Leaning On Others Quotes

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So I am to sit here and feed you information,” Cardan says, leaning against a hickory tree. “And you’re to go charm royalty? That seems entirely backward.” I fix him with a look. “I can be charming. I charmed you, didn’t I?” He rolls his eyes. “Do not expect others to share my depraved tastes.
Holly Black (The Cruel Prince (Folk of the Air #1))
Do you think I'm wonderful? she asked him one day as they leaned against the trunk of a petrified maple. No, he said. Why? Because so many girls are wonderful. I imagine hundreds of men have called their loves wonderful today, and it's only noon. You couldn't be something that hundreds of others are.
Jonathan Safran Foer (Everything Is Illuminated)
Is this Clarissa Fray?" The voice on the other end of the phone sounded familiar, though not immediately identifiable. Clary twirled the phone cord nervously around her finger. "Yeees?" "Hi, I'm one of the knife-carrying hooligans you met last night in Pandemonium? I"m afraid I made a bad impression and was hoping you'd give me a chance to make it up to-" "SIMON!" Clary held the phone away from her ear as he cracked up laughing. "That is so not funny!" "Sure it is. You just don't see the humor." "Jerk." Clary sighed, leaning up against the wall.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
And,” Annabeth continued, “it reminds me how long we’ve known each other. We were twelve, Percy. Can you believe that?” “No, he admitted. “So…you knew you liked me from that moment?” She smirked. “I hated you at first. You annoyed me. Then I tolerated you for a few years. Then—” “Okay, fine.” She leaned in and kissed: him a good, proper kiss without anyone watching—no Romans anywhere, no screaming satyr chaperones. She pulled away. “I missed you, Percy.” Percy wanted to tell her the same thing, but it seemed too small a comment. While he had been on the Roman side, he’d kept himself alive almost solely by thinking of Annabeth. I missed you didn’t really cover that.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
What are you really studying?" He leans back to look at her. "The statistical probability of love at first sight." "Very funny," she says. "What is it really?" "I'm serious." "I don't believe you." He laughs, then lowers his mouth so that it's close to her ear. "People who meet in airports are seventy-two percent more likely too fall for each other than people who meet anywhere else.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
Leadership is about making others better as a result of your presence and making sure that impact lasts in your absence." (Harvard Business School definition of leadership)
Sheryl Sandberg (Lean In: Women, Work, and the Will to Lead)
Patch was dressed in the usual: black shirt, black jeans and a thin silver necklace that flashed against his dark complexion. His sleeves were pushed up his forearms, and I could see his muscles working as he punched buttons. He was tall and lean and hard, and I wouldn't have been surprised if under his clothes he bore several scars, souvenirs from street fights and other reckless behavior. Not that I wanted a look under his clothes.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Fang’s hand gently smoothed my hair off my neck. My breath froze in my chest, and every sense seemed hyperalert. His hand stroked my hair again, so softly, and then trailed across my neck and shoulder and down my back, making me shiver. I looked up. 'What the heck are you doing?' 'Helping you change your mind,' he whispered, and then he leaned over, tilted my chin up, and kissed me.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
I can't believe you're here," she says, her voice soft. "I can't believe you found me." "You found me first," he says, and when he leans to kiss her, it's slow and sweet and she knows that this will be the one she always remembers. Because while the other two kisses felt like endings, this one is unquestionably a beginning.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
There's a special place in hell for women who don't help other women.
Sheryl Sandberg (Lean In: Women, Work, and the Will to Lead)
we are for each other: then laugh, leaning back in my arms for life's not a paragraph and death i think is no parenthesis
E.E. Cummings
I watched him pitch the ball at a table neatly lined with six bowling pins, my stomach giving a little flutter when his T-shirt crept up in the back, revealing a stripe of skin. I knew from experience that every inch of him was hard, defined muscle. His back was smooth and perfect too, the scars from when he’d fallen once again replaced with wings—wings I, and every other human, couldn’t see. “Five dollars says you can’t do it again,” I said, coming up behind him. Patch looked back and grinned. “I don’t want your money, Angel.” “Hey now, kids, let’s keep this discussion PG-rated,” Rixon said. “All three remaining pins,” I challenged Patch. “What kind of prize are we talking about?” he asked. “Bloody hell,” Rixon said. “Can’t this wait until you’re alone?” Patch gave me a secret smile, then shifted his weight back, cradling the ball into his chest. He dropped his right shoulder, brought his arm around, and sent the ball flying forward as hard as he could. There was a loud crack! and the remaining three pins scattered off the table. “Aye, now you’re in trouble, lass,” Rixon shouted at me over the commotion caused by a pocket of onlookers, who were clapping and whistling for Patch. Patch leaned back against the booth and arched his eyebrows at me. The gesture said it all: Pay up. “You got lucky,” I said. “I’m about to get lucky.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
There is no perfect fit when you're looking for the next big thing to do. You have to take opportunities and make an opportunity fit for you, rather than the other way around. The ability to learn is the most important quality a leader can have.
Sheryl Sandberg (Lean In: Women, Work, and the Will to Lead)
They were each other’s crutch to lean on when life got too much to carry alone.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
Then I made a stupid mistake and looked up at him. His eyes met mine, and for a moment, his face was open and vulnerable in the moonlight. I caught a hint of wonder there as we stared at each other. Slowly, he leaned forward. I caught my breath, a tiny gasp escaping. He stiffened, and his expression shuttered closed, eyes going hard and frosty. [...] 'This is getting old,' he said in a voice that matched his eyes.
Julie Kagawa (The Iron King (The Iron Fey, #1))
He leaned his head to me, his neck so close to my lips, I felt the heat coming off his skin. His breath was warm against my ear. His voice was a ragged snarl. "I miss you." This wasn't happening. "I worry about you." He dipped his head and looked into my eyes. "I worry something stupid will happen and I won't be there and you'll be gone. I worry we won't ever get a chance and it's driving me out of my skull." No, no, no, no......... We stared at each other. The tiny space between us felt too hot. Muscles bulged on his naked frame. He looked feral. Mad gold eyes stared into mine. "Do you miss me, Kate?" I closed my eyes trying to shut him out. I could lie then we would be back to square one. Nothing would be resolved. I'd still be alone, hating him and wanting him. He grabbed my shoulders and shook me once. "Do you miss me?" I took the plunge. "Yes.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
His hand was on my throat, and he was crushing me back with his body into the cold steel beam behind me. "Yes, I have loved, Ms. Lane, and although it‘s none of your business, I have lost. Many things. And no, I am not like any other player in this game and I will never be like V‘lane, and I get a hard-on a great deal more often than occasionally." He leaned fully against me and I gasped. "Sometimes it‘s over a spoiled little girl, not a woman at all. And yes, I trashed the bookstore when I couldn‘t find you. You‘ll have to choose a new bedroom, too. And I‘m sorry your pretty little world got all screwed up, but everybody‘s does, and you go on. It‘s how you go on that defines you." His hand relaxed on my throat. "And I am going to tattoo you, Ms. Lane, however and wherever I please.
Karen Marie Moning (Bloodfever (Fever, #2))
He leans over and takes her hand. With the other he touches her face. ‘You your best thing, Sethe. You are.’ His holding fingers are holding hers. ‘Me? Me?
Toni Morrison (Beloved)
He leaned closer, their faces drawing near, and he could feel the heat of her breath mingling with his. He closed his eyes against the memory of a thousand other kisses and touched his lips to hers. He felt a kind of spark, and all at once he felt her slowly coming back to him. She was the arm that held him close in times of trouble, she was the whisper on the pillow beside him at night.
Nicholas Sparks (The Choice)
Cassia and I sit as near to each other as we can. She leans into me and I keep my arms around her. I don't fool myself that I hold her together- she does that on her own- but holding her keeps me from flying apart.
Ally Condie (Crossed (Matched, #2))
It isn't deep," the Eddisian Ambassador said from the other side of the bed. He was leaning over the wound, looking critical and mildly disappointed. Eugenides didn't miss a beat. "It is...too...deep!" he insisted, outraged.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
But he stays by the window, remembering that life. They had laughed. They had leaned on each other and laughed until the tears had come, while everything else—the cold and where he'd go in it—was outside, for a while anyway.
Raymond Carver (Distance and other stories)
I had a perfect life in my reach once, and it was a crashing bore. Perfect is too clean, too easy. I don't want perfect any more than I want to be perfect. I want imperfect.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
Told you he’s a cuddly one.” The other Arum leaned his arms on the roof of the car and a brow rose over the dark sunglasses he also wore. “Cuddly as a damn porcupine.” Daemon raised a middle finger. This was going well.
Jennifer L. Armentrout (Opposition (Lux, #5))
I reached and grabbed ahold of the garden rake that was leaned up against the tree, when suddenly I felt my heart begin to race and I began to feel dizzy as my visual field became black. That is the last thing I recall before awakening to find myself lying on the ground in the front yard, with the handle of the rake resting on my chest.
Dean Mafako (Burned Out)
Gansey leaned back, head thrown to the side, drunken and silly with happiness. "I love this car," he said, loud enough to be heard over the engine. "I should buy four more of them. I'll just open the door of one to fall in to the other. One can be a living room, one can be my kitchen, I'll sleep in one..." "And the fourth? Butler's pantry?" Blue shouted. "Don't be so selfish. Guest room.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
The six rules of life. 1. Don't like something just because you think other people will like it, because they won't. 2. What you think is important isnt. What you think is unimportant is. 3. Lean into it. 4. Don't shit where you eat. 5. Most doors are closed so if you want them to open you need a cool knock. 6. Don't sleep with people who have more problems than you do.
People like us
Many people live and die without ever confronting themselves in the darkness. Pray that one day, you will spin around at the water’s edge, lean over, and be able to count yourself among the lucky.
Carmen Maria Machado (Her Body and Other Parties)
What a lovely thing a rose is!" He walked past the couch to the open window and held up the drooping stalk of a moss-rose, looking down at the dainty blend of crimson and green. It was a new phase of his character to me, for I had never before seen him show any keen interest in natural objects. "There is nothing in which deduction is so necessary as religion," said he, leaning with his back against the shutters. "It can be built up as an exact science by the reasoner. Our highest assurance of the goodness of Providence seems to me to rest in the flowers. All other things, our powers, our desires, our food, are all really necessary for our existence in the first instance. But this rose is an extra. Its smell and its color are an embellishment of life, not a condition of it. It is only goodness which gives extras, and so I say again that we have much to hope from the flowers.
Arthur Conan Doyle (The Naval Treaty - a Sherlock Holmes Short Story)
It's a funny thing about looking for things. If you hunt for a needle in a haystack you don't find it. If you don't give a darn whether you ever see the needle or not it runs into you the first time you lean against the stack.
P.G. Wodehouse (The Man With Two Left Feet and Other Stories (Jeeves, #0.5))
Toska.” He leaned forward, too. “It’s a Russian word. It has no translation into any other language, but the closest I’ve heard is the ache. A longing. The sense that something is missing, and even if you’re not sure what it is, you ache for it. Down to your bones.
Maggie Hall (The Conspiracy of Us (The Conspiracy of Us, #1))
I want to be that person to you, Rose. I want to be the person you lean on. You and I, we’re the same. We have no one but each other. You’ll lean on me and I’ll do the same. We’ll learn how. We’re in this together.
Ella Maise (Marriage for One)
When she opened her eyes, she was both in her body and watching it, nowhere near the cavity of the tree. The Blue that was before her stood inches from a boy in an Aglionby sweater. There was a slight stoop to his posture, and his shoulders were spattered darkly with rain. It was his fingers that Blue felt on her face. He touched her cheek with the backs of his fingers. Tears coursed down the other Blue's face. Though some strange magic, Blue could feel them on her face as well. She could feel, too, sick, rising misery she'd felt in the churchyard, the grief that felt bigger than her. The other Blue's tears seemed endless. One drop slid after another, each following an identical path down her cheeks. The boy in the Aglionby sweater leaned his forehead against Blue's. She felt the pressure of his skin against hers, and suddenly she could smell mint. It'll be okay. Gansey told the other Blue. She could tell that he was afraid. It'll be okay. Impossibly, Blue realized that this other Blue was crying because she loved Gansey. And that the reason Gansey touched her like that, his fingers so careful with her, was because he knew that her kiss could kill him. She could feel how badly the other Blue wanted to kiss him, even as she dreaded it. Though she couldn't understand why, her real, present day memories in the tree cavity were clouded with other false memories of their lips nearly touching, a life this other Blue had already lived. Okay, I'm ready- Gansey's voice caught, just a little. Blue, kiss me.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
It’s been my observation" I said, “that you humans are more than the sum of your history. You can choose how much of your ancestry to embrace. You can overcome the expectations of your family and your society. What you cannot do, and should never do, is try to be someone other than yourself–Piper McLean.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
So why do they call it the crease?” Dex asks in fascination after the second period commences. “And why does it sound so dirty?” On my other side, Allie leans in to grin at Dexter. “Babe, everything about hockey sounds dirty. Five-hole? Poke check? Backdoor?” She sighs. “Come home with me one time and listen to my dad yell Jam it in! over and over again when he watches hockey, and then you can talk to me about dirty. Not to mention uncomfortable.
Elle Kennedy (The Deal (Off-Campus, #1))
Through an arrow loop in the wall she saw a familiar horse and rider tearing across the camp toward the healing rooms. Brigan pulled up at Nash's feet and dropped from the saddle. The two brothers threw their arms around each other and embraced hard. Shortly thereafter he stepped into the healing rooms and leaned in the doorway, looking across at her quietly. Brocker's son with the gentle gray eyes. She abandoned all pretense of decorum and ran at him.
Kristin Cashore (Fire (Graceling Realm, #2))
There was a soft chuckle beside me, and my heart stopped. "So this is Oberon's famous half-blood," Ash mused as I whirled around. His eyes, cold and inhuman, glimmered with amusement. Up close, he was even more beautiful, with high cheekbones and dark tousled hair falling into his eyes. My traitor hands itched, longing to run my fingers through those bangs. Horrified, I clenched them in my lap, trying to concentrate on what Ash was saying. "And to think," the prince continued, smiling, "I lost you that day in the forest and didn't even know what I was chasing." I shrank back, eyeing Oberon and Queen Mab. They were deep in conversation and did not notice me. I didn't want to interrupt them simply because a prince of the Unseelie Court was talking to me. Besides, I was a faery princess now. Even if I didn't quite believe it, Ash certainly did. I took a deep breath, raised my chin, and looked him straight in the eye. "I warn you," I said, pleased that my voice didn't tremble, "that if you try anything, my father will remove your head and stick it to a plaque on his wall." He shrugged one lean shoulder. "There are worse things." At my horrified look, he offered a faint, self-derogatory smile. "Don't worry, princess, I won't break the rules of Elysium. I have no intention of facing Mab's wrath should I embarrass her. That's not why I'm here." "Then what do you want?" He bowed. "A dance." "What!" I stared at him in disbelief. "You tried to kill me!" "Technically, I was trying to kill Puck. You just happened to be there. But yes, if I'd had the shot, I would have taken it." "Then why the hell would you think I'd dance with you?" "That was then." He regarded me blandly. "This is now. And it's tradition in Elysium that a son and daughter of opposite territories dance with each other, to demonstrate the goodwill between the courts." "Well, it's a stupid tradition." I crossed my arms and glared. "And you can forget it. I am not going anywhere with you." He raised an eyebrow. "Would you insult my monarch, Queen Mab, by refusing? She would take it very personally, and blame Oberon for the offense. And Mab can hold a grudge for a very, very long time." Oh, damn. I was stuck.
Julie Kagawa (The Iron King (The Iron Fey, #1))
Aware of every breath, every movement, I sat in his lap. His hands gently braced my hips as I studied his face. “And now I want you to know, Rhysand, that I love you. I want you to know … ” His lips trembled, and I brushed away the tear that escaped down his cheek. “I want you to know,” I whispered, “that I am broken and healing, but every piece of my heart belongs to you. And I am honored—honored to be your mate.” His arms wrapped around me and he pressed his forehead to my shoulder, his body shaking. I stroked a hand through his silken hair. “I love you,” I said again. I hadn’t dared say the words in my head. “And I’d endure every second of it over again so I could find you. And if war comes, we’ll face it. Together. I won’t let them take me from you. And I won’t let them take you from me, either.” Rhys looked up, his face gleaming with tears. He went still as I leaned in, kissing away one tear. Then the other. As he had once kissed away mine. When my lips were wet and salty with them, I pulled back far enough to see his eyes. “You’re mine,” I breathed.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
What does Éloa mean?” He narrowed his gaze, answered her literally. “It’s the name of an angel.” Penelope tilted her head, thinking. “I’ve never heard of him.” “You wouldn’t have.” “Was he a fallen angel?” “She was, yes.” He hesitated, not wanting to tell her the story, but unable to stop himself. “Lucifer tricked her into falling from heaven.” “Tricked her how?” He met her gaze. “She fell in love with him.” Penelope’s eyes widened. “Did he love her?” Like an addict loves his addiction. “The only way he knew how.” She shook her head. “How could he trick her?” “He never told her his name.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
We said we'd be friends.' He looks confused. 'Yeah.' I don't want to be.' There's space between us, and in that space there's darkness. I take another step, so close that we share a breath. The same one. In and out. Tess,' he says. I know it's a warning, but I don't care. What's the worst thing that can happen?' It'll hurt,' he says. It already hurts.' He nods very slowly. And it's like there's a hole in time, as if everything stops and in this one minute, where we look at each other so close, is spread out between us. As he leans towards me, I feel a strange warmth filtering through me. I forget that my brain is full of every sad face at every window I've ever passed.
Jenny Downham (Before I Die)
Yet losing him seemed unbearable. He was the one she loved, the one she would always love, and as he leaned in to kiss her, she gave herself over to him. While he held her close, she ran her hands over his shoulders and back, feeling the strength in his arms. She knew he’d wanted more in their relationship than she’d been willing to offer, but here and now, she suddenly knew she had no other choice. There was only this moment, and it was theirs.
Nicholas Sparks (The Last Song)
Tell me somethin’ you do that would shock me.” She sits back on the couch. “Shock you?” “Yeah. Shock me to the core.” She sits up on her knees and leans toward me. “I’ve thought about you, Carlos,” she whispers in my ear. “At night, in bed. I think about kissing you, our tongues sliding against each other’s, while your hands are buried in my hair. When I think about feeling those ripples in your naked chest I touch my—” “Here’s more popcorn!” Westford says, barging into the room with two big bowls filled to the rim with freshly popped popcorn. “Kiara, what are you doing?
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
I lean in this time, and she doesn't turn away. It's cold, and our lips are dry, noses a little wet, foreheads sweaty beneath wool hats. I can't touch her face, even though I want to, because I'm wearing gloves. But God, when her lips come apart, everything turns warm and her sugar sweet breath is in my mouth, and I probably taste like hot dogs but I don't care. She kisses like a sweet devouring, and I don't know where to touch her because I want all of her. I want to touch her knees and hips and her stomach and her back and her everything, but we're encased in all these clothes, so we're just two marshmallows bumping against each other, and she smiles at me while still kissing because she knows how ridiculous it is, too.
John Green (Will Grayson, Will Grayson)
Tell me,” she finally whispered, “is it fun for you to torture me? . . . I should really hate you. Ever since we have known each other, you have given me nothing but suffering . . .” Her voice trembled, she leaned toward me, and lowered her head onto my breast. “Perhaps,” I thought, “this is exactly why you loved me: joys are forgotten, but sadness, never . . .
Mikhail Lermontov (A Hero of Our Time)
God uses chronic pain and weakness, along with other afflictions, as his chisel for sculpting our lives. Felt weakness deepens dependence on Christ for strength each day. The weaker we feel, the harder we lean. And the harder we lean, the stronger we grow spiritually, even while our bodies waste away. To live with your ‘thorn’ uncomplainingly — that is, sweet, patient, and free in heart to love and help others, even though every day you feel weak — is true sanctification. It is true healing for the spirit. It is a supreme victory of grace.
J.I. Packer (God's Plans for You)
We clear the harbor and the wind catches her sails and my beautiful ship leans over ever so gracefully, and her elegant bow cuts cleanly into the increasing chop of the waves. I take a deep breath and my chest expands and my heart starts thumping so strongly I fear the others might see it beat through the cloth of my jacket. I face the wind and my lips peel back from my teeth in a grin of pure joy.
L.A. Meyer (Under the Jolly Roger: Being an Account of the Further Nautical Adventures of Jacky Faber (Bloody Jack, #3))
When I found you, I didn’t know what I was finding,” Alec said. “Words about things that are beautiful and precious to me don’t come easily. You know that. You know me better than anyone.” He licked his dry lips. “And when one day people look back on me and what my life meant, I don’t want them to say, ‘Alec Lightwood fought in the Dark War’ or even ‘Alec Lightwood was Consul once.’ I want them to think, ‘Alec Lightwood loved one man so much he changed the world for him.’ ” Magnus’s eyes shone bright as stars. He gazed at Alec with eyes full of joy, of a feeling so profound Alec felt humbled to be a part of it. “You know you’ve already changed the world for me.” “Will you marry me?” Alec whispered. His heart was beating like a frantic bird’s wings. “Right now? Tonight?” Magnus nodded wordlessly and pulled Alec to his feet. They wrapped their arms around each other, and Alec leaned up just that little bit, since Magnus was just that little bit taller, which he had always loved. And they kissed for a long time.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
Ty laughed, a carefree, boyish sound, and glanced to his side, distracted by what he saw. “You moved the rug.” “I kitty-cornered it.” “Why would you do that?” Ty asked, aghast. “To see you lose your shit when you got home.” Zane leaned closer, grinning evilly. “There are other things out of order too. Books not alphabetized. Coffee mug handles facing different directions.” He lowered his voice to a whisper as Ty’s eyes widened in horror. “The closet isn’t color coded.” “You’re just watching the world burn, huh?” Zane laughed. “God I missed you.” Ty said in a rush of breath.
Abigail Roux (Touch & Geaux (Cut & Run, #7))
So what can I do now?" she spoke up a minute later. "Nothing," I said. "Just think about what comes before words. You owe that to the dead. As time goes on, you'll understand. What lasts, lasts; what doesn't, doesn't. Time solves most things. And what time can't solve, you have to solve yourself. Is that too much to ask?" "A little," she said, trying to smile. "Well, of course it is," I said, trying to smile too. "I doubt that this makes sense to most people. But I think I'm right. People die all the time. Life is a lot more fragile than we think. So you should treat others in a way that leaves no regrets. Fairly, and if posible, sincerely. It's too easy not to make the effort, then weep and wring your hands after the person dies. Personally, I don't buy it." Yuki leaned against the car door. "But that's real hard, isn't it?" she said. "Real hard," I said. "But it's worth trying for.
Haruki Murakami (Dance Dance Dance)
What are you doing following me around the back streets of London, you little idiot?” Will demanded, giving her arm a light shake. Cecily’s eyes narrowed. “This morning it was cariad (note: Welsh endearment, like ‘darling’ or ‘love’), now it’s idiot.” “Oh, you’re using a Glamour rune. There’s one thing to declare, you are not afraid of anything when you live in the country. But this is London.” “I’m not afraid of London,” Cecily said defiantly. Will leaned closer, almost hissing in her ear *and said something very complicated in Welsh* She laughed. “No, it wouldn’t do you any good to tell me to go home. You are my brother, and I want to go with you.” Will blinked at her words. You are my brother, and I want to go with you. It was the sort of thing he was used to hearing Jem say. Although Cecily was unlike Jem in every other conceivable possible way, she did share one quality with him. Stubbornness. When Cecily said she wanted something, it did not express an idle desire, but an iron determination. “Do you even care where I’m going?” he said. “What if I were going to hell?” “I’ve always wanted to see hell,” Cecily said. “Doesn’t everyone?” “Most of us spend our time trying to stay out of it, Cecily. I’m going to an ifrit den, if you must know, to purchase drugs from vile, dissolute criminals. They may clap eyes on you, and decide to sell you.” “Wouldn’t you stop them?” “I suppose it would depend on whether they cut me a part of the profit.” She shook her head. “Jem is your parabatai,” she said. “He is your brother, given to you by the Clave, but I am your sister by blood. Why would you do anything for him, but you only want me to go home?” “How do you know the drugs are for Jem?” Will said. “I’m not an idiot, Will.” “No, more’s the pity. Jem- Jem is like the better part of me. I would not expect you to understand. I owe him. I owe him this.” “So what am I?” Cecily said. Will exhaled, too desperate to check himself. “You are my weakness.” “And Tessa is your heart,” she said, not angrily, but thoughtfully. “I am not fooled. As I told you, I’m not an idiot. And more’s the pity for you, although I suppose we all want things we can’t have.” “Oh,” said Will, “and what do you want?” “I want you to come home.” A strand of black hair was stuck to her cheek by the dampness, and Will fought the urge to pull her cloak closer about her, to make her safe as he had when she was a child. “The Institute is my home,” Will sighed, and leaned his head against the stone wall. “I can’t stand out her arguing with you all evening, Cecily. If you’re determined to follow me into hell, I can’t stop you.” “Finally,” she said provingly. “You’ve seen sense. I knew you would, you’re related to me.” Will fought the urge to shake her. “Are you ready?” She nodded, and he raised his hand to knock on the door.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I think it's obvious if you're wanted here or not." "Daemon," hissed Dee, her cheeks red. She turned to me, tears in her eyes. "He's not being serious." "Are you being serious, Daemon?" Ash turned in his lap, head cocked to the side. My heart was already pounding in my chest when his eyes met mine. His were sheltered. "Actually I was being serious." He leaned over the table, staring up at me through thick lashes. "You're not wanted here." Dee spoke again, but I was beyond hearing. My face felt like it was on fire. People around us were starting to stare. One of the Thompson boys was smirking while the other looked as though he wanted to crawl underneath the table for me. The rest of the kids at the table were staring at their plates. One of them snickered. I'd never been more humiliated in my life.
Jennifer L. Armentrout (Obsidian (Lux, #1))
Well, well. If it isn't the princess." My body tensed and I frowned when I saw him approaching. Narrowing my eyes, I plastered on a fake smile. "I almost didn't recognize you without a tramp attached to you." Drew and the other guy snickered. Leaning into my ear he harshly whispered, "Would you like to change that? I'm not up to my limit tonight yet." Gah, why did he have to be so hot? My body was practically humming with how close he was. I leaned away and replied with the most innocent expression on my face, "Oh I'm sorry, but I don't have any STDs, I'm not your type.
Molly McAdams (Taking Chances (Taking Chances, #1))
Look, if you say that science will eventually prove there is no God, on that I must differ. No matter how small they take it back, to a tadpole, to an atom, there is always something they can’t explain, something that created it all at the end of the search. “And no matter how far they try to go the other way – to extend life, play around with the genes, clone this, clone that, live to one hundred and fifty – at some point, life is over. And then what happens? When the life comes to an end?” I shrugged. “You see?” He leaned back. He smiled. “When you come to the end, that’s where God begins.
Mitch Albom (Have a Little Faith: a True Story)
Any other questions?" "Just one," I say. "What color are your eyes?" I want to know what he thinks, how he sees himself - the real Ky - when he dares to look. "Blue," he says sounding surprised, "they've always been blue." "Not to me." "What do they look like to you?" he says puzzled, amused. Not looking at my mouth anymore, looking into my eyes. "Lots of colors," I say. "At first I thought they were brown. Once I thought they were green..." "What are they now?" he asks. He widens his eyes a little, leans closer, lets me look as long and deep as I want. "Well?" "Everything," I tell him, "They're everything.
Ally Condie (Matched (Matched, #1))
Two Kinds of People There are two kinds of people on earth today, Two kinds of people no more I say. Not the good or the bad, for it's well understood, The good are half bad, the bad are half good. Not the happy or sad, for in the swift-flying years, Bring each man his laughter, each man his tears. Not the rich or the poor, for to count a man's wealth, You must know the state of his conscience and health. Not the humble and proud, for in life's busy span, Who puts on vain airs is not counted a man. No! the two kinds of people on earth I mean, Are the people who lift, the people who lean. Wherever you go you'll find the world's masses Are ever divided into these two classes. And, strangely enough, you will find, too, I mean, There is only one lifter to twenty who lean. In which class are you? Are you easing the load Of the overtaxed lifters who toiled down the road? Or are you a leaner who lets others bear, Your portion of worry and labor and care?
Ella Wheeler Wilcox
I realized that searching for a mentor has become the professional equivalent of waiting for Prince Charming. We all grew up on the fairy tale "Sleeping Beauty," which instructs young women that if they just wait for their prince to arrive, they will be kissed and whisked away on a white horse to live happily ever after. Now young women are told that if they can just find the right mentor, they will be pushed up the ladder and whisked away to the corner office to live happily ever after. Once again, we are teaching women to be too dependent on others.
Sheryl Sandberg (Lean In: Women, Work, and the Will to Lead)
Strigoi have red eyes, " I explained. "Do his eyes look red?" The boy leaned forward. "No. They're brown. " "What else do you know about Strigoi?" I asked. "They have fangs like us, " the boy replied. "Do you have fangs?" I asked Dimitri in a singsong voice. I had a feeling this was already-covered territory, but it took on a new feel when asked from a child's perspective. Dimitri smiled--a full, wonderful smile that caught me off guard. "Okay, Jonathan, " said his mother anxiously. "You asked. Let's go now. " "Strigoi are super strong, " continued Jonathan, who possibly aspired to be a future lawyer. "Nothing can hurt them. " Jonathan fixed Dimitri with a piercing gaze. "Are you super strong? Can you be hurt?" "Of course I can, " replied Dimitri. "I'm strong, but all sorts of things can still hurt me. " And then, being Rose Hathaway, I said something I really shouldn't have to the boy. "You should go punch him and find out. " Jonathan's mother screamed again, but he was a fast little bastard, eluding her grasp. He ran up to Dimitri before anyone could stop him--well, I could have--and pounded his tiny fist against Dimitri's knee. Then, with the same reflexes that allowed him to dodge enemy attacks, Dimitri immediately feinted falling backward, as though Jonathan had knocked him over. Clutching his knee, Dimitri groaned as though he were in terrible pain. Several people laughed, and by then, one of the other guardians had caught hold of Jonathan and returned him to his near-hysterical mother. As he was being dragged away, Jonathan glanced over his shoulder at Dimitri. "He doesn't seem very strong to me. I don't think he's a Strigoi. " This caused more laughter
Richelle Mead (Spirit Bound (Vampire Academy, #5))
I know your character. I know you're going to be a great guardian.” His confidence made that warm feeling return. "I'm glad someone does. Everyone else thinks I'm totally irresponsible.” "With the way you worry more about Lissa than yourself…" He shook his head. "No. You understand your responsibilities better than guardians twice your age. You'll do what you have to do to succeed.” I thought about that. "I don't know if I can do everything I have to do.” He did that cool one-eyebrow thing. "I don't want to cut my hair," I explained. He looked puzzled. "You don't have to cut your hair. It's not required.” "All the other guardian women do. They show off their tattoos.” Unexpectedly, he released my hands and leaned forward. Slowly, he reached out and held a lock of my hair, twisting it around one finger thoughtfully. I froze, and for a moment, there was nothing going on in the world except him touching my hair. He let my hair go, looking a little surprised—and embarrassed—at what he'd done. "Don't cut it," he said gruffly. Somehow, I remembered how to talk again. "But no one'll see my tattoos if I don't.” He moved toward the doorway, a small smile playing over his lips. "Wear it up.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
Xavier leaned forward. "Sarcasm aside, you don't need a guy like that, Elena. Maybe you think you do - only female werewolf and all that - but hell, I've seen what you can do - tied to a chair, up against a male werewolf. You can do that, you don't need some fucking psychopath like Clayton Danvers-" He stopped, noticing my gaze. "He's standing right behind me, isn't he?" Xavier muttered. "Uh-huh." Xaview tilted his head back, saw Clay, and disappeared. He reappeared on the opposite bench, pressed up against me. I looked over at him, eyebrow raised. He swore under his breath and teleported to the far end of the other bench. Then he stood and turned to Clay. "You must be-" "The fucking psychopath," Clay said. "Er, right, but I meant that in the most respectful way. Believe me, I have the utmost regard for, uh..." "Raging lunatics," I said. Xavier shot me a glare. "Oh sit down," I said. "He didn't bring his chain saw.
Kelley Armstrong
Julian's skin was cold, as if he'd been leaning out the window into the night air. She turned his hand and drew with her finger on his bare forearm. It was something they’d done since they were small children and didn't want to get caught talking during lessons. Over the years they'd gotten so good at it that they could map out detailed messages on each other's hands, arms, even their shoulders through their T-shirts. D-I-D Y-O-U E-A-T? she spelled out. Julian shook his head, still staring at Livvy and Ty. His curls were sticking up in tufts as if he’d been raking his hands through his hair. She felt his fingers, light on her upper arm. N-O-T H-U-N-G-R-Y.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Marry me." I said. She lowered her teacup, shaking slightly, to the saucer. "Aren't you going to get down on one knee?" I got down on one knee and took her hand. "Will you marry me, Kate?" You can't propose properly without a ring." She said. I reached into my pocket and took out James Sanderson's ring, which I'd picked up off the floor of the Starclimber when we'd crash landed. "That's a nice looking ring." said Kate with a grin. "Cost a fortune." I said. "And now, for the third time. Kate de Vries, will you marry me?" She leaned forward and took my face in her hands and kissed me. "Yes," "Yes, and yes and yes. But it will probably be terrible." "Probably," I agreed. "Honestly," she sighed, "I don't know what kind of life we'll have together, with me always flying off in one direction and you in the other." I smiled. "It's a good thing the world's round," I said.
Kenneth Oppel (Starclimber (Matt Cruse, #3))
Love casts out fear; but conversely fear casts out love. And not only love. Fear also casts out intelligence, casts out goodness, casts out all thought of beauty and truth. What remains in the bum or studiedly jocular desperation of one who is aware of the obscene Presence in the corner of the room and knows that the door is locked, that there aren’t any windows. And now the thing bears down on him. He feels a hand on his sleeve, smells a stinking breath, as the executioner’s assistant leans almost amorously toward him. “Your turn next, brother. Kindly step this way.” And in an instant his quiet terror is transmuted into a frenzy as violent as it is futile. There is no longer a man among his fellow men, no longer a rational being speaking articulately to other rational beings; there is only a lacerated animal, screaming and struggling in the trap. For in the end fear casts out even a man’s humanity. And fear, my good friends, fear is the very basis and foundation of modern life. Fear of the much touted technology which, while it raises out standard of living, increases the probability of our violently dying. Fear of the science which takes away the one hand even more than what it so profusely gives with the other. Fear of the demonstrably fatal institutions for while, in our suicidal loyalty, we are ready to kill and die. Fear of the Great Men whom we have raised, and by popular acclaim, to a power which they use, inevitably, to murder and enslave us. Fear of the war we don’t want yet do everything we can to bring about.
Aldous Huxley (Ape and Essence)
Dear Sixpence, I saved them all, you know. Every letter you ever sent, even those to which I never replied. I’m sorry for so many things, my love: that I left you; that I never came home; that it took me so long to realize that you were my home and that, with you by my side, none of the rest mattered. But in the darkest hours, on the coldest nights, when I felt I’d lost everything, I still had your letters. And through them, in some small way, I still had you. I loved you then, my darling Penelope, more than I could imagine—just as I love you now, more than you can know. Michael Hell House, February 1831
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
There is nothing in which deduction is so necessary as in religion," said he, leaning with his back against the shutters. "It can be built up as an exact science by the reasoner. Our highest assurance of the goodness of Providence seems to me to rest in the flowers. All other things, our powers, our desires, our food, are all really necessary for our existence in the first instance. But this rose is an extra. Its smell and its colour are an embellishment of life, not a condition of it. It is only goodness which gives extras, and so I say again that we have much to hope from the flowers.
Arthur Conan Doyle (The Memoirs of Sherlock Holmes (Sherlock Holmes, #4))
He scanned the skies beyond her for the Thirteen, for Asterin Blackbeak, undoubtedly roaring her victory to the stars. Manon said quietly, “You will not find them. In this sky, or any other.” His heart strained as he understood. As the loss of those twelve fierce, brilliant lives carved another hole within him. One he would not forget, one he would honor. Silently, he crossed the balcony. Manon did not back away as he slid his arms around her. “I am sorry,” he said into her hair. Tentatively, slowly, her hands drifted across his back. Then settled, embracing him. “I miss them,” she whispered, shuddering. Dorian only held her tighter, and let Manon lean on him for as long as she needed, Abraxos staring toward that blasted bit of earth on the plain, toward the mate who would never return, while the city below celebrated.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
What's your problem with the Guild?" "The only way to resolve it involves me being entangled in running it and I don't want to do it." I waved my arms. "I have the Consort crap and I have the Cutting Edge crap and whatever other bullshit the two of you throw my way. I don't want to go to the Guild every month and deal with their crap on top of everything else." Curran leaned toward me. "I have to dress up and meet with those corpsefuckers once every three months and be civil while we're eating at the same table. You can deal with the Guild." "You dress up? Wow, I had no idea that putting on your formal sweatpants was such a huge burden." "Kate," Curran snarled. "They're not sweatpants, they are slacks and they have a belt. I have to wear shoes with fucking laces in them.
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
Bob Dylan (Chronicles, Volume One)
Sometimes I do. Sometimes I look at him...and I remember how it was when I kissed him and felt that love. It makes me want that back. I want to feel it again. I want to return to it. Other times though...other times, I'm so scared. I listen to these guys...and to Jerome...and then the doubts gnaw at me. I can't get them out of my head. We've been sleeping together, you know. Literally. It hasn't been a problem so far, but sometimes I lie awake watching him, thinking this can't last. The longer it does...I feel like...like I'm standing on a high wire, with Seth at one end and me at the other. We're trying to reach each other, but one misstep, one breeze, one side-glance, and I'll fall over the edge. And keep falling and falling." Carter leaned toward me and brushed the hair away from the side of my face. "Don't look down then," he whispered.
Richelle Mead (Succubus on Top (Georgina Kincaid, #2))
But recently I have learned from discussions with a variety of scientists and other non-philosophers (e.g., the scientists participating with me in the Sean Carroll workshop on the future of naturalism) that they lean the other way: free will, in their view, is obviously incompatible with naturalism, with determinism, and very likely incoherent against any background, so they cheerfully insist that of course they don't have free will, couldn’t have free will, but so what? It has nothing to do with morality or the meaning of life. Their advice to me at the symposium was simple: recast my pressing question as whether naturalism (materialism, determinism, science...) has any implications for what we may call moral competence. For instance, does neuroscience show that we cannot be responsible for our choices, cannot justifiably be praised or blamed, rewarded or punished? Abandon the term 'free will' to the libertarians and other incompatibilists, who can pursue their fantasies untroubled. Note that this is not a dismissal of the important issues; it’s a proposal about which camp gets to use, and define, the term. I am beginning to appreciate the benefits of discarding the term 'free will' altogether, but that course too involves a lot of heavy lifting, if one is to avoid being misunderstood.
Daniel C. Dennett (Consciousness Explained)
Say something Becks. Say anything" "You," I said. "I remember you." I kept my eyes shut, and felt his hands drop. He didn't move back. "What do you remember about me?" There was strong emotion behind his voice. Something he fought to control. With my eyes closed, I could easily picture the other side of the century. "I remember the way your hand could cover my entire shoulder. The way your lower lip stuck out when you were working out a problem in your head. And how you flick your ring finger with your thumb when you get impatient." I opened my eyes, and the words no longer got stuck in my throat on their way out. They flowed. "And when something surprises you and you don't know what to say, you get a tiny wrinkle in between your eyebrows." I reached up to touch the divot, then hesitated and lowered my hand. "It showed on the day the coach told you you'd made first-string quarterback. And it's showing now." For a moment the space between us held no tension, no questions, no accusations. Finally he leaned back, a stunned expression on his face. "Where do we go from here?" "Nowhere, really," I whispered. "It doesn't change anything.
Brodi Ashton (Everneath (Everneath, #1))
Don't worry, he's coming with me to investigate things." "In the city?" Jim asked. "Yes." "That's a great idea. You both should go. To the city." Curran and I looked at each other. "He's trying to get rid of us," I said. "You think he's planning a coup?" Curran wondered. "I hope so." I turned to Jim. "Is there any chance you'd overthrow the tyrannical Beast Lord and his psychotic Consort?" "Yeah, I want a vacation," Curran said. Jim leaned toward us and said in a lowered voice, "You couldn't pay me enough. This is your mess, you deal with it. I have enough on my plate." He walked away. "Too bad," Curran said. "I don't know, I think we could convince him to seize the reins of power." Curran shook his head. "Nahh. He's too smart for that.
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
Cracking his knuckles, Cary dramatically prepared to open his fortune cookie. “Let’s see. Will I be rich? Famous? About to meet Mr. or Ms. Tall, Dark, and Tasty? Traveling to distant lands? What’d you guys get?” “Mine’s lame,” I said. “In the end all things will be known. Duh. I didn’t need a fortune to figure that out.” Gideon opened his and read, “Prosperity will knock on your door soon.” I snorted. Cary shot me a look. “I know, right? You snatched someone else’s cookie, Cross.” “He better not be anywhere near someone else’s cookie,” I said dryly. Reaching over, Gideon plucked half of mine out of my fingers. “Don’t worry, angel. Your cookie is the only one I want.” He popped it in his mouth with a wink. “Gag,” Cary muttered. “Get a room.” He cracked his fortune with a flourish, and then scowled. “What the fuck?” I leaned forward. “What’s it say?” “Confucius say,” Gideon ad-libbed, “man with hand in pocket feel cocky all day.” Cary threw half his cookie at Gideon, who caught it deftly and grinned. “Give me that.” I snatched the fortune out from between Cary’s fingers and read it. Then laughed. “Fuck you, Eva.” “Well?” Gideon prodded. “Pick another cookie.” Gideon smiled. “Pwned by a fortune.” Cary threw the other half of his cookie.
Sylvia Day (Bared to You (Crossfire, #1))
I see how it is,” I snapped. “You were all in favor of me breaking the tattoo and thinking on my own—but that’s only okay if it’s convenient for you, huh? Just like your ‘loving from afar’ only works if you don’t have an opportunity to get your hands all over me. And your lips. And . . . stuff.” Adrian rarely got mad, and I wouldn’t quite say he was now. But he was definitely exasperated. “Are you seriously in this much self-denial, Sydney? Like do you actually believe yourself when you say you don’t feel anything? Especially after what’s been happening between us?” “Nothing’s happening between us,” I said automatically. “Physical attraction isn’t the same as love. You of all people should know that.” “Ouch,” he said. His expression hadn’t changed, but I saw hurt in his eyes. I’d wounded him. “Is that what bothers you? My past? That maybe I’m an expert in an area you aren’t?” “One I’m sure you’d just love to educate me in. One more girl to add to your list of conquests.” He was speechless for a few moments and then held up one finger. “First, I don’t have a list.” Another finger, “Second, if I did have a list, I could find someone a hell of lot less frustrating to add to it.” For the third finger, he leaned toward me. “And finally, I know that you know you’re no conquest, so don’t act like you seriously think that. You and I have been through too much together. We’re too close, too connected. I wasn’t that crazy on spirit when I said you’re my flame in the dark. We chase away the shadows around each other. Our backgrounds don’t matter. What we have is bigger than that. I love you, and beneath all that logic, calculation, and superstition, I know you love me too. Running away and fleeing all your problems isn’t going to change that. You’re just going to end up scared and confused.” “I already feel that way,” I said quietly. Adrian moved back and leaned into his seat, looking tired. “Well, that’s the most accurate thing you’ve said so far.” I grabbed the basket and jerked open the car door. Without another word, I stormed off, refusing to look back in case he saw the tears that had inexplicably appeared in my eyes. Only, I wasn’t sure exactly which part of our conversation I was most upset about.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
You are a light. You are the light. Never let anyone—any person or any force—dampen, dim or diminish your light. Study the path of others to make your way easier and more abundant. Lean toward the whispers of your own heart, discover the universal truth, and follow its dictates. […] Release the need to hate, to harbor division, and the enticement of revenge. Release all bitterness. Hold only love, only peace in your heart, knowing that the battle of good to overcome evil is already won. Choose confrontation wisely, but when it is your time don't be afraid to stand up, speak up, and speak out against injustice. And if you follow your truth down the road to peace and the affirmation of love, if you shine like a beacon for all to see, then the poetry of all the great dreamers and philosophers is yours to manifest in a nation, a world community, and a Beloved Community that is finally at peace with itself.
John Lewis (Across That Bridge: A Vision for Change and the Future of America)
There are moments in our lives when we summon the courage to make choices that go against reason, against common sense and the wise counsel of people we trust. But we lean forward nonetheless because, despite all risks and rational argument, we believe that the path we are choosing is the right and best thing to do. We refuse to be bystanders, even if we do not know exactly where our actions will lead. This is the kind of passionate conviction that sparks romances, wins battles, and drives people to pursue dreams others wouldn’t dare. Belief in ourselves and in what is right catapults us over hurdles, and our lives unfold. “Life is a sum of all your choices,” wrote Albert Camus. Large or small, our actions forge our futures and hopefully inspire others along the way.
Howard Schultz (Onward: How Starbucks Fought for Its Life without Losing Its Soul)
The House Was Quiet and the World Was Calm The house was quiet and the world was calm. The reader became the book; and summer night Was like the conscious being of the book. The house was quiet and the world was calm. The words were spoken as if there was no book, Except that the reader leaned above the page, Wanted to lean, wanted much to be The scholar to whom his book is true, to whom The summer night is like a perfection of thought. The house was quiet because it had to be. The quiet was part of the meaning, part of the mind: The access of perfection to the page. And the world was calm. The truth in a calm world, In which there is no other meaning, itself Is calm, itself is summer and night, itself Is the reader leaning late and reading there.
Wallace Stevens (Transport to Summer)
Zhi yin. Jem had told her once that it meant understanding music, and also a bond that went deeper than friendship. Jem played, and he played the years of Will's life as he had seen them. He played two little boys in the training room, one showing the other how to throw knives, and he played the ritual of parabatai: the fire and the vows and burning runes. He played two young men running through the streets of London in the dark, stopping to lean up against a wall and laugh together. He played the day in the library when he and Will had jested with Tessa about ducks, and he played the train to Yorkshire on which Jem had said that parabatai were meant to love each other as they loved their own souls. He played that love, and he played their love for Tessa, and hers for them, and he played Will saying, In your eyes I have always found grace. He played the too few times he had seen them since he had joined the Brotherhood- the brief meetings at the Institute; the time when Will had been bitten by a Shax demon and nearly died, and Jem had come from the Silent City and sat with him all night, risking discovery and punishment. And he played the birth of their first son, and the protection ceremony that had been carried out on the child in the Silent City. Will would have no other Silent Brother but Jem perform it. And Jem played the way he had covered his scarred face with his hands and turned away when he'd found out the child's name was James. He played of love and loss and years of silence, words unsaid and vows unspoken, and all the spaces between his heart and theirs; and when he was done, and he'd set the violin back in its box, Will's eyes were closed, but Tessa's were full of tears. Jem set down his bow, and came toward the bed, drawing back his hood, so she could see his closed eyes and his scarred face. And he had sat down beside them on the bed, and taken Will's hand, the one that Tessa was not holding, and both Will and Tessa heard Jem's voice in their minds. I take your hand, brother, so that you may go in peace. Will had opened the blue eyes that had never lost their color over all the passing years, and looked at Jem and then Tessa, and smiled, and died, with Tessa's head on his shoulder and his hand in Jem's.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
And I told you that one night wan't enough." Loki leaned down, kissing me deeply and pressing me to him. I didn't even attempt to resist. I wrapped my arms around his neck. It wasn't the we had kissed before, not as hungry or fevered. This was something different, nicer. We were holding onto each other, knowing this might be the last time we could. It felt sweet and hopeful and tragic all at once. When he stopped kissing me he rested his forehead against mine. He breathed as if struggling to catch his breath. i reached up and touched his face, his skin smooth and cool beneath my hand. Loki lifted his head so he could look me in the eyes, and I saw something in them, something I'd never seen before. Something pure and unadulterated, and my heart seemed to grow with the warmth of my love for him. I didn't know how it happened or when it had, but I knew it with complete certainty. I had fallen in love with Loki, more intensely than anything I had felt for anyone before.
Amanda Hocking (Ascend (Trylle, #3))
Young people, Lord. Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty. Before I was reduced to singsong, I saw all kinds of mating. Most are two-night stands trying to last a season. Some, the riptide ones, claim exclusive right to the real name, even though everybody drowns in its wake. People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from greed to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people in the weather channel leaning into the wind while lawmen shout in megaphones: ‘Get moving!
Toni Morrison (Love)
Just shut up and start sucking each other's faces already," Vida grumbled, leaning awkwardly against the stump. She would never admit it aloud, but I knew the burns on her back her eating her alive with pain. "I'm trying to make up for the sleep I lost when you started screeching at each other like cats in heat." "Miss Vida," Liam said, "has anyone ever told you that you are positively the whipped cream on the sundae of life?" She glared at him. "Anyone ever told you your head is shaped like a pencil?" "That is physically impossible," Chubs groused. "He'd be--" "Actually," Liam began, "Cole once did try to-- What?" "Oh, I'm sorry," Chub said, "apparently the middle of my sentence interrupted the beginning of yours. Do continue." "I'm going to guess you probably don't want to hear about the time he pushed my head through the neighbours fence..." "Was there a lot of blood?" Vida asked, suddenly interested. "Did you lose an ear?" Liam held his hands up next to his ears, indicating both were firmly attached to his skull. "Then, no" she said. "No one wants to hear your boring-ass story.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
He said, “I know somebody you could kiss.” “Who?” She realized his eyes were amused. “Oh, wait.” He shrugged. He was maybe the only person Blue knew who could preserve the integrity of a shrug while lying down. “It’s not like you’re going to kill me. I mean, if you were curious.” She hadn’t thought she was curious. It hadn’t been an option, after all. Not being able to kiss someone was a lot like being poor. She tried not to dwell on the things she couldn’t have. But now— “Okay,” she said. “What?” “I said okay.” He blushed. Or rather, because he was dead, he became normal colored. “Uh.” He propped himself on an elbow. “Well.” She unburied her face from the pillow. “Just, like—” He leaned toward her. Blue felt a thrill for a half a second. No, more like a quarter second. Because after that she felt the too-firm pucker of his tense lips. His mouth mashed her lips until it met teeth. The entire thing was at once slimy and ticklish and hilarious. They both gasped an embarrassed laugh. Noah said, “Bah!” Blue considered wiping her mouth, but felt that would be rude. It was all fairly underwhelming. She said, “Well.” “Wait,” Noah replied, “waitwaitwait.” He pulled one of Blue’s hairs out of his mouth. “I wasn’t ready.” He shook out his hands as if Blue’s lips were a sporting event and cramping was a very real possibility. “Go,” Blue said. This time they only got within a breath of each other’s lips when they both began to laugh. She closed the distance and was rewarded with another kiss that felt a lot like kissing a dishwasher. “I’m doing something wrong?” she suggested. “Sometimes it’s better with tongue,” he replied dubiously. They regarded each other. Blue squinted, “Are you sure you’ve done this before?” “Hey!” he protested. “It’s weird for me, ‘cause it’s you.” “Well, it’s weird for me because it’s you.” “We can stop.” “Maybe we should.” Noah pushed himself up farther on his elbow and gazed at the ceiling vaguely. Finally, he dropped his eyes back to her. “You’ve seen, like, movies. Of kisses, right? Your lips need to be, like, wanting to be kissed.” Blue touched her mouth. “What are they doing now?” “Like, bracing themselves.” She pursed and unpursed her lips. She saw his point. “So imagine one of those,” Noah suggested. She sighed and sifted through her memories until she found one that would do. It wasn’t a movie kiss, however. It was the kiss the dreaming tree had showed her in Cabeswater. Her first and only kiss with Gansey, right before he died. She thought about his nice mouth when he smiled. About his pleasant eyes when he laughed. She closed her eyes. Placing an elbow on the other side of her head, Noah leaned close and kissed her once more. This time, it was more of a thought than a feeling, a soft heat that began at her mouth and unfurled through the rest of her. One of his cold hands slid behind her neck and he kissed her again, lips parted. It was not just a touch, an action. It was a simplification of both of them: They were no longer Noah Czerny and Blue Sargent. They were now just him and her. Not even that. They were only the time that they held between them.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Maxon, I hope you find someone you can't love without. I really do. And I hope you never have to know what it's like to have to try and live without them." Maxon's face was a shallow echo of my own pain. He looked absolutely brokenhearted for me. More than that, he looked angry. "I'm sorry, America. I don't..." His face shifted a little. "Is this a good time to pat your shoulder?" His uncertainty made me smile. "Yes. Now would be a great time." He seemed as skeptically as he'd been the other day, but instead of just patting my shoulder, he leaned in and tentatively wrapped his arms around me. "I only really ever hug my mother. Is this okay?" he asked. I laughed. "It's hard to get a hug wrong." After a minute, I spoke again. "I know what you mean, though. I don't really hug anyone besides my family." I felt so drained after the long day of dressing and the Report and dinner and talking. It was nice to have Maxon just hold me, sometimes even patting my hair. He wasn't as lost as he seemed. He patiently waited for my breathing to slow, and when it did, he pulled back to look at me. "America, I promise you I'll keep you here until the last possible moment. I understand that they want me to narrow the Elite down to three and then choose. But I swear to you, I'll make it to two and keep you here until then. I won't make you leave a moment before I have to. Or the moment you're ready. Whichever comes first." I nodded. "I know we just met, but I think you're wonderful. And it bothers me to see you hurt. If he were here, I'd...I'd..." Maxon shook with frustration, then sighed. "I'm so sorry, America." He pulled me back in, and I rested my head on his broad shoulder. I knew Maxon would keep his promises. So I settled into perhaps the last place I ever thought I'd find genuine comfort.
Kiera Cass (The Selection (The Selection, #1))
My name...my name is Mary. I'm here with a friend.' Rhage stopped breathing. His heart skipped a beat and then slowed. "Say that again,' he whispered. 'Ah, my name is Mary Luce. I'm a friend of Bella's...We came here with a boy, with John Matthew. We were invited.' Rhage shivered, a balmy rush blooming out all over his skin. The musical lilt of her voice, the rhythm of her speech, the sound of her words, it all spread through him, calming him, comforting him. Chaining him sweetly. He closed his eyes. 'Say something else.' 'What?' she asked, baffled. 'Talk. Talk to me. I want to hear your voice.' She was silent, and he was about to demand that she speak when she said, 'You don't look well. Do you need a doctor?' He found himself swaying. The words didn't matter. It was her sound: low, soft, a quiet brushing in his ears. He felt as if here being stroked on the inside of his skin. 'More,' he said, twisting his palm around to the front of her neck so he could feel the vibrations in her throat better. 'Could you... could you please let go of me?' 'No.' He brought his other arm up. She was wearing some kind of fleece, and he moved the collar aside, putting his hand on her shoulder so she couldn't get away from him. 'Talk.' She started to struggle. 'You're crowding me.' 'I know. Talk.' 'Oh for God's sake, what do you want me to say?' Even exasperated, her voice was beautiful. 'Anything.' 'Fine. Get your hand off my throat and let me go or I'm going to knee you where it counts.' He laughed. Then sank his lower body into her, trapping her with his thighs and hips. She stiffened against him, but he got an ample feel of her. She was built lean, though there was no doubt she was female. Her breasts hit his chest, her hips cushioned his, her stomach was soft. 'Keep talking,' he said in her ear. God, she smelled good. Clean. Fresh. Like lemon. When she pushed against him, he leaned his full weight into her. Her breath came out in a rush. 'Please,' he murmured. Her chest moved against his as if she were inhaling. 'I... er, I have nothing to say. Except get off of me.' He smiled, careful to keep his mouth closed. There was no sense showing off his fangs, especially if she didn't know what he was. 'So say that.' 'What?' 'Nothing. Say nothing. Over and over and over again. Do it.' She bristled, the scent of fear replaced by a sharp spice, like fresh, pungent mint from a garden. She was annoyed now. 'Say it.' "Fine. Nothing. Nothing.' Abruptly she laughed, and the sound shot right through to his spine, burning him. 'Nothing, nothing. No-thing. No-thing. Noooooothing. There, is that good enought for you? Will you let me go now?
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
I walked in without knocking. The screen door banged to a close behind me announcing my presence. I followed my nose to the kitchen and found Kaleb standing by the stove. He stirred something that smelled absolutely delicious a wooden spoon in one hand and a huge chef’s knife in the other. “Are you sober?” I asked from the doorway. He turned and leveled a smile at me that made me a little wobbly. “I am." “Good. Because if not I was going to take the deadly kitchen utensil away from you.” I crossed the room and pulled myself up to sit on the counter beside the stove. A cutting board full of green peppers and two uncut stalks of celery waited for attention from the knife. Melted butter and diced onions bubbled in a sauté pan on the stove. “You cook." Kaleb was so pretty I was jealous. Pretty with ripped muscles and a tattoo of a red dragon covering most of his upper body. “Yes,” he said. “I cook.” “Do you usually wear a wife beater and,” I pushed him back a little by his shoulder “an apron that says ‘Kiss the Cook’ while you’re doing it? ” He leaned so close to me my heart skipped a couple of beats. “I’ll wear it all the time if you’ll consider it.
Myra McEntire (Hourglass (Hourglass, #1))
Julie marched over to Matt. She stood in front of him and crossed her arms. “Lift up your sweatshirt.” Matt rolled his eyes. “God, you really know how to turn a guy on.” Julie didn’t budge. “If I was trying to turn you on, I could do better than that. Now, lift up your sweatshirt.” Matt looked up at her and tried to look serious. “Julie, I’m completely offended that you have so little faith in my honesty. I thought at this point in our friendship that you would at least—” “Get up.” Julie leaned over and shut his laptop. “Get up!” she said again. “You’re being ridiculous,” Matt said laughing, but he stood up. “I trust you implicitly, and it wouldn’t kill you to show me the same respect.” “Show me!” Matt sidestepped the chair and took a few steps backward. “You have quite the attitude today. Suspicious and mean.” Julie took a step forward, causing Matt to continue backing away. “Lift up your shirt.” “Look, I appreciate an aggressive woman, but this is really getting weird.” Julie grabbed his sweatshirt by the waist cuff and lifted it up with one hand, as she pulled down his T-shirt with the other. Matt put his hands over hers, lightly protesting, but she refused to let go. “Aha!” She squinted at his shirt. “OK, I don’t even know what this is, but it’s definitely geeky.
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
Damen said, with helpless honesty, "Laurent, I am your slave." The words laid him open, truth exposed in the space between them. He wanted to prove it, as though, inarticulate, he could make up for what divided them. He was aware of the shallowness of Laurent's breath, it matched his own; they were breathing each other's air. He reached out, watching for any hesitation in Laurent's eyes. The touch he offered was accepted as it had not been last time, fingers gentle on Laurent's jaw, thumb passing over his cheekbone, soft. Laurent's controlled body was hard with tension, his rapid pulse urgent for flight, but he closed his eyes in the last seconds before it happened. Damen's palm slid over Laurent's warm nape; slowly, very slowly, making his height an offering, not a threat, Damen leaned in and kissed Laurent on the mouth. The kiss was barely a suggestion of itself, with no yielding of the rigidity in Laurent, but the first kiss became a second, after a fraction of parting in which Damen felt the flicker of Laurent's shallow breathing against his own lips. It felt, in all the lies between them, as if this was the only true thing. It didn't matter that he was leaving tomorrow. He felt remade with the desire to give Laurent this: to give him all he would allow, and to ask for nothing, this careful threshold something to be savoured because it was all Laurent would let himself have.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
As virtuous men pass mildly away, And whisper to their souls to go, Whilst some of their sad friends do say, "The breath goes now," and some say, "No," So let us melt, and make no noise, No tear-floods, nor sigh-tempests move; 'Twere profanation of our joys To tell the laity our love. Moving of the earth brings harms and fears, Men reckon what it did and meant; But trepidation of the spheres, Though greater far, is innocent. Dull sublunary lovers' love (Whose soul is sense) cannot admit Absence, because it doth remove Those things which elemented it. But we, by a love so much refined That our selves know not what it is, Inter-assured of the mind, Care less, eyes, lips, and hands to miss. Our two souls therefore, which are one, Though I must go, endure not yet A breach, but an expansion. Like gold to airy thinness beat. If they be two, they are two so As stiff twin compasses are two: Thy soul, the fixed foot, makes no show To move, but doth, if the other do; And though it in the center sit, Yet when the other far doth roam, It leans, and hearkens after it, And grows erect, as that comes home. Such wilt thou be to me, who must, Like the other foot, obliquely run; Thy firmness makes my circle just, And makes me end where I begun.
John Donne
Say the planet is born at midnight and it runs for one day. First there is nothing. Two hours are lost to lava and meteors. Life doesn’t show up until three or four a.m. Even then, it’s just the barest self-copying bits and pieces. From dawn to late morning—a million million years of branching—nothing more exists than lean and simple cells. Then there is everything. Something wild happens, not long after noon. One kind of simple cell enslaves a couple of others. Nuclei get membranes. Cells evolve organelles. What was once a solo campsite grows into a town. The day is two-thirds done when animals and plants part ways. And still life is only single cells. Dusk falls before compound life takes hold. Every large living thing is a latecomer, showing up after dark. Nine p.m. brings jellyfish and worms. Later that hour comes the breakout—backbones, cartilage, an explosion of body forms. From one instant to the next, countless new stems and twigs in the spreading crown burst open and run. Plants make it up on land just before ten. Then insects, who instantly take to the air. Moments later, tetrapods crawl up from the tidal muck, carrying around on their skin and in their guts whole worlds of earlier creatures. By eleven, dinosaurs have shot their bolt, leaving the mammals and birds in charge for an hour. Somewhere in that last sixty minutes, high up in the phylogenetic canopy, life grows aware. Creatures start to speculate. Animals start teaching their children about the past and the future. Animals learn to hold rituals. Anatomically modern man shows up four seconds before midnight. The first cave paintings appear three seconds later. And in a thousandth of a click of the second hand, life solves the mystery of DNA and starts to map the tree of life itself. By midnight, most of the globe is converted to row crops for the care and feeding of one species. And that’s when the tree of life becomes something else again. That’s when the giant trunk starts to teeter.
Richard Powers (The Overstory)
Nico leaned over the edge o the chasm, thrusting out his hand, but he was much too far away to help. Hazel was yelling for the others, but even if they heard her over the chaos, they'd never make it in time. Annabeth's leg felt like it was pulling free of her body. Pain washed everything in red. The force of the Underworld tugged at her like dark gravity. She didn't have the strength to fight. She knew she was too far down to be saved. "Percy, let me go," she croaked. "You can't pull me up." His face was white with effort. She could see in his eyes that he knew it was hopeless. "Never," he said. He looked up at Nico, fifteen feet above. "The other side, Nico We'll see you there. Understand?" Nico's eyes widened. "But-" "Lead them there!" Percy shouted. "Promise me!" "I- will." Below them, the voice laughed in the darkness. Sacrifices. Beautiful sacrifices to wake the goddess. Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never been more handsome. "We're staying together," he promised. "You're not getting away from me. Never again." Only then did she understand what would happen. A oneway trip. A very hard fall. "As long as we're together," she said. She heard Nico and Hazel still screaming for help. She saw the sunlight far, far above- maybe the last sunlight she would ever see. Then Percy let go of his tiny ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
I only wanted to . . . I mean, just now, when Mr. George interrupted us, there was something very important I wanted to say to you.” “It is about what I told you in the church yesterday? I mean, I can understand that you may think me crazy because I see these beings, but a psychiatrist wouldn’t make any difference.” Gideon frowned. “Just keep quiet for a moment, would you? I have to pluck up all my courage to make you a declaration of love . . . I’ve had absolutely no practice in this kind of thing.” “What?” “Gwyneth,” he said, perfectly seriously, “I’ve fallen in love with you.” My stomach muscles contracted as if I’d had a shock. But it was joy. “Really?” “Yes, really!” In the light of the torch I saw Gideon smile. “I do realize we’ve known each other for less than a week, and at first I thought you were rather . . . childish, and I probably behaved badly to you. But you’re terribly complicated, I never know what you’ll do next, and in some ways you really are terrifyingly . . . er. . . naïve. Sometimes I just want to shake you.” “Okay, I can see you were right about having no practice in making declarations of love,” I agreed. “But then you’re so amusing, and clever, and amazingly sweet,” Gideon went on, as if he hadn’t heard me. “And the worst of it is, you only have to be in the same room and I need to touch you and kiss you . . .” “Yes, that’s really too bad,” I whispered, and my heart turned over as Gideon took the hatpin out of my hair, tossed the feathered monstrosity into the air to fall on the floor, draw me close, and kissed me. About three minutes later, I was leaning against the wall, totally breathless, making an effort to stay upright. “Hey, Gwyneth, try breathing in and out in the normal way,” said Gideon, amused. I gave him a little push. “Stop that! I can’t believe how conceited you are!” “Sorry. It’s just such a . . . a heady feeling to think you’d forget to breathe on my account.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
Here's the thing, say Shug. The thing I believe. God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. And sometimes it just manifest itself even if you not looking, or don't know what you looking for. Trouble do it for most folks, I think. Sorrow, lord. Feeling like shit. It? I ast. Yeah, It. God ain't a he or a she, but a It. But what do it look like? I ast. Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you can feel that, and be happy to feel that, you've found It. Shug a beautiful something, let me tell you. She frown a little, look out cross the yard, lean back in her chair, look like a big rose. She say, My first step from the old white man was trees. Then air. Then birds. Then other people. But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate at all. I knew that if I cut a tree, my arm would bleed. And I laughed and I cried and I run all around the house. I knew just what it was. In fact, when it happen, you can't miss it. It sort of like you know what, she say, grinning and rubbing high up on my thigh. Shug! I say. Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God loves 'em you enjoys 'em a lot more. You can just relax, go with everything that's going, and praise God by liking what you like. God don't think it dirty? I ast. Naw, she say. God made it. Listen, God love everything you love? and a mess of stuff you don't. But more than anything else, God love admiration. You saying God vain? I ast. Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. What it do when it pissed off? I ast. Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back. Yeah? I say. Yeah, she say. It always making little surprises and springing them on us when us least expect. You mean it want to be loved, just like the bible say. Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk? Well, us talk and talk bout God, but I'm still adrift. Trying to chase that old white man out of my head. I been so busy thinking bout him I never truly notice nothing God make. Not a blade of corn (how it do that?) not the color purple (where it come from?). Not the little wildflowers. Nothing. Now that my eyes opening, I feels like a fool. Next to any little scrub of a bush in my yard, Mr. ____s evil sort of shrink. But not altogether. Still, it is like Shug say, You have to git man off your eyeball, before you can see anything a'tall. Man corrupt everything, say Shug. He on your box of grits, in your head, and all over the radio. He try to make you think he everywhere. Soon as you think he everywhere, you think he God. But he ain't. Whenever you trying to pray, and man plop himself on the other end of it, tell him to git lost, say Shug. Conjure up flowers, wind,water, a big rock. But this hard work, let me tell you. He been there so long, he don't want to budge. He threaten lightening, floods and earthquakes. Us fight. I hardly pray at all. Every time I conjure up a rock, I throw it. Amen
Alice Walker (The Color Purple)
Hmm…’ Ciri bit her lower lip, then leaned over and put her eye closer to the hole. ‘Madam Yennefer is standing by a willow… She’s plucking leaves and playing with her star. She isn’t saying anything and isn’t even looking at Geralt… And Geralt’s standing beside her. He’s looking down and he’s saying something. No, he isn’t. Oh, he’s pulling a face… What a strange expression…’ ‘Childishly simple,’ said Dandelion, finding an apple in the grass, wiping it on his trousers and examining it critically. ‘He’s asking her to forgive him for his various foolish words and deeds. He’s apologising to her for his impatience, for his lack of faith and hope, for his obstinacy, doggedness. For his sulking and posing; which are unworthy of a man. He’s apologising to her for things he didn’t understand and for things he hadn’t wanted to understand—’ ‘That’s the falsest lie!’ said Ciri, straightening up and tossing the fringe away from her forehead with a sudden movement. ‘You’re making it all up!’ ‘He’s apologising for things he’s only now understood,’ said Dandelion, staring at the sky, and he began to speak with the rhythm of a balladeer. ‘For what he’d like to understand, but is afraid he won’t have time for… And for what he will never understand. He’s apologising and asking for forgiveness… Hmm, hmm… Meaning, conscience, destiny? Everything’s so bloody banal…’ ‘That’s not true!’ Ciri stamped. ‘Geralt isn’t saying anything like that! He’s not even speaking. I saw for myself. He’s standing with her and saying nothing…’ ‘That’s the role of poetry, Ciri. To say what others cannot utter.’ ‘It’s a stupid role. And you’re making everything up!’ ‘That is also the role of poetry. Hey, I hear some raised voices coming from the pond. Have a quick look, and see what’s happening there.’ ‘Geralt,’ said Ciri, putting her eye once more to the hole in the wall, ‘is standing with his head bowed. And Yennefer’s yelling at him. She’s screaming and waving her arms. Oh dear… What can it mean?’ ‘It’s childishly simple.’ Dandelion stared at the clouds scudding across the sky. ‘Now she’s saying sorry to him.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
THE DREAM THAT MUST BE INTERPRETED This place is a dream. Only a sleeper considers it real. Then death comes like dawn, and you wake up laughing at what you thought was your grief. But there's a difference with this dream. Everything cruel and unconscious done in the illusion of the present world, all that does not fade away at the death-waking. It stays, and it must be interpreted. All the mean laughing, all the quick, sexual wanting, those torn coats of Joseph, they change into powerful wolves that you must face. The retaliation that sometimes comes now, the swift, payback hit, is just a boy's game to what the other will be. You know about circumcision here. It's full castration there! And this groggy time we live, this is what it's like: A man goes to sleep in the town where he has always lived, and he dreams he's living in another town. In the dream, he doesn't remember the town he's sleeping in his bed in. He believes the reality of the dream town. The world is that kind of sleep. The dust of many crumbled cities settles over us like a forgetful doze, but we are older than those cities. We began as a mineral. We emerged into plant life and into animal state, and then into being human, and always we have forgotten our former states, except in early spring when we slightly recall being green again. That's how a young person turns toward a teacher. That's how a baby leans toward the breast, without knowing the secret of its desire, yet turning instinctively. Humankind is being led along an evolving course, through this migration of intelligences, and though we seem to be sleeping, there is an inner wakefulness that directs the dream, and that will eventually startle us back to the truth of who we are.
Rumi (Jalal ad-Din Muhammad ar-Rumi) (The Essential Rumi)
You promised to be on your best behavior,” I reminded him, breathless. “You kissed me,” he growled. His voice had gone very deep. “Well, but you started it by kissing my neck.” “True. I hadn't planned that.” His sultry voice, paired with those blazing eyes, told me I needed to get away from him. I hurried to the end of the bed, where I jumped off and began to pace back and forth, yanking out my loose hairband and pulling my hair back into a tight ponytail. I tried hard not to think about the taste of his lips. I'd had my first kiss, and I'd never be the same. “Why did you stop?” he asked. “Because you were moving on to other things.” He scratched his chin and cheek. “Hmm, moved too quickly. Rookie mistake.” I crossed my arms again, watching him speculate internally like a coach outlining a play that had gone wrong. Incredible. Then he sized me up in his sights again. “But I can see you still want me.” I gave him my meanest stare, but it was hard to look at him. Gosh, he was hot! And a total player. The kiss meant nothing to him. “Oh,” he said with mock sadness, “there it goes. Mad instead? Well, sort of. You can't seem to muster a really good anger—” “Stop it!” “Sorry, was I saying that out loud?” “I can read people, too, you know. Well, not you, but at least I have the decency to try not to notice, to give them some sort of emotional privacy!” “Yes, how very decent of you.” He hadn't moved from his languid position on my bed. I leaned forward, grabbing a pillow and throwing it at him. “Pillow fight?” He raised an eyebrow. “Get off my bed. Please. I'm ready to go to sleep.
Wendy Higgins (Sweet Evil (Sweet, #1))
The Balrog reached the bridge. Gandalf stood in the middle of the span, leaning on the staff in his left hand, but in his other hand Glamdring gleamed, cold and white. His enemy halted again, facing him, and the shadow about it reached out like two vast wings. It raised the whip, and the thongs whined and cracked. Fire came from its nostrils. But Gandalf stood firm. 'You cannot pass,' he said. The orcs stood still, and a dead silence fell. 'I am a servant of the Secret Fire, wielder of the flame of Anor. You cannot pass. The dark fire will not avail you, flame of Udûn. Go back to the Shadow! You cannot pass.' The Balrog made no answer. The fire in it seemed to die, but the darkness grew. It stepped forward slowly onto the bridge, and suddenly it drew itself up to a great height, and its wings were spread from wall to wall; but still Gandalf could be seen, glimmering in the gloom; he seemed small, and altogether alone: grey and bent, like a wizened tree before the onset of a storm. From out of the shadow a red sword leaped flaming. Glamdring glittered white in answer. There was a ringing clash and a stab of white fire. The Balrog fell back and its sword flew up in molten fragments. The wizard swayed on the bridge, stepped back a pace, and then again stood still. 'You cannot pass!' he said. With a bound the Balrog leaped full upon the bridge. Its whip whirled and hissed. 'He cannot stand alone!' cried Aragorn suddenly and ran back along the bridge. 'Elendil!' he shouted. 'I am with you, Gandalf!' 'Gondor!' cried Boromir and leaped after him. At that moment Gandalf lifted his staff, and crying aloud he smote the bridge before him. The staff broke asunder and fell from his hand. A blinding sheet of white flame sprang up. The bridge cracked. Right at the Balrog's feet it broke, and the stone upon which it stood crashed into the gulf, while the rest remained, poised, quivering like a tongue of rock thrust out into emptiness. With a terrible cry the Balrog fell forward, and its shadow plunged down and vanished. But even as it fell it swung its whip, and the thongs lashed and curled about the wizard's knees, dragging him to the brink. He staggered and fell, grasped vainly at the stone, and slid into the abyss. 'Fly, you fools!' he cried, and was gone.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Marya put down her fork. “Why are you doing this, Koschei? I have had lovers before. You have, too. Remember Marina? The rusalka? She and I swam together every morning. We raced the salmon. You called us your little sharks.” The Tsar of Life held his knife so tightly Marya could see his knucklebones bulging. “Were any of them called Ivan? Were any of them human boys all sticky with their own innocence? I know you. I know you because you are like me, as much like me as two spoons nested in each other.” Her husband leaned close to her, the candlelight sparking in his dark, shaggy hair. “When you steal them, they mean so much more, Marousha. Trust me. I know. What did I do wrong? Was I boring? Did I ignore you? Did I not give you enough pretty dresses? Enough emeralds? I’m sure I have more, somewhere.” Marya lifted her hand and laid it on her husband’s cheek. With a blinking quickness, she drove her nails deep into his face. “Don’t you dare speak to me like that. I have worn nothing but blood and death for years. I have fought all your battles for you, just as you asked me. I have learned all the tricks you said I must learn. I have learned not to cry when I strangle a man. I have learned to lay my finger aside my nose and disappear. I have learned to watch everything die. I am not a little girl anymore, dazzled by your magic. It is my magic, now, too. And if I have watched all my soldiers die in front of me, if I have only been saved by my rifle and my own hands, if I have drunk more blood than water for weeks, then I take the human boy who stumbled into my tent and hold him between my legs until I stop screaming, you will not punish me for it. Are we not chyerti? Are we not devils? I will not even hear your punishment, old man.
Catherynne M. Valente (Deathless)
While I pressed the tissue to my face, Beck said, “Can I tell you something? There are a lot of empty boxes in your head, Sam.” I looked at him, quizzical. Again, it was a strange enough concept to hold my attention. “There are a lot of empty boxes in there, and you can put things in them.” Beck handed me another tissue for the other side of my face. My trust of Beck at that point was not yet complete; I remember thinking that he was making a very bad joke that I wasn’t getting. My voice sounded wary, even to me. “What kinds of things?” “Sad things,” Beck said. “Do you have a lot of sad things in your head?” “No,” I said. Beck sucked in his lower lip and released it slowly. “Well, I do.” This was shocking. I didn’t ask a question, but I tilted toward him. “And these things would make me cry,” Beck continued. “They used to make me cry all day long.” I remembered thinking this was probably a lie. I could not imagine Beck crying. He was a rock. Even then, his fingers braced against the floor, he looked poised, sure, immutable. “You don’t believe me? Ask Ulrik. He had to deal with it,” Beck said. “And so you know what I did with those sad things? I put them in boxes. I put the sad things in the boxes in my head, and I closed them up and I put tape on them and I stacked them up in the corner and threw a blanket over them.” “Brain tape?” I suggested, with a little smirk. I was eight, after all. Beck smiled, a weird private smile that, at the time, I didn’t understand. Now I knew it was relief at eliciting a joke from me, no matter how pitiful the joke was. “Yes, brain tape. And a brain blanket over the top. Now I don’t have to look at those sad things anymore. I could open those boxes sometime, I guess, if I wanted to, but mostly I just leave them sealed up.” “How did you use the brain tape?” “You have to imagine it. Imagine putting those sad things in the boxes and imagine taping it up with the brain tape. And imagine pushing them into the side of your brain, where you won’t trip over them when you’re thinking normally, and then toss a blanket over the top. Do you have sad things, Sam?” I could see the dusty corner of my brain where the boxes sat. They were all wardrobe boxes, because those were the most interesting sort of boxes — tall enough to make houses with — and there were rolls and rolls of brain tape stacked on top. There were razors lying beside them, waiting to cut the boxes and me back open. “Mom,” I whispered. I wasn’t looking at Beck, but out of the corner of my eye, I saw him swallow. “What else?” he asked, barely loud enough for me to hear. “The water,” I said. I closed my eyes. I could see it, right there, and I had to force out the next word. “My …” My fingers were on my scars. Beck reached out a hand toward my shoulder, hesitant. When I didn’t move away, he put an arm around my back and I leaned against his chest, feeling small and eight and broken. “Me,” I said.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
She shook her head. 'Look. We both know life is short, Macy. Too short to waste a single second with anyone who doesn't appreciate and value you.' 'You said the other day life was long,' I shot back. 'Which is it?' ' It's both,' she said, shrugging. 'IT all depends on how you choose to live it. It's like forever, always changing.' 'Nothing can be two opposite things at once,' I said. 'It's impossible.' 'No,' she replied, squeezing my hand,' what's impossible is that we actually think it could be anything other than that. Look, when I was in the hosptal, right after the accident, they thought I was going to die. I was really fucked up, big time.' 'Uh-huh,' Monica said, looking at her sister. 'Then,' Kristy continued, nodding at her, 'life was very short, literally. but now that I'm better it seems so long I have to squint to see even the edges of it. It's all in the view, Macy. That's what I mean about forever, too. For any one of us our forever could end in an hour, or a hundred years from now. You can never know for sure, so you'd better make every second count.' Monica, lighting another cigarette, nodded. 'Mmm-hmm,' she said. 'What you have to decide,' Kristy said to me, leaning foreward, 'is how you want your life to be. If your forever was ending tomorrow, would this be how you'd want to have spent it? It seemed like it was a choice I had already made. I'd spent the last year and a half with Jason, shaping my life to fit his, doing what I had to in order to make sure I had a plae in his perfect world, where things made sense. But it hadn't worked. 'Listen,' Kristy said,' the truth is, nohing is guaranteed. You know that more than anybody.' She looed at me hard, making sure I knew what she meant. I did. 'So don't be afraid. Be alive.' But then, I couldn't imagine, after everything that had happened, how you could live and not constantly be worrying about the dangers all around you. Especially when you'd already gotten teh scare of your life. 'It's the same thing,' I told her. 'What is?' 'Being afraid and being alive.' 'No,' she said slowly, and now it was as if she was speaking a language she knew at first I wouldn't understand, the very words, not to mention the concept, being foreign to me. 'Macy, no. It's not.
Sarah Dessen (The Truth About Forever)
A Rock, A River, A Tree Hosts to species long since departed, Mark the mastodon. The dinosaur, who left dry tokens Of their sojourn here On our planet floor, Any broad alarm of their of their hastening doom Is lost in the gloom of dust and ages. But today, the Rock cries out to us, clearly, forcefully, Come, you may stand upon my Back and face your distant destiny, But seek no haven in my shadow. I will give you no hiding place down here. You, created only a little lower than The angels, have crouched too long in The bruising darkness, Have lain too long Face down in ignorance. Your mouths spelling words Armed for slaughter. The rock cries out today, you may stand on me, But do not hide your face. Across the wall of the world, A river sings a beautiful song, Come rest here by my side. Each of you a bordered country, Delicate and strangely made proud, Yet thrusting perpetually under siege. Your armed struggles for profit Have left collars of waste upon My shore, currents of debris upon my breast. Yet, today I call you to my riverside, If you will study war no more. Come, clad in peace and I will sing the songs The Creator gave to me when I And the tree and stone were one. Before cynicism was a bloody sear across your brow And when you yet knew you still knew nothing. The river sings and sings on. There is a true yearning to respond to The singing river and the wise rock. So say the Asian, the Hispanic, the Jew, The African and Native American, the Sioux, The Catholic, the Muslim, the French, the Greek, The Irish, the Rabbi, the Priest, the Sheikh, The Gay, the Straight, the Preacher, The privileged, the homeless, the teacher. They hear. They all hear The speaking of the tree. Today, the first and last of every tree Speaks to humankind. Come to me, here beside the river. Plant yourself beside me, here beside the river. Each of you, descendant of some passed on Traveller, has been paid for. You, who gave me my first name, You Pawnee, Apache and Seneca, You Cherokee Nation, who rested with me, Then forced on bloody feet, Left me to the employment of other seekers-- Desperate for gain, starving for gold. You, the Turk, the Swede, the German, the Scot... You the Ashanti, the Yoruba, the Kru, Bought, sold, stolen, arriving on a nightmare Praying for a dream. Here, root yourselves beside me. I am the tree planted by the river, Which will not be moved. I, the rock, I the river, I the tree I am yours--your passages have been paid. Lift up your faces, you have a piercing need For this bright morning dawning for you. History, despite its wrenching pain, Cannot be unlived, and if faced with courage, Need not be lived again. Lift up your eyes upon The day breaking for you. Give birth again To the dream. Women, children, men, Take it into the palms of your hands. Mold it into the shape of your most Private need. Sculpt it into The image of your most public self. Lift up your hearts. Each new hour holds new chances For new beginnings. Do not be wedded forever To fear, yoked eternally To brutishness. The horizon leans forward, Offering you space to place new steps of change. Here, on the pulse of this fine day You may have the courage To look up and out upon me, The rock, the river, the tree, your country. No less to Midas than the mendicant. No less to you now than the mastodon then. Here on the pulse of this new day You may have the grace to look up and out And into your sister's eyes, Into your brother's face, your country And say simply Very simply With hope Good morning.
Maya Angelou
We are not our own any more than what we possess is our own. We did not make ourselves, we cannot be supreme over ourselves. We are not our own masters. We are God's property. Is it not our happiness thus to view the matter? Is it any happiness or any comfort, to consider that we are our own? It may be thought so by the young and prosperous. These may think it a great thing to have everything, as they suppose, their own way–to depend on no one–to have to think of nothing out of sight, to be without the irksomeness of continual acknowledgment, continual prayer, continual reference of what they do to the will of another. But as time goes on, they, as all men, will find that independence was not made for man–that it is an unnatural state–will do for a while, but will not carry us on safely to the end …'" Mustapha Mond paused, put down the first book and, picking up the other, turned over the pages. "Take this, for example," he said, and in his deep voice once more began to read: "'A man grows old; he feels in himself that radical sense of weakness, of listlessness, of discomfort, which accompanies the advance of age; and, feeling thus, imagines himself merely sick, lulling his fears with the notion that this distressing condition is due to some particular cause, from which, as from an illness, he hopes to recover. Vain imaginings! That sickness is old age; and a horrible disease it is. They say that it is the fear of death and of what comes after death that makes men turn to religion as they advance in years. But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older; to develop because, as the passions grow calm, as the fancy and sensibilities are less excited and less excitable, our reason becomes less troubled in its working, less obscured by the images, desires and distractions, in which it used to be absorbed; whereupon God emerges as from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us false–a reality, an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses.'" Mustapha Mond shut the book and leaned back in his chair. "One of the numerous things in heaven and earth that these philosophers didn't dream about was this" (he waved his hand), "us, the modern world. 'You can only be independent of God while you've got youth and prosperity; independence won't take you safely to the end.' Well, we've now got youth and prosperity right up to the end. What follows? Evidently, that we can be independent of God. 'The religious sentiment will compensate us for all our losses.' But there aren't any losses for us to compensate; religious sentiment is superfluous. And why should we go hunting for a substitute for youthful desires, when youthful desires never fail? A substitute for distractions, when we go on enjoying all the old fooleries to the very last? What need have we of repose when our minds and bodies continue to delight in activity? of consolation, when we have soma? of something immovable, when there is the social order?
Aldous Huxley (Brave New World)