The Water Statues Quotes

If the statue engulfs people in fire, we should send Leo.’ ‘I love you too, man.’ ‘You know what I mean. You’re immune. Or, heck, give me some of those nice water grenades and I’ll go. Ares and I have tangled before.

Humans! They lived in a world where the grass continued to be green and the sun rose every day and flowers regularly turned into fruit, and what impressed them? Weeping statues. And wine made out of water! A mere quantum-mechanistic tunnel effect, that'd happen anyway if you were prepared to wait zillions of years. As if the turning of sunlight into wine, by means of vines and grapes and time and enzymes, wasn't a thousand times more impressive and happened all the time...

did you think i was a city big enough for a weekend getaway i am the town surrounding it the one you've never heard of but always pass through there are no neon lights here no skyscapers or statues but there is thunder for i make bridges tremble i am not street meat i am homemade jam thick enough to cut the sweetest thing you lips will touch i am not police sirens i am the crackle of a fireplace i'd burn you and you still couldn't take your eyes off of me cause i'd look so beautiful doing it you'd blush i am not a hotel room i am home i am not the whiskey you want i am the water you need don't come here with expectations and try to make a vacation out of me

Humans! They lived in a world where the grass continued to be green and the sun rose every day and flowers regularly turned into fruit, and what impressed them? Weeping statues. And wine made out of water!

One grave in every graveyard belongs to the ghouls. Wander any graveyard long enough and you will find it - water stained and bulging, with cracked or broken stone, scraggly grass or rank weeds about it, and a feeling, when you reach it, of abandonment. It may be colder than the other gravestones, too, and the name on the stone is all too often impossible to read. If there is a statue on the grave it will be headless or so scabbed with fungus and lichens as to look like fungus itself. If one grave in a graveyard looks like a target for petty vandals, that is the ghoul-gate. If the grave wants to make you be somewhere else, that is the ghoul-gate.

"The wanderer in Manhattan must go forth with a certain innocence, because New York is best seen with innocent eyes. It doesn't matter if you are younger or old. Reading our rich history makes the experience more layered, but it is not a substitute for walking the streets themselves. For old-timer or newcomer, it is essential to absorb the city as it is now in order to shape your own nostalgias. That's why I always urge the newcomer to surrender to the city's magic. Forget the irritations and the occasional rudeness; they bother New Yorkers too. Instead, go down to the North River and the benches that run along the west side of Battery Park City. Watch the tides or the blocks of ice in winter; they have existed since the time when the island was empty of man. Gaze at the boats. Look across the water at the Statue of Liberty or Ellis Island, the place to which so many of the New York tribe came in order to truly live. Learn the tale of our tribe, because it's your tribe too, no matter where you were born. Listen to its music and its legends. Gaze at its ruins and monuments. Walk its sidewalks and run fingers upon the stone and bricks and steel of our right-angled streets. Breathe the air of the river breeze."

The Chair I’m writing to you, who made the archaic wooden chair look like a throne while you sat on it. Amidst your absence, I choose to sit on the floor, which is dusty as a dry Kansas day. I am stoic as a statue of Buddha, not wanting to bother the old wooden chair, which has been silent now for months. In this sunlit moment I think of you. I can still picture you sitting there-- your forehead wrinkled like an un-ironed shirt, the light splashed on your face, like holy water from St. Joseph’s. The chair, with rounded curves like that of a full-figured woman, seems as mellow as a monk in prayer. The breeze blows from beyond the curtains, as if your spirit has come back to rest. Now a cloud passes overhead, and I hush, waiting to hear what rests so heavily on the chair’s lumbering mind. Do not interrupt, even if the wind offers to carry your raspy voice like a wispy cloud.

Raphael looked around at the sombre grey Waters lapping the Walls and the dripping Statues. She didn't say anything. 'It's usually a lot drier than this,' I said quickly in case she was thinking that my Home was inhospitable and damp.

It was her favorite story, that she remembers, but she would be hard-pressed to retell it now, faithfully, as it had been told to her. All she could recall were frayed, sleep-watered images of a forgotten castle in the middle of a wild forest, stone statues, crimson roses, and a dark, animal presence never seen, but which stained her memory of the tale, even past its edges to the daylight after.

I've found it hard sometimes to turn my back on the natural call of the waves, and I don't envy the temperament of vultures or of stars. The blinds at my windows have been fluttering for fifty years.

Like the bronze statue of the Angel of the Waters, those who pursue perfection find themselves paralysed by the possibility of flaw, fault or failure.

I gather you yellow-skinned men, despite your triumphs in sewage, drinking water, and Olympic gold medals, still don't have democracy. Some politician on the radio was saying that that's why we Indian are going to beat you: we may not have sewage, drinking water, and Olympic gold medals, but we do have democracy. If I were making a country, I'd get the sewage pipes first, then the democracy, then I'd go about giving pamphlets and statues of Gandhi to other people, but what do I know? I am just a murderer!

If water could be shaped like clay, then swimming ducks would be master sculptors. If I were to commission a statue of myself, I'd hire splashing ducks at play.

True leaders are like statues, whether it rains or it shines, they never bend their necks to look backwards! They never run away from challenges!

You can call me a thief if you like, a thief of ceremonies

Dear Daniel, How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"? Lily Charlotte, NC Dear Lily, The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this. And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does." You think about them all the time. Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall. Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain. Love, Daniel Handler

Plato, or Why For unclear reasons under unknown circumstances Ideal Being ceased to be satisfied. It could have gone on forever, hewn from darkness, forged from light, in its sleepy gardens above the world. Why on earth did it start seeking thrills in the bad company of matter? What use could it have for imitators, inept, ill-starred, lacking all prospects for eternity? Wisdom limping with a thorn stuck in its heel? Harmony derailed by roiling waters? Beauty holding unappealing entrails and Good — why the shadow when it didn’t have one before? There must have been some reason, however slight, but even the Naked Truth, busy ransacking the earth’s wardrobe, won’t betray it. Not to mention, Plato, those appalling poets, litter scattered by the breeze from under statues, scraps from that great Silence up on high.

Standing here, as immune to the cold as a marble statue, gazing towards Charlotte Street, towards a foreshortened jumble of façades, scaffolding and pitched roofs, Henry thinks the city is a success, a brilliant invention, a biological masterpiece--millions teeming around the accumulated and layered achievements of the centuries, as though around a coral reef, sleeping, working, entertaining themselves, harmonious for the most part, nearly everyone wanting it to work. And the Perownes own corner, a triumph of congruent proportion; the perfect square laid out by Robert Adam enclosing a perfect circle of garden--an eighteenth century dream bathed and embraced by modernity, by street light from above, and from below by fibre-optic cables, and cool fresh water coursing down pipes, and sewage borne away in an instant of forgetting.

10. Never allow your imagination to stop. It was the imagination of great people that brought us the internet, the pyramids, cars, airplanes, boats, great novels, beautiful painting, classical songs, great movies, water irrigation, solar panels, the statue of liberty, the wall of china and so forth. Never under estimate your imagination.

Flute Notes from a Reedy Pond" Now coldness comes sifting down, layer after layer, To our bower at the lily root. Overhead the old umbrellas of summer Wither like pithless hands. There is little shelter. Hourly the eye of the sky enlarges its blank Dominion. The stars are no nearer. Already frog-mouth and fish-mouth drink The liquor of indolence, and all thing sink Into a soft caul of forgetfulness. The fugitive colors die. Caddis worms drowse in their silk cases, The lamp-headed nymphs are nodding to sleep like statues. Puppets, loosed from the strings of the puppetmaster Wear masks of horn to bed. This is not death, it is something safer. The wingy myths won't tug at us anymore: The molts are tongueless that sang from above the water Of golgotha at the tip of a reed, And how a god flimsy as a baby's finger Shall unhusk himself and steer into the air.

All of the statues of all the great men will, with time and wind and water, be consumed.

On a bench a toad kept him company: "A slaughterhouse aesthetic must exist.

A scent of celery settled over me. Here in Amsterdam the way fish is displayed is so considerate, but the garlic isn't very white.

In a flash, the bird dips its beak into the water and swallows a killifish whole. Then it morphs back into a statue, lying in wait for its next victim.

Good people?” Hangfire repeated. “Are you sure about that, Snicket? Would good people chop down a tree that was hundreds of years old, to erect a statue in honor of bloodshed? Would good people drain the sea, just so they could force ink out of the last few octopi? What do you think happened to the water that drained away? A whole valley was flooded. Countless creatures of Killdeer Fields were drowned, and an entire village was forced to leave their homes, just so the Knight family could add a few pennies to their ink fortune and the town could limp along for a little while longer.

This is the lesson history told me: when a religion gets so mired in bureaucracy that compassion takes second place to the law, and the law is iron-bound and iron-clad and has no room in it for exceptions, then it’s no longer a religion for humans, it’s a religion for paper-pushers, painted saints, and marble statues.

She closed the magazine and stared at the girl on the cover, a girl who had never been pregnant, never had a social worker or a filling. Yvonne stroked the water-wavy cover. I could tell, she wanted to know what that girl knew, feel how she felt, to be so beautiful, wanted, confident. Like people touching the statue of a saint.

The pump was connected to nothing. And sadly, neither was the man. For his wife did not love him. His children did not miss him. The town did not erect a statue in his honor. All the myths he believed in would crystallize into even greater mythology in future years and become weapons of war used by politicians and evildoers to kill defenseless schoolchildren by the dozens so that a few rich men spouting the same mythology that Doc spouted could buy islands that held more riches than the town of Pottstown had or would ever have. Gigantic yachts that would sail the world and pollute the waters and skies, owned by men creating great companies that made weapons of great power in factories that employed the poor, weapons that were sold cheaply enough so that the poor could purchase them and kill one another. Any man could buy one and walk into schools and bring death to dozens of children and teachers and anyone else stupid enough to believe in all that American mythology of hope, freedom, equality, and justice.

But here, window boxes overflowed with peppermint, chervil, and geraniums of pink, lilac, and white, while ivy crept cheerfully up the walls of stone buildings that looked as if they’d been here since long before the French Revolution. Clothes dried on lines strung across wooden balconies, and even the church overlooking the small town seemed to glow, the lights inside illuminating the colorful windows. The town square was anchored by a stone fountain featuring a bearded man with a cross in one hand and a pitcher of water in the other. Water gurgled cheerfully around the statue’s feet. This was a town whose heart hadn’t yet been trampled, and for a few seconds, Eva didn’t know what to make of it.

There, flanking either side of the walkway were a pair of raised fountains. The base of each was a shell-shaped bowl filled with water and lily pads. Standing in each bowl was the masculine version of Boticelli's famous "Birth of Venus". The man stood in the same pose as Venus, left hand coyly drawn up o cover his chest, right down by his genitals, yet instead of covering them, he held his optimistically endowed penis, pointing it upward. Water jetted from each penis, and over into the basin of the twin statue opposite. The water didn't flow in a smooth stream though. It spurted. "Please tell me there is something wrong with his water pressure" Cassandra said. "No, I believe that's the desired effect.

They were in the middle of a garden with trees shaped as animals. There were gorillas and camels and lions. Rosie felt like she was in some strange storybook circus. Any minute the gorillas would start talking and the lions would charge towards her. "What are we doing here?" Rosie's eyes went wide. "Just follow me." Josh grinned. Rosie followed him through a maze of gardens, each more elaborate than the last. There was a Japanese garden bursting with pink and white blossoms. They passed a water garden with floating lilies, and a tropical garden with birds of paradise and purple irises. Finally they entered a small garden with low-lying plants. A butterfly rested on almost every leaf. Rosie had never seen so many butterflies. She stood still as a statue, afraid if she moved they'd fly away. "This is my favorite," Josh said as if he created the garden. "It's called the butterfly garden. All the flowers contain food attractive to butterflies. The butterflies lay their eggs and feast for days before they fly away." "They're like kaleidoscopes." Rosie peered at a butterfly with gold-and-turquoise wings.

with zero fillings, revealed by the so-so joke—“Have you heard the news about Schrödinger’s Cat? It died today; wait—it didn’t, did, didn’t, did …”; high-volume discourse on who’s the best Bond; on Gilmour and Waters and Syd; on hyperreality; dollar-pound parity; Sartre, Bart Simpson, Barthes’s myths; “Make mine a double”; George Michael’s stubble; “Like, music expired with the Smiths”; urbane and entitled, for the most part, my peers; their eyes, hopes, and futures all starry; fetal think-tankers, judges, and bankers in statu pupillari; they’re sprung from the loins of the global elite (or they damn well soon will be); power and money, like Pooh Bear and honey, stick fast—I don’t knock it, it’s me; and speaking of loins, “Has anyone told

...kissing Locke never felt the way that kissing Cardan does, like taking a dare to run over knives, live an adrenaline strike of lightning, like the moment when you've swum too far out in the sea and there is no going back, only cold black water closing over your head. Cardan's cruel mouth is surprisingly soft, and for a long moment after our lips touch, he's still as a statue. His eyes close, lashes brushing my cheek. I shudder, as you're supposed to when someone walks over your grave. Then his hands come up, gentle as they glide over my arms. If I didn't know better, I'd say his touch was reverent, but I do know better. HIs hands are moving slowly because he is trying to stop himself. He doesn't want this. He doesn't want to want this. He tastes like sour wine. I can feel the moment he gives in and gives up, pulling me to him despite the threat of the knife. He kisses me hard, with a kind of devouring desperation, fingers digging in to my hair. Our mouths slide together, teeth over lips over tongues. Desire hits me like a kick to the stomach. It's like fighting, except what we're fighting for is to crawl inside each other's skin. That's the moment when terror seizes me. What kind of insane revenge is there in exulting in his revulsion? And worse, far worse, I like this. I like everything about kissing him- the familiar buzz of fear, the knowledge I am punishing him, the proof he wants me. The knife in my hand is useless. I throw it at the desk, barely registering as the point sinks in to the wood. He pulls back from me at the sound, startled. HIs mouth is pink, his eyes dark. He sees the knife and barks out a startled laugh. Which is enough to make me stagger back. I want to mock him, to show up his weakness without revealing mine, but I don't trust my face not to show too much. 'Is that what you imagined?' I ask, and am relieved to find that my voice sounds harsh. 'No,' he said tonelessly. 'Tell me,' I say. He shakes his head, somewhere chagrined. 'Unless you're really going to stab me, I think I won't. And I might not tell you even if you were going to stab me.' I get up on Dain's desk to put some distance between us. My skin feels too tight, and the room seems suddenly too small. He almost made me laugh there.

She was free in her wildness. She was a wanderess, a drop of free water. She belonged to no man and to no city. (by Roman Payne, from “The Wanderess.” How this quote became so popular, I have no idea. I wrote it about one woman: The heroine of “The Wanderess,” Saskia; yet I wrote these lines to describe Saskia at her best—praising the qualities of a heroine that all women should strive to have, or keep if they have them. I wrote these lines to make Saskia be like a statue of Psyche or Demeter. The masculine sculptor doesn’t see rock when he carves Aphrodite. He sees before him the carving of the perfect feminine creature. I was creating my ‘perfect feminine creature’ when I wrote about Saskia. She is completely wild and fearless in her dramatic performance of life. She knows that she may only have one life to live and that most people in her society wish to see her fail in her dream of living a fulfilled life. For if a woman acts and lives exactly as society wants her to live, she will never be truly happy, never fulfilled. For societies do not want girls and women to wander. I am surprised that this quote became so famous, since I didn’t spend more than a few seconds writing it. It was written merely as three sentences in a novel. I didn’t write it to be a solitary poem. This quote that touches so many people is no more than an arrangement of twenty-four words in a book of three-hundred pages. What touches me the most is when fans send me photos of tattoos they’ve had done of this quote—either a few words from it or the whole quote. The fact that these wonderful souls are willing to guard words that I’ve written on their precious skin for the rest of their lives makes me feel that what I am writing is worth something and not nothing. When I get depressed and feel the despair that haunts me from time to time, and cripples me, I look at these photos of these tattoos, and it helps me to think that what I am doing is important to some people, and it helps me to start writing again. Am I a masculine version of the wanderess in this quote? Of course I am! I am wild and fearless, I am a wanderer who belongs to no city and to nobody; I am a drop of free water. I am—to cite one of my other quotes—“free as a bird. King of the world and laughing!

But there was no way I could find my former girlfriend's husband. I don't know his name, or the place where he lives. Perhaps he had already lost his name and place. He was, after all, the world's loneliest man. When I go on walks I like to sit in front of the statue of a unicorn, and as I gaze at the cold water in the fountain, I think about this man. And I imagine what it means to be the loneliest man on earth. I already know what it is to be the second loneliest man on earth. But I still don't know what it is to be the loneliest. A deep gulf separates the second and the first loneliest on earth. Most likely. Deep, and wide, too. The bottom is heaped high with the corpses of birds who have tried, and failed, to traverse it. Suddenly one day you become Men Without Women.

With bare feet in the dirt, fulmia, ten times with conviction, will shake the earth to its roots, if you have the strength, Jaga’s book had told me, and the Dragon had believed it enough not to let me try it anywhere near the tower. I had felt doubtful, anyway, about conviction: I hadn’t believed I had any business shaking the earth to its roots. But now I fell to the ground and dug away the snow and the fallen leaves and rot and moss until I came to the hard-frozen dirt. I pried up a large stone and began to smash at the earth, again and again, breaking up the dirt and breathing on it to make it softer, pounding in the snow that melted around my hands, pounding in the hot tears that dripped from my eyes as I worked. Kasia was above me with her head flung up, her mouth open in its soundless cry like a statue in a church. “Fulmia,” I said, my fingers deep in the dirt, crushing the solid clods between my fingers. “Fulmia, fulmia,” I chanted over and over, bleeding from broken nails, and I felt the earth hear me, uneasily. Even the earth was tainted here, poisoned, but I spat on the dirt and screamed, “Fulmia,” and imagined my magic running into the ground like water, finding cracks and weaknesses, spreading out beneath my hands, beneath my cold wet knees: and the earth shuddered and turned over. A low trembling began where my hands drove into the ground, and it followed me as I started prying at the roots of the tree. The frozen dirt began to break up into small chunks all around them, the tremors going on and on like waves. The branches above me were waving wildly as if in alarm, the whispering of the leaves becoming a muted roaring. I straightened up on my knees. “Let her out!” I screamed at the tree: I beat on its trunk with my muddy fists. “Let her out, or I’ll bring you down! Fulmia!” I cried out in rage, and threw myself back down at the ground, and where my fists hit, the ground rose and swelled like a river rising with the rain. Magic was pouring out of me, a torrent: every warning the Dragon had ever given me forgotten and ignored. I would have spent every drop of myself and died there, just to bring that horrible tree down: I couldn’t imagine a world where I lived, where I left this behind me, Kasia’s life and heart feeding this corrupt monstrous thing. I would rather have died, crushed in my own earthquake, and brought it down with me. I tore at the ground ready to break open a pit to swallow us all.

The plain shiprock walls, and the painted statue of Lord Pas (from which the paint was peeling) will remain with me until the day I die, always somewhat colored by the wonder I felt as a small boy at seeing a black cock struggling in the old man’s hands after he had cut its throat, its wings beating frantically, beating as if they might live after all, live somehow somewhere, if only they could spray the whole place with blood before they

The plain shiprock walls, and the painted statue of Lord Pas (from which the paint was peeling) will remain with me until the day I die, always somewhat colored by the wonder I felt as a small boy at seeing a black cock struggling in the old man’s hands after he had cut its throat, its wings beating frantically, beating as if they might live after all, live somehow somewhere, if only they could spray the whole place with blood before they failed. My

Humans! They lived in a world where the grass continued to be green and the sun rose every day and flowers regularly turned into fruit, and what impressed them? Weeping statues. And wine made out of water! A mere quantum-mechanistic tunnel effect, that’d happen anyway if you were prepared to wait zillions of years. As if the turning of sunlight into wine, by means of vines and grapes and time and enzymes, wasn’t a thousand times more impressive and happened all the time…

The Cheka relied on its fearsome reputation. Pravda carried reports of Cheka victims being flayed alive, impaled, scalped, crucified, tied to planks that were pushed slowly into roaring furnaces or into containers of boiling water. In winter, the Cheka was said to pour water over naked prisoners, creating ice statues, while some prisoners were said to have their necks twisted to such a degree their heads came off.107 True or not, such tales contributed to the Cheka mystique.

Bean sighed inside herself and turned to look at Monkey Park. Its real name was Mrs. Taylor Hopper Ansuch Memorial Park, but everybody called it Monkey Park because it had a fountain with a statue of a smiling monkey in the middle. The monkey was dressed in a shiny blue suit, and he held a big, shiny platter of oranges and grapes. The fountain water spurted out of his hat. Besides the fountain, Monkey Park had one big flat field and one not-so-flat field and a playground filled with babies. There were some trees and some bushes and some flowers.

When Franz returned to himself, he seemed still to be in a dream. He thought himself in a sepulchre, into which a ray of sunlight in pity scarcely penetrated. He stretched forth his hand, and touched stone; he rose to his seat, and found himself lying on his bournous in a bed of dry heather, very soft and odoriferous. The vision had fled; and as if the statues had been but shadows from the tomb, they had vanished at his waking. He advanced several paces towards the point whence the light came, and to all the excitement of his dream succeeded the calmness of reality. He found that he was in a grotto, went towards the opening, and through a kind of fanlight saw a blue sea and an azure sky. The air and water were shining in the beams of the morning sun; on the shore the sailors were sitting, chatting and laughing; and at ten yards from them the boat was at anchor, undulating gracefully on the water. There for some time he enjoyed the fresh breeze which played on his brow, and listened to the dash of the waves on the beach, that left against the rocks a lace of foam as white as silver. He was for some time without reflection or thought for the divine charm which is in the things of nature, specially after a fantastic dream; then gradually this view of the outer world, so calm, so pure, so grand, reminded him of the illusiveness of his vision, and once more awakened memory. He recalled his arrival on the island, his presentation to a smuggler chief, a subterranean palace full of splendor, an excellent supper, and a spoonful of hashish. It seemed, however, even in the very face of open day, that at least a year had elapsed since all these things had passed, so deep was the impression made in his mind by the dream, and so strong a hold had it taken of his imagination. Thus every now and then he saw in fancy amid the sailors, seated on a rock, or undulating in the vessel, one of the shadows which had shared his dream with looks and kisses. Otherwise, his head was perfectly clear, and his body refreshed; he was free from the slightest headache; on the contrary, he felt a certain degree of lightness, a faculty for absorbing the pure air, and enjoying the bright sunshine more vividly than ever.

There it is, Toto.' Anna was pointing. [...] 'The Statue of Liberty.' There was hardly any need to move to the rail. The mighty statue towered over them. Its upraised arm, torch in hand, seemed to scrape the sky. Salvatore gazed up in silence. So this was America. [...] ...as the Mediterranean boy looked up, he understood what he saw. Power. The colossal, pale green, pagan god rose alone on its huge pedestal above the waters. Hundreds of feet up, under its mighty diadem, the blank, heroic face stared with Olympian indifference across the clear blue sky, while its upraised arm signaled: Victory.

Men’s values, Diogenes insisted, had been corrupted. He pointed out, by way of illustration, that a statue, the only function of which is to please the eye, might cost three thousand drachmas, while a quart of barley flour, which when consumed can keep us alive, can be bought for only two copper coins.5 He believed hunger to be the best appetizer, and because he waited until he was hungry or thirsty before he ate or drank, “he used to partake of a barley cake with greater pleasure than others did of the costliest of foods, and enjoyed a drink from a stream of running water more than others did their Thasian wine.

Old man,” she said. “Don’t you want to prepare or something?” “Prepare what?” “Yourself. For death.” Siri laughed. “Well, Bpoo. Let’s see. If the Buddhists are right, I’m just on my way to the next incarnation. Unless there’s a manual for how to behave correctly as a gnat I’m not sure how I’d prepare for that. If the Catholics are right, nothing short of an asbestos suit and a glass of iced water will help where I’m going. And if the communists are right, you do your best and when you’re gone they put up a statue in your honor and the locals dry their laundry on it. So, if I’m going, you’re the heir to today’s legacy.

Hij liep verder, zag andere mooi ingerichte kamers, mensen die de krant zaten te lezen, de etalages van de woningen toonden hem hoe rustig het leven van de anderen kon zijn, hoe heerlijk het is om in een luie stoel te zitten en de regen tegen de ruiten te horen slaan. Opnieuw voelde hij de overtuiging dat zijn leven voorbijging, voorbij was, en des te meer genoegen deed het hem de inspanningen van zijn medemensen, van de Nederlandse bevolking, te bewonderen, en hun volharding tegenover de stralende pieken van huiselijke vertroosting. Dergelijke taferelen van home sweet home schokten zijn hart, van zoveel geluk zag hij liever af.

His teeth still bared, the procurator glanced at the arrested man, then at the sun, steadily rising over the equestrian statues of the hippodrome, which lay far below to the right, and suddenly, in some sickening anguish, thought that the simplest thing would be to drive this strange robber off the balcony by uttering just two words: 'Hang him.' To drive the convoy away as well, to leave the colonnade, go into the palace, order the room darkened, collapse on the bed, send for cold water, call in a plaintive voice for his dog Banga, and complain to him about the hemicrania. And the thought of poison suddenly flashed temptingly in the procurator's sick he

His teeth still bared, the procurator glanced at the arrested man, then at the sun, steadily rising over the equestrian statues of the hippodrome, which lay far below to the right, and suddenly, in some sickening anguish, thought that the simplest thing would be to drive this strange robber off the balcony by uttering just two words: 'Hang him.' To drive the convoy away as well, to leave the colonnade, go into the palace, order the room darkened, collapse on the bed, send for cold water, call in a plaintive voice for his dog Banga, and complain to him about the hemicrania. And the thought of poison suddenly flashed temptingly in the procurator's sick head

His teeth still bared, the procurator glanced at the arrested man, then at the sun, steadily rising over the equestrian statues of the hippodrome, which lay far below to the right, and suddenly, in some sickening anguish, thought that the simplest thing would be to drive this strange robber off the balcony by uttering just two words: 'Hang him.' To drive the convoy away as well, to leave the colonnade, go into the palace, order the room darkened, collapse on the bed, send for cold water, call in a plaintive voice for his dog Banga, and complain to him about the hemicrania. And the thought of poison suddenly flashed temptingly in the procurator's sick head.

I listen to her and think about it, and I realize I would be an absolute moron to walk away from this, no matter what her terms are. I didn’t stay in New York and let David go to San Francisco because I like the Statue of Liberty. I did it because I want to climb the ladder as high as I possibly can. I did it because I want my name, the name my father gave me, in big, bold letters one day. This is my chance. “OK,” I say. “OK, then. Glad to hear it.” Evelyn’s shoulders relax, she picks up her water again, and she smiles. “Monique, I think I like you,” she says. I breathe deeply, only now realizing how shallow my breathing has been. “Thank you, Evelyn. That means a lot.

The camera meanders around various enormous rooms, presumably in different castles or palaces (we cannot be seeing one building; it is simply too vast). The walls are lined with statues and puddles of water crowd the floor. According to the people who believe such things, this is a record of one of Arne-Sayles’s other worlds, possibly the one described in his 2000 book, The Labyrinth. Other people have tried to establish the locations in order to prove that it is not a film of another world, but to date none of them has been conclusively identified. Notes in D’Agostino’s handwriting were found with The Castle, but these are in the same peculiar code as her last diary and remain impenetrable.

Captured in Africa, beginning in the fifteen hundreds, they were marched for months across savannah and rainforest to the coast where slave ships waited to transport them to the New World. At the notorious “slave castles” that dotted (and still dot) the coast of Africa they were forced to kneel before a statue of Jesus, have water sprinkled over their shaven heads by a priest, and have their “old” names taken from them. They were given Christian names that went with their new summarily acquired (with the help of the lash and the threat of annihilation) religion, and then, having been branded on face or body, they were prodded onto the ships, packed, as the cliché goes, like sardines in a can. We will never know how many died of grief, or disease, or starvation. Or how many made the despairing leap into the sea.

Someone has described a drinking fountain in Germany, where, every morning or noon, the villagers throng to enjoy the flowing water as it pours through numerous statues, the figures representing all the forms of human life. The farmer drinks from the fountain adorned with figures of waving grain, from which are traced the words, "I am the bread of life" (John 6:35). The shepherd comes up and drinks from the outstretched hands of a shepherd holding a lamb in his bosom, and exclaims, "I am the good shepherd" (John 10:11). The traveler sees a guide holding a lamp in his hand, as he cries, "I am the light of the world" (John 8:12). The gardener drinks from a fountain where the waters seem to be crushed from the clusters of the grapes that hang above it in the stone, almost hiding the letters, "I am the true vine" (John 15:1).

The hill between the manor and forest displayed layers of Lady Croft's prized gardens. Paved pathways wove through a formal Italian garden, rose garden, water garden, lily pond, and a tulip garden built around Roman ruins. Maggie stood beside a statue of the goddess Hemera and a row of yew bushes that had been neatly pruned into a wall to form the perimeter of the Croft family maze. Walter sat nearby on a picnic blanket as she scanned the hillside above the maze to see if she could find Libby's copper-streaked hair among the immaculate gardens and all the people dressed in their finest for this entree into Ladenbrooke's gardens. The Croft family opened the front gate to the public once each summer. Hundreds of people from around the Cotswolds came to peruse Lady Croft's magnificent displays- the golden heather, purple dahlias, peach lilies floating on the pond.

VIII. White Bee" White bee, you buzz in my soul, drunk with honey, and your flight winds in slow spirals of smoke. I am the one without hope, the word without echoes, he who lost everything and he who had everything. Last hawser, in you creaks my last longing. In my barren land you are the final rose. Ah you who are silent! Let you deep eyes close, There the night flutters. Ah your body, a frightened statue, naked. You have deep eyes in which the night flails. Cool arms of flowers and a lap of rose. Your breasts seem like white snails. A butterfly of shadow has come to rest on your belly. Ah you who are silent! Here is the solitude from which you are absent. It is raining. The sea wind is hunting stray gulls. The water walks barefoot in the wet streets. From that tree the leaves complain as though they were sick. White bee, even when you are gone you buzz in my soul. You live again in time, slender and silent. Ah you who are silent!

In reality, the difference between Biological life and Spiritual life is so important that I am going to give them two distinct names. The Biological sort which comes to us through Nature, and which (like everything else in Nature) is always tending to rundown and decay so that it can only be kept up by incessant subsidies from Nature in the form of air, water, food, etc., is Bios. The Spiritual life which is in God from all eternity, and which made the whole natural universe, is Zoe. Bios has, to be sure, a certain shadowy or symbolic resemblance to Zoe: but only the sort of resemblance there is between a photo and a place, or a statue and a man. A man who changed from haying Bios to having Zoe would have gone through as big a change as a statue which changed from being a carved stone to being a real man. And that is precisely what Christianity is about. This world is a great sculptor’s shop. We are the statues and there is a rumour going round the shop that some of us are some day going to come to life.

In reality, the difference between Biological life and Spiritual life is so important that I am going to give them two distinct names. The Biological sort which comes to us through Nature, and which (like everything else in Nature) is always tending to rundown and decay so that it can only be kept up by incessant subsidies from Nature in the form of air, water, food, etc., is Bios. The Spiritual life which is in God from all eternity, and which made the whole natural universe, is Zoe. Bios has, to be sure, a certain shadowy or symbolic resemblance to Zoe: but only the sort of resemblance there is between a photo and a place, or a statue and a man. A man who changed from having Bios to having Zoe would have gone through as big a change as a statue which changed from being a carved stone to being a real man. And that is precisely what Christianity is about. This world is a great sculptor’s shop. We are the statues and there is a rumour going round the shop that some of us are some day going to come to life.

The candy-colored pavillions and exhibit halls, fitted out with Saturn rings, lightning bolts, shark's fins, golden grilles and honeycombs, the Italian pavillion with its entire facade dissolving in a perpetual cascade of water, the gigantic cash register, the austere and sinuous temples of the Detroit gods, the fountains, the pylons and sundials, the statues of George Washington and Freedom of Speech and Truth Showing the Way to Freedom had been peeled, stripped, prized apart, knocked down, bulldozed into piles, loaded onto truck beds, dumped into barges, towed out past the mouth of the harbor, and sent to the bottom of the sea. It made him sad, not because he saw some instructive allegory or harsh sermon on the vanity of all human hopes and Utopian imaginings in this translation of a bright summer dream into an immense mud puddle freezing over at the end of a September afternoon - he was too young to have such inklings - but because he had so loved the Fair, and seeing it this way, he felt in his heart what he had known all along, that, like childhood, the Fair was over, and he would never be able to visit again.

Macbeth breathed deeply and calmly. And what if death came now? It would of course be a meaningless end, but isn't that the case with all ends? We're interrupted in mid-sentence in the narrative about ourselves, and the end hangs in the air, with no meaning, no conclusion, no unravelling final act. A short echo of the last, semi-articulated word and you're forgotten. Forgotten, forgotten, not even the biggest statue can change that. The person you were, the person you really were, disappears faster than concentric rings in water. And what was the point of this short, interrupted guest appearance? Of playing along as best you can, seizing the pleasures and happiness life has to offer while it lasts? Or leaving a mark, changing the direction of things, making the world a slightly better place before you yourself have to leave it? Or perhaps the point is to reproduce, to put more suitable small creatures on the earth in the hope that humans will at some point become the demi-gods they imagine they are? Or is there simply no meaning? Perhaps we're just detached sentences in an eternal chaotic babble in which everyone talks and no one listens, and our worst premonition finally turns out to be correct: you are alone. All alone.

As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.

For one moment, she stood stock-still, drinking in the simple beauty of the marble fountain, the base of its pedestal wreathed in delicate fronds, that stood, glowing lambently in the soft white light, in the center of a small, secluded, fern-shrouded clearing. Water poured steadily from the pitcher of the partially clad maiden frozen forever in her task of filling the wide, scroll-lipped basin. The area had clearly been designed to provide the lady of the house with a private, refreshing, calming retreat in which to embroider, or simply rest and gather thoughts. In the moonlit night, surrounded by mysterious shadow and steeped in a silence rendered only more intense by the distant sighing of music and the silvery tinkle of the water, it was a hauntingly magical place. For three heartbeats, the magic held Patience immobile. Then, through the fine silk of her gown, she felt the heat of Vane's body. He did not touch her, but that heat, and the flaring awareness that raced through her, had her quickly stepping forward. Hauling in a desperate breath, she gestured to the fountain. "It's lovely." "Hmm," came from close behind. Too close behind. Patience found herself heading for a stone bench, shaded by a canopy of palms. Stifling a gasp, she veered away, toward the fountain.

Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!

The rifle started to move lazily in a low arc. The man's left hand was at the trigger, his right just in front of the triggerguard, pivoting the gun. They stood still. The man sat lazily looking down at the breech, his chair still tilted against the small door with the yellow Yale lock. The gun slowly traversed Leiter's stomach, then Bond's. The two men stood like statues, not risking a move of the hand. The gun stopped pivoting. It was pointing down the wharf. The Robber looked briefly up, narrowed his eyes and pulled the trigger. The pelican gave a faint squawk and they heard its heavy body crash into the water. The echo of the shot boomed across the harbor. "What the hell d'you do that for?" asked Bond furiously. "Practice," said the man, pumping another bullet into the breech. "Guess there's a branch of the ASPCA in this town," said Leiter. "Let's get along there and report this guy." "Want to be prosecuted for trespass?" asked The Robber, getting slowly up and shifting the gun under his arm. "This is private property. Now," he spat the words out, "git the hell out of here." He turned and yanked the chair away from the door, opened the door with a key and turned with one foot on the threshold. "You both got guns," he said. "I kin smell 'em. You come aroun' here again and you follow the boid 'n I plead self-defense. I've had a bellyfull of you lousy dicks aroun' here lately breathin' down my neck. Sybil my ass!" He turned contemptuously through the door and slammed it so that the frame rattled.

When everyone is seated, Galen uses a pot holder to remove the lid from the huge speckled pan in the center of the table. And I almost upchuck. Fish. Crabs. And...is that squid hair? Before I can think of a polite version of the truth-I'd rather eat my own pinky finger than seafood-Galen plops the biggest piece of fish on my plate, then scoops a mixture of crabmeat and scallops on top of it. As the steam wafts its way to my nose, my chances of staying polite dwindle. The only think I can think of is to make it look like I'm hiccupping instead of gagging. What did I smell earlier that almost had me salivating? It couldn't have been this. I fork the fillet and twist, but it feels like twisting my own gut. Mush it, dice it, mix it all up. No matter what I do, how it looks, I can't bring it near my mouth. A promise is a promise, dream or no dream. Even if real fish didn't save me in Granny's pond, the fake ones my imagination conjured up sure comforted me until help arrived. And now I'm expected to eat their cousins? No can do. I set the fork down and sip some water. I sense Galen is watching. Out of my peripheral, I see the others shoveling the chum into their faces. But not Galen. He sits still, head tilted, waiting for me to take a bite first. Of all the times to be a gentleman! What happened to the guy who sprawled me over his lap like a three-year-old just a few minutes ago? Still, I can't do it. And they don't even have a dog for me to feed under the table, which used to be my go-to plan at Chloe's grandmother's house. One time Chloe even started a food fight to get me out of it. I glance around the table, but Rayna's the only person I'd aim this slop at. Plus, I'd risk getting the stuff on me, which is almost as bad as in me. Galen nudges me with his elbow. "Aren't you hungry? You're not feeling bad again, are you?" This gets the others' attention. The commotion of eating stops. Everyone stares. Rayna, irritated that her gluttony has been interrupted. Toraf smirking like I've done something funny. Galen's mom wearing the same concerned look he is. Can I lie? Should I lie? What if I'm invited over again, and they fix seafood because I lied about it just this once? Telling Galen my head hurts doesn't get me out of future seafood buffets. And telling him I'm not hungry would be pointless since my stomach keeps gurgling like an emptying drain. No, I can't lie. Not if I ever want to come back here. Which I do. I sigh and set the fork down. "I hate seafood," I tell him. Toraf's sudden cough startles me. The sound of him choking reminds me of a cat struggling with a hair ball. I train my eyes on Galen, who has stiffened to a near statue. Jeez, is this all his mom knows how to make? Or have I just shunned the Forza family's prize-winning recipe for grouper? "You...you mean you don't like this kind of fish, Emma?" Galen says diplomatically. I desperately want to nod, to say, "Yes, that's it, not this kind of fish"-but that doesn't get me out of eating the crabmeat-and-scallop mountain on my plate. I shake my head. "No. Not just this kind of fish. I hate it all. I can't eat any of it. Can hardly stand to smell it." Way to go for the jugular there, stupid! Couldn't I just say I don't care for it? Did I have to say I hate it? Hate even the smell of it? And why am I blushing? It's not a crime to gag on seafood. And for God's sakes, I won't eat anything that still has its eyeballs.

Another day, sheltering beneath trees in a rain-shower, I uncovered a doorway long obliterated by undergrowth. After pulling shrubbery aside, I stepped inside a long deserted summerhouse, fronted by cracked marble columns and ironwork, the rear extending deep into the hillside. Though still filthy, even after I cleared away the tenacious vines, the windowpanes gave sufficient greenish light for me to sketch indoors. In a cobwebbed corner stood a gardener's burner that must once have coaxed oranges or other delicate shrubs to life. With that alight, I found a chair and sat with my shawl muffled around me as I sketched. The marble statues that lined the walls were fine copies of the Greek masters, with muscular limbs and serene faces, though sadly disfigured with a blueish-green patina. As an exercise, I copied a figure of a handsome boy, admiring the sculptor's rendering of tensed muscle, the body frozen just an instant before extending in action. My mind drifted to Michael, the uncertainty hanging over us, my urges to please him, my need to move beyond this stupid impasse. As I sketched the statue's blind eyes I half-heartedly followed his line of sight. I stood and looked more closely at the statue. "What are you looking at?" I said out loud. A green stain blotted the boy's cheek, ugly but also strangely beautiful, for the color was a peacock's viridian. For the first time I noticed the description, "HARPOCRATES- SILENCE", engraved on the pediment, and had a vague recollection of a Roman boy-god who personified that virtue. He held one index finger raised coyly to his lips, while his other hand pointed towards a low arch in the wall. I paced over to the spot at which he pointed. The niche was filled with gardener's trellis that I removed with rising excitement. Behind stood an oak doorway set low in the wall. As I lifted the latch, it opened onto a blast of chilly darkness. Lighting the stub of a candle at the stove, I propped the door open and ventured inside. At once I knew this was no gardeners' store, but another tunnel burrowing into the hillside. Setting forth with the excitement of new discovery, my footsteps rang out and my breath fogged before me in clouds. The place had a mossy, mineral smell, and save for the dripping of water, was silent. Though at first the tunnel ran straight, it soon descended an incline, and my feet splashed into muddy puddles. Who, I wondered, had last passed through that door?

CHALLENGES TO YOUNG POETS Invent a new language anyone can understand. Climb the Statue of Liberty. Reach for the unattainable. Kiss the mirror and write what you see and hear. Dance with wolves and count the stars, including the unseen. Be naïve, innocent, non-cynical, as if you had just landed on earth (as indeed you have, as indeed we all have), astonished by what you have fallen upon. Write living newspaper. Be a reporter from outer space, filing dispatches to some supreme managing editor who believes in full disclosure and has a low tolerance level for hot air. Write and endless poem about your life on earth or elsewhere. Read between the lines of human discourse. Avoid the provincial, go for the universal. Think subjectively, write objectively. Think long thoughts in short sentences. Don't attend poetry workshops, but if you do, don't go the learn "how to" but to learn "what" (What's important to write about). Don't bow down to critics who have not themselves written great masterpieces. Resist much, obey less. Secretly liberate any being you see in a cage. Write short poems in the voice of birds. Make your lyrics truly lyrical. Birdsong is not made by machines. Give your poem wings to fly to the treetops. The much-quoted dictum from William Carlos Williams, "No ideas but in things," is OK for prose, but it lays a dead hand on lyricism, since "things" are dead. Don't contemplate your navel in poetry and think the rest of the world is going to think it's important. Remember everything, forget nothing. Work on a frontier, if you can find one. Go to sea, or work near water, and paddle your own boat. Associate with thinking poets. They're hard to find. Cultivate dissidence and critical thinking. "First thought, best thought" may not make for the greatest poetry. First thought may be worst thought. What's on your mind? What do you have in mind? Open your mouth and stop mumbling. Don't be so open minded that your brains fall out. Questions everything and everyone. Be subversive, constantly questioning reality and status quo. Be a poet, not a huckster. Don't cater, don't pander, especially not to possible audiences, readers, editors, or publishers. Come out of your closet. It's dark there. Raise the blinds, throw open your shuttered windows, raise the roof, unscrew the locks from the doors, but don't throw away the screws. Be committed to something outside yourself. Be militant about it. Or ecstatic. To be a poet at sixteen is to be sixteen, to be a poet at 40 is to be a poet. Be both. Wake up and pee, the world's on fire. Have a nice day.

Jenks and I stood there like statues watching him twitch, his eyes rolling up in his head. He clutched at his clothes pulling the wooden pole they hung from down on top of him. Slowly his right hand came scrambling out away from his body to clutch at my left leg. Without thinking I shoved my crucifix at him and he pulled his hand back with a hiss, shielding his face again. As quickly as I could, I dug my tubes of Holy Water out of my coat pocket and emptied them on his head. He shrieked again and clawed at his face. Jenks followed suit, pouring his two vials on Skorzeny's body and legs. Skorzeny started to foam and bubble before our eyes. I was paralyzed. I couldn't quite believe what was happening. Those books hadn't described any of this. I was feeling dizzy and sick. The shrieks turned to groans and a gurgling deep in his throat. He pulled his hands away from his face and it looked like the disintegrating Portrait of Dorian Gray. I looked over to Jenks who had an odd expression on his face. I looked over to Jenks who had on odd expression on his face. He motioned to me and reached for my left hand which, I noticed, was still clutching the airline hag with the stake and hammer in it. I dropped it and he grabbed it off the floor, moving over to the smoking form still squirming in the closet which smelled even more foul than before, and oozing a greenish yellow pus from the crumpled clothing on his scarecrow frame. Jenks looked back at me and handed me the stake and hammer. 'Go ahead. This was your idea. Finish it.' I declined, turning away. Jenks spun me around violently and thrust the stake into my left hand. He pushed me toward what was left of Skorzeny and forced me to my knees. He forced my hand toward Skorzeny, positioning the stake over the man's chest. Then he stuck the hammer in my right hand. 'Do it, you gutless sonofabitch. Finish it... now!' And he stepped away. I looked at him and back at Skorzeny. Then I gave one vicious swing and hit the stake dead center. The thing made a gurgling grunt, like a pig snuffling for food, and started to regurgitate a blackish fluid from its mouth. I closed my eyes, took a deep breath and hit the stake three more times. Then I fell back and threw up. When I looked back, Skorzeny's hands, or what was left of them, clutched at the stake trying to pull it out. Suddenly, he emitted a kind of moaning, sucking sound, gagged and more bile-colored liquid flecked with black and red came coiling up in a viscous rope like some evil worm from his mouth. And he stopped moving, his hands still clutching the stake. Then a sort of gaseous mist started to rise from his body and it was so much worse than the original smell that I pushed Jenks aside and ran from the house. I ran all the way to a patrol car where I slumped against the left front wheel as Jenks slowly strolled toward me. He walked past me, ignoring me, and opened his trunk, taking out a couple of small gas cans, and headed back to the house. I wasn't paying much attention until he left the house again and I saw it was aflame.

The beautiful statue of Ganymede and the eagle looked like they had been molded out of white ceramic, and in Ganymede's outstretched arms it seemed to me a whole world was being embraced, a rushing world of gray sky and gray water where everything passed by so fast that you cnever got the chance to hold it, to touch it, to make it yours. Can't we keep anything?

Past the projects, the land opened up and water came into view. The breeze carried rain and salt. Jetties and barrier walls supported the shore, which was stacked with crumbling brick warehouses. Out in the channel, the Statue of Liberty stood alone on her little island, her corroding flame held high in the air as the sun set over the industrial shoreline and skyways of New Jersey. Across the narrows, the bluffs of Staten Island wavered in the smoky light of dusk that turned the Verrazano into bronze. Faint light burnished water into busy with freighters and tug boats. A lone sail boat flitted in the distance. On the near shore, on a slip of water between a jetty and the land, a blood red barge bobbed on the tide.

I stood in my room. I shifted my feet on the white marble. Sunlight poured into the room like a golden waterfall. I looked behind me. The two cat statues of black onyx flanked the door. The bed was made up with a silk sheet. The water fall shower fell from the ceiling into the pool. It all was still here. The white gauze curtain swayed in the window and I grinned. I could not help but grin. I entered the balcony and looked down at the river that fell into the ravine. As always, I could jump and I would land in the pool below. I could smell the earth and the green. I could feel the wind and the spray of mist carried on the breeze like never before. It was real. I could touch it.And I knew, beyond the trees was my cottage and stream.

Rome This afternoon I learned that Rome is called the “eternal city.” It’s also the largest city in Italy. Its population is about 4 million. We hired a guide to show us Rome’s “modern” attractions. We started at the Spanish Steps. It was here, in the 1700s, that the most beautiful men and women in Italy waited, hoping to be chosen as artists’ models. The steps link the butterfly-shaped Piazza di Spagna with Trinità dei Monti, a French church. The most famous fountain in Rome is the Trevi Fountain, with its statue of Neptune. Our guide told us to face away from the fountain and throw a coin into the water. This means we will return to Rome some day. If you throw a second coin over your shoulder, you can make a wish. I tossed two coins over my shoulder.

Here Herodotus can be of some help again. “As to the customs of the Persians, I know them to be these. It is not their custom to make and set up statues and temples and altars, but those who do such things they think foolish, because, I suppose, they have never believed the gods to be like men, as the Greeks do; but they call the whole circuit of heaven Zeus, and to him they sacrifice on the highest peaks of the mountains; they sacrifice also to the sun and moon and earth and fire and water and winds. From the beginning, these are the only gods to whom they have ever sacrificed; they learned later to sacrifice to the ‘heavenly’ Aphrodite from the Assyrians and Arabians. She is called by the Assyrians Mylitta, by the Arabians Alilat, by the Persians Mitra.”[28]

Fifty years earlier, before its sandstone blocks were carried off to serve as the foundations of a factory in a nearby town, the ruins of a little temple had stood upon that hill. And it was there, in the footings of a vanished temple, by the remnants of a prehistoric shrine, that Quibell and Green uncovered a vast agglomeration of courtly objects, a cache such as had not been seen before and has never since been equalled in all of Egypt: a pair of beautiful life-sized pharaonic statues made of sheets of beaten copper; a golden image of a hawk with glittering obsidian eyes still standing in its ancient shrine; two splendidly engraved cosmetic palettes; some prehistoric slaughtering knives; a remarkable collection of stone vases; a heap of mace heads piled like potatoes, some of which were vividly engraved in a manner similar to the cosmetic palettes. And in amongst all this, suffused by ground-water and penetrated by the roots of thorn and halfa grass, lay a mass of ivories which, Quibell remarked, ‘resembled potted salmon’, but on inspection proved to be hundreds of separate and delicately carved objects from the time of the first kings but which were so cemented and decayed that they are still under restoration to this day.

So attached to [their lost city of Pajarocu] were and are they that they have refused to duplicate it here on any lesser scale, although duplicating it on its original scale is still far beyond their reach. What they have done instead is to duplicate its plan to perfection—without duplicating, or attempting to duplicate, its substance at all. There are “streets” paved with grass and fern between “buildings” and “manteions” that are no more than clearings in the forest marked in ways that are, to our eyes, almost undetectable. When the adult citizens we sought to question were willing to talk to us, they talked of gateways, walls and statues that did not in fact exist— or at least, that did not exist here on Blue—and described them in as much detail as if they loomed before us, together with colossal images of Hierax, Tartaros, and the rest, called by outlandish sobriquets and the objects of strange, cruel veneration. But when the streets are too badly fouled or the river rises, this phantom Pajarocu goes elsewhere, which I think an excellent idea. Our own Viron was built on the southern shore of Lake Limna; when the lake retreated, our people clung to the shiprock buildings that Pas had provided when they ought to have clung to the idea that he had provided instead, the idea of a city by the lake. Many (although certainly not all) of Viron’s troubles may ultimately have been due to this single mistaken choice. Listen to me, Horn and Hide. Listen all you phantom readers. Buildings are temporary, ideas permanent.

Radhanath Swami once told me a story from the Bhagavad Gita about Krishna as a boy that exemplifies the necessity for lightness and joy when confronting dark power. As is often the case in mythical tales, a village was besieged by the mischief and evil perpetrated by a tyrannical and wicked serpent. This serpent was a real arsehole and was living in the lake where the villagers got all their water. He had multiple heads – that means he was a hydra, a many-headed monster – and he had a few wives too. Oddly they are depicted as human, and if you don’t mind my saying so, quite fit. When I saw them, in the form of a statue depicting the event, I was peeved that this venomous troublemaker got to live in his lake with such top-notch crumpet. To say nothing of the fact that there were two of them. In the proper version of the story, when told by a monk (to me in my garden),

did you think i was a city big enough for a weekend getaway i am the town surrounding it the one you’ve never heard of but always pass through there are no neon lights here no skyscrapers or statues but there is thunder for i make bridges tremble i am not street meat i am homemade jam thick enough to cut the sweetest thing your lips will touch i am not police sirens i am the crackle of a fireplace i’d burn you and you still couldn’t take your eyes off me cause i’d look so beautiful doing it you’d blush i am not a hotel room i am home i am not the whiskey you want i am the water you need don’t come here with expectations and try to make a vacation out of me

If you had lived as a new Christian convert during the rule of the Roman Empire, one of your biggest challenges would have been dealing with the pagan philosophical propaganda that surrounded you. I call it paganosophy. In a Greco-Roman city, most statues depicted partial or total nudity. In the gymnasiums, male athletes worked out naked. In fact, the word gymnasium dates back to the Greek word gymnasion, which literally was a “school for training naked.” Pagan Greeks and Romans insisted there was nothing wrong with showing off a well chiseled body. This is an example of what Paul was speaking of when he wrote, “They worshipped and served the creature more than the Creator” (Rom. 1:25). Roman bathhouses were a popular place for men and women in the city to gather. There were times in history when men and women would occupy the same rooms in the bathhouse. At other times, cities would make decrees prohibiting it. We uploaded a highly viewed YouTube video that we taped in Beit She’an, Israel at the excavated ruins of this Roman city that was destroyed by an earthquake in the ninth century. The city’s ancient public toilets (latrines) had been unearthed. In Roman times there were public latrines in different cities for the benefit of the citizens, since only the wealthy could afford private latrines. The toilet seats, made of stone, were a couple feet long, with one end connected to the wall and the stones resting upon a base with water running beneath for drainage. There was enough space to allow a person to sit between each stone. No archaeological evidence indicated that dividers were used, and as people sat side by side on stones in a public latrine, they discussed business. Deals and contracts were made at the public toilet. Some of the terms we hear today were coined at the Roman toilet. When a person says they have to “do their business,” they’re using a term that originated from men who literally conducted business at the toilet. The signage at the Beit She’an site indicates that men and women shared the same large room, with men on one side of the room and women on the other. Today, we find ourselves returning to trends from the Roman Empire, where men are allowed to use women’s facilities, if they claim to identify as a woman that day. Attacks against women in their own facilities confirm that many of these males are there to take advantage of a ludicrous idea being promoted by the same spirits of the ancient Roman Empire.

Stiff with terror, I hold the pose as Yannie’s flashes radiate off the backdrop. I open my arms to present in second position. I throw back my head, letting my hair cascade to the small of my back. I curve sideways like the marble statue of a water nymph—Dress like a Nun—that rule has most definitely gone down. At last, the rapid-fire clicking stops. Yannie speaks in Mandarin. Sophie’s no longer smiling. “We’re done.” “Already?” “I told you. She’s got another customer in a few minutes.” I don’t budge.

But just as the statues of antiquity stood within the context of a culture, no fossil, whether animal, plant, fungus or microbe, ever existed in isolation. Each lived within an ecosystem, an interaction among myriad species and the environment, a complex mishmash of life, weather and chemistry also dependent on the spin of the Earth, the position of the continents, the minerals in the soil or the water, and the constraints imposed by an area’s past inhabitants.

Back rubs,” she says without even pausing to think about it. “Long and luxurious and totally aimless back rubs.” “Hot showers,” he says. “Incredibly hot. Like, use-all-the-hot-water-in-the-whole-building hot.” “The first sip of water when you’re really thirsty.” “The first sip of coffee in the morning.” “The smell of dryer exhaust.” “The smell of hot asphalt at an amusement park.” “Sprinting into the ocean.” “A hayride at sunset.” “Lobster rolls, warm, with melted butter.” “Cheese ravioli out of a can.” “Whoopie pies with marshmallow fluff.” “Tater Tots with mayonnaise.” “The moment everyone at a wedding stands up at the first few notes of the bridal march.” “When you stare at a Rothko so long it looks like it’s vibrating.” “The statue of David.” “American Gothic.” “The beginning of Mozart Forty.” “Rage Against the Machine.” “The violin solo from Scheherazade.

The statue groaned. The fissure in Brutus’s chest widened, spreading down his legs until one large crack became hundreds. “Shit.” Brutus Rowan’s marble legs snapped at the ankles and the statue toppled into the pond, taking Elm with it. He hit the water, pushed under by the weight of the marble, held his breath, and swam. When his back collided with the grassy embankment, he flung himself upon it, hauled in a breath— Mist rushed into him. It tasted of brine and rot. It filled Elm’s lungs, his body, his mind. He went rigid on the ground, his eyes wide as he fumbled for his wrist, for the familiar feel of horsehair— His charm was gone. Lost, somewhere in the pond.

Humans! They lived in a world where the grass continued to be green and the sun rose every day and flowers regularly turned into fruit, and what impressed them? Weeping statues. And wine made out of water! A mere quantum-mechanistic tunnel effect, that’d happen anyway if you were prepared to wait zillions of years. As if the turning of sunlight into wine, by means of vines and grapes and time and enzymes, wasn’t a thousand times more impressive and happened all the time …

It was clear that the only hope for salvation lay within the river itself, and yet people froze at the edge of the water, seemingly too overcome by shock or fear to actually plunge in.  It was at this time that Father Pernin, accustomed to baptizing people to save their souls, found himself forcibly “baptizing” his neighbors to save them: “The whirlwind in its continual ascension had, so to speak, worked up the smoke, dust, and cinders, so that, at least, we could see clear before us. The banks of the river as far as the eye could reach were covered with people standing there, motionless as statues, some with eyes staring, upturned towards heaven, and tongues protruded. The greater number seemed to have no idea of taking any steps to procure their safety, imagining, as many afterwards acknowledged to me, that the end of the world had arrived and that there was nothing for them but silent submission to their fate. Without uttering a word … I pushed the persons standing on each side of me into the water. One of these sprang back again with a half smothered cry, murmuring: "I am wet"; but immersion in water was better than immersion in fire. I caught him again and dragged him out with me into the river as far as possible. At the same moment I heard a splash of the water along the river's brink. All had followed my example. It was time; the air was no longer fit for inhalation, whilst the intensity of the heat was increasing. A few minutes more and no living thing could have resisted its fiery breath.

Thus they were speaking when the thunderous voice came. So mighty it was that it filled every hall and chamber of the palace; and its first word dashed the pictures from the walls so that their crash and smash added to the roar, though they were lost in it. Its second word broke all the crockery in the palace and set the shards to sliding like screes of stones, so that they burst open cabinets and cupboards and descended to the floors in avalanches. Its third word toppled all the statues along the broad avenue that led up to the Great Gate; its fourth stopped the fountain and snapped off both arms of the marble nymph who blessed the waters; and its fifth cracked the basin itself. Its sixth, seventh, and eighth words maddened every cat in the place, struck dead seventeen bat-winged black rooks of the flock that swept the sky about the Grand Campanile, and set all the bells to ringing. Its ninth soured every cask in the cellars, while its tenth word stove them in. Its eleventh stopped the clocks and started the hounds to howling. Its twelfth and last (which was an especially big word) knocked the Dwarves off their feet and sent every one of them rolling and somersaulting amongst all their foulnesses while they held their ears and screeched. And what that voice said was, “What vermin are these who dare defile the body of a Giant?” Oh, my friends! Let us of this star, who are ourselves but Dwarves, heed well the warning.

She came to a complete stop when she realized that the fountain, one that sported stone mermaids spouting water out of their mouths, seemed to have acquired additional statues. These statues, however, did not fit in with the mermaids but instead seemed to be mud-covered blobs with lily pads stuck all over them. When one of the blobs suddenly raised a hand and rubbed what surely had to be a nose, Millie moved forward again as amusement bubbled up inside her. “How absolutely brilliant!” she exclaimed as she stopped right next to the fountain, earning a smile from little James, his teeth looking remarkably bright against the mud he’d used to cover his face. The blob next to him, six-year-old Edith, rose to her feet and let out a dramatic sigh. “Mother ruined everything by pointing us out to you.” She pulled a lily pad from her arm and dropped it into the shallow water pooling in the bottom of the fountain. “It’s a good thing she did point me in the right direction, or I could have been searching for the two of you for hours.” Millie grinned. “I’ve played many a game of hide-and-seek, and yet I’ve never seen children use such inventive means to disguise themselves. It was completely ingenious—which means clever, by the way—to choose the fountain to hide in.” “It was nothing of the sort,” Mrs. Cutling argued, marching up to join them, apparently unimpressed with Millie’s attempt at broadening the children’s vocabulary. She leveled a stern look at her children before turning her disapproval on Millie. “I’m holding you responsible for their current condition.” “It wasn’t Miss Longfellow’s fault, Mother,” James hurried to say. “It was my idea to hide here, so you shouldn’t be cross with her.” “And it’s been great fun,” Edith added. Mrs. Cutling drew herself up. “I see nothing fun about this, Edith. In fact, you and your brother have embarrassed me no small amount this afternoon. Because of that, the two of you will be spending the rest of your day in your rooms—after you bathe, of course—contemplating the ridiculousness of your actions.” She pointed a finger to the dry courtyard. “Both of you . . . out . . . now.” Millie watched as the two children scrambled out of the fountain, lily pads and slime dripping off them, which earned them a thinning of the lips from their mother. They sent Millie pitiful looks that clearly begged for help, but then two sets of little shoulders sagged when it evidently became clear Millie had no help to offer them. A

She was standing there, naked as a Greek statue, when the door suddenly opened and a gust of cool night air raised goosebumps all over her body. “I forgot my hat,” Caleb announced flatly, but his amber eyes burned as they moved over Lily’s naked form. She covered both breasts with her arms and lifted one thigh in an attempt to hide herself. She was so angry that for a long moment she just stood there, staring and shivering. Then she snapped, “Get out.” “You should lock the doors at night, Lily,” Caleb reasoned, collecting his hat from the peg beside the door. “I could have been a client.” Lily was seething. “Believe me,” she ground out, “I’ll lock it the moment you step outside.” Caleb chuckled and walked around behind Lily for another perspective. She turned, of course, but she wasn’t quick enough. She watched in helpless fury as he tossed his hat onto the table and raised his hands to his hips. “You know, Lily,” he remarked easily, “if you don’t get on with that bath of yours, the water’s going to get cold.” “I’d be happy to finish my bath,” Lily hissed, “if only you’d leave!” He laughed, then caught her suddenly around the waist with his hands. He raised her out of the water, and she was trapped against his chest. “I want a good-bye kiss first,” he said. “You’ll be lucky if I don’t bite off your nose!” Lily spat. She prayed no one was passing by the window and seeing her naked body silhouetted against Caleb’s frame. “Will I?” He carried her across the room and tossed her onto the bed. Before

Where once there were deep forests and blue rivers and streams, the island was a barren land now. The forests were gone. The rivers had turned into dirty trickles of water. The climate had become hot and dusty as the rains no longer came on time. People started leaving the island. The houses, schools and palaces slowly fell silent as they were abandoned. With time, everyone forgot about this island. Many, many years later when explorers landed here, they found hundreds of statues strewn all over a bare island: a land destroyed by the king’s greed.

Shortly after midnight on September 7, 1776, a young Army sergeant named Ezra Lee climbed into a tiny one-man submarine, pulled the hatch shut over his head, and submerged beneath the waters of New York harbor.  His target was HMS Eagle, a sixty-four–gun man-of-war that served as the flagship of the British fleet.  (In a tiny stroke of irony, the British Admiral Lord Howe had anchored Eagle within a few hundred yards of Bedloe’s Island, which would one day be renamed Liberty Island—the site for the Statue of Liberty.)

We flew back into Manhattan as the sun was setting. It was beautiful. One of those Hollywood shots with the waning light gilding the skyscrapers, the water on the Hudson, the Statue of Liberty. A flock of birds—pigeons, I guess—fluttered up like doves of peace, and Snix blew right through them. I could smell burnt feathers.

Some thirty miles east of the statue, with much less fanfare, another monument was nearing completion. At Cold Spring Harbor on Long Island, construction was almost finished on a new, state-of-the-art laboratory. Built with a hefty donation from Andrew Carnegie, the Station for Experimental Evolution was one of the first American institutions to study genetics. Heralded as the future of biological science, the laboratory would become the headquarters for the eugenics movement. A campaign to classify races by means of a hierarchy, eugenics would provide scientific justification for segregation, mass sterilizations, and the exclusion of an entire immigrant population. It would grow to influence all levels of society, from public policy to children’s books. A sanctioned form of racism, eugenics served as the scientific articulation of white supremacy and the politician’s strongest weapon against immigrants.

A woman sat in the corner, something in her hands as she waved them in front of her in a graceful dance. Her fingers flew over the air before her, as though she were playing some instrument he could not see. Her golden hair fit in with this place, just like the yellow dress she wore. But it was her hair that he could not stop staring at. It was so... elegant. A smooth waterfall of golden color that was pinned in place with some claw shaped device that held all the locks where she wanted them. But he wanted to rip that out of her head. He wanted to see the shiny tumble and to feel if it was as smooth as it looked. His fingers spasmed in the water, a strange reaction considering he also wanted to kill her. She was too small for him to be interested in. His hearts did not beat for someone that would break the moment he first touched them. Not to mention she was so perfect. A little golden statue hidden in the middle of her golden city. So pretty and perfect and wrong for him. A monster would leave smudges on something so lovely as she.

We passed the fountains of cherubs pissing into the pools of water. I never understood why statues of pissing babies were the height of sophistication, but like so many older mansions such as this, there were statues of babies, or of women with their breasts exposed as they poured water.

It’s as dark as the inside of a coffin as I pick my way through Sorsha Hall’s hedge maze, but I don’t need my heightened vision to know the way. All I need is memory, having wound through these paths so many times my feet know which turns to take. Water drips steadily from the castle’s eaves, left over from the rainfall earlier in the day. The scent of a bird’s nest crooked in the statue of Immortal Popelin hits my nose.

Sennacherib: I swiftly marched to Babylon which I was intent upon conquering. I blew like the onrush of a hurricane and enveloped the city like a fog. I completely surrounded it and captured it by breaching and scaling the walls. I did not spare his mighty warriors, young or old, but filled the city square with their corpses...I turned over to my men to keep the property of that city, silver, gold, gems, all the moveable goods. My men took hold of the statues of the gods in the city and smashed them. They took possession of the property of the gods. The statues of Adad and Shala, gods of the city Ekallati that Marduk-nadin-ahe, king of Babylonia, had taken to Babylon at the time of Tiglath Pileser I, King of Assyria, I brought out of Babylon after four hundred and eighteen years. I returned them to the city of Ekallati. The city and houses I completely destroyed from foundations to roof and set fire to them. I tore down both inner and outer city walls, temples, temple-towers made of brick and clay - as many as there were - and threw everything into the Arahtu canal. I dug a ditch inside the city and thereby levelled off the earth on its site with water. I destroyed even the outline of its foundations. I flattened it more than any flood could have done. In order that the site of that city and its temples would never be remembered, I devastated it with water so that it became a mere meadow.

Like when she told me in all of human history, three things never went out of style. Graffiti, keep-out signs, and statues of ourselves. She’d use this rule to explain human nature: we desecrate in protest, we’re afraid of people taking our stuff, and we worship ourselves.

age. Andrew had once shown us pictures of his mother as a young woman: young Andrea McDougal at the 1921 Ashes, a toothy smile framed by blonde curls, white skin bright even in the sepia photograph. Thomas had said that she had been, in her time, “a tall drink of water.” I wouldn’t admit this to Thom or anybody else but personally I thought Lady Fife was actually more striking now. She seemed more serious, no more toothy grins, her curls pinned back in a no-nonsense style, but she had a knowing quality that I couldn’t help but be drawn to. Lady Fife came to us, smiling. Her smile dropped when she saw the shattered statue. Whispers stated that Andrea McDougal was a scryer, a foreseer, a practitioner of the illegal art of divination. I was grimly pleased that she seemed surprised by this turn of events. Next to me the maid sucked in her breath through clenched teeth. I certainly didn’t envy her having Lady Fife as a mistress. I might have had to deal with her frosty acquaintance, but we were merely that—acquaintances. The laws of decorum demanded that we be polite and civil to each other regardless of our

There were no furnishings and no decorations-- except the wall on the opposite side had a small alcove, and in the alcove was a bronze statue of a bird, green with age. I thought it might be a sparrow, but it was so corroded that I couldn't tell for sure. I wondered if it might be the statue of a Lar. In this room--like the first hallway-- the air smelled of summer. But there was no half-heard laughter on the air, no sense that space was subtly wrong, nor that invisible eyes were watching. There was only the warm, peaceful stillness that exists between one summer breeze and the next. A trickle of water ran down the wall on my left and pooled before the alcove; I drew a breath, and my lungs filled with the mineral scent of water over warm rock. Without thinking, I sat down and leaned back against the wall. It was not smooth; the stones formed hard, uneven ripples behind my back-- yet the tension ran out of my body. I stared at the bronze sparrow, and I did not entirely fall asleep, but I almost dreamt: my mind was full of summer breezes, the warm, wet smell of earth after summer rain, the delight of running barefoot through damp grass and finding the hidden tangle of strawberries.

the ball over the side. I loved nothing better than to run and stare at its lostness in the churning water far below. The chaos held me tightly, endlessly. One day Sarah drank a glass of cream instead of milk and was sick all over the place; another time we were invited to a children’s party in the gigantic ballroom, and I won a prize at Duck Duck Goose. In the ship’s gym there was an electric horse and a peculiar machine with a large strap that vigorously jiggled the fat atoms in your bottom to smithereens. The most predictable memory of all, the Statue of Liberty, draws a complete blank, but I remember looking up and simultaneously hoping and fearing that

Er verließ seinen Vater, Witwer seit wenigen Stunden, um, wie er sagte, "Statuen kaufen" zu gehen, und dabei schien er zu scherzen. Er war den figürlichen Nachbildungen des Schmerzes und der Ruhe schon seit früher Kindheit geneigt gewesen, seit seiner Kindheit war er ein Sammler, die Museen waren in ihm; seine Statuen waren seine Spielzeuge, ein Vorrecht derjenigen, die von Geburt an verloren sind und an ihrem Ende debütieren.

Ich habe viel Zeit in den Kellergewölben verbracht, nicht aus Überdruß an der Sonne oder plein air, ich verlor nur die Kontrolle über die Stunden und über das Leben, wenn ich mich so ausdrücken darf; ich verzichtete auf jene starren Definitionen des täglichen Lebens, die es erlauben, der natürlichen Wärme zu folgen oder einfach von der Sonne und den Elementen abzuhängen; ich lag oder ich stand aufrecht, oder ich lehnte nur an einer Wand in diesen feuchten Zimmern, den Schlafsälen meiner Ware, die emsig hin und her ging, die Blicke nach oben, zu den Gittern gerichtet. Zwischen Spaten, Trophäen und Splittern im Marmorabfall stehen die tönernen Gäste, die Schlingen knüpfen aus Schlaf, als wären es Mechelner Spitzen, sie segeln über die Wände, springen wir Kautschuk auf die Stufen aus Staub, steigen nach oben, zum Licht, sie steigen umsonst, gelangen zu nichts, nicht einmal zur Seligkeit oder zur Erschöpfung der Verzweiflung. Und wie in den Märchen kehrte ich nach oben zurück, schwer an Jahren.