“
Man is the only creature that consumes without producing. He does not give milk, he does not lay eggs, he is too weak to pull the plough, he cannot run fast enough to catch rabbits. Yet he is lord of all the animals. He sets them to work, he gives back to them the bare minimum that will prevent them from starving, and the rest he keeps for himself.
”
”
George Orwell (Animal Farm)
“
Ladies and gentlemen of the class of '97:
Wear sunscreen.
If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now.
Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine.
Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 p.m. on some idle Tuesday.
”
”
Mary Schmich
“
I see a beautiful city and a brilliant people rising from this abyss. I see the lives for which I lay down my life, peaceful, useful, prosperous and happy. I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
”
”
Charles Dickens (A Tale of Two Cities)
“
The whole summer lay ahead of us-time to rest, time to wait. And when the future comes-no matter what comes with it-I'll be smarter. I'll be stronger. I'll be ready.
”
”
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
“
What was Aristotle’s life?’ Well, the answer lay in a single sentence: ‘He was born, he thought, he died.’ And all the rest is pure anecdote.
”
”
Martin Heidegger
“
He had killed his way across the world; he had gone to war and back more times than he cared to remember. And despite it all, despite the rage and despair and ice he’d wrapped around his heart, he’d still found Aelin. Every horizon he’d gazed toward, unable and unwilling to rest during those centuries, every mountain and ocean he’d seen and wondered what lay beyond … It had been her. It had been Aelin, the silent call of the mating bond driving him, even when he could not feel it. They’d walked this dark path together back to the light. He would not let the road end here.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Crete, May 1941. It was nearly five o’clock when the three soldiers reached the end of the olive grove. The dust-filled air shimmered in the late-afternoon heat. Their bodies ached, their uniforms were caked with dirt and sweat and they were hungry, thirsty and exhausted. The sensible thing now would be to lay up where they were for a few hours’ rest, then finish the journey under cover of darkness. But there was a tight deadline to meet. The evacuation vessel was scheduled to leave at midnight and they had been warned the captain wouldn’t wait for stragglers.
”
”
Mark Ellis (The French Spy)
“
We honor our parents by carrying their best forward and laying the rest down. By fighting and taming the demons that laid them low and now reside in us.
”
”
Bruce Springsteen (Born to Run)
“
Ladies and gentlemen of the class of '97:
Wear sunscreen.
If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now.
Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine.
Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 pm on some idle Tuesday.
Do one thing everyday that scares you.
Sing.
Don't be reckless with other people's hearts. Don't put up with people who are reckless with yours.
Floss.
Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long and, in the end, it's only with yourself.
Remember compliments you receive. Forget the insults. If you succeed in doing this, tell me how.
Keep your old love letters. Throw away your old bank statements.
Stretch.
Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't.
Get plenty of calcium. Be kind to your knees. You'll miss them when they're gone.
Maybe you'll marry, maybe you won't. Maybe you'll have children, maybe you won't. Maybe you'll divorce at 40, maybe you'll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don't congratulate yourself too much, or berate yourself either. Your choices are half chance. So are everybody else's.
Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own.
Dance, even if you have nowhere to do it but your living room.
Read the directions, even if you don't follow them.
Do not read beauty magazines. They will only make you feel ugly.
Get to know your parents. You never know when they'll be gone for good. Be nice to your siblings. They're your best link to your past and the people most likely to stick with you in the future.
Understand that friends come and go, but with a precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle, because the older you get, the more you need the people who knew you when you were young.
Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel.
Accept certain inalienable truths: Prices will rise. Politicians will philander. You, too, will get old. And when you do, you'll fantasize that when you were young, prices were reasonable, politicians were noble, and children respected their elders.
Respect your elders.
Don't expect anyone else to support you. Maybe you have a trust fund. Maybe you'll have a wealthy spouse. But you never know when either one might run out.
Don't mess too much with your hair or by the time you're 40 it will look 85.
Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth.
But trust me on the sunscreen.
”
”
Mary Schmich (Wear Sunscreen: A Primer for Real Life)
“
Well, you have now, Sam, dear Sam,’ said Frodo, and he lay back in Sam’s gentle arms, closing his eyes, like a child at rest when night-fears are driven away by some loved voice or hand. Sam felt that he could sit like that in endless happiness...
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
Meanwhile the 3 a.m. drunks of the world would lay in their beds, trying in vain to sleep, and deserving that rest, if they could find it.
”
”
Charles Bukowski
“
Perhaps scorpions were the only ones who could save each other.
Whatever lay ahead, it would always be the two of us above the rest of the universe, and woe to any who dared step in out path.
”
”
S.J. Kincaid (The Diabolic (The Diabolic, #1))
“
For what it’s worth, I’ll share my intentions. You and me, we aren’t practice for the real thing. It isn’t that too much is at stake with family and friends, it’s because I love you. You’re funny, beautiful and you care about people. I like the way you look at me, especially when you think I don’t notice it. I like that we have history and our kids will have a big family and share that history because there was never a time when their Mom and Dad weren’t together. If you were a terrible lay, I might have second thoughts but you and I are dynamite together. I intend to marry you and spend the rest of my life with you. If that freaks you out, tough, because now we’ve started this, there’s no goin’ back.
”
”
Kristen Ashley (Rock Chick (Rock Chick, #1))
“
In the world I see you are stalking elk through the damp canyon forests around the ruins of Rock feller Center. You'll wear leather clothes that will last you the rest of your life. You'll climb the wrist-thick kudzu vines that wrap the Sears Towers. And when you look down, you'll see tiny figures pounding corn, laying stripes of venison on the empty car pool lane of some abandoned superhighways.
”
”
Chuck Palahniuk (Fight Club)
“
Willow, you know that you said you couldn't tell how I felt at the rest stop?"
I nodded, and he took my hand, laying it flat on his chest with his own resting over it. "Can you tell now?" he asked.
His heart beat firmly under my hand; my own pulse was pounding so hard that I could barely think straight. Closing my eyes, I took a deep, steadying breath, and then another as I tried to clear my mind, to feel what he was feeling. For a moment there was just the softness of our breathing--then all at once it washed over me in a great wave.
He was in love with me, too.
I opened my eyes. Alex was still holding my hand to his chest, watching me, his expression more serious than I'd ever seen it. Unable to speak, I slowly dropped my hand and wrapped my arms around him. His own arms came around me as he rested his head on my hair.
"I really do, you know," he said, his voice rough.
"I know," I whispered back. "I do, too.
”
”
L.A. Weatherly (Angel (Angel, #1))
“
Where have you been?" she cried. "Damn you, where have you been?" She took a few steps toward Schmendrick, but she was looking beyond him, at the unicorn.
When she tried to get by, the magician stood in her way. "You don't talk like that," he told her, still uncertain that Molly had recognized the unicorn. "Don't you know how to behave, woman? You don't curtsy, either."
But Molly pushed him aside and went up to the unicorn, scolding her as though she were a strayed milk cow. "Where have you been?" Before the whiteness and the shining horn, Molly shrank to a shrilling beetle, but this time it was the unicorn's old dark eyes that looked down.
"I am here now," she said at last.
Molly laughed with her lips flat. "And what good is it to me that you're here now? Where where you twenty years ago, ten years ago? How dare you, how dare you come to me now, when I am this?" With a flap of her hand she summed herself up: barren face, desert eyes, and yellowing heart. "I wish you had never come. Why did you come now?" The tears began to slide down the sides of her nose.
The unicorn made no reply, and Schmendrick said, "She is the last. She is the last unicorn in the world."
"She would be." Molly sniffed. "It would be the last unicorn in the world to come to Molly Grue." She reached up then to lay her hand on the unicorn's cheek; but both of them flinched a little, and the touch came to rest on on the swift, shivering place under the jaw. Molly said, "It's all right. I forgive you.
”
”
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
“
Innocence is doomed to die a senseless death at our own hands, a casualty of the mistakes we can never undo. So we lay to rest the wide-eyed wonder we once thrived upon, replacing it with the scars of which we never speak, too knotted for any amount of technology to repair.
”
”
Neal Shusterman (Scythe (Arc of a Scythe, #1))
“
She had loved him. He knew this; he had never doubted it. But she had also asked him to kill her. If you love someone that much, you did not lay that sort of burden on him for the rest of his life.
”
”
Jodi Picoult (The Pact)
“
I want a dyke for president. I want a person with AIDS for president and I want a fag for vice president and I want someone with no health insurance and I want someone who grew up in a place where the earth is so saturated with toxic waste that they didn’t have a choice about getting leukemia. I want a president that had an abortion at sixteen and I want a candidate who isn’t the lesser of two evils and I want a president who lost their last lover to AIDS, who still sees that in their eyes every time they lay down to rest, who held their lover in their arms and knew they were dying. I want a president with no air-conditioning, a president who has stood in line at the clinic, at the DMV, at the welfare office, and has been unemployed and laid off and sexually harassed and gaybashed and deported. I want someone who has spent the night in the tombs and had a cross burned on their lawn and survived rape. I want someone who has been in love and been hurt, who respects sex, who has made mistakes and learned from them. I want a Black woman for president. I want someone with bad teeth and an attitude, someone who has eaten that nasty hospital food, someone who crossdresses and has done drugs and been in therapy. I want someone who has committed civil disobedience. And I want to know why this isn’t possible. I want to know why we started learning somewhere down the line that a president is always a clown. Always a john and never a hooker. Always a boss and never a worker. Always a liar, always a thief, and never caught.
”
”
Zoe Leonard
“
Once lay down the rule that the job comes first and you throw that job open to every individual, man or woman, fat or thin, tall or short, ugly or beautiful, who is able to do that job better than the rest of the world.
”
”
Dorothy L. Sayers (Are Women Human? Penetrating, Sensible and Witty Essays on the Role of Women in Society)
“
The worst thing about talk ... is that there's no way to lay it to rest. Every fresh breeze brings a new speculation.
”
”
Susan Wittig Albert (The Tale of Hill Top Farm (The Cottage Tales of Beatrix Potter, #1))
“
I don’t know where dreams come from. Sometimes I wonder if they’re genetic memories, or messages from something divine. Warnings perhaps. Maybe we do come with an instruction booklet but we’re too dense to read it, because we’ve dismissed it as the irrational waste product of the ‘rational’ mind. Sometimes I think all the answers we need are buried in our slumbering subconscious, int he dreaming. The booklet right there, and ever night when we lay our heads down on the pillow it flips open. The wise read it, heed it. The rest of us try as hard as we can upon awakening to forget any disturbing revelations we might have found there.
”
”
Karen Marie Moning (Bloodfever (Fever, #2))
“
Magic existed in his eyes, his energy as he lived his daily life. I could fall into his soul and lay my worries to rest, but if by chance this happened; it wouldn't last the test.
because there's much to learn, before we can meet, I want to collide with his heart; allow our souls to fleet.
His arms will hold my fears, but he won't carry the load; as it is my lesson to love myself, and find my own sense of hope.
When we cross our paths, our knowledge will last the test; as patience fills the air and our burdens are put to rest,
I will honour my truth, and seek what I desire; ever lasting love and passion set on fire.
”
”
Nikki Rowe
“
The Day is Done
The day is done, and the darkness
Falls from the wings of Night,
As a feather is wafted downward
From an eagle in his flight.
I see the lights of the village
Gleam through the rain and the mist,
And a feeling of sadness comes o'er me
That my soul cannot resist:
A feeling of sadness and longing,
That is not akin to pain,
And resembles sorrow only
As the mist resembles the rain.
Come, read to me some poem,
Some simple and heartfelt lay,
That shall soothe this restless feeling,
And banish the thoughts of day.
Not from the grand old masters,
Not from the bards sublime,
Whose distant footsteps echo
Through the corridors of Time.
For, like strains of martial music,
Their mighty thoughts suggest
Life's endless toil and endeavor;
And to-night I long for rest.
Read from some humbler poet,
Whose songs gushed from his heart,
As showers from the clouds of summer,
Or tears from the eyelids start;
Who, through long days of labor,
And nights devoid of ease,
Still heard in his soul the music
Of wonderful melodies.
Such songs have power to quiet
The restless pulse of care,
And come like the benediction
That follows after prayer.
Then read from the treasured volume
The poem of thy choice,
And lend to the rhyme of the poet
The beauty of thy voice.
And the night shall be filled with music,
And the cares, that infest the day,
Shall fold their tents, like the Arabs,
And as silently steal away.
”
”
Henry Wadsworth Longfellow (The Belfry of Bruges and Other Poems)
“
For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zone…
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
”
”
Andrea Gibson
“
It’s an endurance race. You endure. You keep moving forward. But some days, Stella…Some days I get so fucking tired.”
“Then rest,” I whisper. “Rest with me. Let me be where you lay your head for a while.
”
”
Kristen Callihan (Fall (VIP, #3))
“
Husband?" Averill's voice was growing shrill with worry as she asked, "Have you swooned?"
I'm a warrior, wife. Warriors do no' swoon," Kade growled, forcing away the faintness trying to lay claim to him.
Oh," she said, sounding doubtful. "It's just that your eyes were closed."
I was resting them," he snapped.
I see," she murmured, and for some reason that irritated the hell out of him.
”
”
Lynsay Sands (The Hellion and the Highlander (Devil of the Highlands, #3))
“
Humans were so preoccupied with love. They were all desperate to form an attachment to one person they could refer to as their other half. It seemed from my reading of literature that being in love meant becoming the beloveds entire world. The rest of the universe paled into insignificance compared to the lovers. When they were separated, each fell into a melancholy state, and only when they were reunited did their hearts start beating again. Only when they were together could really see the colors of the world. When they were apart, that color leached away, leaving everything a hazy gray. I lay in bed, wondering about the intensity of this emotion that was so irrational and so irrefutably human. What if a persons face was so sacred to you it was permanently inscribed in your memory? What if their smell and touch were dearer to you than life itself?
”
”
Alexandra Adornetto (Halo (Halo, #1))
“
Lay down the thorn, boy king. Haven’t you earned a bit of rest? Aren’t you tired?'
He was. Saints, he was. He thought he had grown used to his scars, but he had never grasped how much of his will it would take to hide them. He had fought and sacrificed and bled. He had gone long days without rest and long nights without comfort. All for Ravka, all for an ideal he would never attain and a country that would never care.
”
”
Leigh Bardugo (King of Scars (King of Scars, #1))
“
Kaderin didn't believe, as a whole, the nymphs were more beautiful than the Valkyrie, but everything about them screamed, "Easy lay! When you don't want to work for it!" And curiously, many males found that more appealing than the Valkyrie's "Do it and die, simian".
”
”
Kresley Cole (No Rest for the Wicked (Immortals After Dark, #2))
“
I feel so unhappy.”
I am sure that this one phrase whispered to me would arouse my sympathy more than the longest, most painstaking account of a woman’s life. It amazes and astonishes me that I have never once heard a woman make this simple statement. This woman did not say, “I feel so unhappy” in so many words, but something like a silent current of misery an inch wide flowed over the surface of her body. When I lay next to her my body was enveloped in her current, which mingled with my own harsher current of gloom like a “withered leaf settling to rest on the stones at the bottom of a pool.” I had freed myself from fear and uneasiness.
”
”
Osamu Dazai (No Longer Human)
“
You didn't think I really liked you? Do you think I really like you now?"
He turned toward her, uncertainty in his face."You did go quite a lot of effort to be having this conversation, but... I don't want to read too much of what I hope into that."
Val stretched out beside him, resting her head in the crook of his arm. "What do you hope?"
He pulled her close, hands careful not to touch her wounds as they wrapped around her. "I hope that you feel for me as I do for you," he said, his voice like a sigh against her throat.
And how is that?" she asked, her lips so close to his jaw that she could taste the salt of his skin when she moved them.
You carried my heart in your hands tonight," he said. "But I have felt as if you carried it long before that."
She smiled and let her eyes drift closed. They lay there together, under the bridge, city lights burning outside the windows like a sky full of falling stars, as they slid off into sleep
”
”
Holly Black (Valiant (Modern Faerie Tales, #2))
“
But you must stop playing among his ghosts -- it's stupid and dangerous and completely pointless. He's trying to lay them to rest here, not stir them up, and you seem eager to drag out all the sad old bones of his history and make them dance again. It's not nice, and it's not fair.
”
”
Patricia A. McKillip (Winter Rose (Winter Rose, #1))
“
Suddenly, you will stop, you and me and all of us. Your lungs will rest at last and the electric pulse in your pulse will vanish into the darkness from which it came.
Put your fingers in your ears, lay your head on the pillow, listen to the footsteps of your blood.
You are alive.
”
”
Sarah Moss (The Tidal Zone)
“
What are you?" I whispered."What are we to you?"
She lay still, rested her head on her topmost coil. "You know me as no other does," she said softly. "You must decide.
”
”
Octavia E. Butler (Bloodchild and Other Stories)
“
SONIA: What can we do? We must live our lives. [A pause] Yes, we shall live, Uncle Vanya. We shall live through the long procession of days before us, and through the long evenings; we shall patiently bear the trials that fate imposes on us; we shall work for others without rest, both now and when we are old; and when our last hour comes we shall meet it humbly, and there, beyond the grave, we shall say that we have suffered and wept, that our life was bitter, and God will have pity on us. Ah, then dear, dear Uncle, we shall see that bright and beautiful life; we shall rejoice and look back upon our sorrow here; a tender smile—and—we shall rest. I have faith, Uncle, fervent, passionate faith. [SONIA kneels down before her uncle and lays her head on his hands. She speaks in a weary voice] We shall rest. [TELEGIN plays softly on the guitar] We shall rest. We shall hear the angels. We shall see heaven shining like a jewel. We shall see all evil and all our pain sink away in the great compassion that shall enfold the world. Our life will be as peaceful and tender and sweet as a caress. I have faith; I have faith. [She wipes away her tears] My poor, poor Uncle Vanya, you are crying! [Weeping] You have never known what happiness was, but wait, Uncle Vanya, wait! We shall rest. [She embraces him] We shall rest. [The WATCHMAN’S rattle is heard in the garden; TELEGIN plays softly; MME. VOITSKAYA writes something on the margin of her pamphlet; MARINA knits her stocking] We shall rest.
”
”
Anton Chekhov (Uncle Vanya)
“
For two weeks, I lay awake at night and said Hail Marys over and over to stop my heart from beating too fast. I suddenly realized how much being a husband was about fear: fear of not being able to keep somebody safe, of not being able to protect somebody from all the bad stuff you want to protect them from. Knowing they have more tears in them than you will be able to keep them from crying. I realized that Renee had seen me fail, and that she was the person I was going to be failing in front for the rest of my life. It was just a little failure, but it promised bigger failures to come. Additional ones, anyway. But that's who your wife is, the person you fail in front of. Love it so confusing; there's no peace of mind.
”
”
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
“
Most people do not mind dying, as long as that does not happen today.
”
”
Mokokoma Mokhonoana
“
He lay on the floor, taking stock of the rest of his body. Legs? Yup, still there. Arms? Present. And functional. Torso? All systems go. Junk? Come in, junk? Alive, captain. Not happy, but alive.
”
”
Leylah Attar (The Paper Swan)
“
Listen up, Mount High-Hair," Gustav barked. "Say what you want about me, but lay off the rest of the team. I've been through a lot of stuff with these people. Nobody can tell me that Fancy Dancer and Lady Slick-Pants aren't heroes. Captain Gloom-Cape over there, too. And even Shrimp Charming has his moments."
Briar leaned back in her chair. "I admire your ability to insult your friends *while* you defend them. It's a rare talent.
”
”
Christopher Healy (The Hero's Guide to Storming the Castle (The League of Princes, #2))
“
Now he understood that a man never knows for whom he suffers and hopes. He suffers and hopes and toils for people he will never know, and who, in turn, will suffer and hope and toil for others who will not be happy either, for man always seeks a happiness far beyond that which is meted out to him. But man's greatness consists in the very fact of wanting to be better than he is. In laying duties upon himself. In the Kingdom of Heaven there is no grandeur to be won, inasmuch as there all is an established hierarchy, the unknown is revealed, existence is infinite, there is no possibility of sacrifice, all is rest and joy. For this reason, bowed down by suffering and duties, beautiful in the midst of his misery, capable of loving in the face of afflictions and trials, man finds his greatness, his fullest measure, only in the Kingdom of this World.
”
”
Alejo Carpentier (The Kingdom of This World)
“
When I lay next to her my body was enveloped in her current, which mingled with my own harsher current of gloom like a “ withered leaf settling to rest on the stones at the bottom of a pool.” I had freed myself from fear and uneasiness.
”
”
Osamu Dazai (No Longer Human)
“
I am thinking of one woman and the rest is blotto. I say I am thinking of her, but the truth is I am dying a stellar death. I am lying there like a sick star waiting for the light to go out. Years ago I lay on this same bed and I waited and waited to be born. Nothing happened. Except that my mother, in her Lutheran rage, threw a bucket of water over me. My mother, poor imbecile that she was, thought I was lazy. She didn't know that I had gotten caught in the stellar drift, that I was being pulverized to a black extinction out there in the farthest rim of the universe.
”
”
Henry Miller (Tropic of Capricorn (Tropic, #2))
“
You’ll fight, damn it. You’ll not give over this easily. God is not ready for you yet because I am not through with you. You’re going to wake up and you’re going to give me the words I’ve waited on for so long. Telling me you love me on the battlefield as we both lay dying doesn’t count. You’ll give them to me and mean them or so help me I’ll bury you in unconsecrated ground so that you never rest and you’ll be forced to dwell in this keep with me for eternity.
”
”
Maya Banks (Never Love a Highlander (McCabe Trilogy, #3))
“
Come, lay thy head upon my breast and I'll kiss thee unto rest.
”
”
Lord Byron
“
Lay down the song you strum,
And rest yourself 'neath the strength of strings
No voice can hope to hum.
”
”
Bob Dylan
“
I lay awake for a long time. It was like sitting in a cinema after the lights go down, waiting for the previews to begin. But nothing was happening. I regretted the coffee.
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
He was tall in the bed and I could see the silver through his eyelids. His soul sat up. It met me. Those kinds of souls always do—the best ones. The ones who rise up and say, “I know who you are and I am ready. Not that I want to go, of course, but I will come.” Those souls are always light because more of them have been put out. More of them have already found their way to other places. This one was sent out by the breath of an accordion, the odd taste of champagne in summer, and the art of promise-keeping. He lay in my arms and rested. There was an itchy lung for a last cigarette and an immense, magnetic pull toward the basement, for the girl who was his daughter and was writing a book down there that he hoped to read one day.
”
”
Markus Zusak (The Book Thief)
“
What do we want from our mothers when we are children? Complete submission. Oh, it's very nice and rational and respectable to say that a woman has every right to her life, to her ambitions, to her needs, and so on--it's what I've always demanded myself--but as a child, no, the truth is it's a war of attrition, rationality doesn't come into it, not one bit, all you want from your mother is that she once and for all admit that she is your mother and only your mother, and that her battle with the rest of life is over. She has to lay down arms and come to you. And if she doesn't do it, then it's really a war, and it was a war between my mother and me. Only as an adult did I come to truly admire her--especially in the last, painful years of her life--for all that she had done to claw some space in this world for herself.
”
”
Zadie Smith (Swing Time)
“
Listen my hatchling, for now you shall hear
Of the only seven slayers a dragon must fear.
First beware Pride, lest belief in one’s might
Has you discount the foeman who is braving your sight.
Never Envy other dragons their wealth, power, or home
For dark plots and plans will bring death to your own.
Your Wrath shouldn’t win, when spears strike your scale
Anger kills cunning, which you will need to prevail.
A dragon must rest, but Sloth you should dread
Else long years of napping let assassins to your bed.
‘Greed is good,’ or so foolish dragons will say
Until piles of treasure bring killing thieves where they lay.
Hungry is your body, and at times you must feed
But Gluttony makes fat dragons, who can’t fly at their need.
A hot Lust for glory, gems, gold, or mates
Leads reckless young drakes to the blackest of fates.
So take heed of this wisdom, precious hatchling of mine,
And the long years of dragonhood are sure to be thine.
”
”
E.E. Knight (Dragon Champion (Age of Fire, #1))
“
…and the rest of his life lay in front of him like a barren, meaningless postscript.
”
”
Lev Grossman (The Magicians (The Magicians, #1))
“
As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. He was laying on his hard, as it were armor-plated, back and when he lifted his head a little he could see his domelike brown belly divided into stiff arched segments on top of which the bed quilt could hardly keep in position and was about to slide off completely. His numerous legs, which were pitifully thin compared to the rest of his bulk, waved helplessly before his eyes.
”
”
Franz Kafka (The Metamorphosis)
“
This guy is different. I see him once in a while and we have fun and theres no pressure. We just have a good time. And he still writes for tranks and downers. A couple of weeks ago we flew down to the Virgin Islands for a weekend. It was a ball. Hey, crazy. Sounds great. Yeah. So your folks are still footin the bills, tilting his head toward the rest of the apartment, for the pad and so forth? Yeah. She laughed out loud again, Plus the fifty a week for the shrink. And sometimes I do a little freelance editing for a few publishers. And the rest of the time you just lay up and get high, eh? She smiled, Something like that.
”
”
Hubert Selby Jr. (Requiem for a Dream)
“
Kizzy was so busy wishing she was Sarah Ferris or Jenny Glass that she could scarcely see herself at all and she was certainly blind to her own weird beauty: her heavy spell-casting eyes too-wide mouth wild hair and hips that could be wild too if they learned how. No one else in town looked anything like her and if she lived to womanhood she was the one artists would want to draw not the Sarahs and Jennys. She was the one who would some day know a dozen ways to wear a silk scarf how to read the sky for rain and coax feral animals near how to purr throaty love songs in Portuguese and Basque how to lay a vampire to rest how to light a cigar how to light a man's imagination on fire.
”
”
Laini Taylor (Lips Touch: Three Times)
“
Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtained bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipped with gold for awful kings.
Moon and stars gazed in at them,
Wind sang to them lullaby,
Lumbering owls forbore to fly,
Not a bat flapped to and fro
Round their rest:
Cheek to cheek and breast to breast
Locked together in one nest.
”
”
Christina Rossetti (Goblin Market: A Tale of Two Sisters)
“
And when I look around the apartment where I now am,—when I see Charlotte’s apparel lying before me, and Albert’s writings, and all those articles of furniture which are so familiar to me, even to the very inkstand which I am using,—when I think what I am to this family—everything. My friends esteem me; I often contribute to their happiness, and my heart seems as if it could not beat without them; and yet—if I were to die, if I were to be summoned from the midst of this circle, would they feel—or how long would they feel—the void which my loss would make in their existence? How long! Yes, such is the frailty of man, that even there, where he has the greatest consciousness of his own being, where he makes the strongest and most forcible impression, even in the memory, in the heart of his beloved, there also he must perish,—vanish,—and that quickly.
I could tear open my bosom with vexation to think how little we are capable of influencing the feelings of each other. No one can communicate to me those sensations of love, joy, rapture, and delight which I do not naturally possess; and though my heart may glow with the most lively affection, I cannot make the happiness of one in whom the same warmth is not inherent.
Sometimes I don’t understand how another can love her, is allowed to love her, since I love her so completely myself, so intensely, so fully, grasp nothing, know nothing, have nothing but her!
I possess so much, but my love for her absorbs it all. I possess so much, but without her I have nothing.
One hundred times have I been on the point of embracing her. Heavens! what a torment it is to see so much loveliness passing and repassing before us, and yet not dare to lay hold of it! And laying hold is the most natural of human instincts. Do not children touch everything they see? And I!
Witness, Heaven, how often I lie down in my bed with a wish, and even a hope, that I may never awaken again! And in the morning, when I open my eyes, I behold the sun once more, and am wretched. If I were whimsical, I might blame the weather, or an acquaintance, or some personal disappointment, for my discontented mind; and then this insupportable load of trouble would not rest entirely upon myself. But, alas! I feel it too sadly; I am alone the cause of my own woe, am I not? Truly, my own bosom contains the source of all my pleasure. Am I not the same being who once enjoyed an excess of happiness, who at every step saw paradise open before him, and whose heart was ever expanded towards the whole world? And this heart is now dead; no sentiment can revive it. My eyes are dry; and my senses, no more refreshed by the influence of soft tears, wither and consume my brain. I suffer much, for I have lost the only charm of life: that active, sacred power which created worlds around me,—it is no more. When I look from my window at the distant hills, and behold the morning sun breaking through the mists, and illuminating the country around, which is still wrapped in silence, whilst the soft stream winds gently through the willows, which have shed their leaves; when glorious Nature displays all her beauties before me, and her wondrous prospects are ineffectual to extract one tear of joy from my withered heart,—I feel that in such a moment I stand like a reprobate before heaven, hardened, insensible, and unmoved. Oftentimes do I then bend my knee to the earth, and implore God for the blessing of tears, as the desponding labourer in some scorching climate prays for the dews of heaven to moisten his parched corn.
”
”
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
“
The stern of the ship faced the Solar System, where the sun was by now no more than a yellow star just a bit brighter than the rest. The peripheral spiral arm of the Milky Way lay in this direction, its stars sparse. The depth and expanse of deep space exhibited an arrogance that left no support for the mind or the eyes. “Dark. It’s so fucking dark,” the captain murmured, and then shot himself.
”
”
Liu Cixin (The Dark Forest (Remembrance of Earth’s Past, #2))
“
Could she lay hope to rest or did she have to carry it yet awhile longer?
”
”
Stephen King (The Colorado Kid)
“
The moment you truly start to believe that you are deserving of happiness, of love, of something bigger than what you have been settling for, your heart weeps a little—as if it is the first time in years it has been able to lay down its arms; as if it is the first time in years it has been able to rest.
”
”
Bianca Sparacino (The Strength In Our Scars)
“
The sunlight now lay over the valley perfectly still. I went over to the graveyard beside the church and found them under the old cedars... I am finding it a little hard to say that I felt them resting there, but I did. I felt their completeness as whatever they had been in the world.
I knew I had come there out of kindness, theirs and mine. The grief that came to me then was nothing like the grief I had felt for myself alone... This grief had something in it of generosity, some nearness to joy. In a strange way it added to me what I had lost. I saw that, for me, this country would always be populated with presences and absences, presences of absences, the living and the dead. The world as it is would always be a reminder of the world that was, and of the world that is to come.
”
”
Wendell Berry (Jayber Crow)
“
Who could truly set His shield to rest?
His throne? His mighty spear?
Think on that. Remember it well, O princes.
Who could lay waste to Tenochtitlan?
Who dares assail the foundation of heaven?
”
”
David Bowles (Flower, Song, Dance: Aztec and Mayan Poetry)
“
They were just little families cooking beans and planting and hunting a deer now and then, and having babies and laying their old folks to rest, not harming anyone, just living...I know that Indians aren't no dirtier than any white folks and cleaner than some. Not stupid, either. But I saved my breath. The likes of her isn't going to listen nor be changed in the mind just from hearing sense. Some people sense is wasted on and that's purely a fact.
”
”
Nancy E. Turner (These Is My Words: The Diary of Sarah Agnes Prine, 1881-1901, Arizona Territories (Sarah Agnes Prine, #1))
“
If we wanted to construct a basic philosophical attitude from these scientific utterances of Pauli's, at first we would be inclined to infer from them an extreme rationalism and a fundamentally skeptical point of view. In reality however, behind this outward display of criticism and skepticism lay concealed a deep philosophical interest even in those dark areas of reality of the human mind which elude the grasp of reason. And while the power of fascination emanating from Pauli's analyses of physical problems was admittedly due in some measure to the detailed and penetrating clarity of his formulations, the rest was derived from a constant contact with the field of creative processes, for which no rational formulation as yet exists.
”
”
Werner Heisenberg (Physics and Philosophy: The Revolution in Modern Science)
“
A rose lay open in full bloom
and, looking from my garden room,
I watched the sun-baked flower fill with rain.
It seemed so fragile,
resting there,
and such a silence filled the air,
the beauty of the moment caused me pain.
"What more?" I thought. "There must be more."
As if in answer then, I saw
one weighty drop that caused my rose to fall.
It trembled, then cascaded down
to earth just staining gentle brown
and, since then, I've felt different.
That's all.
”
”
Julie Andrews Edwards (Home: A Memoir of My Early Years)
“
This wasn’t what she expected. Never, in her wildest dreams. This... this was the Blood Queen of Garbhán Isle? Scourge of the Madron lands? Destroyer of Villages? Demon Killer of Women and Children? She who had blood pacts with the darkest of gods? This was Annwyl the Bloody?
Talaith watched, fascinated, as Annwyl held onto Morfyd the Witch’s wrists. Morfyd — the Black Witch of Despair, Killer of the Innocent, Annihilator of Souls, and all around Mad Witch of Garbhán Isle or so she was called on the Madron lands — had actually tried to sneak up on Annwyl to put ointment on the nasty wound the queen had across her face. But as soon as the warrior saw her, she squealed and grabbed hold of her. Now Annwyl lay on her back, Morfyd over her, trying her best to get Annwyl to stop being a ten year old.
“If you just let me—”
“No! Get that centaur shit away from me, you demon bitch!”
“Annwyl, I’m not letting you go home to my brother looking like that. You look horrific.”
“He’ll have to love me in spite of it. Now get off!”
...
“Ow!”
“Crybaby.”
No, this isn’t what Talaith expected. Annwyl the Blood Queen was supposed to be a vicious, uncaring warrior bent on revenge and power. She let her elite guard rape and and pillage wherever they went, and she used babies as target practice while their mothers watched in horror. That’s what she was supposed to be and that’s what Talaith expected to find. Instead, she found Annwyl. Just Annwyl. A warrior who spent most of her resting time reading or mooning over her consort. She was silly, charming, very funny, and fiercely protective of everyone. Her elite guard, all handpicked by Annwyl, were sweet, vicious fighters and blindingly loyal to their queen.
”
”
G.A. Aiken (About a Dragon (Dragon Kin, #2))
“
Thus did the year one thousand seven hundred and seventy-five conduct their Greatnesses, and myriads of small creatures—the creatures of this chronicle among the rest—along the roads that lay before them.
”
”
Charles Dickens (A Tale of Two Cities)
“
And in truth (as I now see) I had the wish to put off my journey as long as I could. Not for any peril or labour it might cost; but because I could see nothing in the whole world for me to do once it was accomplished. As long as this act lay before me, there was, as it were, some barrier between me and the dead desert which the rest of my life must be.
”
”
C.S. Lewis (Till We Have Faces)
“
The Nantucketer, he alone resides and riots on the sea; he alone, in Bible language, goes down to it in ships; to and fro ploughing it as his own special plantation. There is his home; there lies his business, which a Noah's flood would not interrupt, though it overwhelmed all the millions in China. He lives on the sea, as prairie cocks in the prairie; he hides among the waves, he climbs them as chamois hunters climb the Alps. For years he knows not the land; so that when he comes to it at last, it smells like another world, more strangely than the moon would to an Earthman. With the landless gull, that at sunset folds her wings and is rocked to sleep between billows; so at nightfall the Nantucketer, out of sight of land, furls his sails, and lays him to his rest, while under his very pillow rush herds of walruses and whales.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
Winter denial: therein lay the key to California Schadenfreude--the secret joy that the rest of the country feels at the misfortune of California. The country said: "Look at them, with their fitness and their tans, their beaches and their movie stars, their Silicon Valley and silicone breasts, their orange bridge and their palm trees. God, I hate those smug, sunshiny bastards!" Because if you're up to your navel in a snowdrift in Ohio, nothing warms your heart like the sight of California on fire. If you're shoveling silt out of your basement in the Fargo flood zone, nothing brightens your day like watching a Malibu mansion tumbling down a cliff into the sea. And if a tornado just peppered the land around your Oklahoma town with random trailer trash and redneck nuggets, then you can find a quantum of solace in the fact that the earth actually opened up in the San Fernando Valley and swallowed a whole caravan of commuting SUVs.
”
”
Christopher Moore (The Stupidest Angel: A Heartwarming Tale of Christmas Terror (Pine Cove, #3))
“
Once we were on the road, I glanced at my passenger. “If you’ve got any ideas about how I can get this shit storm cleared up, I’m all ears.”
Tank snorted, sneezed, and lay down on the bench seat, plopping his head on my leg. I rested my hand on his back, eyes glued to the winding two-lane highway. “Yeah, I don’t have a goddamn clue either.
”
”
Lisa Kessler (Ice Moon (Moon, #5))
“
Murder was deeply human. A person was killed and a person killed. And what powered the final thrust wasn't a whim, wasn't an event. It was an emotion. Something once healthy and human had become wretched and bloated and finally buried. But not put to rest. It lay there, often for decades, feeding on itself, growing and gnawing, grim and full of grievance. Until it finally broke free of all human restraint. Not conscience, not fear, not social convention could contain it. When that happened, all hell broke loose. And a man became a monster.
”
”
Louise Penny (A Rule Against Murder (Chief Inspector Armand Gamache, #4))
“
Ronan pointed at the cart. "Get in there."
"What?"
He just continued pointing.
Adam said, "Give me a break. This is a public parking lot."
"Don't make this ugly, Parrish."
As an old lady headed past them, Adam sighed and climbed into the basket of the shopping cart. He drew his knees up so that he would fit. He was full of the knowledge that this was probably going to end with scabs.
Ronan gripped the handle with the skittish concentration of a motorcycle racer and eyed the line between them and the BMW parked on the far side of the lot. "What do you think the grade is on this parking lot?"
"C plus, maybe a B. Oh. I don't know. Ten degrees?" Adam held the sides of the cart and then thought better of it. He held himself instead.
With a savage smile, Ronan shoved the cart off the curb and belted towards the BMW. As they picked up speed, Ronan called out a joyful and awful swear and then jumped on to the back of the cart himself. As they hurtled towards the BMW, Adam realised that Ronan, as usual, had no intention of stopping before something bad happened. He cupped a hand over his nose just as they glanced off the side of the BMW. The unseated cart wobbled once, twice, and then tipped catastrophically on to its side. It kept skidding, the boys skidding along with it.
The three of them came to a stop.
"Oh, God," Adam said, touching the road burn on his elbow. It wasn't that bad, really. "God, God. I can feel my teeth."
Ronan lay on his back a few feet away. A box of toothpaste rested on his chest and the cart keeled beside him. He looked profoundly happy.
"You should tell me what you've found out about Greenmantle," Ronan said, "so that I can get started on my dreaming."
Adam picked himself up before he got driven over. "When?"
Ronan grinned.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Over and over, I ran at the sea, beating it until I was so tired I could barely stand. And then the next time I fell down, I just lay there and let the waves wash over me, and I wondered what would happen if I stopped trying to get back up. Just let my body go. Would I be washed out to sea? The sharks would eat my limbs and organs. Little fish would feed on my fingertips. My beautiful white bones would fall to the bottom of the ocean, where anemones would grow upon them like flowers. Pearls would rest in my eye sockets.
”
”
Ruth Ozeki (A Tale for the Time Being)
“
I lay on your bed, and smelled your pillow,” I say, and rush to tell her the rest. “I may have also had a beer, touched your underwear, smelled your shampoo, and used some of your lotion. Look, don’t judge, I just wanted to get as close to you as I could.
”
”
Alexa Riley (Pulling Her Trigger (Ghost Riders MC, #1))
“
I hurt in places that you brought back from the dead. Now I have to lay them to rest again.
”
”
Alfa Holden (Abandoned Breaths)
“
She tore through the wrapping and took out a blue velvet box. She glanced back at me as though unable to believe her eyes. After pulling her bottom lip between her teeth, she lifted the lid. Two rolls of cushioned velvet sat inside. The slit that those cushions made should have held a ring, but it didn’t.
Sucked to be her.
She gaped at me. “What is this?” she asked, appalled.
“It’s a simple yes/no question,” I said, trying to keep a straight face. I lay back, crossing my arms behind my head. “When I get an answer, you get the rest of your gift.
”
”
Darynda Jones (Glow (Charley Davidson, #5.6))
“
She alone was left standing, amid the accumulated riches of her mansion, while a host of men lay stricken at her feet. Like those monsters of ancient times whose fearful domains were covered with skeletons, she rested her feet on human skulls and was surrounded by catastrophes...The fly that had come from the dungheap of the slums, carrying the ferment of social decay, had poisoned all these men simply by alighting on them. It was fitting and just. She had avenged the beggars and outcasts of her world. And while, as it were, her sex rose in a halo of glory and blazed down on her prostrate victims like a rising sun shining down on a field of carnage, she remained as unconscious of her actions as a splendid animal, ignorant of the havoc she had wreaked, and as good-natured as ever.
”
”
Émile Zola (Nana)
“
She wondered when her daughter would realise that for the most part, people weren't that different. Young and old, male or female, pretty much everyone she knew wanted the same things: The wanted to feel peace in their hearts, they wanted a life without turmoil, they wanted to be happy. The difference, she thought, was that most young people seemed to think that those things lay somewhere in the future. While most older people believed that they lay in the past.
”
”
Laura Moriarty (The Rest of Her Life)
“
Don’t worry about anything in this world
and your eyes shine bright again. Your heart becomes open, clear and pure.
Trust.
As you move, Grace goes ahead of you.
Even before you take your first step,
she is there with you and walks with you along the way.
Therefore, lay down your arms.
Lay down all your techniques and your efforts
so that you may discover the effortless silence.
Know that the whole universe
is supporting your awakening.
Neither doubt nor fear. All is well.
Take rest.
Find and feel your Heart again.
”
”
Mooji (White Fire: Spiritual Insights and Teachings of Advaita Zen Master Mooji)
“
Only people who have a plausible hope of being immortalized in history are so obsessed about how they might get immortalized,” she said. “The rest of us are too busy trying to get through the day.” At the time, he’d laughed and called her melodramatic, and a reactionary man-hater, but that night, as he lay in bed, he had thought about what she said and wondered if she was correct.
”
”
Hanya Yanagihara (To Paradise)
“
If your Lord calls you to suffering, do not be dismayed, for He will provide a deeper portion of Christ in your suffering. The softest pillow will be placed under your head though you must set your bare feet among thorns. Do not be afraid at suffering for Christ, for He has a sweet peace for a sufferer. God has called you to Christ's side, and if the wind is now in His face, you cannot expect to rest on the sheltered side of the hill. You cannot be above your Master who received many an innocent stroke. The greatest temptation out of hell is to live without trials. A pool of standing water will turn stagnant. Faith grows more with the sharp winter storm in its face. Grace withers without adversity. You cannot sneak quietly into heaven without a cross. Crosses form us into His image. They cut away the pieces of our corruption. Lord cut, carve, wound; Lord do anything to perfect Your image in us and make us fit for glory! We need winnowing before we enter the kingdom of God. O what I owe to the file, hammer, and furnace! Why should I be surprised at the plough that makes such deep furrows in my soul? Whatever direction the wind blows, it will blow us to the Lord. His hand will direct us safely to the heavenly shore to find the weight of eternal glory. As we look back to our pains and suffering, we shall see that suffering is not worthy to be compared to our first night's welcome home in heaven. If we could smell of heaven and our country above, our crosses would not bite us. Lay all your loads by faith on Christ, ease yourself, and let Him bear all. He can, He does, and He will bear you. Whether God comes with a rod or a crown, He comes with Himself. "Have courage, I am your salvation!" Welcome, welcome Jesus!
”
”
Samuel Rutherford
“
When love beckons to you, follow him,
Though his ways are hard and steep.
And when his wings enfold you yield to him,
Though the sword hidden among his pinions may wound you.
And when he speaks to you believe in him,
Though his voice may shatter your dreams
as the north wind lays waste the garden.
For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning.
Even as he ascends to your height and caresses your tenderest branches that quiver in the sun,
So shall he descend to your roots and shake them in their clinging to the earth.
Like sheaves of corn he gathers you unto himself.
He threshes you to make you naked.
He sifts you to free you from your husks.
He grinds you to whiteness.
He kneads you until you are pliant;
And then he assigns you to his sacred fire, that you may become sacred bread for God's sacred feast.
All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's heart.
But if in your fear you would seek only love's peace and love's pleasure,
Then it is better for you that you cover your nakedness and pass out of love's threshing-floor,
Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears.
Love gives naught but itself and takes naught but from itself.
Love possesses not nor would it be possessed;
For love is sufficient unto love.
When you love you should not say, "God is in my heart," but rather, "I am in the heart of God."
And think not you can direct the course of love, for love, if it finds you worthy, directs your course.
Love has no other desire but to fulfill itself.
But if you love and must needs have desires, let these be your desires:
To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness.
To be wounded by your own understanding of love;
And to bleed willingly and joyfully.
To wake at dawn with a winged heart and give thanks for another day of loving;
To rest at the noon hour and meditate love's ecstasy;
To return home at eventide with gratitude;
And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
”
”
Kahlil Gibran (The Prophet)
“
Do I frighten ye, Sassenach?" -
"No. It's only... the first time... I didn't think it would be forever. I meant to go, then." -
"And ye did go, and came again. You're here, there's no more that matters, than that."
I raised myself slightly to look at him. His eyes were closed, slanted and catlike, his lashes that striking color I remembered so well because I had seen it so often.
"What did you think, the first time we lay together?"
I asked. The dark blue eyes opened slowly, and rested on me. -
"It has always been forever for me, Sassenach.
”
”
Diana Gabaldon (Voyager (Outlander, #3))
“
strong is she who knows when she needs to lay her battles down to rest. strong is she who knows the difference between quitting & self-preservation. every full moon is a reminder of what has come full circle & must be released. every new moon is a chance to start anew. —cherish your every phase.
”
”
Amanda Lovelace (Break Your Glass Slippers (You Are Your Own Fairy Tale, #1))
“
It is pleasant to walk over the beds of these fresh, crisp, and rustling leaves. How beautifully they go to their graves! how gently lay themselves down and turn to mould!--painted of a thousand hues, and fit to make the beds of us living. So they troop to their last resting-place, light and frisky. They put on no weeds, but merrily they go scampering over the earth, selecting the spot, choosing a lot, ordering no iron fence, whispering all through the woods about it,--some choosing the spot where the bodies of men are mouldering beneath, and meeting them half-way.
”
”
Henry David Thoreau (Autumnal Tints (Applewood Books))
“
There is a place where travelers rest, And lay their heads in peace. Returning to the Eagle’s nest, All war within will cease. O Lamb of God, Our heart’s desire, O Truth in Word, Eternal Fire, O Lamb of God, God’s chosen Son, Receive them when Their race is run.
”
”
Anna Rountree (Heaven Awaits the Bride: A Breathtaking Glimpse of Eternity)
“
He lay down on his pallet and drew the fawn down beside him. He often lay so with it in the shed, or under the live oaks in the heat of the day. He lay with his head against its side. its ribs lifted and fell with its breathing. It rested its chin on his hand. It had a few short hairs there that prickled him. He had been cudgeling his wits for an excuse to bring the fawn inside at night to sleep with him, and now he had one that could not be disputed. He would smuggle it in and out as long as possible, in the name of peace.
”
”
Marjorie Kinnan Rawlings (The Yearling)
“
Moon, that against the lintel of the west
Your forehead lean until the gate be swung,
Longing to leave the world and be at rest,
Being worn with faring and no longer young,
Do you recall at all the Carian hill
Where worn with loving, loving late you lay,
Halting the sun because you lingered still,
While wondering candles lit the Carian day?
Ah, if indeed this memory to your mind
Recall some sweet employment, pity me,
That even now the dawn's dim herald see!
I charge you, goddess, in the name of one
You loved as well: endure, hold off the sun.
”
”
Edna St. Vincent Millay (Unknown Book 7720699)
“
This morning I woke up at four and lay awake for an hour or so in a bad state. It is raining again. I got up finally and went about the daily chores, waiting for the sense of doom to lift — and what did it was watering the house plants. Suddenly joy came back because I was fulfilling a simple need, a living one. Dusting never has this effect (and that may be why I am such a poor housekeeper!), but feeding the cats when they are hungry, giving Punch clean water, makes me suddenly feel calm and happy. Whatever peace I know rests in the natural world, in feeling myself a part of it, even in a small way.
”
”
May Sarton (Journal of a Solitude)
“
Eddie saw great things and near misses. Albert Einstein as a child, not quite struck by a run-away milk-wagon as he crossed a street. A teenage boy named Albert Schweitzer getting out of a bathtub and not quite stepping on the cake of soap lying beside the pulled plug. A Nazi Oberleutnant burning a piece of paper with the date and place of the D-Day Invasion written on it. He saw a man who intended to poison the entire water supply of Denver die of a heart attack in a roadside rest-stop on I-80 in Iowa with a bag of McDonald’s French fries on his lap. He saw a terrorist wired up with explosives suddenly turn away from a crowded restaurant in a city that might have been Jerusalem. The terrorist had been transfixed by nothing more than the sky, and the thought that it arced above the just and unjust alike. He saw four men rescue a little boy from a monster whose entire head seemed to consist of a single eye.
But more important than any of these was the vast, accretive weight of small things, from planes which hadn’t crashed to men and women who had come to the correct place at the perfect time and thus founded generations. He saw kisses exchanged in doorways and wallets returned and men who had come to a splitting of the way and chosen the right fork. He saw a thousand random meetings that weren’t random, ten thousand right decisions, a hundred thousand right answers, a million acts of unacknowledged kindness. He saw the old people of River Crossing and Roland kneeling in the dust for Aunt Talitha’s blessing; again heard her giving it freely and gladly. Heard her telling him to lay the cross she had given him at the foot of the Dark Tower and speak the name of Talitha Unwin at the far end of the earth. He saw the Tower itself in the burning folds of the rose and for a moment understood its purpose: how it distributed its lines of force to all the worlds that were and held them steady in time’s great helix. For every brick that landed on the ground instead of some little kid’s head, for every tornado that missed the trailer park, for every missile that didn’t fly, for every hand stayed from violence, there was the Tower.
And the quiet, singing voice of the rose. The song that promised all might be well, all might be well, that all manner of things might be well.
”
”
Stephen King (Wolves of the Calla (The Dark Tower, #5))
“
Beth lay a minute thinking, and then said in her quiet way, 'I don't know how to express myself, and shouldn't try to anyone but you, because I can't speak out except to my Jo. I only meant to say that I have a feeling that it never was intended I should live long. I'm not like the rest of you. I never made any plans about what I'd do when I grew up. I never thought of being married, as you all did. I couldn't seem to imagine myself anything but stupid little Beth, trotting about at home, of no use anywhere but there. I never wanted to go away, and the hard part now is the leaving you all. I'm not afraid, but it seems as if I should be homesick for you even in heaven.
”
”
Louisa May Alcott (Little Women (Little Women, #1))
“
In the world I see - you are stalking elk through the damp canyon forests around the ruins of Rockefeller Center. You'll wear leather clothes that will last you the rest of your life. You'll climb the wrist-thick kudzu vines that wrap the Sears Tower. And when you look down, you'll see tiny figures pounding corn, laying strips of venison on the empty car pool lane of some abandoned superhighway.
”
”
Chuck Palahniuk (Fight Club)
“
I believe you,” he said firmly. “I dinna understand it a bit—not yet—but I believe you. Claire, I believe you! Listen to me! There’s the truth between us, you and I, and whatever ye tell me, I shall believe it.” He gave me a gentle shake. “It doesna matter what it is. You’ve told me. That’s enough for now. Be still, mo duinne. Lay your head and rest. You’ll tell me the rest of it later. And I’ll believe you.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
Jasper followed Alice down the stairs, not racing but not moving cautiously like Carlisle and Esme, either. There was no need for him to put on a show. Everything he did seemed natural and right.
In truth, he was laying it on a little thick.
I gave him a sardonic look, and he grinned at me, then stopped by the newel post, leaving what might have felt like an odd distance between himself and the rest of us, but of course it couldn't feel odd if he didn't want it to.
”
”
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
“
we pull the table into the corner of the room and lay the comforter down on the wood floor. I get the pillows and you open the wine. I wrap my body around yours and sigh into your chest. when you laugh catches in your throat I want to trap it in a jar and listen to it later. no one every says what a miracle it is to be in love and not suffer for it but every time I look at you, I know. I would fall asleep on the floor every night if it meant resting my head in our love.
”
”
Fortesa Latifi (We Were Young)
“
All she had to do was stay where she was, go on as she was.
But there was no Tatiana here. Tatiana remained with Alexander. Her arms were around him in Lake
Ladoga, where she lay down with him every night. Her arms were holding him bleeding out into the Lake
Ladoga ice. She could have let go of him then, could have given him to God; God was certainly calling
for him.
But she didn’t.
And because she didn’t, she was here in America, sitting on the ledge of the rest of her life. It certainly
felt that way, that seminal moment where she knew that whatever her decision, her life would take either
one course or it would take another.
One way the path was plain and vivid.
And the other was black and fraught with doubt
”
”
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
“
Her fingers crawled upwards and touched the outer curve of her breast, and the fingers paused, quaking in fear; but after the moment, despite the panic trying to break out of its shadows and seize her mind, she told her fingers, go on. This is my body. I reclaim my body for myself: for my use, for my understanding, for my kindness and care. Go on. And the fingers walked cautiously on, over the curiously muscleless, faintly ridged flesh, cooler than the rest of the body, across the tender nipple, into the deep cleft between, and out onto the breast that lay limp and helpless and hardly recognizable as round, lying like a hunting trophy over her other arm. Mine, she thought. My body. It lives on the breaths I breathe and the food I eat; the blood my heart pumps reaches all of me, into all my hidden crevices, from my scalp to my heels.
”
”
Robin McKinley (Deerskin)
“
Most American view World War II nostalgically as the "good war," in which the United States and its allies triumphed over German Nazism, Italian fascism, and Japanese militarism. The rest of the world remembers it as the bloodiest war in human history. By the time it was over, more than 60 million people lay dead, including 27 million Russians, between 10 million and 20 million Chinese, 6 million Jews, 5.5 million Germans, 3 million non-Jewish Poles, 2.5 million Japanese, and 1.5 million Yugoslavs. Austria, Great Britain, France, Italy, Hungary, Romania, and the United States each counted between 250,000 and 333,000 dead.
”
”
Oliver Stone (The Untold History of The United States)
“
In summers heate and mid-time of the day
To rest my limbes upon a bed I lay,
One window shut, the other open stood,
Which gave such light as twinkles in a wood,
Like twilight glimpse at setting of the Sunne,
Or night being past, and yet not day begunne.
Such light to shamefast maidens must be showne,
Where they may sport, and seeme to be unknowne.
Then came Corinna in a long loose gowne,
Her white neck hid with tresses hanging downe,
Resembling fayre Semiramis going to bed,
Or Layis of a thousand lovers sped.
I snatcht her gowne: being thin, the harme was small,
Yet strived she to be covered therewithall.
And striving thus as one that would be cast,
Betrayde her selfe, and yeelded at the last.
Starke naked as she stood before mine eye,
Not one wen in her body could I spie.
What armes and shoulders did I touch and see,
How apt her breasts were to be prest by me.
How smooth a belly under her wast saw I,
How large a legge, and what a lustie thigh?
To leave the rest, all liked me passing well,
I clinged her naked body, downe she fell,
Judge you the rest, being tirde she bad me kisse;
Jove send me more such after-noones as this.
”
”
Christopher Marlowe
“
Lord, make me childlike. Deliver me from the urge to compete with another for place or prestige or position. I would be simple and artless as a little child. Deliver me from pose and pretense. Forgive me for thinking of myself. Help me to forget myself and find my true peace in beholding Thee. That Thou mayest answer this prayer I humble myself before Thee. Lay upon me Thy easy yoke of self-forgetfulness that through it I may find rest. Amen.
”
”
A.W. Tozer (The Pursuit of God)
“
The possibility of a question of this nature, proves the necessity of laying the foundations of our National Government deeper than in the mere sanction of delegated authority. The fabric of American Empire ought to rest on the solid basis of the consent of the People. The streams of National power ought to flow immediately from that pure original fountain of all legitimate authority.
”
”
Alexander Hamilton (The Federalist Papers)
“
ALONE
One of my new housemates, Stacy, wants to write a story about an astronaut. In his story the astronaut is wearing a suit that keeps him alive by recycling his fluids. In the story the astronaut is working on a space station when an accident takes place, and he is cast into space to orbit the earth, to spend the rest of his life circling the globe. Stacy says this story is how he imagines hell, a place where a person is completely alone, without others and without God. After Stacy told me about his story, I kept seeing it in my mind. I thought about it before I went to sleep at night. I imagined myself looking out my little bubble helmet at blue earth, reaching toward it, closing it between my puffy white space-suit fingers, wondering if my friends were still there. In my imagination I would call to them, yell for them, but the sound would only come back loud within my helmet. Through the years my hair would grow long in my helmet and gather around my forehead and fall across my eyes. Because of my helmet I would not be able to touch my face with my hands to move my hair out of my eyes, so my view of earth, slowly, over the first two years, would dim to only a thin light through a curtain of thatch and beard.
I would lay there in bed thinking about Stacy's story, putting myself out there in the black. And there came a time, in space, when I could not tell whether I was awake or asleep. All my thoughts mingled together because I had no people to remind me what was real and what was not real. I would punch myself in the side to feel pain, and this way I could be relatively sure I was not dreaming. Within ten years I was beginning to breathe heavy through my hair and my beard as they were pressing tough against my face and had begun to curl into my mouth and up my nose. In space, I forgot that I was human. I did not know whether I was a ghost or an apparition or a demon thing.
After I thought about Stacy's story, I lay there in bed and wanted to be touched, wanted to be talked to. I had the terrifying thought that something like that might happen to me. I thought it was just a terrible story, a painful and ugly story. Stacy had delivered as accurate a description of a hell as could be calculated. And what is sad, what is very sad, is that we are proud people, and because we have sensitive egos and so many of us live our lives in front of our televisions, not having to deal with real people who might hurt us or offend us, we float along on our couches like astronauts moving aimlessly through the Milky Way, hardly interacting with other human beings at all.
”
”
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
“
They said of him, about the city that night, that it was the peacefullest man's face ever beheld there. Many added that he looked sublime and prophetic.
One of the most remarkable sufferers by the same axe---a woman---had asked at the foot of the same scaffold, not long before, to be allowed to write down the thoughts that were inspiring her. If he had given an utterance to his, and they were prophetic, they would have been these:
"I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out.
"I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward.
"I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both.
"I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, brining a boy of my name, with a forehead that I know and golden hair, to this place---then fair to look upon, with not a trace of this day's disfigurement---and I hear him tell the child my story, with a tender and faltering voice.
"It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
”
”
Charles Dickens (A Tale of Two Cities)
“
Moralizing, I observed, then, that “all that glitters is not gold.” Mr. Ballou said I could go further than that, and lay it up among my treasures of knowledge, that nothing that glitters is gold. So I learned then, once for all, that gold in its native state is but dull, unornamental stuff, and that only low-born metals excite the admiration of the ignorant with an ostentatious glitter. However, like the rest of the world, I still go on underrating men of gold and glorifying men of mica. Commonplace human nature cannot rise above that.
”
”
Mark Twain (Roughing It)
“
The way was long, the wind was cold,
The Minstrel was infirm and old;
His withered cheek, and tresses grey,
Seemed to have known a better day;
The harp, his sole remaining joy,
Was carried by an orphan boy.
The last of all the Bards was he,
Who sung of Border chivalry;
For, well-a-day! their date was fled,
His tuneful brethren all were dead;
And he, neglected and oppressed,
Wished to be with them, and at rest.
”
”
Walter Scott (Scott’s Lay of the Last Minstrel)
“
It was seven o’clock of a very warm evening in the Seeonee hills when Father Wolf woke up from his day’s rest, scratched himself, yawned, and spread out his paws one after the other to get rid of the sleepy feeling in their tips. Mother Wolf lay with her big gray nose dropped across her four tumbling, squealing cubs, and the moon shone into the mouth of the cave where they all lived. "Augrh!” said Father Wolf. “It is time to hunt again.” He was going to spring down hill when a little shadow with a bushy tail crossed the threshold and whined: “Good luck go with you, O Chief of the Wolves. And good luck and strong white teeth go with noble children that they may never forget the hungry in this world.
”
”
Rudyard Kipling (The Jungle Book: Mowgli's Story)
“
I don't know where dreams come from. Sometimes I wonder if they're genetic memories, or messages from something divine. Warnings perhaps. Maybe we do come with an instruction booklet but we're too dense to read it, because we've dismissed it as the irrational waste product of the "rational" mind. Sometimes I think all the answers we need are buried in our slumbering subconscious, in the dreaming. The booklet's right there, and every night when we lay our heads down on the pillow it flips open. The wise read it, heed it. The rest of us try as hard as we can upon awakening to forget any disturbing revelations we might have found there.
”
”
Karen Marie Moning (Bloodfever (Fever, #2))
“
Royce saw to his horse’s needs; then, finding a suitable place, he unrolled his blanket and lay down.
“I take it we’re camping here, then?”
Royce said nothing, still refusing to acknowledge his existence.
“You could have said, ‘We’re going to bed down here for the rest of the night.’ No, wait, you’re right, too much. How about ‘sleeping here’? Two words. Even you could manage that, right? I mean, I know you can talk. You had plenty to say back in Arcadius’s office. Couldn’t keep the words from coming out then, but no, utterly impossible to indicate in any way that we’ll be stopping here for the night.”
Hadrian dismounted and began unloading Dancer. “How long were we on the road?” He paused to look up at the moon. “What? Five, six hours? Not a damn word. Getting chilly out, don’t you think, Hadrian? Moon looks like a fingernail, ain’t that right, Hadrian? That tree looks like a goddamn bear, don’t it, Hadrian? Nothing. By the way, in case you hadn’t noticed, I was attacked by a goshawk and a pig-riding dwarf that shot eggs at me with a sling. I was knocked from my horse and wrestled with the dwarf, the hawk, and the pig for what had to be half an hour. The dwarf kept smashing eggs in my face, and that ruddy pig pinned me down, licking them off. I only got away because the dwarf ran out of eggs. Then the hawk turned into a moth that became distracted by the light of the moon.”
Royce shifted to his side, hood up.
“Yeah, well … thank Maribor and Novron I didn’t need your help that time.”
“Didn’t care for my help too much in the stable,” Royce said.
“It speaks!
”
”
Michael J. Sullivan (The Crown Tower (The Riyria Chronicles, #1))
“
This microcosm was pregnant with the germ of a proper time and space, and all the kinds of cosmical beings. Within this punctual cosmos the myriad but not unnumbered physical centers of power, which men conceive vaguely as electrons, protons, and the rest, were at first coincident with one another. And they were dormant. The matter of ten million galaxies lay dormant in a point.
”
”
Olaf Stapledon (Star Maker)
“
It was dark now as it becomes dark quickly after the sun sets in September. He lay against the worn wood of the bow and rested all that he could. The first stars were out. He did not know the name of Rigel but he saw it and knew soon they would all be out and he would have all his distant friends.
'The fish is my friend too,' he said aloud. 'I have never seen or heard of such a fish. But I must kill him. I am glad we do not have to try to kill the stars.
”
”
Ernest Hemingway (The Old Man and the Sea)
“
In the cool of evening, in the silent shadowy barn, as we lay watching the sun ducking behind the treetops in the distance, I could hear my heart beating out the rhythm of my love for Frank. And when I rested my head against Frank’s warm chest, I could hear his heart beating out the same sweet song for me.
”
”
John Inman (Shy)
“
O Love, divine Love, why do You lay siege to me?
In a frenzy of love for me, You find no rest.
From five sides You move against me,
Hearing, sight, taste, touch, and scent.
To come out is to be caught; I cannot hide from You.
If I come out through sight I see Love
Painted in every form and color,
Inviting me to come to You, to dwell in You.
If I leave through the door of hearing,
What I hear points only to You, Lord;
I cannot escape Love through this gage.
If I come out through taste, every flavor proclaims:
"Love, divine Love, hungering Love!
You have caught me on Your hook, for you want to reign in me."
If I leave through the door of scent
I sense You in all creation; You have caught me
And wounded me through that fragrance.
If I come out through the sense of touch
I find Your lineaments in every creature;
To try to flee from You is madness.
Love, I flee from You, afraid to give You my heart:
I see that You make me one with You,
I cease to be me and can no longer find myself.
If I see evil in a man or defect or temptation,
You fuse me with him, and make me suffer;
O Love without limits, who is it You love?
It is You, O Crucified Christ,
Who take possession of me,
Drawing me out of the sea to the shore;
There I suffer to see Your wounded heart.
Why did You endure the pain?
So that I might be healed.
”
”
Jacopone da Todi (The God-Madness)
“
Not long after, and while it was still twilight, the grandfather also went to bed, for he was up every morning at sunrise, and the sun came climbing up over the mountains at a very early hour during these summer months. The wind grew so tempestuous during the night, and blew in such gusts against the walls, that the hut trembled and the old beams groaned and creaked. It came howling and wailing down the chimney like voices of those in pain, and it raged with such fury among the old fir trees that here and there a branch was snapped and fell. In the middle of the night the old man got up. "The child will be frightened," he murmured half aloud. He mounted the ladder and went and stood by the child's bed.
Outside the moon was struggling with the dark, fast-driving clouds, which at one moment left it clear and shining, and the next swept over it, and all again was dark. Just now the moonlight was falling through the round window straight on to Heidi's bed. She lay under the heavy coverlid, her cheeks rosy with sleep, her head peacefully resting on her little round arm, and with a happy expression on her baby face as if dreaming of something pleasant. The old man stood looking down on the sleeping child until the moon again disappeared behind the clouds and he could see no more, then he went back to bed.
”
”
Johanna Spyri (Heidi (Heidi, #1-2))
“
...it obeys none of the natural laws of hereditary and environmental change, pays no attention to the survival of the fittest, positively sneers at any attempt on the part of man to work out a rational life cycle, is possibly immortal, unquestionably immoral, evidences anabolism but not katabolism, ruts, spawns, and breeds but does not reproduce, lays no eggs, builds no nests, seeks but does not find, wanders but does not rest.
”
”
Charles Grandison Finney (The Circus of Dr. Lao)
“
Grasping the staff, Donia pressed her mouth to Beira’s still body and inhaled. The rest of the Winter Queen’s cold flowed into her, rolling through her like an icy wave, churning until it suddenly stopped and lay quiet — a fathomless frozen pool surrounded by ice-laden trees and unmarred white fields.
The words came to her from the white world, sliding through her lips like a winter wind, "I am the Winter Queen. As those before me, I will carry the wind and ice."
And she was healed, stronger than she’d ever been.
”
”
Melissa Marr (Wicked Lovely (Wicked Lovely, #1))
“
People with green eyes were close to the fairies, we were told; they were just here for a little while, looking for a human child they could take away. If we ever met anyone with one green and one brown eye we were to cross ourselves, for that was a human child that had been taken over by the fairies. The brown eye was the sign it had been human. When it died, it would go into the fairy mounds that lay behind the Donegal mountains, not to heaven, purgatory, limbo or hell like the rest of us. These strange destinations excited me, especially when a priest came to the house of a dying person to give the last rites, the sacrament of Extreme Unction. That was to stop the person going to hell. Hell was a deep place. You fell into it, turning over and over in mid-air until the blackness sucked you into a great whirlpool of flames and you disappeared forever.
”
”
Seamus Deane (Reading in the Dark)
“
He tried to measure his day
by tallying the hours on his wrist.
I wiped it off and called him a prisoner.
He placed the hours on a scale
with hours from former days to compare.
I took a hammer and broke it all.
He bent down and picked up the
shards of minutes first
then swept the seconds.
I told him he’d missed a spot;
there were some sparkling specks left.
'What are they?' he asked.
'Those are moments,' I said.
'What are they made of?' he asked.
They are times, I thought, when you win a race
or win a heart.
They are times when you give birth
or lay something, someone to rest.
When you wake up in the morning
with a smile because anything is possible.
When someone compliments the thing
you hate most about yourself.
Times when you are embarrassed.
Times when you are hurtful.
Times when you relish in a hearty meal.
Times when you service others and
are content with a well-spent day.
'What are they made of?' he asked again.
'They are made up of times when we are fully present.'
I picked up one of the specks with the tip
of my finger.
'Do you remember this?' I asked.
'Of course,' he said, 'I was whistling in the kitchen
that morning.'
'Why?' I asked.
'Because of the knowledge
that I was loved.
”
”
Kamand Kojouri
“
Girl, you're as hot as your temper,
And you won't let me through.
But I think you would be good for me.
I know I'd be good for you.
Oh, but then that night at the lake,
You said we'd be a mistake.
But you're wrong there, honey.
I'm a chance you wanna take.
Do you want me to beg you?
Do you want me to say please?
Then this song is the rest of my pride, girl,
This song is me down on my knees.
Just give in, give in to me, girl.
I'll give you everything I've got.
I won't give up, give up on you, girl,
Till you're giving me a shot.
So go on, pretend you can fight it,
Walk away like I'm not in your head.
Brush me off like I never cross your mind
At night as you lay down in bed.
Till you're giving me a shot.
C'mon, girl, give me a shot,
One shot.
I'll give you everything I've got...
”
”
Emery Lord (Open Road Summer)
“
There is no ready vocabulary to describe the ways in which artists become artists, no recognition that artists must learn to be who they are (even as they cannot help being who they are.) We have a language that reflects how we learn to paint, but not how we learn to paint our paintings. How do you describe the [reader to place words here] that changes when craft swells to art?
"Artists come together with the clear knowledge that when all is said and done, they will return to their studio and practice art alone. Period. That simple truth may be the deepest bond we share. The message across time from the painted bison and the carved ivory seal speaks not of the differences between the makers of that art and ourselves, but of the similarities. Today these similarities lay hidden beneath urban complexity -- audience, critics, economics, trivia -- in a self-conscious world. Only in those moments when we are truly working on our own work do we recover the fundamental connection we share with all makers of art. The rest may be necessary, but it's not art. Your job is to draw a line from your art to your life that is straight and clear.
”
”
David Bayles (Art and Fear)
“
Veda began it, but when she finished it, or whether she finished it, Mildred never quite knew. Little quivers went through her and they kept going through her the rest of the night, during the supper party, when Veda sat with the white scarf wound around her throat, during the brief half hour, while she undressed Veda, and put the costume away; in the dark, while she lay there alone, trying to sleep, not wanting to sleep.
This was the climax of Mildred's life.
”
”
James M. Cain (Mildred Pierce)
“
One of the most frustrating words in the human language, as far as I could tell, was love. So much meaning attached to this one little word. People bandied it about freely, using it to describe their attachments to possessions, pets, vacation destinations, and favorite foods. In the same breath they then applied this word to the person they considered most important in their lives. Wasn’t that insulting? Shouldn’t there be some other term to describe deeper emotion? Humans were so preoccupied with love. They were all desperate to form an attachment to one person they could refer to as their “other half.” It seemed from my reading of literature that being in love meant becoming the beloved’s entire world. The rest of the universe paled into insignificance compared to the lovers. When they were separated, each fell into a melancholy state, and only when they were reunited did their hearts start beating again. Only when they were together could they really see the colors of the world. When they were apart, that color leached away, leaving everything a hazy gray. I lay in bed, wondering about the intensity of this emotion that was so irrational and so irrefutably human. What if a person’s face was so sacred to you it was permanently inscribed in your memory? What if their smell and touch were dearer to you than life itself? Of course, I knew nothing about human love, but the idea had always been intriguing to me. Celestial beings never pretended to understand the intensity of human relationships; but I found it amazing how humans could allow another person to take over their hearts and minds. It was ironic how love could awaken them to the wonders of the universe, while at the same time confine their attention to one another.
”
”
Alexandra Adornetto
“
Words - take her with you
let her rest in your rhymes
Words - take her away
somewhere beyond time
Words - ease her breathing
lay her softly on the floor
there - let her linger
and listen like ever before
Leave her windows uncovered at night
and fill her room with the citylights
as they illuminate the sky
it reminds her of the people outside
cause she won't sleep unless she heals her loneliness
Walk with her beneath the treetops
create new paths and memories
show her how the sunlight
glances through the gaps between the leaves
Words - help her change the world
in only one verse
tell her to reach for the stars
and to always put love first
Leave her windows uncovered at night
and fill her rooms with the citylights
as they illuminate the sky
it reminds her of the people outside
it reminds her of the people
it reminds her of the people
it reminds her of the people outside.
”
”
Ane Brun
“
What great gravity is this that drew my soul towards yours? What great force, that though I went falsely, went kicking, went disguising myself to earn your love, also disguised, to earn your keeping, your resting, your staying, your will fleshed into mine, rasped by a slowly revealed truth, the barter of my soul, the soul that I fear, the soul that I loathe, the soul that: if you will love, I will love. I will redeem you, if you will redeem me? Is this our purpose, you and I together to pacify each other, to lead each other toward the lie that we are good, that we are noble, that we need not redemption, save the one that you and I invented of our own clay? I am not scared of you, my love, I am scared of me.
I went looking, I wrote out a list, I drew an image, I bled a poem of you. You were pretty and my friends believed I was worthy of you. You were clever, but I was smarter, perhaps the only one smarter, the only one able to lead you. You see, love, I did not love you, I loved me. And you were only a tool that I used to fix myself, to fool myself, to redeem myself. And though I have taught you to lay your lily hand in mine, I walk alone, for I cannot talk to you, lest you talk it back to me, lest I believe that I am not worthy, not deserving, not redeemed.
I want desperately for you to be my friend. But you are not my friend; you have slid up warmly to the man I wanted to be, the man I pretended to be, and I was your Jesus and, you were mine. Should I show you who I am, we may crumble. I am not scared of you my love, I am scared of me.
I want to be known and loved anyway. Can you do this? I trust by your easy breathing that your are human like me, that you are fallen like me, that you are lonely, like me. My love, do I know you? What is this great gravity that pulls us so painfully toward each other? Why do we not connect? Will we be forever in fleshing this out? And how will we with words, narrow words, come into the knowing of each other?
”
”
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
“
Sorry I missed our last session, but I saw my mother and I needed some time to pick myself back up off the floor. You know, it's funny, but the night after I saw her I really wanted to sleep in the closet. I stood outside it for the longest time with my pillow in hand, but I knew opening that door would be going backward, so I lay back down on my bed and conjured up your office in my mind. I told myself I was resting on your couch and you were watching over me. That's how I fell asleep. (324)
”
”
Chevy Stevens (Still Missing)
“
Poor old Jean Valjean, of course, loved Cosette only as a father; but, as we noted earlier, into this fatherly love his lonely single status in life had introduced every other kind of love; he loved Cosette as his daughter, and he loved her as his mother, and he loved her as his sister; and, as he had never had either a lover or a wife, as nature is a creditor that does not accept nonpayment, that particular feeling, too, the most indestructible of all, had thrown itself in with the rest, vague, ignorant, heavenly, angelic, divine; less a feeling than an instinct, less an instinct than an attraction, imperceptible and invisible but real; and love, truly called, lay in his enormous tenderness for Cosette the way a vein of gold lies in the mountain, dark and virginal.
We should bear in mind that state of the heart that we have already mentioned. Marriage between them was out of the question, even that of souls; and yet it is certain that their destinies had joined together as one. Except for Cosette, that is, except for a child, Jean Valjean had never, in all his long life, known anything about love. Serial passions and love affairs had not laid those successive shades of green over him, fresh green on top of dark green, that you notice on foliage that has come through winter and on men that have passed their fifties. In short, and we have insisted on this more than once, this whole inner fusion, this whole set, the result of which was lofty virtue, had wound up making Jean Valjean a father for Cosette. A strange father, forged out of the grandfather, son, brother, and husband that were all in Jean Valjean; a father in whom there was even a mother; a father who loved Cosette and worshipped her, and for whom that child was light, was home, was his homeland, was paradise.
”
”
Victor Hugo (Les Misérables)
“
When the Creator banished from his sight
Frail man to dark mortality's abode,
And granted him a late return to light,
Only by treading reason's arduous road,—
When each immortal turned his face away,
She, the compassionate, alone
Took up her dwelling in that house of clay,
With the deserted, banished one.
With drooping wing she hovers here
Around her darling, near the senses' land,
And on his prison-walls so drear
Elysium paints with fond deceptive hand.
While soft humanity still lay at rest,
Within her tender arms extended,
No flame was stirred by bigots' murderous zest,
No guiltless blood on high ascended.
The heart that she in gentle fetters binds,
Views duty's slavish escort scornfully;
Her path of light, though fairer far it winds,
Sinks in the sun-track of morality.
Those who in her chaste service still remain,
No grovelling thought can tempt, no fate affright;
The spiritual life, so free from stain,
Freedom's sweet birthright, they receive again,
Under the mystic sway of holy might.
”
”
Friedrich Schiller
“
There was a slight noise from the direction of the dim corner where the ladder was. It was the king descending. I could see that he was bearing something in one arm, and assisting himself with the other. He came forward into the light; upon his breast lay a slender girl of fifteen. She was but half conscious; she was dying of smallpox. Here was heroism at its last and loftiest possibility, its utmost summit; this was challenging death in the open field unarmed, with all the odds against the challenger, no reward set upon the contest, and no admiring world in silks and cloth of gold to gaze and applaud; and yet the king’s bearing was as serenely brave as it had always been in those cheaper contests where knight meets knight in equal fight and clothed in protecting steel. He was great now; sublimely great. The rude statues of his ancestors in his palace should have an addition—I would see to that; and it would not be a mailed king killing a giant or a dragon, like the rest, it would be a king in commoner’s garb bearing death in his arms that a peasant mother might look her last upon her child and be comforted.
”
”
Mark Twain (A Connecticut Yankee in King Arthur's Court)
“
Whoever's reading this out there - you deserve to have someone's hands be glued to you, for their eyes to be stuck on you. You deserve for their face to catch on fire when they look at you, for them to lay eyes on you and devote the rest of their day to you. Don't ever let yourself settle for anything less than magic from Dumbledore's freakin' wand. That feeling - you know, that crazy, irrational, my-brain-won't-work-without-you, I'd-make-you-eggs-every-morning-for-the-rest-of-my-life - that feeling is the most important thing you will ever find. No matter what happens in this life, that feeling - that love - will keep you warm, and carry you through. So find that magic feeling and never let anythng take it away from you.
”
”
Seth King (Honesty)
“
Odd, the words: ‘while away the time’.
How to hold it fast the harder thing.
Who is not fearful: where is there a staying,
where in all this is there any being?
Look, as the day slows towards the space
that draws it into dusk: rising became
upstanding, standing a laying down, and then
that which accepts its lying blurs to darkness.
Mountains rest, outgloried be the stars -
but even there, time’s transition glimmers.
Ah, nightly refuged in my wild heart,
roofless, the imperishable lingers.
---
Wunderliches Wort: die Zeit vertreiben!
Sie zu halten, wäre das Problem.
Denn, wen ängstigts nicht: wo ist ein Bleiben,
wo ein endlich Sein in alledem? -
Sieh, der Tag verlangsamt sich, entgegen
jenem Raum, der ihn nach Abend nimmt:
Aufstehn wurde Stehn, und Stehn wird Legen,
und das willig Liegende verschwimmt -
Berge ruhn, von Sternen überprächtigt; -
aber auch in ihnen flimmert Zeit.
Ach, in meinem wilden Herzen nächtigt
obdachlos die Unvergänglichkeit.
”
”
Rainer Maria Rilke
“
I refuse to leave you here.'
Emerie's pained face told Nesta enough: she understood. Saw the logic.
Nesta said to Gwyn. 'It is the only way.'
Gwyn screamed. 'IT IS NOT THE ONLY WAY!' And then she was sobbing. 'I will not abandon you to them. They will kill you.'
'You need to go,' Nesta said, even as her hands began shaking. 'Now.'
'No,' Gwyn wept. 'No, I won't. I'll face it with you.'
Something deep in Nesta's chest cracked. Cracked open completely, and what lay within bloomed, full and bright and pure.
She wrapped her arms around Gwyn. Let her friend sob into her chest. 'I'll face it with you,' Gwyn whispered, over and over again. 'Promise me we'll face it together.'
Nesta couldn't stop her tears. The chill wind froze them on her cheeks. 'I promise,' she breathed, stroking Gwyn's matted hair. 'I promise.'
Gwyn sobbed, and Nesta let herself sob with her, squeezing her tightly. Letting her stroking hand come to rest on Gwyn's neck.
A pinch in the right spot, exactly on the pressure point Cassina had shown her, and it was done.
Gwyn went down. Unconscious.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #5))
“
I watched him as he lined up the ships in bottles on his deck, bringing them over from the shelves where they usually sat. He used an old shirt of my mother's that had been ripped into rags and began dusting the shelves. Under his desk there were empty bottles- rows and rows of them we had collected for our future shipbuilding. In the closet were more ships- the ships he had built with his own father, ships he had built alone, and then those we had made together. Some were perfect, but their sails browned; some had sagged or toppled over the years. Then there was the one that had burst into flames in the week before my death.
He smashed that one first.
My heart seized up. He turned and saw all the others, all the years they marked and the hands that had held them. His dead father's, his dead child's. I watched his as he smashed the rest. He christened the walls and wooden chair with the news of my death, and afterward he stood in the guest room/den surrounded by green glass. The bottle, all of them, lay broken on the floor, the sails and boat bodies strewn among them. He stood in the wreckage. It was then that, without knowing how, I revealed myself. In every piece of glass, in every shard and sliver, I cast my face. My father glanced down and around him, his eyes roving across the room. Wild. It was just for a second, and then I was gone. He was quiet for a moment, and then he laughed- a howl coming up from the bottom of his stomach. He laughed so loud and deep, I shook with it in my heaven.
He left the room and went down two doors to my beadroom. The hallway was tiny, my door like all the others, hollow enough to easily punch a fist through. He was about to smash the mirror over my dresser, rip the wallpaper down with his nails, but instead he fell against my bed, sobbing, and balled the lavender sheets up in his hands.
'Daddy?' Buckley said. My brother held the doorknob with his hand.
My father turned but was unable to stop his tears. He slid to the floor with his fists, and then he opened up his arms. He had to ask my brother twice, which he had never to do do before, but Buckley came to him.
My father wrapped my brother inside the sheets that smelled of me. He remembered the day I'd begged him to paint and paper my room purple. Remembered moving in the old National Geographics to the bottom shelves of my bookcases. (I had wanted to steep myself in wildlife photography.) Remembered when there was just one child in the house for the briefest of time until Lindsey arrived.
'You are so special to me, little man,' my father said, clinging to him.
Buckley drew back and stared at my father's creased face, the fine bright spots of tears at the corners of his eyes. He nodded seriously and kissed my father's cheek. Something so divine that no one up in heaven could have made it up; the care a child took with an adult.
'Hold still,' my father would say, while I held the ship in the bottle and he burned away the strings he'd raised the mast with and set the clipper ship free on its blue putty sea. And I would wait for him, recognizing the tension of that moment when the world in the bottle depended, solely, on me.
”
”
Alice Sebold (The Lovely Bones)
“
Best of all, of course, religion solves the problem of death, which no living individuals can solve, no matter how they would support us. Religion, then, gives the possibility of heroic victory in freedom and solves the problem of human dignity at it highest level. The two ontological motives of the human condition are both met: the need to surrender oneself in full to the the rest of nature, to become a part of it by laying down one's whole existence to some higher meaning; and the need to expand oneself as an individual heroic personality. Finally, religion alone gives hope, because it holds open the dimension of the unknown and the unknowable, the fantastic mystery of creation that the human mind cannot even begin to approach, the possibility of a multidimensionality of spheres of existence, of heavens and possible embodiments that make a mockery of earthly logic-and in doing so, it relieves the absurdity of earthly life, all the impossible limitations and frustrations of living matter. In religious terms, to "see God" is to die, because the creature is too small and finite to be able to bear the higher meanings of creation. Religion takes one's very creatureliness, one's insignificance, and makes it a condition of hope. Full transcendence of the human condition means limitless possibility unimaginable to us.
”
”
Ernest Becker (The Denial of Death)
“
Mist swirled and the Spartoi closed in on the defenseless Niten. Lightning fast, one lashed out at him, catching him a blow on the thigh, and he fell to the bridge with a grunt of pain. He lay flat on his back, looked up at the lizard-like creatures and realized that he was going to die. The immortal felt just the vaguest pang of regret: He had always wanted to die in his beloved Japan and he had made Aoife promise that if he fell in some foreign country or shadowrealm, she would bring his body back to Reigando in the southwest of his country. But Aoife was gone. He would never be able to fulfill his promise to rescue her. And he would never rest in his home soil.
”
”
Michael Scott (The Enchantress (The Secrets of the Immortal Nicholas Flamel, #6))
“
And perhaps the great day will come when a people, distinguished by wars and victories and by the highest development of a military order and intelligence, and accustomed to make the heaviest sacrifices for these things, will exclaim of its own free will, "We break the sword," and will smash its entire military establishment down to its lowest foundations. Rendering oneself unarmed when one has been the best-armed, out of a height of feeling—that is the means to real peace, which must always rest on a peace of mind; whereas the so-called armed peace, as it now exists in all countries, is the absence of peace of mind. One trusts neither oneself nor one's neighbor and, half from hatred, half from fear, does not lay down arms. Rather perish than hate and fear, and twice rather perish than make oneself hated and feared—this must some day become the highest maxim for every single commonwealth, too.
”
”
Friedrich Nietzsche
“
He pulled me toward him so that I was resting on my side. I coughed up some more water. He took off his wet shirt and folded it. Then he gently lifted me and placed it under my sore head, which hurt too much to appreciate his…bronzed…sculpted…muscular…bare chest.
Well I guess I must be okay if I can appreciate the view, I thought. Sheesh, I’d have to be dead not to appreciate it.
I winced as Ren’s hand brushed against my head, shaking me from my reverie.
“You’ve got a major bump here.”
I reached up to feel the giant lump on the back of my skull. I gingerly touched it and recalled the source of my headache. I must have lost consciousness when the rock hit me. Ren saved my life. Again.
I looked up at him. He was kneeling next to me with a look of desperation on his face, and his body was shaking. I realized that he must have changed to a man, dragged me out of the pool, and then remained by my side until I woke up. Who knows how long I’ve been laying here unconscious.
“Ren, you’re in pain. You’ve been in this form too long today.”
He shook his head in denial, but I saw him grit his teeth.
I pressed my hand on his arm. “I’ll be okay. It’s just a bump on the head. Don’t worry about me. I’m sure Mr. Kadam has some aspirin tucked away in the backpack. I’ll just take that and lie down to rest for a while. I’ll be alright.”
He trailed his finger slowly from my temple to my cheek and smiled softly. When he pulled back, his whole arm shook and tremors rippled under the surface of his skin. “Kells, I-“
His face tightened. He threw his head to the side, snarled angrily, and morphed to a tiger again. He softly growled, then quieted, and drew close beside me. He lay down next to me and watched me carefully with his alert blue eyes. I stroked his back, partly to reassure him and partly because it soothed me too.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
The skeleton key unlocks the mind and swings open the door of imagination. A far better place than here A much safer place than there The quintessential somewhere The mystical nowhere The enigmatic anywhere My gift to you - the key to everywhere.
The mortal will find itself lost while the soul always knows the way it is grateful for the darkness and celebrates the day
I can give you peace my peace I give you... but I cannot be your savior or your god - I cannot be the light along your path - I can only give you the lamp and point the way.
The blind will see... the deaf will hear... but those who choose reason will never understand.
Woe to the ones who think they know the answers they will cease to ask the questions that may be their own salvation.
We possess the knowledge of the Universe from conception. Once born we are taught to forget.
If we cannot look out at our world and see our children's vision then we are truly blind we are unable to lead them to paradise.
"Even people who are in the dark search for their shadows. Shadows exist only if there is light. We will never find total darkness - not even in death... ...and we always cast a shadow no matter how overcast our skies become. You are never alone."
Do not listen to the voice that shouts to you from behind desks behind podiums behind altars. Do not pay attention to the orators and the opportunists. Do not be distracted by the promises made behind masks. Listen to the quiet. Listen to the whispers as they gently guide you through the assaults of man's absurdities. Listen to the gentle breathing of your mother and lay your head to rest in her peace and in her warm embrace and understand that truth and power lie within you. Breathe silence.
The free bird will always return to the cage sooner or later to seek food and water and the loving hand of it's caretaker.
”
”
M. Teresa Clayton
“
J. R. R. Tolkien gives one of the most entrancing descriptions of the true nature of Sabbath. In book 1 of The Lord of the Rings trilogy, he describes a time of rest and healing in the house of Elrond in Rivendell. The hobbits, along with Strider, their guide, have made a dangerous, almost fatal journey to this place. They will soon have to make an even more dangerous, almost certainly fatal journey away from this place. But in the meantime, this: For awhile the hobbits continued to talk and think of the past journey and of the perils that lay ahead; but such was the virtue of the land of Rivendell that soon all fear and anxiety was lifted from their minds. The future, good or ill, was not forgotten, but ceased to have power over the present. Health and hope grew strong in them, and they were content with each day as it came, taking pleasure in every meal, and in every word and song.2 The future, good or ill, was not forgotten, but ceased to have power over the present. That’s Sabbath.
”
”
Mark Buchanan (The Rest of God: Restoring Your Soul by Restoring Sabbath)
“
Sweet for a little even to fear, and sweet,
O love, to lay down fear at love’s fair feet;
Shall not some fiery memory of his breath
Lie sweet on lips that touch the lips of death?
Yet leave me not; yet, if thou wilt, be free;
Love me no more, but love my love of thee.
Love where thou wilt, and live thy life; and I,
One thing I can, and one love cannot—die.
Pass from me; yet thine arms, thine eyes, thine hair,
Feed my desire and deaden my despair.
Yet once more ere time change us, ere my cheek
Whiten, ere hope be dumb or sorrow speak,
Yet once more ere thou hate me, one full kiss;
Keep other hours for others, save me this.
Yea, and I will not (if it please thee) weep,
Lest thou be sad; I will but sigh, and sleep.
Sweet, does death hurt? thou canst not do me wrong:
I shall not lack thee, as I loved thee, long.
Hast thou not given me above all that live
Joy, and a little sorrow shalt not give?
What even though fairer fingers of strange girls
Pass nestling through thy beautiful boy’s curls
As mine did, or those curled lithe lips of thine
Meet theirs as these, all theirs come after mine;
And though I were not, though I be not, best,
I have loved and love thee more than all the rest.
O love, O lover, loose or hold me fast,
I had thee first, whoever have thee last;
Fairer or not, what need I know, what care?
To thy fair bud my blossom once seemed fair.
Why am I fair at all before thee, why
At all desired? seeing thou art fair, not I.
I shall be glad of thee, O fairest head,
Alive, alone, without thee, with thee, dead;
I shall remember while the light lives yet,
And in the night-time I shall not forget.
Though (as thou wilt) thou leave me ere life leave,
I will not, for thy love I will not, grieve;
Not as they use who love not more than I,
Who love not as I love thee though I die;
And though thy lips, once mine, be oftener prest
To many another brow and balmier breast,
And sweeter arms, or sweeter to thy mind,
Lull thee or lure, more fond thou wilt not find.
”
”
Algernon Charles Swinburne (Poems and Ballads)
“
He stumbled, almost fell, and decided to sit down, with his back against the tunnel wall, his feet resting against the opposite wall. Roaring out of the morass of pity, terror, happiness, joy, sadness, elation that he had inherited - shooting forth from this void, the single sharp thought: She does not love me. It was almost more than he could take. But he was not the kind of person to fold, to crack, to be broken, and so instead, in those moments after the realization, he bent - and bent, and kept on bending beneath the pressure of this new and terrible knowledge. Soon he would bend into a totally new shape altogether. He welcomed that. He wanted that. Maybe the new thing he would become would no longer hurt, would no longer fear, would no longer look back down into the void and wonder what was left of him.
She did not love him. It made him laugh as he sat there -- great belly laughs that doubled him over in the dust, where he lay for a long moment, recovering. It was funny beyond bearing. He had fought through a dozen terrors all for love of her. And she did not love him. He felt like a character in a holovid - the jester, the clown, the fool.
”
”
Jeff Vandermeer (Veniss Underground)
“
After blearily looking at the internet a little, then peeing and brushing his teeth and washing his face, he lay in darkness on his mattress, finally allowing the simple insistence of the opioid, like an unending chord progression with a consistently unexpected and pleasing manner of postponing resolution, to accumulate and expand, until his brain and heart and the rest of him were contained within the same songlike beating—of another, larger, protective heart—inside of which, temporarily safe from the outside world, he would shrink into the lunar city of himself and feel and remember strange and forgotten things, mostly from his childhood.
”
”
Tao Lin (Taipei)
“
How sweet it would be to treat men and things, for an hour, for just what they are! [...] When we are weary with travel, we lay down our load and rest by the wayside. So, when we are weary with the burden of life, why do we not lay down this load of falsehoods which we have volunteered to sustain, and be refreshed as never mortal was? Let the beautiful laws prevail. Let us not weary ourselves by resisting them. When we would rest our bodies we cease to support them; we recline on the lap of the earth. So, when we would rest our spirits, we must recline on the Great Spirit. Let things alone; let them weigh what they will; let them soar of fall.
”
”
Henry David Thoreau (Letters to a Spiritual Seeker)
“
God
In his malodorous brain what slugs and mire,
Lanthorned in his oblique eyes, guttering burned!
His body lodged a rat where men nursed souls.
The world flashed grape-green eyes of a foiled cat
To him. On fragments of an old shrunk power,
On shy and maimed, on women wrung awry,
He lay, a bullying hulk, to crush them more.
But when one, fearless, turned and clawed like bronze,
Cringing was easy to blunt these stern paws,
And he would weigh the heavier on those after.
Who rests in God's mean flattery now? Your wealth
Is but his cunning to make death more hard.
Your iron sinews take more pain in breaking.
And he has made the market for your beauty
Too poor to buy, although you die to sell.
Only that he has never heard of sleep;
And when the cats come out the rats are sly.
Here we are safe till he slinks in at dawn
But he has gnawed a fibre from strange roots,
And in the morning some pale wonder ceases.
Things are not strange and strange things are forgetful.
Ah! if the day were arid, somehow lost
Out of us, but it is as hair of us,
And only in the hush no wind stirs it.
And in the light vague trouble lifts and breathes,
And restlessness still shadows the lost ways.
The fingers shut on voices that pass through,
Where blind farewells are taken easily ....
Ah! this miasma of a rotting God!
”
”
Isaac Rosenberg (The Poems and Plays of Isaac Rosenberg (|c OET |t Oxford English Texts))
“
You and me, we aren’t practice for the real thing. It isn’t that too much is at stake with family and friends. It’s because I love you. You’re funny, beautiful and you care about people. I like the way you look at me, especially when you think I don’t notice it. I like that we have history and our kids will have a big family and share that history because there was never a time when their Mom and Dad weren’t together. If you were a terrible lay, I might have second thoughts, but you and I are dynamite together. I intend to marry you and spend the rest of my life with you. If that freaks you out, tough, because now that we’ve started this, there’s no goin’ back.
”
”
Kristen Ashley (Rock Chick (Rock Chick, #1))
“
I relaxed back into the mattress as other elements in the room began to filter though my senses, namely the extraordinary warmth at my back. The air was filled with the smell of masculine skin and hints of cologne, soap, and dryer sheets.
Hank was back. And his scent wasn't the only thing surrounding me; his arm was thrown over my hip and my back was tucked nicely against his front. ...
It was nice. Good. Right, even. And then another feeling struck me in a novel way. Protected. I felt protected. A disbelieving laugh bubbled in my throat as I lay there, a small smile parked on my face.
I was always the one out there protecting people. And after Will and I had split, I'd had no one to go to for comfort, to let all my guards down, to take a rest from being the caregiver, provider, guard, and detective. To let someone else be tough for a while.
Had to admit, I liked it. And I never thought in a gazillion years I'd find this feeling with an off-worlder. I liked Hank's strength, his power, his quirky humor, even the badass attitude he caught sometimes.
I was in so much trouble.
”
”
Kelly Gay (The Hour of Dust and Ashes (Charlie Madigan, #3))
“
There fared a mother driven forth
Out of an inn to roam;
In the place where she was homeless
All men are at home.
The crazy stable close at hand,
With shaking timber and shifting sand,
Grew a stronger thing to abide and stand
Than the square stones of Rome.
For men are homesick in their homes,
And strangers under the sun,
And they lay on their heads in a foreign land
Whenever the day is done.
Here we have battle and blazing eyes,
And chance and honour and high surprise,
But our homes are under miraculous skies
Where the yule tale was begun.
A Child in a foul stable,
Where the beasts feed and foam;
Only where He was homeless
Are you and I at home;
We have hands that fashion and heads that know,
But our hearts we lost - how long ago!
In a place no chart nor ship can show
Under the sky's dome.
This world is wild as an old wives' tale,
And strange the plain things are,
The earth is enough and the air is enough
For our wonder and our war;
But our rest is as far as the fire-drake swings
And our peace is put in impossible things
Where clashed and thundered unthinkable wings
Round an incredible star.
To an open house in the evening
Home shall men come,
To an older place than Eden
And a taller town than Rome.
To the end of the way of the wandering star,
To the things that cannot be and that are,
To the place where God was homeless
And all men are at home.
”
”
G.K. Chesterton
“
You talk about piling up treasure - money, property, culture, knowledge, and so on and so on. In going ahead with the Jesus Prayer - just let me finish, now please - in going ahead with the Jesus Prayer, aren't you trying to lay up some kind of treasure? Something that's every goddam bit as negotiable as all those other, more material things? Or does the fact that it's a prayer make all the difference?
. . . There's something about the way you're going at this prayer that gives me the willies . . . but I would like you to clear up for me just what the hell your motives are for saying it . . . As a matter of simple logic, there's no difference at all, that I can see, between the man who's greedy for material treasure - or even intellectual treasure - and the man who's greedy for spiritual treasure. As you say, treasure's treasure, God damn it, and it seems to me that ninety per cent of all the world-hating saints in history were just as acquisitive and unattractive, basically, as the rest of us are."
Don't you think I have sense enough to worry about my motives for saying the prayer? That's exactly what's bothering me so. Just because I'm choosy about what I want - in this case, enlightenment, or peace, instead of money or prestige or fame or any of those things - doesn't mean I'm not as egotistical and self-seeking as everybody else. If anything, I'm more so!
”
”
J.D. Salinger (Franny and Zooey)
“
For his part, Temeraire had been following this exchange with cocked head and increasing confusion; now he said, "I do not understand in the least, why ought it make any difference at all? Lily is female, and she can fight just as well as I can, or almost," he amended, with a touch of superiority.
Riley, still dissatisfied even after Laurence's reassurance looked after this remark very much as though he had been asked to justify the tide, or the phase of the moon; Laurence was by long experience better prepared for Temeraire's radical notions, and said, "Women are generally smaller and weaker than men, Temeraire, less able to endure the privations of service."
"I have never noticed that Captain Harcourt is much smaller than any of the rest of you," Temeraire said' well he might not, speaking from a height of some thirty feet and a weight topping eighteen tons. "Besides, I am smaller than Maximus, and Messoria is smaller than me; but that does not mean we cannot still fight."
"It is different for dragons than for people," Laurence said. "Among other things, women must bear children, and care for them through childhood, where your kind lay eggs and hatch ready to look to your own needs.
Temeraire blinked at this intelligence. "You do not hatch out of eggs?" he asked, in deep fascination. "How then--"
"I beg your pardon, I think I see Purbeck looking for me," Riley said, very hastily, and escaped at a speed remarkable, Laurence thought somewhat resentfully, in a man who had lately consumed nearly a quarter his own weight in food.
"I cannot really undertake to explain the process to you; I have no children of my own," Laurence said.
”
”
Naomi Novik (Throne of Jade (Temeraire, #2))
“
We are all travelers crossing from this bank to that bank, from this world to nirvana. But the waters are rough. We must rely on something in order to make it over. That something could be the art or literature that you aspire to create. You will think that the thing you choose will serve as your boat or raft to carry you to that other bank. But if you think deeply about it, you may find that it does not carry you but rather you carry it. Perhaps only the student who truly savors this paradox will make it safely across. Literature and art are not simply what will carry you; they are also what you must lay down your life for, what you must labor over and shoulder for the rest of your life.
”
”
Kyung-Sook Shin (I'll Be Right There)
“
Have you beauty, that leads the heart from things fashioned of wood and stone to the holy mountain? Tell me, have you these in your houses? Or have you only comfort, and the lust for comfort, that stealthy thing that enters the house a guest, and becomes a host, and then a master? Ay, and it becomes a tamer, and with hook and scourge makes puppets of your larger desires. Though its hands are silken, its heart is of iron. It lulls you to sleep only to stand by your bed and jeer at the dignity of the flesh. It makes mock of your sound senses, and lays them in thistledown like fragile vessels. Verily the lust for comfort murders the passion of the soul, and then walks grinning in the funeral. But you, children of space, you restless in rest, you shall not be trapped nor tamed. Your house shall be not an anchor but a mast. It shall not be a glistening film that covers a wound, but an eyelid that guards the eye. You shall not fold your wings that you may pass through doors, nor bend your heads that they strike not against a ceiling, nor fear to breathe lest walls should crack and fall down. You shall not dwell in tombs made by the dead for the living. And though of magnificence and splendour, your house shall not hold your secret nor shelter your longing. For that which is boundless in you abides in the mansion of the sky, whose door is the morning mist, and whose windows are the songs and the silences of night.
”
”
Kahlil Gibran (The Prophet)
“
What was needed, was not merely a resolute man, but a man who was also free from the net of legal controls. Such being the circumstances, Quinctius declared that he would nominate Lucius Quinctius Cincinnatus as Dictator, convinced that in him were courage and resolution equal to the majestic authority of that office. The proposal was unanimously approved, but Cincinnatus, hesitating to accept the burden of responsibility, asked what the Senate was thinking of to wish to expose an old man like him to what must prove the sternest of struggles; but hesitation was in vain, for when from every corner of the House came the cry that in that aged heart lay more wisdom - yes, and courage too - than in all the rest put together, and when praises, well deserved, were heaped upon him and the consul refused to budge an inch from his purpose, Cincinnatus gave way and, with a prayer to God to save his old age from bringing loss or dishonor upon his country in her trouble, was named Dictator by the consul.
”
”
Livy (The History of Rome, Books 1-5: The Early History of Rome)
“
What packages we were allowed to receive from our families often contained handkerchiefs, scarves, and other clothing items. For some time, Mike had been taking little scraps of red and white cloth, and with a needle he had fashioned from a piece of bamboo he laboriously sewed an American flag onto the inside of his blue prisoner's shirt. Every afternoon, before we ate our soup, we would hang Mike's flag on the wall of our cell and together recite the Pledge of Allegiance. No other event of the day had as much meaning to us.
"The guards discovered Mike's flag one afternoon during a routine inspection and confiscated it. They returned that evening and took Mike outside. For our benefit as much as Mike's they beat him severely, just outside our cell, puncturing his eardrum and breaking several of his ribs. When they had finished, they dragged him bleeding and nearly senseless back into our cell, and we helped him crawl to his place on the sleeping platform. After things quieted down, we all lay down to go to sleep. Before drifting off, I happened to look toward a corner of the room, where one of the four naked lightbulbs that were always illuminated in our cell cast a dim light on Mike Christian. He had crawled there quietly when he thought the rest of us were sleeping. With his eyes nearly swollen shut from the beating, he had quietly picked up his needle and begun sewing a new flag.
”
”
John McCain (Faith of My Fathers: A Family Memoir)
“
January?
The month is dumb.
It is fraudulent.
It does not cleanse itself.
The hens lay blood-stained eggs.
Do not lend your bread to anyone
lest it nevermore rise.
Do not eat lentils or your hair will fall out.
Do not rely on February
except when your cat has kittens,
throbbing into the snow.
Do not use knives and forks
unless there is a thaw,
like the yawn of a baby.
The sun in this month
begets a headache
like an angel slapping you in the face.
Earthquakes mean March.
The dragon will move,
and the earth will open like a wound.
There will be great rain or snow
so save some coal for your uncle.
The sun of this month cures all.
Therefore, old women say:
Let the sun of March shine on my daughter,
but let the sun of February shine on my daughter-in-law.
However, if you go to a party
dressed as the anti-Christ
you will be frozen to death by morning.
During the rainstorms of April
the oyster rises from the sea
and opens its shell —
rain enters it —
when it sinks the raindrops
become the pearl.
So take a picnic,
open your body,
and give birth to pearls.
June and July?
These are the months
we call Boiling Water.
There is sweat on the cat but the grape
marries herself to the sun.
Hesitate in August.
Be shy.
Let your toes tremble in their sandals.
However, pick the grape
and eat with confidence.
The grape is the blood of God.
Watch out when holding a knife
or you will behead St. John the Baptist.
Touch the Cross in September,
knock on it three times
and say aloud the name of the Lord.
Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain.
Do not faint in September
or you will wake up in a dead city.
If someone dies in October
do not sweep the house for three days
or the rest of you will go.
Also do not step on a boy's head
for the devil will enter your ears
like music.
November?
Shave,
whether you have hair or not.
Hair is not good,
nothing is allowed to grow,
all is allowed to die.
Because nothing grows
you may be tempted to count the stars
but beware,
in November counting the stars
gives you boils.
Beware of tall people,
they will go mad.
Don't harm the turtle dove
because he is a great shoe
that has swallowed Christ's blood.
December?
On December fourth
water spurts out of the mouse.
Put herbs in its eyes and boil corn
and put the corn away for the night
so that the Lord may trample on it
and bring you luck.
For many days the Lord has been
shut up in the oven.
After that He is boiled,
but He never dies, never dies.
”
”
Anne Sexton
“
The train is speeding into a luminous future. Lenin is at the controls. Suddenly—stop, the tracks come to an end. Lenin calls on the people for additional, Saturday work, tracks are laid down, and the train moves on. Now Stalin is driving it. Again the tracks end. Stalin orders half the conductors and passengers shot, and the rest he forces to lay down new tracks. The train starts again. Khrushchev replaces Stalin, and when the tracks come to an end, he orders that the ones over which the train has already passed be dismantled and laid down before the locomotive. Brezhnev takes Khrushchev’s place. When the tracks end again, Brezhnev decides to pull down the window blinds and rock the cars in such a way that the passengers will think the train is still moving forward. (Yurii Boriev, Staliniad, 1990)
”
”
Ryszard Kapuściński (Imperium)
“
Some time later, after Noah had discreetly disappeared, Declan’s Volvo glided up, as quiet as the Pig was loud. Ronan said, “Move up, move up” to Blue until she scooted the passenger seat far enough for him to clamber behind it into the backseat. He hurriedly sprawled back in the seat, throwing one jean-covered leg over the top of Adam’s and laying his head in a posture of thoughtless abandon. By the time Declan arrived at the driver’s side window, Ronan looked as if he had been asleep for days.
“Lucky I was able to get away,” Declan said. He peered into the car, eyes passing over Blue and snagging on Ronan in the backseat. His gaze followed his brother’s leg to where it rested on top of Adam’s, and his expression tightened.
“Thanks, D,” Gansey said easily. With no effort, he pushed open the door, forcing Declan back without seeming to. He moved the conversation to the region of the front fender. It became a battle of genial smiles and deliberate hand gestures.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
One thing he would tell me, though, he said, had to do with babies. Not that he was any kind of expert, but for a brief while, long ago, he had cared for his son, and that experience more than any other had taught him the importance of following your instincts. Tuning in to the situation with all your five senses, and your body, not your brain. A baby cries in the night, and you go to pick him up. Maybe he’s screaming so hard his face is the color of a radish, or he’s gasping for breath, he’s got himself so worked up. What are you going to do, take a book off the shelf, and read what some expert has to say?
You lay your hand against his skin and just rub his back. Blow into his ear. Press that baby up against your own skin and walk outside with him, where the night air will surround him, and moonlight fall on his face. Whistle, maybe. Dance. Hum. Pray.
Sometimes a cool breeze might be just what the doctor ordered. Sometimes a warm hand on the belly. Sometimes doing absolutely nothing is the best. You have to pay attention. Slow things way down. Tune out the rest of the world that really doesn’t matter. Feel what the moment calls for.
”
”
Joyce Maynard (Labor Day)
“
This was the reason why, when he would try to remember how he looked when dead, he could remember nothing clearly except the powerful sculptured weight and symmetry of his tremendous hands as they lay folded on his body in the coffin. The great hands had a stony, sculptured and yet living strength and vitality, as if Michelangelo had carved them. They seemed to rest there upon the groomed, bereft and vacant horror of the corpse with a kind of terrible reality as if there really is, in death, some energy of life that will not die, some element of man's life that must persist and that resumes into a single feature of his life the core and essence of his character.
”
”
Thomas Wolfe (Of Time and The River)
“
Tom felt that it was time to wake up; this sort of life might be romantic enough, in his blighted condition, but it was getting to have too little sentiment and too much distracting variety about it. So he thought over various plans for relief, and finally hit pon that of professing to be fond of Pain-killer. He asked for it so often that he became a nuisance, and his aunt ended by telling him to help himself and quit bothering her. If it had been Sid, she would have had no misgivings to alloy her delight; but since it was Tom, she watched the bottle clandestinely. She found that the medicine did really diminish, but it did not occur to her that the boy was mending the health of a crack in the sitting-room floor with it.
One day Tom was in the act of dosing the crack when his aunt's yellow cat came along, purring, eying the teaspoon avariciously, and begging for a taste. Tom said:
"Don't ask for it unless you want it, Peter."
But Peter signified that he did want it.
"You better make sure."
Peter was sure.
"Now you've asked for it, and I'll give it to you, because there ain't anything mean about me; but if you find you don't like it, you mustn't blame anybody but your own self."
Peter was agreeable. So Tom pried his mouth open and poured down the Pain-killer. Peter sprang a couple of yards in the air, and then delivered a war-whoop and set off round and round the room, banging against furniture, upsetting flower-pots, and making general havoc. Next he rose on his hind feet and pranced around, in a frenzy of enjoyment, with his head over his shoulder and his voice proclaiming his unappeasable happiness. Then he went tearing around the house again spreading chaos and destruction in his path. Aunt Polly entered in time to see him throw a few double summersets, deliver a final mighty hurrah, and sail through the open window, carrying the rest of the flower-pots with him. The old lady stood petrified with astonishment, peering over her glasses; Tom lay on the floor expiring with laughter.
”
”
Mark Twain (The Adventures of Tom Sawyer)
“
Sir Gerek handed her a gray wool blanket, then lay down next to the fire.
"Don't you have a blanket?"
"I forgot to get one when we were at the castle, but I don't need one. It's warm enough now."
"The nights are still quite cool. Here you take the blanket and I will put on the rest of my clothes. It's the perfect solution."
"No, thank you. I don't need it."
She let out an exasperated sigh...
...Sir Gerek was laying down near the fire, his eyes closed. Rapunzel moved as quietly as she could toward his still form, then carefully laid the the blanket over him.
She lay down with her head near his and closed her eyes.
Her eyes popped open. Something was touching her legs and was gradually being laid over the rest of her body. She suspected it was the gray woolen blanket she had laid on Sir Gerek. When he finished, he walked back over to where he had been sleeping and lay down again.
Gerek awoke with the blanket laying over him. How had she managed to cover him without him waking up? He sat up. She lay asleep on her side, her thick braid touching her cheek. The sun was casting a soft glow over her and making her look even more otherworldly.
He found himself smiling as he draped the blanket over her while she slept.
When she awoke, he already had Donner saddled and breakfast ready.
"When did you do this?" She held out the blanket. With the scolding half frown and lowered her brows, she took his breath away...
... He shrugged. "You looked cold."
She eyed him, shook her head, then folded up the blanket.
”
”
Melanie Dickerson (The Golden Braid (Hagenheim, #6))
“
Channel Firing
That night your great guns, unawares,
Shook all our coffins as we lay,
And broke the chancel window-squares,
We thought it was the Judgment-day
And sat upright. While drearisome
Arose the howl of wakened hounds:
The mouse let fall the altar-crumb,
The worms drew back into the mounds,
The glebe cow drooled. Till God called, “No;
It’s gunnery practice out at sea
Just as before you went below;
The world is as it used to be:
“All nations striving strong to make
Red war yet redder. Mad as hatters
They do no more for Christés sake
Than you who are helpless in such matters.
“That this is not the judgment-hour
For some of them’s a blessed thing,
For if it were they’d have to scour
Hell’s floor for so much threatening . . .
“Ha, ha. It will be warmer when
I blow the trumpet (if indeed
I ever do; for you are men,
And rest eternal sorely need).”
So down we lay again. “I wonder,
Will the world ever saner be,”
Said one, “than when He sent us under
In our indifferent century!”
And many a skeleton shook his head.
“Instead of preaching forty year,”
My neighbour Parson Thirdly said,
“I wish I had stuck to pipes and beer.”
Again the guns disturbed the hour,
Roaring their readiness to avenge,
As far inland as Stourton Tower,
And Camelot, and starlit Stonehenge.
”
”
Thomas Hardy (Satires of Circumstances: Lyrics and Reveries with Miscellaneous Pieces)
“
But to be clear, I had not, at any age, desired a specific male body in the way I did now. While all my boyfriends and crushes had been reasonably good-looking, my attraction hovered up near their face, where they kept their talent and power. Lusting for the whole length of a person, head to toe, was what body-rooted fuckers did, Jordi, and men. Now, for the first time, I understood what all the fuss was about. How something beautiful could strike your heart, move you, bring you down on your knees and then, somewhat perversely, you wanted to fuck that pure, beautiful thing. Sex was a way to have it, to not just look at it but to be with it. I suddenly understood all of classical art. The endless carved nudes, Venus in her shell, David. And sexy clothes. I had worn them without really understanding why, thinking of sexy as one of many styles, not realizing it was the only style. You should always be emerging from a shell if possible. Without knowing it, without really understanding it, I had been a body for other people but I had not gotten to have one myself. I had not participated in the infuriating pleasure of wanting a real and specific body on Earth. I lay in the center of the bed, unblinking. Wanting a body had a seriousness to it. When you said you might never recover, you really meant it. This kind of desire made a wound you just had to carry with you for the rest of your life. But this was still better than never knowing. Or I hoped it was. Because in truth it was like a bad dream, a nightmare. Life didn’t just get better and better. You could actually miss out on something and that was that. That was your chance and now it was over. I wondered if I would continue with my work and then I realized that my work was all I had now. I had gotten it completely wrong—I thought I was laboring toward a prize, but the prize was right there, I already had it, and work was something I could do afterward, after I was no longer young enough to be beautiful and could no longer be wanted by someone beautiful. — How’s
”
”
Miranda July (All Fours)
“
Those clothes are Susie's,' my father said calmly when he reached him.
Buckley looked down at my blackwatch dress that he held in his hand.
My father stepped closer, took the dress from my brother, and then, without speaking, he gathered the rest of my clothes, which Buckley had piled on the lawn. As he turned in silence toward the house, hardly breathing, clutching my clothes to him, it sparked.
I was the only one to see the colors. Just near Buckley's ears and on the tips of his cheeks and chin he was a little orange somehow, a little red.
Why can't I use them?' he asked.
It landed in my father's back like a fist.
Why can't I use those clothes to stake my tomatoes?'
My father turned around. He saw his son standing there, behind him the perfect plot of muddy, churned-up earth spotted with tiny seedlings. 'How can you ask me that question?'
You have to choose. It's not fair,' my brother said.
Buck?' My father held my clothes against his chest.
I watched Buckley flare and light. Behind him was the sun of the goldenrod hedge, twice as tall as it had been at my death.
I'm tired of it!' Buckley blared. 'Keesha's dad died and she's okay?'
Is Keesha a girl at school?'
Yes!'
My father was frozen. He could feel the dew that had gathered on his bare ankles and feet, could feel the ground underneath him, cold and moist and stirring with possibility.
I'm sorry. When did this happen?'
That's not the point, Dad! You don't get it.' Buckley turned around on his heel and started stomping the tender tomato shoots with his foot.
Buck, stop!' my father cried.
My brother turned.
You don't get it, Dad,' he said.
I'm sorry,' my father said. These are Susie's clothes and I just... It may not make sense, but they're hers-something she wore.'
...
You act like she was yours only!'
Tell me what you want to say. What's this about your friend Keesha's dad?'
Put the clothes down.'
My father laid them gently on the ground.
It isn't about Keesha's dad.'
Tell me what it is about.' My father was now all immediacy. He went back to the place he had been after his knee surgery, coming up out of the druggie sleep of painkillers to see his then-five-year-old son sitting near him, waiting for his eyes to flicker open so he could say, 'Peek-a-boo, Daddy.'
She's dead.'
It never ceased to hurt. 'I know that.'
But you don't act that way.' Keesha's dad died when she was six. Keesha said she barely even thinks of him.'
She will,' my father said.
But what about us?'
Who?'
Us, Dad. Me and Lindsey. Mom left becasue she couldn't take it.'
Calm down, Buck,' my father said. He was being as generous as he could as the air from his lungs evaporated out into his chest. Then a little voice in him said, Let go, let go, let go. 'What?' my father said.
I didn't say anything.'
Let go. Let go. Let go.
I'm sorry,' my father said. 'I'm not feeling very well.' His feet had grown unbelievably cold in the damp grass. His chest felt hollow, bugs flying around an excavated cavity. There was an echo in there, and it drummed up into his ears. Let go.
My father dropped down to his knees. His arm began to tingle on and off as if it had fallen asleep. Pins and needles up and down. My brother rushed to him.
Dad?'
Son.' There was a quaver in his voice and a grasping outward toward my brother.
I'll get Grandma.' And Buckley ran.
My father whispered faintly as he lay on his side with his face twisted in the direction of my old clothes: 'You can never choose. I've loved all three of you.
”
”
Alice Sebold
“
Why have you done all this for me?" She turned her head to look at him. "Tell me the truth."
He shook his head slowly.
"I don't think I could have been more terrified of the devil than I was of you," she said, "when it was happening and in my thoughts and nightmares afterward. And when you came home to Willoughby and I realized that the Duke of Ridgeway was you, I thought I would die from the horror of it."
His face was expressionless. "I know," he said.
"I was afraid of your hands more than anything," she said. "They are beautiful hands."
He said nothing.
"When did it all change?" she asked. She turned completely toward him and closed the distance between them. "You will not say the words yourself. But they are the same words as the ones on my lips, aren't they?"
She watched him swallow.
"For the rest of my life I will regret saying them," she said. "But I believe I would regret far more not saying them."
"Fleur," he said, and reached out a staying hand.
"I love you," she said.
"No."
"I love you."
"It is just that we have spent a few days together," he said, "and talked a great deal and got to know each other. It is just that I have been able to help you a little and you are feeling grateful to me."
"I love you," she said.
"Fleur."
She reached up to touch his scar. "I am glad I did not know you before this happened," she said. "I do not believe I would have been able to stand the pain."
"Fleur," he said, taking her wrist in his hand.
"Are you crying?" she said. She lifted both arms and wrapped them about his neck and laid her cheek against his shoulder. "Don't, my love. I did not mean to lay a burden on you. I don't mean to do so. I only want you to know that you are loved and always will be."
"Fleur," he said, his voice husky from his tears, "I have nothing to offer you, my love. I have nothing to give you. My loyalty is given elsewhere. I didn't want this to happen. I don't want it to happen. You will meet someone else. When I am gone you will forget and you will be happy."
She lifted her head and looked into his face. She wiped away one of his tears with one finger. "I am not asking anything in return," she said. "I just want to give you something, Adam. A free gift. My love. Not a burden, but a gift. To take with you when you go, even though we will never see each other again."
He framed her face with his hands and gazed down into it. "I so very nearly did not recognize you," he said. "You were so wretchedly thin, Fleur, and pale. Your lips were dry and cracked, your hair dull and lifeless. But I did know you for all that. I think I would still be in London searching for you if you had not gone to that agency. But it's too late, love. Six years too late.
”
”
Mary Balogh (The Secret Pearl)
“
Let us be women who Love.
Let us be women willing to lay down our sword words, our sharp looks, our ignorant silence and towering stance and fill the earth now with extravagant Love.
Let us be women who Love.
Let us be women who make room.
Let us be women who open our arms and invite others into an honest, spacious, glorious embrace.
Let us be women who carry each other.
Let us be women who give from what we have.
Let us be women who leap to do the difficult things, the unexpected things and the necessary things.
Let us be women who live for Peace.
Let us be women who breathe Hope.
Let us be women who create beauty.
Let us be women who Love.
Let us be a sanctuary where God may dwell.
Let us be a garden for tender souls.
Let us be a table where others may feast on the goodness of God.
Let us be a womb for Life to grow.
Let us be women who Love.
Let us rise to the questions of our time.
Let us speak to the injustices in our world.
Let us move the mountains of fear and intimidation
Let us shout down the walls that separate and divide.
Let us fill the earth with the fragrance of Love.
Let us be women who Love.
Let us listen for those who have been silenced.
Let us honor those who have been devalued.
Let us say, Enough! with abuse, abandonment, diminishing and hiding.
Let us not rest until every person is free and equal.
Let us be women who Love.
Let us be women who are savvy, smart and wise.
Let us be women who shine with the light of God in us.
Let us be women who take courage and sing the song in our hearts.
Let us be women who say, Yes, to the beautiful, unique purpose seeded in our souls.
Let us be women who call out the song in another’s heart.
Let us be women who teach our children to do the same.
Let us be women who Love.
Let us be women who Love, in spite of fear.
Let us be women who Love, in spite of our stories.
Let us be women who Love loudly, beautifully, Divinely.
Let us be women who Love.
”
”
Idelette McVicker
“
The Student"
“In America,” began
the lecturer, “everyone must have a
degree. The French do not think that
all can have it, they don’t say everyone
must go to college.” We
incline to feel, here,
that although it may be unnecessary
to know fifteen languages.
one degree is not too much. With us, a
school—like the singing tree of which
the leaves were mouths that sang in concert—
is both a tree of knowledge
and of liberty—
seen in the unanimity of college
mottoes, lux et veritas,
Christo et ecclesiae, sapiet
felici. It may be that we
have not knowledge, just opinions, that we
are undergraduates,
not students; we know
we have been told with smiles, by expatriates
of whom we had asked, “When will
your experiment be finished?” “Science
is never finished.” Secluded
from domestic strife, Jack Bookworm led a
college life, says Goldsmith;
and here also as
in France or Oxford, study is beset with
dangers—with bookworms, mildews,
and complaisancies. But someone in New
England has known enough to say
that the student is patience personified,
a variety
of hero, “patient
of neglect and of reproach,"—who can "hold by
himself.” You can’t beat hens to
make them lay. Wolf’s wool is the best of wool,
but it cannot be sheared, because
the wolf will not comply. With knowledge as
with wolves’ surliness,
the student studies
voluntarily, refusing to be less
than individual. He
“gives him opinion and then rests upon it”;
he renders service when there is
no reward, and is too reclusive for
some things to seem to touch
him; not because he
has no feeling but because he has so much.
”
”
Marianne Moore
“
Witchgrass"
Something
comes into the world unwelcome
calling disorder, disorder—
If you hate me so much
don’t bother to give me
a name: do you need
one more slur
in your language, another
way to blame
one tribe for everything—
as we both know,
if you worship
one god, you only need
One enemy—
I’m not the enemy.
Only a ruse to ignore
what you see happening
right here in this bed,
a little paradigm
of failure. One of your precious flowers
dies here almost every day
and you can’t rest until
you attack the cause, meaning
whatever is left, whatever
happens to be sturdier
than your personal passion—
It was not meant
to last forever in the real world.
But why admit that, when you can go on
doing what you always do,
mourning and laying blame,
always the two together.
I don’t need your praise
to survive. I was here first,
before you were here, before
you ever planted a garden.
And I’ll be here when only the sun and moon
are left, and the sea, and the wide field.
I will constitute the field.
”
”
Louise Glück
“
Amazing. Chamberlain let his eyes close down to the slits, retreating within himself. He had learned that you could sleep on your feet on the long marches. You set your feet to going and after a while they went by themselves and you sort of turned your attention away and your feet went on walking painlessly, almost without feeling, and gradually you closed down your eyes so that all you could see were the heels of the man in front of you, one heel, other heel, one heel, other heel, and so you moved on dreamily in the heat and the dust, closing your eyes against the sweat, head down and gradually darkening, so you actually slept with the sight of the heels in front of you, one heel, other heel, and often when the man in front of you stopped you bumped into him. There were no heels today, but there was the horse he led by the reins. He did not know the name of this horse.
He did not bother any more; the horses were all dead too soon. Yet you learn to love it.
Isn’t that amazing? Long marches and no rest, up very early in the morning and asleep late in the rain, and there’s a marvelous excitement to it, a joy to wake in the morning and feel the army all around you and see the campfires in the morning and smell the coffee…
… awake all night in front of Fredericksburg. We attacked in the afternoon, just at dusk, and the stone wall was aflame from one end to the other, too much smoke, couldn’t see, the attack failed, couldn’t withdraw, lay there all night in the dark, in the cold among the wounded and dying. Piled-up bodies in front of you to catch the bullets, using the dead for a shield; remember the sound? Of bullets in dead bodies? Like a shot into a rotten leg, a wet thick leg.
All a man is: wet leg of blood. Remember the flap of a torn curtain in a blasted window, fragment-whispering in that awful breeze: never, forever, never, forever.
You have a professor’s mind. But that is the way it sounded.
Never. Forever.
Love that too?
Not love it. Not quite. And yet, I was never so alive.
”
”
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
“
What’s wrong?”
Before I could stop myself, I mumbled, “I’m used to resting my head on a warm tiger-fur pillow is what’s wrong.”
He grunted, “Hmm, let me see what I can do.”
Panicky, I squeaked out, “No, really. I’m okay. Don’t bother.”
He ignored my protests, scooped up my mummy-wrapped self, and set me down again on his side of the fire. He turned me on my side so I faced the fire, lay down behind me, and slid an arm under my neck to cradle my head.
“Is that more comfortable for you?”
“Uh, yes and no. My head can definitely rest better in this position. Unfortunately, the rest of me is feeling the complete opposite of relaxed.”
“What do you mean? Why can’t you relax?”
“Because you’re too close for me to relax.”
Bemused, he said, “Me being too close never bothered you when I was a tiger.”
“The tiger you and the man you are two completely different things.”
He put his arm around my waist and tugged me closer so we were spooned together. He sounded irritated and disappointed when he muttered, “It doesn’t feel different to me. Just close your eyes and imagine I’m still a tiger.”
“It doesn’t exactly work like that.” I lay stiffly in his arms, nervous, especially when he began nuzzling the back of my neck.
He said softly, “I like the smell of your hair.” His chest rumbled against my back, sending massaging vibrations through my body as he purred.
“Ren, can you not do that right now?”
He lifted his head. “You like it when I purr. It helps you sleep better.”
“Yes, well, that only works with the tiger. How can you do that as a man anyway?”
He paused, and said, “I don’t know. I just can,” then buried his face in my hair again and stroked my arm.
“Uh, Ren? Explain to me how you plan to keep watch like this.”
His lips grazed my neck. “I can hear and smell the Kappa, remember?”
I twitched and shivered, with nerves, or anticipation, or something else, and he noticed. He stopped kissing my neck and lifted his head to peer at my face in the flickering firelight. His voice was solemn and calm. “Kells, I hope you know that I would never hurt you. You don’t need to be afraid of me.”
Rolling toward him, I lifted my hand and touched his cheek. Looking into his blue eyes, I sighed. “I’m not afraid of you, Ren. I trust you with my life. I’ve just never been close to someone like this before.”
He kissed me softly and smiled. “I haven’t either.”
He shifted, lying down again. “Now, turn around and go to sleep. I’m warning you that I plan to sleep with you in my arms all night long. Who knows when, or if, I’ll ever get to do it again. So try to relax, and for heaven’s sake, don’t wiggle!”
He pulled me back against his warm chest, and I closed my eyes. I ended up sleeping better than I had in weeks.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Iris was interrupted by a resounding crash. Or not exactly a
crash. More like a splintering sound. With a few pops. And twangs.
“What was that?” Iris asked.
“I don’t know.” Honoria craned her neck. “It sounded like—”
“Oh, Honoria!” they heard Daisy shriek. “Your violin!”
“What?” Honoria walked slowly toward the commotion, not
quite able to put two and two together.
“Oh, my heavens,” Iris said abruptly, her hand coming to her
mouth. She lay a restraining hand on Honoria, as if to say—It’s
better if you don’t look.
“What is going on? I—” Honoria’s jaw went slack.
“Lady Honoria!” Lady Danbury barked. “So sorry about your
violin.”
Honoria only blinked, staring down at the mangled remains of
her instrument. “What? How . . . ?”
Lady Danbury shook her head with what Honoria suspected
was exaggerated regret. “I have no idea. The cane, you know. I
must have knocked it off the table.”
Honoria felt her mouth opening and closing, but no sound was
emerging. Her violin didn’t look as if it had been knocked off a
table. Honestly, Honoria was at a loss as to how it could have got
into such a state. It was absolutely wrecked. Every string had
snapped, pieces of wood were completely detached, and the chin
rest was nowhere to be seen.
Clearly, it had been trampled by an elephant.
”
”
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
“
Swine are held by the Egyptians to be unclean beasts. In the first place, if an Egyptian touches a hog in passing, he goes to the river and dips himself in it, clothed as he is; and in the second place, swineherds, though native born Egyptians, are alone of all men forbidden to enter any Egyptian temple; nor will any give a swineherd his daughter in marriage, nor take a wife from their women; but swineherds intermarry among themselves. [2] Nor do the Egyptians think it right to sacrifice swine to any god except the Moon and Dionysus; to these, they sacrifice their swine at the same time, in the same season of full moon; then they eat the meat. The Egyptians have an explanation of why they sacrifice swine at this festival, yet abominate them at others; I know it, but it is not fitting that I relate it. [3] But this is how they sacrifice swine to the Moon: the sacrificer lays the end of the tail and the spleen and the caul together and covers them up with all the fat that he finds around the belly, then consigns it all to the fire; as for the rest of the flesh, they eat it at the time of full moon when they sacrifice the victim; but they will not taste it on any other day. Poor men, with but slender means, mold swine out of dough, which they then take and sacrifice. (2:47)
”
”
Herodotus (The Histories)
“
About the Declaration there is a finality that is exceedingly restful. It is often asserted that the world has made a great deal of progress since 1776, that we have had new thoughts and new experiences which have given us a great advance over the people of that day, and that we may therefore very well discard their conclusions for something more modern. But that reasoning can not be applied to this great charter. If all men are created equal, that is final. If they are endowed with inalienable rights, that is final. If governments derive their just powers from the consent of the governed, that is final. No advance, no progress can be made beyond these propositions. If anyone wishes to deny their truth or their soundness, the only direction in which he can proceed historically is not forward, but backward toward the time when there was no equality, no rights of the individual, no rule of the people. Those who wish to proceed in that direction can not lay claim to progress. They are reactionary. Their ideas are not more modern, but more ancient, than those of the Revolutionary fathers.
”
”
Calvin Coolidge
“
Fire, fire! The branches crackle and the night wind of late autumn blows the flame of the bonfire back and forth. The compound is dark; I am alone at the bonfire, and I can bring it still some more carpenters' shavings. The compound here is a privileged one, so privileged that it is almost as if I were out in freedom -- this is an island of paradise; this is the Marfino "sharashka" -- a scientific institute staffed with prisoners -- in its most privileged period. No one is overseeing me, calling me to a cell, chasing me away from the bonfire, and even then it is chilly in the penetrating wind.
But she -- who has already been standing in the wind for hours, her arms straight down, her head drooping, weeping, then growing numb and still. And then again she begs piteously "Citizen Chief! Please forgive me! I won't do it again."
The wind carries her moan to me, just as if she were moaning next to my ear. The citizen chief at the gatehouse fires up his stove and does not answer.
This was the gatehouse of the camp next door to us, from which workers came into our compound to lay water pipes and to repair the old ramshackle seminary building.
Across from me, beyond the artfully intertwined, many-stranded barbed-wire barricade and two steps away from the gatehouse, beneath a bright lantern, stood the punished girl, head hanging, the wind tugging at her grey work skirt, her feet growing numb from the cold, a thin scarf over her head.
It had been warm during the day, when they had been digging a ditch on our territory. And another girl, slipping down into a ravine, had crawled her way to the Vladykino Highway and escaped.
The guard had bungled. And Moscow city buses ran right along the highway. When they caught on, it was too late to catch her. They raised the alarm.
A mean, dark major arrived and shouted that if they failed to catch the girl, the entire camp would be deprived of visits and parcels for whole month, because of her escape.
And the women brigadiers went into a rage, and they were all shouting, one of them in particular, who kept viciously rolling her eyes: "Oh, I hope they catch her, the bitch! I hope they take scissors and -- clip, clip, clip -- take off all her hair in front of the line-up!"
But the girl who was now standing outside the gatehouse in the cold had sighed and said instead: "At least she can have a good time out in freedom for all of us!"
The jailer had overheard what she said, and now she was being punished; everyone else had been taken off to the camp, but she had been set outside there to stand "at attention" in front of the gatehouse. This had been at 6 PM, and it was now 11 PM.
She tried to shift from one foot to another, but the guard stuck out his head and shouted: "Stand at attention, whore, or else it will be worse for you!" And now she was not moving, only weeping: "Forgive me, Citizen Chief! Let me into the camp, I won't do it any more!"
But even in the camp no one was about to say to her: "All right, idiot! Come on it!" The reason they were keeping her out there so long was that the next day was Sunday, and she would not be needed for work.
Such a straw-blond, naive, uneducated slip of a girl! She had been imprisoned for some spool of thread. What a dangerous thought you expressed there, little sister! They want to teach you a lesson for the rest of your life!
Fire, fire! We fought the war -- and we looked into the bonfires to see what kind of victory it would be. The wind wafted a glowing husk from the bonfire. To that flame and to you, girl, I promise: the whole wide world will read about you.
”
”
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
“
I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evils of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years’ time enriching them with all he has, and passing tranquilly to his reward. I see that I hold sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other’s soul, than I was in the souls of both. I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, bringing a boy of my name, with a forehead that I know and golden hair, to this place – then fair to look upon, with not a trace of this day’s disfigurement – and I hear him tell the child my story, with a tender and faltering voice. It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
”
”
Charles Dickens (A Tale of Two Cities)
“
The rest of us, we'd lay down our lives for years, but Blackwell... he'd do that and more. He'd rip the beating heart from his chest. He'd give up his soul if ye'd only-"
"It is making a rather large and fallacious assumption that I have a heart to give... or a soul." Dorian Blackwell's smooth voice didn't echo through the washroom as theirs did. He slithered into their midst with a serpentine stealth, striking before Murdoch's words uncovered any of his secrets.
Gasping, Farah sank deep into the bath, thankful the water was now cloudy with soap, though she did draw her knees under her chin and anchor them with her arms, just in case. "Get out!" she insisted in an unsteady voice. "I'm indecent."
"That makes two of us."
He'd moved closer. So close, in fact, that Farah knew if she looked behind her, she'd find his mismatched eyes staring down at her from her towering height. Perhaps, despite the opaque water, he could see the flesh that quivered just below the surface. The thought sent bolts of heat and mortification through her.
"Leave," Farah ordered, unable to face him for fear she'd lost her nerve.
"Stand up and make me.
”
”
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
“
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
”
”
Michelle Tea
“
Anna’s attention was focused on a single patient. Ariadne Bridgestock lay quietly against the white pillows. Her eyes were shut, and her rich brown skin was ashen, stretching tightly over the branching black veins beneath her skin.
Anna slipped in between the screens surrounding Ariadne’s cot, and Cordelia followed, feeling slightly awkward. Was she intruding? But Anna looked up, as if to assure herself that Cordelia was there, before she knelt down at the side of Ariadne’s bed, laying her walking stick on the floor.
Anna’s bowed shoulders looked strangely vulnerable. One of her hands dangled at her side: she reached out the other, fingers moving slowly across the white linen sheets, until she was almost touching Ariadne’s hand.
She did not take it. At the last moment, Anna’s fingers curled and dropped to rest, beside Ariadne but not quite touching. In a low and steady voice, Anna said, “Ariadne. When you wake up—and you will wake up—I want you to remember this. It was never a sign of your worth that Charles Fairchild wanted to marry you. It is a measure of his lack of worth that he chose to break it off in such a manner.”
“He broke it off?” Cordelia whispered. She was stunned. The breaking off of a promised engagement was a serious matter, undertaken usually only when one of the parties in question had committed some kind of serious crime or been caught in an affair. For Charles to break his promise to Ariadne while she lay unconscious was appalling. People would assume he had found out something dreadful about Ariadne. When she awoke, she might be ruined.
Anna did not reply to Cordelia. She only raised her head and looked at Ariadne’s face, a long look like a touch.
“Please don’t die,” she said, in a low voice, and rose to her feet. Catching up her walking stick, she strode from the infirmary, leaving Cordelia staring after her in surprise.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
Bearded Oaks"
The oaks, how subtle and marine,
Bearded, and all the layered light
Above them swims; and thus the scene,
Recessed, awaits the positive night.
So, waiting, we in the grass now lie
Beneath the languorous tread of light:
The grassed, kelp-like, satisfy
The nameless motions of the air.
Upon the floor of light, and time,
Unmurmuring, of polyp made,
We rest; we are, as light withdraws,
Twin atolls on a shelf of shade.
Ages to our construction went,
Dim architecture, hour by hour:
And violence, forgot now, lent
The present stillness all its power.
The storm of noon above us rolled,
Of light the fury, furious gold,
The long drag troubling us, the depth:
Dark is unrocking, unrippling, still.
Passion and slaughter, ruth, decay
descend, minutely whispering down,
Silted down swaying streams, to lay
Foundation for our voicelessness.
All our debate is voiceless here,
As all our rage, the rage of stone;
If hope is hopeless, then fearless is fear,
And history is thus undone.
Our feet once wrought the hollow street
With echo when the lamps were dead
All windows, once our headlight glare
Disturbed the doe that, leaping fled.
I do not love you less that now
The caged heart makes iron stroke,
Or less that all that light once gave
The graduate dark should now revoke.
We live in time so little time
And we learn all so painfully,
That we may spare this hour's term
To practice for eternity.
”
”
Robert Penn Warren (The Collected Poems of Robert Penn Warren)
“
One day Tom was in the act of dosing the crack when his aunt's yellow cat came along, purring, eyeing the teaspoon avariciously, and begging for a taste. Tom said: "Don't ask for it unless you want it, Peter." But Peter signified that he did want it. "You better make sure." Peter was sure. "Now you've asked for it, and I'll give it to you, because there ain't anything mean about me; but if you find you don't like it, you mustn't blame anybody but your own self." Peter was agreeable. So Tom pried his mouth open and poured down the Pain-killer. Peter sprang a couple of yards in the air, and then delivered a war-whoop and set off round and round the room, banging against furniture, upsetting flower-pots, and making general havoc. Next he rose on his hind feet and pranced around, in a frenzy of enjoyment, with his head over his shoulder and his voice proclaiming his unappeasable happiness. Then he went tearing around the house again spreading chaos and destruction in his path. Aunt Polly entered in time to see him throw a few double summersets, deliver a final mighty hurrah, and sail through the open window, carrying the rest of the flower-pots with him. The old lady stood petrified with astonishment, peering over her glasses; Tom lay on the floor expiring with laughter. "Tom, what on earth ails that cat?" "I don't know, aunt," gasped the boy. "Why, I never see anything like it. What did make him act so?
”
”
Mark Twain (The Adventures of Tom Sawyer)
“
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
”
”
Matthew McConaughey (Greenlights)
“
Here,” said Autolycus, “is a settlement of curly-bearded, long-robed Assyrians, exiles from their country; and beyond stretches the land of the Chalybeans, a savage tribe famous as iron-workers, with whom I have lately traded. Soon we shall sight an islet, called the Isle of Barter, close to the Chalybean shore, where we of Sinope come in our dug-out canoes, and lay out on the rocks painted Minyan pottery and linen cloth from Colchis and sheepskin coats dyed red with madder or yellow with heather, such as the Chalybeans prize, and spear-shafts painted with vermilion. Then we row away out of sight behind rocks. As soon as we are gone, the Chalybeans venture across to the islet on rafts; they lay down beside our goods broad-bladed, well-tempered spear-heads and axe-heads, also awls and knives and sail-needles, and go away again. If on our return we are satisfied with their goods, we take them up and make for home; but if we are not satisfied, we remove apart from the rest of our merchandise whatever we think is not covered by their payment. The Chalybeans then return again and pay for this extra heap with a few more iron implements. In the end the barter is complete, unless the Chalybeans in a huff take away all their iron goods and let us sail off empty-handed; for they are a capricious race.
”
”
Robert Graves (The Golden Fleece)
“
I soon saw, however, that Creed's obsession with death was typical of most of the children. This came out in their play.
"Let's play funeral" was a favorite game at recess. To me, it seemed bizarre and mawkish play. All that saved it was the spontaneous creativity of the children and the fact that, unerringly, they caught the incongruities and absurdities of their elders.
One child would be elected to be "dead" and would lay himself out on the ground, eyes closed, hands dutifully crossed across his chest. Another would be chosen to be the "preacher," all the rest, "mourners." I remember one day when Sam Houston Holcomb was the "corpse" and Creed Allen, always the class clown of the group, was elected "preacher." Creed, already at ten an accomplished mimic, was turning in an outstanding performance. I stood watching, half-hidden in the shado of the doorway.
Creed (bellowing in stentorian tones): "You-all had better stop your meanness and I'll tell you for why. Praise the Lord! If you'uns don't stop being so defend ornery, you ain't never goin' gift to see Brother Holcomb on them streets paved with rubies and such-like, to give him the time of day, 'cause you'uns are goin' to be laid out on the coolin' board and then roasted in hellfire."
The "congregation" shivered with delight, as if they were hearing a deliciously scary ghost story. The corpse opened one eye to see how his mourners were taking this blast; he sighed contentedly at their palpitations; wriggled right leg where a fly was tickling; adjusted grubby hands more comfortably across chest.
Creed then grasped his right ear with his right hand and spat. Only there wasn't enough to make the stream impressive. So preacher paused, working his mouth vigorously, trying to collect more spit. Another pucker and heave. Ah! Better!
Sermon now resumed: "Friends and neighbors, we air lookin' on Brother Holcombe's face for the last time." (Impressive pause.). "Praise the Lord! We ain't never goin' see him again in this life." (Impressive pause.). "Praise the Lord!"
Small preacher was now really getting warmed up. He remembered something he must have heard at the last real funeral. Hearty spit first, more pulling of ear: "You air enjoyin' life now, folks. Me, I used to git pleasured and enjoy life too. But now that I've got religion, I don't enjoy life no more." At this point I retreated behind the door lest I betray my presence by laughing aloud.
”
”
Catherine Marshall (Christy)
“
One day, soon after her disappearance, an attack of abominable nausea forced me to pull up on the ghost of an old mountain road that now accompanied, now traversed a brand new highway, with its population of asters bathing in the detached warmth of a pale-blue afternoon in late summer. After coughing myself inside out I rested a while on a boulder and then thinking the sweet air might do me good, walked a little way toward a low stone parapet on the precipice side of the highway. Small grasshoppers spurted out of the withered roadside weeds. A very light cloud was opening its arms and moving toward a slightly more substantial one belonging to another, more sluggish, heavenlogged system. As I approached the friendly abyss, I grew aware of a melodious unity of sounds rising like vapor from a small mining town that lay at my feet, in a fold of the valley. One could make out the geometry of the streets between blocks of red and gray roofs, and green puffs of trees, and a serpentine stream, and the rich, ore-like glitter of the city dump, and beyond the town, roads crisscrossing the crazy quilt of dark and pale fields, and behind it all, great timbered mountains. But even brighter than those quietly rejoicing colors - for there are colors and shades that seem to enjoy themselves in good company - both brighter and dreamier to the ear than they were to the eye, was that vapory vibration of accumulated sounds that never ceased for a moment, as it rose to the lip of granite where I stood wiping my foul mouth. And soon I realized that all these sounds were of one nature, that no other sounds but these came from the streets of the transparent town, with the women at home and the men away. Reader! What I heard was but the melody of children at play, nothing but that, and so limpid was the air that within this vapor of blended voices, majestic and minute, remote and magically near, frank and divinely enigmatic - one could hear now and then, as if released, an almost articulate spurt of vivid laughter, or the crack of a bat, or the clatter of a toy wagon, but it was all really too far for the eye to distinguish any movement in the lightly etched streets. I stood listening to that musical vibration from my lofty slope, to those flashes of separate cries with a kind of demure murmur for background, and then I knew that the hopelessly poignant thing was not Lolita's absence from my side, but the absence of her voice from that concord.
”
”
Vladimir Nabokov (Lolita)
“
It was a dead swan. Its body lay contorted on the beach like an abandoned lover. I looked at the bird for a long time. There was no blood on its feathers, no sight of gunshot. Most likely, a late migrant from the north slapped silly by a ravenous Great Salt Lake. The swan may have drowned. I knelt beside the bird, took off my deerskin gloves, and began smoothing feathers. Its body was still limp—the swan had not been dead long. I lifted both wings out from under its belly and spread them on the sand. Untangling the long neck which was wrapped around itself was more difficult, but finally I was able to straighten it, resting the swan’s chin flat against the shore. The small dark eyes had sunk behind the yellow lores. It was a whistling swan. I looked for two black stones, found them, and placed them over the eyes like coins. They held. And, using my own saliva as my mother and grandmother had done to wash my face, I washed the swan’s black bill and feet until they shone like patent leather. I have no idea of the amount of time that passed in the preparation of the swan. What I remember most is lying next to its body and imagining the great white bird in flight. I imagined the great heart that propelled the bird forward day after day, night after night. Imagined the deep breaths taken as it lifted from the arctic tundra, the camaraderie within the flock. I imagined the stars seen and recognized on clear autumn nights as they navigated south. Imagined their silhouettes passing in front of the full face of the harvest moon. And I imagined the shimmering Great Salt Lake calling the swans down like a mother, the suddenness of the storm, the anguish of its separation. And I tried to listen to the stillness of its body. At dusk, I left the swan like a crucifix on the sand. I did not look back.
”
”
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
“
It’s an heirloom, isn’t it?”
... “I got it from my father.”
The tutor ran his hand along the sheathed blade. “This is a remarkable weapon—a knight’s sword—tarnished with time and travel. You don’t use it as often as the others. The bastard and short sword are tools to you, but this—ah—this is something else—something revered. It lays concealed in a paltry sheath, covered in clothes not its own. It doesn’t belong there. This sword belongs to another time and place. It is part of a grand and glorious world where knights were different, loftier—virtuous. It rests in this false scabbard because the proper one has been lost, or perhaps, it waits for a quest yet to be finished. It longs for that single moment when it can shine forth in all its brilliance. When dream and destiny meet on a clear field, then and only then will it find its purpose. When it faces that honorable cause—that one worthy and desperate challenge for which it was forged and on which so much depends—it will find peace in the crucible of struggle. For good or ill, it will ring true or break. But the wandering, the waiting, the hiding will at last be over. This sword waits for the day when it can save the kingdom and win the lady.
”
”
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
“
In the stillest hour of the night, as I lay half asleep, my seven selves sat together and thus conversed in whispers:
First Self: Here, in this madman, I have dwelt all these years, with naught to do but renew his pain by day and recreate his sorrow by night. I can bear my fate no longer, and now I rebel.
Second Self: Yours is a better lot than mine, brother, for it is given to me to be this madman's joyous self. I laugh his laughter and sing his happy hours, and with thrice winged feet I dance his brighter thoughts. It is I that would rebel against my weary existence.
Third Self: And what of me, the love-ridden self, the flaming brand of wild passion and fantastic desires? It is I the love-sick self who would rebel against this madman.
Fourth Self: I, amongst you all, am the most miserable, for naught was given me but odious hatred and destructive loathing. It is I, the tempest-like self, the one born in the black caves of Hell, who would protest against serving this madman.
Fifth Self: Nay, it is I, the thinking self, the fanciful self, the self of hunger and thirst, the one doomed to wander without rest in search of unknown things and things not yet created; it is I, not you, who would rebel.
Sixth Self: And I, the working self, the pitiful labourer, who, with patient hands, and longing eyes, fashion the days into images and give the formless elements new and eternal forms- it is I, the solitary one, who would rebel against this restless madman.
Seventh Self: How strange that you all would rebel against this man, because each and every one of you has a preordained fate to fulfil. Ah! could I but be like one of you, a self with a determined lot! But I have none, I am the do-nothing self, the one who sits in the dumb, empty nowhere and nowhen, while you are busy re-creating life. Is it you or I, neighbours, who should rebel?
When the seventh self thus spake the other six selves looked with pity upon him but said nothing more; and as the night grew deeper one after the other went to sleep enfolded with a new and happy submission.
But the seventh self remained watching and gazing at nothingness, which is behind all things.
”
”
Kahlil Gibran
“
. . . I bet I'm beginning to make some parents nervous - here I am, bragging of being a dropout, and unemployable, and about to make a pitch for you to follow your creative dreams, when what parents want is for their children to do well in their field, to make them look good, and maybe also to assemble a tasteful fortune . . .
But that is not your problem. Your problem is how you are going to spend this one odd and precious life you have been issued. Whether you're going to live it trying to look good and creating the illusion that you have power over people and circumstances, or whether you are going to taste it, enjoy it, and find out the truth about who you are . . .
I do know you are not what you look like, or how much you weigh, or how you did in school, or whether you start a job next Monday or not. Spirit isn't what you do, it's . . . well, again, I don't actually know. They probably taught this junior year at Goucher; I should've stuck around. But I know that you feel best when you're not doing much - when you're in nature, when you're very quiet or, paradoxically, listening to music . . .
We can see Spirit made visible when people are kind to one another, especially when it's a really busy person, like you, taking care of the needy, annoying, neurotic person, like you. In fact, that's often when we see Spirit most brightly . . .
In my twenties I devised a school of relaxation that has unfortunately fallen out of favor in the ensuing years - it was called Prone Yoga. You just lay around as much as possible. You could read, listen to music, you could space out or sleep. But you had to be lying down. Maintaining the prone.
You've graduated. You have nothing left to prove, and besides, it's a fool's game. If you agree to play, you've already lost. It's Charlie Brown and Lucy, with the football. If you keep getting back on the field, they win. There are so many great things to do right now. Write. Sing. Rest. Eat cherries. Register voters. And - oh my God - I nearly forgot the most important thing: refuse to wear uncomfortable pants, even if they make you look really thin. Promise me you'll never wear pants that bind or tug or hurt, pants that have an opinion about how much you've just eaten. The pants may be lying! There is way too much lying and scolding going on politically right now without having your pants get in on the act, too.
So bless you. You've done an amazing thing. And you are loved; you're capable of lives of great joy and meaning. It's what you are made of. And it's what you're here for. Take care of yourselves; take care of one another.
And give thanks, like this: Thank you.
”
”
Anne Lamott (Plan B: Further Thoughts on Faith)
“
She's probably just tired of seeing you miserable.Like we all are," I add. "I'm sure...I'm sure she's as crazy about you as ever."
"Hmm." He watches me put away my own shoes and empty the contents of my pockets. "What about you?" he asks, after a minute.
"What about me?"
St. Clair examines his watch. "Sideburns. You'll be seeing him next month."
He's reestablishing...what? The boundary line? That he's taken, and I'm spoken for? Except I'm not. Not really.
But I can't bear to say this now that he's mentioned Ellie. "Yeah,I can't wait to see him again. He's a funny guy, you'd like him.I'm gonna see his band play at Christmas. Toph's a great guy, you'd really like him. Oh. I already said that,didn't I? But you would. He's really...funny."
Shut up,Anna. Shut.Up.
St. Clair unbuckles and rebuckles and unbuckles his watchband.
"I'm beat," I say. And it's the truth. As always, our conversation has exhausted me. I crawl into bed and wonder what he'll do.Lie on my floor? Go back to his room? But he places his watch on my desk and climbs onto my bed. He slides up next to me. He's on top of the covers, and I'm underneath. We're still fully dressed,minus our shoes, and the whole situation is beyond awkward.
He hops up.I'm sure he's about to leave,and I don't know whether to be relieved or disappointed,but...he flips off my light.My room is pitch-black. He shuffles back toward my bed and smacks into it.
"Oof," he says.
"Hey,there's a bed there."
"Thanks for the warning."
"No problem."
"It's freezing in here.Do you have a fan on or something?"
"It's the wind.My window won't shut all the way.I have a towel stuffed under it, but it doesn't really help."
He pats his way around the bed and slides back in. "Ow," he says.
"Yes?"
"My belt.Would it be weird..."
I'm thankful he can't see my blush. "Of course not." And I listen to the slap of leather as he pulls it out of his belt loops.He lays it gently on my hardwood floor.
"Um," he says. "Would it be weird-"
"Yes."
"Oh,piss off.I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath,and now we're lying side by side. In my narrow bed. Funny,but I never imagined my first sleepover with a guy being,well,a sleepover.
"All we need now are Sixteen Candles and a game of Truth or Dare."
He coughs. "Wh-what?"
"The movie,pervert.I was just thinking it's been a while since I've had a sleepover."
A pause. "Oh."
"..."
"..."
"St. Clair?"
"Yeah?"
"Your elbow is murdering my back."
"Bollocks.Sorry." He shifts,and then shifts again,and then again,until we're comfortable.One of his legs rests against mine.Despite the two layers of pants between us,I feel naked and vulnerable. He shifts again and now my entire leg, from calf to thigh, rests against his. I smell his hair. Mmm.
NO!
I swallow,and it's so loud.He coughs again. I'm trying not to squirm. After what feels like hours but is surely only minutes,his breath slows and his body relaxes.I finally begin to relax, too. I want to memorize his scent and the touch of his skin-one of his arms, now against mine-and the solidness os his body.No matter what happens,I'll remember this for the rest of my life.
I study his profile.His lips,his nose, his eyelashes.He's so beautiful.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I am a Roman,' he said to the king; 'my name is Gaius Mucius. I came here to kill you - my enemy. I have as much courage to die as to kill. It is our Roman way to do and to suffer bravely. Nor am I alone in my resolve against your life; behind me is a long line of men eager for the same honor. Brace yourself, if you will, for the struggle - a struggle for your life from hour to hour, with an armed enemy always at your door. That is the war we declare against you: you need fear no action in the battlefield, army against army; it will be fought against you alone, by one of us at a time.'
Porsena in rage and alarm ordered the prisoner to be burnt alive unless he at once divulged the plot thus obscurely hinted at, whereupon Mucius, crying: 'See how cheap men hold their bodies when they care only for honor!' thrust his right hand into the fire which had been kindled for a sacrifice, and let it burn there as if he were unconscious of the pain. Porsena was so astonished by the young man's almost superhuman endurance that he leapt to his feet and ordered his guards to drag him from the altar. 'Go free,' he said; 'you have dared to be a worse enemy to yourself than to me. I should bless your courage, if it lay with my country to dispose of it. But, as that cannot be, I, as an honorable enemy, grant you pardon, life, and liberty.'
'Since you respect courage,' Mucius replied, as if he were thanking him for his generosity, 'I will tell you in gratitude what you could not force from me by threats. There are three hundred of us in Rome, all young like myself, and all of noble blood, who have sworn an attempt upon your life in this fashion. It was I who drew the first lot; the rest will follow, each in his turn and time, until fortune favor us and we have got you.'
The release of Mucius (who was afterwards known as Scaevola, or the Left-Handed Man, from the loss of his right hand) was quickly followed by the arrival in Rome of envoys from Porsena. The first attempt upon his life, foiled only by a lucky mistake, and the prospect of having to face the same thing again from every one of the remaining conspirators, had so shaken the king that he was coming forward with proposals for peace.
”
”
Livy (The History of Rome, Books 1-5: The Early History of Rome)
“
A Day Away We often think that our affairs, great or small, must be tended continuously and in detail, or our world will disintegrate, and we will lose our places in the universe. That is not true, or if it is true, then our situations were so temporary that they would have collapsed anyway. Once a year or so I give myself a day away. On the eve of my day of absence, I begin to unwrap the bonds which hold me in harness. I inform housemates, my family and close friends that I will not be reachable for twenty-four hours; then I disengage the telephone. I turn the radio dial to an all-music station, preferably one which plays the soothing golden oldies. I sit for at least an hour in a very hot tub; then I lay out my clothes in preparation for my morning escape, and knowing that nothing will disturb me, I sleep the sleep of the just. On the morning I wake naturally, for I will have set no clock, nor informed my body timepiece when it should alarm. I dress in comfortable shoes and casual clothes and leave my house going no place. If I am living in a city, I wander streets, window-shop, or gaze at buildings. I enter and leave public parks, libraries, the lobbies of skyscrapers, and movie houses. I stay in no place for very long. On the getaway day I try for amnesia. I do not want to know my name, where I live, or how many dire responsibilities rest on my shoulders. I detest encountering even the closest friend, for then I am reminded of who I am, and the circumstances of my life, which I want to forget for a while. Every person needs to take one day away. A day in which one consciously separates the past from the future. Jobs, lovers, family, employers, and friends can exist one day without any one of us, and if our egos permit us to confess, they could exist eternally in our absence. Each person deserves a day away in which no problems are confronted, no solutions searched for. Each of us needs to withdraw from the cares which will not withdraw from us. We need hours of aimless wandering or spates of time sitting on park benches, observing the mysterious world of ants and the canopy of treetops. If we step away for a time, we are not, as many may think and some will accuse, being irresponsible, but rather we are preparing ourselves to more ably perform our duties and discharge our obligations. When I return home, I am always surprised to find some questions I sought to evade had been answered and some entanglements I had hoped to flee had become unraveled in my absence. A day away acts as a spring tonic. It can dispel rancor, transform indecision, and renew the spirit.
”
”
Maya Angelou (Wouldn't Take Nothing for My Journey Now)
“
Den we git hurtee again. Somebody call hisself a deputy sheriff kill de baby boy now. (Over)1 “He say he de law, but he doan come ’rest him. If my boy done something wrong, it his place come ’rest him lak a man. If he mad wid my Cudjo ’bout something den he oughter come fight him face to face lak a man. He doan come ’rest him lak no sheriff and he doan come fight him lak no man. He have words wid my boy, but he skeered face him. Derefo’, you unnerstand me, he hidee hisself in de butcher wagon and when it gittee to my boy’s store, Cudjo walk straight to talk business. Dis man, he hidin’ hisself in de back of de wagon, an’ shootee my boy. Oh, Lor’! He shootee my boy in de throat. He got no right shootee my boy. He make out he skeered my boy goin’ shoot him and shootee my boy down in de store. Oh, Lor’! De people run come tellee me my boy hurtee. We tookee him home and lay him in de bed. De big hole in de neck. He try so hard to ketchee breath. Oh, Lor’! It hurtee me see my baby boy lak dat. It hurtee his mama so her breast swell up so. It make me cry ’cause it hurt Seely so much. She keep standin’ at de foot of de bed, you unnerstand me, an’ lookee all de time in his face. She keep telling him all de time, ‘Cudjo, Cudjo, Cudjo, baby, put whip to yo’ horse!’ “He hurtee so hard, but he answer her de best he kin, you unnerstand me. He tellee her, ‘Mama, thass whut I been doin’!’ “Two days and two nights my boy lay in de bed wid de noise in de throat. His mama never leave him. She lookee at his face and tellee him, ‘Put whip to yo’ horse, baby.’ “He pray all he could. His mama pray. I pray so hard, but he die. I so sad I wish I could die in place of my Cudjo. Maybe, I doan pray right, you unnerstand me, ’cause he die while I was prayin’ dat de Lor’ spare my boy life. “De man dat killee my boy, he de paster of Hay Chapel in Plateau today. I try forgive him.
”
”
Zora Neale Hurston (Barracoon: The Story of the Last "Black Cargo")
“
Though one of the greatest love stories in world literature, Anna Karenin is of course not just a novel of adventure. Being deeply concerned with moral matters, Tolstoy was eternally preoccupied with issues of importance to all mankind at all times. Now, there is a moral issue in Anna Karenin, though not the one that a casual reader might read into it. This moral is certainly not that having committed adultery, Anna had to pay for it (which in a certain vague sense can be said to be the moral at the bottom of the barrel in Madame Bovary). Certainly not this, and for obvious reasons: had Anna remained with Karenin and skillfully concealed from the world her affair, she would not have paid for it first with her happiness and then with her life. Anna was not punished for her sin (she might have got away with that) nor for violating the conventions of a society, very temporal as all conventions are and having nothing to do with the eternal demands of morality. What was then the moral "message" Tolstoy has conveyed in his novel? We can understand it better if we look at the rest of the book and draw a comparison between the Lyovin-Kitty story and the Vronski-Anna story. Lyovin's marriage is based on a metaphysical, not only physical, concept of love, on willingness for self-sacrifice, on mutual respect. The Anna-Vronski alliance was founded only in carnal love and therein lay its doom.
It might seem, at first blush, that Anna was punished by society for falling in love with a man who was not her husband.
Now such a "moral" would be of course completely "immoral," and completely inartistic, incidentally, since other ladies of fashion, in that same society, were having as many love-affairs as they liked but having them in secrecy, under a dark veil.
(Remember Emma's blue veil on her ride with Rodolphe and her dark veil in her rendezvous at Rouen with Léon.) But frank unfortunate Anna does not wear this veil of deceit. The decrees of society are temporary ones ; what Tolstoy is interested in are the eternal demands of morality. And now comes the real moral point that he makes: Love cannot be exclusively carnal because then it is egotistic, and being egotistic it destroys instead of creating. It is thus sinful. And in order to make his point as artistically clear as possible, Tolstoy in a flow of extraordinary imagery depicts and places side by side, in vivid contrast, two loves: the carnal love of the Vronski-Anna couple (struggling amid their richly sensual but fateful and spiritually sterile emotions) and on the other hand the authentic, Christian love, as Tolstoy termed it, of the Lyovin-Kitty couple with the riches of sensual nature still there but balanced and harmonious in the pure atmosphere of responsibility, tenderness, truth, and family joys.
”
”
Vladimir Nabokov (Lectures on Russian Literature)
“
She sometimes takes her little brother for a walk round this way," explained Bingo. "I thought we would meet her and bow, and you could see her, you know, and then we would walk on."
"Of course," I said, "that's enough excitement for anyone, and undoubtedly a corking reward for tramping three miles out of one's way over ploughed fields with tight boots, but don't we do anything else? Don't we tack on to the girl and buzz along with her?"
"Good Lord!" said Bingo, honestly amazed. "You don't suppose I've got nerve enough for that, do you? I just look at her from afar off and all that sort of thing. Quick! Here she comes! No, I'm wrong!"
It was like that song of Harry Lauder's where he's waiting for the girl and says, "This is her-r-r. No, it's a rabbut." Young Bingo made me stand there in the teeth of a nor'-east half-gale for ten minutes, keeping me on my toes with a series of false alarms, and I was just thinking of suggesting that we should lay off and give the rest of the proceedings a miss, when round the corner there came a fox-terrier, and Bingo quivered like an aspen. Then there hove in sight a small boy, and he shook like a jelly. Finally, like a star whose entrance has been worked up by the personnel of the ensemble, a girl appeared, and his emotion was painful to witness. His face got so red that, what with his white collar and the fact that the wind had turned his nose blue, he looked more like a French flag than anything else. He sagged from the waist upwards, as if he had been filleted.
He was just raising his fingers limply to his cap when he suddenly saw that the girl wasn't alone. A chappie in clerical costume was also among those present, and the sight of him didn't seem to do Bingo a bit of good. His face got redder and his nose bluer, and it wasn't till they had nearly passed that he managed to get hold of his cap.
The girl bowed, the curate said, "Ah, Little. Rough weather," the dog barked, and then they toddled on and the entertainment was over.
”
”
P.G. Wodehouse
“
Christ is all in the entire work of salvation. Let me just take you back to the period before this world was made. There was a time when this great world, the sun, the moon, the stars, and all which now exist throughout the whole of the vast universe, lay in the mind of God, like unborn forests in an acorn cup. There was a time when the Great Creator lived alone, and yet he could foresee that he would make a world, and that men would be born to people it; and in that vast eternity a great scheme was devised, whereby he might save a fallen race. Do you know who devised it? God planned it from first to last. Neither Gabriel nor any of the holy angels had anything to do with it. I question whether they were even told how God might be just, and yet save the transgressors. God was all in the drawing up of the scheme, and Christ was all in carrying it out. There was a dark and doleful night! Jesus was in the garden, sweating great drops of blood, which fell to the ground; nobody then came to bear the load that had been laid upon him. An angel stood there to strengthen him, but not to bear the sentence. The cup was put into his hands, and Jesus said, "Father, must I drink it?" and his Father replied, "If thou dost not drink, sinners cannot be saved"; and he took the cup and drained it to its very dregs. No man helped him. And when he hung upon that accursed tree of Calvary, when his precious hands were pierced, when: "From his head, his hands, his feet, Sorrow and love flowed mingled down," there was nobody to help him. He was "all" in the work of salvation. And, my friends, if any of you shall be saved, it must be by Christ alone. There must be no patchwork; Christ did it all, and will not be helped in the matter. Christ will not allow you, as some say, to do what you can, and leave him to make up the rest. What can you do that is not sinful? Christ has done all for us; the work of redemption is all finished. Christ planned it all, and worked out all; and we, therefore, preach a full salvation through Jesus Christ.
”
”
Charles Haddon Spurgeon
“
There was a note on the table.”
“Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand.
“What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher.
Van Eck backhanded him. “If I find out you knew anything about this—”
“I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!”
Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives.
“The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again.
“Brekker,” Van Eck snarled, his voice taut with rage.
Inej couldn’t help it. She started to laugh.
Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.”
Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.”
“Shall I have Franke fetch the mallet and show you just how serious I am?”
“Mister Van Eck,” Bajan pleaded.
But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back.
“You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—”
“Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned.
“Be silent,” he shouted, spittle flying from his mouth.
“You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.”
Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do.
“Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
I never wanted it to end. I wondered if it felt like this the first time. Seeing him. Really seeing him.
He wiped his eyes. “You really want to know, don’t you.”
“Yeah.”
“Why?”
I gave in. I couldn’t not. I reached over and put my hand on his knee. He tensed briefly but settled when I curled my fingers over his leg, just letting my hand rest there. I couldn’t look at him. I thought my face was on fire.
He said, “That’s….” His voice broke. He cleared his throat. “After the hunters came, something shifted. Between us. I don’t know how or why exactly. You stopped being weird around me.”
“Seems like I’ve picked that right up again.”
He chuckled. “A little. It’s okay, though. It’s like… a beginning. You came to me one day. You were sweating. I remember thinking something bad had happened because you kept wringing your hands until I thought you were going to break your bones. I asked you what was wrong. And you know what you said?
“Probably something stupid.”
“You said that you didn’t think you could ever give up on me. That no matter how long it took, you would be there until I told you otherwise. That you weren’t going to push me for anything but you thought I should know that you had… intentions.”
“Oh dear god,” I said in horror. “And that worked?”
Kelly snorted, and I felt his hand on the back of mine. “Not quite. But what you said next did.”
I looked over at him. “What did I say?”
He was watching me with human eyes, and I thought I could love him. I saw how easy it could be. I didn’t, not yet, but oh, I wanted to. “You said you thought the world of me. That we’d been through so much and you couldn’t stand another day if I didn’t know that. You told me that you were a good wolf, a strong wolf, and if I’d only give you a chance, you’d make sure I’d never regret it.”
I had to know. “Have you?”
“No,” he whispered. “Not once. Not ever.” He looked away. “It was good between us. We took it slow. You smiled all the time. You brought me flowers once. Mom was pissed because you ripped them up from her flower bed and there were still roots and dirt hanging from the bottom, but you were so damn proud of yourself. You said it was romantic. And I believed you.” He plucked a blade of grass and held it in the palm of his hand. “There was something… I don’t know. Endless. About you and me.” He took my hand off his knee and turned it over. He set the blade of grass in my palm and closed his hand over mine. He looked toward the sky and the stars through the canopy of leaves. “We came here sometimes. Just the two of us. And you would pretend to know all the stars. You would make up stories that absolutely weren’t true, and I remember looking at you, thinking how wonderful it was to be by your side. And if we were lucky, there’d be—ah. Look. Again.” His voice was wet and soft, and it cracked me right down the middle.
Fireflies rose around us, pulsing slowly. At first there were only two or three, but then more began to hang heavy in the air. They were yellow-green, and I wondered how this could be real. Here. Now. This moment. How I ever could have forgotten this.
Forgotten him.
It had to have been the strongest magic the world had ever known.
That was the only way I’d have ever left his side.
He reached out with his other hand, quick and light, and snatched a firefly out of the air. He was careful not to crush it. He leaned his head toward mine like he was about to tell me a great secret.
Instead he opened his hand between us.
The firefly lay near the bottom of his ring finger. Its shell was black with a stripe down the middle. It barely moved.
“Just wait,” Kelly whispered.
I did.
It only took a moment.
The firefly pulsed in his hand.
“There it is,” he said. He pulled away and lifted his hand. The firefly took to its wings, lifting off and flying away.
He stared after it.
I only had eyes for him.
”
”
T.J. Klune (Heartsong (Green Creek, #3))
“
He couldn’t have known it, but among the original run of The History of Love, at least one copy was destined to change a life.
This particular book was one of the last of the two thousand to be printed, and sat for longer than the rest in a warehouse in the outskirts of Santiago, absorbing the humidity. From there it was finally sent to a bookstore in Buenos Aires. The careless owner hardly noticed it, and for some years it languished on the shelves, acquiring a pattern of mildew across the cover. It was a slim volume, and its position on the shelf wasn’t exactly prime: crowded on the left by an overweight biography of a minor actress, and on the right by the once-bestselling novel of an author that everyone had since forgotten, it hardly left its spine visible to even the most rigorous browser. When the store changed owners it fell victim to a massive clearance, and was trucked off to another warehouse, foul, dingy, crawling with daddy longlegs, where it remained in the dark and damp before finally being sent to a small secondhand bookstore not far from the home of the writer Jorge Luis Borges.
The owner took her time unpacking the books she’d bought cheaply and in bulk from the warehouse. One morning, going through the boxes, she discovered the mildewed copy of The History of Love. She’d never heard of it, but the title caught her eye. She put it aside, and during a slow hour in the shop she read the opening chapter, called 'The Age of Silence.'
The owner of the secondhand bookstore lowered the volume of the radio. She flipped to the back flap of the book to find out more about the author, but all it said was that Zvi Litvinoff had been born in Poland and moved to Chile in 1941, where he still lived today. There was no photograph. That day, in between helping customers, she finished the book. Before locking up the shop that evening, she placed it in the window, a little wistful about having to part with it.
The next morning, the first rays of the rising sun fell across the cover of The History of Love. The first of many flies alighted on its jacket. Its mildewed pages began to dry out in the heat as the blue-gray Persian cat who lorded over the shop brushed past it to lay claim to a pool of sunlight. A few hours later, the first of many passersby gave it a cursory glance as they went by the window.
The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it.
And that’s what happened. One afternoon a tall young man saw the book in the window. He came into the shop, picked it up, read a few pages, and brought it to the register. When he spoke to the owner, she couldn’t place his accent. She asked where he was from, curious about the person who was taking the book away. Israel, he told her, explaining that he’d recently finished his time in the army and was traveling around South America for a few months. The owner was about to put the book in a bag, but the young man said he didn’t need one, and slipped it into his backpack. The door chimes were still tinkling as she watched him disappear, his sandals slapping against the hot, bright street.
That night, shirtless in his rented room, under a fan lazily pushing around the hot air, the young man opened the book and, in a flourish he had been fine-tuning for years, signed his name: David Singer.
Filled with restlessness and longing, he began to read.
”
”
Nicole Krauss
“
It was astonishing how loudly one laughed at tales of gruesome things, of war’s brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the “hat trick” with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers’ knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table.
It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise.
Now that ideal had broken like a china vase dashed to hard ground. The contrast between That and This was devastating. It was, in an enormous world-shaking way, like a highly dignified man in a silk hat, morning coat, creased trousers, spats, and patent boots suddenly slipping on a piece of orange-peel and sitting, all of a heap, with silk hat flying, in a filthy gutter. The war-time humor of the soul roared with mirth at the sight of all that dignity and elegance despoiled.
So we laughed merrily, I remember, when a military chaplain (Eton, Christ Church, and Christian service) described how an English sergeant stood round the traverse of a German trench, in a night raid, and as the Germans came his way, thinking to escape, he cleft one skull after another with a steel-studded bludgeon a weapon which he had made with loving craftsmanship on the model of Blunderbore’s club in the pictures of a fairy-tale.
So we laughed at the adventures of a young barrister (a brilliant fellow in the Oxford “Union”) whose pleasure it was to creep out o’ nights into No Man’s Land and lie doggo in a shell-hole close to the enemy’s barbed wire, until presently, after an hour’s waiting or two, a German soldier would crawl out to fetch in a corpse. The English barrister lay with his rifle ready. Where there had been one corpse there were two. Each night he made a notch on his rifle three notches one night to check the number of his victims. Then he came back to breakfast in his dugout with a hearty appetite.
”
”
Phillip Gibbs
“
Do you know what day it is?” she asked, peering at him.
“Don’t you?”
“Here in Spindle Cove, we ladies have a schedule. Mondays are country walks. Tuesdays, sea bathing. Wednesdays, you’d find us in the garden.” She touched the back of her hand to his forehead. “What is it we do on Mondays?”
“We didn’t get to Thursdays.”
“Thursdays are irrelevant. I’m testing your ability to recall information. Do you remember Mondays?”
He stifled a laugh. God, her touch felt good. If she kept petting and stroking him like this, he might very well go mad.
“Tell me your name,” he said. “I promise to recall it.” A bit forward, perhaps. But any chance for formal introductions had already fallen casualty to the powder charge.
Speaking of the powder charge, here came the brilliant mastermind of the sheep siege. Damn his eyes.
“Are you well, miss?” Colin asked.
“I’m well,” she answered. “I’m afraid I can’t say the same for your friend.”
“Bram?” Colin prodded him with a boot. “You look all of a piece.”
No thanks to you.
“He’s completely addled, the poor soul.” The girl patted his cheek. “Was it the war? How long has he been like this?”
“Like this?” Colin smirked down at him. “Oh, all his life.”
“All his life?”
“He’s my cousin. I should know.”
A flush pressed to her cheeks, overwhelming her freckles. “If you’re his cousin, you should take better care of him. What are you thinking, allowing him to wander the countryside, waging war on flocks of sheep?”
Ah, that was sweet. The lass cared. She would see him settled in a very comfortable asylum, she would. Perhaps Thursdays would be her day to visit and lay cool cloths to his brow.
“I know, I know,” Colin replied gravely. “He’s a certifiable fool. Completely unstable. Sometimes the poor bastard even drools. But the hell of it is, he controls my fortune. Every last penny. I can’t tell him what to do.”
“That’ll be enough,” Bram said. Time to put a stop to this nonsense. It was one thing to enjoy a moment’s rest and a woman’s touch, and another to surrender all pride.
He gained his feet without too much struggle and helped her to a standing position, too. He managed a slight bow. “Lieutenant Colonel Victor Bramwell. I assure you, I’m in possession of perfect health, a sound mind, and one good-for-nothing cousin.”
“I don’t understand,” she said. “Those blasts…”
“Just powder charges. We embedded them in the road, to scare off the sheep.”
“You laid black powder charges. To move a flock of sheep.” Pulling her hand from his grip, she studied the craters in the road. “Sir, I remain unconvinced of your sanity. But there’s no question you are male.”
He raised a brow. “That much was never in doubt.”
Her only answer was a faint deepening of her blush.
“I assure you, all the lunacy is my cousin’s. Lord Payne was merely teasing, having a bit of sport at my expense.”
“I see. And you were having a bit of sport at my expense, pretending to be injured.”
“Come, now.” He leaned forward her and murmured, “Are you going to pretend you didn’t enjoy it?”
Her eyebrows lifted. And lifted, until they formed perfect twin archer’s bows, ready to dispatch poison-tipped darts. “I’m going to pretend I didn’t hear that.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
In the years since the disaster, I often think of my friend Arturo Nogueira, and the conversations we had in the mountains about God. Many of my fellow survivors say they felt the personal presence of God in the mountains. He mercifully allowed us to survive, they believe, in answer to our prayers, and they are certain it was His hand that led us home. I deeply respect the faith of my friends, but, to be honest, as hard as I prayed for a miracle in the Andes, I never felt the personal presence of God. At least, I did not feel God as most people see Him. I did feel something larger than myself, something in the mountains and the glaciers and the glowing sky that, in rare moments, reassured me, and made me feel that the world was orderly and loving and good. If this was God, it was not God as a being or a spirit or some omnipotent, superhuman mind. It was not a God who would choose to save us or abandon us, or change in any way. It was simply a silence, a wholeness, an awe-inspiring simplicity. It seemed to reach me through my own feelings of love, and I have often thought that when we feel what we call love, we are really feeling our connection to this awesome presence. I feel this presence still when my mind quiets and I really pay attention. I don’t pretend to understand what it is or what it wants from me. I don’t want to understand these things. I have no interest in any God who can be understood, who speaks to us in one holy book or another, and who tinkers with our lives according to some divine plan, as if we were characters in a play. How can I make sense of a God who sets one religion above the rest, who answers one prayer and ignores another, who sends sixteen young men home and leaves twenty-nine others dead on a mountain?
There was a time when I wanted to know that god, but I realize now that what I really wanted was the comfort of certainty, the knowledge that my God was the true God, and that in the end He would reward me for my faithfulness. Now I understand that to be certain–-about God, about anything–-is impossible. I have lost my need to know. In those unforgettable conversations I had with Arturo as he lay dying, he told me the best way to find faith was by having the courage to doubt. I remember those words every day, and I doubt, and I hope, and in this crude way I try to grope my way toward truth. I still pray the prayers I learned as a child–-Hail Marys, Our Fathers–-but I don’t imagine a wise, heavenly father listening patiently on the other end of the line. Instead, I imagine love, an ocean of love, the very source of love, and I imagine myself merging with it. I open myself to it, I try to direct that tide of love toward the people who are close to me, hoping to protect them and bind them to me forever and connect us all to whatever there is in the world that is eternal. …When I pray this way, I feel as if I am connected to something good and whole and powerful. In the mountains, it was love that kept me connected to the world of the living. Courage or cleverness wouldn’t have saved me. I had no expertise to draw on, so I relied upon the trust I felt in my love for my father and my future, and that trust led me home. Since then, it has led me to a deeper understanding of who I am and what it means to be human. Now I am convinced that if there is something divine in the universe, the only way I will find it is through the love I feel for my family and my friends, and through the simple wonder of being alive. I don’t need any other wisdom or philosophy than this: My duty is to fill my time on earth with as much life as possible, to become a little more human every day, and to understand that we only become human when we love. …For me, this is enough.
”
”
Nando Parrado
“
After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, 'Let the children come!' and they ran from the trees toward her.
'Let your mothers hear you laugh,' she told them, and the woods rang. The adults looked on and could not help smiling.
Then 'Let the grown men come,' she shouted. They stepped out one by one from among the ringing trees. 'Let your wives and your children see you dance,' she told them, and groundlife shuddered under their feet.
Finally she called the women to her. 'Cry,' she told them. 'For the living and the dead. Just cry.' And without covering their eyes the women let loose.
It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart.
She did not tell them to clean up their lives or to go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure. She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it.
'Here,' she said, 'in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. These they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And nom they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. And all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver-love it, love it, and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
”
”
Toni Morrison (Beloved)
“
About his madmen Mr. Lecky was no more certain. He knew less than the little to be learned of the causes or even of the results of madness. Yet for practical purposes one can imagine all that is necessary. As long as maniacs walk like men, you must come close to them to penetrate so excellent a disguise. Once close, you have joined the true werewolf.
Pick for your companion a manic-depressive, afflicted by any of the various degrees of mania - chronic, acute, delirious. Usually more man than wolf, he will be instructive. His disorder lies in the very process of his thinking, rather than in the content of his thought. He cannot wait a minute for the satisfaction of his fleeting desires or the fulfillment of his innumerable schemes. Nor can he, for two minutes, be certain of his intention or constant in any plan or agreement. Presently you may hear his failing made manifest in the crazy concatenation of his thinking aloud, which psychiatrists call "flight of ideas." Exhausted suddenly by this
riotous expense of speech and spirit, he may subside in an apathy dangerous and morose, which you will be well advised not to disturb.
Let the man you meet be, instead, a paretic. He has taken a secret departure from your world. He dwells amidst choicest, most dispendious superlatives. In his arm he has the strength to lift ten elephants. He is already two hundred years old. He is more than nine feet high; his chest is of iron, his right leg is silver, his incomparable head is one whole ruby. Husband of a thousand wives, he has begotten on them ten thousand children. Nothing is mean about him; his urine is white wine; his faeces are always soft gold. However, despite his splendor and his extraordinary attainments, he cannot successfully pronounce the words: electricity, Methodist Episcopal, organization, third cavalry brigade. Avoid them. Infuriated by your demonstration of any accomplishment not his, he may suddenly kill you.
Now choose for your friend a paranoiac, and beware of the wolf! His back is to the wall, his implacable enemies are crowding on him. He gets no rest. He finds no starting hole to hide him. Ten times oftener than the Apostle, he has been, through the violence of the unswerving malice which pursues him, in perils of waters, in perils of robbers, in perils of his own countrymen, in perils by the heathen, in perils in the city, in perils in the wilderness, in perils in the sea, in perils among false brethren, in weariness and painfulness, in watchings often, in hunger and thirst, in fastings often, in cold and nakedness. Now that, face to face with him, you simulate innocence and come within his reach, what pity can you expect? You showed him none; he will certainly not show you any.
Lighten our darkness, we beseech thee, 0 Lord; and by thy great mercy defend us from all the perils and dangers of this night; for the love of thy only Son, our Saviour, Jesus Christ. Amen.
Mr. Lecky's maniacs lay in wait to slash a man's head half off, to perform some erotic atrocity of disembowelment on a woman. Here, they fed thoughtlessly on human flesh; there, wishing to play with him, they plucked the mangled Tybalt from his shroud. The beastly cunning of their approach, the fantastic capriciousness of their intention could not be very well met or provided for. In his makeshift fort everywhere encircled by darkness, Mr. Lecky did not care to meditate further on the subject.
”
”
James Gould Cozzens (Castaway)