend, and lover, all things—the amazing completeness of it; and Mary, the child, the friend, the beloved. With the terrible bonds of her dual nature, she could bind Mary fast, and the pain would be sweetness, so that the girl would cry out for that sweetness, hugging her chains always closer to her. The world would condemn but they would rejoice; glorious outcasts, unashamed, triumphant!
Radclyffe Hall (The Well of Loneliness)
It occurred to me, not for the first time, how much simpler our lives would be if we could date each other. That delousing kit cost eleven dollars! “Do you ever think it would be easier if we could go out with girls?” I said aloud. Svetlana didn’t answer right away. “I find most of the lesbians I know a bit intimidating,” she said, finally. “And I don’t really share their aesthetic sense—or they seem not to value aesthetics that much. I just don’t think I’d fit in. Especially since I’m always lusting after boys.” That was something I thought about, too: the physical response I felt to Ivan, the dull electric jolt, some heavy, slow machinery starting to turn in my chest and between my legs. I had never felt those things with relation to a girl. On the other hand, I usually hadn’t felt them in Ivan’s presence, either; it was more when he wasn’t there. And how much was that physical feeling worth? Was it really enough to counterbalance all the disadvantages? You couldn’t just talk to Ivan like he was a normal person; he didn’t hear, or he didn’t understand, or he went off somewhere and you couldn’t find him. Also, all his friends thought I was crazy. Instead of dealing with those people, how much more fun and relaxing it would be to pet Svetlana’s shining golden hair, to tell her how pretty she was and to watch her get more pretty, as she always did when someone complimented her. Her body wanted to be complimented, and I knew just what to tell her, so why couldn’t I? “But girls are more beautiful, and so much easier to sort of negotiate with. And the lust for boys never seems to work out well for me. So it just feels like girls are at least something to think about.” Again, Svetlana didn’t answer right away. “I would feel squeamish with anything beyond kissing and playing with each other’s breasts,” she said after a moment. I realized that I, too, had only been thinking about kissing and playing with each other’s breasts. What else did lesbians even do? Other than oral sex, which was apparently horrible. The way people talked about it on sit-coms: “Does he like . . . deep-sea diving?” You had to be altruistic to do it—a generous lover. That said, oral sex with a boy also seemed likely to be disgusting. Guys themselves seemed to think so. Wasn’t that why they went around yelling “cocksucker” at people who cut them off in traffic? “Do you not feel squeamish when you think about sex with a guy?” I asked. “I do, but it feels exciting. The idea of being penetrated and dominated.
Elif Batuman (Either/Or)
Dearly beloved... The president’s daughter and Cameron Roberts faced each other, hands lightly clasped, eyes locked. I, Blair Allison Powell, take you, Cameron Reed Roberts, to be my friend, my lover, the mother of my children, and my wife. I will be yours in times of plenty and in times of want, in times of sickness and in times of health, in times of joy and in times of sorrow, in times of failure and in times of triumph. I promise to cherish and respect you, to care for and protect you, to comfort and encourage you, and to stay with you, for all eternity. A willowy blonde stepped to Blair’s side, and Blair lifted a gleaming gold band from her palm. She lifted Cam’s left hand and slid the ring securely on her third nger. With this ring, I thee wed. Cameron Roberts’s gaze never wavered from Blair’s face, her voice ringing strong and clear. I, Cameron Reed Roberts, take you, Blair Allison Powell, to be my friend, my lover, the mother of my children, and my wife. I will be yours in times of plenty and in times of want, in times of sickness and in times of health, in times of joy and in times of sorrow, in times of failure and in times of triumph. I promise to cherish and respect you, to care for and protect you, to comfort and encourage you, and to stay with you, for all eternity. Roberts accepted the matching ring from a young dark-haired woman who leaned on a plain wood cane, and slipped it onto Blair’s nger. With this ring, I thee wed. An anticipatory breath shuddered through the crowd. Six uniformed of cers, the Guard of Honor, stepped in sync to form a path from the proceedings area, facing one another in a line, white-gloved hands on shining saber hilts. By the power vested in me by the United States Army, the President of the United States, and the Commonwealth of... The three male and three female of cers drew their swords with a slick of steel, their blades raised and touching to form the Arch of Sabers. ...I pronounce you wed. The couple kissed, the crowd clapped...
Radclyffe (Oath of Honor (First Responders, #3))
Blair was home when Kylie arrived the next night, and as soon as the doctor walked into the house, Blair called out, “Get changed! I brought carryouts for dinner. We’re gonna spend the whole night talking about the dangerous world of lesbianism.” “I have a feeling that someone’s not taking my concerns very seriously,” Kylie said when she walked into the kitchen. Blair gave her a hug and said, “I take you and your concerns very seriously. But I’m confident that I’ve thought of the repercussions, and I know that once I convince you of that, we’re gonna be fine.” She gave her a dazzling smile and said, “Is it okay if I’m happy about that?” “I suppose so,” Kylie said, trying but failing to look aggrieved. She wrapped her arms around Blair and playfully tossed her back and forth. “You’re so darned cute that I can barely stand it!” “Oh, you haven’t seen half of it. Just you wait. I’ll confound you with cuteness.
Susan X. Meagher (All That Matters)
It’s broken!” Gieo stumbled back out of the airship crash with a cornucopia of devices cradled in her arms, discarding most of them as she went, finally filtering down to one specific machine, no bigger than a television remote, hemorrhaging copper wires. “What is it?” Fiona asked, hoping it wasn’t something useful she might later steal. “It’s a Sapphic Intimate-Encounter Reciprocity Concluder,” Gieo said glumly. “Um…okay…what does it do?” “Only let’s a lesbian couple know when they’re done having sex, duh,” Gieo said. “Without it, girl-girl sex could hypothetically go on indefinitely. I mean, how else would you know when you were done?” “Usually when everyone’s happy or my jaw starts hurting.” “You’ve clearly had better lovers than me.
Cassandra Duffy (The Gunfighter and The Gear-Head)
Without the test of heat, no metal proves its strength; without the test of life, no love can prove its worth. Rare is the love that survives the tests of the life she knew, but the pain from loves that failed those tests could fill more than one lifetime.
Marianne K. Martin (Love in the Balance)
I don't want to forget about anything that's happened since we met. If I forgot the stuff that caused me pain, I wouldn't remember all the happiness that I've had, too.
Bette Hawkins (Like a Book)
Lian's eyes fluttered closed just before their lips touched, and when they did, Teresa felt like she was going to float away. Something unnamable settled in her with the first kiss. No matter what happened, kissing Lian couldn't be something she would regret.
Raquel De Leon (Knowing Her (The Barreras, #2))
Even if love has been bent and broken and bruised along the way, it floods the sky like the brightest sunrise and heals everything in the end.
Katia Rose (Just Might Work)
The colour seeps from her like an aura, equal parts bold and soft. She’s a thousand contradictions. She’s the snow and the sun.
Katia Rose (Just Might Work)
I believe there are many different ways for a soul mate to manifest in our lives. “Sometimes they are a lover. Sometimes they are a friend. Sometimes they even first appear as an enemy. Sometimes they can move through all three of those relationships at different times in our lives. I actually believe we all have many soul mates out there in the world, and that we may not find all of them in this current life.
Katia Rose (Just Might Work)
All I know for sure is there are some souls who find a home with other souls—sometimes for years, sometimes for life, sometimes for not very long at all. I believe a soul mate is someone who makes you more you just by being themselves. I think some souls just burn brighter when they’re together.
Katia Rose (Just Might Work)
People come into our lives when they’re meant to, and sometimes they leave, and sometimes we do make mistakes, but...but what’s the point of never having anything just because you’re scared it might not be perfect?
Katia Rose (Just Might Work)
I love you. Didn't you know that? I want to love you the way I wasn't able to before. Without holding back. Without either of us holding back.
Linda Hill (Never Say Never (Classic Reprint))
Mavelin realized there and then that her favorite part of Karen’s face were her eyes. She could stare into them and get lost in a world only the two of them could enter.
Just Villanueva (Invalid Hunter)
She had thought that a love like this would make her ache, but here, now, she couldn't imagine it ever aching. It was the only thing in her life, perhaps, that didn't hurt at all.
Rachel Bowdler (Partners in Crime)
Ashes to ashes, a shattered heart remains in the wake of these two lovers that are more enemies.
Amber M. Kestner (When They Kissed)
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Professor Samson
You can give life and take it away just as easily. You’re my blessing and my curse.
J.Y. Tacheva (How We Fall in Love: The Tale Scheherazade Didn't Tell)
I'd take off your clothes, fast enough to not give you time to reconsider, but gently, while kissing your lips.
J.Y. Tacheva (How We Fall in Love: The Tale Scheherazade Didn't Tell)
My Valet and I continued our voyeuristic endeavor. We were Peeping Toms. Both women were in their prime and their shapely naked bodies were delightful to behold. My lover and I wanted to see what lesbian sex was about, so we continued watching the two passionate women. For two gay boys, watching women making out was quite an educational experience. Before tonight, I had no idea what lesbians did when they performed the sex act. I did know that women could achieve multiple orgasms within short intervals. Our professors had taught us that in sex education classes. But I had never, in reality, witnessed women making love, until now.
Young (Initiation (A Harem Boy's Saga Book 1))
We can land on the "right" side of a controversy and keep that personified mystery of evil, called the devil, happy. So long as we cede the territory he is trying to occupy: that this moral concern deserves our attention more than all others, that one's position on this question determines one's belonging to or leaving a faith community. When we do this—and it is standard practice in many churches today—we stigmatize an entire group of people. We're not just singling "the issue" out. We are singling people out. This pleases the hater of humanity and grieves humanity's lover.
Ken Wilson (A Letter to My Congregation: An Evangelical Pastor's Path to Embracing People Who Are Gay, Lesbian and Transgender in the Company of Jesus)
I had never been hit before in my life, and for the first time to be with my live-in lesbian lover was further proof that my love life needed a renovation. I
Jessica N. Watkins (Secrets of a Side Bitch 2)
Kylie and Nick went to the symphony the next night, and by the time she came home, Blair was sound asleep on the sofa. The doctor gently woke her and helped her to her feet. “But I wanna stay up and talk about being a lesbian,” Blair mumbled, her words sounding comical given her tousled hair and sleep-suffused voice. “We can talk about being lesbians tomorrow.” Kylie scratched the back of Blair’s neck, knowing that a good scratch was as effective as ether. By the time they reached the bedroom, Kylie merely had to urge her onto the bed and cover her with a quilt. “That’s my girl,” Kylie said.
Susan X. Meagher (All That Matters)
After events, if I’m made to go out, I usually wind up answering their questions about Liza and kind of elaborating on our relationship, making it sound like we were lovers in high school and now that I’m married, we persist, slightly tortured by our attraction, forever bound. This isn’t at all true. But there is often one masc-of-center woman or nonbinary person among the faculty hosts and they blink as I tell this story, take a sip of their sober beverage, look at their shoes, and when they look up I meet their eyes with a hot yes. I don’t take it further than this. I only need my lesbianism held and kept, like a person who buries little bits of money all over the world—it’s never on me, but it’s never far.
Miranda July (All Fours)
Love isn’t confined by narrow definitions; it transcends and challenges societal norms.
Tracy Cress (Crossing The Line: An interracial lesbian romance)
Crazy men like Niccolo exist everywhere. You’re gonna have to become a lesbian if you want to avoid them all together.” I snap my fingers and point at her. “New plan. You and I become lesbian lovers, and then Xavier and Nic will have to leave us alone.” I’m a genius.
Cora Kent (Dark Obsession (Blackmore University, #2))
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David Eddings (The Elder Gods (The Dreamers, #1))
We can be an army of two. We can be Plato's perfect army: lovers, who will never behave dishonorably in each other's sight, and invincible. Let the world either kill us or grow accustomed to us; here we stand.
Isabel Miller (Patience & Sarah)
She bludgeoned me with a look of such limitless compassion that I immediately began to cry. I wondered briefly if she might adopt me or hire me as her assistant or become my lesbian lover.
Miranda July (No One Belongs Here More Than You)
Here tit is. Enjoy. “It is better to light a candle than curse the darkness.” ~Eleanor Roosevelt. I’ve always been drawn to the eccentric, the eerie, the unbelievable. I’m a lover of books and beaches, movies and mayhem. If you want to know more, just ask! . . . An Eleanor Roosevelt quote? Is Millie a lesbian? Not that I know of, but now I’m questioning everything. ...Oh, and “tits.” Everyone notice she typed tits again? Classic Millie. Loves tits. Maybe she is a lesbian. Focus.
Christina Lauren (My Favorite Half-Night Stand)
From the moment you walked through my front door, I was half in love with you. And the more I've gotten to know you how you bring sunlight into any room, how you figure out when I'm hurting even when I'm not aware, how you're determined, fierce, and everything I wish I could be-there's no way I couldn't fall completely in love.
Katherine McIntyre (Strength Check (Dungeons and Dating #1))
Forgiveness doesn't mean you forget the hurt. Remembering the pain is what stops you from making the same mistakes, however, you can let yourself be okay with your past.
Renée Dahlia (Show Up (Seraph's Burlesque Club #1))
That’s what photography is: it’s a way to make us stop and appreciate the fact that we all walk through a thousand perfect moments a day and don’t even take the time to notice them.
Katia Rose (Just Might Work)
I've seen and loved every version of you. Always. I loved pink converse Lizzie, and I loved when you cut your hair short, and I love your hair long, and I love you in sweaty workout shirts and prom dresses and flats and sparkly heels. You never have to change who you are for me to love you, because I always have.
Bryce Oakley (Every Version (I Heart SapphFic Pride Collection, #8))
Among her female friends, lesbians were particularly prominent: her closest friends in New York were Elsie de Wolfe and her partner, the theatrical agent Bessie Marbury, as well as Anne Morgan and her lover Ann Harriman Vanderbilt, and in Paris she was friendly with the lesbian novelist Natalie Barney and her circle. Lucy admired these independent, forthright women, and according to Randy Bryan Bigham, “a sexual ambiguity on Lucy’s part is possible.
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
Rent creates new possibilities for characters’ sexualities in musicals by representing multiple gay and lesbian characters with frank and casual openness. Rent is peopled with a gay male couple (Angel and Collins) and a lesbian couple (Maureen and Joanne) and it takes those sexualities for granted in the musical’s world of NYC’s East Village circa 1990. Rent’s structure—a single protagonist, Mark, surrounded by a close-knit community—borrows formal conventions of ensemble musicals of the late 1960s and 1970s, including Hair, Company, Godspell, and A Chorus Line. This structure enables the musical to nod to nonheterosexual identities and relationships, an ideological gesture that speaks to its (successful) intention to address musical theater’s wide range of spectators and even make them feel politically progressive. This device of including a few gay characters in a community-based story is repeated with the gay male couples in Avenue Q and Spring Awakening, and perhaps foretells a musical theater future with a more consistent nod to gay people (or gay men, at least).14 Still, both Rent and Spring Awakening ultimately use gay characters to bolster heteronormativity. Angel serves as the emotional touchstone of Rent, endlessly generous and hopeful, caring and sensitive. All mourn his death, which compels the other characters to look at their lives and choices. That Angel’s death enables the other characters to learn about themselves replicates a typical (tired) trope in which an Other (usually a person of color or a person with a disability) aids in the self-actualization of the principal character. Also, Collins and Angel have the most loving and healthy relationship, which the musical needs to eliminate so as not to valorize the gay male couple above all else. In addition, Joanne and Maureen sing a lively number, “Take Me or Leave Me,” but the musical doesn’t take their relationship seriously. Maureen is presented as a fickle, emotionally abusive, yet irresistible lover (Joanne and Mark’s duet, “The Tango Maureen”) and a less-than-accomplished artist (her “The Cow Jumped over the Moon” is a parody of performance art).15 In contrast, Mimi
Raymond Knapp (Identities and Audiences in the Musical: An Oxford Handbook of the American Musical, Volume 3 (Oxford Handbooks))
I have caught a nymph,” Ariadne grins, “Now what shall I do to her?
Luna Oblonsky (Her Spell That Binds Me)
How pitiful,” Ariadne says, her eyes filled with resentment, “To be infatuated with someone who bests you at every turn. Feel free to continue dreaming of me as you have, because that is the only way you could have me. I shall be the superior witch at this school and win Morgan’s pendant, as is my right. The victory will only be sweeter knowing how much you want me while I do it.
Luna Oblonsky (Her Spell That Binds Me)
I go to sleep at night in the arms of my lover dreaming of lesbian paradise. What a nightmare, then, to open my eyes to the reality of lesbian battering. It feels like a nightmare trying to talk about it, like a fog that tightens the chest and closes the throat... We are so good at celebrating our love. It is so hard for us to hear that some lesbians live, not in paradise, but in a hell of fear and violence.
Lisa Shapiro
Her pussy gushed as she thought about the lovers experiencing more pleasure and her getting none.
Colette Cuckquean (The Cuckquean’s Humiliation and Degradation 5: First time rough lesbian anal strapon)
Harley thought to herself so much for temporary lovers when your true love won't acknowledge your existence. Harley Rayne
Amber M. Kestner (Happily Ever After (Softness & Darkness, #1))
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Professor Simon Dixon
I could kill them. When I’m with a woman who’s really Lesbian, I fairly howl in my soul, wanting to kill her.
D.H. Lawrence (Lady Chatterley's Lover)