Leopard Woman Quotes

We've searched our database for all the quotes and captions related to Leopard Woman. Here they are! All 53 of them:

Kizzy wanted to be a woman who would dive off the prow of a sailboat into the sea, who would fall back in a tangle of sheets, laughing, and who could dance a tango, lazily stroke a leopard with her bare foot, freeze an enemy's blood with her eyes, make promises she couldn't possibly keep, and then shift the world to keep them. She wanted to write memoirs and autograph them at a tiny bookshop in Rome, with a line of admirers snaking down a pink-lit alley. She wanted to make love on a balcony, ruin someone, trade in esoteric knowledge, watch strangers as coolly as a cat. She wanted to be inscrutable, have a drink named after her, a love song written for her, and a handsome adventurer's small airplane, champagne-christened Kizzy, which would vanish one day in a windstorm in Arabia so that she would have to mount a rescue operation involving camels, and wear an indigo veil against the stinging sand, just like the nomads. Kizzy wanted.
Laini Taylor (Lips Touch: Three Times)
I know men and women. An honourable man is an honourable man, and a liar is a liar; both are born and not made. One cannot change to the other any more than that same old leopard can change its spots. After a man tells a woman the first untruth of that sort, the others come piling thick, fast, and mountain high.
Gene Stratton-Porter (A Girl of the Limberlost (Limberlost, #2))
I was seen spotted with an older woman and a girl half my height in age. A leopard was also spotted.

Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
You were just a beautiful woman. Now you're my beautiful woman. What you got under your clothes is for me. No one else. They don't look. They don't touch. That's the deal. Yeah?" I stared at him, speechless, which was a good thing because if I had words, I would have said them so loudly the neighbors would hear. "Now," he went on, either not feeling or not caring about the badder than bad vibes emanating from me directly toward him, "go put on a tank." That’s when I found my words. "Maybe I should go put on my ragged white dress and stone necklace and you can put on your leopard skin tunic and we can pedal in our stone car to the roadhouse before you go bowling with Barney and I go shopping with Betty, Fred.
Kristen Ashley (Rock Chick Regret (Rock Chick, #7))
Most violent criminals smash through life like human sledgehammers. They have fists for hands and can’t plan beyond their sightlines. They’re caught easily. They talk too much. They return to the scene of the crime, as conspicuous as tin cans on a bumper. But every so often a blue moon surfaces. A snow leopard slinks by.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
The real knife to a man's heart was his woman's tears.
Christine Feehan (Savage Nature (Leopard People, #4))
...I caught the smell of a warm woman and I saw the eyes of an insomniac leopard in the darkness...
Gabriel García Márquez (Chronicle of a Death Foretold)
Her elongated eyes did not close as other women's eyes did, but like the eyes of tigers, pumas and leopards, the two lids meeting lazily and slowly; and they seemed slightly sewn together towards the nose, making them narrow, with a lascivious, oblique glance falling from them like the glance of a woman who does not want to see what is being done to her body. All this gave her an air of being made love to, which aroused the Baron as soon as he met her.
Anaïs Nin (Delta of Venus)
He was the kind of man who could kiss a woman, laying his heart at her feet, and then go torture and kill an enemy to ensure those he loved survived another day.
Christine Feehan (Leopard's Run (Leopard People, #10))
All her life she'd been warned that men were slaves to their desires, that they held their impulses in barely controlled check. A woman--a lady--must be very, very careful of her actions so she did not put spark to the gunpowder that was a man's libido.
Elizabeth Hoyt (The Leopard Prince (Princes Trilogy, #2))
Now, I can tell you about some women writers who truly are fantastic. One is Anna Kavan. She writes stories like I approach "Land of a Thousand Dances": she's caught in a haze and then a light, a little teeny light, come through. It could be a leopard, that light, or it could be a spot of blood. It could be anything. But she hooks onto that and spirals out. And she does it within the accessible rhythms of plot, and that's really exciting. She's not hung up with being a woman, she just keeps extending herself, keeps telescoping language and plot. Another great woman writer is Iris Sarazan, who wrote The Runaway. She considered herself a mare, a wild runaway. She was a really intelligent girl stuck in all these convents with a hungry mind. I identify with her 'cause of her hunger to go beyond herself. She wound up in prison, but she escaped and wrote some great books before kicking off. Her books aren't page after page of her beating her breast about how shitty she's been treated, they're books about her exciting telescoping plans of escape. Rhythm, great wild rhythm.... The French poet, Rimbaud, predicted that the next great crop of writers would be women. He was the first guy who ever made a big women's liberation statement, saying that when women release themselves from the long servitude of men they're really gonna gush. New rhythms, new poetries, new horrors, new beauties. And I believe in that completely. (1976 Penthouse interview)
Patti Smith
You ever see a man who doesn’t know he’s unhappy, Leopard? Look for it in the scars on his woman’s face. Or in the excellence of his woodcraft and iron making, or in the masks he makes to wear himself because he forbids the world to see his own face. I am not happy, Leopard. But I am not unhappy that I know.
Marlon James (Black Leopard, Red Wolf (The Dark Star Trilogy #1))
Harry tucked her arm through his and marched her to the door. "Stop!" "What?" Men could be so obtuse. "Do I look like I've just been tumbled?" Harry's lips twitched. "You look like the most beautiful woman in the world." He kissed her soundly again. He hadn't exactly answered her question, but it was too late now.
Elizabeth Hoyt (The Leopard Prince (Princes Trilogy, #2))
He wanted this woman to trust him. To give herself to him. To let him into her life.
Christine Feehan (Leopard's Rage (Leopard People, #12))
My woman has a temper?” “I prefer to say I have a sense of justice and when someone crosses it, it is at their peril.
Christine Feehan (Leopard's Rage (Leopard People, #12))
She was the woman who would center him. Be the center of his world. Hell. Who was he kidding? She already was.
Christine Feehan (Leopard's Fury (Leopard People, #8))
It was as if he wore a mask and whatever went on behind it wasn't for the world --or her--to see. And she wanted to. She wanted to be that woman, the one who knew him inside and out.
Christine Feehan (Leopard's Run (Leopard People, #10))
What happens when the YA thriller writer heroine tries to get thru airport security with her research notes in her bag? : “How to murder people by poison without detection,” the TSA agent read aloud. The woman behind Colbie gasped in horror. “Okay,” Colbie said, pointing to them. “That’s not what it looks like.” The woman behind her, cradling a leopard-print cat carrier, had turned and was frantically whispering to the people behind her. “Really,” Colbie said. “It’s a funny story, actually.” But the agent was flipping through her notes, not even remotely interested in her funny story. He didn’t need to read aloud what he was looking at, because she knew exactly what was there – other Google searches, such as how to get away with murder using a variety of different everyday products that weren’t considered weapons. “It’s research,” she said to the room. "Yeah, that’s probably what I’d say too,” a guy said from somewhere behind her.
Jill Shalvis (Chasing Christmas Eve (Heartbreaker Bay, #4))
All you ever did was watch woman suffer and blame her for it.
Marlon James (Black Leopard, Red Wolf (The Dark Star Trilogy, #1))
There is no beast more stubborn than a woman. And neither fire nor leopard is more ruthless.
Aristophanes (Lysistrata (French Edition))
Nothing leveled a man quite like being unable to protect his woman.
Elizabeth Hoyt (The Leopard Prince (Princes Trilogy, #2))
Why is it I always get in very inappropriate conversations with you? Sweet god in heaven, woman, you're the bane of my life
Christine Feehan (Leopard's Run (Leopard People, #10))
I'm not a good man, Ania, and you're a good woman. A man like me has to think long and hard before he decides to bring a woman like you into his world.
Christine Feehan (Leopard's Wrath (Leopard People #11))
She had taken him over when he wasn’t looking . When he’d been so busy binding her to him. Wanting his own woman for all the wrong reasons and realizing when he had her, what the right reasons were.
Christine Feehan (Leopard's Rage (Leopard People, #12))
The truth was, Sevastyan wanted a woman of his own. A partner. A woman to love. A woman who held the mate for his leopard. That same gift his cousins had. He doubted if that was going to ever happen for him. His father and Mitya’s father both had seen to that with their torture and deviant training.
Christine Feehan (Leopard's Rage (Leopard People, #12))
Evelyn was followed in by a sour-faced woman with long, glamorous dark hair and a stern-looking gentleman in a tuxedo who looked just like Julian, but with less hair. They both looked as though they might buy the auditorium just to burn it to the ground. Even in this crowd they seemed assuredly a cut above the rest.
Kristopher Jansma (The Unchangeable Spots of Leopards)
You must always believe. Stay strong. Faith moves mountains. Don't be a bystander in life. No. Take it by the reins. Lay it down beneath you like a woman, a real woman with curves like a prayer pillow. Embrace it gentlly, at other times intensely. Seek out the source of life, where it pulsates, where it burns hot and humid, here, there, everywhere. The world is yours for the taking. Learn to feel out the world. Always give the best of yourself. Bite into it and don't hold back. Fear; leave it behind, far away from you. It will pass through you and continue its course. Walk like a God among men. Always consider what your actions say about you. Every steps resonates; yours levitate! Be mindful of the the way you carry yourself, especially when life punches you right in the heart, your body. Spit violently on the ground if you have to. Turn a deaf-ear to the mean-spirited and narrow-minded. They can only drag you into the lair of regrets, jealousy and resentement.
Wilfried N'Sondé (The Heart of the Leopard Children (Global African Voices))
Your woman's a badass, Timur,"he said. "She can't cook worth shit, but she's a badass." [...] "Don't ever cross her," Jeremiah warned. "She knows more ways to kill a man than I do. Seriously, boss, don't do it." [...]"She's inventive when it comes to killing men."He beckoned Timur closer and waited for him to bend down. He looked left and right to make certain no one would over hear him. "You're so lucky, man. She's a total babe," he whispered. "She's a mankiller, and that's hot as hell.
Christine Feehan (Leopard's Run (Leopard People, #10))
You are not conscious of having grossly violated any moral low. But have you never heard of a gentleman in India who had a tame leopard that went about his house? It was as playful as a cat, and did no one any harm till one day, as he lay asleep, the leopard licked his hand, and licked until it had licked a sore place and tasted blood. After that there was nothing for it but to destroy it; for all the leopard-nature was aroused by that taste of blood. And some of you young people, with all the godly associations that are round about you, will — I am always afraid — get a taste of the devilry outside, of the world’s vice and sin; and then there is the leopard’s nature in you. If you once get the taste and flavor of it, you will be prone to be always thirsting for it. Then, instead of the hope we now cherish, that we shall soon see you at your parents’ side, serving Christ — see you take your father’s place, young man, in after-years — see you, young woman, grow up to be a matron in the Church of God, bringing many others to the Savior — we may have to lament that the children are not as the parents, and cry, “Woe is the day that ever they were born.
Charles Haddon Spurgeon (Spurgeon's Sermons Volume 63: 1917)
How to murder people by poison without detection,” he read aloud. The woman behind Colbie gasped in horror. “Okay,” Colbie said, pointing to them. “That’s not what it looks like.” The woman behind her, cradling a leopard-print cat carrier, had turned and was frantically whispering to the people behind her. “Really,” Colbie said. “It’s a funny story, actually.” But the TSA guy was flipping through her notes, not even remotely interested in her funny story. He didn’t need to read aloud what he was looking at, because she knew exactly what was there – other Google searches, such as how to get away with murder using a variety of different everyday products that weren’t considered weapons. “It’s research,” she said to the room. "Yeah, that’s probably what I’d say too,” a guy said from somewhere behind her.
Jill Shalvis
She was conquered; but she would never own it as long as she lived. Her pride was indeed brought low by despairing discoveries of her spoliation by marriage with a less pure nature than her own. She chafed to and fro in rebelliousness, like a caged leopard; her whole soul was in arms, and the blood fired her face. Until she had met Troy, Bathsheba had been proud of her position as a woman; it had been a glory to her to know that her lips had been touched by no man's on earth—that her waist had never been encircled by a lover's arm. She hated herself now. In those earlier days she had always nourished a secret contempt for girls who were the slaves of the first good-looking young fellow who should choose to salute them. She had never taken kindly to the idea of marriage in the abstract as did the majority of women she saw about her.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
A silver hairbrush, old and surely precious, with a little leopard's head for London stamped near the bristles. A white dress, small and pretty, the sort of old-fashioned dress Cassandra had never seen, let alone owned- the girls at school would laugh if she wore such a thing. A bundle of papers tied together with a pale blue ribbon. Cassandra let the bow slip loose between her fingertips and brushed the ends aside to see what lay beneath. A picture, a black-and-white sketch. The most beautiful woman Cassandra had ever seen, standing beneath a garden arch. No, not an arch, a leafy doorway, the entrance to a tunnel of trees. A maze, she thought suddenly. The strange word came into her mind fully formed. Scores of little black lines combined like magic to form the picture, and Cassandra wondered what it would feel like to create such a thing. The image was oddly familiar and at first she couldn't think how that could be. Then she realized- the woman looked like someone from a children's book. Like an illustration from an olden-days fairy tale, the maiden who turns into a princess when the handsome prince sees beyond her ratty clothing.
Kate Morton (The Forgotten Garden)
Raksasom! Rana! Atanka!” he warbles as he runs past the van. Monsters. Horror. Run. Monsters. Pardeep smiles to himself, amused. This is a prank. Probably kids playing tricks on some superstitious old fools. “Hello? Police,” he says, entering the lobby. It’s deserted. “Police!” The smell is awful. It smells like shit, garbage, death—which is to say, nothing unusual for this neighborhood. There’s no response. He starts up the stairs. At the top of the first-floor landing he sees something moving in the dimness down at the end of the hallway. It’s low to the ground, perhaps about waist level. In the windowless corridor, it looks to Pardeep like a woman with a blanket over her, crawling on all fours. He is confused. He reaches for his flashlight, takes a few steps closer. Then there is something moving at him very fast down the dark hallway. He clicks on his flashlight and sees bright eyes flash jewel-green in the darkness. Then he is falling backward. Pardeep doesn’t have time to scream as the leopard opens him from belly to chin. Two more leopards arrive, skulking slyly in the hallway. The leopard is one of the most dangerous animals in the world. The beautiful turquoise-eyed creature is sometimes called a leaping chain saw due to the fact that it uses both its rear claws and its razor-sharp front claws, as well as its teeth, when it strikes.
James Patterson (Zoo)
sometimes a leopard can change its spots if the right woman comes along.
Carolyn Brown (The Yellow Rose Beauty Shop)
Eleven levitating leviathans couldn’t spell seven if you spotted them the Even and the S. They also couldn’t spell leopard if you spotted them all the spots. I once spotted a woman I once loved, but I did a spot-on impression of Helen Keller and acted like I didn’t see her.
Jarod Kintz (This Book is Not for Sale)
His leopard leapt and raked, clawing for supremacy, demanding they claim her, but that wasn’t Sevastyan’s way. His woman was going to be his fully because she wanted him. Exclusively. Him. With every one of his flaws— and he had them in abundance.
Christine Feehan (Leopard's Rage (Leopard People, #12))
Flambé was in far more danger than she realized, not in a way that would ever harm her. She was the safest woman in the world from him, but not only had Sevastyan taken a real interest in her when he didn’t in any woman, but so had his leopard.
Christine Feehan (Leopard's Rage (Leopard People, #12))
She used to think it was in one's bearing, that if she carried herself like Leonor of Toledo, with leopard steps and unblinking eyes, no one would have the room to question her. But even the whitest woman was blacker than a man.
Katy Simpson Smith (The Everlasting)
... I still carried the woman on the tip. I once asked the witchman to cut it off, after my uncle forbade it. He looked at me with all his wisdom gone, and nothing left but puzzlement, a wrinkle between his brows, and his eyelids squeezing like a man losing vision. He said, “Do you wish for one eye as well, or maybe one leg?” “It was not the same,” I said. “If the god Oma, who made man, wanted you cut to reveal such flesh he would have revealed it himself," he said.
Marlon James (Black Leopard, Red Wolf (The Dark Star Trilogy, #1))
Common sense is the result of the truest education. Education is like wine. It takes time. It's a process. The young sometimes have to go through it. And sometimes, they die trying. Sincerely, The Obi Library Collective of Leopard Knox, Department of Responsibility
Nnedi Okorafor (Akata Woman (The Nsibidi Scripts, #3))
There were a couple of Bowie twins from Hatfield in Hertfordshire. They were both tall and razor thin, and looked like a slightly more exaggerated version of David Bowie on the cover of Young Americans. Their hair was even more exaggerated: deep red with bleached streaks through the front, but also with pink highlights cascading over their eyes, and slicked back at the sides. Pencil-thin dark plucked eyebrows, very pale complexions, with black mascara. They always wore the shiniest black or red plastic dungarees. Outside the club they would wear these slightly furry leopard-skin bomber jackets, which I thought looked great. They had a mad, slurry way of talking, and kind of shouted and talked at the same time. They would jump from one subject to another in mid-sentence. They were very unusual people. Every second line was ‘Never mind the bollocks.’ They would say that three hundred times a night. Everything was ‘Never mind the bollocks.’ I know for a fact that the Sex Pistols got the name for their album from the twins. They both earned a living selling hot dogs. One worked on Charing Cross Road, the other down by Trafalgar Square. They were mad. If you stopped to talk to them, they would always be arguing with someone. Man or woman, they always had the same line: ‘Now listen, sweetheart: never mind the bollocks.
Dylan Jones (Sweet Dreams: The Story of the New Romantics)
Truth was now what was true for the individual. If a man believed he was not himself but was someone or something other than what he was, a child, a woman, a leopard, or a tree, there was no ultimate or absolute truth or any truth, no objective reality to contradict his own personal “truth.” And if one’s personal truth contradicted reality, then it was reality that would have to be bent into conformity.
Jonathan Cahn (The Return of the Gods)
I caught the smell of a warm woman and I saw the eyes of an insomniac leopard in the darkness, and then I didn't know anything else about myself until the bells began to ring.
Gabriel García Márquez (Chronicle of a Death Foretold)
Woman, you could drive a man to his knees
Christine Feehan (Leopard's Fury (Leopard People #8))
How is Irene?’ I ask politely. I really don’t care. He throws his hands up in despair. ‘She drives me insane. The woman has the attention span of a toddler. She’s ditched playing bridge and has now informed me that she’s enrolled in some Kumba dancing nonsense. I can’t keep up with her.’ ‘You mean Zumba?’ ‘That’s the one,’ He points his chocolate digestive at me. ‘It’s all the rage, apparently.’ I chuckle at the thought of Irene in a leopard print leotard, jigging her over generous rump all over the place.
Jodi Ellen Malpas (This Man (This Man, #1))
She was tall and well-made, on an ample scale; her skin looked as if it had the flavour of fresh cream which it resembled, her childlike mouth that of strawberries. Under a mass of raven hair, curling in gentle waves, her green eyes gleamed motionless as those of statues, and like them a little cruel. She was moving slowly, making her wide white skirt rotate around her, and emanating from her whole person the invincible calm of a woman sure of her own beauty.
Giuseppe Tomasi di Lampedusa (The Leopard)
Don Fabrizio remembered a conversation with Father Pirrone some months before in the sunlit observatory. What the Jesuit had predicted had come to pass. But wasn’t it perhaps good tactics to insert himself into the new movement, make at least part use of it for a few members of his own class? The worry of his imminent interview with Don Calogero lessened. “But the rest of his family, Don Ciccio, what are they really like?” “Excellency, no one has laid eyes on Don Calogero’s wife for years, except me. She only leaves the house to go to early Mass, the five o’clock one, when it’s empty. There’s no organ-playing at that hour; but once I got up early just to see her. Donna Bastiana came in with her maid, and as I was hiding behind a confessional I could not see very much; but at the end of Mass the heat was too great for the poor woman and she took off her black veil. Word of honour, Excellency, she was lovely as the sun, one can’t blame Don Calogero, who’s a beetle of a man, for wanting to keep her away from others. But even in the best kept houses secrets come out; servants talk; and it seems Donna Bastiana is a kind of animal: she can’t read or write or tell the time by a clock, can scarcely talk; just a beautiful mare, voluptuous and uncouth; she’s incapable even of affection for her own daughter! Good for bed and that’s all.” Don Ciccio, who, as protégé of queens and follower of princes, considered his own simple manners to be perfect, smiled with pleasure. He had found a way of getting some of his own back on the suppressor of his personality. “Anyway,” he went on, “one couldn’t expect much else. You know whose daughter Donna Bastiana is, Excellency?” He turned, rose on tiptoe, pointed to a distant group of huts which looked as if they were slithering off the edge of the hill, nailed there just by a wretched-looking bell-tower: a crucified hamlet. “She’s the daughter of one of your peasants from Runci, Peppe Giunta he was called, so filthy and so crude that everyone called him Peppe “Mmerda” . . . excuse the word, Excellency.” Satisfied, he twisted one of Teresina’s ears round a finger. “Two years after Don Calogero had eloped with Bastiana they found him dead on the path to Rampinzeri, with twelve bullets in his back. Always lucky, is Don Calogero, for the old man was getting above himself and demanding, they say.” Much of this was known to Don Fabrizio and had already been balanced up in his mind; but the nickname of Angelica’s grandfather was new to him; it opened a profound historical perspective, and made him glimpse other abysses compared to which Don Calogero himself seemed a garden flowerbed. The Prince began to feel the ground giving way under his feet; how ever could Tancredi swallow this? And what about himself? He found himself trying to work out the relationship between the Prince of Salina, uncle of the bridegroom, and the grandfather of the bride; he found none, there wasn’t any. Angelica was just Angelica, a flower of a girl, a rose merely fertilised by her grandfather’s nickname. Non olet, he repeated, non olet; in fact optime foeminam ac contuberninum olet.
Giuseppe Tomasi di Lampedusa (The Leopard)
What are you saying, Argus?” Jason came out of the darkness like a murdered man’s ghost. “I heard you mention my name.” “Only telling Atalanta here about your own exploits as a hunter,” Argus said as naturally as if it were true. “You ought to show her that leopard-skin trophy of yours. It’s a beauty.” “There’ll be time enough to show her that later.” Jason tried to look annoyed, but I could tell that Argus’s smooth talk had flattered him. “When I choose to do it, not when you try to send me off on an errand. I still lead this venture, not you.” I hated his arrogant attitude toward Argus, to whom he owed so much, but there was little I could do about it. The best I could manage was a ruse to divert him. “A leopard skin?” I put the proper note of awe into my voice. “You should wear it when Lord Aetes summons us to his hall. One look at such a prize and he’ll know who our leader is without asking!” “You think that will be necessary?” Jason growled, giving Argus a hard, resentful stare. I pretended I hadn’t heard that. “A leopard! Not even Herakles could boast such a kill. He wore a lion’s pelt, but brute strength’s all you need to slay one of those beasts. You need strength and brains to overcome a leopard.” “Would you really like to see the pelt?” Jason asked eagerly. I nodded. “For you, then, honored huntress,” he said in a low, honeyed voice. He leaped back aboard the Argo with so much vigor that Argus had to bite his lips to hold back the laughter. “I’ll never call you ‘girl’ again,” Argus said to me. “A woman twice your age would envy your cunning!” “If I were still ‘Glaucus,’ you’d say I was smart or clever, not cunning,” I chided him. “Pfff! What does one little word matter?” “So you won’t mind if I call the Argo a ferryboat?” I replied sweetly.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
She wasn't ever going to be that woman regulated to the background.
Christine Feehan (Leopard's Wrath (Leopard People #11))
He wanted his Leopard to keep up the strange behavior. He sensed that this woman, in some way, calmed the dangerous predator in him, and having that respite, if only for a few moments, after a lifetime of sheer hell, was a miracle.
Christine Feehan (Leopard's Wrath (Leopard People #11))
Before I could say anything the other gagged my mouth with a stone ball. I wanted to say what fools they were, but not the first fool in Dolingo. How could I confess anything with my mouth gagged? And the boy’s smell came to my nose again, so strong, almost as if he was right outside this cell, but now moving away. The one-eyed scientist pulled a knot at his neck and removed his hood. Bad Ibeji. I heard of one found at the foot of the Hills of Enchantment, which the Sangoma burned, even though it was already dead. Even in death it shook the unshakable woman, for it was the one mingi she would kill on sight. Bad Ibeji was never to be born but is not the unborn Douada, who roams the spirit world, wiggling on air like a tadpole and sometimes slipping into this world through a newborn. Bad Ibeji was the twin that the womb squeezed and crushed, tried to melt, but could not melt away. Bad Ibeji grows on its malcontent like that devil of the body’s own flesh, that bursts through the breasts of woman, killing her by poisoning her blood and bone. Bad Ibeji knows it will never be the favored one, so it attacks the other twin in the womb. Bad Ibeji sometimes dies at birth when the mind did not grow. When the mind did grow, all it knows to do is survive. It burrows into the twin’s skin, sucking food and water from his flesh. It leaves the womb with the twin, and sticks so tight to his skin that the mother thinks this too is the baby’s flesh, unformed, ugly like a burn and not handsome, and sometimes throws away them both to the open lands to die. It is wrinkled and puffy flesh, and skin and hair, and one eye big and a mouth that drools without stop, and one hand with claws and another stuck on the belly as if sewn, and useless legs that flap like fins, a thin penis, stiff like a finger, and hole that bursts shit like lava. It hates the twin for it will never be the twin, but it needs the twin for it cannot eat food, or drink water as it has no throat, and teeth grow anywhere, even above the eye. Parasite. Fat, and lumpy, like cow entrails tied together, and leaving slime where it crawls.
Marlon James (Black Leopard, Red Wolf (The Dark Star Trilogy, #1))
I would never bring a woman into my personal hell. I know Lazar is coming. You know it as well. I would be divided. Need to protect her. Want to live for her." She would be his Achilles heel.
Christine Feehan (Leopard's Wrath (Leopard People #11))
This woman mattered in some undefined way he didn't fully understand. He wanted to stay in her company. His body wanted her with every breath he drew. His leopard wanted to stay close to her.
Christine Feehan (Leopard's Wrath (Leopard People #11))