Latino Inspirational Quotes

Latinos are here to stay. As citizen Raquel, I'm proud to be Latina.

It takes no time for Dasani and Kali to create their own Hershey inspired system, categorizing skin color by chocolate type. Hershey's lightes kids are "white chocolate". The brown students are "Milk Chocolate". Anyone of a deeper shade is " Dark Chocolate" . "Caramel is reserved for Latinos. I'm basically a Rolo, Dasani tells me. It a candy that's milk chocolate with Caramel on the inside.

So while you still have breath, seek Him and ask Him to protect your children and give them no desire to get within hailing distance of a gang member. You don't want them aspiring to be part of a gang. You want them aspiring to be like Jesus Christ, our Lord and Savior. He is the real shot caller.

I believe as Dr. King and A.Philip Randolph and others taught you – that we’re one people. And it doesn’t matter whether we’re white or Black, Latino, Asian American or Native American. That maybe our foremothers and forefathers all came here in different ships, but we’re all in the same boat now. John, you understood the words of Dr. King when you said we must learn to live together as brothers and sisters. If not, we will perish as fools.

America’s biggest Hispanic-owned food company, Goya Foods, began in 1936 as a specialty distributor of basic products, such as beans, to Hispanic immigrants. Today it is one of the USA’s fastest-growing food companies, introducing all sorts of Americans to a (wide) range of Hispanic-inspired food items. ‘We like to say we don’t market to Latinos, we market as Latinos’,

Llegué a acostumbrarme a matar para subsistir. Para mí era como lo que usted siente cuando, hambriento, ve un plato con cerdo asado sobre la mesa

In high school, I developed a new love: acting. I went to a predominantly black and Latino school in Compton and, outside of television, this was my first true immersion in black culture. I had an inspiring drama teacher, a Jewish man who found the most amazing, hidden plays of color. There was On Striver’s Row, a play about an upper-middle-class black family in Harlem. Maricela de la Luz Lights the World, a fanciful and mystical Latino drama by José Rivera. And so much more. Every year for four years I was introduced to new diverse works, all while working with a multicultural cast. I only wish Hollywood could take a lesson from Compton. The

You hug because you are Latino.” “No, because I need it. A hug puts us heart to heart. Listen, you’re in a crossroads in your life. You may feel like you’re in a crisis, but this is the moment you can begin a completely new life. If you let this moment pass you by, you may not have another crisis. It is your heart screaming, pleading for you to change. Don’t silence it, listen, and follow it.

The Puerto Rican movement of the 1960s and 1970s can be defined by its consistent calls for a radical transformation of U.S. society while simultaneously promoting the independence of Puerto Rico. Known as El Nuevo Despertar, this "New Awakening" of Puerto Rican radicalism was inspired and shaped by the growing militancy abroad and at home. Black Power, youth unrest (particularly against the Vietnam War), the War on Poverty, national liberation struggles in the Third World, Chicano and Native American militancy, gay and lesbian rights, and second-wave feminism are all part of the context that shaped the movement.

When art is not only a matter of inspiring colors and techniques but a permanent questioning of life.

On the working-class, multiethnic Upper West Side alone, Moses bulldozed two stable communities of color. One, along West 98th and 99th Streets, he destroyed as a gift to the builders of a market-rate development called Manhattantown (now Park West Village). At a reunion in 2011, a former resident told the Times, “It was a great neighborhood to live in. I remember playing jacks, eating Icees, playing stickball and dodge ball, jumping double Dutch and when it got really hot out they would open up the fire hydrants.” Said another, “It wasn’t a slum; why tear it down?” The other neighborhood was San Juan Hill, destroyed to make way for Lincoln Center. An African-American and Latino working-class community, San Juan Hill was full of theaters, dance halls, and jazz clubs. In the early 1900s, it was the center of black cultural life in Manhattan, where James P. Johnson wrote the song “The Charleston,” inspired by southern black dockworkers on the Hudson River. Still, it was branded as “blight.” While they fought the city in court, 7,000 families and 800 small businesses were removed and scattered.

Forty years ago, the Young Lords stepped to the forefront. They organized, advocated, took militant action to let the world know about the deplorable living conditions of Puerto Ricans and Latinos, they inspired Puerto Ricans and Latinos to organize and take to the streets in communities across the United States. (2009 speech)

What are we to make of [Enrique] Tarrio — and, more broadly, of Latino voters inspired by Trump? And what are we to make of unmistakably White mob violence that also includes non-White participants? I call this phenomenon multiracial whiteness — the promise that they, too, can lay claim to the politics of aggression, exclusion and domination. (1/15/2021 in Washington Post)

Who is as free as a writer? Nadie es tan libre como un escritor . . . No one is as free as a writer!

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