Leaf Storm Quotes

I have outlasted all desire, My dreams and I have grown apart; My grief alone is left entire, The gleamings of an empty heart. The storms of ruthless dispensation Have struck my flowery garland numb, I live in lonely desolation And wonder when my end will come. Thus on a naked tree-limb, blasted By tardy winter's whistling chill, A single leaf which has outlasted Its season will be trembling still.

Don't give up when dark times come. The more storms you face in life, the stronger you'll be. Hold on. Your greater is coming.

Love, to her, was something hat comes suddenly, like a blinding flash of lightening - a heaven-sent storm hurled into life, uprooting it, sweeping every will before it like a leaf, engulfing all feelings.

I shouldn't have lost my temper that way. It just pricks his pride, makes him dig in his heels." "So why did you?" I asked, genuinely curious. It was rare for Nikolai's emotions to get the best of him. "I don't know," he said, shredding the leaf. "You got angry. I got angry. The room was too damn hot." "I don't think that's it." "Indigestion?" he offered. "It's because you actually care about what happens to this country," I said. "The throne is just a prize to Vasily, something he wants to squabble over like a favorite toy, You're not like that. You'll make a good king." Nikolai froze. "I…" For once, words seemed to have deserted him. Then a crooked, embarrassed smile crept across his face. It was a far cry from his usual self-assured grin. "Thank you," he said. I sighed as we resumed our pace. "You're going to be insufferable now, aren't you?" Nikolai laughed. "I'm already insufferable.

Behind her the sun was still shining, so that every grove and every single tree between her and the storm blazed ardent and vivid, little frail things defying the dark with leaf and twig and fruit and flower.

Time seems to pass. The world happens, unrolling into moments, and you stop to glance at a spider pressed to its web. There is a quickness of light and a sense of things outlined precisely and streaks of running luster on the bay. You know more surely who you are on a strong bright day after a storm when the smallest falling leaf is stabbed with self-awareness. The wind makes a sound in the pines and the world comes into being, irreversibly, and the spider rides the wind-swayed web.

In art, in history man fights his fears, he wants to live forever, he is afraid of death, he wants to work with other men, he wants to live forever. He is like a child afraid of death. The child is afraid of death, of darkness, of solitude. Such simple fears behind all the elaborate constructions. Such simple fears as hunger for light, warmth, love. Such simple fears behind the elaborate constructions of art. Examine them all gently and quietly through the eyes of a boy. There is always a human being lonely, a human being afraid, a human being lost, a human being confused. Concealing and disguising his dependence, his needs, ashamed to say: I am a simple human being in a too vast and complex world. Because of all we have discovered about a leaf...it is still a leaf. Can we relate to a leaf, on a tree, in a park, a simple leaf: green, glistening, sun-bathed or wet, or turning white because the storm is coming. Like the savage, let us look at the leaf wet or shining with sun, or white with fear of the storm, or silvery in the fog, or listless in too great heat, or falling in autumn, dying, reborn each year anew. Learn from the leaf: simplicity. In spite of all we know about the leaf: its nerve structure phyllome cellular papilla parenchyma stomata venation. Keep a human relation -- leaf, man, woman, child. In tenderness. No matter how immense the world, how elaborate, how contradictory, there is always man, woman, child, and the leaf. Humanity makes everything warm and simple. Humanity...

I've lived to see my longings die" I've lived to se my longings die: My dreams and I have grown apart; Now only sorrow haunts my eye, The wages of a bitter heart. Beneath the storms of hostile fate, My flowery wreath has faded fast; I live alone and sadly wait To see when death will come at last. Just so, when the winds in winter moan And snow descends in frigid flakes, Upon a naked branch, alone, The final leaf of summer shakes!

I would rediscover the secret of great communications and great combustions. I would say storm. I would say river. I would say tornado. I would say leaf. I would say tree. I would be drenched by all rains, moistened by all dews. I would roll like frenetic blood on the slow current of the eye of words turned into mad horses into fresh children into clots into curfew into vestiges of temples into precious stones remote enough to discourage miners. Whoever would not understand me would not understand any better the roaring of a tiger.

The wise man believes profoundly in silence, the sign of a perfect equilibrium. Silence is the absolute poise or balance of body, mind, and spirit. The man who preserves his selfhood ever calm and unshaken by the storms of existence - not a leaf, as it were, astir on the tree, not a ripple upon the surface of the shinning pool - his, in the mind of the unlettered sage, is the ideal attitude and conduct of life. Silence is the cornerstone of character.

Your soul is oftentimes a battlefield, upon which your reason and your judgment wage war against your passion and your appetite. Would that I could be the peacemaker in your soul, that I might turn the discord and the rivalry of your elements into oneness and melody. But how shall I, unless you yourselves be also the peacemakers, nay, the lovers of all your elements? Your reason and your passion are the rudder and the sails of your seafaring soul. If either your sails or your rudder be broken, you can but toss and drift, or else be held at a standstill in mid-seas. For reason, ruling alone, is a force confining; and passion, unattended, is a flame that burns to its own destruction. Therefore let your soul exalt your reason to the height of passion, that it may sing; And let it direct your passion with reason, that your passion may live through its own daily resurrection, and like the phoenix rise above its own ashes. I would have you consider your judgment and your appetite even as you would two loved guests in your house. Surely you would not honour one guest above the other; for he who is more mindful of one loses the love and the faith of both. Among the hills, when you sit in the cool shade of the white poplars, sharing the peace and serenity of distant fields and meadows -- then let your heart say in silence, "God rests in reason." And when the storm comes, and the mighty wind shakes the forest, and thunder and lightning proclaim the majesty of the sky -- then let your heart say in awe, "God moves in passion." And since you are a breath in God's sphere, and a leaf in God's forest, you too should rest in reason and move in passion.

As I hear him, I understand that he's not more moronic because of the brandy than he is because of his cowardice.

Perfection" Every oak will lose a leaf to the wind. Every star-thistle has a thorn. Every flower has a blemish. Every wave washes back upon itself. Every ocean embraces a storm. Every raindrop falls with precision. Every slithering snail leaves its silver trail. Every butterfly flies until its wings are torn. Every tree-frog is obligated to sing. Every sound has an echo in the canyon. Every pine drops its needles to the forest floor. Creation's whispered breath at dusk comes with a frost and leaves within dawn's faint mist, for all of existence remains perfect, adorned, with a dead sparrow on the ground. (Poem titled : 'Perfection' by R.H.Peat)

She is a storm; she is a river untamed; untouched she will engulf you; she will shatter you hold her softly; caress her gently she is fragile like a rose petal she is tender like the touch me not leaf she is the warm glow of the morning sun she is the magic of a full moon night

Shine on me, sunshine Rain on me, rain Fall softly, dewdrops And cool my brow again. Storm, blow me from here With your fiercest wind Let me float across the sky ’Til I can rest again. Fall gently, snowflakes Cover me with white Cold icy kisses and Let me rest tonight. Sun, rain, curving sky Mountain, oceans, leaf and stone Star shine, moon glow You’re all that I can call my own.

I would like to hold your hand as it holds this green leaf, yellowed, that fell early from its tree, this Autumn. And I would like to imagine that it feels your careful care, for your eyes are warmed by your heart, and I would let you sadly nestle into me as a bird folds into its nest, resigning itself to a storm. For my heart is as large as a city, and it glows with the fire that, with the right mischievous love, shall serve to inspire thousands upon thousands to inspire thousands upon thousands.

Never thought I'd see the day where a leaf beat a plank of wood.

He must have found that bastard under a cabbage leaf, then,

She is a storm; she is a river untamed; untouched She will engulf you; she will shatter you hold her softly; caress her gently She is fragile like a rose petal She is tender like the touch me not leaf She is the warm glow of the morning sun She is the magic of a full moon light.

Rozealle she is a storm; she is a river untamed; untouched she will engulf you; she will shatter you hold her softly; caress her gently she is fragile like a rose petal she is tender like the touch me not leaf she is the warm glow of the morning sun she is the magic of a full moon night!

Judge Knight: Here's a word of advice. Our Sun Knight has the nerve to PLOT THE DOWNFALL OF A KING. DO NOT get on his bad side if you don't have a status higher than that. Storm Knight: In addition he has mastered the Resurrection Spell, which even the Pope has a hard time with. And he's an expert of divine magic, sorcery, and necromancy. Then he's got a teacher who's known as 'the strongest Sun Knight in history' as his supporter, not to mention his other teacher who's no doubt a necromancer... Oh, and while we're at it he's probably also buddies with a Death Lord. Everyone's Thoughts: His extraordinarily bad swordsmanship really is a stroke of good fortune. Earth Knight: Dammit! Is he the Sun Knight or the devil himself?! Leaf Knight: Have you forgotten what our teachers taught us all throughout our childhood, Earth? Teacher: 'Child, when you accidentlly discover the imperfections of the Sun Knight, unless you want to have a first hand experience of his imperfections, you'd better dutifully admit he is perfect. Remember, no matter what the Sun Knight is always perfect!

I've lived to see my longings die I've lived to see my longings die: My dreams and I have grown apart; Now only sorrow haunts my eye, The wages of a bitter heart. Beneath the storms of hostile fate, My flowery wreath has faded fast; I live alone and sadly wait To see when death will come at last. Just so, when the winds in winter moan And snow descends in frigid flakes, Upon a naked branch, alone, The final leaf of summer shakes!...

Storm H. D., 1886 - 1961 You crash over the trees, you crack the live branch— the branch is white, the green crushed, each leaf is rent like split wood. You burden the trees with black drops, you swirl and crash— you have broken off a weighted leaf in the wind, it is hurled out, whirls up and sinks, a green stone.

Everyone will have gone then except us, because we're tied to this soil by a roomful of trunks where the household goods and clothing of grandparents are kept, and the canopies that my parenrs' horses used when they came to Macondo, fleeing from the war. We've been sown into this soil by the memory of the remote dead whose bones can no longer be found twenty fathoms under the earth. The trunks have been in the room ever since the last days of the war; and they'll be there this afternoon when we come back from the burial, if that final wind hasn't passed, the one that will sweep away Macondo, its bedrooms full of lizards and its silent people devastated by memories.

Who knows where it is, the face I would call my own if not in the mirror that faces me? It is enough that it exists. Whether flowing secretly in the veins of a leaf, blowing in the dust of a storm, or gleaming in a sunset cloud… So, do not weep lonely mirror Nothing is as complete as emptiness Nothing as loud as the silence that speaks.

Even a fallen leaf can shelter a bug from the storm.

I'm a leaf / Look at me on my branch / A terrible storm / Came and knocked me off / The day you see me fall / Is not the day I die

A leaf has no power to resist when the wind blows, but when life’s storms rage, you do.

Nothing in this world can be more fearsome than the ruins of a man.

Roman, his breath hoarse and ragged, his body trembling like a leaf in an autumn storm, hugged himself in unspeakable fear as the thing’s face finally came into view: two round empty eyes in which sable night roiled forever and a gaping mouth that hungered for his very soul. It was the cucu, come at last to claim its prize, the life of a child who defied the dark.

How could the sidewalk’s impassable leaf-strewn lagoons and the grassy little yards oozing from the flood of the downspouts exude a smell that roused my delight as if I’d been born in a tropical rain forest? Tinged with the bright after-storm light, Summit Avenue was as agleam with life as a pet, my own silky, pulsating pet, washed clean by sheets of falling water and now stretched its full length to bask in the bliss.

Now dumb is he who waked the world to speak, And voiceless hangs the world beside his bier, Our words are sobs, our cry or praise a tear: We are the smitten mortal, we the weak. We see a spirit on earth's loftiest peak Shine, and wing hence the way he makes more clear: See a great Tree of Life that never sere Dropped leaf for aught that age or storms might wreak; Such ending is not death: such living shows What wide illumination brightness sheds From one big heart,—to conquer man's old foes: The coward, and the tyrant, and the force Of all those weedy monsters raising heads When Song is muck from springs of turbid source. —G EORGE M EREDITH.

I will always come for you, Leaf. Cry out in pain, and I'll be there. Call my name, and I will raze entire cities to get to you. It will always be this way until desert sand fills my throat and I take my final choked breath.

Rarely, rarely comest thou, Spirit of Delight! Wherefore hast thou left me now Many a day and night? Many a weary night and day 'Tis since thou art fled away. How shall ever one like me Win thee back again? With the joyous and the free Thou wilt scoff at pain. Spirit false! thou hast forgot All but those who need thee not. As a lizard with the shade Of a trembling leaf, Thou with sorrow art dismayed; Even the sighs of grief Reproach thee, that thou art not near, And reproach thou wilt not hear. Let me set my mournful ditty To a merry measure;-- Thou wilt never come for pity, Thou wilt come for pleasure; Pity then will cut away Those cruel wings, and thou wilt stay. I love all that thou lovest, Spirit of Delight! The fresh Earth in new leaves dressed, And the starry night; Autumn evening, and the morn When the golden mists are born. I love snow and all the forms Of the radiant frost; I love waves, and winds, and storms, Everything almost Which is Nature's, and may be Untainted by man's misery. I love tranquil solitude, And such society As is quiet, wise, and good; Between thee and me What difference? but thou dost possess The things I seek, not love them less. I love Love--though he has wings, And like light can flee, But above all other things, Spirit, I love thee-- Thou art love and life! O come! Make once more my heart thy home!

I do love a good tree. There it stands so strong and sturdy, and yet so beautiful, a very type of the best sort of man. How proudly it lifts its bare head to the winter storms, and with what a full heart it rejoices when the spring has come again! How grand its voice is, too, when it talks with the wind: a thousand aeolian harps cannot equal the beauty of the sighing of a great tree in leaf. All day it points to the sunshine and all night to the stars, and thus passionless, and yet full of life, it endures through the centuries, come storm, come shine, drawing its sustenance from the cool bosom of its mother earth, and as the slow years roll by, learning the great mysteries of growth and of decay. And so on and on through generations, outliving individuals, customs, dynasties -- all save the landscape it adorns and human nature -- till the appointed day when the wind wins the long battle and rejoices over a reclaimed space, or decay puts the last stroke to his fungus-fingered work. Ah, one should always think twice before one cuts down a tree!

I come from the depths of infinity and from all directions of space-time. I traveled through dark tunnels, went through solar storms. I went straight, circled, parallel, rotated as a spiral. Cosmic clouds trapped me and escaped from them. Avoided collisions with meteories. I was helped by exotic particles, neutron stars and the love of gravity. Every leaf, every flower, every mountain and lake, every cloud and every star and every atom recognize me and greet me. I feel that i have live for million lifetimes. Who am i? What is my purpose? Last night i sent a question into universe, asking ”who am i or am i not? The universe responded immediately: ”You asked me the same thing billions of years ago. And then and now i answer: You’re the smile of no birth and no death, The Hidden Law!

In Green Grandeur by Stewart Stafford Under towers of green pillars, Grow those leafed palaces, Stretching out their tall limbs, Up skyward in thanksgiving. Saplings with peacock foliage, A forest floor carpeted thickly, With dead leaves, kindling and, Subterranean roots peeking out. Storm-crooked trunks stooping, To the lightning-shattered bows, Fingers of dying sunlight reach, To caress the ivy-entwined bark. © Stewart Stafford, 2022. All rights reserved

He could be heard moving about in his room with a tormented and maddening insistence, as if on those nights he was receiving the ghost of the man he had been until then, and both of the them, the past man and the present one, were locked in a silent struggle in which the past one was defending his wrathful solitude, his invulnerable standoffish way, his intransigent manners; and the present one his terrible and unchangeable will to free himself from his own previous man.

Kiyoaki and Honda were perhaps as different in their makuep as the flower and the leaf of a single plant. Kiyoaki was incapable of hiding his true nature, and he was defenceless against society's power to inflict pain. His still unawakened sensuality lay dormant within him, unprotected as a puppy in a March rain, body shivering, eyes and nose pelted with water. Honda, on the other hand, had quite early in life grasped where the danger lay, choosing to shelter from all storms, whatever their attraction.

But only a short time passed before I began to realize that something extraordinary was happening to him at night. He could be heard moving about in his room with a tormented and maddening insistence, as if on those nights he was receiving the ghost of the man he had been until then, and both of them, the past man and the present one, were locked in a silent struggle in which the past one was defending his wrathful solitude, his invulnerable standoffish way, his intransigent manners; and the present one his terrible and unchangeable will to free himself from his own previous man.

A Storm In April" Some winters, taking leave, Deal us a last, hard blow, Salting the ground like Carthage Before they will go. But the bright, milling snow Which throngs the air today— It is a way of leaving So as to stay. The light flakes do not weigh The willows down, but sift Through the white catkins, loose As petal-drift Or in an up-draft lift And glitter at a height, Dazzling as summer’s leaf-stir Chinked with light. This storm, if I am right, Will not be wholly over Till green fields, here and there, Turn white with clover, And through chill air the puffs of milkweed hover.

The forest reveals what was in the seed. The hen reveals what was in the egg. The storm reveals what was in the clouds. The light reveals what was in the star. The perfume reveals what was in the flower. The honey reveals what was in the bee. The fruit reveals what was in the tree. The rose reveals what was in the thorn. The web reveals what was in the spider. The butterfly reveals what was in the caterpillar. The venom reveals what was in the serpent. The pearl reveals what was in the oyster. The diamond reveals what was in the rock. The flame reveals what was in the spark. The nest reveals what was in the bird. The roar reveals what was in the lion. The leaf reveals what was in the plant. The fire reveals what was in the wood. The droplet reveals what was in the ocean. The rainbow reveals what was in the storm. The ocean reveals what was in the shark. The desert reveals what was in the camel. The sky reveals what was in the eagle. The jungle reveals what was in the elephant. The team reveals what was in the coach. The flock reveals what was in the shepherd. The crew reveals what was in the captain. The army reveals what was in the general. The tower reveals what was in the architect. The sculpture reveals what was in the sculptor. The painting reveals what was in the painter. The symphony reveals what was in the composer. The sensation reveals what was in the body. The tongue reveals what was in the mind. The action reveals what was in the heart. The character reveals what was in the soul. Spring reveals what was in winter. Summer reveals what was in spring. Autumn reveals what was in summer. Summer reveals what was in spring. The past reveals what was in the beginning. The present reveals what was in the past. The future reveals what was in the present. The afterlife reveals what was in the future.

Ode to the West Wind I O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o’er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, oh hear! II Thou on whose stream, mid the steep sky’s commotion, Loose clouds like earth’s decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine aëry surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith’s height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: oh hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lull’d by the coil of his crystàlline streams, Beside a pumice isle in Baiae’s bay, And saw in sleep old palaces and towers Quivering within the wave’s intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic’s level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear, And tremble and despoil themselves: oh hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over Heaven, As then, when to outstrip thy skiey speed Scarce seem’d a vision; I would ne’er have striven As thus with thee in prayer in my sore need. Oh, lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain’d and bow’d One too like thee: tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither’d leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish’d hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken’d earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?

Finally, I have come to realise that an imperfect Life is actually the most perfect Life. I have come to see how Life is beautiful in all its colours, more so because the shades of grey bind them and paint them with even more radiance. A clear sky is always beautiful but what if we never have rain or storm? Sunshine is always wonderful but what if we never have the soothing dusk or the cold night to coil in our own misty self? Storms that come to jolt us often leave us with more courage as we sail along the gust to chase a silver lining. The scorching heat that chokes us often makes us wait more eagerly for that balm of rain. So is Life, in all those moments of sunset we have the hope of the following sunrise, and if we may wait and absorb all that crumbling ray of that sunset we would be able to paint our sunrise with even more crimson smile. Because just like a story, nothing in Life is really concrete without patience. We cannot skip pages of a book because each line contains just so much to seep in, and to have the story fully lived inside our heart and soul we have to keep reading until the very end to feel that sense of peaceful happiness, that always clutches us no matter how the ending is drafted. In the same manner, we have to keep walking through Life, as each and every step of ours leads us to the destination of our Life, the destination of peace, the destination of knowledge of self. The best part of this walk is that it is never a straight line, but is always filled with curves and turns, making us aware of our spirit, laughing loud at times while mourning deep at times. But that is what Life is all about, a bunch of imperfect moments to smile as perfect memories sailing through the potholes of Life, because a straight line even in the world of science means death, after all monotony of perfection is the most cold imperfection. So as we walk through difficult times, may we realise that this sunset is not forever's and that the winter often makes us more aware of the spring. As we drive through a dark night, may we halt for a moment and watch for the stars, the smile of the very stars of gratitude and love that is always there even in the darkest sky of the gloomiest night. As we sail along the ship of Life, may we remember that the winds often guide us to our destination and the storms only come to make our voyage even more adventurous, while the rain clears the cloud so that we may gaze at the full glory of the sky above, with a perfect smile through a voyage of imperfect moments of forever's shine. And so as we keep turning the pages of Life, may we remember to wear that Smile, through every leaf of Life, for Life is rooted in the blooming foliage of its imperfect perfection.

Charlie Pop is 15 years old. He has 2 dogs: Bruno and Rex. He lives with his parents Kath and Ron. Today is the 22nd April 2025. Charlie and his friends have been going to the Landfawcett space bowling club all their lives. Charlie’s friends are called Harry Em, Eric Tweet, Paul Key, Robert Storm, Chris Leaf, Jay Laugh, Darren Rain and Tom Breeze. They all have short hair and dress casually especially Ben Steps and George Sing. Jake Train is the cleverest of them all. He has invented a secret waterproof wireless finger camera that takes photographs; it is attached to Charlie and his friend’s fingers. Rex and Bruno have a camera attached to the fur on their heads. Images are shared with each other from the app recording onto their phones and laptops. It is their space bowling tournament today.

Statement Preliminary to the Invention of Solace Whether they bend as compliantly as black leaves Curved and hanging in the heavy dew in the grey dawn, Or whether they wait as motionless as ice-coated Insects and spears of roots on a northern cliff; Whether they tighten once like the last white edge Of primrose taken suddenly skyward By a gust of frost, or swallow as hard as stones Careened and scattered by a current of river; Whether they mourn by the bright light of grief Running like a spine of grass straight through the sound Of their songs, or whether they fall quietly Through indefinite darkness like a seed of sorrel Bound alive beneath snow; whether they mourn in multitudes, blessed like a congregation of winter forest moaning for the white drifting children of storms they can never remember, or whether they grieve separately, divided even from themselves, parted like golden plovers blown and calling over a buffeted sea; something must come to them, something as clear and fair and continuous as the eye of the bluegill open in calm water, something as silent as the essential spaces of breath heard inside the voice naming all of their wishes, something touching them in the same way the sun deep in the pit of the pear touches the spring sky by the light of its own leaf. A comfort understood like that must be present now and possible.

1. For the space of one entire month (from full moon to full moon), a single leaf from a Mandrake must be carried constantly in the mouth. The leaf must not be swallowed or taken out of the mouth at any point. If the leaf is removed from the mouth, the process must be started again. 2. Remove the leaf at the full moon and place it, steeped in your saliva, in a small crystal phial that receives the pure rays of the moon (if the night is cloudy, you will have to find a new Mandrake leaf and begin the whole process again). To the moon-struck crystal phial, add one of your own hairs, a silver teaspoon of dew collected from a place that neither sunlight nor human feet have touched for a full seven days, and the chrysalis of a Death’s-head Hawk Moth. Put this mixture in a quiet, dark place and do not look at it or otherwise disturb it until the next electrical storm. 3. While waiting for the storm, the following procedure should be followed at sunrise and sundown. The tip of the wand should be placed over the heart and the following incantation spoken: ‘Amato Animo Animato Animagus.’ 4. The wait for a storm may take weeks, months or even years. During this time, the crystal phial should remain completely undisturbed and untouched by sunlight. Contamination by sunlight gives rise to the worst mutations. Resist the temptation to look at your potion until lightning occurs. If you continue to repeat your incantation at sunrise and sunset there will come a time when, with the touch of the wand-tip to the chest, a second heartbeat may be sensed, sometimes more powerful than the first, sometimes less so. Nothing should be changed. The incantation should be uttered without fail at the correct times, never omitting a single occasion. 5. Immediately upon the appearance of lightning in the sky, proceed directly to the place where your crystal phial is hidden. If you have followed all the preceding steps correctly, you will discover a mouthful of blood-red potion inside it.

who nodded as well. The relief hit Clearsight so hard, she nearly had to lie down again. But the dragons beckoned her to follow them, and they all took off, flying cautiously through the storm-tossed treetops. Dragons appeared between the leaves as she swept through the forest with her two companions, all of them watching her with startled curiosity. Most of them were dark green and brown with leaf-shaped wings. That’s their name in Dragon, she realized from a new cascade of visions. LeafWings. But about a quarter of them were the other tribe, the one Clearsight didn’t have a name for yet, and those glittered like jewels on the branches: gold and blue and purple and orange and every color of the rainbow. She saw a tiny lavender dragonet clinging to a branch, and for a moment Clearsight was alarmed to see that she didn’t have any wings. Then she spotted little wingbuds on the dragonet’s back and remembered—or foresaw, or remembered foreseeing—that the glittering tribe grew their wings a few years after hatching. Growing up wingless . . . that must be so strange. Clearsight’s mind flashed to that other vision, the horrible one, where this dragonet had been one of the many bodies left in the hurricane wreckage. But instead, tomorrow the little dragon would wake up and chase butterflies in the sunlight, complaining that she wanted blackberries for breakfast. I saved her. I did something right. The green dragon called out in a booming voice like a bell tolling. Whatever he said, the dragons around them repeated it, passing it along. Clearsight could hear the echoes of other dragon voices rolling through the forest. She felt the drumming wingbeats behind her as both tribes rose into the air and followed them to safety. “You save us,” said the shimmering dragon, looping around to fly beside Clearsight. He smiled at her again. “You safe now, too.” Maybe I am, she thought. I stopped Darkstalker. I saved Fathom, and the NightWings, and my parents. And now I’ve found a new home, with new dragons to save. I can help them with my visions. I can do everything right this time. New futures exploded in her mind. She might marry this kind, funny dragon, whose name would turn out to be Sunstreak. Or she could end up with a dragon she’d meet in three days, while helping to clean up the forest, whose gentle green eyes were nothing like Darkstalker’s.

Chapter 1 Death on the Doorstep LIVY HINGE’S AUNT lay dying in the back yard, which Aunt Neala thought was darned inconvenient. “Nebula!” she called, hoping her weakened voice would reach the barn where that lazy cat was no doubt taking a nap. If Neala had the energy to get up and tap her foot she would. If only that wretched elf hadn’t attacked her, she’d have made her delivery by now. Instead she lay dying. She willed her heart to take its time spreading the poison. Her heart, being just as stubborn as its owner, ignored her and raced on. A cat with a swirling orange pattern on its back ran straight to Neala and nuzzled her face. “Nebula!” She was relieved the cat had overcome its tendency to do the exact opposite of whatever was most wanted of it. Reaching into her bag, Neala pulled out a delicate leaf made of silver. She fought to keep one eye cracked open to make sure the cat knew what to do. The cat took the leaf in its teeth and ran back toward the barn. It was important that Neala stay alive long enough for the cat to hide the leaf. The moment Neala gave up the ghost, the cat would vanish from this world and return to her master. Satisfied, Neala turned her aching head toward the farmhouse where her brother’s family was nestled securely inside. Smoke curled carelessly from the old chimney in blissful ignorance of the peril that lay just beyond the yard. The shimmershield Neala had created around the property was the only thing keeping her dear ones safe. A sheet hung limply from a branch of the tree that stood sentinel in the back of the house. It was Halloween and the sheet was meant to be a ghost, but without the wind it only managed to look like old laundry. Neala’s eyes followed the sturdy branch to Livy’s bedroom window. She knew what her failure to deliver the leaf meant. The elves would try again. This time, they would choose someone young enough to be at the peak of their day dreaming powers. A druid of the Hinge bloodline, about Livy’s age. Poor Livy, who had no idea what she was. Well, that would change soon enough. Neala could do nothing about that now. Her willful eyes finally closed. In the wake of her last breath a storm rose up, bringing with it frightful wind and lightning. The sheet tore free from the branch and flew away. The kitchen door banged open. Livy Hinge, who had been told to secure the barn against the storm, found her lifeless aunt at the edge of the yard. ☐☐☐ A year later, Livy still couldn’t think about Aunt Neala without feeling the memories bite at her, as though they only wanted to be left alone. Thankfully, Livy wasn’t concerned about her aunt at the moment. Right now, Rudus Brutemel was going to get what was coming to him. Hugh, Livy’s twin, sat next to her on the bus. His nose was buried in a spelling book. The bus lurched dangerously close to their stop. If they waited any longer, they’d miss their chance. She looked over her shoulder to make sure Rudus was watching. Opening her backpack, she made a show of removing a bologna sandwich with thick slices of soft homemade bread. Hugh studied the book like it was the last thing he might ever see. Livy nudged him. He tore his eyes from his book and delivered his lines as though he were reading them. “Hey, can I have some? I’m starving.” At least he could make his stomach growl on demand.

Death is a friend we have not met, a voice we have not heard, a face we have not seen. Death is a slipping away, a going beyond a stepping through. It is a fading, as light slips from the sky at dusk, tenderly, and with a silent beauty. It is a leaf caught in the current, too far for us to reach from shore. It is a ship setting sail at dawn, to lands we do not know, and with friends we cannot follow. It is a bird set free from a cage, flying one last flight across our horizon before we lose it to the clouds. Death is the fall of a rose, the drop of a sparrow, the sigh of a barren bough. It is a letting go, a quieting of fear, and a haven from pain. Death is a coming home after a long journey. It is a safe harbor after many storms, and a sweet quiet rest after great labor. Death is a road we have not walked. a place we have not seen, a friend we have not met. It is a going and a coming, a departure, and an arrival. an end and a beginning.

We produce a lot of energy all the time which reflect and affect everything around us. The power of negative energy is a lot more than the positive. What we fail to understand - the energy is ineffective without our reactions and we as the stimulator are more powerful to turn the negative force into the positive. Circumstances in our life, sometimes, push us to the edge and ask us to fail just like a storm. It carries stones, sharp objects and dust to blind our vision. The harder you try to stand still, the more cuts and scars you will get from the objects. And if you loose yourself, you will fly away like a leaf in the storm.. Hard decision to make. Scars or death. In any case, you're the wall to direct the negative energy to positive. Construct or destruct. Do it, your way.

When something moves you can tell that time has passed. Not till then. Until something moves time is eternal ... That's why time doesn't pass for the hanged man: because even if the child's hand moves, he doesn't know it.

Throne In Confusion by Stewart Stafford The sacked castle casts smoke on the lake, Cinders’ glow distinguishes it from the mist, The only gallows the noble knights adorned, Were ones lowering them onto their steeds. Thundering warhorses charged the enemy, Storming across such a gallant battlefield, Mortal combat with axe, blade and sword, For king, country and all of Heaven’s glory. Intruders rush over a downed drawbridge, Rotten and riddled in darkness incarnate, To a peregrinating, riderless throne room, A neophyte sovereign in gold leaf crown. © Stewart Stafford, 2022. All rights reserved.

Even as the leaves are falling, the buds of next year’s crop are already in place, waiting to erupt again in spring. Most trees produce their buds in high summer, and the autumn leaf fall reveals them, neat and expectant, protected from the cold by thick scales. We rarely notice them because we think we’re seeing the skeleton of the tree, a dead thing until the sun returns./ The tree is waiting. It has everything ready. It’s fallen leaves are mulching the forest floor, and its roots are drawing up the extra winter moisture, providing a firm anchor against seasonal storms. Its ripe cones and nuts are providing essential food in this scarce time for mice and squirrels, and its bark is hosting hibernating insects and providing a source of nourishment for hungry deer. It is far from dead. It is in fact the life and soul of the wood. It’s just getting on with it quietly. It will not burst into life in the spring. It will just put on a new coat and face the world again.

In the midst of that blizzard, that tempest of unknown faces, of awnings along the public way, of men changing clothes in the street, of women with open parasols sitting on trunks, and of mule after abandoned mule dying of hunger on the block by the hotel, the first of us came to be the last; we were the outsiders, the newcomers. After the war, when we came

The unexpected will happen, but if you have a good team, you can paddle through the storm even if you are in a little boat.

Seeing is of course very much a matter of verbalization. Unless I call my attention to what passes before my eyes, I simply won’t see it. It is, as Ruskin says, “not merely unnoticed, but in the full clear sense of the word, unseen.” If Tinker Mountain erupted, I’d be likely to notice. But if I want to notice the lesser cataclysms of valley life, I have to maintain in my head a running description of the present…when I see this way I analyze and pry. I hurl over logs and roll away stones; I study the bank a square foot at a time, probing and tilting my head. Some days when the mist covers the mountains, when the muskrats won’t show and the microscope’s mirror shatters, I want to climb up the blank blue dome as a man would storm the inside of a circus tent, wildly, dangling, and with a steel knife, claw a rent in the top, peep, and if I must, fall. But there is another kind of seeing that involves a letting go. When I see this way I sway transfixed and emptied. The difference between the two ways of seeing is the difference between walking with and without a camera. When I walk without a camera, my own shutter opens, and the moment’s light prints on my own silver gut. It was sunny one evening last summer at Tinker Creek; the sun was low in the sky, upstream. I was sitting on the sycamore log bridge with the sunset at my back, watching the shiners the size of minnows who were feeding over the muddy bottom…again and again, one fish, then another, turned for a split second and flash! the sun shot out from its silver side. I couldn’t watch for it. It was always just happening somewhere else…so I blurred my eyes and gazed towards the brim of my hat and saw a new world. I saw the pale white circles roll up, roll up like the world’s turning, mute and perfect, and I saw the linear flashes, gleaming silver, like stars being born at random down a rolling scroll of time. Something broke and something opened. I filled up like a new wineskin. I breathed an air like light; I saw a light like water. I was the lip of a fountain the creek filled forever; I was ether, the leaf in the zephyr; I was flesh-flake, feather, bone. When I see this way, I see truly.

События опять едва ползут.

По това време банановата компания ни беше изстискала докрай и беше напуснала Макондо заедно с отпадъците от отпадъците, които ни бе донесла. С тях си беше отишла и окапалата шума, последните следи на цветущото Макондо до 1915 година. Останало бе едно разорено село с четири бедни, тъмни магазина, населено с безработни, озлобени хора, измъчвани от спомена за едно цветущо минало и от горчилката на едно унило, застинало настояще. Нищо друго нямаше тогава в бъдещето освен един мрачен и тревожен неделен ден с избори.

След две седмици Меме беше отворила дюкянчето си и дори си имаше шевна машина. Беше купила нова Domestic с парите, които той натрупа у дома. За мене това беше оскърбление. Така и казах на баща ти. Но макар и да не реагираше на възмущението ми, личеше, че е по-скоро доволен от постъпката си, отколкото разкаян, сякаш беше спасил душата си, противопоставяйки на благоприличието и честта на нашия дом пословичната си търпимост, своето разбиране и великодушие. И дори известно неблагоразумие. Казах му: «Ти хвърли на свинете най-хубавото от убежденията си.» А той, както винаги, ми отвърна: — И това ще проумееш някой ден.

Навярно на този свят няма нищо по-страшно от човешка развалина. Още повече на тоя ничий гражданин, който се надигна в хамака, като ни видя, че влизаме, и самият той изглеждаше покрит със слой от праха, който покриваше всичко в стаята. Главата му беше стоманеносива, а жестоките му жълти очи все още пазеха могъщата вътрешна сила, която бях виждал и у дома. Имах чувството, че стига само да докоснем тялото му с нокът, то ще се разпадне, ще се превърне в купчина човешки стърготини.

And the priestess spoke again and said: “Speak to us of Reason and Passion“ And he answered saying: Your soul is oftentimes a battlefield, upon which your reason and your judgment wage war against passion and your appetite. Would that I could be the peacemaker in your soul, that I might turn the discord and the rivalry of your elements into oneness and melody. But how shall I, unless you yourselves be also the peacemakers, nay, the lovers of all your elements? Your reason and your passion are the rudder and the sails of your seafaring soul. If either your sails or our rudder be broken, you can but toss and drift, or else be held at a standstill in mid-seas. For reason, ruling alone, is a force confining; and passion, unattended, is a flame that burns to its own destruction. Therefore let your soul exalt your reason to the height of passion; that it may sing; And let it direct your passion with reason, that your passion may live through its own daily resurrection, and like the phoenix rise above its own ashes. I would have you consider your judgment and your appetite even as you would two loved guests in your house. Surely you would not honour one guest above the other; for he who is more mindful of one loses the love and the faith of both. Among the hills, when you sit in the cool shade of the white poplars, sharing the peace and serenity of distant fields and meadows – then let your heart say in silence, “God rests in reason.” And when the storm comes, and the mighty wind shakes the forest, and thunder and lightning proclaim the majesty of the sky – then let your heart say in awe, “God moves in passion.” And since you are a breath in God’s sphere, and a leaf in God’s forest, you too should rest in reason and move in passion.

A leaf does not cease to be a leaf merely because a storm tore it from the tree.

Listen to the leaves for they sing the song of trees....how the trunk carries the story of the storms it withstood, the battles it fought with grace and silence yet stand tall, holding it in one piece....

The eye sees, the thought flies The eye tells, the thought denies [SECOND OBSERVER] I will prepare for your returning Is there no other way? [FIRST OBSERVER] The word falls, the heart cries The heart knows the word's disguise [SECOND OBSERVER] I shall expect you then at evening Is there no other way? [FIRST OBSERVER] The bird sings, the wind sighs The air stirs, the bird shies A storm approaches [SECOND OBSERVER] There must be other ways... [FIRST OBSERVER] The leaf shakes, the wings rise The song stops, the bird flies The storm approaches [SECOND OBSERVER] I will have supper waiting [FIRST OBSERVER] The song stops, the bird flies The mind stirs, the heart replies "There is no other way." There is no other way [SECOND OBSERVER] I will prepare for your return I shall expect you then at evening [FIRST OBSERVER] The word stops, the heart dies The wind counts the lost goodbyes [SECOND OBSERVER] There is no other way There is no other way

Then my neighbor Yakob said: “Speak to us about defeat.” Does a leaf, when it falls from the tree in winter, feel defeated by the cold? The tree says to the leaf: “That’s the cycle of life. You may think you’re going to die, but you live on in me. It’s thanks to you that I’m alive, because I can breathe. It’s also thanks to you that I have felt loved, because I was able to give shade to the weary traveler. Your sap is in my sap; we are one thing.” Does a man who spent years preparing to climb the highest mountain in the world feel defeated when, on reaching that mountain, he discovers that nature has cloaked the summit in storm clouds? The man says to the mountain: “You don’t want me this time, but the weather will change and, one day, I will make it to the top. Meanwhile, you’ll still be here waiting for me.” Does a young man, rejected by his first love, declare that love does not exist? The young man says to himself: “I’ll find someone better able to understand what I feel. And then I will be happy for the rest of my days.” In the cycle of nature there is no such thing as victory or defeat; there is only movement.

Each leaf tells us a story. The story of its struggle. The story of the storms that it faces in life.

Each leaf tells us a story. The story of its struggle. The struggle against the storms that it faces in life.

I am a part of it all, a rain storm of diamonds always sparkling like snowflakes on the tips of the trees.

The road is never over and if it was, there lies the ocean and there are still ships a-plenty. And should the ocean end and ships crash, there begins the sky and there are wings to fly far and wide right into adventures not known yet. And if the sky breaks open after the storms, clouds will part to reveal a universe that always awaits and yearns to be explored by hands that appreciate its unchartered worlds.

Reflections of circumstances are not a bad thing—for pausing and communicating with your lost self in a wild storm—because they can reveal what is being destroyed to set you free.

They were bright and loud but full of themselves as all storms are known to be until they let go.

Be the type of friend that’s like the roots on a tree.  Don’t be a leaf that blows away when a strong breeze passes through, the type of friend that is only there when it’s suitable for you and then leaves when the seasons change.  Don’t be the branch that snaps when you least expect it, catching the person off guard when, all of a sudden, you’re no longer there.  Be the roots. Be the reason that tree survives, the reason why that tree stands and can live and thrive and have the strength to withstand every season and storm in its life.

If you move forward with the storm behind you, you will go very fast, but just like the leaf that moves fast with the wind behind it, you will never get stronger! Walk against the storm, walk against the crowd, against established ideas, swim against giant waves, this is what will make you strong!

When ego, unopposed, assumes its throne, The world, in fragments, reaps the seeds it’s sown. A kaleidoscope of discord and divide, Where separate streams in ceaseless turmoil bide. Through ego’s lens, reality transforms, A battleground where rampant desire storms. A sphere of strife, of victory and loss, Where fortunes shift as dice of fate are tossed. In ego’s solitary, narrow view, The world is painted in a hue so skewed. Confined by fears, by selfish dreams confined, Its canvas bears the limits of the mind. Thus, perception, in its manifold grace, Reflects the light of ego and soul’s face. In balance, may the truest sight be found, Where essence and ego in harmony abound. In the crucible where essence blends with sight, A wondrous transformation takes its flight. Where once division’s shadow coldly lay, Interconnection’s dawn breaks forth in day. What opposition’s harsh gaze once discerned, To harmonies of concord is now turned. The essence, with its ancient wisdom’s glow, Unveils the unity that lies below. Each leaf and stone, each soul that wanders free, A note within reality’s grand symphony. Essential, bound within the vast expanse, In life’s intricate, cosmic dance. This alchemical shift in vision’s sphere, Brings forth changes profound, both far and near. Challenges, once daunting, now unfold, As growth’s opportunities, bright and bold. Foes, once clad in enmity’s harsh guise, Transform to teachers, wise beneath the skies. Each joy, each pain, in life’s intricate weave, Threads of our evolution, we perceive. No longer a stage for vain rivalry’s play, But a landscape where learning’s blossoms sway. Growth and learning, in rich abundance, thrive, In this new world where our spirits come alive. Where once the ego’s voice, in solo strain, Ruled with iron will, in self’s domain, Now in harmony with the soul’s sweet song, It finds a place where it truly belongs. No longer master, but a partner kind, Guiding through life with a humble mind. It learns compassion’s tongue, intuition hears, Acts with mindfulness, as purpose nears. In perception’s alchemy, a journey grand, From fractured states to unity’s soft hand, From discord’s harsh cacophony to peace, A path that leads where true essences release. This sacred path, evolving as it weaves, Into our nature’s heart, where spirit cleaves. The veil of separation gently falls, As interconnectedness softly calls. Upon this path, with every step we tread, Our world transforms, new visions in its stead. The mundane now with sacredness imbues, The ordinary in extraordinary hues. Each day becomes a picture, rich and vast, For deepest truths, in vibrant colors cast. Through alchemy of sight, our roles transcend, Not mere observers, but creators bend. In world’s unfolding tale, we play our part, Co-architects, with collective heart. A reality, where highest potentials shine, In this, your design, our spirits intertwine.

August Naab’S oasis was an oval valley, level as a floor, green with leaf and white with blossom, enclosed by a circle of colossal cliffs of vivid vermilion hue. At its western curve the Colorado River split the red walls from north to south. When the wind was west a sullen roar, remote as of some far-off driving mill, filled the valley; when it was east a dreamy hollow hum, a somnolent song, murmured through the cottonwoods; when no wind stirred, silence reigned, a silence not of serene plain or mountain fastness, but shut in, compressed, strange, and breathless. Safe from the storms of the elements as well as of the world was this Garden of Eschtah.

Eckhart recognizes the stretching that the human undergoes in its search for the Divine. For the divine spirit in the human soul “is not easily satisfied. It storms the firmament and scales the heavens trying to reach the Spirit that drives the heavens. Because of this energy everything in the world grows green, flourishes, and busts into leaf. But the spirit is never satisfied. It presses on deeper and deeper into the vortex, further and further into the whirlpool, the primary source in which the spirit has its origin.

Your soul is oftentimes a battlefield, upon which your reason and your judgment wage war against your passion and your appetite. Would that I could be the peacemaker in your soul, that I might turn the discord and the rivalry of your elements into oneness and melody. But how shall I, unless you yourselves be also the peacemakers, nay, the lovers of all your elements? Your reason and your passion are the rudder and the sails of your seafaring soul. If either your sails or your rudder be broken, you can but toss and drift, or else be held at a standstill in mid-seas. For reason, ruling alone, is a force confining; and passion, unattended, is a flame that burns to its own destruction. Therefore let your soul exalt your reason to the height of passion, that it may sing; And let it direct your passion with reason, that your passion may live through its own daily resurrection, and like the phoenix rise above its own ashes. I would have you consider your judgment and your appetite even as you would two loved guests in your house. Surely you would not honour one guest above the other; for he who is more mindful of one loses the love and the faith of both. Among the hills, when you sit in the cool shade of the white poplars, sharing the peace and serenity of distant fields and meadows - then let your heart say in silence, "God rests in reason." And when the storm comes, and the mighty wind shakes the forest, and thunder and lightning proclaim the majesty of the sky, - then let your heart say in awe, "God moves in passion." And since you are a breath in God's sphere, and a leaf in God's forest, you too should rest in reason and move in passion.

No-one looked at me, or spoke. I was a shade, a ghost, a dead leaf dropped by the storm into some corner. My story was over. Nothing would happen to me now. I would not even be called upon to explain... I was safe, and I wished I was dead.

Among the hills, when you sit in the cool shade of the white poplars, sharing the peace and serenity of distant fields and meadows — then let your heart say in silence, “God rests in reason.” And when the storm comes, and the mighty wind shakes the forest, and thunder and lightning proclaim the majesty of the sky, — then let your heart say in awe, “God moves in passion.” And since you are a breath in God’s sphere, and a leaf in God’s forest, you too should rest in reason and move in passion. Chapter 16 — Pain And a woman spoke, saying, Tell us of Pain. And he said: Your pain is the breaking of the shell that encloses your understanding. Even as the stone of the fruit must break, that its heart may stand in the sun, so must you know pain. And could you keep your heart in wonder at the daily miracles of your life, your pain would not seem less wondrous than your joy; And you would accept the seasons of your heart, even as you have always accepted the seasons that pass over your fields. And you would watch with serenity through the winters of your grief. Much of your pain is self-chosen. It is the bitter potion by which the physician within you heals your sick self. Therefore trust the physician, and drink his remedy in silence and tranquillity: For his hand, though heavy and hard, is guided by the tender hand of the Unseen, And the cup he brings, though it burn your lips, has been fashioned of the clay which the Potter has moistened with His own sacred tears. Chapter 17 — Self-Knowledge And a man said, Speak to us of Self-Knowledge.

I witnessed a pathetic incident, which is yet as fresh and vivid in my memory as if it had happened only yesterday. Soon after our arrival I procured a pass for a few hours, and took a stroll through the city. While thus engaged I met two hospital attendants carrying on a stretcher a wounded Union soldier. They halted as I approached, and rested the stretcher on the sidewalk. An old man was with them, apparently about sixty years old, of small stature and slight frame, and wearing the garb of a civilian. I stopped, and had a brief conversation with one of the stretcher-bearers. He told me that the soldier had been wounded in one of the recent assaults by the Union troops on the defenses of Vicksburg, and, with others of our wounded, had just arrived at Memphis on a hospital boat. That the old gentleman present was the father of the wounded boy, and having learned at his home in some northern State of his son being wounded, had started to Vicksburg to care for him; that the boat on which he was journeying had rounded in at the Memphis wharf next to the above mentioned hospital boat, and that he happened to see his son in the act of being carried ashore, and thereupon at once went to him, and was going with him to a hospital in the city. But the boy was dying, and that was the cause of the halt made by the stretcher-bearers. The soldier was quite young, seemingly not more than eighteen years old. He had an orange, which his father had given him, tightly gripped in his right hand, which was lying across his breast. But, poor boy! it was manifest that that orange would never be tasted by him, as the glaze of death was then gathering on his eyes, and he was in a semi-unconscious condition. And the poor old father was fluttering around the stretcher, in an aimless, distracted manner, wanting to do something to help his boy—but the time had come when nothing could be done. While thus occupied I heard him say in a low, broken voice, "He is—the only boy—I have." This was on one of the principal streets of the city, and the sidewalks were thronged with people, soldiers and civilians, rushing to and fro on their various errands,—and what was happening at this stretcher excited no attention beyond careless, passing glances. A common soldier was dying,—that was all, nothing but "a leaf in the storm." But for some reason or other the incident impressed me most sadly and painfully. I didn't wait for the end, but hurried away,—tried to forget the scene, but couldn't.

Dear Lord, You spoke to storms. Would you speak to ours? You calmed the hearts of the apostles. Would you calm the chaos within us? You told them to fear not. Say the same to us. We are weary from our worry, battered and belittled by the gales of life. Oh Prince of Peace, bequeath to us a spirit of calm. As we turn the page in this book, will you turn a new leaf in our lives? Quench anxiety. Stir courage. Let us know less fret and more faith. In Jesus’ name, amen.

He doesn't look like a man now. Now he looks like a corpse whose eyes still haven't died.

I remember, for example, a student story handed in to me once at the University of Oklahoma. In this particular story, there was a violent windstorm at night, to which much description was devoted. (This made it a big cause of something, right?) But in the morning, none of the story characters mentioned it, the sun was shining, and the lawns beyond the house windows did not have so much as a blown-down leaf on them. It was easy enough to fix, but the writer had forgotten entirely to show the effect of the storm;

... the marines had invaded the country under the pretext of exterminating yellow fever and were going about beheading every inveterate or eventual potter they found in their path, and not only natives, out of precaution, but also the Chinese, for distraction, the Negroes, from habit, and the Hindus, because they were snake charmers, and then they wiped out the flora and the fauna and all the mineral wealth they were able to because their specialists in our affairs had taught them that the people along the Caribbean had the ability to change their nature in order to confuse gringos.

That was how my great life began. Since then I've gone through the world drawing the fever out of malaria victims for two pesos, visioning blind men for four-fifty, draining the water from dropsy victims for eighteen, putting cripples back together for twenty pesos if they were that way from birth, for twenty-two if they were that way because of an accident or a brawl, for twenty-five if they were that way because of wars, earthquakes, infantry landings, or any other kind of public calamity, taking care of the common sick at wholesale according to special arrangement, madmen according to their theme, children at half price, and idiots out of gratitude ...

The only thing I don't do is revive the dead, because as soon as they open their eyes they're murderous with rage at the one who disturbed their state, and when it's all done, those who don't commit suicide die again of disillusionment.

The truth is that I'd gain nothing by being a saint after being dead, an artist is what I am, and the only thing I want is to be alive so I can keep going along at donkey level in this six-cylinder touring car I bought from the marine's consul, with this Trinidadian chauffeur who was a baritone in the New Orleans pirates' opera, with my genuine silk shirts, my Oriental lotions, my topaz teeth, my flat straw hat, and my bicolored buttons, sleeping without an alarm clock, dancing with beauty queens, and leaving them hallucinated with my dictionary rhetoric, and with no flutter in my spleen if some Ash Wednesday my faculties wither away, because in order to go on with this life of a minister, all I need is my idiot face, and I have more than enough with the string of shops I own from here to beyond the sunset, where the same tourists who used to go around collecting from us through the admiral, now go stumbling after my autographed pictures, almanacs with my love poetry, medals with my profile, bits of my clothing, and all of that without the glorious plague of spending all day and all night sculpted in equestrian marble and shat on by swallows like the fathers of our country.

Dear Lord, You spoke to storms. Would you speak to ours? You calmed the hearts of the apostles. Would you calm the chaos within us? You told them to fear not. Say the same to us. We are weary from our worry, battered and belittled by the gales of life. Oh Prince of Peace, bequeath to us a spirit of calm. As we turn the page in this book, will you turn a new leaf in our lives? Quench anxiety. Stir courage. Let us know less fret and more faith. In Jesus’ name, amen. Section 1 CELEBRATE GOD’S GOODNESS Rejoice in the Lord always.

I thought you were turning over a new leaf,” Rissa says to me. “Trying not to kill people.” “I was, but that was yesterday. Today, with the whole captured and drugged thing? I’m feeling pretty aggro.

To run, it takes the courage of a lamb; to love, the fierceness of a storm. ("Paloma")

-Dice que si no le sacas la muela te pega un tiro. Sin apresurarse, con un movimiento extremadamente tranquilo, dejó de pedalear en la fresa, la retiró del sillón y abrió por completo la gaveta inferior de la mesa. Allí estaba el revólver. -Bueno -dijo-. Dile que venga a pegármelo.

With a sigh of disappointment, I leafed through the pages and found some black-and-white plates depicting a tiny woman in theatrical costume, dressed as a country peasant. Below the plate, it read, ‘Anna Landvik som Solveig, September 1876’. I studied the photographs intently, and realised that whoever Anna Landvik was, she’d been very young when the photograph had been taken. Underneath the heavy stage make-up, the girl looked barely older than a child. I leafed through the other plates and saw her as she grew older, and then did a double take as I stared at the familiar features of Edvard Grieg himself. Anna Landvik was standing by a grand piano and Grieg was behind it, applauding her

which the club said they would donate to a “good cause.” The KNVB thought the punishment didn’t fit the crime and hence went about increasing Suarez’s suspension to seven league matches. Suarez was branded the “Cannibal of Ajax” by the Dutch daily newspaper De Telegraaf. In order to weather the storm, Suarez took to the popular social media platform Facebook to offer his apologies; he uploaded a remorseful video. Fortunately, the entire fiasco wasn’t a big deal in the international scene as the Dutch league isn’t quite as popular as the other leagues. Suarez still had opportunities to turn over a new leaf.

synonymous with controversies. He has had his fair share of negative media press in his career and rightly so. When in Ajax, he once faced suspension for a half-time altercation with teammate Albert Luque, over a free kick! Regrettably, Suarez has been involved in bigger controversies than just the half-time altercation. On November 20, 2010, Suarez did the unthinkable when he bit PSV Eindhoven’s Otman Bakkal on the shoulder during Ajax’s match with PSV. Understandably, Ajax suspended him for two games and fined him an undisclosed amount, which the club said they would donate to a “good cause.” The KNVB thought the punishment didn’t fit the crime and hence went about increasing Suarez’s suspension to seven league matches. Suarez was branded the “Cannibal of Ajax” by the Dutch daily newspaper De Telegraaf. In order to weather the storm, Suarez took to the popular social media platform Facebook to offer his apologies; he uploaded a remorseful video. Fortunately, the entire fiasco wasn’t a big deal in the international scene as the Dutch league isn’t quite as popular as the other leagues. Suarez still had opportunities to turn over a new leaf.

Each pregnant Oak ten thousand acorns forms Profusely scatter'd by autumnal storms; Ten thousand seeds each pregnant poppy sheds Profusely scatter'd from its waving heads; The countless Aphides, prolific tribe, With greedy trunks the honey'd sap imbibe; Swarm on each leaf with eggs or embryons big, And pendent nations tenant every twig ... —All these, increasing by successive birth, Would each o'erpeople ocean, air, and earth. So human progenies, if unrestrain'd, By climate friended, and by food sustain'd, O'er seas and soils, prolific hordes! would spread Erelong, and deluge their terraqueous bed; But war, and pestilence, disease, and dearth, Sweep the superfluous myriads from the earth... The births and deaths contend with equal strife, And every pore of Nature teems with Life; Which buds or breathes from Indus to the Poles, And Earth's vast surface kindles, as it rolls!

I looked down. “What the . . .” There was a strange reddish fern-leaf-like pattern on my arms. “Holy moly,” Ostin said. “Those are Lichtenberg figures.” “They’re what?” Taylor asked. I tried to wipe the marks off with my towel, but they appeared to be permanent. Like tattoos. “What is it?” “They’re called Lichtenberg figures or lightning trees. They appear with extremely high voltages. I’ve seen pictures of scars like that on lightning strike victims.