Opposite Sayings And Quotes

Insurgent, he says. Noun. A person who acts in opposition to the established authority, who is not necessarily regarded as a belligerent.

It’s the same with people who say, ‘Whatever doesn’t kill you makes you stronger.’ Even people who say this must realize that the exact opposite is true. What doesn’t kill you maims you, cripples you, leaves you weak, makes you whiny and full of yourself at the same time. The more pain, the more pompous you get. Whatever doesn’t kill you makes you incredibly annoying.

Do you know how hard it is to say nothing? When every atom of you strains to do the opposite? I had practiced not saying anything the whole way from the airport, and it was still nearly killing me.

We don’t have a word for the opposite of loneliness, but if we did, I could say that’s what I want in life.

The wind blew my words away from you. So while I told you I love you, the phrase was carried in the opposite direction and landed 333 miles away in the ears of a confused farmer. He was nice, though. He sent me a kind letter saying that while he was flattered, I wasn’t really his type.

They say there is no light without dark, no good without evil, no male without female, no right without wrong. That nothing can exist if it's direct opposite does not also exist.

I'm always amazed at friends who say they try to read at night in bed but always end up falling asleep. I have the opposite problem. If a book is good I can't go to sleep, and stay up way past my bedtime, hooked on the writing. Is anything better than waking up after a late-night read and diving right back into the plot before you even get out of bed to brush your teeth?

These days I just can't seem to say what I mean [...]. I just can't. Every time I try to say something, it misses the point. Either that or I end up saying the opposite of what I mean. The more I try to get it right the more mixed up it gets. Sometimes I can't even remember what I was trying to say in the first place. It's like my body's split in two and one of me is chasing the other me around a big pillar. We're running circles around it. The other me has the right words, but I can never catch her.

I don't accept the currently fashionable assertion that any view is automatically as worthy of respect as any equal and opposite view. My view is that the moon is made of rock. If someone says to me 'Well, you haven't been there, have you? You haven't seen it for yourself, so my view that it is made of Norwegian Beaver Cheese is equally valid' - then I can't even be bothered to argue. There is such a thing as the burden of proof, and in the case of god, as in the case of the composition of the moon, this has shifted radically. God used to be the best explanation we'd got, and we've now got vastly better ones. God is no longer an explanation of anything, but has instead become something that would itself need an insurmountable amount of explaining. So I don't think that being convinced that there is no god is as irrational or arrogant a point of view as belief that there is. I don't think the matter calls for even-handedness at all.

Real love brings about calm—not inner torment. True love allows you to be at peace with yourself and with God. That is why Allah says: “that you may dwell in tranquility.” Hawa is the opposite. Hawa will make you miserable. And just like a drug, you will crave it always, but never be satisfied. You will chase it to your own detriment, but never reach it.

Later that evening in my diary, I wrote: I was exagerrating when I said I thought you hated the piece. What I meant to say was: I thought you hated me. I was hoping you’d persuade me of the opposite—and you did, for a while. Why won’t I believe it tomorrow morning?

Actually, I think it's the opposite. We know each other so well there isn't anything left to say. Sometimes it's nice just sitting here with you all, thinking. It's only best friends who can be comfortable with silence, wouldn't you say?

I spun away from him. I didn’t need his pity. I started walking in the opposite direction of the house. I didn’t know where I was going, I just wanted to get away from him. He called out, “I still love you.” I froze. And then slowly, I turned around to look at him. “Don’t say that

You can say you love me all you want, but if you only ever act like the opposite's true, then I can't trust your words anymore.

So what I'm trying to say is you should text me back. Because there's a precedent. Because there's an urgency. Because there's a bedtime. Because when the world ends I might not have my phone charged and If you don't respond soon, I won't know if you'd wanna leave your shadow next to mine.

Derek looked around, like he was searching for something to use. Then he stripped off his shirt. I tried not to look away. Not that he looked bad without his shirt. The opposite, actually, which is why...Let's just say friends are really better when they're fully clothed.

Alec flopped down on the opposite side of the fire and glared at them both. "And where have Jace and Clary gone?" "Ah," said Simon delicately. "Who can say..." "Straight people," Alec declared. "Why can't they control themselves?

Miss Tarabotti was not one of life's milk-water misses--in fact, quite the opposite. Many a gentleman had likened his first meeting with her to downing a very strong cognac when one was expecting to imbibe fruit juice--that is to say, startling and apt to leave one with a distinct burning sensation.

In a low voice, I asked, "How are you doing?" Luc shrugged. "You know, I'm doing my thing like a chicken wing." My brow arched. Daemon sounded like he choked. "Did you seriously just say that?

Nobody wants to hear that you will try your best. It is the wrong thing to say. It is like saying 'I probably won't hit you with a shovel.' Suddenly everyone is afraid you will do the opposite.

Daemon: We can go live in a damn cave. Look, I'm a selfish person. You know that. And I don't want you to go through that, so I'm willing to say screw it and we cut our losses. Katy: Really? What kind of life would that give us? Daemon: Don't bring logic into this conversation.

The opposite of magical is not ordinary. The opposite of magical is mankind. The world is a neon sign; it says HUMANITY but everything is burnt out except MAN.

One of the lines in Finn's code is that you're not to say anything about Finn being attractive to the opposite sex. I'm not sure which exact statue governs this, but it's closely related to the one that won't let you thank him. Something about compliments and Finn don't work.

What if — is more complicated than that? What if maybe opposite is true as well? Because, if bad can sometimes come from good actions—? where does it ever say, anywhere, that only bad can come from bad actions? Maybe sometimes — the wrong way is the right way? You can take the wrong path and it still comes out where you want to be? Or, spin it another way, sometimes you can do everything wrong and it still turns out to be right?

A rose does not answer its enemies with words, but with beauty.

God never promised that we wouldn’t have challenges. In fact, He said just the opposite. His word says, ‘Be truly glad!...these trials are only to test your faith, to see whether or not it is strong and pure…’ so if your faith remains strong after being tried in the test tube of fiery trials, it will bring you much praise and glory and honor on the day of His return.

Kids, she says. When they’re little, they believe everything you tell them about the world. As a mother, you’re the world almanac and the encyclopedia and the dictionary and the Bible, all rolled up together. But after they hit some magic age, it’s just the opposite. After that, you’re either a liar or a fool or a villain.

Sometimes when we're not paying attention, relationships hap­pen. There is no rule that requires two people in love to be ex­actly alike. In fact, there is some scientific evidence to suggest that on a genetic level, the people who are the most opposite are the most likely to have a healthy and long-lasting pairing. But really, who can explain the mysteries of attraction? Blame it on Cupid. The moon. The shape of a smile. Both of you can thrive on your differences, as long as you respect them. You say tomato, he says tomahto . Let it happen, Dive in head first. We usually learn the most about ourselves from people who are different from us. —Miss Independent (ella varner)

Besides,” Puck said, grinning his evil grin, “who says I came alone?” “You did,” called another Puck from the rooftop he just left. Glitch’s eyes bugged as the second Puck grinned down at him. “No, he didn’t,” said a third Puck from the opposite roof. “Well, I’m sure they know what he meant,” said yet another Puck, sitting atop a street lamp. “In any case, here we are.

People say that love is the best thing in the world not power. But they are wrong. Love is the opposite of power and that's why we fear it so much.

There are only two emotions: love and fear. All positive emotions come from love, all negative emotions from fear. From love flows happiness, contentment, peace, and joy. From fear comes anger, hate, anxiety and guilt. It's true that there are only two primary emotions, love and fear. But it's more accurate to say that there is only love or fear, for we cannot feel these two emotions together, at exactly the same time. They're opposites. If we're in fear, we are not in a place of love. When we're in a place of love, we cannot be in a place of fear.

You know what they say," Amanda said. "Hatred isn't the opposite of love, it's just another variation of it. They both mean you have passionate feelings for someone.

I've heard people say that they lose themselves in a kiss. But in that moment, it was the opposite for me. I felt like I found myself. Not how I wished I was, or who I was afraid I was becoming, but who I really was.

Let us beware of saying that death is the opposite of life. The living being is only a species of the dead, and a very rare species.

I wait for the fist of devestation, the collapse of a year's worth of hopes, the roar of sadness. And I do feel it. The pain of losing him. Or the idea of him. But along with that pain is something else, something quiet at first, so I have to strain for it. but when I do, I hear the sound of a door quietly clicking shut. And then the most amazing thing happens: The night is calm, but I feel a rush of wind, as if a thousand other doors have just simultaneously flung open. I give one last glance towards Willem. Then I turn to Wolfgang. "Finished," I say. But I suspect the opposite is true. That really, I'm just beginning.

But the cinephile is … a neurotic! (That’s not a pejorative term.) The Bronte sisters were neurotic, and it’s because they were neurotic that they read all those books and became writers. The famous French advertising slogan that says, “When you love life, you go to the movies,” it’s false! It’s exactly the opposite: when you don’t love life, or when life doesn’t give you satisfaction, you go to the movies.

There was a soft chuckle beside me, and my heart stopped. "So this is Oberon's famous half-blood," Ash mused as I whirled around. His eyes, cold and inhuman, glimmered with amusement. Up close, he was even more beautiful, with high cheekbones and dark tousled hair falling into his eyes. My traitor hands itched, longing to run my fingers through those bangs. Horrified, I clenched them in my lap, trying to concentrate on what Ash was saying. "And to think," the prince continued, smiling, "I lost you that day in the forest and didn't even know what I was chasing." I shrank back, eyeing Oberon and Queen Mab. They were deep in conversation and did not notice me. I didn't want to interrupt them simply because a prince of the Unseelie Court was talking to me. Besides, I was a faery princess now. Even if I didn't quite believe it, Ash certainly did. I took a deep breath, raised my chin, and looked him straight in the eye. "I warn you," I said, pleased that my voice didn't tremble, "that if you try anything, my father will remove your head and stick it to a plaque on his wall." He shrugged one lean shoulder. "There are worse things." At my horrified look, he offered a faint, self-derogatory smile. "Don't worry, princess, I won't break the rules of Elysium. I have no intention of facing Mab's wrath should I embarrass her. That's not why I'm here." "Then what do you want?" He bowed. "A dance." "What!" I stared at him in disbelief. "You tried to kill me!" "Technically, I was trying to kill Puck. You just happened to be there. But yes, if I'd had the shot, I would have taken it." "Then why the hell would you think I'd dance with you?" "That was then." He regarded me blandly. "This is now. And it's tradition in Elysium that a son and daughter of opposite territories dance with each other, to demonstrate the goodwill between the courts." "Well, it's a stupid tradition." I crossed my arms and glared. "And you can forget it. I am not going anywhere with you." He raised an eyebrow. "Would you insult my monarch, Queen Mab, by refusing? She would take it very personally, and blame Oberon for the offense. And Mab can hold a grudge for a very, very long time." Oh, damn. I was stuck.

Drehy,” Kaladin said, “you are literally courting a man.” “So?” Drehy said. “Yeah, what are you saying, Kal?” Skar snapped. “Nothing! I just thought Drehy might empathize….” “That’s hardly fair,” Drehy said. “Yeah,” Lopen added. “Drehy likes other guys. That’s like … he wants to be even less around women than the rest of us. It’s the opposite of feminine. He is you could say extra manly.

Everyone says that the internet is so awesome because you can connect with people from all over the world, but I think it’s the opposite. The internet doesn’t make it easier to connect with anyone—it just makes it so you don’t really have to.

Elie Wiesel says that the greatest evil in the world is not anger or hatred, but indifference. If that is true, then the opposite is also true: that the greatest love we can show our children is the attention we pay them, the time we take for them. Maybe we serve children the best simply by noticing them.

I'm not going to try and change your mind." "If you're here, you accept it's my choice. This is the first thing I've been in control of since the accident." "I know." And there it was. He knew it, and I knew it. There was nothing left for me to do. Do you know how hard it is to say nothing ? When every atom of you strains to do the opposite? I just tried to be, tried to absorb the man I loved through osmosis, tried to imprint what I had left of him on myself. I did not speak...

Life is a series of pulls back and forth. You want to do one thing, but you are bound to do something else. Something hurts you, yet you know it shouldn’t. You take certain things for granted, even when you know you should never take anything for granted. “A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle. “ Sounds like a wrestling match, I say. “A wrestling match.” He laughs. “Yes, you could describe life that way.” So which side wins, I ask? “Which side wins?” He smiles at me, the crinkled eyes, the crooked teeth. “Love wins. Love always wins.

One of the great tragedies of life is that men seldom bridge the gulf between practice and profession, between doing and saying. A persistent schizophrenia leaves so many of us tragically divided against ourselves. On the one hand, we proudly profess certain sublime and noble principles, but on the other hand, we sadly practise the very antithesis of these principles. How often are our lives characterised by a high blood pressure of creeds and an anaemia of deeds! We talk eloquently about our commitment to the principles of Christianity, and yet our lives are saturated with the practices of paganism. We proclaim our devotion to democracy, but we sadly practise the very opposite of the democratic creed. We talk passionately about peace, and at the same time we assiduously prepare for war. We make our fervent pleas for the high road of justice, and then we tread unflinchingly the low road of injustice. This strange dichotomy, this agonising gulf between the ought and the is, represents the tragic theme of man's earthly pilgrimage.

Look, I really don't want to wax philosophic, but I will say that if you're alive, you've got to flap your arms and legs, you got to jump around a lot, you got to make a lot of noise, because life is the very opposite of death. And therefore, as I see it, if you're quiet, you're not living. You've got to be noisy, or at least your thoughts should be noisy, colorful and lively.

Therefore it is unnecessary for a prince to have all the good qualities I have enumerated, but it is very necessary to appear to have them. And I shall dare to say this also, that to have them and always to observe them is injurious, and that to appear to have them is useful; to appear merciful, faithful, humane, religious, upright, and to be so, but with a mind so framed that should you require not to be so, you may be able and know how to change to the opposite.

There was no more meaningless phrase in all of language than "Cheer up!" The only way to get someone to cheer up was to help them forget, and saying "cheer up" had quite the opposite effect, only reminding the person why he or she was depressed in the first place.

All the times I say, ‘Don’t see me’? With you, I wish I had an opposite power: See me. See me, Evie. See all of me. There’s a fella who loves you right here. I’m not perfect. I’m a handful. But you know what? So are you. There. Not sugarcoating it.

One of the most important things to say about the gender data gap is that it is not generally malicious, or even deliberate. Quite the opposite. It is simply the product of a way of thinking that has been around for millennia and is therefore a kind of not thinking. A double not thinking, even: men go without saying, and women don't get said at all. Because when we say human, on the whole, we mean man.

She's like a sister. People say we're such opposites, but that's what makes us such good friends. She's incredibly blunt. I love that about her. If some guy has said or done something to me she doesn't like, she'll grab my cell phone and say, 'I'm deleting his number.

Maybe in the next life we'll meet each other for the first time- believing in everything but the harm we're capable of. Maybe we'll be the opposite of buffaloes. We'll grow wings and spill over the cliff as a generation of monarchs, heading home. Green Apple. Like snow covering the particulars of the city, they will say we never happened, that our survival was a myth. But they're wrong. You and I, we were real. We laughed knowing joy would tear the stitches from our lips. Remember: The rules, like streets, can only take you to known places. Underneath the grid is a field- it was always there- where to be lost is never to be wrong, but simply more. As a rule, be more. As a rule, I miss you. As a rule,"little" is always smaller than "small". Don't ask me why. I'm sorry I don't call enough. Green Apple. I'm sorry I keep saying How are you? when I really mean Are you happy?

Strong convictions do not necessarily signal a powerful sense of self: very often quite the opposite. Intensely held beliefs may be no more than a person’s unconscious effort to build a sense of self to fill what, underneath, is experienced as a vacuum.

I read somewhere that radio waves just keep traveling outward, flying into the universe with eternal vibrations. Sometime before I die I think I'll find a microphone and climb to the top of a radio tower. I'll take a deep breath and close my eye because it will start to rain right when I reach the top. Hello, I'll say to outer space, this is my card.

And there it was. He knew it, and I knew it. There was nothing left for me to do. Do you know how hard it is to say nothing ? When every atom of you strains to do the opposite? I just tried to be, tried to absorb the man I loved through osmosis, tried to imprint what I had left of him on myself. I did not speak...

Say it,' Ronan told Gansey. 'Say what?' 'Excelsior.' 'That's onward and upward,' Gansey said. 'It means to ascend. That's opposite.' 'Oh well,' Ronan said. 'Squash one, squash two, squash three on and on and on-' Then he disappeared into the hole, his voice still carrying up. Adam said, 'I'm not singing along!' but he followed Ronan in.

Personally, I was never more passionate about manga than when preparing for my college entrance exams. It's a period of life when young people appear to have a great deal of freedom, but are in many ways actually opressed. Just when they find themselves powerfully attracted to members of opposite sex, they have to really crack the books. To escape from this depressing situation, they often find themselves wishing they could live in a world of their own - a world they can say is truly theirs, a world unknown even to their parents. To young people, anime is something they incorporate into this private world. I often refer to this feeling as one yearning for a lost world. It's a sense that although you may currently be living in a world of constraints, if you were free from those constraints, you would be able to do all sorts of things. And it's that feeling, I believe, that makes mid-teens so passionate about anime.

The psychological rule says that when an inner situation is not made conscious, it happens outside, as fate. That is to say, when the individual remains undivided and does not become conscious of his inner contradictions, the world must perforce act out the conflict and be torn into opposite halves.

Most people think things are not real unless they are spoken, that it's the uttering of something, not the thinking of it, that legitimizes it. I suppose this is why people always want other people to say "I love you." I think just the opposite—that thoughts are realest when thought, that expressing them distorts or dilutes them.

If then you do not make yourself equal to God, you cannot apprehend God; for like is known by like. Leap clear of all that is corporeal, and make yourself grown to a like expanse with that greatness which is beyond all measure; rise above all time and become eternal; then you will apprehend God. Think that for you too nothing is impossible; deem that you too are immortal, and that you are able to grasp all things in your thought, to know every craft and science; find your home in the haunts of every living creature; make yourself higher than all heights and lower than all depths; bring together in yourself all opposites of quality, heat and cold, dryness and fluidity; think that you are everywhere at once, on land, at sea, in heaven; think that you are not yet begotten, that you are in the womb, that you are young, that you are old, that you have died, that you are in the world beyond the grave; grasp in your thought all of this at once, all times and places, all substances and qualities and magnitudes together; then you can apprehend God. But if you shut up your soul in your body, and abase yourself, and say “I know nothing, I can do nothing; I am afraid of earth and sea, I cannot mount to heaven; I know not what I was, nor what I shall be,” then what have you to do with God?

There was a saying that the strength of a man’s steel was only known under the hammer of circumstance. If anyone had asked me a few hours ago, I would have said that nearly five years of boyhood had hammered me into constant fear and excessive caution. But now I realised it had done the opposite. It had shaped me into someone who stepped forwards and reached for what she wanted. It was too late for me to tuck my hands behind my back and wait like a good woman.

If I convince myself that this life has no other aspect than that of the absurd, if I feel that its whole equilibrium depends on that perpetual opposition between my conscious revolt and the darkness in which it struggles, if I admit that my freedom has no meaning except in relation to its limited fate, then I must say that what counts is not the best living but the most living.

Most people think things are not real unless they are spoken, that it's the uttering of something, not the thinking of it, that legitimizes it. I suppose this is why people always want other people to say "I love you." I think just the opposite - that thoughts are realest when thought, that expressing them distorts or dilutes them, that it is best for them to stay in the dark climate-controlled airport chapel of your mind, that if they're released into the air and light they will be affected in a way that alters them, like film accidentally exposed.

Sanjit says his apartment, the same one in which he grew up, has been flooded many times by the midsummer torrents. For what has been for millennia a primarily agricultural society, rains simultaneously destroy, create, and preserve life in India, similar to the functions of the three premier Hindu gods, Shiva, Brahma, and Vishnu. Every time Kolkata gets pounded by a cyclone, or when the monsoon first erupts in June (although the recent warming of the Indian Ocean increasingly disturbs a once-consistent timeline), Sanjit never fails to send along a video, his house flooded – seemingly destroyed – but the smiles on his, Bajju’s, or other house-guest’s faces signify just the opposite, having been cooled and relieved of perpetual heat. Flooded, they remain preserved.

4. Religion. Your reason is now mature enough to examine this object. In the first place, divest yourself of all bias in favor of novelty & singularity of opinion... shake off all the fears & servile prejudices, under which weak minds are servilely crouched. Fix reason firmly in her seat, and call to her tribunal every fact, every opinion. Question with boldness even the existence of a God; because, if there be one, he must more approve of the homage of reason, than that of blindfolded fear. You will naturally examine first, the religion of your own country. Read the Bible, then as you would read Livy or Tacitus. The facts which are within the ordinary course of nature, you will believe on the authority of the writer, as you do those of the same kind in Livy and Tacitus. The testimony of the writer weighs in their favor, in one scale, and their not being against the laws of nature, does not weigh against them. But those facts in the Bible which contradict the laws of nature, must be examined with more care, and under a variety of faces. Here you must recur to the pretensions of the writer to inspiration from God. Examine upon what evidence his pretensions are founded, and whether that evidence is so strong, as that its falsehood would be more improbable than a change in the laws of nature, in the case he relates. For example in the book of Joshua we are told the sun stood still several hours. Were we to read that fact in Livy or Tacitus we should class it with their showers of blood, speaking of statues, beasts, &c. But it is said that the writer of that book was inspired. Examine therefore candidly what evidence there is of his having been inspired. The pretension is entitled to your inquiry, because millions believe it. On the other hand you are astronomer enough to know how contrary it is to the law of nature that a body revolving on its axis as the earth does, should have stopped, should not by that sudden stoppage have prostrated animals, trees, buildings, and should after a certain time have resumed its revolution, & that without a second general prostration. Is this arrest of the earth's motion, or the evidence which affirms it, most within the law of probabilities? You will next read the New Testament. It is the history of a personage called Jesus. Keep in your eye the opposite pretensions: 1, of those who say he was begotten by God, born of a virgin, suspended & reversed the laws of nature at will, & ascended bodily into heaven; and 2, of those who say he was a man of illegitimate birth, of a benevolent heart, enthusiastic mind, who set out without pretensions to divinity, ended in believing them, and was punished capitally for sedition, by being gibbeted, according to the Roman law, which punished the first commission of that offence by whipping, & the second by exile, or death in fureâ. ...Do not be frightened from this inquiry by any fear of its consequences. If it ends in a belief that there is no God, you will find incitements to virtue in the comfort and pleasantness you feel in its exercise, and the love of others which it will procure you... In fine, I repeat, you must lay aside all prejudice on both sides, and neither believe nor reject anything, because any other persons, or description of persons, have rejected or believed it... I forgot to observe, when speaking of the New Testament, that you should read all the histories of Christ, as well of those whom a council of ecclesiastics have decided for us, to be Pseudo-evangelists, as those they named Evangelists. Because these Pseudo-evangelists pretended to inspiration, as much as the others, and you are to judge their pretensions by your own reason, and not by the reason of those ecclesiastics. Most of these are lost... [Letter to his nephew, Peter Carr, advising him in matters of religion, 1787]

Through writing, I feel power for maybe the first time in my life. I don’t have to say somebody else’s words. I can write my own. I can be myself for once. I like the privacy of it. Nobody’s watching. Nobody’s judging. Nobody’s weighing in. No casting directors or agents or managers or directors or Mom. Just me and the page. Writing is the opposite of performing to me. Performing feels inherently fake. Writing feels inherently real.

as an artist, i do not always enjoy the questions, ‘what were you thinking when you wrote this. what was the inspiration behind this.’ these questions imply that there is always thought involved in creation. for me it is the exact opposite. creativity is the act of experiencing the unconscious in the conscious. sometimes, i want to say, without sarcasm, ‘i do not know what my soul was thinking when i wrote that poem, i was too busy listening.

You were always saying you were gonna shoot him," he mutters, but it's kind of half-hearted. "Stupid fucking little tit, he needs a bullet in his head. What do you keep him round for, anyway?" Because he makes me laugh. Because, fuck knows why, he adores me. Because he needs somebody to look after him and nobody else knows how. Because everything about us is wrong and I never ever want to be right. Because I wake up in the morning and see him sleeping next to me with his stupid dyed hair and his stupid painted nails and his stupid toy monkey and I remember I love him so much I don't know what to do, I love him I love him I LOVE HIM.

These days I just can't seem to say what I mean,' she said. 'I just can't. Every time I try to say something, it misses the point. Either that or I end up saying the opposite of what I mean. The more I try to get it right the more mixed up it gets. Sometimes I can't even remember what I was trying to say in the first place. It's like my body's split in two and one of me is chasing the other me around a big pillar. We're running circles around it. The other me has the right words, but I can never catch her...Do you know what I'm trying to say?' 'Everybody has that kind of feeling sometimes,' I said. 'You can't express yourself the way you want to, and it annoys you.' Obviously this wasn't what she wanted to hear.

Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his. ... After a while I rest my head against his shoulder. Feel his hand caress my hair. "Katniss... If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life", he says. "I would never be happy again." I start to object but he puts a finger to my lips. "It's different for you. I'm not sayin it wouldn't be hard. But there are other people who'd make your life worth living." ... "Your family needs you, Katniss", Peeta says. My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intension is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it. Everithing. That's what Peeta wants me to take from him. ... "No one really needs me", he says, and there's no self-pity in his voice. It's true his family doesen't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me. "I do", I say. "I need you." He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss. I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down. This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.

If You Have A Lemon, Make A Lemonade That is what a great educator does. But the fool does the exact opposite. If he finds that life has handed him a lemon, he gives up and says: "I'm beaten. It is fate. I haven't got a chance." Then he proceeds to rail against the world and indulge in an orgy of selfpity. But when the wise man is handed a lemon, he says: "What lesson can I learn from this misfortune? How can I improve my situation? How can I turn this lemon into a lemonade?

We ordered food a few hours ago and worked through dinner. I had pasta with chicken, while Kate preferred a turkey club with fries on the side. Much as I hate to admit it, I’m impressed. Obviously, she doesn’t subscribe to the “I can only eat salads in front of the opposite sex” rule of thumb a lot of chicks swear by. Who gave women that idea? Like a guy’s going to say to his friend, “Dude, she was one fugly chick, but once I saw her chomping that romaine, I just had to nail her.

Camille?" Her voice quiet and girlish and unsure. "You know how people sometimes say they have to hurt because if they don't, they're so numb they won't feel anything?" "Mmm." "What if it's the opposite?" Amma whispered. "What if you hurt because it feels so good? Like you have a tingling, like someone left a switch on in your body. And nothing can turn that switch off except hurting? What does that mean?" I pretended to be asleep. I pretended not to feel her fingers tracing vanish over and over on the back of my neck.

Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives. To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates. 'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic. They've served their purpose. Nature is unsentimental. Death is built in.

I can never say what I want to say, it's been like this for a while now. I try to say something but all I get are wrong words - the wrong words or the exact opposite words from what I mean. I try to correct myself, and that only makes it worse. I lose track of what I was trying to say to begin with. It's like I'm split in two and playing tag with myself. One half is chasing this big, fat post. The other me has the right words, but this can't catch her.

The books on plastic surgery, the pamphlets and brochures all promised to help me live a more normal, happy life; but less and less, this looked like what I'd want. What I wanted looked more and more like what I'd always been trained to want. What everybody wants. Give me attention. Flash. Give me beauty. Flash. Give me peace and happiness, a loving relationship, and a perfect home. Flash. Brandy says, "The best way is not to fight it, just go. Don't be trying all the time to fix things. What you run from only stays with you longer. When you fight something, you only make it stronger." She says, "Don't do what you want." She says, "Do what you don't want. Do what you're trained not to want." It's the opposite of following your bliss. Brandy tells me, "Do the things that scare you the most.

Daphne," he said with controlled gentleness, "what is wrong?" She sat down opposite him and placed a hand on his cheek. "I'm so insensitive," she whispered. "I should have known. I should never have said anything." "Should have known what?" he ground out. Her hand fell away. "That you can't—that you couldn't—" "Can't what?" She looked down at her lap, where her hands were attempting to wring each other to shreds. "Please don't make me say it," she said. 'This," Simon muttered, "has got to be why men avoid marriage.

As soon as she was close, she whispered, "you've got to get out of here." "No, you've got to get out of here," he told her. "Go downstairs. Go now." "No," she countered. "You go." "Why?" he asked. "You tell me first." But before they could say another word, the last elevator slid slowly open and two men in masks rushed out. From the opposite side of the of the ballroom, shots rang out, rapid fire, piercing the ceiling, plaster falling onto the dance floor like snow. And then Hale and Macey whispered in unison, "Because of that.

Have I told you about the tension of opposites? he says. The tension of opposites? Life is a series of pulls back and forth. You want to do one thing, but you are bound to do something else. Something hurts you, yet you know it shouldn't. You take certain things for granted, even when you know you should never take anything for granted. A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle.Sounds like a wrestling match, I say. A wrestling match. He laughs. Yes, you could describe life that way. So which side wins, I ask? Which side wins? He smiles at me, the crinkled eyes, the crooked teeth. Love wins. Love always wins.

Thanks to my mother, I was raised to have a morbid imagination. When I was a child, she often talked about death as warning, as an unavoidable matter of fact. Little Debbie's mom down the block might say, 'Honey, look both ways before crossing the street.' My mother's version: 'You don't look, you get smash flat like sand dab.' (Sand dabs were the cheap fish we bought live in the market, distinguished in my mind by their two eyes affixed on one side of their woebegone cartoon faces.) The warnings grew worse, depending on the danger at hand. Sex education, for example, consisted of the following advice: 'Don't ever let boy kiss you. You do, you can't stop. Then you have baby. You put baby in garbage can. Police find you, put you in jail, then you life over, better just kill youself.

That all opposites—such as mass and energy, subject and object, life and death—are so much each other that they are perfectly inseparable, still strikes most of us as hard to believe. But this is only because we accept as real the boundary line between the opposites. It is, recall, the boundaries themselves which create the seeming existence of separate opposites. To put it plainly, to say that "ultimate reality is a unity of opposites" is actually to say that in ultimate reality there are no boundaries. Anywhere.

When I say that evil has to do with killing, I do not mean to restrict myself to corporeal murder. Evil is that which kills spirit. There are various essential attributes of life -- particularly human life -- such as sentience, mobility, awareness, growth, autonomy, will. It is possible to kill or attempt to kill one of these attributes without actually destroying the body. Thus we may "break" a horse or even a child without harming a hair on its head. Erich Fromm was acutely sensitive to this fact when he broadened the definition of necrophilia to include the desire of certain people to control others-to make them controllable, to foster their dependency, to discourage their capacity to think for themselves, to diminish their unpredectibility and originalty, to keep them in line. Distinguishing it from a "biophilic" person, one who appreciates and fosters the variety of life forms and the uniqueness of the individual, he demonstrated a "necrophilic character type," whose aim it is to avoid the inconvenience of life by transforming others into obedient automatons, robbing them of their humanity. Evil then, for the moment, is the force, residing either inside or outside of human beings, that seeks to kill life or liveliness. And goodness is its opposite. Goodness is that which promotes life and liveliness.

I blame the Internet. Its inconsiderate inclusion of everything.Success is transparent and accessible, hanging down where it can tease but not touch us. We talk into these scratchy microphones and take extra photographs but I still feel like there are just SO MANY PEOPLE. Every day, 1,035.6 books are published; sixty-six million people update their status each morning. At night, aimlessly scrolling, I remind myself of elementary school murals. One person can make a difference! But the people asking me what I want to be when I grow up don't want me to make a poster anymore. They want me to fill out forms and hand them rectangular cards that say HELLO THIS IS WHAT I DO.

the ancient sanskirt legends speak of a destined love, a karmic connection between souls that are fated to meet and collide and enrapture one another. the legends say that the loved one is instantly recognised because she's loved in every gesture, every expression of thought, every movement, every sound, and every mood that prays in her eyes. the legends say that we know her by her wings - the wings that only we can see - and because wanting her kills every other desire of love. the same legends also carry warnings that such fated love may, sometimes, be the possession and the obsession of one, and only one, of the two souls twinned by destiny. but wisdom, in one sense, is the opposite of love. love survives in us precisely because it isn't wise.

...hanging out does not make one an artist. A secondhand wardrobe does not make one an artist. Neither do a hair-trigger temper, melancholic nature, propensity for tears, hating your parents, nor even HIV - I hate to say it - none of these make one an artist. They can help, but just as being gay does not make one witty (you can suck a mile of cock, as my friend Sarah Thyre puts it, it still won't make you Oscar Wilde, believe me), the only thing that makes one an artist is making art. And that requires the precise opposite of hanging out; a deeply lonely and unglamorous task of tolerating oneself long enough to push something out.

He isn’t like most guys, you know?' I know.' No, but do you really know? I mean here’s the deal, what do most guys want from a woman? I’ll tell you what we want. We want a warm body to sleep next to, preferably one with a nice pair of tits, maybe someone who’ll cook for us and fuck us on a regular basis. Pretty simple, huh? Now, what we don’t want is someone who’s going to come in and disrupt our lives and steal our souls. That’s what we fear most. We call it our freedom, but it’s our souls we’re talking about. You following me?' I nodded. Okay, good. Now forget it. Forget all that,' Pete said. 'Because Jacob’s not like that. He’s never been like that. He’s a damn fool and he wants the exact opposite of all that. He wants someone to obsess over, someone to possess his soul, and those are his corny words, by the way, not mine. It’s what he lives for. It’s what he thinks life’s all about. Do you get what I’m saying?' I nodded again.

The greatest hunger in life is not for food, money, success, status, security, sex, or even love from the opposite sex. Time and again people have achieved all these things and wound up still feeling dissatisfied- indeed, often more dissatisfied than when they began. The deepest hunger in life is a secret that is revealed only when a person is willing to unlock a hidden part of the self. In the ancient traditions of wisdom, this quest has been likened to diving for the most precious pearl in existence, a poetic way of saying that you have to swim far out beyond shallow waters, plunge deep into yourself, and search patiently until the pearl beyond price is found. The pearl is also called essence, the breath of god, the water of life…labels for what we, in our more prosaic scientific age, would simply call TRANSFORMATION.

Then I fell at his feet and thought, Surely this is the hour of death, for the Lion (who is worthy of all honour) will know that I have served Tash all my days and not him. Nevertheless, it is better to see the Lion and die than to be Tisroc of the world and live and not to have seen him. But the Glorious One bent down his golden head and touched my forehead with his tongue and said, Son, thou art welcome. But I said, Alas Lord, I am no son of thine but the servant of Tash. He answered, Child, all the service thou hast done to Tash, I account as service done to me. Then by reasons of my great desire for wisdom and understanding, I overcame my fear and questioned the Glorious One and said, Lord, is it then true, as the Ape said, that thou and Tash are one? The Lion growled so that the earth shook (but his wrath was not against me) and said, It is false. Not because he and I are one, but because we are opposites, I take to me the services which thou hast done to him. For I and he are of such different kinds that no service which is vile can be done to me, and none which is not vile can be done to him. Therefore if any man swear by Tash and keep his oath for the oath’s sake, it is by me that he has truly sworn, though he know it not, and it is I who reward him. And if any man do a cruelty in my name, then, though he says the name Aslan, it is Tash whom he serves and by Tash his deed is accepted. Dost thou understand, Child? I said, Lord, though knowest how much I understand. But I said also (for the truth constrained me), Yet I have been seeking Tash all my days. Beloved, said the Glorious One, unless thy desire had been for me thou wouldst not have sought so long and so truly. For all find what they truly seek.

I believe in political equality. But there are two opposite reasons for being a democrat. You may think all men so good that they deserve a share in the government of the commonwealth, and so wise that the commonwealth needs their advice. That is, in my opinion, the false, romantic doctrine of democracy. On the other hand, you may believe fallen men to be so wicked that not one of them can be trusted with any irresponsible power over his fellows. That I believe to be the true ground of democracy. I do not believe that God created an egalitarian world. I believe the authority of parent over child, husband over wife, learned over simple to have been as much a part of the original plan as the authority of man over beast. I believe that if we had not fallen...patriarchal monarchy would be the sole lawful government. But since we have learned sin, we have found, as Lord Acton says, that 'all power corrupts, and absolute power corrupts absolutely.' The only remedy has been to take away the powers and substitute a legal fiction of equality. The authority of father and husband has been rightly abolished on the legal plane, not because this authority is in itself bad (on the contrary, it is, I hold, divine in origin), but because fathers and husbands are bad. Theocracy has been rightly abolished not because it is bad that learned priests should govern ignorant laymen, but because priests are wicked men like the rest of us. Even the authority of man over beast has had to be interfered with because it is constantly abused.

Richard Dawkins regards faith as an evil to be eliminated; he takes all religious faith to be blind faith. (Dawkins says) ‘Scientific belief is based on publicly checkable evidence, religious faith not only lacks evidence, its independence from evidence is its joy, shouted from the rooftops.’ However, taking Dawkins own advice we ask: where is the evidence that religious faith is not based on evidence? Mainstream Christianity will insist that faith and evidence are inseparable. Indeed, faith is a response to evidence, not a rejoicing in the absence of evidence. The apostle Paul says what many pioneers of modern science believed, that nature itself is part of the evidence for the existence of God ,‘ Since the creation of the world, God’s invisible qualities- his eternal power and divine nature – have been clearly seen, being understood from what has been made. So that men are without an excuse.’ Dawkins’ definition of faith turns out to be the direct opposite of the biblical one. Curious that he does not seem to be aware of the discrepancy.

There are many roles that people play and many images that they project. There is, for example, the "nice" man who is always smiling and agreeable. "Such a nice man," people say. "He never gets angry." The facade always covers its opposite expression. Inside, such a person is full of rage that he dares not acknowledge or show. Some men put up a tough exterior to hide a very sensitive, childlike quality. Even failure can be a role. Many masochistic characters engage in the game of failure to cover an inner feeling of superiority. An outward show of superiority could bring down on them the jealous wrath of the father and the threat of castration. As long as they act like failures they can retain some sexuality, since they are not a threat to her father.

Being faithful and monogamous is not natural for human beings. It takes work. Deep down we all know that. We have all been tempted to stray at some point or another. Even when it was only a fleeting thought and we didn't act on it. Every time we acknowledge that someone of the opposite sex is "attractive" or "sexy" we are doing nothing other than pointing out that they would be a suitable mate. Not acting on that natural impulse to want to mate with a viable mating partner requires a conscious decision. It's a constant struggle between what your body wants, and what the civilized part of your brain says you should do, in order to avoid the negative consequences of cheating on your spouse and ruining your long-term relationship. That's why affairs, and extra-marital sex, are often referred to as "a moment of weakness.

Personally, if I were trying to discourage people from smoking, my sign would be a little different. In fact, I might even go too far in the opposite direction. My sign would say something like, "Smoke if you wish. But if you do, be prepared for the following series of events: First, we will confiscate your cigarette and extinguish it somewhere on the surface of your skin. We will then run you nicotine-stained fingers through a paper shredder and throw them into the street, where wild dogs will swallow them and then regurgitate them into the sewers, so that infected rats can further soil them before they're flushed out to sea with the rest of the city's filth. After such time, we will sysematically seek out your friends and loved one and destroy their lives." Wouldn't you like to see a sign like that?

It began to seem that one would have to hold in the mind forever two ideas which seemed to be in opposition. The first idea was acceptance, the acceptance, totally without rancor, of life as it is, and men as they are: in the light of this idea, it goes without saying that injustice is a commonplace. But this did not mean that one could be complacent, for the second idea was of equal power: that one must never, in one's own life, accept these injustices as commonplace but must fight them with all one's strength. This fight begins, however, in the heart and it now had been laid to my charge to keep my own heart free of hatred and despair. This intimation made my heart heavy and, now that my father was irrecoverable, I wished that he had been beside me so that I could have searched his face for the answers which only the future would give me now.

Perfectionism is a particularly evil lure for women, who, I believe, hold themselves to an even higher standard of performance than do men. There are many reasons why women’s voices and visions are not more widely represented today in creative fields. Some of that exclusion is due to regular old misogyny, but it’s also true that—all too often—women are the ones holding themselves back from participating in the first place. Holding back their ideas, holding back their contributions, holding back their leadership and their talents. Too many women still seem to believe that they are not allowed to put themselves forward at all, until both they and their work are perfect and beyond criticism. Meanwhile, putting forth work that is far from perfect rarely stops men from participating in the global cultural conversation. Just sayin’. And I don’t say this as a criticism of men, by the way. I like that feature in men—their absurd overconfidence, the way they will casually decide, “Well, I’m 41 percent qualified for this task, so give me the job!” Yes, sometimes the results are ridiculous and disastrous, but sometimes, strangely enough, it works—a man who seems not ready for the task, not good enough for the task, somehow grows immediately into his potential through the wild leap of faith itself. I only wish more women would risk these same kinds of wild leaps. But I’ve watched too many women do the opposite. I’ve watched far too many brilliant and gifted female creators say, “I am 99.8 percent qualified for this task, but until I master that last smidgen of ability, I will hold myself back, just to be on the safe side.” Now, I cannot imagine where women ever got the idea that they must be perfect in order to be loved or successful. (Ha ha ha! Just kidding! I can totally imagine: We got it from every single message society has ever sent us! Thanks, all of human history!) But we women must break this habit in ourselves—and we are the only ones who can break it. We must understand that the drive for perfectionism is a corrosive waste of time, because nothing is ever beyond criticism. No matter how many hours you spend attempting to render something flawless, somebody will always be able to find fault with it. (There are people out there who still consider Beethoven’s symphonies a little bit too, you know, loud.) At some point, you really just have to finish your work and release it as is—if only so that you can go on to make other things with a glad and determined heart. Which is the entire point. Or should be.

When the woman you live with is an artist, every day is a surprise. Clare has turned the second bedroom into a wonder cabinet, full of small sculptures and drawings pinned up on every inch of wall space. There are coils of wire and rolls of paper tucked into shelves and drawers. The sculptures remind me of kites, or model airplanes. I say this to Clare one evening, standing in the doorway of her studio in my suit and tie, home from work, about to begin making dinner, and she throws one at me; it flies surprisingly well, and soon we are standing at opposite ends of the hall, tossing tiny sculptures at each other, testing their aerodynamics. The next day I come home to find that Clare has created a flock of paper and wire birds, which are hanging from the ceiling in the living room. A week later our bedroom windows are full of abstract blue translucent shapes that the sun throws across the room onto the walls, making a sky for the bird shapes Clare has painted there. It's beautiful. The next evening I'm standing in the doorway of Clare's studio, watching her finish drawing a thicket of black lines around a little red bird. Suddenly I see Clare, in her small room, closed in by all her stuff, and I realize that she's trying to say something, and I know what I have to do.

Everything dies eventually. We all know that. People, cities, whole civilizations. Nothing lasts. So if existence was just binary, dead or alive, here or not here, what would be the fucking point in anything?" She looks up at some falling leaves and puts out her hand to catch one, a flaming red maple. "My mom used to say that's why we have memory. And the opposite of memory - hope. So things that are gone can still matter. So we can build off our pasts and make futures." She twirls the leaf in front of her face, back and forth. "Mom said life only makes any sense if we can see time how God does. Past, present and future all at once." I allow myself to look at Julie. She sees my tears and tries to wipe one away. "So what's the future?" I ask, not flinching as her fingers brush my eye. "I can see the past and the present, but what's the future?" "Well . . . ," she says with a broken laugh. "I guess that's the tricky part. The past is made out of facts . . . I guess the future is just hope." "Or fear." "No." She shakes her head firmly and sticks the leaf in my hair. "Hope.

We feel that to reveal embarrassing or private things, like, say, masturbatory habits (for me, about once a day, usually in the shower), we have given someone something, that, like a primitive person fearing that a photographer will steal his soul, we identify our secrets, our pasts and their blotches, with our identity, that revealing our habits or losses or deeds somehow makes one less of oneself. But it's just the opposite, more is more is more—more bleeding, more giving. These things, details, stories, whatever, are like the skin shed by snakes, who leave theirs for anyone to see. What does he care where it is, who sees it, this snake, and his skin? He leaves it where he molts. Hours, days or months later, we come across a snake's long-shed skin and we know something of the snake, we know that it's of this approximate girth and that approximate length, but we know very little else. Do we know where the snake is now? What the snake is thinking now? No. By now the snake could be wearing fur; the snake could be selling pencils in Hanoi. The skin is no longer his, he wore it because it grew from him, but then it dried and slipped off and he and everyone could look at it.

I do not think that life will change for the better without an assault on the Establishment, which goes on exploiting the wretched of the earth. This belief lies at the heart of the concept of revolutionary suicide. Thus it is better to oppose the forces that would drive me to self-murder than to endure them. Although I risk the likelihood of death, there is at least the possibility, if not the probability, of changing intolerable conditions. This possibility is important, because much in human existence is based upon hope without any real understanding of the odds. Indeed, we are all—Black and white alike—ill in the same way, mortally ill. But before we die, how shall we live? I say with hope and dignity; and if premature death is the result, that death has a meaning reactionary suicide can never have. It is the price of self-respect. Revolutionary suicide does not mean that I and my comrades have a death wish; it means just the opposite. We have such a strong desire to live with hope and human dignity that existence without them is impossible. When reactionary forces crush us, we must move against these forces, even at the risk of death. We will have to be driven out with a stick.

What is politics, after all, but the compulsion to preside over property and make other peoples' decisions for them? Liberty, the very opposite of ownership and control, cannot, then, result from political action, either at the polls or the barricades, but rather evolves out of attitude. If it results from anything, it may be levity. If civilization is ever going to be anything but a grandiose pratfall, anything more than a can of deodorizer in the sh*thouse of existence, the people are going to have to concern themselves with magic and poetry. Reality is subjective, and there's an unenlightened tendency in this culture to regard something as 'important' only if it's sober and severe. Your Cheerful Dumb are not so much happy as lobotomized. But your Gloomy Smart are just as ridiculous. When you're unhappy, you get to pay a lot of attention to yourself. And you get to take yourself oh so very seriously. Your truly happy people, which is to say, your people who truly LIKE themselves, they don't think about themselves very much. Your unhappy person resents it when you try to cheer him up, because that means he has to stop dwelling on himself and start paying attention to the universe. Unhappiness is the ultimate form of self-indulgence. Humanity has advanced, when it has advanced, not because it has been sober, responsible, and cautious, but because it has been playful, rebellious, and immature.

These are the voices which we hear in solitude, but they grow faint and inaudible as we enter into the world. Society everywhere is in conspiracy against the manhood of every one of its members. Society is a joint stock company in which the members agree for the better securing of his bread to each shareholder, to surrender the liberty and culture of the eater. The virtue in most request is conformity. Self-reliance is its aversion. It [That is, conformity.] loves not realities and creators, but names and customs. "Whoso would be a man must be a nonconformist. He who would gather immortal palms must not be hindered by the name of goodness, but must explore if it be goodness. Nothing is at last sacred but the integrity of our own mind. Absolve you to yourself, and you shall have the suffrage of the world. I remember an answer which when quite young I was prompted to make to a valued adviser who was wont to importune me with the dear old doctrines of the church. On my saying, What have I to do with the sacredness of traditions, if I live wholly from within? my friend suggested--'But these impulses may be from below, not from above.' I replied, 'They do not seem to me to be such; but if I am the devil's child, I will live them from the devil.' No law can be sacred to me but that of my nature. Good and bad are but names very readily transferable to that or this; the only right is what is after my constitution, the only wrong what is against it. A man is to carry himself in the presence of all opposition as if everything were titular and ephemeral but he. I am ashamed to think how easily we capitulate to badges and names, to large societies and dead institutions. Every decent an well-spoken individual affects and sways me more than is right. I ought to go upright and vital, and speak the rude truth in all ways.

So it hadn’t been wrong or dishonest of her to say no this morning, when he asked if she hated him, any more than it had been wrong or dishonest to serve him the elaborate breakfast and to show the elaborate interest in his work, and to kiss him goodbye. The kiss, for that matter, had been exactly right—a perfectly fair, friendly kiss, a kiss for a boy you’d just met at a party, a boy who’d danced with you and made you laugh and walked you home afterwards, talking about himself all the way. The only real mistake, the only wrong and dishonest thing, was ever to have seen him as anything more than that. Oh, for a month or two, just for fun, it might be all right to play a game like that with a boy; but all these years! And all because, in a sentimentally lonely time long ago, she had found it easy and agreeable to believe whatever this one particular boy felt like saying, and to repay him for that pleasure by telling easy, agreeable lies of her own, until each was saying what the other most wanted to hear—until he was saying “I love you” and she was saying “Really, I mean it; you’re the most interesting person I’ve ever met.” What a subtle, treacherous thing it was to let yourself go that way! Because once you’d started it was terribly difficult to stop; soon you were saying “I’m sorry, of course you’re right,” and “Whatever you think is best,” and “You’re the most wonderful and valuable thing in the world,” and the next thing you knew all honesty, all truth, was as far away and glimmering, as hopelessly unattainable as the world of the golden people. Then you discovered you were working at life the way the Laurel Players worked at The Petrified Forest, or the way Steve Kovick worked at his drums—earnest and sloppy and full of pretension and all wrong; you found you were saying yes when you meant no, and “We’ve got to be together on this thing” when you meant the very opposite; then you were breathing gasoline as if it were flowers and abandoning yourself to a delirium of love under the weight of a clumsy, grunting, red-faced man you didn’t even like—Shep Campbell!—and then you were face to face, in total darkness, with the knowledge that you didn’t know who you were. (p.416-7)