Leaves Ben And Ben Quotes

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When we are confronted by failure and mistakes, we can leave them behind and go on with our lives.
Ben Carson (Think Big: Unleashing Your Potential for Excellence)
Don't ask me why I know what an Edwardian smoking jacket looks like: let's just say it has something to do with Doctor Who and leave it at that.
Ben Aaronovitch
I could imagine it in a way that felt like remembering
Ben Lerner (Leaving the Atocha Station)
It's a sad fact of modern life that if you drive long enough, sooner or later you must leave London behind.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
I realized if I didn’t just go, I’d never go. Going was the key. It didn’t matter where I was headed just as long as I was headed somewhere. ~ Ben Davis
Jayden Hunter (Undressed To The Nines (Drew Stirling, #1))
I told the waiter I was looking for a hotel whose name I didn't know on a street whose name I didn't know and could he help me; we both laughed and he said: Aren't we all.
Ben Lerner (Leaving the Atocha Station)
Respectfully, sir, the asteroid did not make you leave her. The asteroid is not making anyone do anything. It's just a big piece of rock floating through space. Anything anyone does remains their own decision.
Ben H. Winters (Countdown City (The Last Policeman, #2))
I was a violent, bipolar, compulsive liar. I was a real American.
Ben Lerner (Leaving the Atocha Station)
Knowledge leaves no room for chances.
Lew Wallace (Ben-Hur: A Tale of the Christ)
This is where the whole ape-descended thing reveals its worth, I thought madly. Sucks to be you, quadruped. Opposable thumbs - don't leave home without them.
Ben Aaronovitch (Foxglove Summer (Rivers of London, #5))
It is more beautiful to trust in God. The beautiful in this world is all from his hand, declaring the perfection of taste; he is the author of all form; he clothes the lily, he colours the rose, he distils the dewdrop, he makes the music of nature; in a word, he organized us for this life, and imposed its conditions; and they are such guaranty to me that, trustful as a little child, I leave to him the organization of my Soul, and every arrangement for the life after death. I know he loves me.
Ben-Hur: A Tale of the Christ
When we have done our best, we also have to learn that we still need to rely on God. Our best — no matter how good — is incomplete if we leave God out of the picture.
Ben Carson (Think Big: Unleashing Your Potential for Excellence)
Happy were the ages when the starry sky was the map of all possible paths, ages of such perfect social integration that no drug was required to link the hero to the whole.
Ben Lerner (Leaving the Atocha Station)
Drink to me only with thine eyes, And I will pledge with mine; Or leave a kiss but in the cup, And I'll not look for wine.
Ben Johnson
I tried hard to imagine my poems or any poems as machines that could make things happen, changing the government, or the economy or even their language, the body or its sensorium, but I could not imagine this, could not even imagine imagining it. And yet when I imagined the total victory of those other things over poetry, when I imagined, with a sinking feeling, a world without even the terrible excuses for poems that kept faith with the virtual possibilities of the medium, without the sort of absurd ritual I'd participated in that evening then I intuited an inestimable loss, a loss not of artworks but of art, and therefore infinite, the total triumph of the actual, and I realized that, in such a world, I would swallow a bottle of white pills.
Ben Lerner (Leaving the Atocha Station)
Those deep set eyes that look like they could tell stories for days, and that wavy brown hair that feels soft between my fingers. I try to memorize the angles of his jaw and the lines of his lips, because I know. I know this may be the last time I ever see him. Breathe fills my lungs, my throat relaxes, and I can't help but smile. Because I can see what he's thinking as clearly as if he'd spoken. He doesn't want to leave - he doesn't want to go home. He's going to choose me instead.
Elizabeth Norris (Unraveling (Unraveling, #1))
To erroneously assert that the unclaimed Shunemite does not treasure the opportunity misses the entire point of this superlative song. She wants to leave with Solomon. This earthly Shunemite would be willing to die to be with Solomon--but until she develops skills of value to his kingdom--she will remain unclaimed.
Michael Ben Zehabe (Song of Songs: The Book for Daughters)
I tended to find lines of poetry beautiful only when I encountered them quoted in prose, in the essays my professors had assigned in college, where the line breaks were replaced with slashes, so that what was communicated was less a particular poem than the echo of poetic possibility. Insofar as I was interested in the arts, I was interested in the disconnect between my experience of actual artworks and the claims made on their behalf; the closest I'd come to having a profound experience of art was probably the experience of this distance, a profound experience of the absence of profundity.
Ben Lerner (Leaving the Atocha Station)
And I twisted it wrong just to make it right Had to leave myself behind
Ben Folds (Ben Folds - Songs for Silverman)
Tell me to leave," he said roughly. "No," I whispered, pressing a gentle kiss to his jawline. "Then I'm staying," and his lips consumed mine.
Alexa Rae Bummel (The Masquerade)
every choice forecloses on other choices; each step forward leaves a thousand dead possible universes behind you.
Ben H. Winters (Countdown City (Last Policeman, #2))
I believe she imbued my body thus, finding every touch enhanced by ambiguity of intention, as if it too required translation, and so each touch branched out, became a variety of touches.
Ben Lerner (Leaving the Atocha Station)
We have a very high churn rate, but as soon as we turn on email marketing to our user base, people will come back.” Yes, of course. The reason that people leave our service and don’t come back is that we have not been sending them enough spam. That makes total sense to me, too.
Ben Horowitz (The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers)
Our steps invent the path as we proceed; behind us they leave no trace, only the void. So we shall always look ahead and trust our feet. They will take us as far as our minds will go… -- Tahar ben Jelloun
Tahar Ben Jelloun (The Sand Child)
We have been told to ask about everything: Will it leave us free?
Ben Robertson (Red Hills and Cotton: An Upcountry Memory)
I looked up through a scatter of fluttering leaves silhouetted against the rosy autumn sunset.
Ben Carson (Gifted Hands: The Ben Carson Story)
If I was a poet, I had become one because poetry, more intensely than any other practice, could not evade its anachronism and marginality and so constituted a kind of acknowledgment of my own preposterousness, admitting my bad faith in good faith, so to speak.
Ben Lerner (Leaving the Atocha Station)
Opportunities pop up for everybody all of the time. It's the way that we progress. It's whether or not you're in the right frame of mind or in the right stage of your life or if you're even looking for them [that determines] whether or not you see them. [...] As you take more risks you see opportunities more easily. [Risks are] never the safe option, but for me the safe option is the worst option. [...] The riskiest life I can think of is letting yourself to be molded into this comfortable, same-as-everybody-else routine. For me, that is risking my whole life.
Ben Brown
Before you leave this earth make sure you reach out and touch one’s soul with your spirit in kindness. Make a profound difference in humanity.
Timothy Pina (Hearts for Haiti: Book of Poetry & Inspiration)
My intention had not been to find her, for I had been busy being lonely with someone else.
Ben Marcus (Leaving the Sea: Stories)
Criticism can never instruct or benefit you. Its chief effect is that of a telegram with dubious news. Praise leaves no glow behind, for it is a writer's habit to remember nothing good of himself. I have usually forgotten those who have admired my work, and seldom anyone who disliked it. Obviously, this is because praise is never enough and censure always too much.
Ben Hecht
And if we never slept together or otherwise 'realized' our relationship, I would leave Spain with this gorgeous possibility intact, and in my memory could always ponder the relationship I might have had in the flattering light of the subjunctive.
Ben Lerner (Leaving the Atocha Station)
Y si nunca nos acostábamos ni "desarrollábamos" nuestra relación, me iría de España con esa preciosa posibilidad intacta, y en el recuerdo siempre podría reflexionar sobre la relación que podría haber mantenido a la favorecedora luz del subjuntivo.
Ben Lerner (Leaving the Atocha Station)
The decision to leave his family behind was either an act of monumental self-sacrifice, or one of selfish self-preservation, or both. He told himself he had no choice, which is what we all tell ourselves when forced to make a terrible choice.
Ben Macintyre (The Spy and the Traitor: The Greatest Espionage Story of the Cold War)
Thus, since time immemorial, it has been customary to accept the criticism of art from a man who may or may not have been artist himself. Some believe that artist should create its art and leave it for critic to pass judgement over it. Whereas dramatists like Ben Jonson is of the view that to ‘judge of poets is only the faculty of poets; and not of all poets, but the best’. Only the best of poets have the right to pass judgments on the merit or defects of poetry, for they alone have experienced the creative process form beginning to end, and they alone can rightly understand it.
Aristotle (Poetics)
Dear Future Daughter: 1) When you’re at some party, chain smoking on the roof with some strange girl with blue hair and exorbitant large dark eyes, ask her about her day. I promise you, you won’t regret it. Often times you’ll find the strangest of people have the most captivating of stories to tell. 2) Please, never mistake desire for love. Love will engulf your soul, whilst desire will emerge as acid, slowly making it’s way through your veins, gradually burning you from the inside out. 3) No one is going to fucking save you, anything you’ve read or heard otherwise is bullshit. 4) One day a boy is going to come along who’s touch feels like fire and who’s words taste like vanilla, when he leaves you, you will want to die. If you know anything at all, know that it is only temporary. 5) Your mental health comes before school baby, always. If its midnight, and you have an exam the next day but your hands have been shaking for the past hour and a half and you’re not so sure you want to be alive anymore, pull out that carton of Ben and Jerry’s and afterwards, go the fuck to bed. So what if you get a 68% on the exam the next day? You took care of yourself and at the end of the day that will always come before a high test score. To hell with anyone who tells you differently.
Abbie Nielsen
When I spoke to her in Spanish I was not translating, I was not thinking my thoughts in English first, but I was nevertheless outside the language I was speaking, building simple sentences with the blocks I’d memorized, not communicating through a fluid medium.
Ben Lerner (Leaving the Atocha Station)
My experience of my body was her experience once removed, which meant my body was dissolved, and that’s all I’d ever really wanted from my body, such as it was.
Ben Lerner (Leaving the Atocha Station)
Ben - “People and animals and plants will leave you, but the joy of having them, for however long, is worth the sorrow.
Cherise Sinclair (Servicing the Target (Masters of the Shadowlands, #10))
You have to leave behind the exhausting pursuit of exercise for the sake of exercise and discover the beautiful balance between health and performance.
Ben Greenfield (Beyond Training: Mastering Endurance, Health & Life)
The language of poetry is the exact opposite of the language of mass media,” I said, meaninglessly.
Ben Lerner (Leaving the Atocha Station)
I had the endless day, months and months of endless days, and yet my return date bounded this sense of boundlessness, kept it from becoming threatening.
Ben Lerner (Leaving the Atocha Station)
It was worse than having a sinking feeling; I was a sinking feeling, an unplayable adagio for strings; internal distances expanded and collapsed when I breathed.
Ben Lerner (Leaving the Atocha Station)
When she reached me she asked gently if I were O.K., what was bothering me. Fine, nothing, I said, but in a way I hoped confirmed incommunicable depths had opened up inside me.
Ben Lerner (Leaving the Atocha Station)
My feet scuffed through the golden leaves carpeting the wide sidewalks. Sunlight and shadow danced on ivy-covered walls.
Ben Carson (Gifted Hands: The Ben Carson Story)
It's never too early to think about your legacy," she would say. "Don't you want to leave some kind of mark that you were here?
Ben Tanzer (The New York Stories: Three Volumes in One Collection)
I formed several possible stories out of her speech, formed them at once, so it was less like I failed to understand than that I understood in chords, understood in a plurality of worlds.
Ben Lerner (Leaving the Atocha Station)
Jedi Master. What would happen if Luke ever came face to face with the Sith? If he hunted Luke down, looking for the droids, looking for the princess? Luke had had a few hours of training; Ben had had decades! And still Vader had cut the Jedi Master down with a single blow. Leaving…nothing.
Alexandra Bracken (A New Hope - The Princess, the Scoundrel, and the Farm Boy (Star Wars))
The trail will only provide if you accept its offer. All of it. You must leave home. You must be broken. It will cost you your entire life as you know it. And then, and only then, can you receive
Ben Crawford (2,000 Miles Together: The Story of the Largest Family to Hike the Appalachian Trail)
because the cigarette or spliff was an indispensable technology, a substitute for speech in social situations, a way to occupy the mouth and hands when alone, a deep breathing technique that rendered exhalation material, a way to measure and/or pass the time. More important than the easily satisfiable addiction, what the little cylinders provided me was a prefabricated motivation and transition, a way to approach or depart from a group of people or a topic, enter or exit a room, conjoin or punctuate a sentence. The hardest part of quitting would be the loss of narrative function; it would be like removing telephones or newspapers from the movies of Hollywood’s Golden Age; there would be no possible link between scenes, no way to circulate information or close distance, and when I imagined quitting smoking, I imagined “settling down,” not because I associated quitting with a more mature self-care, but because I couldn’t imagine moving through an array of social spaces without the cigarette as bridge or exit strategy.
Ben Lerner (Leaving the Atocha Station)
Converts leave something of themselves behind when they leave their homeland. Yahweh is not the King of Moab. He’s the King of Israel. Some things still live inside converts that can come back to life, should they re-embrace their former culture. Michael Ben Zehabe, Ruth: a woman’s guide to husband material, pg 30
Michael Ben Zehabe (Ruth: A Woman's Guide to Husband Material)
A Song To Celia Drink to me, only with thine eyes And I will pledge with mine; Or leave a kiss but in the cup, And I’ll not look for wine. The thirst that from the soul doth rise Doth ask a drink divine: But might I of Jove’s nectar sup I would not change for thine. I sent thee late a rosy wreath, Not so much honouring thee As giving it a hope that there It could not withered be But thou thereon didst only breath And sent’st it back to me: Since, when it grows and smells, I swear, Not of itself but thee.
Ben Jonson
The scent of new-mown grass wafted on the warm breeze, mingled with the smoke of leaves burning on a distant bonfire. The scents and sounds of an English summer Sunday, unchanged for centuries, Ben thought. Polite
Rhys Bowen (In Farleigh Field)
The trail will only provide if you accept its offer. All of it. You must leave home. You must be broken. It will cost you your entire life as you know it. And then, and only then, can you receive. What you receive will be far greater than anything you had or anything you lost. It will change you. It might even heal you.
Ben Crawford (2,000 Miles Together: The Story of the Largest Family to Hike the Appalachian Trail)
I made it three days before the text messages started one afternoon while I was trying to finish warming up before our afternoon session. I had gotten to the LC later than usual and had gone straight to the training room, praising Jesus that I’d decided to change my clothes before leaving the diner once I’d seen what time it was and had remembered lunchtime traffic was a real thing. I was in the middle of stretching my hips when my phone beeped from where I’d left it on top of my bag. I took it out and snickered immediately at the message after taking my time with it. Jojo: WHAT THE FUCK JASMINE I didn’t need to ask what my brother was what-the-fucking over. It had only been a matter of time. It was really hard to keep a secret in my family, and the only reason why my mom and Ben—who was the only person other than her who knew—had kept their mouths closed was because they had both agreed it would be more fun to piss off my siblings by not saying anything and letting them find out the hard way I was going to be competing again. Life was all about the little things. So, I’d slipped my phone back into my bag and kept stretching, not bothering to respond because it would just make him more mad. Twenty minutes later, while I was still busy stretching, I pulled my phone out and wasn’t surprised more messages appeared. Jojo: WHY WOULD YOU NOT TELL ME Jojo: HOW COULD YOU DO THIS TO ME Jojo: DID THE REST OF YOU KEEP THIS FROM ME Tali: What happened? What did she not tell you? Tali: OH MY GOD, Jasmine, did you get knocked up? Tali: I swear, if you got knocked up, I’m going to beat the hell out of you. We talked about contraception when you hit puberty. Sebastian: Jasmine’s pregnant? Rubes: She’s not pregnant. Rubes: What happened, Jojo? Jojo: MOM DID YOU KNOW ABOUT THIS Tali: Would you just tell us what you’re talking about? Jojo: JASMINE IS SKATING WITH IVAN LUKOV Jojo: And I found out by going on Picturegram. Someone at the rink posted a picture of them in one of the training rooms. They were doing lifts. Jojo: JASMINE I SWEAR TO GOD YOU BETTER EXPLAIN EVERYTHING RIGHT NOW Tali: ARE YOU KIDDING ME? IS THIS TRUE? Tali: JASMINE Tali: JASMINE Tali: JASMINE Jojo: I’m going on Lukov’s website right now to confirm this Rubes: I just called Mom but she isn’t answering the phone Tali: She knew about this. WHO ELSE KNEW? Sebastian: I didn’t. And quit texting Jas’s name over and over again. It’s annoying. She’s skating again. Good job, Jas. Happy for you. Jojo: ^^ You’re such a vibe kill Sebastian: No, I’m just not flipping my shit because she got a new partner. Jojo: SHE DIDN’T TELL US FIRST THO. What is the point of being related if we didn’t get the scoop before everybody else? Jojo: I FOUND OUT ON PICTUREGRAM Sebastian: She doesn’t like you. I wouldn’t tell you either. Tali: I can’t find anything about it online. Jojo: JASMINE Tali: JASMINE Jojo: JASMINE Tali: JASMINE Tali: Tell us everything or I’m coming over to Mom’s today. Sebastian: You’re annoying. Muting this until I get out of work. Jojo: Party pooper Tali: Party pooper Jojo: Jinx Tali: Jinx Sebastian: Annoying ... I typed out a reply, because knowing them, if I didn’t, the next time I looked at my phone, I’d have an endless column of JASMINE on there until they heard from me. That didn’t mean my response had to be what they wanted. Me: Who is Ivan Lukov?
Mariana Zapata (From Lukov with Love)
Jubal shrugged. "Abstract design is all right-for wall paper or linoleum. But art is the process of evoking pity and terror, which is not abstract at all but very human. What the self-styled modern artists are doing is a sort of unemotional pseudo-intellectual masturbation. . . whereas creative art is more like intercourse, in which the artist must seduce- render emotional-his audience, each time. These ladies who won't deign to do that- and perhaps can't- of course lost the public. If they hadn't lobbied for endless subsidies, they would have starved or been forced to go to work long ago. Because the ordinary bloke will not voluntarily pay for 'art' that leaves him unmoved- if he does pay for it, the money has to be conned out of him, by taxes or such." "You know, Jubal, I've always wondered why i didn't give a hoot for paintings or statues- but I thought it was something missing in me, like color blindness." "Mmm, one does have to learn to look at art, just as you must know French to read a story printed in French. But in general terms it's up to the artist to use language that can be understood, not hide it in some private code like Pepys and his diary. Most of these jokers don't even want to use language you and I know or can learn. . . they would rather sneer at us and be smug, because we 'fail' to see what they are driving at. If indeed they are driving at anything- obscurity is usually the refuge of incompetence. Ben, would you call me an artists?” “Huh? Well, I’ve never thought about it. You write a pretty good stick.” “Thank you. ‘Artist’ is a word I avoid for the same reasons I hate to be called ‘Doctor.’ But I am an artist, albeit a minor one. Admittedly most of my stuff is fit to read only once… and not even once for a busy person who already knows the little I have to say. But I am an honest artist, because what I write is consciously intended to reach the customer… reach him and affect him, if possible with pity and terror… or, if not, at least to divert the tedium of his hours with a chuckle or an odd idea. But I am never trying to hide it from him in a private language, nor am I seeking the praise of other writers for ‘technique’ or other balderdash. I want the praise of the cash customer, given in cash because I’ve reached him- or I don’t want anything. Support for the arts- merde! A government-supported artist is an incompetent whore! Damn it, you punched one of my buttons. Let me fill your glass and you tell me what is on your mind.
Robert A. Heinlein (Stranger in a Strange Land)
The thing about money is," said Ben, "you can't be polite to it. Leave something suspicious to say, and it'll say it...Leave something greedy to say, and it'll say it...Leave something scary to say, and it'll say it." --"Money Talks
Kurt Vonnegut Jr. (While Mortals Sleep: Unpublished Short Fiction)
Brave and loyal followers! Long ago we resolved to serve neither the Romans nor anyone other than God Himself, who alone is the true and just Lord of mankind. The time has now come that bids us prove our determination by our deeds we have never submitted to slavery, even when it brought no danger with it. We must not choose slavery now, and with it penalties that will mean the end of everything if we fall alive into the hands of the Romans God has given us this privilege, that we can die nobly and as free men and leave this world as free men in company with our wives and children. (Elazar Ben Yair)
Flavius Josephus (The Jewish War)
You would have,” I say, with a bit of surprise, although it shouldn’t surprise me. Ben has been in love with Savannah since puberty. “Without hesitation,” he replies coldly, and takes another sip of brandy. When his glass is drained, he slaps it on the desk and walks toward my door. “Ben,” Declan says, stopping our friend when he grips the doorknob. “What exactly is Savannah to you?” Ben glances over his shoulder at Dec, shakes his head, his eyes suddenly sad, and leaves without a word.
Kristen Proby (Easy Love (Boudreaux, #1))
Families necessitate energetic concealment of the obvious, to be plain about it. To be in a family is to work strenuously to suppress the truth, for reasons I cannot determine, and the shadow, when it came, caused competing strategies in the family I occupied.
Ben Marcus (Leaving the Sea: Stories)
Dalhia,” he says, his tone is as dark and sad as the place I have lived for the past two years before meeting him. “One day, if you change your mind . . . just know you’ll always be my once in a lifetime.” He presses kisses to my forehead and nose, then turns, leaving me at the front door to the house I shared with Ben for so many years. The house that is now empty is the house where, once again, I will be alone.
Kim Karr (Connected (Connections, #1))
I thought about what I wanted to do now -- if I wanted to eat or leave the park, if I wanted to apply to grad school in the fall, if I wanted to find Ben in the crowd. Nothing sounded appealing, and I had the vague desire to slip through the cracks of what everyone else was doing.
Anthony Veasna So (Afterparties)
The emotions of grief are ageless. Widows often feel they have lost their purpose in life. The worst part of a widow’s day is when her comforters leave. Every part of her daily routine has a kink in it, especially when it’s time to go to sleep. Going to bed without hearing someone say, goodnight, feels like leaving the period off the end of a sentence. Michael Ben Zehabe, Ruth: a woman’s guide to husband material, pg 18
Michael Ben Zehabe (Ruth: A Woman's Guide to Husband Material)
I spoke softly. “The cops will eat you alive, Benjamin Blue. You have to go.” Ben tensed, ready to argue. “Detective Hawfield died. This is going to get serious. It’s way too much heat for you. Please be sensible.” Ben hesitated. Then his shoulders slumped. “Maybe you’re right.” Deep breath. “But you’re taking away the other possibility, too.” “I don’t understand.” I glanced over my shoulder at the approaching vehicle. “What other possibility?” He smiled wanly. “Ben Blue, The Hero. That kinda would’ve been nice.” I paused, at a loss for words. My heart broke for him. “But that’s okay.” Ben dug keys from his pocket. “After all, we’re Virals, not heroes. And that’s fine. Plus, I’m not really the hero type.” He turned to leave. Impulsively, I grabbed Ben’s arm. Pulled him close. Smashed my lips against his. The kiss only lasted a second, but also an eternity. Then I stepped back and shoved Ben toward the Explorer. “Of course you’re the type.” I was grateful the darkness hid my blushes. “Now go.” Ben stared, stricken, thunderstruck. Hi and Shelton watched, wide-eyed with shock. “Weirdest birthday ever,” Hi whispered.
Kathy Reichs (Exposure (Virals, #4))
It wasn't a rock. It was a dog's rubber bone, left behind months ago to be buried first under autumn leaves, then winter snow. Just an old rubber bone, but Batty was already braced for what she knew would come—the rushing in her ears, the stab in her stomach, and the seeping away of the colors from her world. The soft blue spring sky, the yellow forsythia hedge, even Ben's bright red hair—all dulled, all gray and wretched.
Jeanne Birdsall (The Penderwicks in Spring (The Penderwicks, #4))
Most of us acquire and shed fractions of narcissistic traits throughout our lives. The teachings of Jesus help us shed narcissistic traits. It’s part of a natural life cycle. Victims of true narcissists often leave a church, rather than stay to refute the defamatory whispers from overly defensive leadership. True narcissists comprise about 2% of the population. That percentage skyrockets when sampling corporate leaders. Lamentations, pg Intro
Michael Ben Zehabe (Lamentations: how narcissistic leaders torment church and family (The Hidden Series))
But my research had taught me that the tissue of contradictions that was my personality was itself, at best, a poem, where “poem” is understood as referring to a failure of language to be equal to the possibilities it figures; only then could my fraudulence be a project and not merely a pathology; only then could my distance from myself be redescribed as critical, aesthetic, as opposed to a side effect of what experts might call my substance problem, felicitous phrase, the origins of which lay not in my desire to evade reality, but in my desire to have a chemical excuse for reality’s unavailability.
Ben Lerner (Leaving the Atocha Station)
Sometimes I worry, for myself, that I’ve stopped being amazed at certain things, or I’ve taken for granted a set of ideas about how the world works, what people are doing with each other or alone, all the fundamental relationships in the world. I worry that I start taking it for granted and stop feeling the intensity of it because of language. Language starts to shut down the strength and power and strangeness of what it means to be a person in the world.
Ben Marcus
an intention that radiates out of you. It’s humility and gratitude. It’s about living inside the notes, and between them, and understanding that each of those notes may mean a completely different thing to each person in an audience. Once it leaves your fingertips or your lips, it’s no longer yours. Maybe it never was.
Ben Folds (A Dream about Lightning Bugs: A Life of Music and Cheap Lessons)
It’s true that the hatred is still there. But it doesn’t change anything. Our obligations are the same—to live and sanctify all life with our own. To participate in the world the best we know how, leaving it a better place than we found it. To raise families and teach our children to value life. What more can we do? Should we refuse to live because of the threat of death hanging over us? We’ve always been under sentence of death. Every generation that lives out its days in peace is a victory. Every day we live is a victory.
Ovadya ben Malka (A Damaged Mirror)
The first treatise on the interior of the body, which is to say, the treatise that gave the body an interior , written by Henri De Mondeville in the fourteenth century, argues that the body is a house, the house of the soul, which like any house can only be maintained as such by constant surveillance of its openings. The woman’s body is seen as an inadequate enclosure because its boundaries are convoluted. While it is made of the same material as a man’s body, it has ben turned inside out. Her house has been disordered, leaving its walls full of openings. Consequently, she must always occupy a second house, a building to protect her soul. Gradually this sense of vulnerability to the exterior was extended to all bodies which were then subjected to a kind of supervision traditionally given to the woman. The classical argument about her lack of self-control had been generalized.
Mark Wigley
Leave your troubles behind. Decide to be happy...one day at a time. www.bullyingben.com
Timothy Pina (Bullying Ben: How Benjamin Franklin Overcame Bullying)
1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
Dina Ben-Lev
This is where we come," he said. Albie and I look at each other. “We?” “Me and, you know.” Albie’s eyes got wide. “I really don’t think I want to know about this.” I surprised myself. “I do,” I said. I guess I was tired of having to withhold the truth from Toby. Other than Ben, he and Albie we’re easily my best friends at Natick. Toby looked a little surprised, like he’d just assumed we wouldn’t want to hear the details. “You do?” “Yeah.” He looked around to make sure we were alone. We definitely were. No one came back here to my knowledge. Also it was cold. Like twenty degrees. Only three idiots would be in the woods in the winter, it seemed to me. “Robinson” he said. “Gorilla Butt,” I said, nodding. “I know.” “You know?” “Yup.” Toby crossed his arms an then deflated into a fake pout. “You’re stealing my scene, bitch. Scene stealer.” “Sorry,” I said. “So you and Gorilla Butt. Wow.” He flipped me off. “He hates that,” Toby said. “But, yeah. It’s hairy.” “Oh, look, almost anything else in the universe,” Albie said, heading back to campus and leaving us in the clearing. “He’s such a prude,” Toby said rolling his eyes.
Bill Konigsberg (Openly Straight (Openly Straight, #1))
...observers, by nature, had to create a story to understand why one would set out on foot, leaving the shelters we build to plant us in civilization and set us apart from the world, the cars and houses and offices. To follow a path great distances, to open oneself to the world and a multitude of unexpected experiences, to voluntarily face the wrath of nature unprotected, was difficult to understand.
Ben Montgomery (Grandma Gatewood's Walk: The Inspiring Story of the Woman Who Saved the Appalachian Trail)
The detox phenomenon is interesting because it represents one of the most grandiose innovations of marketers, lifestyle gurus, and alternative therapists: the invention of a whole new physiological process. In terms of basic human biochemistry, detox is a meaningless concept. It doesn’t cleave nature at the joints. There is nothing on the “detox system” in a medical textbook. That burgers and beer can have negative effects on your body is certainly true, for a number of reasons; but the notion that they leave a specific residue, which can be extruded by a specific process, a physiological system called detox, is a marketing invention.
Ben Goldacre (Bad Science: Quacks, Hacks, and Big Pharma Flacks)
Cutting class,” I muttered. “That idiot.” Ben did a double-take when he spotted me, then slowly shook his head. As I drew near, he whispered something under his breath. His moron buddies exploded in laughter. I’ll kill him. Then murder him afterward. “What the hell are you doing?” Not the most diplomatic of greetings, but my temper was long gone. “Is your first class Parking Lot Maintenance?” Ben waved a hand at me. “You see what I mean?” Wallet Chain chuckled as he toked a cigarette. “That’s not very nice, sweetheart.” “You’ll never land a man like that,” added Ski Cap. “This ain’t Beantown.” “Ben?” Seething. “May I speak to you privately?” Ben rolled his eyes. “Give me a sec, guys. I’ve been naughty.” I waited until the stoners were out of earshot. “Great crew you’ve assembled.” Dripping with sarcasm. “Leave them out of this,” Ben warned. “What, I can’t even have friends, now that I’ve been kicked from the Ivory Tower?” “Maybe go to class. You might find a better peer group in there.” Ben snorted. “I’m pretty sure you have class right now, too.” Touche.
Kathy Reichs (Exposure (Virals, #4))
No one is apolitical. Not a single person. The few people I’ve met who proudly consider themselves as such tend to assume that not paying attention, not voting, isn’t in itself a privilege. That it is not in itself proof that their day-to-day existence won’t be affected by choosing to stay on the sidelines, tending to literal gardens. The fact of the matter is that if you have a life that leaves you foolproof to politics, your politics approximate to “privileged.
Ben Philippe (Sure, I'll Be Your Black Friend: Notes from the Other Side of the Fist Bump)
Ben was suffering from something over which he had little control. but I've been to that same dark place and I made a different choice. That doesn't mean I don't have bleak days when I hate myself and everyone else. But if I can promise you nothing else, it's that I intend to leave this world old, stooped. and with white hairs sticking out of my ears. And if having that image pressed into your brain hasn't given you second thoughts, well...I'm yours for as long as you want me.
Trish Doller (Float Plan (Beck Sisters, #1))
Story is, my ma was friends with Ben before they left for New World, that they were both members of the Church when the offer of leaving and starting up a settlement was made. Ma convinced Pa and Ben convinced Cillian and when the ships landed and the settlement started, it was my ma and pa who raised sheep on the next farm over from Ben and Cillian growing wheat and it was all friendly and nice and the sun never set and men and women sang songs together and lived and loved and never got sick and never never died. That
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
If a free people is going to be reproduced, it will require watering and revivifying and owning anew older traditions and awaking the curiosity in the soul of each citizen. National greatness will not be recovered via a mindless expansion of bureaucratized schooling. Seventy years ago, Dorothy Sayers wrote, 'Sure, we demand another grant of money, we postpone the school leaving age and plan to build bigger and better schools. We demand that teachers further slave conscientiously in and out of school hours. But to what end? I believe,' Sayers lamented, 'all this devoted effort is largely frustrated because we have no definable goal for each child to become a fully formed adult. We have lost the tools of learning, sacrificing them to the piecemeal, subject matter approach of bureaucratized schooling that finally compromises to produce passive rather than active emerging adults. But our kids are not commodities, they are plants. They require a protected environment, and care, and feeding, but most basically, an internal yearning to grow toward the sunlight. What we need is the equipping of each child with those lost tools.
Ben Sasse (The Vanishing American Adult: Our Coming-of-Age Crisis—and How to Rebuild a Culture of Self-Reliance)
Anyway,” the agent said abruptly. “I just . . . wanted you to know that I’m sorry for everything. I want to help you and the rest of the Order in any way I can, so if there is anything you need, you know where I am.” “Chase,” Dante said as the male turned to leave the room. “Apology accepted, man. And for what it’s worth, I’m sorry too. I haven’t been fair to you either. Despite our differences, know that I respect you. The Agency lost a good one the day they cut you loose.” Chase’s smile was crooked as he acknowledged the praise with a short nod. Dante cleared his throat. “And about that offer of help . . .” “Name it.” “Tess was walking a dog when the Rogues attacked her tonight. Ugly little mutt, not good for much more than a foot-warmer, but it’s special to her. Actually, it was a gift from me, more or less. Anyway, the dog was running loose on its leash when I saw it a block or so away from Ben Sullivan’s place.” “You want me to go retrieve a wayward canine, is that where this is heading?” “Well, you did say anything, didn’t you?” “So I did.” Chase chuckled. “All right. I will.” Dante dug his keys to his Porsche out of his pocket and tossed them to the other vampire. As Chase turned to be on his way again, Dante added, “The little beast answers to the name Harvard, by the way.” “Harvard,” Chase drawled, shaking his head and throwing a smirk in Dante’s direction. “I don’t suppose that’s a coincidence.” Dante shrugged. “Good to see that Ivy League pedigree of yours comes in handy for something.” “Jesus Christ, warrior. You really were busting my ass since the minute I came on board, weren’t you?” “Hey, by all comparisons, I was kind. Do yourself a favor and don’t look too closely at Niko’s shooting target, unless you’re very secure about your manhood.” “Assholes,” Chase muttered, but there was only humor in his tone. “Sit tight, and I’ll be back in a few with your mutt. Anything else you’re gonna hit me up for now that I opened my big yap about wanting to get square with you?” “Actually, there might be something else,” Dante replied, his thoughts going sober when he considered Tess and any kind of future that might be deserving of her. “But we can talk about that when you get back, yeah?” Chase nodded, catching on to the turn in mood. “Yeah. Sure we can.
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
Save me from hatred, that destructive impulse, the poison that ravages the heart and liver. I must stop wanting to take revenge on other lives, on other minds; I must forget hatred, reject it, refuse to answer it with more hatred. I must rise above it. Help me to renounce this crippling bond, to leave without hindrance this body that no longer looks like one, but like a jumble of deformed bones; direct my eyes to other stones. This darkness suits me: when I look inside myself, I see more clearly the world, even if my feet are still freezing on this damp cement floor. The back of my neck hurts because I cannot stand up straight. No--I feel no pain. I am certain that I feel no pain. I do not feel anything any more. My prayer has been answered. I am not ill. I will never be, here, no matter how I suffer. O my God, I have learned from You that a healthy body teaches us about the beauty of the world. It is the echo of enchantment, produced by life and light. It is light. Light in life. When it is withdrawn from life, isolated and imprisoned in a black hole, it no longer echoes anything, it reflects nothing. Thanks to Your will, I shall never be extinguished.
Tahar Ben Jelloun (تلك العتمة الباهرة)
Missing you I wish I could hold you in my arms again all through the night. As we lay together I hold you so tight. To feel your soft skin up against mine as we sleep. I feel your breath on my skin and it feels so deep. If this is a dream and you’re not real I do not wish to wake. I’m hoping this is true and I enjoy this time we take. Two souls together as one with a single beating heart. I’m thankful for this time and never want to be apart. I don’t want to rise and greet the new day. I want you here forever and wish you could stay. As the sun rises and god knows I try. I awake alone and then begin to cry. For you have left me and now its ben a year. I think of you often as I wipe away a tear. I miss you so much as I take a deep breath. I will see you again when It’s time for my death. I want you to know that you are my love. I think of you often when I look at the stars above. I walk in a daze and talk to your stone. I want to be with you I’m tired of being alone. The day is over and night time is here. I wait for you again and in my arms you appear. For tonight is different and you won’t have to leave. Were together again and I’m happy, so please dont grieve. John a Miller
John A. Miller
Filar via definitivamente, lontano dalla vita che avevamo sperimentato fin dalla nascita. Insediarsi in territori ben organizzati dove davvero tutto era possibile. Me l'ero battuta infatti. Ma solo per scoprire, nei decenni a venire, che mi ero sbagliata, che si trattava di una catena con anelli sempre più grandi: il rione rimandava alla città, la città all'Italia, l'Italia all'Europa, l'Europa a tutto il pianeta. E oggi la vedo così: non è il rione a essere malato, non è Napoli, è il globo terrestre, è l'universo, o gli universi. E l'abilità consiste nel nascondere e nascondersi lo stato vero delle cose.
Elena Ferrante (Those Who Leave and Those Who Stay (Neapolitan Novels, #3))
However, at the moment, I believe the more important thing that can be done with the platform I have been given is to try to convince the American populace that we are not one another’s enemies even if a (D) is by some of our names and an (R) by the names of others. Knowing that the future of my grandchildren and everyone else’s is put in jeopardy by a continuation of reckless spending, godless government, and mean-spirited attempts to silence critics leaves me with little choice but to continue to expound on the principles outlined in my prayer breakfast speech and to fight for a bright future for America.
Ben Carson (One Nation: What We Can All Do to Save America's Future)
Why are you so mad at me?" Norris shouted back. The neighbors could definitely hear them now. His throat dry, but he didn't care. "I'm sorry if I interrupted one of your dates, or whatever, but I DID NOT DO ANYTHING! Ground me for leaving prom, ground me for drinking, but I didn't drive, I didn't have unprotected sex, I didn't even get high! You know that! You're supposed to be on my side here, Mom!" "NO!" she hurled back. "Not on this, Norris" I can't be!" "Why the hell not?!" "You know damn well! Trayvon Martin," she began. "Tamir Rice, Cameron Tillman, so many others that I can't remember all their names anymore!" Norris knew too well. It was almost a ritual, even back in Canada. They would sit as a family and watch quietly. "Be smart out there," Felix used to say. "You're not a handsome blue-eyed little Ken doll who's going to get a slap on the wrist every time he messes up. That, tonight?" she said, pointing to the door. "Do you know what that was? Do you?!" "I-" "That was a fucking coin flip, Norris. That was the coin landing heads." Her finger dug into his chest, punctuating every other word she was saying, spittle flying at his face. "Heads. A good one. Officer Miller, who has four sons, and luckily, mercifully, thank Jesus saw someone else's kid back-talking him tonight." She exhaled, her breath Thai-food hot against his face. "Tails." Her voice broke. "Tails, and I would be at the morgue right now identifying you! With some man lecturing me about our blood alcohol level and belligerent language and how you had it coming.
Ben Philippe (The Field Guide to the North American Teenager)
Ben padded over and turned the knob. Jack was unlacing his boots while Hazel brushed the leaves out of her hair, her eyes red and a little puffy. They both froze. “It’s just me,” Ben said. “We weren’t—I mean, not really—” Jack started, making gestures toward the bed that Ben thought meant “I am not trying to dishonor your sister, although it is possible that I am hoping to have sex with her,” at the same time Hazel began apologizing for ditching Ben. He held up his hand to stop them from talking. “I need one of you—ideally Hazel—to explain what’s actually been going on, and I need that to happen right now, starting with where you were last night.
Holly Black (The Darkest Part of the Forest)
We were offered visas, you know, to Australia, and we turned them down, my husband said no, plain and simple, he said it was impossible to go at the time and I suppose he was right, and how could he have known anyhow, how could any of us have known what was going to happen, I suppose other people seemed to know, but I never understood how they were so certain, what I mean is, you could never have imagined it, not in a million years, all that was to happen, and I could never understand those that left, how they could just leave like that, leave everything behind, all that life, all that living, it was absolutely impossible for us to do so at the time and the more I look at it the more it seems there was nothing we could do anyhow, what I mean is, there was never any real room for action, that time with the visas, how were we supposed to go when we had so many commitments, so many responsibilities, and when things got worse there was just no room for manoeuvre, I think what I’m trying to say is that I used to believe in free will, if you had asked me before all this I would have told you I was free as a bird, but now I’m not so sure, now, I don’t see how free will is possible when you are caught up within such a monstrosity, one thing leads to another thing until the damn thing has its own momentum and there is nothing you can do, I can see now that what I thought of as freedom was really just struggle and that there was no freedom all along, but look, she says, taking Ben by the hand and dancing him, we are here now aren’t we and so many other people are gone, we’re the lucky ones seeking a better life, there is only looking forward now, isn’t that
Paul Lynch (Prophet Song)
Aren’t you coming with us?” I feel his hand on my cheek. I know what this means and I slap his hand away. “You’re coming with us, Evan,” I say. “There’s something I have to do.” “That’s right.” My hand flails for his in the dark. I find it and pull hard. “You have to come with us.” “I’ll find you, Cassie. Don’t I always find you? I—” “Don’t, Evan. You don’t know you’ll be able to find me.” “Cassie.” I don’t like the way he says my name. His voice is too soft, too sad, too much like a good-bye voice. “I was wrong when I said I was both and neither. I can’t be; I know that now. I have to choose.” “Wait a minute,” Ben says. “Cassie, this guy is one of them?” “It’s complicated,” I answer. “We’ll go over it later.” I grab Evan’s hand in both of mine and press it against my chest. “Don’t leave me again.” “You left me, remember?” He spreads his fingers over my heart, like he’s holding it, like it belongs to him, the hard-fought-for territory he’s won fair and square. I give in. What am I going to do, put a gun to his head? He’s gotten this far, I tell myself. He’ll get the rest of the way. “What’s due north?” I ask, pushing against his fingers. “I don’t know. But it’s the shortest path to the farthest spot.” “The farthest spot from what?” “From here. Wait for the plane. When the plane takes off, run. Ben, do you think you can run?” “I think so.” “Run fast?” “Yes.” He doesn’t sound too confident about it, though. “Wait for the plane,” Evan whispers. “Don’t forget.” He kisses me hard on the mouth, and then the stairwell goes all Evanless.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
Is the Lord’s Supper only for Christians? Whenever I ask this question I immediately remember the character of those that partook of the Last Supper with Jesus. They were certainly Jews, some better Jews than others, but Jesus shared this meal knowingly even with Judas. Or again consider the Emmaus Road encounter. Jesus shares this meal with those who had given up on his being the One to redeem Israel, who were leaving Jerusalem downcast and disappointed, and who were oblivious to the fact that it was Jesus who was speaking and sharing with them! There has to be a balance in the liturgy to help the congregation make a decision if they themselves are ready to partake of this Meal in a worthy manner (hence the 'ye who do truly and earnestly repent' clause), while at the same time joyfully welcoming all who are willing and ready and able to do so.
Ben Witherington III (Making a Meal of It: Rethinking the Theology of the Lord's Supper)
Because, even if my corrupt body is rotten and wracked with pain, even if all my senses have departed from me, leaving only agony and decay, my Mind is still blessed with Life. And, as in the long nights of my Youth, when I could find no sleep, I lie here . . . and think of Numbers. For Numbers are the bridge between the World of Perfection and this fallen, foolish vale of tears. They exist both in the purity of abstraction, and in the concrete, solid, sinful world. They exist in the ten fingers of my twitching, clutching hands, in the spidery numeric scrawls in Schäffer’s books of accounts, they exist in that vision of perfection in this fallen world, the Cathedral, in its circles, in its triangles, in the parabolae of its curls and curves, a beauteous image of the Godhead as a finite, geometrical and comprehensible idea. And they exist also in pure conception, in the flights of numerical beauty that my mind conceives. Can one set a limit on numbers? Can one imagine where the line could be drawn and say . . . after this count, one may reckon no further? No. They have no beginning and have no end. Numbers stretch out, beyond our human limits, beyond our comprehension, to a boundless Infinity. This physical world, my body, my life, will come to an end, but numbers count onwards for ever, towards the greatest of all reckonings that can never, ever be reached.
Ben Hopkins (Cathedral)
It's something, it can be nothing. I don't know its name, so I call it magic. I've never seen a sunrise, but Mary and Dickon have, and for what they tell me, I'm sure that is magic, too. Something pushes it up and draws it. Sometimes since I've been in the garden I've looked I've looked up through the trees at the sky and I have had a strange feeling of being happy as if something were pushing and drawing in my chest and making me breathe fast. Magic is always pushing and drawing and making things out of nothing. Everything is made out of Magic, leaves and trees, flowers and birds, badgers and foxes and squirrels and people. So it must be all around us. In this garden--in all the places. The Magic in this garden has made me stand up and know I am going to live to be a man. I am going to make the scientific experiment of trying to get some and put it in myself and make it push and draw me and make me strong. I don't know how to do it but I think that if you keep thinking about it and calling it perhaps it will come. Perhaps that is the first baby way to get it. When I was going to try to stand that first time Mary kept saying to herself as fast as she could, `You can do it! You can do it!' and I did. I had to try myself at the same time, of course, but her Magic helped me-and so did Dickon's. Every morning and evening and as often in the daytime as I can remember I am going to say, 'Magic is in me! Magic is making me well! I am going to be as strong as Dickon, as strong as Dickon!' And you must all do it, too. That is my experiment Will you help, Ben Weatherstaff?
Frances Hodgson Burnett (The Secret Garden)
Our case was straightforward: The deal prevented Iran from getting a nuclear weapon. The Iranians had to remove two-thirds of their centrifuges, couldn’t use their more advanced centrifuges, and had to get rid of 98 percent of their stockpile. They had to convert a heavy water reactor so it couldn’t produce plutonium. Inspectors would have 24/7 access to Iran’s nuclear facilities, and the ability to access Iran’s entire nuclear supply chain—from uranium mines and mills to centrifuge manufacturing and storage facilities. To cheat, Iran wouldn’t just need a nuclear facility like Natanz or Fordow—they’d have to run an entirely secret supply chain. If they cheated, sanctions would snap back into place. Then there were the consequences of not having the deal. Without it, Iran could quickly advance its nuclear program to the point of having enough material for a bomb. That would leave us with a choice between bombing their facilities and acquiescing to a nuclear-armed Iran. Holding out for a better deal was not going to work. It was diplomacy or war.
Ben Rhodes (The World As It Is: Inside the Obama White House)
When the angels of the Bible spoke to human beings, did they speak in words? I don’t think so. I think the angels said nothing, but they were heard in the purest silence of the human spirit, and were understood beyond words. On a more human scale there are many things beyond. A mother watches her child leave home. Her heart is still. Her eyes are full of tears and prayer. That is beyond. An old man with wrinkled hands is carrying his grandchild. With startled eyes the baby regards his grandfather. The old man, with the knowledge of Time’s sadness in his heart, and with love in his eyes, looks down at the child. The meeting of their eyes. That is beyond. A famous writer, feeling his life coming to an end, writes these words: ‘My soul looks back and wonders – just how I got I got over.’ A young woman, standing on a shore, looks out into an immense azure sea rimmed with the silver line of the horizon. She looks out into the obscure heart of destiny, and is overwhelmed by a feeling both dark and oddly joyful. She may be thinking something like this: ‘My soul looks forward and wonders- just how am I to get across.’ That is beyond.
Ben Okri (Birds of Heaven)
Poem for My Father You closed the door. I was on the other side, screaming. It was black in your mind. Blacker than burned-out fire. Blacker than poison. Outside everything looked the same. You looked the same. You walked in your body like a living man. But you were not. would you not speak to me for weeks would you hang your coat in the closet without saying hello would you find a shoe out of place and beat me would you come home late would i lose the key would you find my glasses in the garbage would you put me on your knee would you read the bible to me in your smoking jacket after your mother died would you come home drunk and snore would you beat me on the legs would you carry me up the stairs by my hair so that my feet never touch the bottom would you make everything worse to make everything better i believe in god, the father almighty, the maker of heaven, the maker of my heaven and my hell. would you beat my mother would you beat her till she cries like a rabbit would you beat her in a corner of the kitchen while i am in the bathroom trying to bury my head underwater would you carry her to the bed would you put cotton and alcohol on her swollen head would you make love to her hair would you caress her hair would you rub her breasts with ben gay until she stinks would you sleep in the other room in the bed next to me while she sleeps on the pull-out cot would you come on the sheet while i am sleeping. later i look for the spot would you go to embalming school with the last of my mother's money would i see your picture in the book with all the other black boys you were the handsomest would you make the dead look beautiful would the men at the elks club would the rich ladies at funerals would the ugly drunk winos on the street know ben pretty ben regular ben would your father leave you when you were three with a mother who threw butcher knives at you would he leave you with her screaming red hair would he leave you to be smothered by a pillow she put over your head would he send for you during the summer like a rich uncle would you come in pretty corduroys until you were nine and never heard from him again would you hate him would you hate him every time you dragged hundred pound cartons of soap down the stairs into white ladies' basements would you hate him for fucking the woman who gave birth to you hate him flying by her house in the red truck so that other father threw down his hat in the street and stomped on it angry like we never saw him (bye bye to the will of grandpa bye bye to the family fortune bye bye when he stompled that hat, to the gold watch, embalmer's palace, grandbaby's college) mother crying silently, making floating island sending it up to the old man's ulcer would grandmother's diamonds close their heartsparks in the corner of the closet yellow like the eyes of cockroaches? Old man whose sperm swims in my veins, come back in love, come back in pain.
Toi Derricotte
The fiddle game was a con. The way they’d explained it to Ben, a guy goes into a restaurant carrying a fiddle, orders food, eats, and then claims he can’t pay because he left his wallet somewhere else. So he offers to leave his fiddle behind as collateral while he goes to get his money. The restaurant owner agrees, and the guy leaves. After that, a second guy, who’s in on the game, comes up and tells the restaurant owner that the fiddle is special, it’s worth a lot of money, and he wants to buy it. Then, all of a sudden, the second guy has to go to an appointment or something, but he leaves his business card behind. So now the restaurant owner starts thinking he’s got something really valuable on his hands, this fiddle, and when the owner of the instrument comes back, the restaurant owner offers to buy it. The guy says he couldn’t possibly part with it, it’s his livelihood, so the restaurant owner offers more money, knowing he can make it back when he sells it. They haggle, and finally agree on a price, and the fiddle owner leaves with the money. Trouble is, when the restaurant owner goes to call the fake buyer, he can’t find him. The two guys split the money, and the restaurant owner is left with a piece-of-crap fiddle.
Matthew J. Kirby (Spell Robbers (The Quantum League, #1))
What can we do to maintain slowness in the face of those periods of busyness? How can we avoid overload, exhaustion, or even burnout? Perhaps unsurprisingly, my answer is simply to pay attention. I recognize the way I'm inclined to stay up late, the way I will procrastinate at every option- and instead of spiraling into that overwhelming sense of too much, I check in with myself. Why am I feeling this way? What has changed? What is there more of? What is there less of? Become better at recognizing the signs of a looming backslide and pay close attention to the areas of our lives that have the greatest impact, ensuring they never slip too far out of hand. Nicholas Bate refers to this regular checking in as "taking your MEDS" or more specifically, paying attention to: - Mindfulness - Exercise - Diet - Sleep Once I recognize which of these areas has changed, its simpler (not necessarily easier) to recognize the issue and start fixing it. Sometimes the changes aren't in my control, so I need to look for ways of finding slow by creating more opportunities for a moment of deep breathing or paying close attention to whats in front of me. But other times, I've simply lost sight of what works, and its a matter of adding more of these things I've neglected- Mindfulness, simplicity, kindness- and reducing the things that don't serve me well. Above all else, though, I simply go back to my Why. I call to mind the foundation of this life I want. The vivid imaging of a life well lived. The loved ones, the generosity, the adventure, and the world I want to leave behind. And if that feels too big, I call to mind even smaller reminders, like the warm pressure of my kids hands in mine, the wholeness of a good conversation with Ben, the lightness of simply sitting quietly. Our Why is the antidote to overload. Its a call back to the important things and a reminder that we don't need to carry the weight of everything- only those things that are important to us.
Brooke McAlary (Slow: Simple Living for a Frantic World)
This is textbook Bad Idea. We're driving with a stranger, no one knows where we are, and we have no way of getting in touch with anyone. This is exactly how people become statistics." "Exactly?" I asked, thinking of all the bizarre twists and turns that had led us to this place. Ben ceded the point with a sideways shrug. "Maybe not exactly. But still..." He let it go, and the cab eventually stopped at the edge of a remote, forested area. Sage got out and paid. "Everybody out!" Ben looked at me, one eyebrow raised. He was leaving the choice to me. I gave his knee a quick squeeze before I opened the door and we piled out of the car. Sage waited for the cab to drive away, then ducked onto a forest path, clearly assuming we'd follow. The path through the thick foliage was stunning in the moonlight, and I automatically released my camera from its bag. "I wish you wouldn't," Sage said without turning around. "You know I'm not one for visitors." "I'll refrain from selling the pictures to Travel and Leisure, then," I said, already snapping away. "Besides, I need something to take my mind off my feet." My shoes were still on the beach, where I'd kicked them off to dance. "Hey, I offered to carry you," Sage offered. "No, thank you." I suppose I should have been able to move swiftly and silently without my shoes, but I only managed to stab myself on something with every other footfall, giving me a sideways, hopping gait. Every few minutes Sage would hold out his arms, offering to carry me again. I grimaced and denied him each time. After what felt like about ten miles, even the photos weren't distracting enough. "How much farther?" I asked. "We're here." There was nothing in front of us but more trees. "Wow," Ben said, and I followed his eyes upward to see that several of the tree trunks were actually stilts supporting a beautifully hidden wood-and-glass cabin, set high among the branches. I was immediately charmed. "You live in a tree house," I said. I aimed my camera the façade, answering Sage's objection before he even said it. "For me, not for Architectural Digest." "Thank you," Sage said.
Hilary Duff (Elixir (Elixir, #1))
Bel m'es quant ilh m'enfolhetis E·m fai badar e·n vau muzan! De leis m'es bel si m'escarnis O·m gaba dereir'o denan, Qu'apres lo mal me venra bes Be leu, s'a lieys ven a plazer." full poetry De dezir mos cor no fina Vas selha ren qu'ieu pus am; E cre que volers m'enguana Si cobezeza la'm tol; Que pus es ponhens qu'espina La dolor que ab joi sana; Don ja non vuelh qu'om m'en planha. Totz trassalh e bran et fremis Per s'Amor, durmen o velhan. Tal paor ai qu'ieu mesfalhis No m'aus pessar cum la deman, Mas servir l'ai dos ans o tres, E pueys ben leu sabra·n lo ver. Ni muer ni viu ni no guaris, Ni mal no·m sent e si l'ai gran, Quar de s'Amor no suy devis, Non sai si ja l'aurai ni quan, Qu'en lieys es tota la merces Que·m pot sorzer o decazer. Bel m'es quant ilh m'enfolhetis E·m fai badar e·n vau muzan! De leis m'es bel si m'escarnis O·m gaba dereir'o denan, Qu'apres lo mal me venra bes Be leu, s'a lieys ven a plazer. Translation The desire of my heart is endless and only devoted to her, beloved among all others. And my will, I guess, abuses me, if lust deprives me of her. For it's keener than a thorn, this pain that heals with joy, and for which I don't want to be pitied. I’m all quivering shaking and shuddering from the love I feel for her, either when I sleep or when I stay up. Such is my fear of dying from this love that I can’t envision how to speak to her. I will remain her servant two or three years perhaps, before letting her know my feeling. Neither dying nor living nor healing, I don’t feel any pain of my sickness, despite its tremendous intensity. I’m unable to scrutinize the mystery of her love, I don’t know whether she will agree to my passion, and even less when that could occur. For in her lies the entire Mercy that can lead me to enhance or to decay. And I find magnificent that she panics me to this point, leaves me with a gaping mouth and bewildered! I enjoy when she scorns me, makes fun of me in my absence or even in front of me. For after the evil will come the good. And that can be soon, if such is her pleasure.
Sherrilyn Kenyon (Dragonbane (Dark-Hunter, #24; Lords of Avalon, #4; Were-Hunter, #8; Hellchaser, #7))