Laugh Everyday Quotes

We've searched our database for all the quotes and captions related to Laugh Everyday. Here they are! All 100 of them:

The truth is always an abyss. One must — as in a swimming pool — dare to dive from the quivering springboard of trivial everyday experience and sink into the depths, in order to later rise again — laughing and fighting for breath — to the now doubly illuminated surface of things.
Franz Kafka
I want a life that sizzles and pops and makes me laugh out loud. And I don't want to get to the end, or to tomorrow, even, and realize that my life is a collection of meetings and pop cans and errands and receipts and dirty dishes. I want to eat cold tangerines and sing out loud in the car with the windows open and wear pink shoes and stay up all night laughing and paint my walls the exact color of the sky right now. I want to sleep hard on clean white sheets and throw parties and eat ripe tomatoes and read books so good they make me jump up and down, and I want my everyday to make God belly laugh, glad that he gave life to someone who loves the gift.
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
The love stories sold us the wrong thing. The best kind of love doesn’t happen on moonlit walks and romantic vacations. It happens in between the folds of everyday life. It’s not grand gestures that show how you feel, it’s all the little secret things you do to make her life better that you never tell her about. Taking the end piece of the bread at breakfast so she can have the last middle piece for her sandwich when you pack her lunch. Making sure her car always has gas so she never has to stop at the pump. Telling her you’re not cold and to take your jacket when you are in fact, very, very cold. It’s watching TV on a rainy Sunday while you’re doing laundry and turning her light off when she’s fallen asleep reading. Sharing pizza crusts and laughing about something the kids did and taking care of each other when you’re sick. It isn’t glamorous, it isn’t all butterflies and stars in your eyes. It’s real. This is the kind of love that forever is made of. Because if it’s this good when life is draining and mundane and hard, think of how wonderful it will be when the love songs are playing and the moon is out.
Abby Jimenez (Just for the Summer (Part of Your World, #3))
There might be some lost tribe somewhere on the planet who hadn’t been exposed to the movies and books of the genre, but these eight men—Mills was the oldest at 28—had grown up in a world where reanimated dead who shambled along eating brains were part of the fabric of everyday life. Where zombie movies equated to drinking games, late night laughs, and getting laid.
William Kely McClung (LOOP)
A Chinese proverb reminds us: You cannot prevent birds of sorrow from flying over your head, but you can prevent them from building nests in your hair.
Anne Bryan Smollin (Live, Laugh, and Be Blessed: Finding Humor and Holiness in Everyday Moments)
People are taking the piss out of you everyday. They butt into your life, take a cheap shot at you and then disappear. They leer at you from tall buildings and make you feel small. They make flippant comments from buses that imply you’re not sexy enough and that all the fun is happening somewhere else. They are on TV making your girlfriend feel inadequate. They have access to the most sophisticated technology the world has ever seen and they bully you with it. They are The Advertisers and they are laughing at you. You, however, are forbidden to touch them. Trademarks, intellectual property rights and copyright law mean advertisers can say what they like wherever they like with total impunity. Fuck that. Any advert in a public space that gives you no choice whether you see it or not is yours. It’s yours to take, re-arrange and re-use. You can do whatever you like with it. Asking for permission is like asking to keep a rock someone just threw at your head. You owe the companies nothing. Less than nothing, you especially don’t owe them any courtesy. They owe you. They have re-arranged the world to put themselves in front of you. They never asked for your permission, don’t even start asking for theirs.
Banksy
Every day, live in a way that honors who you are.
A.D. Posey
Fishing is much less about the fishing, and much more about the time alone with your kid, away from the hustle and bustle of the everyday.
Dan Pearce (Single Dad Laughing: The Best of Year One)
DEDICATION To my computer: I couldn’t have written this without you To the software developers responsible for spellcheck: You are my everyday heroes To Karen: I hope this makes you laugh and makes you proud. To my readers (all 3 of you): Thank you
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
It is not for you to say - you Englishmen, who have conquered your freedom so long ago, that you have conveniently forgotten what blood you shed, and what extremities you proceeded to in the conquering - it is not for you to say how far the worst of all exasperations may, or may not, carry the maddened men of an enslaved nation. The iron that has entered into our souls has gone too deep for you to find it. Leave the refugee alone! Laugh at him, distrust him, open your eyes in wonder at the secret self which smolders in him, sometimes under the every-day respectability and tranquility of a man like me - sometimes under the grinding poverty, the fierce squalor, of men less lucky, less pliable, less patient than I am - but judge us not. In the time of your first Charles you might have done us justice - the long luxury of your freedom has made you incapable of doing us justice now.
Wilkie Collins (The Woman in White)
He'll put a real smile on your face, the one that lights up your eyes. He'll make you laugh everyday, tell you some stupid jokes, so then you will have no time to nurture the sad feeling hidden inside you. He will always be there for you until someday, you wake up, feel the sun upon your face, and realize; that the sadness is not there anymore.' - Sinar to Nina
Nilam Suri (Camar Biru: Cinta Tak Selalu Tepat Waktu)
You’re not like any man I’ve ever known,” she said. “You’re not even someone I could have dreamed. You’re like someone from a fairy story written in a language I don’t even know.” “The prince, I hope.” “No, you’re the dragon, a beautiful wicked dragon.” Her voice turned wistful. “How could anyone have a normal everyday life with you?” Cam took her in a safe, firm grip and lowered her to the mattress. “Maybe you’ll be a civilizing influence on me.” He bent over the slope of her breast, kissing it through the muslin veil of her gown. “Or maybe you’ll get a taste for the dragon.” He found the bud of her nipple, wet the cotton with his mouth, until the tender flesh pricked up against his tongue. “I th-think I already have.” She sounded so perturbed that he laughed. “Then lie still,” he whispered, “while I breathe fire on you.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Defining moments rise above the everyday. They provoke not just transient happiness, like laughing at a friend’s joke, but memorable delight. (You pick up the red phone and someone says, “Popsicle Hotline, we’ll be right out.”) To construct elevated moments, we must boost sensory pleasures
Chip Heath (The Power of Moments: Why Certain Moments Have Extraordinary Impact)
You know what they say about paybacks, right?” “Yes. That a gentleman like you would never retaliate on a poor, helpless female like me.” And then I shriek as another spurt of water hits me. “Oopsie.” His laugh rings louder than mine.
K. Bromberg (Worth the Risk (Everyday Heroes, #3))
Who was I supposed to tell? What was I supposed to say? That kind of stuff -- it happens all the time." It did. A million and one times. Comments on butts, jokes about bra straps. ... These things were just folded into our everyday lives, part of walking and breathing and doing math homework and eating lunch. Boys taking, and girls laughing. Having to pretend to be on your phone as you walked home in the dark,
Claire Swinarski (What Happened to Rachel Riley?)
Laughter is like a little miracle we all experience everyday.
Carmela Dutra
It's never too late to forgive someone and let go of some hurt. Life is short. We only really have this very moment! To live it fully is a gift we give back to ourselves.
Anne Bryan Smollin (Live, Laugh, and Be Blessed: Finding Humor and Holiness in Everyday Moments)
Let us have no more suicide from weariness, which comes like a final sacrifice crowning all those that have gone before. Better one last laugh à la Cravan, or one last song à la Ravachol.
Raoul Vaneigem (The Revolution of Everyday Life)
Franz Kafka observed that “the truth is always an abyss. One must—as in a swimming pool—dare to dive from the quivering springboard of trivial everyday experience and sink into the depths, in order later to rise again—laughing and fighting for breath—to the now doubly illuminated surface of things.
Bonnie Tsui (Why We Swim)
I can laugh because I know my life is in His hands. I serve a living Savior, Who walks with me everyday. Even after the pain of losing Tony, I came to realize--life is worth the living, because He is alive.
LaKaysha Stenersen (Echoes of Mercy)
Everyday you came to my house. You were a friend to my son. You made my daughter smile. You said your jokes and made me laugh. You sat at our table and ate our food. And always you were fixing things in the house. You helped us. We helped you. That's family. And then you just left. No explanation. No goodbye. Not even a phone call to let us know you weren't dead.
Sara Desai (The Dating Plan (Marriage Game, #2))
Hey.” It’s all he says before he shoves a handful of white daisies at me and lifts his brows. “Miss Sidney, will you go out on a date with me?” I laugh. I can’t help it. He’s giving me the same hopeful look that Luke had given me. “A date, huh?
K. Bromberg (Worth the Risk (Everyday Heroes, #3))
Everyday, in the afternoon, When the sun and the clouds are in equipoise, I look up, with shrunken eyes and shadowed forehead, To see whether you hide in them, If those shapes could make some sense, And I find you walking your dog, laughing aloud, Driving your car and Dancing in the bar, Working very hard and playing retard, Hurting my eyes, head and heart; I look upon the ground, Tossing a stone as cold as your soul, Realisation is a fantasy, Omnipresence is not your genre, but Obsession is mine.
Ranjani Ramachandran
Everyday I rewrite her name across my ribcage so that those who wish to break my heart will know who to answer to later She has no idea that I’ve taught my tongue to make pennies, and every time our mouths are to meet I will slip coins to the back of her throat and make wishes I wish that someday my head on her belly might be like home like doubt to doubt resuscitation because time is supposed to mean more than skin She doesn’t know that I have taught my arms to close around her clocks so they can withstand the fallout from her Autumn She is so explosive, volcanoes watch her and learn terrorists want to strap her to their chests because she is a cause worth dying for Maybe someday time will teach me to pick up her pieces put her back together and remind her to click her heels but she doesn’t need a wizard to tell her that I was here all along Lady let us catch the next tornado home let us plant cantaloupe trees in our backyard then maybe together we will realize that we don’t like cantaloupe and they don’t grow on trees we can laugh about it then we can plant things we’ve never heard of I’ve never heard of a woman who can make flawed look so beautiful the way you do The word smitten is to how I feel about you what a kiss is to romance so maybe my lips to yours could be the penance to this confession because I am the only one preaching your defunct religion sitting alone at your altar, praising you out of faith I cannot do this hard-knock life alone You are all the softness a rock dreams of being the mistakes the rain makes at picnics when Mother Nature bears witness in much better places So yes I will gladly take on your ocean just to swim beneath you so I can kiss the bends of your knees in appreciation for the work they do keeping your head above water
Mike McGee
We are broken. Our ways are apart. Still we laugh together and taunt. We fight and get hurt... Still we don't stop! We spread love among us, With the scent of believe. We write on live. Our dreams are shattered. We think to move on, But scared to miss each other. We smirk when someone scolds, But we drink a jar of poison each time. We die and born everyday. We rely on each other. We get furious. We tease and never step back. We listen but never act on. For public we are mature, But among us we are childish. We act like ninjas among us. And we love to stay like this... Among us forever! Because we are siblings.
Irfa Adam
More profoundly, Nihilist "simplification" may be seen in the universal prestige today accorded the lowest order of knowledge, the scientific, as well as the simplistic ideas of men like Marx, Freud, and Darwin, which underlie virtually the whole of contemporary thought and life. We say "life," for it is important to see that the Nihilist history of our century has not been something imposed from without or above, or at least has not been predominantly this; it has rather presupposed, and drawn its nourishment from, a Nihilist soil that has long been preparing in the hearts of the people. It is precisely from the Nihilism of the commonplace, from the everyday Nihilism revealed in the life and thought and aspiration of the people, that all the terrible events of our century have sprung. The world-view of Hitler is very instructive in this regard, for in him the most extreme and monstrous Nihilism rested upon the foundation of a quite unexceptional and even typical Realism. He shared the common faith in "science," "progress," and "enlightenment" (though not, of course, in "democracy"), together with a practical materialism that scorned all theology, metaphysics, and any thought or action concerned with any other world than the "here and now," priding himself on the fact that he had "the gift of reducing all problems to their simplest foundations." He had a crude worship of efficiency and utility that freely tolerated "birth control", laughed at the institution of marriage as a mere legalization of a sexual impulse that should be "free", welcomed sterilization of the unfit, despised "unproductive elements" such as monks, saw nothing in the cremation of the dead but a "practical" question and did not even hesitate to put the ashes, or the skin and fat, of the dead to "productive use." He possessed the quasi-anarchist distrust of sacred and venerable institutions, in particular the Church with its "superstitions" and all its "outmoded" laws and ceremonies. He had a naive trust in the "natural mom, the "healthy animal" who scorns the Christian virtues--virginity in particular--that impede the "natural functioning" of the body. He took a simple-minded delight in modern conveniences and machines, and especially in the automobile and the sense of speed and "freedom" it affords. There is very little of this crude Weltanschauung that is not shared, to some degree, by the multitudes today, especially among the young, who feel themselves "enlightened" and "liberated," very little that is not typically "modern.
Seraphim Rose
What I wouldn't give to have known my father with my mother in love-together, you know, just the two of them, in the kitchen laughing, making a sandwich, or holding hands on the street, seeing my father open a car door for my other. The absence of those things are what makes you an orphan-it's the ordinary everyday expressions of love you miss.
Adriana Trigiani (Kiss Carlo)
Style is not how you write. It is how you do not write like anyone else. * * * How do you know if you're a writer? Write something everyday for two weeks, then stop, if you can. If you can't, you're a writer. And no one, no matter how hard they may try, will ever be able to stop you from following your writing dreams. * * * You can find your writer's voice by simply listening to that little Muse inside that says in a low, soft whisper, "Listen to this... * * * Enter the writing process with a childlike sense of wonder and discovery. Let it surprise you. * * * Poems for children help them celebrate the joy and wonder of their world. Humorous poems tickle the funny bone of their imaginations. * * * There are many fine poets writing for children today. The greatest reward for each of us is in knowing that our efforts might stir the minds and hearts of young readers with a vision and wonder of the world and themselves that may be new to them or reveal something already familiar in new and enlightening ways. * * * The path to inspiration starts Beyond the trails we’ve known; Each writer’s block is not a rock, But just a stepping stone. * * * When you write for children, don't write for children. Write from the child in you. * * * Poems look at the world from the inside out. * * * The act of writing brings with it a sense of discovery, of discovering on the page something you didn't know you knew until you wrote it. * * * The answer to the artist Comes quicker than a blink Though initial inspiration Is not what you might think. The Muse is full of magic, Though her vision’s sometimes dim; The artist does not choose the work, It is the work that chooses him. * * * Poem-Making 101. Poetry shows. Prose tells. Choose precise, concrete words. Remove prose from your poems. Use images that evoke the senses. Avoid the abstract, the verbose, the overstated. Trust the poem to take you where it wants to go. Follow it closely, recording its path with imagery. * * * What's a Poem? A whisper, a shout, thoughts turned inside out. A laugh, a sigh, an echo passing by. A rhythm, a rhyme, a moment caught in time. A moon, a star, a glimpse of who you are. * * * A poem is a little path That leads you through the trees. It takes you to the cliffs and shores, To anywhere you please. Follow it and trust your way With mind and heart as one, And when the journey’s over, You’ll find you’ve just begun. * * * A poem is a spider web Spun with words of wonder, Woven lace held in place By whispers made of thunder. * * * A poem is a busy bee Buzzing in your head. His hive is full of hidden thoughts Waiting to be said. His honey comes from your ideas That he makes into rhyme. He flies around looking for What goes on in your mind. When it is time to let him out To make some poetry, He gathers up your secret thoughts And then he sets them free.
Charles Ghigna
Don’t lose the positive power to make right choices that will convert your tears into smiles.
Israelmore Ayivor (101 Keys To Everyday Passion)
When we laugh at the joy in everyday life we realise that the world is not such a serious place after all.
Dee Waldeck
Act always as if the future of the Universe depended on what you did, while laughing at yourself for thinking that whatever you do makes any difference.
Mihály Csíkszentmihályi (Finding Flow: The Psychology of Engagement with Everyday Life)
The healthiest, holiest, and happiest people on the planet are those who laugh at themselves the most.
Mark Batterson (A Trip around the Sun: Turning Your Everyday Life into the Adventure of a Lifetime)
ELEVATION: Defining moments rise above the everyday. They provoke not just transient happiness, like laughing at a friend’s joke, but memorable delight.
Chip Heath (The Power of Moments: Why Certain Moments Have Extraordinary Impact)
The question feels so patronizing: as if I’ve never thought about gender and how I choose to present myself, how I dress, how I stand, how I crop my hair short, and what this means. As if I’ve never thought about what it would be like to live as a man instead, the relief that would come from passing, with not having to face the everyday violence and humiliations of living in my body. As if I’ve never thought about how I don’t want that, how every cell in my body recoils at that thought of being a man, and yet how harrowing it is that the only way I can get out of my bed and make it through the day is by wearing masculinity on my body. As if I’ve never held dear my feminist rage, never thought about how I feel so politically aligned with womanhood and yet hate inhabiting it, hate it when my body is read as such. As if the only way to be trans is to transition to a binary gender, as if I can’t exist as I have been, in some space in between or beyond, using she or they pronouns and seething when people call me a woman and laughing when people tell me I should transition.
Lamya H. (Hijab Butch Blues)
When Provine studied 1,200 episodes of laughter overheard in public settings, his biggest surprise was finding that speakers laugh more than listeners—about 50 percent more, in fact.
Kevin Simler (The Elephant in the Brain: Hidden Motives in Everyday Life)
Chris loved to look at every type of plant, animal, and bug he hadn’t seen before on the trail and point out those he did recognize. He enjoyed walking along small streams, listening to the water as it traveled, and searching for eddies where we could watch the minnows scurry amongst the rocks. On one Shenandoah trip, while we were resting at a waterfall, eating our chocolate-covered granola bars and watching the water pummel the rocks below, he said, “See, Carine ? That’s the purity of nature. It may be harsh in its honesty, but it never lies to you”. Chris seemed to be most comfortable outdoors, and the farther away from the typical surroundings and pace of our everyday lives the better. While it was unusual for a solid week to pass without my parents having an argument that sent them into a negative tailspin of destruction and despair, they never got into a fight of any consequence when we were on an extended family hike or camping trip. It seemed like everything became centered and peaceful when there was no choice but to make nature the focus. Our parents’ attention went to watching for blaze marks on trees ; staying on the correct trail ; doling out bug spray, granola bars, sandwiches, and candy bars at proper intervals ; and finding the best place to pitch the tent before nightfall. They taught us how to properly lace up our hiking boots and wear the righ socks to keep our feet healthy and reliable. They showed us which leaves were safe to use as toilet paper and which would surely make us miserable downtrail. We learned how to purify water for our canteens if we hadn’t found a safe spring and to be smart about conserving what clean water we had left. At night we would collect rocks to make a fire ring, dry wood to burn, and long twigs for roasting marshmallows for the s’more fixings Mom always carried in her pack. Dad would sing silly, non-sensical songs that made us laugh and tell us about the stars.
Carine McCandless (The Wild Truth: A Memoir)
As they leave the bedroom he just takes hold of her arm, he wants to say something banal and everyday, so that she remembers that there’s a tomorrow, and all he can think of is: “I’m going to have sex with you tomorrow!” She bursts out laughing, in his face, right at him. “There’s something seriously wrong with you.” “Just be absolutely clear about the fact that I’m going to have sex with you tomorrow!
Fredrik Backman (The Winners (Beartown, #3))
An uncle continued to pay the fees for Calvin to attend school, but it was a long walk from his hut to St. Patrick’s Elementary School. Since he rarely had dinner the night before, his feet felt heavy as he trudged along. “If only I could go to school in the United States,” Calvin often thought on these long walks. And again, he prayed. When Calvin revealed his prayer to his older brother and an aunt, they laughed.
Theresa Thomas (Big Hearted: Inspiring Stories from Everyday Families)
The world population is nearing seven billion. John Travolta and Farrah Fawcett didn’t procreate and produce all seven thousand million of us. Audrey Hepburn and Burt Lancaster didn’t personally populate the world. Almost every child that was ever born is the byproduct of two everyday people who found each other attractive enough to go jump in the sack together. Almost every child that was ever born came about because two everyday people thought the other was attractive enough to warrant a second glance. If you want proof that attraction belongs to the individual, go sit on a bench at the mall and look at all the different couples walking by. You will believe that there literally is someone for everyone.
Dan Pearce (Single Dad Laughing: The Best of Year One)
Humor gives me physical and psychological energy; as I have become more open and alive, my laugh has changed. I laugh really loud now, from deep in the belly, and that’s a good thing. Physiologically that gives you an internal massage of your organs.
Laura Van Dernoot Lipsky (Trauma Stewardship: An Everyday Guide to Caring for Self While Caring for Others)
I’d realized something after being with her. A valuable lesson that I think all the best and most enduring romances have figured out. The love stories sold us the wrong thing. The best kind of love doesn’t happen on moonlit walks and romantic vacations. It happens in between the folds of everyday life. It’s not grand gestures that show how you feel, it’s all the little secret things you do to make her life better that you never tell her about. Taking the end piece of the bread at breakfast so she can have the last middle piece for her sandwich when you pack her lunch. Making sure her car always has gas so she never has to stop at the pump. Telling her you’re not cold and to take your jacket when you are in fact, very, very cold. It’s watching TV on a rainy Sunday while you’re doing laundry and turning her light off when she’s fallen asleep reading. Sharing pizza crusts and laughing about something the kids did and taking care of each other when you’re sick. It isn’t glamorous, it isn’t all butterflies and stars in your eyes. It’s real. This is the kind of love that forever is made of. Because if it’s this good when life is draining and mundane and hard, think of how wonderful it will be when the love songs are playing and the moon is out.
Abby Jimenez (Just for the Summer (Part of Your World, #3))
You’re not like any man I’ve ever known,” she said. “You’re not even someone I could have dreamed. You’re like someone from a fairy story written in a language I don’t even know.” “The prince, I hope.” “No, you’re the dragon, a beautiful wicked dragon.” Her voice turned wistful. “How could anyone have a normal everyday life with you?” Cam took her in a safe, firm grip and lowered her to the mattress. “Maybe you’ll be a civilizing influence on me.” He bent over the slope of her breast, kissing it through the muslin veil of her gown. “Or maybe you’ll get a taste for the dragon.” He found the bud of her nipple, wet the cotton with his mouth, until the tender flesh pricked up against his tongue. “I th-think I already have.” She sounded so perturbed that he laughed. “Then lie still,” he whispered, “while I breathe fire on you.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
People laughed at Jesus. People rejected Jesus. People misunderstood Jesus. We know this in theory, but as I sat on that rock that day, I suddenly realized what an everyday reality this was for Him. And because this was a reality for Him, He is the perfect one to turn to when rejection is a reality for us.
Lysa TerKeurst (Uninvited: Living Loved When You Feel Less Than, Left Out, and Lonely)
The connection between radical attentiveness, prayer, and joy pervades Jewish mystical thinking in its diverse phases but never so brightly, so every-day-related, and so clearly as in Hasidism. Melancholy is the dust in the soul that Satan spreads out. Worry and dejection are seen to be the roots of every evil force. Melancholy is a wicked quality and displeasing to God, says Martin Buber. Rabbi Bunam said: "Once when I was on the road near Warsaw, I felt that I had to tell a certain story. But this story was of a worldly nature and I knew that it would only rouse laughter among the many people who had gathered about me. The Evil Urge tried very hard to dissuade me, saying that I would lose all those people because once they heard this story they would no longer consider me a rabbi. But I said to my heart: `Why should you he concerned about the secret ways of God?' And I remembered the words of Rabbi Pinhas of Koretz: 'All joys hail from paradise, and jests too, provided they are uttered in true joy’ And so in my heart of hearts I renounced my rabbi's office and told the story. The gathering burst out laughing. And those who up to this point had been distant from me attached themselves to me." (a quote from Tales of the Hasidim by Martin Buber). Joy, laughter, and delight are so powerful because, like all mysticism, they abolish conventional divisions, in this case the division between secular and sacred. The often boisterous laughter, especially of women, is part and parcel of the everyday life of mystical movements.
Dorothee Sölle (The Silent Cry: Mysticism and Resistance)
Whenever I ask my Russian bosses, the older TV producers and media types who run the system, what it was like growing up in the late Soviet Union, whether they believed in the Communist ideology that surrounded them, they always laugh at me. “Don’t be silly,” most answer. “But you sang the songs? Were good members of the Komsomol?” “Of course we did, and we felt good when we sang them. And then straight after we would listen to ‘Deep Purple’ and the BBC.” “So you were dissidents? You believed in finishing the USSR?” “No. It’s not like that. You just speak several languages at the same time, all the time. There’s like several ‘you’s.” Seen from this perspective, the great drama of Russia is not the “transition” between communism and capitalism, between one fervently held set of beliefs and another, but that during the final decades of the USSR no one believed in communism and yet carried on living as if they did, and now they can only create a society of simulations. For this remains the common, everyday psychology: the Ostankino producers who make news worshiping the President in the day and then switch on an opposition radio as soon as they get off work; the political technologists who morph from role to role with liquid ease—a nationalist autocrat one moment and a liberal aesthete the next; the “orthodox” oligarchs who sing hymns to Russian religious conservatism—and keep their money and families in London. All cultures have differences between “public” and “private” selves, but in Russia the contradiction can be quite extreme.
Peter Pomerantsev (Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia)
You can’t forget how important coming together is, whether it be a mom and a son, a dad and a daughter, whether the family be ten people, or twenty people, or a million people. Dinnertime is the perfect time for that. Dinnertime is the perfect time when you can sit down, you can offer thanks to your kids for making you laugh, or to your parents for supporting you, or to a god for looking out for you, or to whomever you want. You can just close your eyes and open them again and realize that you have the opportunity everyday to change your life, or change someone else’s. Dinnertime is a great time to think about that. ~ Dillon, age 22 From Dinnertimes: Stories of American Life, 1912 to 2012
Deborah L. Halliday (Dinnertimes: Stories of American Life 1912 to 2012)
It would be easy to laugh this off were it not so obviously counterproductive. The idea that tackling climate change means accepting profound levels of intrusion into our everyday lives – and the economic disaster of dramatic drops in consumption and living standards – is an illusion that is actually shared by the Green left and the libertarian right.
Mark Lynas (The God Species)
The best kind of love doesn’t happen on moonlit walks and romantic vacations. It happens in between the folds of everyday life. It’s not grand gestures that show how you feel, it’s all the little secret things you do to make her life better that you never tell her about. Taking the end piece of the bread at breakfast so she can have the last middle piece for her sandwich when you pack her lunch. Making sure her car always has gas so she never has to stop at the pump. Telling her you’re not cold and to take your jacket when you are in fact, very, very cold. It’s watching TV on a rainy Sunday while you’re doing laundry and turning her light off when she’s fallen asleep reading. Sharing pizza crusts and laughing about something the kids did and taking care of each other when you’re sick. It isn’t glamorous, it isn’t all butterflies and stars in your eyes. It’s real. This is the kind of love that forever is made of. Because if it’s this good when life is draining and mundane and hard, think of how wonderful it will be when the love songs are playing and the moon is out.
Abby Jimenez (Just for the Summer (Part of Your World, #3))
Because her parents had taught her during their flight through the mountains that humor is the soul’s last line of defense, and as long as we’re laughing we’re alive, so bad puns and fart jokes were their way of expressing their defiance against despair. Ro told Julia all this that first night, and after that Julia got to spend all of the world’s everydays with her.
Fredrik Backman (Anxious People)
The love stories sold us the wrong thing. The best kind of love doesn’t happen on moonlit walks and romantic vacations. It happens in between the folds of everyday life. It’s not grand gestures that show how you feel, it’s all the little secret things you do to make her life better that you never tell her about. Taking the end piece of the bread at breakfast so she can have the last middle piece for her sandwich when you pack her lunch. Making sure her car always has gas so she never has to stop at the pump. Telling her you’re not cold and to take your jacket when you are in fact, very, very cold. It’s watching TV on a rainy Sunday while you’re doing laundry and turning her light off when she’s fallen asleep reading. Sharing pizza crusts and laughing about something the kids did and taking care of each other when you’re sick. It isn’t glamorous, it isn’t all butterflies and stars in your eyes. It’s real. This is the kind of love that forever is made of. Because if it’s this good when life is draining and mundane and hard, think of how wonderful it will be when the love songs are playing and the moon is out
Abby Jimenez (Just for the Summer (Part of Your World, #3))
Hello." Her mood deflated as if she'd been pricked with a pin. "Alan." "Shelby." She struggled not to be moved by the quiet,serious tone that should never have moved her.She liked men with a laugh in their voice. "Alan, this has to stop." "Does it? It hasn't even started." "Alan-" She tried to remember her decision to be firm. "I mean it. You have to stop sending me things. You're only wasting your time." "I have a bit to spare," he said mildly. "How was your week?" "Busy.Listen,I-" "I missed you." The simple statement threw the rest of her lecture into oblivion. "Alan, don't -" "Everyday," he continued. "Every night. Have you been to Boston, Shelby?" "Uh...yes," she managed, busy fighting off the weakness creeping into her. Helplessly she stared up at the balloons. How could she fight something so insubstantial it floated? "I'd like to take you there in the fall, when it smells of damp leaves and smoke." Shelby told herself her heart was not fluttering. "Alan, I didn't call to talk about Boston.Now,to put it in very simple terms,I want you to stop calling me, I want you to stop dropping by, and -" Her voice began to rise in frustration as she pictured him listening with that patient, serious smile and calm eyes. "I want you to stop sending me balloons and pigs and everything! Is that clear?" "Perfectly.Spend the day with me." Did the man ever stop being patient? She couldn't abide patient men. "For God's sake, Alan!" "We'll call it an experimental outing," he suggested in the same even tone. "Not a date." "No!" she said, barely choking back a laugh. Couldn't abide it, she tried to remember.She preferred the flashy, the freewheeling. "No,no,no!" "Not bureaucratic enough." His voice was so calm,so...so senatorial, she decided, she wanted to scream. But the scream bubbled perilously close to another laugh. "All right, let me think-a standard daytime expedition for furthering amiable relations between opposing clans." "You're trying to be charming again," Shelby muttered. "Am I succeeding?
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Nana says you’re supposed to bring a lady flowers. I’m not sure why. They smell pretty, but then they die, and you have to throw them in the trash, but she said you have to, so I did.” “Well,” I say through a laugh, “they do die, but they also make the lady feel awfully special.” I cup the side of his face. “Where exactly would you like to take me on this date of yours?” “I was wondering if you’d go to a picnic with me.
K. Bromberg (Worth the Risk (Everyday Heroes, #3))
Above all else, I want you to know that you are loved and lovable. You will learn this from my words and actions--the lessons on love are in how I treat you and how I treat myself. I want you to engage with the world from a place of worthiness. You will learn that you are worthy of love, belonging, and joy every time you see me practice self-compassion and embrace my own imperfections. We will practice courage in our family by showing up, letting ourselves be seen, and honoring vulnerability. We will share our stories of struggle and strength. There will always be room in our home for both. We will teach you compassion by practicing compassion with ourselves first; then with each other. We will set and respect boundaries; we will honor hard work, hope, and perseverance. Rest and play will be family values, as well as family practices. You will learn accountability and respect by watching me make mistakes and make amends, and by watching how I ask for what I need and talk about how I feel. I want you to know joy, so together we will practice gratitude. I want you to feel joy, so together we will learn how to be vulnerable. When uncertainty and scarcity visit, you will be able to draw from the spirit that is a part of our everyday life. Together we will cry and face fear and grief. I will want to take away your pain, but instead I will sit with you and teach you how to feel it. We will laugh and sing and dance and create. We will always have permission to be ourselves with each other. No matter what, you will always belong here. As you begin your Wholehearted journey, the greatest gift that I can give to you is to live and love with my whole heart and to dare greatly. I will not teach or love or show you anything perfectly, but I will let you see me, and I will always hold sacred the gift of seeing you. Truly, deeply, seeing you.
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
Laughter may not be nearly as expressive as language, but it has two properties that make it ideal for navigating sensitive topics. First, it’s relatively honest. With words, it’s too easy to pay lip service to rules we don’t really care about, or values that we don’t genuinely feel in our gut. But laughter, because it’s involuntary, doesn’t lie—at least not as much. “In risu veritas,” said James Joyce; “In laughter, there is truth.”51 Second, laughter is deniable. In this way, it gives us safe harbor, an easy out. When someone accuses us of laughing inappropriately, it’s easy to brush off. “Oh, I didn’t really understand what she meant,” we might demur. Or, “Come on, lighten up! It was only a joke!” And we can deliver these denials with great conviction because we really don’t have a clear understanding of what our laughter means or why we find funny things funny. Our brains just figure it out, without burdening “us” with too many damning details.
Kevin Simler (The Elephant in the Brain: Hidden Motives in Everyday Life)
We’re like the earnest fish that spent its lifetime swimming from teacher to teacher. The fish wanted to know what the ocean was. And some teachers told him, “Well, you have to try very hard to be a good fish. This is a tremendous area that you’re investigating. And you have to meditate for long hours, and you have to punish yourself and you have to really really try to be a good fish.” But the fish at last came to one teacher and asked, “What’s the great ocean? What’s the great ocean?” And the teacher simply laughed.
Charlotte Joko Beck (Everyday Zen)
Normality is like a home to us and everyday life a mother. After a long incursion into great poetry, into the mountains of sublime aspiration, the cliffs of the transcendent and the occult, it is the sweetest thing, savouring of all that is warm in life, to return to the inn where the happy fools laugh and joke, to join with them in their drinking, as foolish as they are, just as God made us, content with the universe that was given us, and to leave the rest to those who climb mountains and do nothing when they reach the top.
Fernando Pessoa (The Book of Disquiet)
AFTER DINNER, WITH A GREAT FLOURISH, my friend Andrew brought out a lovely leather box. “Open it,” he said, proudly, “and tell me what you think.” I opened the box. Inside was a gleaming stainless-steel set of old mechanical drawing instruments: dividers, compasses, extension arms for the compasses, an assortment of points, lead holders, and pens that could be fitted onto the dividers and compasses. All that was missing was the T square, the triangles, and the table. And the ink, the black India ink. “Lovely,” I said. “Those were the good old days, when we drew by hand, not by computer.” Our eyes misted as we fondled the metal pieces. “But you know,” I went on, “I hated it. My tools always slipped, the point moved before I could finish the circle, and the India ink—ugh, the India ink—it always blotted before I could finish a diagram. Ruined it! I used to curse and scream at it. I once spilled the whole bottle all over the drawing, my books, and the table. India ink doesn’t wash off. I hated it. Hated it!” “Yeah,” said Andrew, laughing, “you’re right. I forgot how much I hated it. Worst of all was too much ink on the nibs! But the instruments are nice, aren’t they?” “Very nice,” I said, “as long as we don’t have to use them.
Donald A. Norman (Emotional Design: Why We Love (or Hate) Everyday Things)
But Anja. I hear Anja's voice. Maybe I am insane. I hear her crying. I see her alone in the trees. I remember being alone and humiliated. I remember, too, the fat little boy hiding in the bathroom. And I see this man, Ariane. I see this evil man, Ariane. He laughs everyday still. He has had years of laughter. He has triumphed over the screams of others, he has triumphed with blood on his hands. And he laughs still. God has cursed us! He has either cursed us or He was never here to begin with. We've pretended God was here for our own sanity! That's the truth! We've pretended evil is punished and good is rewarded. A perfect scheme!
Sergio Troncoso (The Nature of Truth)
You should be with someone who you don't mind sharing your world with—someone you can trust in it. You should be with someone that you don't have to second guess. You should be with someone you trust as much as you trust yourself. You should be with someone you can talk to and not have to talk over. You should be with someone who is worthy---someone who can love you the way you deserve to be loved. You should be with someone who will listen and not hold what you shared against you later. You should be with someone who makes you laugh. You should be with someone who makes you whole. You deserve someone who will make you smile everyday.
Terry a O'Neal
I remember, in no particular order: —a shiny inner wrist; —steam rising from a wet sink as a hot frying pan is laughingly tossed into it; —gouts of sperm circling a plughole, before being sluiced down the full length of a tall house; —a river rushing nonsensically upstream, its wave and wash lit by half a dozen chasing torchbeams; —another river, broad and grey, the direction of its flow disguised by a stiff wind exciting the surface; —bathwater long gone cold behind a locked door. This last isn’t something I actually saw, but what you end up remembering isn’t always the same as what you have witnessed. We live in time—it holds us and moulds us—but I’ve never felt I understood it very well. And I’m not referring to theories about how it bends and doubles back, or may exist elsewhere in parallel versions. No, I mean ordinary, everyday time, which clocks and watches assure us passes regularly: tick-tock, click-clock. Is there anything more plausible than a second hand? And yet it takes only the smallest pleasure or pain to teach us time’s malleability. Some emotions speed it up, others slow it down; occasionally, it seems to go missing—until the eventual point when it really does go missing, never to return. I’m not very interested in my schooldays, and don’t feel any nostalgia for them. But school is where it all began, so I need to return briefly to a few incidents that have grown into anecdotes, to some approximate memories which time has deformed into certainty. If I can’t be sure of the actual events any more, I can at least be true to the impressions those facts left. That’s the best I can manage.
Julian Barnes (The Sense of an Ending)
There were two things that particularly bothered me in those days. One was that I came too fast, often before anything had happened at all, and the other was that I never laughed. That is, it did happen once in a while, maybe once every six months, when I would be overcome by the hilarity of something and just laugh and laugh, but that was always unpleasant because then I completely lost control, I was unable to regain my composure, and I didn’t like showing that side of myself to others. So basically I was able to laugh, I had the capacity, but in my everyday life, in social situations, when I was with people around a table chatting, I never laughed. I had lost that ability. To make up for this, I smiled a lot, I might also emit some laughter-like sounds, so I don’t think anyone noticed or found it conspicuous. But I knew: I never laughed. As a result, I became especially conscious of laughter as such, as a phenomenon — I noticed how it occurred, how it sounded, what it was. People laughed almost all the time, they said something, laughed, others said something, everyone laughed. It lubricated conversations or gave them a shot of something else which didn’t have so much to do with what was being said as with being together with others. People meeting. In this situation everyone laughed, each in their own way, of course, and sometimes because of something genuinely funny, in which case the laughter lasted longer and could at times completely take over, but also for no apparent reason at all, just as a token of friendliness or openness. It could conceal insecurity, I knew that well, but it could also be strong and generous, a helping hand. When I was small I laughed a lot, but at some point it stopped, perhaps as early as the age of twelve, at any rate I remember there was a film with Rolv Wesenlund that filled me with horror, it was called The Man Who Could Not Laugh, and it was probably when I heard about it that I realised actually I didn’t laugh. From then on, all social situations were something I took part in and watched from the outside as I lacked what they were full of, the interpersonal link: laughter.
Karl Ove Knausgård (Min kamp 5 (Min kamp, #5))
My friend Brad Feld and I sat on his back porch while his golden retrievers vied for our affection. We spoke of big and small things. We reminisced. We recalled stories from two decades of friendship. We caught up on recent stories, present-day stories, of lives unfolding, hearts breaking, and the gravity that comes from becoming more and more ourselves. “I’m working harder than I’d like,” he tells me as we both nod, recognizing the tendency in each of us to do that. We know that neither of us will ever really stop working; for us, working means thinking, talking, connecting, and creating. “The difference now,” he says, referring to his fifty-something self, “the difference from earlier in my life is simple: I’m no longer striving.” Seat taken, he no longer needs to define himself by what he’s doing. Seat taken, he can allow the sadness of everyday heartbreak—his and that of those he loves—to wash over and through him. Seat taken, the gentle, openhearted warrior emerges, and we laugh and speak of our approaching elder-hood. Taking your seat leads to equanimity. Taking your seat means defining your life.
Jerry Colonna (Reboot: Leadership and the Art of Growing Up)
I Never Told You You can fill a book with everything I never said Or the lines of a poem Or an Empty pool Or an empty bedroom, the candles all blown out I never told you how the reflection of myself in your eyes Was the only mirror I could bear to look at Or how I fought every day To transfuse the girl I saw there with the girl I am I tried to breathe in the words you made me: beautiful good brave I tried to be them for you even though they were weighted with impossibility I never told you how I always feared the rough edges of myself were too sharp for you and how I fought everyday to blunt them To bring down the walls To let you in without cutting you because I could never bear to hurt you like the others did Every day a fierce pride roared in me I was so lucky to know the truth I was the beneficiary of your radiance I basked in it and felt special And if not for the pain of your solitude I would have been content to be the only one I never told you How your touch made me feel like laughing and crying and singing all at once How your hand passing over my skin where atrocities Had not yet sloughed off, Skin cells remembering the worst touches Was like a tide washing over the ruddy sand And leaving it whole and smooth You made my skin forget Gave me new memories New sensations that didn't drag the shadows from the past In your arms I could start again, Start over. There is no greater gift in all the world Than you to the wreckage that is me... I never told you How I longed to kiss away your every bruise until there was no evidence No ghosts of your own suffering To put your pieces back together Seal the cracks Vanish them like they never were And never, ever Leave a scar I never told you I would take your pain if I could I would drink it down And take my comfort In making you ache a little less For a little while Did I? I'll never know because I never told you that I loved you I love you I love you It's too lat to say it now The time has passed for words How pathetic and small and weak On the phone Or on a piece of paper Starving Without the force of my own vitality My voice My breath My blood singing n my veins for you To give them power They are lost I love you It's too late but I love you And I'm sorry I never told you.
Emma Scott (How to Save a Life (Dreamcatcher, #1))
Della & I are drunk at the top of Mont-Royal. We have an open blue plastic thermos of red wine at our feet. It's the first day of spring & it's midnight & we've been peeling off layers of winter all day. We stand facing each other, as if to exchange vows, chests heaving from racing up & down the mountain to the sky. My face is hurting from smiling so much, aching at the edges of my words. She reaches out to hold my face in her hands, dirty palms form a bowl to rest my chin. I’m standing on a tree stump so we’re eye to eye. It’s hard to stay steady. I worry I may start to drool or laugh, I feel so unhinged from my body. It’s been one of those days I don’t want to end. Our goal was to shirk all responsibility merely to enjoy the lack of everyday obligations, to create fullness & purpose out of each other. Our knees are the colour of the ground-in grass. Our boots are caked in mud caskets. Under our nails is a mixture of minerals & organic matter, knuckles scraped by tree bark. We are the thaw embodied. She says, You have changed me, Eve, you are the single most important person in my life. If you were to leave me, I would die. At that moment, our breath circling from my lungs & into hers, I am changed. Perhaps before this I could describe our relationship as an experiment, a happy accident, but this was irrefutable. I was completely consumed & consuming. It was as though we created some sort of object between us that we could see & almost hold. I would risk everything I’ve ever known to know only this. I wanted to honour her in a way that was understandable to every part of me. It was as though I could distill the meaning of us into something I could pour into a porcelain cup. Our bodies on top of this city, rulers of love. Originally, we were celebrating the fact that I got into Concordia’s visual arts program. But the congratulatory brunch she took me to at Café Santropol had turned into wine, which had turned into a day for declarations. I had a sense of spring in my body, that this season would meld into summer like a running-jump movie kiss. There would be days & days like this. XXXX gone away on a sojurn I didn’t care to note the details of, she simply ceased to be. Summer in Montreal in love is almost too much emotion to hold in an open mouth, it spills over, it causes me to not need any sleep. I don’t think I will ever feel as awake as I did in the summer of 1995.
Zoe Whittall (Bottle Rocket Hearts)
Apply humor. Lightening up lends perspective to any situation. The following story, sent to me on the Internet, provides a good example of humor diffusing a tense situation: An irate crowd of air travelers stood in a long line at a United Airlines ticket counter after their flight had been canceled, when an angry man walked to the front of the line, threw his ticket on the counter, and yelled, “I want a first-class seat on the next flight out, now!” The harried ticket agent, brushing back a lock of hair, replied, “I'll be glad to help you, sir, as soon as I take care of the people in line.” “You want me to wait in line?“ he yelled even louder. “Do you know who I am?“ The ticket agent hesitated only a moment before picking up the microphone, turning up the PA system, and announcing to the waiting area, “Ladies and gentlemen, there is a man at gate seventeen who does not know who he is. If anyone can help him find his identity—” “Screw you, lady!” the man yelled, storming off. In a parting shot she added, “Sir, I'm afraid you'll have to wait in line for that, too.” Her humor didn't help improve his emotions, but it helped hers. And the previously irate people waiting in the line were now smiling or laughing. No one else complained.
Dan Millman (Everyday Enlightenment: The Twelve Gateways to Personal Growth)
Oskar Schell: My father died at 9-11. After he died I wouldn't go into his room for a year because it was too hard and it made me want to cry. But one day, I put on heavy boots and went in his room anyway. I miss doing taekwondo with him because it always made me laugh. When I went into his closet, where his clothes and stuff were, I reached up to get his old camera. It spun around and dropped about a hundred stairs, and I broke a blue vase! Inside was a key in an envelope with black written on it and I knew that dad left something somewhere for me that the key opened and I had to find. So I take it to Walt, the locksmith. I give it to Stan, the doorman, who tells me keys can open anything. He gave me the phone book for all the five boroughs. I count there are 472 people with the last name black. There are 216 addresses. Some of the blacks live together, obviously. I calculated that if I go to 2 every Saturday plus holidays, minus my hamlet school plays, my minerals, coins, and comic convention, it's going to take me 3 years to go through all of them. But that's what I'm going to do! Go to every single person named black and find out what the key fits and see what dad needed me to find. I made the very best possible plan but using the last four digits of each phone number, I divide the people by zones. I had to tell my mother another lie, because she wouldn't understand how I need to go out and find what the key fits and help me make sense of things that don't even make sense like him being killed in the building by people that didn't even know him at all! And I see some people who don't speak English, who are hiding, one black said that she spoke to God. If she spoke to god how come she didn't tell him not to kill her son or not to let people fly planes into buildings and maybe she spoke to a different god than them! And I met a man who was a woman who a man who was a woman all at the same time and he didn't want to get hurt because he/she was scared that she/he was so different. And I still wonder if she/he ever beat up himself, but what does it matter? Thomas Schell: What would this place be if everyone had the same haircut? Oskar Schell: And I see Mr. Black who hasn't heard a sound in 24 years which I can understand because I miss dad's voice that much. Like when he would say, "are you up yet?" or... Thomas Schell: Let's go do something. Oskar Schell: And I see the twin brothers who paint together and there's a shed that has to be clue, but it's just a shed! Another black drew the same drawing of the same person over and over and over again! Forest black, the doorman, was a school teacher in Russia but now says his brain is dying! Seamus black who has a coin collection, but doesn't have enough money to eat everyday! You see olive black was a gate guard but didn't have the key to it which makes him feel like he's looking at a brick wall. And I feel like I'm looking at a brick wall because I tried the key in 148 different places, but the key didn't fit. And open anything it hasn't that dad needed me to find so I know that without him everything is going to be alright. Thomas Schell: Let's leave it there then. Oskar Schell: And I still feel scared every time I go into a strange place. I'm so scared I have to hold myself around my waist or I think I'll just break all apart! But I never forget what I heard him tell mom about the sixth borough. That if things were easy to find... Thomas Schell: ...they wouldn't be worth finding. Oskar Schell: And I'm so scared every time I leave home. Every time I hear a door open. And I don't know a single thing that I didn't know when I started! It's these times I miss my dad more than ever even if this whole thing is to stop missing him at all! It hurts too much. Sometimes I'm afraid I'll do something very bad.
Eric Roth
The only four times this word anamnesis is used in Scripture, it is in reference to the sacrifice that Christ made and is “remembered” in the Last Supper (Luke 22:19; 1 Corinthians 11:24, 25; Hebrews 10:3). The little clay-sculpted loaves in my hands feel like a memory I’m starved for. Like a memory become real between fingers. I had read it once that anamnesis was a term used to express an intangible idea moving into this material, tangible world. The philosopher Plato had used the word anamnesis to express a remembering that allowed the world of ideas to impact the world of our everyday, allowing something in another world to take form in this physical one. That was the point: remembrance, anamnesis, does not simply mean memory by mental recall, the way you remember your own address—but it means to experience a past event again through the physical, to make it take form through reenactment. Like the way you remember your own grandma Ruth by how your great-aunt Lois laughs, how she makes butterscotch squares for Sunday afternoons too, how she walks in her Birkenstocks with that same soft heel as Grandma did, her knees cracking up the stairs the same way too. The way your great-aunt Lois acts makes you remember in ways that make your grandma Ruth real and physically present again now.
Ann Voskamp (The Broken Way: A Daring Path into the Abundant Life)
Those gathered on that day in Berlin were neither good nor bad. They were human, insecure, and susceptible to the propaganda that gave them an identity to believe in, to feel chosen and important. What would any of us have done, had we been in their places? How many people actually go up against so great a tide of seeming inevitability. How many can see the evil for what it is, as it is occurring. Who has the courage to stand up to the multitudes in the face of a charismatic demi-god, who makes you feel better about yourself, part of something bigger than yourself that you have been primed to believe. Every last one of us would now say to ourselves, "I would never have attended such an event, I would never have attended a lynching. I would never have stood by, much less cheered as a fellow human was dismembered, and then set on fire, here in America." And yet, tens of thousands of everyday humans did just that, in the lifetime of the oldest among us-in Germany, in India, in the American South. This level of cold-hearted disconnection did not happen overnight. It built up over generations of insecurities and resentments. Some of the witnesses and participants who heiled Hitler and laughed at humans being tortured in the Jim Crow South are still alive, cradling grandchildren to their bosom.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
As a nonwhite person, the General, like myself, knew he must be patient with white people, who were easily scared by the nonwhite. Even with liberal white people, one could go only so far, and with average white people one could barely go anywhere. The General was deeply familiar with the nature, nuances, and internal differences of white people, as was every nonwhite person who had lived here a good number of years. We ate their food, we watched their movies, we observed their lives and psyche via television and in everyday contact, we learned their language, we absorbed their subtle cues, we laughed at their jokes, even when made at our expense, we humbly accepted their condescension, we eavesdropped on their conversations in supermarkets and the dentist’s office, and we protected them by not speaking our own language in their presence, which unnerved them. We were the greatest anthropologists ever of the American people, which the American people never knew because our field notes were written in our own language in letters and postcards dispatched to our countries of origin, where our relatives read our reports with hilarity, confusion, and awe. Although the Congressman was joking, we probably did know white people better than they knew themselves, and we certainly knew white people better than they ever knew us.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
Rollo cleared his throat. “If you will excuse me, Princess Gwendafyn, Her Majesty Queen Luciee has some questions for you.” “I’ll translate for her,” Benjimir said in Elvish. “No,” Queen Luciee said in Calnoric, her voice encased in ice. “….don’t trust you…change words.” “Rollo, did the queen just imply Benjimir might not tell her the truth?” Gwendafyn murmured. “Um…yes,” the translator said. A muscle in Gwendafyn’s eyebrow jumped in irritation. “I see.” It’s a shame Queen Luciee was not bonded to Aunt Lorius. I’m certain they would get along splendidly. No, she is worse than my aunt. At least Aunt Lorius believes in what she presses upon me. Queen Luciee enjoys crushing the spirit of others. Gwendafyn had not missed the way the queen had shot down Princess Claire… “….Unnecessary, Luciee,” King Petyrr said. “Benjimir and Gwendafyn married….love each other,” he said. Queen Luciee narrowed her eyes. “I’ve thought…suspicious…an elf could love Benjimir.” Benjimir stiffened next to her, the expression on his face unreadable. In that moment, Gwendafyn wished she could wipe the smug look off the queen’s face. She knows Benjimir loves Yvrea—she must have been informed of it when he was sent into exile. How could she say such a hurtful thing to him when she is his mother? Anger rolled off Gwendafyn in waves. It was only years of experience in shoving her rage down that kept her from glaring. Instead, she fixed an unconcerned smile on her lips. Rollo cleared his throat. “Queen Luciee wishes to ask if it is true you sing a ballad to Prince Benjimir after lunch every day.” Benjimir squeezed her hand, but Gwendafyn ignored it and made a show of widening her eyes and fluttering them. I have no idea what she’s talking about, but I’m not going to let her try and make Benjimir look like an idiot. “Of course,” she said in Calnoric. When she glanced from Queen Luciee to King Petyrr she saw their look of confusion. Bother the grunts of Calnoric! They are so hard to achieve. I must be mangling this. “Rollo, could you tell them I said of course?” Rollo nodded. “Yes, Princess Gwendafyn.” He addressed the royal family across the table in flawless Calnoric. “In fact,” Gwendafyn continued in Elvish. “It is one of the most enjoyable parts of my day. We laugh—and once he even cried over a tragic ballad, though he will deny it—and enjoy each other’s company. I love spending time with Ben.” Benjimir twitched at the as-of-yet-unused nickname, but he managed to stare adoringly at her. Yvrea placed a hand over her heart. “How touching! I know you do not normally like to sing for others, sister. It is a testament to your love for Benji,” Yvrea said. “Yes,
K.M. Shea (Royal Magic (The Elves of Lessa, #2))
Up to the second half of the fifteenth century, or even a little beyond, the theme of death reigns alone. The end of man, the end of time bear the face of pestilence and war. What overhangs human existence is this conclusion and this order from which nothing escapes. The presence that threatens even within this world is a fleshless one. Then in the last years of the century this enormous uneasiness turns on itself; the mockery of madness replaces death and its solemnity. From the discovery of that necessity which inevitably reduces man to nothing, we have shifted to the scornful contemplation of that nothing which is existence itself. Fear in the face of the absolute limit of death turns inward in a continuous irony; man disarms it in advance, making it an object of derision by giving it an everyday, tamed form, by constantly renewing it in the spectacle of life, by scattering it throughout the vices, the difficulties, and the absurdities of all men. Death’s annihilation is no longer anything because it was already everything, because life itself was only futility, vain words, a squabble of cap and bells. The head that will become a skull is already empty. Madness is the déjà-là of death.4 But it is also its vanquished presence, evaded in those everyday signs which, announcing that death reigns already, indicate that its prey will be a sorry prize indeed. What death unmasks was never more than a mask; to discover the grin of the skeleton, one need only lift off something that was neither beauty nor truth, but only a plaster and tinsel face. From the vain mask to the corpse, the same smile persists. But when the madman laughs, he already laughs with the laugh of death; the lunatic, anticipating the macabre, has disarmed it.
Michel Foucault (Madness and Civilization: A History of Insanity in the Age of Reason)
Four Years Since Today I remember the day but to be honest it is everyday That day then, the moment then, when you left us all here More than just a father I call, a gem I treasure, that day I lost We four girls, my mom’s other half, my brothers best bud, our first love, we lost Holding the key to the future called You, I stand still facing the gate of the past Why I keep on asking the same question? Why you? Why out of all those people? Why too soon? Why? It has been years, 4 years exact, it seems like yesterday yes You were taken too soon, words aren’t enough to express It’s not fair, but who I am to blame, who Am I to question? My eyes express longing you cannot fathom From my open mouth my broken heart pours Words that try to capture that image so faint He is the picture I could not ever paint Yet our memories is in the solid bowl being kept Spare me even just 5 or 10 minutes of your presence To build up this longing I feel, I am asking I want to hear your nag; I want to hear your laugh In my dreams please see me there I won’t get afraid nor get frightened Like a waterfalls my tears keeps on flowing Like a bubble your voice keeps on vanishing He, his shadow, he himself starts from fading I don’t want to forget you please stop time from ticking I don’t want to open my eyes don’t wake me from dreaming You are the art of my painting, the muse of my poem My strength, my inspiration why I’m still holding on My king, my superman, name them all, you are my only one I miss the old golden days when you used to carry us one by one Look papa, how I am now, hoping always, you’ll be proud It pains me to know this inevitable truth, yes That I can’t see you for now yes it’s the truth, but My father’s love undeniable not easily obtained Something that few, many people rather don’t have But I’m blessed and proud I have mine claimed.
Venancio Mary Ann
I tilted my head and kissed his cheek.  The whiskers abraded my lips, but I didn’t mind.  I moved lower, finding his lips.  He didn’t resist me, but didn’t join in as he had in the car.  I frowned slightly.  A stab of doubt pierced my heart.  This didn’t feel right, yet.  He still hid from me. Nudging his jaw with my nose, I made room to nuzzle his neck.  My lips skimmed his smooth skin.  His pulse jumped under my mouth.  Finally, he reacted.  Both his hands came up, holding my sides, kneading me, encouraging.  My breath quickened, and my heart hammered.  Yes!  This was right. Something took possession of me.  With one hand, I gripped his hair and tugged it.  He tilted his head to the side and exposed his neck, giving in willingly.  My eyes traced his neck where his pulse skipped erratically.  The beat matched my own.  I couldn’t look away from that clean-shaven spot.  I recalled when he had started shaving it.  He’d known I would need to see it.  For this.  I kissed it lightly and felt him shudder.  Before the shudder ended, I bit him hard on the same spot.  Hard enough to draw blood. The taste of his blood on my tongue broke the hold he had on me and created a new one somewhere deep inside.  I pulled back slightly to look at the small marks I’d left.  They had already begun to heal. The pull he had on me and the euphoria of the moment faded as the horror of what I’d just done washed over me. Clay stared at me in stunned silence...versus his everyday silence.  Behind me, someone moved and called attention to the fact that we still had an audience.  A Claiming typically occurred in private. A deep blush seized my cheeks, and embarrassed tears began to gather.  I wiped the blood from my mouth with a shaky hand.  I didn’t regret Claiming him, but wished we could have talked first.  I needed reassurance.  Would this mean I’d have to quit school?  Would he want me to live in the woods with him?  If he did, I owed it to him to try after everything he’d done for me. Then, a really ugly question floated to the surface.  Had I just forced him? Panic bloomed in my chest.  Before I could scramble off his lap, he reached up and gently stroked my hair.  I froze, hands braced on his chest for stability, ready to flee. “I’ve been waiting for that since the moment I saw you,” he said in a deep and husky voice.  He sounded like a midnight radio DJ. Hearing his perfect voice ignited my temper.  Now, he could talk?  I scowled at him.  The man had the audacity to laugh then scoop me up in his arms. The
Melissa Haag (Hope(less) (Judgement of the Six #1))
Sunday, May 7, 1944 I should be deeply ashamed of myself, and I am. What's done can't be undone, but at least you can keep it from happening again...I'm not all that ugly, or that stupid, I have a sunny disposition, and I want to develop a good character! Monday, May 22, 1944 ...Could anyone, regardless of whether they're Jews or Christians, remain silent in the face of German pressure? Everyone knows it's practically impossible, so why do they ask the impossible of the Jews? Thursday, May 25, 1944 The world's been turned upside down. The most decent people are being sent to concentration camps, prisons and lonely cells, while the lowest of the low rule over young and old, rich and poor...Unless you're a Nazi, you don't know what's going to happen to you from one day to the next. ...We're going to be hungry, but nothing's worse than being caught. Friday, May 26, 1944 ...That gap, that enormous gap, is always there. One day we're laughing at the comical side of life in hiding, and the next day (there are many such days), we're frightened, and the fear, tension and despair can be read on our faces. ...But they also have their outings, their visits with friends, their everyday lives as ordinary people, so that the tension is sometimes relieved, if only for a short while, while ours never is, never has been, not once in the two years we've been here. How much longer will this increasingly oppressive, unbearable weight press down on us? ... ...What will we do if we're ever...no, I mustn't write that down. But the question won't let itself be pushed to the back of my mind today; on the contrary, all the fear I've ever felt is looming before me in all its horror. ... I've asked myself again and again whether it wouldn't have been better if we hadn't gone into hiding, if we were dead now and didn't have to go through this misery, especially so that the others could be spared the burden. But we all shrink from this thought. We still love life, we haven't yet forgotten the voice of nature, and we keep hoping, hoping for...everything. Let something happen soon, even an air raid. Nothing can be more crushing than this anxiety. Let the end come, however cruel; at least then we'll know whether we are to be victors or the vanquished. Tuesday, June 13, 1944 Is it because I haven't been outdoors for so long that I've become so smitten with nature? ... Many people think nature is beautiful, many people sleep from time to time under the starry sky, and many people in hospitals and prisons long for the day when they'll be free to enjoy what nature has to offer. But few are as isolated and cut off as we are from the joys of nature, which can be shared by rich and poor alike. It's not just my imagination - looking at the sky, the clouds, the moon and the stars really does make me feel calm and hopeful. It's much better medicine than Valerian or bromide. Nature makes me feel humble and ready to face every blow with courage! ...Nature is the one thing for which there is no substitute.
Anne Frank (The Diary Of a Young Girl)
Indeed, this was the dirty little secret about the Copernican theory. None of it could be confirmed with direct evidence. Copernicus had come up with the notion that the earth must be going around the sun along with the other planets without making any new astronomical observations. He had simply found the idea in a book on the ancient Greek mathematician Aristarchus.§ Again, the chief reason Copernicus did not publish his theory during his lifetime was not that he feared the disapproval of the Church—he was worried it was so contrary to our everyday experience, it would be laughed off the stage.26 Nothing any astronomer had ever seen, not even Tycho Brahe’s meticulous observations from his island observatory outside Copenhagen, confirmed any aspect of it. Brahe himself felt perfectly comfortable sticking to the old geocentric theory.
Arthur Herman (The Cave and the Light: Plato Versus Aristotle, and the Struggle for the Soul of Western Civilization)
But it nevertheless seems odd to reaffirm that women's humor exists, because if you look at any random group of women for more than thirteen seconds, you'll notice we're laughing.
Gina Barreca (Fast Funny Women: 75 Essays of Flash Nonfiction)
When women are laughing, we're not telling jokes—we're telling stories. We're talking about what happened to us that day. Our lives are a riot.
Gina Barreca (Fast Funny Women: 75 Essays of Flash Nonfiction)
And suddenly for no reason, a remembrance of that three thousand year old coarse pottery bowl mended with bitumen flashed across Victoria's mind. Surely those were the things that mattered—the little everyday things, the family to be cooked for, the four walls that enclosed the home, the one or two cherished possessions. All the thousands of ordinary people on the earth, minding their own business and tilling the earth and making pots and bringing up families and laughing and crying, and getting up in the morning and going to bed at night. They were the people who mattered, not these Angels with wicked faces who wanted to make a new world and who didn't care whom they hurt to do it.
Agatha Christie Mallowan
However, my contact with the movies at this age has, I feel, no relation to my later becoming a film director. I simply enjoyed the varied and pleasant stimulation added to ordinary everyday life by watching the motion-picture screen. I relished laughing, getting scared, feeling sad and being moved to tears.
Akira Kurosawa (Something Like An Autobiography)
Life should be a daring, loving, laughing adventure — or it is nothing at all. If you don’t start choosing, life and circumstance will choose for you. You can change or stay the same. You can grow or never leave the nest. All of life becomes about our choices. We choose our people, we choose our ways, we choose our thoughts, and we choose how we seize or surrender our days. Every day, every moment, and every thought is about choice. So everyday you must make your choices. Life isn’t ever really about what happens to us, but how we respond to life. My way of life is simple; I want to be the most loving, inspiring, and true man I can be. Everyday, I want to be the man that I truly am. But I am consciously and constantly working on that and my choices. So, instead of choosing fear, I am choosing courage. Instead of choosing pain, I am choosing compassion. Instead of choosing hurt, I am choosing kindness. I choose to forgive more, to laugh more, and to listen more. Even cry more. Because I have learned that the truest act of living is no different from the act of loving — it’s all about what you give, not what you think you’ll receive. And what you should give to your life and love — is everything.
Drue Grit
You win some, you lose some. You try and sometimes fail. You grind, grin, and win. You love and remember loss. Everyday is a new day. Every moment another chance. Every road a new sight. All that matters is that you keep going. Stay as present as you can. Spend your time well. Choose your emotions as much as you can. But above all, choose love as much as you can. Forgive sincerely. Laugh fully. Hug closely. Kiss deeply. Leave nothing unsaid. Look straight into stars and sunsets and tears. Hold on. Hold each other. Hold close to all that matters to your heart. To dreams and smiles and people. The rodeo is life. You’re the rider. Saddle up, ride hard, and hold on tight. But whatever you do. Just keep on riding.
Drue Grit
In the face of the dark necessities that life presses upon us, the moralist squeezes his lips together stiffly, while the person who understands life’s dark requirements laughs in relief from moralism, in appreciation for the absurd, in the pleasures of power made accessible with the discovery of shadow.
Thomas Moore (DARK EROS: Curing the Sadomasochism in Everyday Life)
Real life is all about the everyday moments. You can have an explosive love that takes you from one day to another, but it’s the moments in between that matter the most. The person to marry is the one who you want to sit on the couch with forever. It’s the person who can make you laugh and fill your heart with excitement and happiness.
Charlotte Byrd (Tell Me to Lie (Tell Me #6))
Rural Free Delivery (RFD) Home, upon that word drops the sunshine of beauty and the shadow of tender sorrows, the reflection of ten thousand voices and fond memories. This is a mighty fine old world after all if you make yourself think so. Look happy even if things are going against you— that will make others happy. Pretty soon all will be smiling and then there is no telling what can’t be done. Coca-Cola Girl Mother baked a fortune cake pale yellow icing, lemon drops round rim, hidden within treasures, a ring—you’ll be married, a button—stay a bachelor, a thimble—always a spinster, and a penny—you’re rich. Gee, but I am hungry. Wait a second, dear, until I pull my belt up another notch. There that’s better. So, you see, Hon, I am straighter than a string around a bundle. You ought to see my eye, it’s a peach. I am proud of it, looks like I’ve been kicked by a mule. You know, dear, that they can kick hard enough to knock all the soda out of a biscuit without breaking the crust Hogging Catfish This gives you a fighting chance. Noodle your right hand into their gills, hold on tight while you grunt him out of the water. This can be a real dogfight. Old river cat wants to go down deep, make you bottom feed. Like I said, boys, when you tell a whopper, say it like you believe it. Saturday Ritual My Granddad was a cobbler. We each owned two pairs of shoes, Sunday shoes and everyday shoes. When our Sunday shoes got worn they became our everyday shoes. Main Street Saturday Night We each were given a dime on Saturday opening a universe of possibilities. All the stores stayed open and people flocked into town. Mr. and Mrs. Reynolds set up a popcorn stand on Reinheimer’s corner and soon after lighting a little stove, sounding like small firecrackers, popping began. Dad, laughing shooting the breeze with a group of farmers, drinking Coca Cola, finding out if any sheds needed to be built or barns repaired, discussing the price of next year’s seed, finding out who’s really working, who’s just looking busy. There is no object I wouldn’t give to relive my childhood growing up in Delavan— where everyone knew everyone— and joy came with but a dime. Market Day Jim Pittsford’s grocery smelled of bananas ripening and the coffee he ground by hand, wonderful smoked ham and bacon fresh sliced. He’d reward the child who came to pick up the purchase, with a large dill pickle Biking home, skillfully balancing Jim Pittsford’s bacon, J B’s tomatoes and peaches, while sniffing a tantalizing spice rising from fresh warm rolls, I nibbled my pickle reward.
James Lowell Hall
The wedding ring miracle was a once-in-a-lifetime experience. We will get to witness some of those, but most of our lives are made up of the small, everyday miracles. Answered prayers, yes, but also the miracle of a tomato that grows in our garden, the miracle of our kids laughing together, of a child learning a new concept, of connecting with our husbands; the miracle of feeling known through a conversation with a friend, of the comfort of a hug, the encouragement of a handwritten note, air-conditioning! If we choose to see life through the lens of faith and thankfulness, we will see the everyday miracles.
Alyssa Bethke (Satisfied: Finding Hope, Joy, and Contentment Right Where You Are)
Defining moments rise above the everyday. They provoke not just transient happiness, like laughing at a friend’s joke, but memorable delight.
Chip Heath (The Power of Moments: Why Certain Experiences Have Extraordinary Impact)
The Foolish Townsfolk From The Prologue IN A LAZY, sleepy Byzantine town that had seen better days, the townsfolk had become so shameless in their self-indulgent brazenness that they did whatever they wanted, breaking all moral laws and canons, without the least thought for the reproaches of their good old bishop, no matter how he begged them to reform their ways. The townsfolk merely laughed at the elder and waved him off as they would a pesky fly. Finally the old bishop died. A young new bishop was appointed, who began to live with such sybaritic excess that even the townsfolk who thought they had already seen everything shuddered to observe him. Suddenly they missed their good old meek, elderly bishop. Unable to stand any longer the constant extortion, corruption, humiliation, beatings, and most incredible and riotous disorder of the new bishop, the citizens of the town cried out as if in unison: “Why, oh Lord, have You sent us such a monster?” They had no idea how to pray properly, but after a long period of prolonged and piteous yelping, the Lord appeared to one of the town fathers and replied: “I tried to find someone worse for you, but couldn’t.
Tikhon Shevkunov (Everyday Saints and Other Stories)
When we first left home, my little brother asked me, "Where are we going?" I told him, "Just a short trip." However, it turned out to be more than just a short trip, it was a big pain. It seems that I ruined the excitement of the trip for my little brother because after having to leave five or six times, he stopped asking and just got used to leaving without arguing. Do you remember our last trip? That day, my uncle gathered all the boys and girls, relatives and friends, made us sandwiches, borrowed his friend's big car, and took us to the beach. I wonder everyday if my kites will reach my uncle. His phone is still off. Or is he waiting for us under the fig tree at our old house? If you ever meet him, please tell him that my little brother needs someone to show him the true meaning of a trip. Maybe he can make him laugh again. - letters in wartime
Sara Ahmed
Confidence is like wearing a superhero cape under your everyday clothes. It's the secret weapon that makes you feel unstoppable, even on days when you're just winging it. So, rock that messy hair and embrace your awkward moments like they're the latest fashion trend. After all, confidence isn't just about knowing you can handle anything; it's about laughing in the face of challenges and saying, "Watch out, world, here I come!
Life is Positive
O gracious and loving Lord, for friends who encourage with love, support with confidence and comfort with understanding, we thank you, O Lord. For friends who listen without judgment, share without restraint, advise without prejudice, we thank you O Lord. For friends who laugh and cry with us, and for dear friends who walk alongside us, we thank you and ask your blessing. Amen.
Terry Timm (The Breviary: everyday prayers for the people of God)
Darren McGrady Darren McGrady was personal chef to Princess Diana until her tragic accident. He is now a private chef in Dallas, Texas, and a board member of the Pink Ribbons Crusade: A Date with Diana. His cookbook, titled Eating Royally: Recipes and Remembrances from a Palace Kitchen, will be released in August 2007 by Rutledge Hill Press. His website is located at theroyalchef. I knew Princess Diana for fifteen years, but it was those last four years after I became a part of her everyday life that I really got to know her. For me, one of the benefits of being a Buckingham Palace chef was the chance to speak to “Lady Di.” I had seen her in the newspapers; who hadn’t? She was beautiful. The whole world was in love with her and fascinated by this “breath of fresh air” member of the Royal Family. The first time I met her, I just stood and stared. As she chatted away with the pastry chef in the Balmoral kitchen, I thought she was even more beautiful in real life than her pictures in the daily news. Over the years, I’ve read account after account of how the Princess could light up a room, how people would become mesmerized by her natural beauty, her charm, and her poise. I couldn’t agree more. In time, I became a friendly face to the Princess and was someone she would seek out when she headed to the kitchens. At the beginning, she would pop in “just for a glass of orange juice.” Slowly, her visits became more frequent and lasted longer. We would talk about the theater, hunting, or television; she loved Phantom of the Opera and played the CD in her car. After she and Prince Charles separated, I became her private chef at Kensington Palace, and our relationship deepened as her trust in me grew. It was one of the Princess’s key traits; if she trusted you, then you were privy to everything on her mind. If she had been watching Brookside--a UK television soap opera--then we chatted about that. If the Duchess of York had just called her with some gossip about “the family,” she wanted to share that, too. “You’ll never believe what Fergie has just told me,” she would announce, bursting into the kitchen with excitement. She loved to tell jokes, even crude ones, and would laugh at the shock on my face--not so much because of the joke, but because it was the Princess telling it. Her laughter was infectious.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Dad, I’m going out in the field later. I’m undercover. Have you forgotten what you used to look like when you were the most respected homicide detective in your squad? Back before you got stuck behind a desk, forced to kiss bureaucratic ass?” His father’s glare was enough to make him back off. “How dare you insult me or my position?” Michaels looked his father in the eye. “I apologize, Sir. That was disrespectful and completely out of line.” “You’re damn right it was.” Michaels sighed, rubbing the back of his neck. “I just don’t know what the hell I have to do to make you proud.” His dad looked at him dolefully before placing his strong hands on both of his shoulders, and turning Michaels to face him. “I am proud of you, son. Everyday. I just—” A sigh escaped his father before he continued. “I just don’t want you limiting yourself. You have the potential to lead, son. It’s in your blood. Following God and Day is not going to put you in that position. You’re the leader, not the follower.” “I can make sergeant, lieutenant and any other rank as long as I continue to be a good cop.  Working with them, I’m able to finally show what I’m capable of. So many departments have egomaniac lieutenants that are so afraid of rules and regulations that they’re barely able to let their detectives make an arrest. I just want to be able to show what I can do, and God and Day let me do that.” “Like dropkicking a man through a window.” He saw the amused glint in his father’s eye. “Yeah. Like that.” Michaels laughed. The story of their last bust - when he’d taken down three men, one of whom he’d kicked through a window - had circulated pretty fast. His father laughed with him, patting his cheek. “I’m damn proud of you, son. I’m just being a father I guess.” “I’m good Dad. Really. I’m happy with what I do. The guys are great, I trust them, and they trust me. We do good work together.” “You do, son. I can’t dispute that. I didn’t mean to insult you, either.” “I know.” His father turned to get in his car. “I’ll see you at the house tomorrow night, right?” “Tomorrow?
A.E. Via (Don't Judge (Nothing Special, #4))
can you tell me where I can find a restaurant where you can eat for nothing?” “My dear man,” replied van Schmoller, “there are no such restaurants, but there is a place around the corner where you can have a good meal very cheaply.” “Ah,” said Pareto, laughing triumphantly, “so there are laws in economics!
Albert-László Barabási (Linked: How Everything Is Connected to Everything Else and What It Means for Business, Science, and Everyday Life)
And when it's really maddening You echo in mind Dreaming you and me makes me high This weakness in no time This craving all the time Thought of cuddling you I can't stop even for a while Just want to sleep in your arms day and night why your songs every time why you don't go out of sight Reading you in quotes line by line Dreams of our home before dying Nights are broken quiet Talking to you is an urge Everyday Fight Deep silent shouts why I don't want to take you out Parties are over I just stand lost in corners. It's blue even in laughs People ask why silence even in noise It's like beyond you there is no life why these roads These long night walks I just don't stop why it's so cold why sky calls why can't I see you why there is Moon
—Ravikant Mahto
And when it's really maddening— You echo in mind Dreaming you and me makes me high This weakness in no time This craving all the time Thought of cuddling you I can't stop even for a while Just want to sleep in your arms day and night why your songs every time why you don't go out of sight Reading you in quotes line by line Dreams of our home before dying Nights are broken quiet Talking to you is an urge Everyday Fight Deep silent shouts why I don't want to take you out Parties are over I just stand lost in corners. It's blue even in laughs People ask why silence even in noise It's like beyond you there is no life why these roads These long night walks I just don't stop why it's so cold why sky calls why can't I see you why there is Moon
Ravikant Mahto
If you don't receive love from the ones who are meant to love you, you will never stop looking for it.” - Robert Goolrick "it is better to be prepared for the worst case scenario, than to be crushed when positive outcomes do not come to pass" - Matt Mcconathy "the truth is not what you see everyday, it's on a narrow road which is not the broad-road of media, and society norms - those who search for it will find it" - Matt Mcconathy "it may be comforting to stay in the safety of this place for years, but time is telling, the only safety for your life is there's a whole world out there waiting on you" - Matt Mcconathy "When your a kid you want to be exactly like your father, when your a teenager your cant stand rules, when your an adult you will appreciate what your father taught you" - Matt Mcconathy "the more you love a memory; the stronger and stranger it becomes" - Vladimir Nabokov "when diplomacy fails, there's only one alternative: violence, force must be applied without apology" - Captain Kathryn Janeway "a dumb liar doesn't connect the story and forgets details, an intelligent liar is a conspirator and can deceive many" - Matt Mcconathy "It seems strange my life should end in such a terrible place, but for 3 years I had roses, and apologized to no one" - Valerie (V for Ventetta movie quote) “There comes a time in your life when you have to choose to turn the page, write another book or simply close it" - Shannon L. Adler "I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you know that even though I do not know you, and that i will never meet you, laugh with you, or be with you, I love you" - Valerie (V for Ventetta movie)
matt mcconathy, Captain Kathryn Janeway ,Vladimir Nabokov
And so it will be with your life. There will be tough times—there are for everyone. There will be times of fear and trembling. There will be times of discouragement and disillusionment. Have courage, smile, keep your chin up, laugh often, be kind to yourself, stay focused, be gracious and appreciative, think happy thoughts, and carry on regardless.
Matthew Kelly (The Rhythm of Life: Living Everyday With Passion and Purpose)
Even infants seem to use laughter intentionally, to communicate their emotional state to their interaction partners. Provine describes the “duet” that takes place between mother and baby, where the mother first provides some stimulation, typically in the form of a touch or a tickle, and the baby responds either by laughing (“More! More!”) or by crying, defending, or fussing (“Too much! Stop!”).
Kevin Simler (The Elephant in the Brain: Hidden Motives in Everyday Life)
In light of all this, we’re now equipped to think about the relationship between laughter and humor. In any given comedic situation, humor precedes and causes laughter, but when we step back and take a broader perspective, the order is reversed. Our propensity to laugh comes first and provides the necessary goal for humor to achieve.34 Humor can thus be seen as an art form, a means of provoking laughter subject to certain stylistic constraints. Humorists, in general, work in the abstract media of words and images. They don’t get credit, as humorists, for provoking laughter by physical means—by tickling their audiences, for example. They’re also generally discouraged from eliciting contagious laughter, that is, by laughing themselves. In this way, humor is like opening a safe. There’s a sequence of steps that have to be performed in the right order and with a good deal of precision. First you need to get two or more people together.35 Then you must set the mood dial to “play.” Then you need to jostle things, carefully, so that the dial feints in the direction of “serious,” but quickly falls back to “play.” And only then will the safe come open, releasing the precious laugher locked inside.36 Different cultures may put different constraints on how a humorist is allowed to interact with the safe, or they may set a different “combination,” that is, by defining “playful” and “serious” in their own idiosyncratic ways such that one culture’s humor might not unlock a foreigner’s safe. But the core locking mechanism is the same in every human brain, and we come straight out of the factory ready to be tickled open, literally and metaphorically.
Kevin Simler (The Elephant in the Brain: Hidden Motives in Everyday Life)
You’re not like any man I’ve ever known,” she said. “You’re not even someone I could have dreamed. You’re like someone from a fairy story written in a language I don’t even know.” “The prince, I hope.” “No, you’re the dragon, a beautiful wicked dragon.” Her voice turned wistful. “How could anyone have a normal everyday life with you?” Cam took her in a safe, firm grip and lowered her to the mattress. “Maybe you’ll be a civilizing influence on me.” He bent over the slope of her breast, kissing it through the muslin veil of her gown. “Or maybe you’ll get a taste for the dragon.” He found the bud of her nipple, wet the cotton with his mouth, until the tender flesh pricked up against his tongue. “I th-think I already have.” She sounded so perturbed that he laughed. “Then lie still,” he whispered, “while I breathe fire on you.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))