Layers Of Mountains Quotes

You think man can destroy the planet? What intoxicating vanity. Let me tell you about our planet. Earth is four-and-a-half-billion-years-old. There's been life on it for nearly that long, 3.8 billion years. Bacteria first; later the first multicellular life, then the first complex creatures in the sea, on the land. Then finally the great sweeping ages of animals, the amphibians, the dinosaurs, at last the mammals, each one enduring millions on millions of years, great dynasties of creatures rising, flourishing, dying away -- all this against a background of continuous and violent upheaval. Mountain ranges thrust up, eroded away, cometary impacts, volcano eruptions, oceans rising and falling, whole continents moving, an endless, constant, violent change, colliding, buckling to make mountains over millions of years. Earth has survived everything in its time. It will certainly survive us. If all the nuclear weapons in the world went off at once and all the plants, all the animals died and the earth was sizzling hot for a hundred thousand years, life would survive, somewhere: under the soil, frozen in Arctic ice. Sooner or later, when the planet was no longer inhospitable, life would spread again. The evolutionary process would begin again. It might take a few billion years for life to regain its present variety. Of course, it would be very different from what it is now, but the earth would survive our folly, only we would not. If the ozone layer gets thinner, ultraviolet radiation sears the earth, so what? Ultraviolet radiation is good for life. It's powerful energy. It promotes mutation, change. Many forms of life will thrive with more UV radiation. Many others will die out. Do you think this is the first time that's happened? Think about oxygen. Necessary for life now, but oxygen is actually a metabolic poison, a corrosive glass, like fluorine. When oxygen was first produced as a waste product by certain plant cells some three billion years ago, it created a crisis for all other life on earth. Those plants were polluting the environment, exhaling a lethal gas. Earth eventually had an atmosphere incompatible with life. Nevertheless, life on earth took care of itself. In the thinking of the human being a hundred years is a long time. A hundred years ago we didn't have cars, airplanes, computers or vaccines. It was a whole different world, but to the earth, a hundred years is nothing. A million years is nothing. This planet lives and breathes on a much vaster scale. We can't imagine its slow and powerful rhythms, and we haven't got the humility to try. We've been residents here for the blink of an eye. If we're gone tomorrow, the earth will not miss us.

You light a fire early in your girlhood. You stoke it and tend it. You protect it at all costs. You don’t let it rage into a mountain of light, because that’s not becoming of a girl. You keep it secret. You let it burn. You look into the eyes of other girls and see their fires flickering there, offer conspiratorial nods, never speak aloud of a near-unbearable heat, a growing conflagration. You tend the flame because if you don’t you’re stuck, in the cold, on your own, doomed to seasonal layers, doomed to practicality, doomed to this is just the way things are, doomed to settling and understanding and reasoning and agreeing and seeing it another way and seeing it his way and seeing it from all the other ways but your own.

Mount Everest is about as tall as a mountain on Earth can grow before the lower rock layers succumb to their own plasticity under the mountain’s weight.

You're my moon, my stars, you're my sunrises and sunsets. You're the crisp mountain air, the first layer of snow, and that steady rainfall after a humid day. You're just everything.

Masks in one layer after another—as many as ten or twenty—had fastened themselves upon me, and I could no longer tell how sad any one of them really was.

What Jack remembered and craved in a way he could neither help nor understand was the time that distant summer on Brokeback when Ennis had come up behind him and pulled him close, the silent embrace satisfying some shared and sexless hunger. They had stood that way for a long time in front of the fire, its burning tossing ruddy chunks of light, the shadow of their bodies a single column against the rock. The minutes ticked by from the round watch in Ennis's pocket, from the sticks in the fire settling into coals. Stars bit through the wavy heat layers above the fire. Ennis's breath came slow and quiet, he hummed, rocked a little in the sparklight and Jack leaned against the steady heartbeat, the vibrations of the humming like faint electricity and, standing, he fell into sleep that was not sleep but something else drowsy and tranced until Ennis, dredging up a rusty but still useable phrase from the childhood time before his mother died, said, "Time to hit the hay, cowboy. I got a go. Come on, you're sleepin on your feet like a horse," and gave Jack a shake, a push, and went off in the darkness. Jack heard his spurs tremble as he mounted, the words "see you tomorrow," and the horse's shuddering snort, grind of hoof on stone. Later, that dozy embrace solidified in his memory as the single moment of artless, charmed happiness in their separate and difficult lives. Nothing marred it, even the knowledge that Ennis would not then embrace him face to face because he did not want to see nor feel that it was Jack he held. And maybe, he thought, they'd never get much farther that that. Let be, let be.

My child, when a mountain appears on the journey, we try to go to the left, then to the right. We try to find the easy way to navigate our way back to the easier path.…. But the mountain is there to be crossed. It is on that pilgrimage, as we climb higher, that we are forced to shed the layers upon layers we have carried for so long. Then we find that our load is lighter, and we have come to know something of ourselves in the perilous climb…..Do not seek to avoid the mountain, my child. For it has been placed there at a perfect time. It will only become larger if you seek to delay or draw back from the ascent.

On an impulse he went into the room and stood before the window, pushing aside the sheer curtain to watch the snow, now nearly eight inches high on the lampposts and the fences and the roofs. It was the sort of storm that rarely happened in Lexington, and the steady white flakes, the silence, filled him with a sense of excitement and peace. It was a moment when all the disparate shards of his life seemed to knit themselves together, every past sadness and disappointment, every anxious secret and uncertainty hidden now beneath the soft white layers. Tomorrow would be quiet, the world subdued and fragile, until the neighborhood children came out to break the stillness with their tracks and shouts and joy. He remembered such days from his own childhood in the mountains, rare moments of escape when he went into the woods, his breathing amplified and his voice somehow muffled by the heavy snow that bent branches low, drifted over paths. The world, for a few short hours, transformed.

Thank God she wasn't wearing shorts. She hadn't shaved her legs in a week, theorizing that October in the mountains was pretty darn cold and she might need the extra layer of insulation.

She is held from within by every hardened layer of untouched instinct which has accumulated through the centuries; she is opposed from without by such mountain ranges of prejudice as would be insurmountable if prejudice were made of anything real.

Rivers course through my dreams, rivers cold and fast, rivers well-known and rivers nameless, rivers that seem like ribbons of blue water twisting through wide valleys, narrow rivers folded in layers of darkening shadow, rivers that have eroded down deep in a mountain's belly, sculpted the land, peeled back the planet's history exposing he texture of time itself.

Some miles to the North, a ring of mountains rose out of the clouds. The peaks were clad in snow and ice, and together they looked like an ancient, jagged crown resting atop the layers of mist. The eastward-facing scarps shone brilliantly in the light of the morning sun, while long blue shadows cloaked the western sides and stretched dwindling into the distance, tenebrous daggers upon the billowy, snow-white plain.

This is life. Learning to love through loss. Seeking warm pockets in the bitter cold. Finding the worth of a smile on a cloudy day. Carrying the weight of the world on weary shoulders—mistakes, sins, injustices—added upon daily. Enduring burdens that spur greater strength. This is life. Sorting through layers of expressions staring you straight in the eye. A battle to be right when wrong, to be good when bad, to be content when in need, and to laugh when tearing up. This is life. Valuing things of no worth. Reevaluating dreams. Laboring ceaselessly against the current. Seeing less, wanting more, having enough. This is life. Chasing the moon when the sun would extend its warmth. Slapping the hand that would offer a gentle caress. Cowering at personal, monstrous shadows. Giving and taking in unbalanced weights. Diminishing the majesty of mountains in order to form our own lowly hills. Hoping for more than we deserve. This is life. Hurting. Despairing. Losing. Weeping. Suffering. Laboring. Sinking. Mourning. Appreciating with greater capacity and sincerity a learned knowledge that these adversities do have their opposites. This is life. A taste. A revelation. A banishment. A mercy. A test. An experience. A turbulent sea-voyage that shall assuredly reach the unseen shore, making seasoned sailors of us all. This is life.

I believe that there is one story in the world, and only one, that has frightened and inspired us, so that we live in a Pearl White serial of continuing thought and wonder. Humans are caught—in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too—in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well—or ill? [...] In uncertainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted short cuts to love. When a man comes to die, no matter what his talents and influence and genius, if he dies unloved his life must be a failure to him and his dying a cold horror. It seems to me that if you or I must choose between two courses of thought or action, we should remember our dying and try so to live that our death brings no pleasure to the world. We have only one story. All novels, all poetry, are built on the never-ending contest in ourselves of good and evil. And it occurs to me that evil must constantly respawn, while good, while virtue, is immortal. Vice has always a new fresh young face, while virtue is venerable as nothing else in the world is.

Beneath the moon, chilly winds blow through the pines as wisps of clouds arise. So many mountain ridges layer into each other for miles around! The valley stream is quiet and clear -- I'm not done with this boundless joy.

I can't explain the birds to you even if I tried. In the early morning, when the sun's rays peek over the mountain and subtly light up the landscape in a glow that, if audible, would sound like a hum, the birds sing. They sing in a layered symphony, hundreds deep. You really can't believe how beautiful it is. You hear bass notes from across the farm and soprano notes from the tree in front of you all at once, at varying volumes, like a massive choir that stretches across fifty acres of land. I love birds. But not as much as my wife loves them. My wife thinks about them, whereas I only notice them once they call for attention. But she looks for them, builds fountains for them, and saves them after they crash into windows. I've seen her save many birds. She holds them gently in the palm of her hand, and she takes them to one of the fountains she's built especially for them and holds their beaks up to the gentle trickle of water to let them drink, to wake them up from their dazed stupor. No matter how much time it takes, she doesn't leave them until they recover. And they mostly always do.

People say the beach is the great equaliser Who are they kidding? Sit at Bondi and watch the boys flex And the girls walk bolt upright It looks like a nightmare episode of Baywatch. The true equaliser is the mountain cold And stacks of cold flung together Maybe then we’d listen to what each other is saying Instead of checking out the best bods. And as I wrap another layer Around my Size 10 I think of Jack’s favourite saying: “today’s tan is tomorrow’s cancer” I walk outside And whistle at the wind.

Surely it must be smaller than my own far greater country across the waters, where each field is so thick with legend and myth and ancient battles that one step is not merely in space, unlike in this new world, but also through layers of time. Here there is nothing, only land, all the earth and mountains and trees remain innocent of story. This place is itself a sheet of parchment yet to be written upon,

That is the thing you notice about second-mountain people. There’s been a motivational shift. Their desires have been transformed. If you wanted to generalize a bit, you could say there are six layers of desire: Material pleasure. Having nice food, a nice car, a nice house. Ego pleasure. Becoming well-known or rich and successful. Winning victories and recognition. Intellectual pleasure. Learning about things. Understanding the world around us. Generativity. The pleasure we get in giving back to others and serving our communities. Fulfilled love. Receiving and giving love. The rapturous union of souls. Transcendence. The feeling we get when living in accordance with some ideal.

As I ascended, I realized I didn’t understand what a mountain was, or even if I was hiking up one mountain or a series of them glommed together. I’d not grown up around mountains. I’d walked on a few, but only on well-trod paths on day hikes. They’d seemed to be nothing more than really big hills. But they were not that. They were, I now realized, layered and complex, inexplicable and analogous to nothing. Each time I reached the place that I thought was the top of the mountain or the series of mountains glommed together, I was wrong. There was still more up to go, even if first there was a tiny slope that went tantalizingly down. So up I went until I reached what really was the top. I knew it was the top because there was snow. Not on the ground, but falling from the sky, in thin flakes that swirled in mad patterns, pushed by the wind.

The mountain pine beetle is a tiny creature that chews through a lodgepole’s bark, gouges out a hollow in the wood and lays its eggs. The larvae hatch hungry and feed on the cambium layer, a tree’s most vital part, the annual layer of cells that makes up a growth ring. To prevent drowning in the tree’s sap, the beetle larvae can eject a choking fungus that not only halts the life-giving flow of sap, but stains the wood a grey-blue color.

Each time Vesuvius erupted, it covered its slopes with a deep layer of a remarkable natural fertilizer called potash, and as a result the mountain supported dozens of species of fruit and vegetables which grew nowhere else in all Italy, a culinary advantage which more than compensated for the area's occasional dangers. In the case of apricots, the varieties included the firm-fleshed Cafona, the juicy Palummella, the bittersweet Boccuccia liscia, the peachlike Pellecchiella and the spiky-skinned but incomparably succulent Spinosa.

The mountains were rough amethysts, against a sky like a giant stage backdrop—layers of gauzy scarlet and gold and amber, lit from behind by mammoth spotlights.

the Himalayas rose layer upon layer until those gleaming peaks proved a man to be so small that it made sense to give it all up, empty it all out.

In Antartica, The Wright and half a dozen other valleys in the Central Transantarctic Mountains are collectively referred to as the dry valleys. It has not rained here in two million years. No animal abides, no plant grows. A persistent, sometimes ferocious wind has stripped the country to stone and gravel, to streamers of sand. The huge valleys stand stark as empty fjords. You look in vain for any conventional sign of human history- the vestige of a protective wall, a bit of charcoal, a discarded arrowhead. Nothing. There is no history, until you bore into the layers of rock or until the balls of your fingertips run the rim of a partially exposed fossil. At the height of the austral summer, in December, you smell nothing but the sunbeaten stone. In a silence dense as water, your eye picks up no movement but the sloughing of sand, seeking its angle of repose. On the flight in from New Zealand it had occurred to me, from what I had read and heard, that Antarctica retained Earth’s primitive link, however tenuous, with space, with the void that stretched out to Jupiter and Uranus. At the seabird rookeries of the Canadian Arctic or on the grasslands of the Serengeti, you can feel the vitality of the original creation; in the dry valleys you sense sharply what came before. The Archeozoic is like fresh spoor here.

Colored like a sunset tide is a gaze sharply slicing through the reflective glass. A furrowed brow is set much too seriously, as if trying to unfold the pieces of the face that stared back at it. One eyebrow is raised skeptically, always calculating and analyzing its surroundings. I tilt my head trying to see the deeper meaning in my features, trying to imagine the connection between my looks and my character as I stare in the mirror for the required five minutes. From the dark brown hair fastened tightly in a bun, a curl as bright as woven gold comes loose. A flash of unruly hair prominent through the typical browns is like my temper; always there, but not always visible. I begin to grow frustrated with the girl in the mirror, and she cocks her hip as if mocking me. In a moment, her lips curve in a half smile, not quite detectable in sight but rather in feeling, like the sensation of something good just around the corner. A chin was set high in a stubborn fashion, symbolizing either persistence or complete adamancy. Shoulders are held stiff like ancient mountains, proud but slightly arrogant. The image watches with the misty eyes of a daydreamer, glazed over with a sort of trance as if in the middle of a reverie, or a vision. Every once and a while, her true fears surface in those eyes, terror that her life would amount to nothing, that her work would have no impact. Words written are meant to be read, and sometimes I worry that my thoughts and ideas will be lost with time. My dream is to be an author, to be immortalized in print and live forever in the minds of avid readers. I want to access the power in being able to shape the minds of the young and open, and alter the minds of the old and resolute. Imagine the power in living forever, and passing on your ideas through generations. With each new reader, a new layer of meaning is uncovered in writing, meaning that even the author may not have seen. In the mirror, I see a girl that wants to change the world, and change the way people think and reason. Reflection and image mean nothing, for the girl in the mirror is more than a one dimensional picture. She is someone who has followed my footsteps with every lesson learned, and every mistake made. She has been there to help me find a foothold in the world, and to catch me when I fall. As the lights blink out, obscuring her face, I realize that although that image is one that will puzzle me in years to come, she and I aren’t so different after all.

As with the mountains, there’d been no deserts where I grew up, and though I’d gone on day hikes in a couple of them, I didn’t really understand what deserts were. I’d taken them to be dry, hot, and sandy places full of snakes, scorpions, and cactuses. They were not that. They were that and also a bunch of other things. They were layered and complex and inexplicable and analogous to nothing. My new existence was beyond analogy, I realized on that second day on the trail. I was in entirely new terrain.

The windows of a spaceship casually frame miracles, every 92 minutes, another sunrise: a layer cake that starts with orange, then a thick wedge of blue, then the richest, darkest icing decorated with stars. The secret patterns of our planet are revealed: mountains bump up rudely from orderly plains, forests are green gashes edged with snow, rivers glint in the sunlight, twisting and turning like silvery worms. Continents splay themselves out whole, surrounded by islands sprinkled across the sea like delicate shards of shattered eggshells.

At first she did nothing, waiting for her husband to wake, which he did not, because that wasn’t a thing he ever did. She waited longer than she usually did, waited and waited, the boy wailing while she lay as still as a corpse, patiently waiting for the day when her corpse self would miraculously be reanimated and taken into the Kingdom of the Chosen, where it would create an astonishing art installation composed of many aesthetically interesting beds. The corpse would have unlimited child-care and be able to hang out and go to show openings and drink corpse wine with the other corpses whenever it wanted, because that was heaven. That was it. She lay there as long as she could without making a sound, a movement. Her child’s screams fanned a flame of rage that flickered in her chest. That single, white-hot light at the center of the darkness of herself—that was the point of origin from which she birthed something new, from which all women do. You light a fire early in your girlhood. You stoke it and tend it. You protect it at all costs. You don’t let it rage into a mountain of light, because that’s not becoming of a girl. You keep it secret. You let it burn. You look into the eyes of other girls and see their fires flickering there, offer conspiratorial nods, never speak aloud of a near-unbearable heat, a growing conflagration. You tend the flame because if you don’t you’re stuck, in the cold, on your own, doomed to seasonal layers, doomed to practicality, doomed to this is just the way things are, doomed to settling and understanding and reasoning and agreeing and seeing it another way and seeing it his way and seeing it from all the other ways but your own. And upon hearing the boy’s scream, the particular pitch and slice, she saw the flame behind her closed eyes. For a moment, it quivered on unseen air, then, at once, lengthened and thinned, paused, and dropped with a whump into her chest, then deeper into her belly, setting her aflame

Usually, we think of an apple as being red. This is not the same red as that of a cherry or tomato. A lemon is yellow and an orange like that of its name. Bricks vary from beige to yellow to orange, and from ochre to brown to deep violet. Foliage appears in innumerable shades of green. In all these cases the colors named are surface colors. In a very different was, distant mountains appear uniformly blue, no matter whether covered with green trees or consisting of earth and rocks. The sun is glaring white in daytime, but it is full red at sunset. The white ceiling of houses surrounded by lawns or the white-painted eaves of a roof on a sunny day appear in bright green, which is reflected from the grass on the ground. All these cases present film colors. They appear as a thin, transparent, translucent layer between the eye and an object, independent of the object's surface color.

Greg looked at Aunt Dahlia. “You need to leave.” “I already told her that,” Ham growled. Greg ignored Ham like he didn’t exist and said to Aunt Dahlia, “I’ll ask the manager to have you removed.” “Since I dine here once a month, I doubt he’ll choose removing me over removing the lot of you.” She twirled her finger in the air to indicate us all. “Do you think,” Nina started and I looked at her to see her looking at Max, “that this is normal? I mean, does this kind of thing happen to other people in the world? I really want to know.” Max smiled at his wife. I looked back at Aunt Dahlia to see, scarily, she was looking at me. “You need to phone your father.” “No, she doesn’t.” This was said by Kami Maxwell. I leaned forward and plonked my forehead on the table. --- “Is there a problem here?” A mild-mannered-looking suited man I suspected was the manager entered the situation. “No, I’m simply having a word with my niece,” my aunt replied. “Yes, this woman interrupted my wife’s dinner in an extremely unpleasant way,” Greg contradicted. “She’s not your wife,” Ham grunted. Uh-oh. Shocking the crap out of me, Greg, with narrowed eyes and anger contorting his face, instantly fired back at Ham, “She’ll always be my wife.” I went still. The table went still. I fancied the restaurant went still as I was pretty certain I watched ice form in a thick layer, crackling and groaning all around Ham. “Well shit.” His words were sarcastic but that didn’t mean they weren’t dripping icicles. “See I’m in a position to apologize since I fucked your wife against the wall before we left to come here.” This was when I plonked my head on the table again. “Oh my,” Nina breathed as she glanced at Max. “We haven’t done that in a while, darling. We should do that again.

This changing of focus in the eye, moving the eye itself when looking at things that do not move, deepens one’s sense of outer reality. Then static things may be caught in the very act of becoming. By so simple a matter, too, as altering the position of one’s head, a different kind of world may be made to appear. Lay the head down, or better still, face away from what you look at, and bend with straddled legs till you see your world upside down. How new it has become! From the close-by sprigs of heather to the most distant fold of the land, each detail stands erect in its own validity. In no other way have I seen of my own unaided sight that the earth is round. As I watch, it arches its back, and each layer of landscape bristles—though bristles is a word of too much commotion for it. Details are no longer part of a grouping in a picture of which I am the focal point, the focal point is everywhere. Nothing has reference to me, the looker. This is how the earth must see itself.

Sleep, she said. Sleep while you can. Forget where you are and forget the mountain of days. Each one enormous, lost in some forest that never ends, but then the edge will fold back and you'll walk on what was the sky and is now only another forest floor, another layer, and you can feel the weight of hundreds of these layers above you.

I am told no one wants to hear about it. I even hear it from other people of color in Hollywood. Some have climbed the mountain and have been able to assimilate so thoroughly, they think they are in a parallel universe. “You’re sabotaging your own success by limiting yourself to being a black woman,” they say. They tell us that if we just stripped away these layers of identity, we would be perceived not for our color or gender, but for our inner core. Our “humanness.” My humanness doesn’t insulate me from racism or sexism. In fact, I think I can deal effectively with the world precisely because I am a black woman who is so comfortable in my black-womanness. I know what I can accomplish. And anything I have accomplished, I did so not in spite of being a black woman, but because I am a black woman. This is not the message that assimilated people of color in Hollywood want to hear. In exchange for a temporary pass that they think is permanent, these ones who’ve “made it” then turn and yell back to the others, “No, keep going! Assimilation is the key! Deny your victimhood! Let go of your identity.” Better bring your mittens, that’s what I know.

Blue water extends in rows of gentle ripples to a thin line of barely visible cottonwoods on the far side. The wind dies to a whisper and it's quiet, almost perfectly still except for the snap of grasshoppers leaping from the weeds. To the west the mountains rise suddenly, almost violently from the sandy brown of the plains, layered silhouettes of blue and green and gray rising to a turquoise sky. My heart is filled with the beauty of it all.

I was about to beg Rhys to fly me home when I caught the strands of music pouring from a group of performers outside a restaurant. My hands slackened at my sides. A reduced version of the symphony I'd heard in a chill dungeon, when I had been so lost in terror and despair that I'd hallucinated- hallucinated as this music poured into my cell- and kept me from shattering. And once more, the beauty of it hit me, the layering and swaying, the joy and peace. They had never played a piece like it Under the Mountain- never this sort of music. And I'd never heard music in my cell save for that one time. 'You,' I breathed, not taking my eyes from the musicians playing so skilfully that even the diners had set down their forks in the cafe nearby. 'You sent that music into my cell. Why?' Rhysand's voice was hoarse. 'Because you were breaking. And I couldn't find another way to save you.

…have poets write about you as if you are alive. Scientifically, it is absolutely true, you are alive. You have a pulse, the waves, and a metabolism, the food chain. A personality, a character, a consciousness, and a sense of purpose…try this- turn into spray, spin rainbows…wear down entire mountains and dump them in layers…gently surround marina sea grass twice a day, protecting and feeding thousands of crabs, ducks, and geese…fill human eyes with warm salt brine at least once a month… Becoming Water

For the Cambrian Mountains were once densely forested. The story of what happened to them and – at differing rates – to the uplands of much of Europe is told by a fine-grained pollen core taken from another range of Welsh hills, the Clwydians, some forty miles to the north.3 A pollen core is a tube of soil extracted from a place where sediments have been laid down steadily for a long period, ideally a lake or a bog in which layers of peat have accumulated. Each layer traps the pollen that rains unseen onto the earth, as well as the carbon particles which allow archaeologists to date it.

This is the pivotal point, maybe of this whole book. On the surface of our lives most of us build the hard shell. It is built to cover fear and insecurity and win approval and success. When you get down to the core of yourself, you find a different, more primeval country, and in it a deep yearning to care and connect. You could call this deep core of yourself the pleroma, or substrate. It is where your heart and soul reside. After her first daughter was born, a friend of mine, Catherine Bly Cox, told me, “I found I loved her more than evolution required.” I’ve always loved that observation because it points to that deeper layer. There are the things that drive us toward material pleasure, and there are evolutionary forces that drive us to reproduce and pass down our genes. These are the layers of life covered by economics and political science and evolutionary psychology. But those layers don’t explain Chartres Cathedral or “Ode to Joy”; they don’t explain Nelson Mandela in jail, Abraham Lincoln in the war room, or a mother holding her baby. They don’t explain the fierceness and fullness of love, as we all experience it. This is the layer we’re trying to reach in the wilderness. These are the springs that will propel us to our second mountain.

doze off, when suddenly you’re jolted awake again by the sound of fierce and awe-inspiring chanting. The voice, which is reciting the special sutra of the temple, belongs to a man who seems to be a mountain ascetic, and not a particularly impressive-looking one, who’s spread his straw coat out to sit on as he chants. It’s most moving to hear him. Then there’s the interesting scene of one of the day visitors, evidently quite a personage, who’s dressed in cotton-padded blue-grey gathered trousers and multiple layers of white robes, with a couple of young men who are apparently his sons, wearing most charming ceremonial outfits.

Despite increasing committee interference and intensified conflict between Burnham and Director-General Davis, and with the threat of labor strikes ever present, the main buildings rose. Workers laid foundations of immense timbers in crisscrossed layers in accord with Root’s grillage principle, then used steam-powered derricks to raise the tall posts of iron and steel that formed each building’s frame. They cocooned the frames in scaffolds of wood and faced each frame with hundreds of thousands of wooden planks to create walls capable of accepting two thick layers of staff. As workers piled mountains of fresh lumber beside each building, jagged foothills of sawdust and scrap rose nearby. The air smelled of cut wood and Christmas

You light a fire early in your girlhood. You stoke it and tend it. You protect it at all costs. You don't let it rage into a mountain of light, because that's not becoming of a girl. You keep it secret. You let it burn. You look into the eyes of other girls and see their fires flickering there, offer conspiratorial nods, never speak aloud a near-unbearable heat, a growing conflagration. You tend the flame because if you don't you're stuck, in the cold, on your own, doomed to 'seasonal layers', doomed to 'practicality', doomed to 'this is just the way things are', doomed to 'settling' and 'understanding' and 'reasoning' and 'agreeing' and 'seeing it another way' and 'seeing it his way' and 'seeing it from all the other ways but your own'.

I was about to beg Rhys to fly me home when I caught the strands of music pouring from a group of performers outside a restaurant. My hands slackened at my sides. A reduced version of the symphony I'd heard in a chill dungeon, when I had been so lost in terror and despair that I'd hallucinated- hallucinated as this music poured into my cell- and kept me from shattering. And once more, the beauty of it hit me, the layering and swaying, the joy and peace. They had never played a piece like it Under the Mountain- never this sort of music. And I'd never heard music in my cell save for that one time. 'You,' I breathed, not taking my eyes from the musicians playing so skilfully that even the diners had set down their forks in the cafe nearby. 'You sent that music into my cell. Why?' Rhysand's voice was hoarse. 'Because you were breaking. And I couldn't find another way to save you.' The music swelled and built. I'd seen a palace in the sky when I'd hallucinated- a place between sunset and dawn... a house of moonstone pillars. 'I saw the Night Court.' He glanced sidelong at me. 'I didn't send those images to you.' I didn't care. 'Thank you. For everything- for what you did. Then... and now.' 'Even after the Weaver? After this morning with my trap for the Attor?' My nostrils flared. 'You ruin everything.' Rhys grinned, and I didn't notice if people were staring as he slid an arm under my legs, and shot us both into the sky. I could learn to love it. I realised. The flying.

Push up some mountains. Cut them down. Drown the land under the sea. Push up some more mountains. Cut them down. Push up a third set of mountains, and let the river cut through them. “Unconformity” is the geologic term for an old, eroded land surface buried under younger rock layers. Put your outspread hand over the Carlin Canyon, Nevada unconformity and your fingers span roughly forty million years- the time that it took to bevel down the first set of mountains and deposit the younger layers on top. What is forty million years? Enough time for a small predatory dinosaur to evolve into a bird. Enough time for a four-legged, deer-like mammal to evolve into a whale. And far more than enough time to turn an ape-like creature in eastern Africa into a big-brained biped who can marvel at such things. The Grand Canyon’s Great Unconformity divides 1.7 billion-year-old rock from 550 million-year-old rock, a gap of more than one billion years. One billion years. I earn my salary studying the Earth and teaching its history, but I admit utter helplessness in comprehending such a span. A billion pages like those of this book would stack up more than forty miles. I had lived one bullion seconds a few days before my thirty-second birthday. A tape measure one billion inches long would stretch two-thirds of the way around the Earth. Such analogies hint at what deep time means- but they don’t get us there. “The human mind may not have evolved enough to be able to comprehend deep time," John McPhee once observed, “it may only be able to measure it.

Is that why I escape motherhood at the dinner hour, because I can’t see the glory there, here, right in the moment? Still? And me slowing for the hunt, looking for even one thousand more gifts, sanctuaries in moments, seeking the fullest life that births out of the darkest emptiness, all the miracle of eucharisteo. Yes—maybe that woman-child. The one who lives her life in circles, discovering, entering into, forgetting and losing, finding her way round again, living her life in layers—deeper, round, further in. I know eucharisteo and the miracle. But I am not a woman who ever lives the full knowing. I am a wandering Israelite who sees the flame in the sky above, the pillar, the smoke from the mountain, the earth open up and give way, and still I forget. I am beset by chronic soul amnesia.

She canted her wings and soared toward the top of it, where she could see a never-ending line of trees tossing violently in the wind. The hurricane made one more effort to throw her back into the sea, but she fought with her last reserves until she felt earth beneath her talons. She collapsed forward, clutching the wet soil for a moment, grateful to be alive. Keep going. They’re not safe yet. Clearsight pushed herself up and faced the trees. They were coming. The first two dragons she would meet in this strange new world. What would it be like to face unfamiliar tribes, completely different from the ones she knew? There wouldn’t be any NightWings like her here. No sand dragons, no sea dragons, no ice dragons. She’d glimpsed what these new dragons would look like, but she didn’t know anything yet about their tribes . . . or whether they would trust her. They stepped out of the trees, eyeing her with wary curiosity. Oh, they’re beautiful, she thought. One was dark forest green, the color of the trees all around them. His wings curved gracefully like long leaves on either side of him, and mahogany-brown underscales glinted from his chest. But it was the other who took Clearsight’s breath away. His scales were iridescent gold layered over metallic rose and blue, shimmering through the rain. He outshone even the RainWings she’d occasionally seen in the marketplace, and those were the most beautiful dragons in Pyrrhia. Not only that, but his wings were startlingly weird. There were four of them instead of two; a second pair at the back overlapped the front ones, tilting and dipping at slightly different angles from the first pair to give the dragon extra agility in the air. Like dragonflies, she realized, remembering the delicate insects darting across the ponds in the mountain meadows. Or butterflies, or beetles. She sat up and spread her front talons to show that she was harmless. “Hello,” she said in her very least threatening voice. The green one circled her slowly. The iridescent one sat down and gave her a small smile. She smiled back, although her heart was pounding. She knew she had to wait for them to make the first move. “Leefromichou?” said the green dragon finally, in a deep, calm voice. “Wayroot?” Take a breath. You knew it would be like this at first. “My name is Clearsight,” she said, touching her forehead. “I am from far over the sea.” She pointed at the churning ocean stretching way off to the east behind her. “Anyone speak Dragon?

An hour after they’d left the clearing, a heavy layer of fog filled the valley like a moist blanket. The trees grew into amorphous shapes, mountains gone. Ash stopped dead in his tracks. He stared into the forest with wide eyes. “Whoa! D’you see that?!” Vale jerked to a stop. “What? Where?!” “There in the trees.” He pointed into the forest to where the rainy undergrowth grew thick with a hazy veil of grey-white mist. “The haze.” “What about it?” “Looks like game lag. But like… real lag. Real life lag.” Ash grinned at her, his brown eyes sparkling. “Like the forest is supposed to be there, but it’s not totally loaded by the computer yet.” “That’s going to be trouble.” “Why?” Vale nodded to where Ash knew the mountaintops should be, but were no longer visible, caught in an otherworldly lag. “It means we can’t see the mountains.” “So?” “So we can’t see where we are going anymore.” Ash frowned. “Er… yeah.” “C’mon. Let’s keep walking.

You’re more beautiful than the breaking of the dawn,” I murmured, touching my finger to the softness of her cheek. “You make every day new.” From the moment I met her, I'd longed to slip behind the veil and that had not changed. I wanted to know her mind, feel her body, hold her heart. More than anything, I wanted her to know that her heart was safe with mine. in, his eyes sweeping down to my hands before returning to my face. With one finger, he separated my twisting fingers. “You’re everything I never knew I wanted and far more than I deserve.” Turning, he folded both my hands in his. “I’m going to make you so damn happy.” For the first time, his light didn’t hurt my eyes and I didn’t feel the need to look away. “You do, darling. You truly do.” She was such an enigma, a gift. Layers upon layers and I planned to remove every single one. “I’ll further elaborate to add my baby, my sweetheart, my beautiful lady, my soul, my heart, my happiness, my fucking eyes, Minty.

Do you ever feel like you are giving far fewer fucks and yet still caring so much it sometimes feels like there is only the most tissue-thin layer separating your soul from this world? Like your heart may be broken but your spirit is still rising? Are you refusing to conform and somehow still fitting just right? Able to look people right in the eye without apology and also like you’re a teenager again, bashful and blushing and off-kilter, like that moment when lips unexpectedly pressed against your head and face buried in your hair fingers trailed down y our arm, the way your stomach can flip-flop like that, even now. Do you ever walk on purpose even when you have nowhere to go? Do you notice things deeply, like dark red lipstick prints on pristine white coffee mugs? Like the way whiskey burns and cool white sheets feel against your skin at the end of the day? Are you claiming your identity, clear and strong and true, and also sinking into the vast unknowable mystery of your all? Do your days feel like longing and acquiescence and learning to stop grasping at things that are ready to leave or that choose not to come closer? Are you making a home of your own skin and inviting the world inside? Are you learning that cultivating solid boundaries and driving into a wide open horizon both feel like freedom, like the harsh desert mountains and the soft ocean wisdom and the road to healing that joins the two? Does it all feels like solidity, like truth, like forgiveness and recklessness and heat and sexy and holy, all rolled up together? Do you crave the burn of heat from another and the for nothing to be louder than sound of your own heartbeat, all at once? Do you finally know that you can choose a love and a life that does not break you? That you can claim a softer beauty and a kinder want. That even your animal hunger can soften its rough edges and say a full-throated yes to what is good and kind and holy. Do you remember that insanity is not a prerequisite for passion and that there is another pathway to your art, one that does not demand your pain as payment for its own becoming? Are you learning to show up? To take up space? To feel the power? Is it full of contradiction, does it feel like fire underwater, are you rising to sing?

Her sword weighed heavily in her hand. She stared at the polished blade, wondering if its reflection would be the last sight she ever caught of herself. Would she die as Ping, the Fa son she'd made up so she could join the army in her father's place? If she died here, in the middle of this snow-covered mountain pass, she'd never see her father or her family again. Mulan swallowed hard. Who would believe that only a few months ago, her biggest concern had been impressing the Matchmaker? She could barely remember the girl she'd been back then. She'd worn layer upon layer of silk, not plates of armor, her waist cinched tightly with a satin sash instead of sore from carrying a belt of weapons. Her lips had been painted with rouge instead of chapped from cold and lack of water, her lashes highlighted with coal that she now could only dream of using to fuel a fire for warmth. How far she'd come from that girl to who she was now: a soldier in the Imperial army. Maybe serving her country as a warrior was truer to her heart than being a bride. Yet when she saw her reflection in her sword, she knew she was still pretending to be someone else.

These seasons of suffering have a way of exposing the deepest parts of ourselves and reminding us that we’re not the people we thought we were. People in the valley have been broken open. They have been reminded that they are not just the parts of themselves that they put on display. There is another layer to them they have been neglecting, a substrate where the dark wounds, and most powerful yearnings live. Some shrivel in the face of this kind of suffering. They seem to get more afraid and more resentful. They shrink away from their inner depths in fear. Their lives become smaller and lonelier. We all know old people who nurse eternal grievances. They don’t get the respect they deserve. They live their lives as an endless tantrum about some wrong done to them long ago. But for others, this valley is the making of them. The season of suffering interrupts the superficial flow of everyday life. They see deeper into themselves and realize that down in the substrate, flowing from all the tender places, there is a fundamental ability to care, a yearning to transcend the self and care for others. And when they have encountered this yearning, they are ready to become a whole person.

Della & I are drunk at the top of Mont-Royal. We have an open blue plastic thermos of red wine at our feet. It's the first day of spring & it's midnight & we've been peeling off layers of winter all day. We stand facing each other, as if to exchange vows, chests heaving from racing up & down the mountain to the sky. My face is hurting from smiling so much, aching at the edges of my words. She reaches out to hold my face in her hands, dirty palms form a bowl to rest my chin. I’m standing on a tree stump so we’re eye to eye. It’s hard to stay steady. I worry I may start to drool or laugh, I feel so unhinged from my body. It’s been one of those days I don’t want to end. Our goal was to shirk all responsibility merely to enjoy the lack of everyday obligations, to create fullness & purpose out of each other. Our knees are the colour of the ground-in grass. Our boots are caked in mud caskets. Under our nails is a mixture of minerals & organic matter, knuckles scraped by tree bark. We are the thaw embodied. She says, You have changed me, Eve, you are the single most important person in my life. If you were to leave me, I would die. At that moment, our breath circling from my lungs & into hers, I am changed. Perhaps before this I could describe our relationship as an experiment, a happy accident, but this was irrefutable. I was completely consumed & consuming. It was as though we created some sort of object between us that we could see & almost hold. I would risk everything I’ve ever known to know only this. I wanted to honour her in a way that was understandable to every part of me. It was as though I could distill the meaning of us into something I could pour into a porcelain cup. Our bodies on top of this city, rulers of love. Originally, we were celebrating the fact that I got into Concordia’s visual arts program. But the congratulatory brunch she took me to at Café Santropol had turned into wine, which had turned into a day for declarations. I had a sense of spring in my body, that this season would meld into summer like a running-jump movie kiss. There would be days & days like this. XXXX gone away on a sojurn I didn’t care to note the details of, she simply ceased to be. Summer in Montreal in love is almost too much emotion to hold in an open mouth, it spills over, it causes me to not need any sleep. I don’t think I will ever feel as awake as I did in the summer of 1995.

We stood upon a hill, green and studded with pale stones. Below us was forest, bluebells undulating among the trees, a tide of purple dissolving into shadow. There was a lake-- no, two lakes, the second a mere line of glitter in the distance. At our back, behind the nexus and extending to the northern horizon, were mountains of indigo and layered shadow, some darkened to black by the moody sky overhead, some greyed and smudged by shafts of sunlight. Must I even say it? It was beautiful--- of course it was. The forest in particular, which glinted here and there with silver as the wind rode the branches, as if someone had clambered into the canopy to hang baubles. And yet I had the sense that I was not seeing the entirety of it, that the shadows were thicker here, more obscuring, than those in the mortal realm, and many of the details were clouded by a dreamlike haze. Even now, as I write these words--- I am still in Wendell's kingdom!--- I find the memory of that view trying to slip from my mind like a bird darting through the boughs, so that I catch only the flickering edge of it. Perhaps there is some enchantment embedded in the place, or perhaps it is simply too much for my mortal eyes to take in. Where the Trees Have Eyes.

The crust [of the earth] is very thin. Estimates of its thickness range from a minimum of about twenty to a maximum of about forty miles. The crust is made of comparatively rigid, crystalline rock, but it is fractured in many places, and does not have great strength. Immediately under the crust is a layer that is thought to be extremely weak, because it is, presumably, too hot to crystallize. Moreover, it is thought that pressure at that depth renders the rock extremely plastic, so that it will yield easily to pressures. The rock at that depth is supposed to have high viscosity; that is, it is fluid but very stiff, as tar may be. It is known that a viscous material will yield easily to a comparatively slight pressure exerted over a long period of time, even though it may act as a solid when subjected to a sudden pressure, such as an earthquake wave. If a gentle push is exerted horizontally on the earth's crust, to shove it in a given direction, and if the push is maintained steadily for a long time, it is highly probable that the crust willl be displaced over this plastic and viscous lower layer. The crust, in this case, will move as a single unit, the whole crust at the same time. This idea has nothing whatever to do with the much discussed theory of drifting continents, according to which the continents drifted separately, in different directions. [...] Let us visualize briefly the consequences of a displacement of the whole crustal shell of the earth. First, there will be the changes in latitude. Places on the earth's surface will change their distances from the equator. Some will be shifted nearer the equator, and others farther away. Points on opposite sides of the earth will move in opposite directions. For example, if New York should be moved 2,000 miles south, the Indian Ocean, diametrically opposite, would have to be shifted 2,000 miles north. [...] Naturally, climatic changes will be more or less proportionate to changes in latitude, and, because areas on opposite sides of the globe will be moving in opposite directions, some areas will be getting colder while others get hotter; some will be undergoing radical changes of climate, some mild changes of climate, and some no changes at all. Along with the climatic changes, there will be many other consequences of a displacement of the crust. Because of the slight flattening of the earth, there will be stretching and compressional effects to crack and fold the crust, possibly contributing to the formation of mountain ranges. there will be changes in sea level, and many other consequences.

The Denisovan’s Tale is short, as befits a set of people about whom we know so little. They are named after the Denisova Cave in the Altai mountains of Siberia, and the cave itself is named after Denis, an eighteenth-century resident hermit. Less than a decade ago, few people would have heard of it, let alone known how to pronounce it.* Now it is centre stage in debates surrounding recent human evolution. In 2009 Johannes Krause and Qiaomei Fu attempted to extract DNA from one half of the tip of a 40,000-year-old finger bone, excavated from deep under the cave floor. An archaeologist at the site is reported to have described it as the ‘most unspectacular fossil I’ve ever seen’. What did turn out to be spectacular, however, was both the degree of DNA preservation, and the subsequent overturning of established views. First to be sequenced was the mitochondrial DNA. This was found to be distinct from both Moderns and Neanderthals. It lies on a much deeper branch of the gene tree. A year or so later it was joined by more mitochondrial DNA extracted from two molar teeth in almost the same layer of the Denisova excavations. The teeth were visibly larger than those of Neanderthals, more like molars in Homo erectus or the earlier hominids† that we will greet further along in our pilgrimage. Now that the fingertip has been pulverised for DNA extraction, the two teeth constitute all the tangible evidence we have of the Denisovans. Although what we have described so far is titillating, it is thin evidence for a new human subspecies.

We always speak of Canada as a new country. In one sense, of course, this is true. The settlement of Europeans on Canadian soil dates back only three hundred years. Civilization in Canada is but a thing of yesterday, and its written history, when placed beside the long millenniums of the recorded annals of European and Eastern peoples, seems but a little span. But there is another sense in which the Dominion of Canada, or at least part of it, is perhaps the oldest country in the world. According to the Nebular Theory the whole of our planet was once a fiery molten mass gradually cooling and hardening itself into the globe we know. On its surface moved and swayed a liquid sea glowing with such a terrific heat that we can form no real idea of its intensity. As the mass cooled, vast layers of vapour, great beds of cloud, miles and miles in thickness, were formed and hung over the face of the globe, obscuring from its darkened surface the piercing beams of the sun. Slowly the earth cooled, until great masses of solid matter, rock as we call it, still penetrated with intense heat, rose to the surface of the boiling sea. Forces of inconceivable magnitude moved through the mass. The outer surface of the globe as it cooled ripped and shrivelled like a withering orange. Great ridges, the mountain chains of to-day, were furrowed on its skin. Here in the darkness of the prehistoric night there arose as the oldest part of the surface of the earth the great rock bed that lies in a huge crescent round the shores of Hudson Bay, from Labrador to the unknown wilderness of the barren lands of the Coppermine

But this isn't standard Japanese picnic fare: not a grain of rice or a pickled plum in sight. Instead, they fill the varnished wooden tables with thick slices of crusty bread, wedges of weeping cheese, batons of hard salamis, and slices of cured ham. To drink, bottles of local white wine, covered in condensation, and high-alcohol microbews rich in hops and local iconography. From the coastline we begin our slow, dramatic ascent into the mountains of Hokkaido. The colors bleed from broccoli to banana to butternut to beet as we climb, inching ever closer to the heart of autumn. My neighbors, an increasingly jovial group of thirtysomethings with a few words of English to spare, pass me a glass of wine and a plate of cheese, and I begin to feel the fog dissipate. We stop at a small train station in the foothills outside of Ginzan, and my entire car suddenly empties. A husband-and-wife team has set up a small stand on the train platform, selling warm apple hand pies made with layers of flaky pastry and apples from their orchard just outside of town. I buy one, take a bite, then immediately buy there more. Back on the train, young uniformed women flood the cars with samples of Hokkaido ice cream. The group behind me breaks out in song, a ballad, I'm later told, dedicated to the beauty of the season. Everywhere we go, from the golden fields of empty cornstalks to the dense forest thickets to the rushing rivers that carve up this land like the fat of a Wagyu steak, groups of camouflaged photographers lie in wait, tripods and shutter releases ready, hoping to capture the perfect photo of the SL Niseko steaming its way through the hills of Hokkaido.

How delicious! Layer upon layer of exquisitely delicate sweetness blooms in the mouth like the unfurling petals of a flower! And it's different from the cake Sarge presented in one very distinct way!" ?! The flavors explode not like a bomb but a firecracker! What a silky-smooth, mild sweetness! "How were you able to create such a uniquely beautiful flavor?" "See, for the cake, I used Colza oil, flour, baking powder... and a secret ingredient... Mashed Japanese mountain yam! That gave the batter some mild sweetness along with a thick creaminess. Simply mashing it instead of pureeing it gave the cake's texture some soft body as well. Then there're the two different frostings I used! The white cream I made by blending into a smooth paste banana, avocado, soy milk, rice syrup and some puffed rice I found at the convenience store. I used this for the filling. *Rice syrup, also called rice malt, is a sweetener made by transforming the starch in rice into sugars. A centuries-old condiment, it's known for being gentle on the stomach. * I made the dark cream I used to frost the cake by adding cocoa powder to the white cream." "I see. How astonishing. This cake uses no dairy or added sugar. Instead, it combines and maximizes the natural sweetness of its ingredients to create a light and wonderfully delicious cake!" "What?!" "He didn't put in any sugar at all?!" "But why go to all that time and effort?!" "For the people patiently waiting to eat it, of course. This cake was made especially for these people and for this season. When it's hot and humid out... even if it's a Christmas Cake, I figured you'd all prefer one that's lighter and softer instead of something rich and heavy. I mean, that's the kind of cake I'd want in this weather.

As the men rode they saw for the first time the full grandeur of Hawaii, for they were to work on one of the fairest islands in the Pacific. To the left rose jagged and soaring mountains, clothed in perpetual green. Born millions of years before the other mountains of Hawaii, these had eroded first and now possessed unique forms that pleased the eye. At one point the wind had cut a complete tunnel through the highest mountain; at others the erosion of softer rock had left isolated spires of basalt standing like monitors. To the right unfolded a majestic shore, cut by deep bays and highlighted by a rolling surf that broke endlessly upon dark rocks and brilliant white sand. Each mile disclosed to Kamejiro and his companions some striking new scene. But most memorable of all he saw that day was the red earth. Down millions of years the volcanic eruptions of Kauai had spewed forth layers of iron-rich rocks, and for subsequent millions of years this iron had slowly, imperceptibly disintegrated until it now stood like gigantic piles of scintillating rust, the famous red earth of Kauai. Sometimes a green-clad mountain would show a gaping scar where the side of a cliff had fallen away, disclosing earth as red as new blood. At other times the fields along which the men rode would be an unblemished furnace-red, as if flame had just left it. Again in some deep valley where small amounts of black earth had intruded, the resulting red nearly resembled a brick color. But always the soil was red. It shone in a hundred different hues, but it was loveliest when it stood out against the rich green verdure of the island, for then the two colors complemented each other, and Kauai seemed to merit the name by which it was affectionately known: the Garden Island.

BEAUTY I was charged with finding Beauty. The order whispered as I slept. A voice said it was my duty. Then quietly it wept. Filled with purpose, I set out. I was honored with my quest. In my mind there was no doubt I was up to this great test. In my garden I stopped first. My roses were in bloom. Their bright red glory burst With others mixed on Nature’s loom. Then a lady drew my gaze. She was gliding o’er the grass. Her features would gods amaze. I sighed deep and let her pass. A cathedral’s spire reached to the sky, Man-made wonder to behold. No sight more pleasing to the eye Than such a work both grand and bold. I came upon a mighty mountain, Snowcap glistening against blue sky. My eyes were drinking from beauty’s fountain. Yet I knew I could do better with another try. My journey lengthened. I crossed the earth. My will strengthened. To place beauty’s birth. Witness I was to the wonders Of beauty’s many layers. Fiery sunsets, tropic thunders, Children at their prayers. But each time I thought me near To beauty’s absolute, Something better would appear Even closer to the root. I wandered thus for many years. Despaired to ever reach my goal. I often found myself in tears. I had searched from pole to pole. Until one day on a dusty street In a poor part of the world, I found a woman begging at my feet, Her fingers gnarled and curled. I fished my pocket for a coin, Thinking good luck could be bought. Her eyes raised up to my eyes join. And I saw the woman owned what I sought. She let me pass into her soul. Into the garden there. Never in my life whole Had I conceived a sight so fair. I saw the Holy Face of God, From whose smile all beauty is born. All the steps that I had trod Were redeemed on that sweet morn

As Japan recovered from the post-war depression, okonomiyaki became the cornerstone of Hiroshima's nascent restaurant culture. And with new variables- noodles, protein, fishy powders- added to the equation, it became an increasingly fungible concept. Half a century later it still defies easy description. Okonomi means "whatever you like," yaki means "grill," but smashed together they do little to paint a clear picture. Invariably, writers, cooks, and oko officials revert to analogies: some call it a cabbage crepe; others a savory pancake or an omelet. Guidebooks, unhelpfully, refer to it as Japanese pizza, though okonomiyaki looks and tastes nothing like pizza. Otafuku, for its part, does little to clarify the situation, comparing okonomiyaki in turn to Turkish pide, Indian chapati, and Mexican tacos. There are two overarching categories of okonomiyaki Hiroshima style, with a layer of noodles and a heavy cabbage presence, and Osaka or Kansai style, made with a base of eggs, flour, dashi, and grated nagaimo, sticky mountain yam. More than the ingredients themselves, the difference lies in the structure: whereas okonomiyaki in Hiroshima is carefully layered, a savory circle with five or six distinct layers, the ingredients in Osaka-style okonomiyaki are mixed together before cooking. The latter is so simple to cook that many restaurants let you do it yourself on table side teppans. Hiroshima-style okonomiyaki, on the other hand, is complicated enough that even the cooks who dedicate their lives to its construction still don't get it right most of the time. (Some people consider monjayaki, a runny mass of meat and vegetables popularized in Tokyo's Tsukishima district, to be part of the okonomiyaki family, but if so, it's no more than a distant cousin.) Otafuku entered the picture in 1938 as a rice vinegar manufacturer. Their original factory near Yokogawa Station burned down in the nuclear attack, but in 1946 they started making vinegar again. In 1950 Otafuku began production of Worcestershire sauce, but local cooks complained that it was too spicy and too thin, that it didn't cling to okonomiyaki, which was becoming the nutritional staple of Hiroshima life. So Otafuku used fruit- originally orange and peach, later Middle Eastern dates- to thicken and sweeten the sauce, and added the now-iconic Otafuku label with the six virtues that the chubby-cheeked lady of Otafuku, a traditional character from Japanese folklore, is supposed to represent, including a little nose for modesty, big ears for good listening, and a large forehead for wisdom.

Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.

smiled a real smile, then looked from Daegan back to him and nodded. Not sure why she wanted Daegan to explain—or how he even knew all the information that suddenly flashed in his mind—he nevertheless answered for her. “She is from a lost race that is from deep within the mountains. There are not many left of her kind... the Ehsmia. They have gifts beyond those of other Faeries, but I’m not sure all of what they can do. They keep to themselves, but she knew we were coming so she came out to meet us.” He frowned. Turning to Ella, he asked, “Why us? I do not understand how you know what we are looking for, let alone that we are looking at all.” “In due time, all will be revealed to you,” she said, looking deeply into his eyes, boring into his soul. It was personal and invasive, but before he could look away, she released him, leaving him with a sensation of warmth spreading throughout his body. “You are ready, Daegan of the Ferrishyn. Do not fear your destiny.” She inclined her head slightly, but Daegan could only frown, feeling a sense of foreboding, as though everything was about to change. What is she talking about? “The Ehsmia? I have heard stories... legends of your people. You are also called the Hidden People, are you not?” Hal asked in awe. When Ella only nodded, he continued. “I thought your people were no more, if they even had existed at all.” He did not mean to be rude. “That is how we prefer to be known... or not known at all. Otherwise, what purpose would our hiding be if we were known?” she said with a smirk on her face but said no more. Ella turned to face the rock wall, which looked like a crumbling ruin of what was at one time a part of a great wall. It was built into the side of the Kandrian Mountains. Hal’s look of confusion mirrored Daegan’s own. Hal finally shrugged his shoulders, figuring they would understand “in due time.” Oddly, his typical nonchalant response gave Daegan a sense of calm. Staring at the rocks that made up the wall for what seemed several minutes but in reality was probably much shorter, Ella laid her hand flat onto a rock that suddenly appeared smoother and duller than all the other old, jagged stones. There was a rumbling of the ground that stopped as suddenly as it started. She gave them a sneaky smile. Daegan still wasn’t sure he trusted her, but at this point it seemed she might be the only one with answers of any kind. “Are you ready to follow where not many have been before, a land within a land?” she asked. Without waiting for their answer, she turned around and walked straight into the rock wall, which had magically become an illusion. Daegan and Hal both knew there was magic in Alandria and that every species had their own type of magic. They had their own magic as well, but they had only heard of this kind of magic in their own legends. Halister and Daegan quickly followed Ella, not wanting to get shut out of what could be their only opportunity to see where the Hidden People were, well, hidden. CHAPTER FIVE It was dark, yet they had no trouble following Ella through the murky tunnel of rock and stone that looked worn from centuries of use and natural erosion. Other than the thin layer of water trickling over some of the stones, it was silent and peaceful. They had been following a star, literally, for the past several minutes, but it wasn’t above them. Ella’s short, jagged snow-white hair allowed them to see the back of her neck, upon which was a horizontally stretched eight-point star from which a soft blue light emanated, marking her as other. Assuming she could see in the dark, they kept following and soon the tunnel began to lighten. Green leafy vines began crawling up the sides of the

Dawn Landscape The last watch has sounded in the Amble-Awe. Radiant color spreads above Solar-Terrace Mountain, then cold sun clears high peaks. Mist and cloud linger across layered ridges, And earth split-open hides river sails deep. Leaves clatter at heaven’s clarity. I listen, And face deer at my bramble gate-so close Here, we touch our own kind in each other. Tu Fu

Winter comes, and our cupboard shelves in the snug stone cellar are an art gallery of crimson and green and brown and white jars. We have canned raspberries, blueberries, peas, beans, a few beets, some apple sauce from windfalls, grape jelly, fifty quarts of canned yellow corn, many quarts of beef stew and beef soup stock, also pork. A five-gallon keg of cider sits in the corner. In a wooden bin are twelve bushels of Green Mountain potatoes, and we have bought three barrels of apples. Our rutabagas, most of our beets and carrots are stored in layers of sand. There are bushels of onions and a hundred Danish Ball Head cabbages laid out on rough shelves.

The Abhidharmakośa describes the universe as follows. A cycle of wind (vāyumaṇḍala) floats in space (ākāśa). This wind circle is disk-shaped [ten to the the fifty-ninth power] yojanas in circumference and 1,600,000 yojanas in depth. (There are various explanations concerning the length of a yojana; one says it is about seven kilometres.) Resting on the wind circle is a disk of water (jalamaṇḍala); it has a diameter of 1,203,450 yojanas and a depth of 800,000 yojanas. Above the water circle is a disk-shaped layer of golden earth (kāñcanamaṇḍala) of the same diameter and 320,000 yojanas in depth. Its upper surface supports mountains, seas, and islands. To visualize the composition more easily, imagine a basin (the water circle) placed on top of a washtub (the wind circle), with a birthday cake (the golden earth circle with mountains) surmounting it.

There are nine mountain ranges on the surface of the golden earth layer. Towering in the very centre is Mount Sumeru, with seven ranges forming concentric squares around it.

Gutenberg just wanted to make money printing Bibles. Yet his press catalyzed the Scientific Revolution and the Reformation, and so became the greatest threat to the Catholic Church since its establishment. Fridge makers didn’t aim to create a hole in the ozone layer with chlorofluorocarbons (CFCs), just as the creators of the internal combustion and jet engines had no thought of melting the ice caps. In fact early enthusiasts for automobiles argued for their environmental benefits: engines would rid the streets of mountains of horse dung that spread dirt and disease across urban areas. They had no conception of global warming.

She’d believed I would go far, regardless my drawbacks galore and unsavory habits. I found a good rock and watched the sun melt into the Cumberlands. Layers of orange like a buttermilk pie cooling on the horizon. Clouds scooting past, throwing spots of light and dark over the mountainheads. The light looked drinkable. It poured on a mountain so I saw the curve of every treetop edged in gold, like the scales of a fish. Then poured off, easing them back into shadow. I got all caught up in the show, waking up from my long cold swim underwater. Breaking the surface is a shock, the white is so white, the blue so blue. The air that’s your breath.

My hands slackened at my sides. A reduced version of the symphony I’d heard in a chill dungeon, when I had been so lost to terror and despair that I had hallucinated—hallucinated as this music poured into my cell … and kept me from shattering. And once more, the beauty of it hit me, the layering and swaying, the joy and peace. They had never played a piece like it Under the Mountain—never this sort of music. And I’d never heard music in my cell save for that one time. “You,” I breathed, not taking my eyes from the musicians playing so skillfully that even the diners had set down their forks in the cafés nearby. “You sent that music into my cell. Why?” Rhysand’s voice was hoarse. “Because you were breaking. And I couldn’t find another way to save you.

Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget. When Lana was finished, the audience clapped, whistled, and stomped, but I sat silent and stunned as she bowed and gracefully withdrew, so disarmed I could not even applaud.

The storm relented on the morning of the eleventh. The winds dropped to about thirty knots. Stuart Hutchison and three Sherpas went in search of Yasuko and me. They found us lying next to each other, largely buried in snow and ice. First to Yasuko. Hutchison reached down and pulled her up by her coat. She had a three-inch-thick layer of ice across her face, a mask that he peeled back. Her skin was porcelain. Her eyes were dilated. But she was still breathing. He moved to me, pulled me up, and cleaned the ice out of my eyes and off my beard so he could look into my face. I, like Yasuko, was barely clinging to life. Hutchison would later say he had never seen a human being so close to death and still breathing. Coming from a cardiologist, I’ll accept that at face value. What do you do? The superstitious Sherpas, uneasy around the dead and dying, were hesitant to approach us. But Hutchison didn’t really need a second opinion here. The answer was, you leave them. Every mountaineer knows that once you go into hypothermic coma in the high mountains, you never, ever wake up. Yasuko and I were going to die anyway. It would only endanger more lives to bring us back. I don’t begrudge that decision for my own sake. But how much strain would be entailed in carrying Yasuko back? She was so tiny. At least she could have died in the tent, surrounded by people, and not alone on that ice. Hutchison and the Sherpas got back to camp and told everyone that we were dead. They called down to Base Camp, which notified Rob’s office in Christchurch, which relayed the news to Dallas. On a warm, sunny Saturday morning the phone rang in our house. Peach answered and was told by Madeleine David, office manager for Hall’s company, Adventure Consultants, that I had been killed descending from the summit ridge. “Is there any hope?” Peach asked. “No,” David replied. “There’s been a positive body identification. I’m sorry.

I cannot describe to you what it is to burn alive. To lose one's hair in an appalling gust, to hear the fat sizzle beneath one's crackling skin. To have one's vision filed with red and then black as one's eyeballs burst. The pain is indistinguishable from the flames. The flames, they are a scream. A chorus roaring from every pore, singing agony. Agony - no, the notion is too bounded, the name inadequate fro that mystery which transmutes a live layer by layer, to matter.

we have occasionally been forced to dramatically rearrange our planets of belief to accommodate a new picture of the physical universe, and quantum mechanics certainly qualifies as that. In a sense it is the ultimate unification: not only does the deepest layer of reality not consist of things like “oceans” and “mountains”; it doesn’t even consist of things like “electrons” and “photons.” It’s just the quantum wave function. Everything else is a convenient way of talking.

Norman slid down a 30 cm (12 inches) wide bench of snow beside the creek on his hip until he reached a rock bowl. At the far side, the stream emptied over an icy waterfall on to sharp rocks 15 m (50 ft) below. Somehow he used cracks to worm his way down from rocky crease to icy blister. The slope wasn’t steep here, but Norman had to traverse giant shale boulders. His stomach was chewing itself and exhaustion tore at him like an animal. He staggered woozily on until looked up and saw the meadow of snow 180 m (600 ft) down slope. But the mountain still wasn’t done with him. Now the enemy was a snarling mass of buckthorn, which lurked below a thin layer of snow. He dropped into it and stuck deep in the well formed by the jagged branches, unable to climb out. A plane passed high above. He yelled and waved. It circled. It had seen him. No. It sailed over the massive ridgeline. ‘I never gave up. My dad taught me to never give up.’ From Crazy for the Storm by Norman Ollestad. With the last ounces of his strength, Norman scrabbled and slithered out of the nest of buckthorn. With a flush of euphoria he found he had made it to the oasis of the snow meadow. It was tempting to sit down and celebrate, but he knew he might never get up again. He had to push on. But how would he get out? The vines wove a dense forest on the other side of the meadow. Then, he found some footprints. They were fresh. Norman followed them. After a few minutes, he realized the boot tracks made a circle. Was he delirious? Panic flooded his system. Then: ‘Hello! Anybody there?’ Norman screamed his lungs out. A teenage boy and his dog appeared out of the thickening gloom. ‘You from the crash?’ ‘Yes.’ ‘Anyone else?

We moved to Eugene, Oregon, a small college town in the Pacific Northwest. The city sits near the source of the Willamette River, which stretches 150 miles north, from the Calapooya Mountains outside of town to its mouth on the Columbia. Carving its way between mountains, the Cascade Range to the east and the Oregon Coast Range to the west, the river defines a fertile valley where tens of thousands of years ago a series of ice age floods surged southwest from Lake Missoula, traveling over eastern Washington and bringing with their floodwaters rich soil and volcanic rock that now shore up the layers of its earth, alluvial plains fit for a vast variety of agriculture. The town itself is coated in green, hugging the banks of the river and spreading out up into the rugged hills and pine forests of central Oregon. The seasons are mild, drizzly, and gray for most of the year but give way to a lush, unspoiled summer. It rains incessantly and yet I never knew an Oregonian to carry an umbrella. Eugenians are proud of the regional bounty and were passionate about incorporating local, seasonal, and organic ingredients well before it was back in vogue. Anglers are kept busy in fresh waters, fishing for wild chinook salmon in the spring and steelhead in the summer, and sweet Dungeness crab is abundant in the estuaries year-round. Local farmers gather every Saturday downtown to sell homegrown organic produce and honey, foraged mushrooms, and wild berries. The general demographic is of hippies who protest Whole Foods in favor of local co-ops, wear Birkenstocks, weave hair wraps to sell at outdoor markets, and make their own nut butter. They are men with birth names like Herb and River and women called Forest and Aurora.

The majestic shape of the mountains silhouetted against violet skies, the golden glow of the sun rising slowly on the horizon so it shone like butter against the ice. It was beyond the edge of the world - beyond the edge of anything April had ever experienced in her life. It was so huge and so colossal that it stole the breath from her throat and layer by layer, stripped away all the parts that had ever made her doubt herself.

That single, white-hot light at the center of the darkness of herself – that was the point of origin from which she birthed something new, from which all women do. You light a fire early in your girlhood. You stroke it and tend it. You protect it at all costs. You don’t let it rage into a mountain of light, because that’s not becoming of a girl. You keep it secret. You let it burn. You look into the eyes of other girls and see their fires flickering there, offer conspiratorial nods, never speak aloud of a near-unbearable heat, a growing conflagration. You tend the flame because if you don’t you’re stuck, in the cold, on your own, doomed to seasonal layers, doomed to practicality, doomed to this is just the way things are, doomed to settling and understanding and reasoning and agreeing and seeing it another way and seeing it his way and seeing it from all the other ways but your own.

The majestic shape of the mountains silhouetted against violet skies, the golden glow of the sun rising slowly on the horizon so it shone like butter against the ice. It was beyond the edge of the world - beyond the edge of anything April had ever experienced in her life. It was so huge and so colossal that it stole the breath from her throat and layer by layer, stripped away all the parts that had ever made her doubt herself.

A mountain on Mars may have built up over time from lake sediments, according to NASA scientists who have been studying observations from the Curiosity rover scouring the Red Planet. The latest analysis is based on rocks discovered at the lower edges of Mount Sharp, which is located, rather oddly, in the midst of a crater on Earth’s neighbouring planet. While scientists are still not sure how long Mars was wet for any given spell through history, a “great surprise” was finding slanted rocks and soil that point to the existence of a lake bed in the crater, said Curiosity project scientist John Grotzinger of the California Institute of Technology. Curiosity’s pictures and data collected from the Martian soil in the lowest sedimentary layers of Mount Sharp has helped scientists see the remnants of how rivers once carried sand and silt to the lake, depositing sediment at the mouth of the river. This process would have repeated itself again and again to form a delta. Billions of years ago, the planet is believed to have been much warmer, with a thicker atmosphere that would have supported liquid water and potentially some form of life. — AFP

97. I approached the symbol, with its layers of meaning, but when I touched it, it changed into only a beautiful princess. 98. I threw the beautiful princess headfirst down the mountain to my acquaintances. 99. Who could be relied upon to deal with her.

Oh Killian." Five immense cliffs rose up from the sea in marvelous grandeur. They were as tall and craggy and enormous as any mountains she'd seen in paintings. The layers of rock were varied in color and the radiant sunset playing against them only added to the enchantment of the location. She watched as waves crashed against the monumental stone walls.

To understand how the first tree appeared on Earth, we must look back more than 3 billion years to Earth’s cooling off and changing from a molten sphere to one that had a solid crust. As it cooled, a thin layer of granite formed over the fiery interior; the hot inner mass contracted; ridges were thrust upward to form mountains; molten lava surged up through cracks, and boiling water rose to the surface. As hot springs that even now gush up out of the Earth show, this process is still going on; geysers and active volcanoes testify to the searing heat that prevails far inside the earth. Scientists believe the water in our oceans today was first released by volcanic action as a gas, which formed the primeval atmosphere. When this vapor reached extremely high altitudes, it condensed into water and fell Earthward. For a long time, however, because the atmospheric temperature was so hot, it resumed its gaseous form before reaching the planet, but eventually, the surface cooled enough so that water began accumulating in liquid form. And then, for literally millions and millions of years, it must have rained continuously, the water sweeping minerals down from the rocks and filling the depressions in the Earth’s face. For

The more general difficulty with thought is that thought is very active, it's participatory. And fragmentation is itself a symptom of the more general difficulty. Thought is always doing a great deal, but it tends to say that it hasn't done anything, that it is just telling you the way things are. But thought affects everything. It has created everything we see in this building. It has affected all the trees, it has affected the mountains, the plains and the farms and the factories and science and technology. Even the South Pole has been affected because of the destruction of the ozone layer, which is basically due to thought. People thought that they wanted to have refrigerant—a nice safe refrigerant—and they built that all up by thinking more and more about it. And now we have the ozone layer being destroyed.

When a coal company gets a permit to strip-mine, it literally attacks the mountain with all manner of heavy equipment. First it clear-cuts the trees, total deforestation with no effort at saving the hardwoods. They are bulldozed away as the earth is scalped. Same for the topsoil, which is not very thick. Next comes the layer of rock, which is blasted out of the ground. The trees, topsoil, and rock are often shoved into the valleys between the mountains, creating what’s known as valley fills. These wipe out vegetation, wildlife, and natural streams. Just another environmental disaster. If you’re downstream, you’re just screwed. As you’ll learn around here, we’re all downstream.

Mountaintop removal is nothing but strip-mining on steroids. Appalachian coal is found in seams, sort of like layers of a cake. At the top of the mountain there is the forest, then a layer of topsoil, then a layer of rock, and finally a seam of coal. Could be four feet thick, could be twenty. When a coal company gets a permit to strip-mine, it literally attacks the mountain with all manner of heavy equipment. First it clear-cuts the trees, total deforestation with no effort at saving the hardwoods. They are bulldozed away as the earth is scalped. Same for the topsoil, which is not very thick. Next comes the layer of rock, which is blasted out of the ground. The trees, topsoil, and rock are often shoved into the valleys between the mountains, creating what’s known as valley fills. These wipe out vegetation, wildlife, and natural streams. Just another environmental disaster. If you’re downstream, you’re just screwed. As you’ll learn around here, we’re all downstream.

Two different geologists (who simply do not have a hand in this debate since they are secular), who were searching for oil deposits, have mapped the regions that include the mountains of Ararat and beyond extensively.10 What we find are layers intrinsic to the formation of the mountains of Ararat (Armenia and Anatolia regions) that include: 1. Permian 2. Lower-Middle Triassic 3. Middle Triassic-Middle Cretaceous 4. Paleocene-Lower Eocene 5. Lower Eocene 6. Middle Eocene 7. Middle-Upper Miocene For much of this, the Eocene and Miocene rock layers are inverted and pushing up the Cretaceous and Triassic rock layers. In other words, without the Eocene and Miocene rock layers, the mountains of Ararat cannot exist! What can we glean from this? It means that Miocene and Eocene rock layers existed by day 150 in the mountains of Ararat. These layers are tertiary sediments much higher than the K/T boundary. What we can know is that these Eocene and Miocene rock layers were formed prior to the post-Flood period.

There was another whole bunch of hopefuls. They would diminish down at a startling rate. We had seen it happen before. This time, though, we were there as the “old hands.” And it helped. We knew what to expect; the mystique had gone, and the prize was up for grabs. That was empowering. It was now wintertime, and winter Selection is always considered the tougher course, because of the mountain conditions. I tried not to think about this. Instead of the blistering heat and midges, our enemies would be the freezing, driving sleet, the high winds, and the short daylight hours. These made Trucker and me look back on the summer Selection days as quite balmy and pleasant! It is strange how accustomed you become to hardship, and how what once seemed horrific can soon become mundane. The DS had often told us: “If it ain’t raining, it ain’t training.” And it rains a lot in the Brecon Beacons. Trust me. (I recently overheard our middle boy, Marmaduke, tell one of his friends this SAS mantra. The other child was complaining that he couldn’t go outside because it was raining. Marmaduke, age four, put him straight. Priceless.) The first few weekends progressed, and we both shone. We were fitter, stronger, and more confident than many of the other recruits, but the winter conditions were very real. We had to contend with winds that, on one weekend exercise, were so strong on the high ridges that I saw one gust literally blow a whole line of soldiers off their feet--including the DS. Our first night march saw one recruit go down with hypothermia. Like everyone else, he was wet and cold, but in the wind and whiteout he had lost that will to look after himself, and to take action early. He had forgotten the golden rule of cold, which the DS had told us over and over: “Don’t let yourself get cold. Act early, while you still have your senses and mobility. Add a layer, make shelter, get moving faster--whatever your solution us, just do it.” Instead, this recruit had just sat down in the middle of the boggy moon grass and stopped. He could hardly talk and couldn’t stand. We all gathered round him, forming what little shelter we could. We gave him some food and put an extra layer of clothing on him. We then helped him stagger off the mountain to where he could be picked up by Land Rover and taken to base camp, where the medics could help him. For him, that would be his last exercise with 21 SAS, and a harsh reminder that the struggles of Selection go beyond the demons in your head. You also have to be able to survive the mountains, and in winter that isn’t always easy. One of the other big struggles of winter Selection was trying to get warm in the few hours between the marches. In the summer it didn’t really matter if you were cold and wet--it was just unpleasant rather than life-threatening. But in winter, if you didn’t sort yourself out, you would quickly end up with hypothermia, and then one of two things would happen: you would either fail Selection, or you would die. Both options were bad.

He found Granny on the porch, asleep. Her chin sat on her chest, rising and falling with her breath. He gathered her up in his arms, light as a girl, and carried her inside to her room. He covered her in her old handed-down quilt. The outer layers were burnished to a luster over decades of sleeping flesh, the inner batting composed of older blankets still. He tucked it under her feet, her elbows and shoulders, and went out into the den and opened the door of the wood stove. A mouth of red coals. He added two lengths of the seasoned white oak they kept stacked on the porch, hot-burning wood for cold nights, and stoked it to a fury before stepping outside.

My child, when a mountain appears on the journey, we try to go to the left, then to the right; we try to find the easy way to navigate our way back to the easier path.” He paused. “But the mountain is there to be crossed. It is on that pilgrimage, as we climb higher, that we are forced to shed the layers upon layers we have carried for so long. Then we find that our load is lighter and we have come to know something of ourselves in the perilous climb.

...Layers of dirt heaped upon layers of old dirt- under a mountain I can’t breathe or think or react, except to erupt...

My child, when a mountain appears on the journey, we try to go to the left, then to the right; we try to find the easy way to navigate our way back to the easier path." He paused. "But the mountain is there to be crossed. It is on that pilgrimage, as we climb higher, that we are forced to shed the layers upon layers we have carried for so long. Then we find that our load is lighter and we have come to know something of ourselves in the perilous climb.

The plateau of Mount Hor rose several thousand feet high and overlooked the desert wilderness of Zin. Its rough red rock showed layers of sediment that were claylike at the bottom, but harder limestone on top. Moses, Joshua, Eleazer, and Aaron stood on the mountain looking down upon the people of Israel who filled the plains at the bottom. They were at the very border of Edom, but were not going to enter. Much to Joshua’s dismay, Moses had sent word back to King Rekem assuring him they would respect his demands and not transgress the borders of Edom.

Lahana then, too, stretched up her hands: as though to reach past the azure mist, out into the deep sky pierced with stars. They who watch our path as surely as they did our ancestors, as surely as they shall our descendants: watching all the small stories weaving across the vast journey of time. What can the Sun and the Moon and the stars tell us that they did not yet know to tell our ancestors? What do the great souls of the mountains learn as their bodies change, as they meet with the rivers and the sands of the ocean? And what of the knowings of the Earth – the cloth of Lahana’s own body – the layers of time within the flesh, reclaiming body and form after body and form. The Earth changing with each life lived out within her.

It’s like a beautiful snow-capped mountain. Lies are the small cracks in the ice layer beneath the snow.

I’m in a copse of ponderosa pine on the edge of an alpine meadow in the Colorado Rocky Mountains. A story emerges from the scrolling graph of the electronic sound probe. The tree is quiet through the morning, signaling an orderly and abundant flow of water from root to needle. If the previous afternoon brought rain, the quiet is prolonged. The tree itself makes this rainfall more likely. Resinous tree aromas drift to the sky, where each molecule of aroma serves as a focal point for the aggregation of water. Ponderosa, like balsam fir and ceibo, seeds clouds with its perfumes, making rain a little more likely. After a rainless day, the root’s morning beverage is brought by the soil community, a moistening without the help of rain. At night tree roots and soil fungi conspire to defy gravity and draw up water from the deeper layers of soil. By noon, the graph tracking ultrasound inflects upward. The soil has dried with the long day’s exposure to dry air and high-altitude sunshine. The species that survive, the gold resting in this alpine crucible, are those who can be miserly with water (with multiple adaptations like the ponderosa.

For example, it’s problematic that fossil strata in one part of the world rarely match the sequence of layers found in others. The fossils of creatures who are supposed to belong to earlier ages are often found above those from later ages. Modern crocodiles and birds have been found beneath dinosaurs, for example. You are no doubt familiar with the challenge of current fossil dating techniques. The ages of fossils are determined by the age of the rock encasing them, and yet the rocks themselves are dated based on the assumed age of fossils. It is circular logic. Of course, there’s also the small matter of fossils found even on the tallest mountains. Furthermore, in all of the fossil record, not a single confirmed transitional form has been discovered to support evolutionary theory. In fact, what we see in nature is not an increase in complexity over time, which evolution requires, but rather Entropy — things invariably move from order to disorder.

Expected geological evidence from a flood extinction event: Thick Layers of sediment across all the continents. Clear delineation between sedimentary layers, rather than gradual transitions. A mix of fossils of modern creatures in the same layers with fossils of extinct creatures. Marine fossils scattered across whole continents and at the tops of mountains. Rapid fossil formation, with creatures entombed in mud quickly, including large mammals. Massive destruction of forests and plant life. Catastrophic erosion.

Hartland Point is a geologist’s delight. The rock on this coast changes and changes and changes again, but at Hartland Point it’s unlike anything else. Created in shallow seas 320 million years ago, the sedimentary strata are formed from layers of sand, shale and mudstone. Around 290 million years ago, when the Gondwana tectonic plate moved up from the south and collided with the Laurasia plate in the north, they met in a huge upswell of rock known as the Variscan orogeny. It formed mountains through Portugal, western Spain, Cornwall, Devon and on through the south and west of Wales and Ireland. The Hartland Point cliffs are carved out in sandstone ribs that rise up into chevron-shaped rock folds. A movement millennia old, still visible, still alive beneath our feet.

Every soul is madly moved by the swell of seas....the endlessness of sandy stretches....the limitless freedom of heaven....for in the immensity of grandeur, you pause in awe and there you realize your insignificance. Your eyes though catch the range of mountains and the forests so thick, and the stars strewn in a night sky....though you feel the frozen expanse and dismal heath...the wild peonies laughing on the meadows...still, there is a maze, so powerful it seems....for boundless, countless, unending it is. That which you feel within is powerful and the more you slip into your feelings...the more it has its hold over you. The layer of emotions you have in multitudes might seem in conflict at times...but remain in awe by what is yet to be seen...for what is unseen is even more powerful than what is already seen. This is called madness....an inviting, enticing, overpowering madness to which you need to surrender...for this is the pathway to freedom it seems....