Leather Fashion Quotes

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He'd changed since the last summer. Instead of Bermuda shorts and a T-shirt, he wore a button-down shirt, khaki pants, and leather loafers. His sandy hair, which used to be so unruly, was now clipped short. He look like an evil male model, showing off what the fashionable college-age villain was wearing to Harvard this year.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
A big leather-bound volume makes an ideal razorstrap. A thing book is useful to stick under a table with a broken caster to steady it. A large, flat atlas can be used to cover a window with a broken pane. And a thick, old-fashioned heavy book with a clasp is the finest thing in the world to throw at a noisy cat.
Mark Twain
In a meat-eating world, wearing leather for shoes and even clothes, the discussion of fur is childish.
Karl Lagerfeld
Her voice was trained, supple as leather, precise as a knife thrower's blade. Singing or talking, it had the same graceful quality, and an accent I thought at first was English, but then realized was the old-fashioned American of a thirties movie, a person who could get away with saying 'grand.' Too classic, they told her when she went out on auditions. It didn't mean old. It meant too beautiful for the times, when anything that lasted longer than six months was considered passe. I loved to listen to her sing, or tell me stories about her childhood in suburban Connecticut, it sounded like heaven.
Janet Fitch (White Oleander)
Standing at the original Victorian counter was a man in a long black leather coat. His hair had been grown to counteract its unequivocal retreat from the top of his head, and was fashioned into a mean, frail ponytail that hung limply down his back. Blooms of acne highlighted his vampire-white skin.
Julia Stuart (The Tower, the Zoo, and the Tortoise)
Don't wear those trousers with that shirt. What are you thinking?" "I'm going to a bust, not a party." "That's no reason not to look your best. Let's see, what's the well-dressed cop wearing these days to take down a major terrorist organization? You can't go wrong with basic black." "Is this a joke?" she asked as he selected another shirt. "Good fashion sense is never a joke." He handed her the shirt, slid a finger down the dent in her chin. "But it's good to see you smile again, Lieutenant. Oh, and wear the black boots, not the brown." "I don't have any black boots." He reached in, pulled out a pair of sturdy black leather. "You do now.
J.D. Robb (Purity in Death (In Death, #15))
The outside of the building was covered with faded poster advertising what was sold, and by the eerie light of the half-moon, the Baudelaires could see that fresh limes, plastic knives, canned meat, white envelopes, mango-flavored candy, red wine, leather wallets, fashion magazines, goldfish bowls, sleeping bags, roasted figs, cardboard boxes, controversial vitamins, and many other things were available inside the store. Nowhere on the building, however, was there a poster advertising help, which is really what the Baudelaires needed.
Lemony Snicket (The Hostile Hospital (A Series of Unfortunate Events, #8))
Something we’ve been working on in R and D for a while.” He crossed to her, ran his fingers over the lining himself. “It’s body armor.” “Get out.” Her forehead creased as she examined it more closely. “It’s too thin and light. Plus it moves.” “Trust me, it’s been thoroughly tested. Leonardo was able to take the material and fashion it into the coat. It will block a stun on full, though you’ll feel the impact. It’ll protect from a blaster, though the leather would suffer. And it will block a blade—though again, pity about the leather.” “Seriously?” She pulled her weapon again, offered it. “Try it.” He had to laugh even as he thought: Typical. Just typical. “I will not.” “Not very confident in your research and development.” “I’m not firing a stunner at my wife in our bedroom.
J.D. Robb (Celebrity in Death (In Death, #34))
Then he realized that Salander was in costume. Usually her style was sloppy and rather tasteless. Blomkvist had assumed that she was not really interested in fashion, but that she tried instead to accentuate her own individuality. Salander always seemed to mark her private space as hostile territory, and he had thought of the rivets in her leather jacket as a defense mechanism, like the quills of a hedgehog. To everyone around her it was as good a signal as any: Don't try to touch me—it will hurt.
Stieg Larsson (The Girl Who Kicked the Hornet’s Nest (Millennium, #3))
Three days after the quarrel, Prince Stepan Arkadyevitch Oblonsky—Stiva, as he was called in the fashionable world— woke up at his usual hour, that is, at eight o'clock in the morning, not in his wife's bedroom, but on the leather-covered sofa in his study.
Leo Tolstoy (Anna Karenina)
Fashionable debutantes in pastel chiffon party dresses wilt into leather club chairs like frosted petits fours melting under the July sun.
Libba Bray (The Diviners (The Diviners, #1))
Fashionable debutantes in pastel chiffon party dresses wilt into leather club chairs like frosted petit fours melting under the July sun.
Libba Bray (The Best Science Fiction and Fantasy of the Year, Volume 6)
In the late 80s though, during the new Glam Rock, leather trousers came back with a vengeance. In a way they replaced Spandex, which had slipped slowly out of fashion due to bands like Saxon never being out of the stuff. These new leather trousers began to develop accessories such as tassels, sequins, and laces up the sides. This all looked quite nice for a while, but in the end they were just another easy target for Kurt Cobain and his subversive cardigans.
Seb Hunter (Hell Bent for Leather: Confessions of a Heavy Metal Addict)
She was clothed entirely in two large swatches of leather, the leather fake and shiny in a self-mocking way, absolutely correct for 1993, the first year when mocking the mainstream had become the mainstream.
Gary Shteyngart (The Russian Debutante's Handbook)
American whale oil lit the world. It was used in the production of soap, textiles, leather, paints, and varnishes, and it lubricated the tools and machines that drove the Industrial Revolution. The baleen cut from the mouths of whales shaped the course of feminine fashion by putting the hoop in hooped skirts and giving form to stomachtightening and chest-crushing corsets. Spermaceti, the waxy substance from the heads of sperm whales, produced the brightest- and cleanest-burning candles the world has ever known, while ambergris, a byproduct of irritation in a sperm whale’s bowel, gave perfumes great staying power and was worth its weight in gold.
Eric Jay Dolin (Leviathan: The History of Whaling in America)
They are approaching now a lengthy brick improvisation, a Victorian paraphrase of what once, long ago, resulted in Gothic cathedrals—but which, in its own time, arose not from any need to climb through the fashioning of suitable confusions toward any apical God, but more in a derangement of aim, a doubt as to the God’s actual locus (or, in some, as to its very existence), out of a cruel network of sensuous moments that could not be transcended and so bent the intentions of the builders not on any zenith, but back to fright, to simple escape, in whatever direction, from what the industrial smoke, street excrement, windowless warrens, shrugging leather forests of drive belts, flowing and patient shadow states of the rats and flies, were saying about the chances for mercy that year.
Thomas Pynchon (Gravity’s Rainbow)
the Baudelaires could see that fresh limes, plastic knives, canned meat, white envelopes, mango-flavored candy, red wine, leather wallets, fashion magazines, goldfish bowls, sleeping bags, roasted figs, cardboard boxes, controversial vitamins, and many other things were available inside the store. Nowhere on the building, however, was there a poster advertising help, which is really what the Baudelaires needed.
Lemony Snicket (The Hostile Hospital (A Series of Unfortunate Events, #8))
Success is the only thing to change the behaviors of others
thebuyspot
I added pieces the same way I’d constructed my body, from the inside out: boy-cut panties first (lacy), bra (sheer), stockings (thigh high), knee-length leather skirt (black), lime green midriff-baring shirt (polyester). David leaned against the wall and watched this striptease-in-reverse with fabulously expressive eyebrows slowly climbing toward heaven, I finished it off with a pair of strappy lime green three-inch heels, something from the Manolo Blahnik spring collection that I’d seen two months ago in Vogue. He looked me over, blinked behind the glasses, and asked, “You’re done?” I took offense, “Yeah. You with the fashion police?” “I don’t think I’d pass the entrance exam.” The eyebrows didn’t come down. “I never knew you were so…” “Fashionable?” “Not really the word I was thinking.” I struck a pose and looked at him from under my supernaturally lustrous eyelashes. “Come on, you know it’s sexy.” “And that’s sort of my point.
Rachel Caine (Heat Stroke (Weather Warden, #2))
Bikers don’t wear all that leather around simply for the fashion value or possible felony assaults. It’s handy for keeping the highway from ripping the skin from your flesh should you wind up losing control of the bike and sliding along the asphalt for a while.
Jim Butcher (Blood Rites (The Dresden Files, #6))
the large wood-paneled restaurant. The place has a classic old-fashioned feel: brass lamps, dark green leather upholstery, crisp white linen, and sparkling crystal glasses. The atmosphere buzzes with the chatter of businessmen and -women and the clatter of cutlery on fine china.
E.L. James (The Mister (Mister & Missus, #1))
On the land adjoining La Grenouillère strollers were sauntering under the gigantic trees which help to make this part of the island one of the most delightful parks imaginable. Busty women with peroxided hair and nipped-in waists could be seen, made up to the nines with blood red lips and black-kohled eyes. Tightly laced into their garish dresses they trailed in all their vulgar glory over the fresh green grass. They were accompanied by men whose fashion-plate accessories, light gloves, patent-leather boots, canes as slender as threads and absurd monocles made them look like complete idiots.
Guy de Maupassant (A Parisian Affair and Other Stories)
Perhaps part of the uncanny allure of fashionable clothing resides in the paradoxical impact of its expressiveness: the act of covering up with mere dead matter--cloth, fur, leather, or even metal when it is ingeniously shaped to the purpose--appears to reveal something magical about the life inside.
Joseph Roach (It)
O shoe, leather ship that sails our cement rivers and woven seas, steering by the star of fashion, circumnavigating hostile reefs of tar and bubble gum; one hour, a tanker ferrying champagne to a playboy’s sip; the next, a raft in the slime; bon voyage, bright barge! May you dock in calm closets, safe from the rape of shoe trees.
Tom Robbins (Skinny Legs and All)
The top four priorities would be food, fuel, clothing and shelter. Dig the garden, feed the pig, fetch water from the brook, gather wood from the forest, wash some potatoes, light a fire (no matches), cook lunch, repair the roof, fetch fresh bracken for clean bedding, whittle a needle, spin some thread, sew leather for shoes, wash in the stream, fashion a pot out of clay, catch and cook a chicken for dinner.
Matt Ridley (The Rational Optimist (P.S.))
Sukey's approving glance swept over Amanda's black evening dress, made of shimmering crinkled silk that had been cut very low across the bosom and fitted tightly to her voluptuous shape. Rows of glittering jet beads adorned the bodice and long sleeves, while her gloves and shoes were of soft chamois leather. It was a sophisticated ensemble, one that made the most of Amanda's looks and generously displayed her bosom.
Lisa Kleypas (Suddenly You)
She ran and didn't slow until she came to a hallway that terminated in a multipaned window of thick, old-fashioned glass. Her breath rasped in her throat, but the dizziness and nausea eased enough that she stood steadier on her feet. She heard again the gentle ringing of metal sliding against metal. Musty air rose up with the same smell of leather and dust, an acrid undertone beneath. She whipped her head toward the end of the hall. At first she didn't see anything. The light shifted and swirled, and the swordsman materialized from the shadows. Gold and red emblazoned his tunic in a chevron against a cobalt background. The sword was back in its scabbard, strapped across his back. He was tall, with broad shoulders and dark hair, and he looked like Sebastian. Timed to the wind stirring the ivy outside, he vanished through the wall.
Carolyn Jewel (The Spare)
I have considered the impudent accusations of Mr Dawkins with exasperation at his lack of serious scholarship. He has apparently not read the detailed discourses of Count Roderigo of Seville on the exquisite and exotic leathers of the Emperor's boots, nor does he give a moment's consideration to Bellini's masterwork, On the Luminescence of the Emperor's Feathered Hat. We have entire schools dedicated to writing learned treatises on the beauty of the Emperor's raiment, and every major newspaper runs a section dedicated to imperial fashion ... Dawkins arrogantly ignores all these deep philosophical ponderings to crudely accuse the Emperor of nudity ... Until Dawkins has trained in the shops of Paris and Milan, until he has learned to tell the difference between a ruffled flounce and a puffy pantaloon, we should all pretend he has not spoken out against the Emperor's taste. His training in biology may give him the ability to recognize dangling genitalia when he sees it, but it has not taught him the proper appreciation of Imaginary Fabrics.
Richard Dawkins (The God Delusion)
But her no leather - no fur policy drew fire. Critics charged that faux hides, many of which are petroleum based, were more damaging to the earth than the real stuff. Bull, said McCartney. "Livestock production is one of the major causes of ... global warming, land degradation, air and water pollution, and loss of biodiversity", she shot back, with more than fifty million animals farme and slaughtered each year just to make handbags and shoes. Conventional leather tanning employs heavy metals such as chromium, which results in waste that is toxic to humans.
Dana Thomas (Fashionopolis: The Price of Fast Fashion and the Future of Clothes)
The July sun blazed in the middle of the sky and the atmosphere was gay and carefree, while in the windless air not a leaf stirred in the poplars and willows lining the banks of the river. In the distance ahead, the conspicuous bulk of Mont-Valérien loomed, rearing the ramparts of its fortifications in the glare of the sun. On the right, the gentle slopes of Louveciennes, following the curve of the river, formed a semi-circle within which could be glimpsed, through the dense and shady greenery of their spacious lawns, the white-painted walls of weekend retreats. On the land adjoining La Grenouillère strollers were sauntering under the gigantic trees which help to make this part of the island one of the most delightful parks imaginable. Busty women with peroxided hair and nipped-in waists could be seen, made up to the nines with blood red lips and black-kohled eyes. Tightly laced into their garish dresses they trailed in all their vulgar glory over the fresh green grass. They were accompanied by men whose fashion-plate accessories, light gloves, patent-leather boots, canes as slender as threads and absurd monocles made them look like complete idiots.
Guy de Maupassant (Femme Fatale)
THEY WALKED UP TO the front door, rang the bell. Del scratched his neck and looked at the yellow bug light and said, “I feel like a bug.” “You look like a bug. You fall down out there?” “About four times. We weren’t running so much as staggering around. Potholes full of water . . . I see you kept your French shoes nice and dry.” “English. English shoes . . . French shirts. Italian suits. Try to remember that.” “Makes my nose bleed,” Del said. The door opened, and Green looked out: she was still fully dressed, including the jacket that covered her gun and the fashionable shoes that she could run in. She took a long look at Del, and asked, “Where’re Dannon and Carver?” “Dead,” Lucas said. “Where’s Grant?” “In the living room.” “You want to invite us in?” She opened the door, and they stepped inside, and followed her to the living room. Grant was there, still dressed as she had been on the stage; she was curled in an easy chair, with a drink in her hand, high heels on the floor beside her. Schiffer was lying on a couch, barefoot; a couple of Taryn’s staff people, a young woman and a young man, were sitting on the floor, making a circle. Another man, heavier and older, was sitting in a leather chair facing Grant. Lucas didn’t recognize him, but recognized the type: a guy who knew where all the notional bodies were buried, a guy who could get the vice president on the telephone.
John Sandford (Silken Prey (Lucas Davenport #23))
per hour. Handbrake knew that he could keep up with the best of them. Ambassadors might look old-fashioned and slow, but the latest models had Japanese engines. But he soon learned to keep it under seventy. Time and again, as his competitors raced up behind him and made their impatience known by the use of their horns and flashing high beams, he grudgingly gave way, pulling into the slow lane among the trucks, tractors and bullock carts. Soon, the lush mustard and sugarcane fields of Haryana gave way to the scrub and desert of Rajasthan. Four hours later, they reached the rocky hills surrounding the Pink City, passing in the shadow of the Amber Fort with its soaring ramparts and towering gatehouse. The road led past the Jal Mahal palace, beached on a sandy lake bed, into Jaipur’s ancient quarter. It was almost noon and the bazaars along the city’s crenellated walls were stirring into life. Beneath faded, dusty awnings, cobblers crouched, sewing sequins and gold thread onto leather slippers with curled-up toes. Spice merchants sat surrounded by heaps of lal mirch, haldi and ground jeera, their colours as clean and sharp as new watercolor paints. Sweets sellers lit the gas under blackened woks of oil and prepared sticky jalebis. Lassi vendors chipped away at great blocks of ice delivered by camel cart. In front of a few of the shops, small boys, who by law should have been at school, swept the pavements, sprinkling them with water to keep down the dust. One dragged a doormat into the road where the wheels of passing vehicles ran over it, doing the job of carpet beaters. Handbrake honked his way through the light traffic as they neared the Ajmeri Gate, watching the faces that passed by his window: skinny bicycle rickshaw drivers, straining against the weight of fat aunties; wild-eyed Rajasthani men with long handlebar moustaches and sun-baked faces almost as bright as their turbans; sinewy peasant women wearing gold nose rings and red glass bangles on their arms; a couple of pink-faced goras straining under their backpacks; a naked sadhu, his body half covered in ash like a caveman. Handbrake turned into the old British Civil Lines, where the roads were wide and straight and the houses and gardens were set well apart. Ajay Kasliwal’s residence was number
Tarquin Hall (The Case of the Missing Servant (Vish Puri, #1))
So now I was a beauty editor. In some ways, I looked the part of Condé Nast hotshot—or at least I tried to. I wore fab Dior slap bracelets and yellow plastic Marni dresses, and I carried a three-thousand-dollar black patent leather Lanvin tote that Jean had plunked down on my desk one afternoon. (“This is . . . too shiny for me,” she’d explained.) My highlights were by Marie Robinson at Sally Hershberger Salon in the Meatpacking District; I had a chic lavender pedicure—Versace Heat Nail Lacquer V2008—and I smelled obscure and expensive, like Susanne Lang Midnight Orchid and Colette Black Musk Oil. But look closer. I was five-four and ninety-seven pounds. The aforementioned Lanvin tote was full of orange plastic bottles from Rite Aid; if you looked at my hands digging for them, you’d see that my fingernails were dirty, and that the knuckle on my right hand was split from scraping against my front teeth. My chin was broken out from the vomiting. My self-tanner was uneven because I always applied it when I was strung out and exhausted—to conceal the exhaustion, you see—and my skin underneath the faux-glow was full-on Corpse Bride. A stylist had snipped out golf-ball-size knots that had formed at the back of my neck when I was blotto on tranquilizers for months and stopped combing my hair. My under-eye bags were big enough to send down the runway at Mercedes-Benz Fashion Week: I hadn’t slept in days. I hadn’t slept for more than a few hours at a time in months. And I hadn’t slept without pills in years. So even though I wrote articles about how to take care of yourself—your hair, your skin, your nails—I was falling apart.
Cat Marnell (How to Murder Your Life)
I wish that, the way secret manuscripts ought to, the thing arrived on our laps bound in Moroccan leather, dusty and smelling of Muscilin and old fly-tying capes. That it was penned in permanent ink, calligraphied almost, in a neat and precise hand, filled with hand-drawn maps dotted with X spots and question marks, and with watercolour sketches instead of snapshots. Alas, no, it came in a much more contemporary and prosaic fashion, by email and as a spreadsheet file. Nevertheless, it had Gazza and me drooling with anticipation, because what it contained was priceless, so never mind the banal form and packaging.
Derek Grzelewski (the Trout Diaries: A Year of Fly Fishing in New Zealand)
Not surprisingly, skilled Muscogee hunters quickly became the supply side of the deerskin trade. On the demand side was all of Europe, where deer had already been so badly overhunted that gloves in Paris were reportedly being made with rat skins. Before the era of denim, there were deer-leather breeches, and just as with blue jeans, these buckskins were worn first by laborers and then came into fashion among the aristocracy.
J.B. MacKinnon (The Once and Future World: Nature As It Was, As It Is, As It Could Be)
The serviced apartment was advertised as a luxury penthouse, but the reality was very different; it looked like the set of a bad eighties TV show. White leather couches and lime-green linoleum tiles may have been fashionable thirty years ago, but now they were about as stylish as disco. For five hundred US a week, the place was a dump, but Bishop didn’t care. The apartment had the one redeeming feature the team needed: From the full-length balcony it offered a 270-degree panorama of downtown Kiev and perfect views of the Dostiger residence. Discreetly positioned
Jack Silkstone (PRIMAL Unleashed (PRIMAL #2))
We were the neoromantic dance freaks of the eighties, proudly displaying our blow-dried mullets. Among us, you also found the stud-bracelet-wearing punk rockers with sky-high Mohawks. Pastel-colored, shoulder-padded fashion met ripped-jeans-and-leather-jacket anti-fashion.
Gudjon Bergmann (More Likely to Quote Star Wars than the Bible: Generation X and Our Frustrating Search for Rational Spirituality)
We stalked carefully through the park in best paramilitary fashion, the lost patrol on its mission into the land of the B movie. To Deborah’s credit, she was very careful. She moved stealthily from one piece of cover to the next, frequently looking right to Chutsky and then left at me. It was getting harder to see her, since the sun had now definitely set, but at least that meant it was harder for them to see us, too—whoever them might turn out to be. We leapfrogged through the first part of the park like this, past the ancient souvenir stand, and then I came up to the first of the rides, an old merry-go-round. It had fallen off its spindle and lay there leaning to one side. It was battered and faded and somebody had chopped the heads off the horses and spray-painted the whole thing in Day-Glo green and orange, and it was one of the saddest things I had ever seen. I circled around it carefully, holding my gun ready, and peering behind everything large enough to hide a cannibal. At the far side of the merry-go-round I looked to my right. In the growing darkness I could barely make out Debs. She had moved up into the shadow of one of the large posts that held up the cable car line that ran from one side of the park to the other. I couldn’t see Chutsky at all; where he should have been there was a row of crumbling playhouses that fringed a go-kart track. I hoped he was there, being watchful and dangerous. If anything did jump out and yell boo at us, I wanted him ready with his assault rifle. But there was no sign of him, and even as I watched, Deborah began to move forward again, deeper into the dark park. A warm, light wind blew over me and I smelled the Miami night: a distant tang of salt on the edge of rotting vegetation and automobile exhaust. But even as I inhaled the familiar smell, I felt the hairs go up on the back of my neck and a soft whisper came up at me from the lowest dungeon of Castle Dexter, and a rustle of leather wings rattled softly on the ramparts. It was a very clear notice that something was not right here and this would be a great time to be somewhere else; I froze there by the headless horses, looking for whatever had set off the Passenger’s alarm. I saw and heard nothing. Deborah had vanished into the darkness and nothing moved anywhere, except a plastic shopping bag blowing by in the gentle wind. My stomach turned over, and for once it was not from hunger. My
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
The war had taught us so many things: how to spin wool and weave cloth; how to fashion our own shoes from old saddle leather and sturdy canvas; how to plow fields and mend fences. Now it had taught us to kill, and how to protect ourselves from the consequences of those killings with a grim purposefulness that would have been unimaginable even a year before.
C.S. Harris (Good Time Coming)
Instead of a helmet, Skarssen wore a tight-fitting leather mask fashioned in the form of some hideous amalgam of wolf and daemon, lacquered and pierced with fragments of stone. His eyes shone through the mask, cold flint to match the grey of his armour, and a black-bladed axe with an edge like napped obsidian was sheathed across his back.
Graham McNeill (A Thousand Sons (The Horus Heresy #12))
I approached a small table at the far corner of the Sky Garden and saw Akemi sitting nearby, studying a math textbook. She wore a demure, long-sleeved, knee-length white lace dress, black patent leather Mary Jane shoes, and on the floor was her school backpack that said "ICS-Tokyo" and was adorned with pastel ribbons, bows, and lace.
Rachel Cohn (My Almost Flawless Tokyo Dream Life)
Wow," she whispered. The clothes definitely looked like something she would wear. Scoop-neck tops and slinky skirts, hipster flare jeans and a leopard camisole. Even the shoes were perfect. Mary Janes with thick, chunky soles, bungee sneakers, and boots. She slipped off her leather jacket, tore off the tag on a fuzzy hooded sweater, and pulled it over her head. She liked the way the sleeves came down to the tips of her fingers. Automatically she poked her thumbs through the weave and smiled.
Lynne Ewing (The Lost One (Daughters of the Moon, #6))
Perhaps a tuberose, she thought. Very pervasive, but not headachy. Her fingers lingered for a moment over her bottle of Fracas. She adored the classic punchy floral, but it was one of her mother's favorites, so not conducive to a good night's sleep either. Not after that phone call earlier. Maybe something woody? The black tea, leather and tobacco in Atelier Cologne's Oolang Infini would be deep enough to drown out Digger's pungent expulsion, yet subtle enough to sleep on. But no, the guaiac wood in it reminded her too much of old-fashioned coal-tar soap, which was David's smell.
Maggie Alderson (The Scent of You)
At one time we used to wear leather military breastplates, but fashions have become so bizarre that even the toga is considered to be unnecessarily heavy.
Raoul McLaughlin (The Roman Empire and the Silk Routes: The Ancient World Economy & the Empires of Parthia, Central Asia & Han China)
Movement startles him. Two figures have emerged, rather suddenly, from the mist at the end of the cobbled alley. A dog, heavy-jawed and deep gold, and a young woman. She is tall and brownish, and her hair is braided and coiled in a fashion he has never seen before. She is dressed like some combination of vagabond and debutante- a fine blue skirt fastened with pearl buttons, a leather belt slung low over her hips, a shapeless coat that looks several centuries older than she is.
Alix E. Harrow (The Ten Thousand Doors of January)
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Samuel Kent (The Grammar of Heraldry, or Gentleman's Vade Mecum, &C: Containing I. Rules of Blazoning, Cautions and Observations; II. Practical Directions for ... Of an Atchievement; III. A Large Collection)
Wrath bared his fangs. “John, as God is my fucking witness, I will cut you if you don’t—” “Easy, there, big guy,” V gritted out. “I’m going to translate. You want to hit the library where we can—” “No, I want to fucking know where my shellan is!” Wrath boomed. John started signing, and whereas most of the time people translated half sentences sequentially, V waited until he’d finished the whole report. A couple of the Brothers muttered in the background as they shook their heads. “In the library,” V ordered the King in a way John never could have. “You’re gonna wanna do this in the library.” Wrong thing to say. Wrath wheeled on the Brother and went for him with such speed and accuracy no one was prepared: One minute V was standing next to the King; the next he was defending himself against an attack that was as unprovoked as it was . . . well, vicious. And then things went shit-wild. Like Wrath knew he was on the thin edge of a bad ledge, he broke off from V, and went total wrecking ball on the billiards room. The first thing he ran into was the pool table Butch was chilling next to—and there was barely any time for the cop to get that ashtray up off the side rails: Wrath grabbed the gunnels and flipped the thing like it was nothing but a card table, the mahogany and slate-topped behemoth flying up so high, it wiped out the hanging light fixture above, its weight so great it splintered the marble floor beneath on landing. Without missing a breath, the King EF5’d into his next victim . . . the heavy leather sofa that Rhage had just leaped up off. Talk about your couch-icopters. The entire thing came at John at about five feet off the floor, the pair of ends trading places as it spun around and around, cushions flying in all directions. He didn’t take it personally—especially as its mate do-si-doed with the bar, smashing the top-shelf bottles, liquor splashing all over the walls, the floor, the fire that was crackling in the hearth. Wrath wasn’t finished. The King picked up a side table, hauled it overhead, and pitched it in the direction of the TV. It missed the plasma screen, but managed to shatter an old-fashioned mirror—although the Sony didn’t last. The coffee table that had been in between the two sofas did that deed, killing the muted image of the two Boston guys and the old man from Southie with the baseball bat shilling for DirectTV. The Brothers just let Wrath go. It wasn’t that they were afraid of getting hurt. Hell, Rhage stepped in and caught the first couch before it tore a hunk off of the archway’s molding. They just weren’t stupid. Wrath - Beth x Overnight = Psycho-hose Beast
J.R. Ward (The King (Black Dagger Brotherhood, #12))
ONCE, IN A HOUSE ON EGYPT STREET, there lived a rabbit who was made almost entirely of china. He had china arms and china legs, china paws and a china head, a china torso and a china nose. His arms and legs were jointed and joined by wire so that his china elbows and china knees could be bent, giving him much freedom of movement. His ears were made of real rabbit fur, and beneath the fur, there were strong, bendable wires, which allowed the ears to be arranged into poses that reflected the rabbit’s mood — jaunty, tired, full of ennui. His tail, too, was made of real rabbit fur and was fluffy and soft and well shaped. The rabbit’s name was Edward Tulane, and he was tall. He measured almost three feet from the tip of his ears to the tip of his feet; his eyes were painted a penetrating and intelligent blue. In all, Edward Tulane felt himself to be an exceptional specimen. Only his whiskers gave him pause. They were long and elegant (as they should be), but they were of uncertain origin. Edward felt quite strongly that they were not the whiskers of a rabbit. Whom the whiskers had belonged to initially — what unsavory animal — was a question that Edward could not bear to consider for too long. And so he did not. He preferred, as a rule, not to think unpleasant thoughts. Edward’s mistress was a ten-year-old, dark-haired girl named Abilene Tulane, who thought almost as highly of Edward as Edward thought of himself. Each morning after she dressed herself for school, Abilene dressed Edward. The china rabbit was in possession of an extraordinary wardrobe composed of handmade silk suits, custom shoes fashioned from the finest leather and designed specifically for his rabbit feet, and a wide array of hats equipped with holes so that they could easily fit over Edward’s large and expressive ears. Each pair of well-cut pants had a small pocket for Edward’s gold pocket watch. Abilene wound this watch for him each morning.
Kate DiCamillo (The Miraculous Journey of Edward Tulane)
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You are advertising leather shoes in a deal of buy one, get one free. What has happened to the old-fashioned way of selling them in pairs? Kit Carson Budleigh Salterton, Devon
Iain Hollingshead (Did Anyone Else See That Coming...? (Daily Telegraph Letters Book 9))
The bushes parted and a man stepped out. Gytha could see at once this was no charcoal burner. His fine red leather gloves and boots were not fashioned by any cordwainer in these parts. Nor was he a man who needed to hunt to fill his family's hungry bellies, for the flash from the gold thread on the trim of his tunic was enough to alert any quarry for miles around.
Karen Maitland (The Gallows Curse)
What language are you speaking?” I asked, seating myself on the leather chair she’d placed in front of the black backdrop. “Because it sounds distinctly like bullshit to me.
Robyn Peterman (Fashionably Flawed (Hot Damned, #9))
Eventually, he felt an overwhelming urge to meld his voice with the notes, and he began to play his ballad for the wind. Jack sang his verses, his fingers strumming with confidence. He sang to the southern wind with its promise of strength in battle. He sang to the western wind with its promise of healing. He sang to the northern wind with its promise of vindication. The notes rose and fell, undulating like the hills far beneath him. But while the wind carried his music and his voice, the folk of the air didn’t answer. What if they refuse to come? Jack wondered, with a pulse of worry. From the corner of his eye, he watched as Adaira rose to her feet. The wind seemed to be waiting for her to move. To stand and meet it. She stood planted on the rock as Jack continued to play, shielded by Orenna’s essence. Twice, he had played for the spirits and had nearly forgotten he was a man, that he was not a part of them. But this time he held firmly to himself as he watched the folk answer. The southern wind manifested first. They arrived with a sigh and formed themselves from the gust, individualizing into men and women with hair like fire—red and amber with a trace of blue. Great feathered wings bloomed from their backs like those of a bird, and each beat of their pinions emitted a wash of warmth and longing. Jack could taste the nostalgia they offered; he drank it like a bittersweet wine, like the memories of a summer long ago. The east wind was the next to arrive. They manifested in a flurry of leaves, their hair like molten gold. Their wings were fashioned like those of a bat, long and pronged and the shade of dusk. They carried the fragrance of rain in their wings. The west wind spun themselves out of whispers, with hair the shade of midnight, long and jeweled with stars. Their wings were like those of a moth, patterned with moons, beating softly and evoking both beauty and dread as Jack beheld them. The air shimmered at their edges like a dream, as if they might melt at any moment, and their skin smelled of smoke and cloves as they hovered in place, unable to depart as Jack’s music captivated them. Half of the spirits watched him, entranced by his ballad. But half of them watched Adaira, their eyes wide and brimming with light. “It’s her,” some of them whispered. Jack missed a note. He quickly regained his place, pushing his concern aside. It felt like his nails were creating sparks on the brass strings. He sang the verse for the northern wind again. The sky darkened. Thunder rumbled in the distance as the north reluctantly answered Jack’s summoning. The air plunged cold and bitter as the strongest of the winds manifested from wisps of clouds and stinging gales. It answered the music, fragmenting into men and women with flaxen hair, dressed in leather and links of silver webs. Their wings were translucent and veined, reminiscent of a dragonfly’s, boasting every color found beneath the sun. They came reluctantly, defiantly. Their eyes bore into him like needles. Jack was alarmed by their reaction to him. Some of them hissed through their sharp teeth, while others cowered as if awaiting a death blow. His ballad came to its end, and the absence of his voice and music sharpened the terror of the moment. Adaira continued to stand before an audience of manifested spirits, and Jack was stunned by the sight of them. To know that they had rushed alongside him as he walked the east. That he had felt their fingers in his hair, felt them kiss his mouth and steal words from his lips, carrying his voice in their hands. And his music had just summoned them. His voice and song now held them captive, beholden to him. He studied the horde. Some of the spirits looked amused, others shocked. Some were afraid, and some were angry.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
Material values Five exciting fabrics to look out for. 1. Piñatex This vegan alternative to leather is made from pineapple leaves, which would normally end up burned or discarded. Unlike PVC ‘cruelty-free’ leather, which is toxic both to make and discard, Piñatex is biodegradable, waste-reducing, and allows pineapple farmers in the Philippines to earn extra income on their crops. It’s less expensive than real leather too, with a pleasingly distressed finish that will save you years of ‘breaking in’ time.
Lauren Bravo (How To Break Up With Fast Fashion: A guilt-free guide to changing the way you shop – for good)
an old-fashioned Irish bar called County Cork, all dark and comforting on the inside, an ancient bar worn and lovingly shined that curved around, and a smell that permeated the place—welcoming and old and mellow. She slid into a booth that was done in black leather, worn and soft and smelling of beer and whiskey with just a hint of salted peanuts. The large room was dim, nearly empty
Catherine Coulter (Beyond Eden)
He had sinewy arms that were often wrapped in fine silk robes. He liked closed-toed, black leather sandals with hard soles that echoed with each step.
Nick Oliveri (The Conjurer (Stories of Shadow and Flame Book 2))
I myself have an extensive collection of leather jackets, despite the fact that the only way I can tell them apart is by looking at the label sewn into the neck. And yet I will continue to buy them because, like many other items in my wardrobe, they are a perennial classic and I have a weird mental block that every time I go shopping that means I forget what I already own the moment I cross the threshold into the store.
Alexa Chung (It)
The beast plopped into the chair, the wood groaning, and, in a flash of white light, turned into a golden-haired man. I stifled a cry and pushed myself against the panelled wall beside the door, feeling for the molding of the threshold, trying to gauge the distance between me and escape. The beast was not a man, not a lesser faerie. He was one of the High Fae, one of their ruling nobility: beautiful, lethal, and merciless. He was young- or at least what I could see of his face seemed young. His nose, cheeks, and brows were covered by an exquisite golden mask embedded with emeralds shaped like whorls of leaves. Some absurd High Fae fashion, no doubt. It left only his eyes- looking the same as they had in beast form, strong jaw, and mouth for me to see, and the latter tightened into a thin line. 'You should eat something,' he said. Unlike the elegance of his mask, the dark green tunic he wore was rather plain, accented only with a leather baldric across his broad chest. It was more for fighting than style, even though he bore no weapons I could detect. Not just one of the High Fae, but... a warrior, too.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
to a small room. Set up as a home office with computer, filing cabinets, wood desk and two small bookcases, the space was cramped but tidy. One small window looked out onto the darkness. Jason closed the door to his office, took a key from his desk drawer and unlocked the top drawer of the filing cabinet. He stopped and listened for any sound. This had become habitual even in the confines of his own house. That revelation was suddenly profoundly disturbing to him. His wife had gone back to sleep. Amy was sleeping soundly two doors down. He reached in the drawer and carefully pulled out a large old-fashioned leather briefcase with double straps, brass buckles and a worn, glossy finish. Jason opened the briefcase and pulled out a blank floppy disk. The instructions he had been given were precise. Put everything he had on one floppy disk, make one hard copy of the documents and then destroy everything else.
David Baldacci (Total Control)
They were dressed in leather like biker chicks. Serena had on platform boots, a tight-fitting motorcycle jacket, and a mini. Jimena wore studded ankle boots, a bareback leather halter top, and a hip-hugging matching skirt.
Lynne Ewing (The Secret Scroll (Daughters of the Moon, #4))
In the middle of the bobbing bodies, Vanessa moved sinuously against Toby. She wore a black leather skirt with a long slit up the side and a cropped leather jacket. Her midriff was bare and looked incredibly good with the gold chains that hung around her waist.
Lynne Ewing (The Secret Scroll (Daughters of the Moon, #4))
When they finished dressing, Jimena wore racy red hot pants, a silky blouse with a star-burst pattern, and crazy ankle boots with thin chains draped around her ankles. "Too cool." Serena admired Jimena's outfit, then she twirled to show off her own shoulder-baring top that exposed her midriff. She had pasted a crystal in her belly button. Kendra's bell-bottoms had been too long, but when she stepped into a pair of gold 70's platform shoes the length became just right. Catty wore a backless halter top and a pair of lacy bell-bottoms. She held up some stencils. "Kendra is going to start selling these at the shop. Anyone want to try one?" She had two dragons in one hand and a lacy snowflake pattern in the other. Jimena and Serena started to examine them, when Vanessa walked into the room. She was wearing a pinstripe shirt unbuttoned over a black leather bra top. Kendra's mini-skirt was too big and the waist fell around Vanessa's hips. Her skin looked golden bronze and she had applied one of the snowflake stencils on her stomach. "Wow," Serena said. "Talk about going for the jugular," Jimena teased. "You like it?" she asked and took off the shirt. "It's too hot to wear.
Lynne Ewing (The Secret Scroll (Daughters of the Moon, #4))
Fell finally led Lucas into a clothing store that apparently hadn't changed either stock or customers since '69. Every male customer other than Lucas was bearded, and three of the four women customers wore tie-dye. Lucas bought an ill-fitting leather porkpie hat. In the mirror, he looked like a hippie designer's idea of an Amazon explorer.
John Sandford (Silent Prey (Lucas Davenport, #4))
Dozens of shiny brass wall sconces created the sort of dim and atmospheric lighting I'd only ever seen in old movies and haunted houses. And the room wasn't just darkly lit. It was also just... dark. The walls were painted a dark chocolate brown that I vaguely remembered from art history classes had been fashionable in the Victorian era. A pair of tall, dark wooden bookshelves that must have weighed a thousand pounds each stood like silent sentinels on either end of the room. Atop each of them sat an ornate brass, malachite candelabra that would have seemed right at home in a sixteenth-century European cathedral. They clashed in style and in every other imaginable way with the two very modern-looking black leather sofas facing each other in the center of the room and the austere, glass-topped coffee table in the living room's center. The latter had a stack of what looked like Regency romance novels piled high at one end, further adding to the incongruity of the scene. Besides the pale green of the candelabras, the only other color to be found in the living room was in the large, garish, floral Oriental rug covering most of the floor; the bright red, glowing eyes of a deeply creepy stuffed wolf's head hanging over the mantel; and the deep-red velvet drapes hanging on either side of the floor-to-ceiling windows.
Jenna Levine (My Roommate Is a Vampire)
Bryce slowed her retreat as she winced in pain, “And the apartment building? I thought it was Hunt, but it wasn’t, was it? It was you.” “Yes. Your landlord’s request went to all of my triarii. And to me. I knew Danika had left nothing there. But by that time, Bryce Quinlan, I was enjoying watching you squirm. I knew Athalar’s plan to acquire the synth would soon be exposed—and I took a guess that you’d be willing to believe the worst of him. That he’d used the lightning in his veins to endanger innocent people. He’s a killer. I thought you might need a reminder. That it played into Athalar’s guilt was an unexpected boon.” Hunt ignored the eyes that glanced his way. The fucking asshole had never planned to honor his bargain. If he’d solved the case, Micah would have killed him. Killed them both. He’d been played like a fucking fool. Bryce asked, voice raw, “When did you start to think it was me?” “That night it attacked Athalar in the garden. I realized only later that he’d probably come into contact with one of Danika’s personal items, which must have come into contact with the Horn.” Hunt had touched Danika’s leather jacket that day. Gotten its scent on him. “Once I got Athalar off the streets, I summoned the kristallos again—and it went right to you. The only thing that had changed was that you finally, finally took that amulet off. And then …” He chuckled. “I looked at Hunt Athalar’s photos of your time together. Including that one of your back. The tattoo you had inked there, days before Danika’s death, according to the list of Danika’s last locations Ruhn Danaan sent to you and Athalar—whose account is easily accessible to me.” Bryce’s fingers curled into the carpet, as if she’d sprout claws. “How do you know the Horn will even work now that it’s in my back?” “The Horn’s physical shape doesn’t matter. Whether it is fashioned as a horn or a necklace or a powder mixed with witch-ink, its power remains.” Hunt silently swore. He and Bryce had never visited the tattoo parlor. Bryce had said she knew why Danika was there. Micah went on, “Danika knew the Archesian amulet would hide you from any detection, magical or demonic. With that amulet, you were invisible to the kristallos, bred to hunt the Horn. I suspect she knew that Jesiba Roga has similar enchantments upon this gallery, and perhaps Danika placed some upon your apartments—your old one and the one she left to you—to make sure you would be even more veiled from it.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Women who wear black lead colorful lives," Neiman Marcus once said, and those words stuck to me like glue on glitter. Black rules my wardrobe like a stern, fashionable monarch. There I was, on a night grander than a royal ball, adorning myself in a black PVC sleeveless top that hugged my figure like a second skin. My ultra-short black leather skirt was more akin to a wide belt. And to complete the ensemble, I sentenced my feet to an evening of harsh labor in towering black stilettos. An Asian version of Will and Grace we were, your average straight couple we were not. -Kim Lee ‘The Big Apple Took a Bite Off Me’ Now on Amazon Books and Kindle
Kim Lee
Even staunch, black-leather modernists succumb to the lure of the Christmas season with selective touches of silver, gold, and, yes, glitter.
Terry Taylor (A Very Beaded Christmas: 45 Projects That Glitter, Twinkle & Shine)
Apollo had been spotted as soon as he stepped out from the overgrown kudzu. Four women appeared in the courtyard. Each one carried a chair leg that had been fashioned into a weapon, a club. The clubs had a leather strap looped through the base and the other end looped around their wrists. The women wore green cloaks that covered their heads and upper bodies like a chador. This camouflaged them perfectly in the green world of North Brother Island. As they moved around Apollo, it looked as if the woods had surrounded him. He didn’t hear them approach, didn’t notice as their clubs raised high. Those four women beat the dog shit out of Apollo Kagwa.
Victor LaValle (The Changeling)
Blue I emerge from our yellow linoleum bathroom blue at one end of our single-wide trailer and I have the length of narrow hallway to consider before reaching the living room blue Blue!? And I know my mother is furious You look ridiculous it’s all she says and I do I had torn the pages from a magazine lined my bedroom floor with them and studied those punk rock spiked hair white teeth high fashion popped collar leather studded glossy photos strewn across my small space like a spread of tarot cards telling me a future I would never get to not out here not in the white trailer rusting amber thick of trees stretch of reservation of highway that stood between me and whatever else was out there record stores the mall parking lots where kids were skateboarding and smoking pot probably kids with boom boxes and bottles of beer out there were beaches with bands playing on them and these faces these shining faces with pink green purple and blue hair blue I could get that at least I could mix seventeen packets of blue raspberry Kool-Aid with a little water and I could get that it was alchemy it was potion-making but no one told me about the bleach about my dark hair needing to lift to lighten in order to get that blue no one told me that the mess of Kool-Aid would only run down my scalp my face my neck would stain me blue Blue is what you taste like he says still holding me on the twin bed in the glow of dawn my teenage curiosity has pushed me to ask What does my body taste like to you his fingers travel from neck to navel breath on my thigh and here in our sacred space he answers simply Blue you taste blue and I wonder if what he means is sad you taste sad taqʷšəblu the name is given to me when I am three to understand it my child brain has to break it apart taqʷšəblu talk as in talking as in to tell as in story sha as in the second syllable of my English name as in half of me blue as in the taste of me blue as in sad my grandmother was taqʷšəblu before me and now I am taqʷšəblu too
Sasha LaPointe
The Ultimate Minimalist Wallets For Men: Functionality Meets Style? More than just a way of transporting essentials like money and ID, the simplest men’s wallets also are a chance to precise your taste and elegance. The perfect minimalist wallet may be a marriage of form and performance. It’s hard-wearing, ready to withstand everyday use, and has high-end design appeal. the perfect wallet is one that you simply can take enjoyment of whipping out at the top of a meal with a client or the in-laws. This one’s on me. Your wallet should complement your lifestyle. Perhaps you’re an on-the-go professional rushing from an office meeting to a cocktail bar. or even you’re a stay-at-home parent who takes pride in your fashion-forward accessories. No single wallet-owner is that the same. Your wallet should say something about your unique personality. Whether you’re seeking an attention-grabbing luxury accessory or something more understated and practical, there’s a wallet that’s got your name thereon. Here’s a variety of the simplest men’s wallets for each taste, style, and purpose. Here Is That The List Of Comfortable Wallets For Men Here, we'll introduce recommended men's outstandingly fashionable wallets. If you would like to be a trendy adult man, please ask it. 1- Stripe Point Bi-Fold Wallet (Paul Smith) "Paul Smith" may be a brand that's fashionable adult men, not just for wallets but also for accessories like clothes and watches. it's a basic series wallet that uses Paul Smith's signature "multi-striped pattern" as an accent. Italian calf leather with a supple texture is employed for the wallet body, and it's a typical model specification of a bi-fold wallet with 1 wallet, 2 coin purses, 4 cardholders. 2- Zippy Wallet Vertical (Louis Vuitton) "Louis Vuitton" may be a luxury brand that's so documented that it's called "the king of high brands" by people everywhere the planet . a trendy long wallet with a blue lining on the "Damier Graffiti", which is extremely fashionable adult men. With multiple pockets and compartments, it's excellent storage capacity. With a chic, simple and complicated design, and having a luxury brand wallet that everybody can understand, you'll feel better and your fashion is going to be dramatically improved. 3- Grange (porter) "Poker" is that the main brand of Yoshida & Co., Ltd., which is durable and highly functional. Yoshida & Co., Ltd. is now one of Japan's leading brands and is extremely popular not only in Japan but also overseas. The charm of this wallet is that the cow shoulder leather is made in Italy, which has been carefully tanned with time and energy. because of the time-consuming tanning process, it's soft and sturdy, and therefore the warm taste makes it comfortable to use. 4- Bellroy Note Sleeve The Note Sleeve is just the simplest all-around wallet in Bellroy’s collection. If you don’t want to spend plenty of your time (or money) researching the simplest wallet, you'll stop here. This one has everything you would like. And it's good too! This wallet will easily suit your cash, coins, and up to eleven cards during a slim profile. The Note Sleeve also has quick-access slots for your daily cards and a cargo area with a convenient pull-tab for the credit cards you employ less frequently.
Funky men
saddlebags. “And please tell Kiri she should put her shoes on. Lucas will have a fit if she serves like that.” “Mummy, why do I have to put on shoes? Kiri isn’t wearing any.” George met Gwyneira and her daughter in the corridor outside his room just as he was about to go down to dinner. He had done his best as far as evening wear went. Though slightly wrinkled, his light brown suit was handsomely tailored and much more becoming than the comfortable leather pants and waxed jacket he had acquired in Australia. Gwyneira and the captivating little red-haired girl who was squabbling so loudly were likewise elegantly attired. Though not in the latest fashion. Gwyneira was wearing a turquoise evening gown of such breathtaking refinement that, even in the best London salons, it would have created a stir—especially with a woman as beautiful as Gwyneira modeling it. The little girl wore a pale green shift that was almost entirely concealed by her abundant red-gold locks. When Fleur’s hair hung down loose, it frizzed a bit, like that of a gold tinsel angel. Her delicate green shoes matched the adorable little dress, but the little one obviously preferred to carry them in her hands than wear them on her feet. “They pinch!” she complained. “Fleur, they don’t pinch,” her mother declared. “We just bought them four weeks ago, and they were on the verge of being too big then. Not even you grow that fast. And even if they do pinch, a lady bears a small degree of pain without complaining.” “Like the Indians? Ruben says that in America they take stakes and hurt themselves for fun to see who’s the bravest. His daddy told him. But Ruben thinks that’s dumb, and so do I.” “That’s her opinion on the subject of being ‘ladylike,’” Gwyneira remarked, looking to George for help. “Come, Fleurette. This is a gentleman. He’s from England, like Ruben’s mummy and me. If you behave properly, maybe he’ll greet you by kissing your hand and call you ‘my lady.’ But only if you wear shoes.” “Mr. McKenzie always calls me ‘my lady’ even if I walk around barefoot.” “He must not come from England, then,” George said, playing along. “And he certainly hasn’t been introduced to the queen.” This honor had been conferred on the Greenwoods the year before, and George’s mother would probably chatter on about it for the rest of her
Sarah Lark (In the Land of the Long White Cloud (In the Land of the Long White Cloud Saga, #1))
At dinner the waiter wore white gloves and served a lump of burnt lamb that bounced on the plate. Spread over the restaurant wall was an immense canvas of gauchos herding cattle into an orange sunset. An old-fashioned blonde gave up on the lamb and sat painting her nails. An Indian came in drunk and drank through three jugs of wine. His eyes were glittering slits in the red leather shield of his face. The jugs were of green plastic in the shape of penguins.
Bruce Chatwin (In Patagonia)
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Celebsmoviejackets
James Aston was conceived in the early nineties with the idea of bringing premium leather accessories to the Indian market. With a commitment to uncompromising quality and meticulous craftmanship, we use the finest vegetable tanned leather and only produce in limited quantities to honour the artisan & their art. Over the years we have evolved to create a range of products that are both functional and fashionable. Our leather accessories will add value to your lifestyle and confidence to your personality.
James Aston
Pride of place in my wardrobe is an Edwardian-style Norfolk Jacket in Derby Tweed. It is silk-lined with leather-clad buttons and has a smell that reminds me of wet moss and fallen leaves.
Fennel Hudson (A Meaningful Life - Fennel's Journal - No. 1)
Dr. Harpe, glancing through her window, read purpose in his stride as he came down the street. Her green eyes took on the gleam of battle and to doubly fortify herself she wrenched open her desk drawer and filled a whiskey glass to the brim. When she had drained it without removing it from her lips she drew her shirtwaist sleeve across her mouth to dry it, in a fashion peculiarly her own. Then she tilted her desk chair at a comfortable angle and her crossed legs displayed a stocking wrinkled in its usual mosquetaire effect. She was without her jacket but wore a man's starched piqué waistcoat over her white shirtwaist, and from one pocket there dangled a man's watch-fob of braided leather. She threw an arm over the chair-back and toyed with a pencil on her desk, waiting in this studied pose of nonchalance the arrival of Symes. The
Caroline Lockhart (The Lady Doc)
When DC Comics was trying to figure out how to retool Wonder Woman’s image to make her cooler, they looked at another Diana—Diana Rigg. Rigg had caused a stir as Mrs. Emma Peel when the British TV series The Avengers was imported to the US in 1966. Mrs. Peel defined the heroine of the mod ’60s—brilliant as she was beautiful, witty, champion fencer, martial arts ex-pert, modern artist, crack shot with a pistol, and fearless secret agent. Attired in sleek black leather catsuits or mod body stockings, Emma Peel was a true force to be reckoned with, combining beauty, brains, and power.
Mike Madrid (The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines)
I grabbed the hanger and ducked back into my room to slip on my dress, and it was, indeed, flattering. The red fabric gathered at the bust, swept down my sides, and came out in a wispy trumpet shape at my knees. I put on the leather jacket, and though I never would have picked this out myself, again, Emerald was right. I didn't feel so green and scared, but rather strong and protected. No wonder so many women in New York wore leather. "You look incredible!" Emerald jumped up and down when I stepped out into the living room. Then she calmed herself by admiring her work. "Oh, the red looks so good on your skin. And the leather. It's too perfect. Keep those. They don't fit me anymore." "Wow!" Elliott said. "You look great." "One last thing," Emerald added. "Take this purse and seal the deal. It's the latest Proenza Schouler bag. The PS1 is done and now they're onto this. It won't be in stores for another year." I looked down at the purse, a blue, green, and gold rectangle with inlaid triangles and textures. Some pony hair, some leather, maybe snake or skate?
Jessica Tom (Food Whore)
Just like a city, parts of the Archives teemed with activity. The Scriptorium held rows of desks where scrivs toiled over translations or copied faded texts into new books with fresh, dark ink. The Sorting Hall buzzed with activity as scrivs sifted and reshelved books. The Buggery was not at all what I expected, thank goodness. Instead, it proved to be the place where new books were decontaminated before being added to the collection. Apparently all manner of creatures love books, some devouring parchment and leather, others with a taste for paper or glue. Bookworms were the least of them, and after listening to a few of Wilem’s stories I wanted nothing more than to wash my hands. Cataloger’s Mew, the Bindery, Bolts, Palimpsest, all of them were busy as beehives, full of quiet, industrious scrivs. But other parts of the Archives were quite the opposite of busy. The acquisitions office, for example, was tiny and perpetually dark. Through the window I could see that one entire wall of the office was nothing but a huge map with cities and roads marked in such detail that it looked like a snarled loom. The map was covered in a layer of clear alchemical lacquer, and there were notes written at various points in red grease pencil, detailing rumors of desirable books and the last known positions of the various acquisition teams. Tomes was like a great public garden. Any student was free to come and read the books shelved there. Or they could submit a request to the scrivs, who would grudgingly head off into the Stacks to find if not the exact book you wanted, then at least something closely related. But the Stacks comprised the vast majority of the Archives. That was where the books actually lived. And just like in any city, there were good neighborhoods and bad. In the good neighborhoods everything was properly organized and cataloged. In these places a ledger-entry would lead you to a book as simply as a pointing finger. Then there were the bad neighborhoods. Sections of the Archives that were forgotten, or neglected, or simply too troublesome to deal with at the moment. These were places where books were organized under old catalogs, or under no catalog at all. There were walls of shelves like mouths with missing teeth, where longgone scrivs had cannibalized an old catalog to bring books into whatever system was fashionable at the time. Thirty years ago two entire floors had gone from good neighborhood to bad when the Larkin ledger-books were burned by a rival faction of scrivs. And, of course, there was the four-plate door. The secret at the heart of the city. It was nice to go strolling in the good neighborhoods. It was pleasant to go looking for a book and find it exactly where it should be. It was easy. Comforting. Quick. But the bad neighborhoods were fascinating. The books there were dusty and disused. When you opened one, you might read words no eyes had touched for hundreds of years. There was treasure there, among the dross. It was in those places I searched for the Chandrian.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
Medical alert bracelets for women are designed to blend practicality with style, providing a range of options that suit various tastes and preferences. Designs: These bracelets often come in a variety of designs, including sleek and simple metal bands, elegant chains with attached medical tags, or fashionable bracelets made of leather, silicone, or beads. Some may feature decorative elements or patterns, catering to different fashion preferences.
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