Fragrance Memories Quotes

Nothing brings to life again a forgotten memory like a fragrance.

As I kissed her the heat of her body increased, and it exhaled a wild, untamed fragrance.

When nothing else subsists from the past, after the people are dead, after the things are broken and scattered...the smell and taste of things remain poised a long time, like souls...bearing resiliently, on tiny and almost impalpable drops of their essence, the immense edifice of memory

Perfume is the key to our memories

A good fragrance is really a powerful cocktail of memories and emotion.

you were and always will be that first ever touch to have fertilized the ground beneath my life’s trees that first ever rose to have fragranced the rest of my memories.

Sometimes it's your fragrance that comes to me, out of the blue, on a crowded road in a Sunday afternoon. But more often, it's memories of us that cross my mind almost every lone evening. All I want is to lessen the pain I feel every night. But every morning I wake up is another day, hopeless and miserable, with nothing but a deafening silence, a wave of tears, memories and your absence.

I can't over-emphasize how important an exquisite perfume is, to be wrapped and cradled in an enchanting scent upon your skin is a magic all on its own! The notes in that precious liquid will remind you that you love yourself and will tell other people that they ought to love you because you know that you're worth it. The love affair created by a good perfume between you and other people, you and nature, you and yourself, you and your memories and anticipations and hopes and dreams; it is all too beautiful a thing!

One of the most painful moments in a person’s life probably comes with the insight that an age has been reached when there is more to look back on than ahead. And when time no longer lies ahead of one, other things have to be lived for. Memories, perhaps. Afternoons in the sun with someone’s hand clutched in one’s own. The fragrance of flowerbeds in fresh bloom. Sundays in a café.

Time is a curious thing. Most of us only live for the time that lies right ahead of us. A few days, weeks, years. One of the most painful moments in a person's life probably comes with the insight that an age has been reached when there is more to look back on than ahead. And when time no longer lies ahead of one, other things have to be lived for. Memories, perhaps. Afternoons in the sun with someone's hand clutched in one's own. The fragrance of flowerbeds in fresh bloom. Sundays in a cafe. Grandchildren, perhaps. One finds a way of living for the sake of someone else's future.

But the ship swept on, and the dusk hushed the hum of the day, and the first stars above blinked answers to the early fireflies on the banks as that jungle fell far behind, leaving only its fragrance as a memory that it had been.

the fragrance that came to each was like a memory of dewy mornings of unshadowed sun in some land of which the fair world in Spring is itself but a fleeting memory.

Sometimes a glance, a few casual words, fragments of a melody floating through the quiet air of a summer evening, a book that accidentally comes into hands, a poem or memory-laden fragrance may bring about the impulse which changes and determines our whole life.

Survive long enough and you get to a far point in life where nothing else of particular interest is going to happen. After that, if you don’t watch out, you can spend all your time tallying your losses and gains in endless narrative. All you love has fled or been taken away. Everything fallen from you except the possibility of jolting and unforewarned memory springing out of the dark, rushing over you with the velocity of heartbreak. May walking down the hall humming an old song—“The Girl I Left Behind Me”—or the mere fragrance of clove in spiced tea can set you weeping and howling when all you’ve been for weeks on end is numb.

A light wind blew through here that carried with it scents of sadness and loss, not recognizable odors but smells that corresponded to nothing, chimerical fragrances able to evoke melancholic memories.

Perfume is born of both pleasure and pain. It envelops the neck and reaches deep to the heart of recollection without notice.

Memory has the fragrance of a weeping night flower arousing in the exile's blood a need for singing: Lift up my grief, so I can retrieve my time.

It is a pity to gather wood-flowers. They lose half their witchery away from the green and the flicker. The way to enjoy wood-flowers is to track them down to their remote haunts—gloat over them—and then leave them with backward glances, taking with us only the beguiling memory of their grace and fragrance.

Our stories say that of all the plants, wiingaashk, or sweetgrass, was the very first to grow on the earth, its fragrance a sweet memory of Skywoman’s hand. Accordingly, it is honored as one of the four sacred plants of my people. Breathe in its scent and you start to remember things you didn’t know you’d forgotten. Our elders say that ceremonies are the way we “remember to remember

An imperfectly remembered life is a useless treachery. Every day, more fragments of the past roll around heavily in the chambers of an empty brain, shedding bits of color, a sentence or a fragrance, something that changes and then disappears. It drops like a stone to the bottom of the cave.

fragrance was the sharpest trigger of memory, a transport into forgotten worlds.

Once upon a time we all walked on the golden road. It was a fair highway, through the Land of Lost Delight; shadow and sunshine were blessedly mingled, and every turn and dip revealed a fresh charm and a new loveliness to eager hearts and unspoiled eyes. On that road we heard the song of morning stars; we drank in fragrances aerial and sweet as a May mist; we were rich in gossamer fancies and iris hopes; our hearts sought and found the boon of dreams; the years waited beyond and they were very fair; life was a rose-lipped comrade with purple flowers dripping from her fingers. We may long have left the golden road behind, but its memories are the dearest of our eternal possessions; and those who cherish them as such may haply find a pleasure in the pages of this book, whose people are pilgrims on the golden road of youth.

What we talk about less often, because it is harder to explain, is the way a perfume can give breath and body to the phantom selves that waft about us as we go through our days -- not just the showgirl, the femme fatale, and the ingenue, but all the memories and dreams of the taller, meaner, sharper, sweeter, softer people we have been or long to be.

And time is a curious thing. Most of us only live for the time that lies right ahead of us. A few days, weeks, years. One of the most painful moments in a person’s life probably comes with the insight that an age has been reached when there is more to look back on than ahead. And when time no longer lies ahead of one, other things have to be lived for. Memories, perhaps. Afternoons in the sun with someone’s hand clutched in one’s own. The fragrance of flower beds in fresh bloom. Sundays in a café. Grandchildren, perhaps. One finds a way of living for the sake of someone else’s future. And it wasn’t as if Ove also died when Sonja left him. He just stopped living. Grief is a strange thing.

I breathe in... The sights and smells Of this city I’ve come to know... So well I gaze... Across the turquoise ocean Where the waves Liberate my spirit... From its shell I breathe in... The brilliant sky line Where the birds Emerge shyly From the dappled sunshine I breathe in... The gently... Blowing winds That soothe me Like a mother, around her child I breathe in... The sounds of laughter Pure and pretty Like the golden-green butterfly I’m always after I breathe in... The closeness, I have always shared With people, Who almost knew me, Almost cared I breathe in... The comfort Of my home, The safe walls, The scents of childhood On the pillows I breathe in...the silence Of my own heart Aching with tenderness... With memories.. Of home I breathe... in... The fragrance Of love, and moist sand The one... His roses left... On both my hands And I just keep on breathing Every moment As much as I can Preserving it, in my body For the day It can’t So I breathe in.. Once again.. Feeling life's energy Fizzing through my cells Never knowing What awaits me Or what's going to happen to me.. Next I breathe in This moment... Knowing it's either life Or it's death I close my eyes, And breathe in Just believing in myself.

Inhaling fragrance is to snatch time and memory and hold it tight if only for a fleeting moment.

Whenever it rains, and its earthy scent -- the petrichor -- hits my senses, memories come flashing and I go back in time.

We write our personal story as intermittent authors; the narrator is always searching for a unitive point of view. We strive to perceive oneself from a unified perspective, but it is virtually impossible to do so. Human perception of the self is an illusion. We constantly sift through shifting memories. We experience the present under the fragrance cast by the past and under the illusionary aura of the future.

There is a charm to letters and cards that emails and smses can’t ever replicate, you cannot inhale them, drawing the fragrance of the place they have been mailed from, the feel of paper in your hand bearing the weight of the words contained within. You cannot rub your fingers over the paper and visualise the sender, seated at a table, writing, perhaps with a smile on their lips or a frown splitting the brow. You can’t see the pressure of the pen on the reverse of the page and imagine the mood the person might have been in when he or she was writing it. Smiley face icons cannot hope to replace words thought out carefully in order to put a smile on the other person’s face, the pressure of the pen, the sharpness or the laxity of the handwriting telling stories about the frame of mind of the writer, the smudges on the sheets of paper telling their own stories, blotches where tears might have fallen, hastily scratched out words where another would have been more appropriate, stories that the writer of the letter might not have intended to communicate. I have letters wrapped up in a soft muslin cloth, letters that are unsigned, tied up with a ribbon which I had once used to hold my soft, brown hair in place, and which had been gently untied by the writer of those letters. Occasionally, I unwrap them and breathe them in, knowing that the molecules from the hand that wrote them might still be scattered on the surface of the paper, a hand that is long dead.

If there is anything certain in life, it is this. Time doesn't always heal. Not really. I know they say it does, but that is not true. What time does is to trick you into believing that you have healed, that the hurt of a great loss has lessened. But a single word, a note of a song, a fragrance, a knife point of dawn light across an empty room, any one of these things will take you back to that one moment you have never truly forgotten. These small things are the agents of memory. They are the sharp needle points piercing the living fabric of your life. Life, my children, isn't linear where the heart is concerned. It is filled with invisible threads that reach out from your past and into your future. These threads connect every second we have lived and breathed. As your own lives move forward and as the decades pass, the more of these threads are cast. Your task is to weave them into a tapestry, one that tells the story of the time we shared.

The voice of the soul and of the imagination is the only voice that makes the soul and the imagination resonate thoroughly and happily; and had you spent a bit of the time you have killed to please others and had you made that bit come alive, had you nourished it by reading and reflecting at your hearth during winter and in your park during summer, you would be nurturing the rich memory of deeper and fuller hours. Have the courage to take up the rake and the pickax. Someday you will delight in smelling a sweet fragrance drifting up from your memory as if from a gardener’s brimming wheelbarrow.

And to the flour add water, only a thin stream whispering gathered rains of a reticent winter. And to the flour add oil, only a glistening thread snaking through ridges and ravines of what sifts through your fingers, what sinks, moist and burdened between your palms. And in the kneading hinge forward, let the weight of what you carry on your shoulders, the luster of your language, shade of your story press into the dough. And to the dough bring the signature of your fingertips, stretch the canvas before you, summer linen of wheat and autumn velvet of olive oil, smooth like a map of silence and fragrance, of invisible terrains of memory.

It’s hard to remember what you fall in love with. Usually it is an expression in the eyes, an exchange, or a gesture or the sound of a voice, a word spoken. Those things can get blended with the atmosphere around you at the time — a fragrance in the air, a play of light, even music — so that they become almost one with each other and when you see or smell or hear the memories of a place you feel the love again, but as a pang of loss. Sometimes the feelings get connected so deeply to your body that even your own skin, your own eyes in the mirror remind you of what you no longer have. Sometimes it only takes a few things for someone to attach the way I did — enough hunger, enough loneliness, enough loss, someone who will feed you and touch you and listen. Sometimes attachment — call it love — is more complex than that. When you are in the state I was in, love can be tied up with other things, like excitement and danger, and the desire to know what really happened, what actually took place.

Nostalgia washes over me with tons of memors and lifetime rolled on this land. Every oblivious memory from the childhood wraps open in the fragrance of these busy roads and familiar land, long signals, irritating traffic,honking cars,rushing people,excessive pollution defining Delhi at its best.

I began to watch places with an interest so exact it might have been memory. There was that street corner, with the small newsagent which sold copies of the Irish Independent and honeycomb toffee in summer. I could imagine myself there, a child of nine, buying peppermints and walking back down by the canal, the lock brown and splintered as ever, and boys diving from it. It became a powerful impulse, a slow intense reconstruction of a childhood which had never happened. A fragrance or a trick of light was enough. Or a house I entered which I wanted not just to appreciate but to remember, and then I would begin.

The still air smelled of sweetgrass hanging from the rafters. What words can capture that smell? The fragrance of your mother’s newly washed hair as she holds you close, the melancholy smell of summer slipping into fall, the smell of memory that makes you close your eyes for a moment, and then a moment longer.

I let no chance go by untaken. I never hesitated to follow where my curiosity beckoned. I willingly went where there was danger in beauty and beauty in danger. I had experiences in plenty. Many were enjoyable, some were instructive, a few I would rather have missed. But I had them, and I have them still in memory. If, as soon as tomorrow, I go to my grave, it will be no black and silent hole. I can paint the darkness with vivid colors, and fill it with music both martial and languorous, with the flicker of swords and the flutter of kisses, with flavors and excitements and sensations, with the fragrance of a field of clover that has been warmed in the sun and then washed by a gentle rain, the sweetest-scented thing God ever put on this earth. Yes, I can enliven eternity. Others may have to endure it; I can enjoy it.

There is no scent of nostalgia like a fragrance drawn from the garden of childhood memories.

One might forget their favorite book, cherished memories, or even beloved films, but the fragrance of their favorite person is something that remains unforgettable.

The strong floral fragrance was sickening, suffocating, and threatened to snuff out any lingering remainder of fragile lilac—of the mother she’d loved so, so much.

There is no scent of nostalgia like a fragrance drawn from the garden of childhood memories.

What a cruel side effect, to lose the scent of cookies in the over, the sweet fragrance of a meadow. Had I known...

Fall air had an unforgettable fragrance; as the scent of wood smoke drifted across farmers' fields, when hearths and stoves were fired-up again, crackling softly on those cooler, darker nights.

As the lilac-scented breeze carries the memories...there remains the lingering reminder of the times we hold in deep...for to love deeply and live deeply.... is to smell the fragrance of life.....

The missing element couldn't be in the top notes. I figured that out quickly enough. Top notes were the ones that caught your attention, the glittering invitations that led you deeper into a fragrance. It couldn't be a middle note, either- those warm, round things, full and loving. Taking them out would induce the soft purple of wanting, but that was still too passive. Need lived in base notes. It was the difference between appetite and craving, a bruised heart and a broken one. Base notes were just that, base- subterranean and simmering, dirt and blood, grief and desire and memory.

And the pine trees that smell so wonderfully of spicy power. Shall I never see a mountain pine again? Really that would be no misfortune. To forgo something: that also has its fragrance and its power.

She walked over to the tomato bushes, the centerpiece of the spectacular garden plot. In her mind's eye she could see her mother in a house dress that somehow looked pretty on her, a green-sprigged apron, bleached Keds with no socks, a straw hat to keep the sun from her eyes. Mamma never hurried in the garden, and she used all her senses while tending it. She would hold a tomato in the palm of her hand, determining its ripeness by its softness and heft. Or she would inhale the fragrance of pepperoncini or bell peppers, test a pinch of flat leaf parsley or mint between her teeth. Everything had to be at its peak before Mamma brought it to the kitchen.

The pungent fragrance of gingerbread rose in a warm draught to her nostrils, and Aline laughed in delight. "You remembered!" As a girl, the first thing she had always done at the fair was to gorge on iced gingerbread- and although McKenna had never shared her fondness for the treat, he had always gone with her. "Of course," McKenna said, extracting a coin from his pocket and purchasing a thick slice for her. "To this day, I've never seen anyone devour an entire loaf the way you used to." "I did not," Aline protested with a frown, sinking her teeth into the heavy, sticky bread. "I was in awe," McKenna continued. He drew her away from the stall. "To watch you eat something the size of your head in less than a quarter hour-" "I would never be that gluttonous," she informed him, deliberately taking another huge bite. He grinned. "I must be thinking of someone else, then.

I smelt him, smelt Johnny; for a second I thought - what? That he was there, was with me, that he wasn't...But I realised it was his perfume, the one I'd had made specially for him by an artisan perfumer in New York, his own custom-made one-off blend. It had been hideously expensive but I hadn't cared as long as it had pleased him. It was all intense essential oils, layer upon layer of labdanum, patchouli, vanilla, vetiver, ambrette, frankincense, myrrh, amber, Bulgarian rose absolute, Oud wood - the list was endless and beautiful, like a scented prayer. The woman had said some of the ingredients would keep their fragrance for a hundred years, would never die. Like me, he'd said, like us. I'd put some drops of the heavy dark oil on a couple of cotton wool pads and put them in the box when we got it, now the fragrance - strange, narcotic, archaic - filled the room like his ghost, embracing me in memories.

At first he had appreciated only the material quality of the sounds which those instruments secreted. And it had been a source of keen pleasure when, below the narrow ribbon the violin part, delicate, unyielding, substantial and governing the whole, he had suddenly perceived, where it was trying to surge upwards in a flowing tide of sound, the mass of the piano-part, multiform, coherent, level, and breaking everywhere in melody like the deep blue tumult of the sea, silvered and charmed into a minor key by the moonlight. But at a given moment, without being able to distinguish any clear outline, or to give a name to what was pleasing him, suddenly enraptured, he had tried to collect, to treasure in his memory the phrase or harmony—he knew not which—that had just been played, and had opened and expanded his soul, just as the fragrance of certain roses, wafted upon the moist air of evening, has the power of dilating our nostrils.

The charm is in waiting... The fragrance of a hope... The sublimity of a dream... The eloquence of a silence... The resplendence of darkness... The heat of winter... The cold of summer... The flashback of a memory... The unliving of a moment...

We were in our twenties, and life at that age is frequently wonderful, and our experience of it heightened – especially in our memory of it. This is not the fragrance of history, it is the fragrance of youth. For me those events remain remarkable, even magical, but precisely due to the fact that they were the beginning of something. A path opened up for me. The life that followed was not greyer: I was part of a collective discovery of a spectrum of colour, and those colours have stayed with me.

Imagine that God or Supreme Power came before you in the form of a fragrance which is a mixture of all the fragrances of the universe. But your mind will only pick up fragrances you are familiar with and say, “I know the fragrance of God. It’s like fragrance of my child... my lover ... my parents... my childhood memories ...” The God is right before you but your mind is recognizing only small parts of Him. To experience Him fully, you have to rise above the level of mind, and then rise above the level of soul, and finally be the God or Paramatma.

Her soft voice played over his senses like it always had, her English accent more pronounced than ever. Or was that because his ears had become acclimatized to the Australian accents around him again? He didn’t know. He pulled in a slow breath, headache forgotten, the subtle scent of Emily’s perfume filtering into his body. His stomach knotted, his balls grew harder, that delicate fragrance flooding him with memories too haunting to bear. She’d cured him of anaplastic astrocytoma, and in the process inflicted him with something else. Something powerful and—he was discovering all too quickly—inescapable.

The kitchen. La cucina, the true mother country, this warm cave of the good witch deep in the desolate land of loneliness, with pots of sweet potions bubbling over the fire, a cavern of magic herbs, rosemary and thyme and sage and oregano, balm of lotus that brought sanity to lunatics, peace to the troubled, joy to the joyless, this small twenty-by-twenty world, the altar a kitchen range, the magic circle a checkered tablecloth where the children fed, the old children, lured back to their beginnings, the taste of mother's milk still haunting their memories, fragrance in the nostrils, eyes brightening, the wicked world receding as the old mother witch sheltered her brood from the wolves outside.

Paris is a sensuous woman every man has loved, even if only in his dreams. Once he has been deep inside her, walked her streets and tasted her delights, he can never forget her. Yet no matter how strong the memory of her remains, it cannot prepare him for the sheer beauty of her nakedness as he gazes upon her for the second time; the intoxicating fragrance of her hair as it brushes against him as it did when she let him love her; the softness of her skin beneath his fingertips as he strokes her breathtakingly graceful form; or the searing fire which courses through every fiber of his soul now that she is within reach. For every man blessed with a woman's love, she is a shrine to his happiness now that he need search no more. But for those who reside in obscurity within the lonely domicile of an empty heart, she is the hope of finding love. In his tortured heart, love waits for him at a corner cafe in the woman's smile two tables away; it lingers in the melodic laughter of a girl riding past him on a bicycle; and sometimes, when the woman is smiling at someone else, and the girl rides past him without notice, he finds love beneath the skirt of the darkly sensual woman waiting for him under a streetlamp.

Memories appear in flashes of light, in short scenes, in reflections that can make us laugh or bring us to tears. They might come in on a sneaker wave of grief, or be buoyed up from our past by a certain fragrance in the air, or a sound from afar. The essence of memoir, I suppose, is that it could better be described as “re-memory.” We don’t just look back at an event in our past; we are remembering the memory of what happened. It’s a bit like putting the laundry through

Here is the crux of it: between the conscious and unconscious mind we are more complex and given to concept than we are just in the conscious mind. This means we must somehow get more use out of the unconscious part. But the unconscious has no idea of being dutiful. To waken it, we try laying some sensual or aesthetic or moral excitement just under its nose: the fragrance will rouse it from its torpor, we hope. The unconscious mind had much rather remain sleeping, of course: it knows what it's doing. If it wanted to be awake all the time, it would be the conscious mind. It is powerful: it holds most of our memories. It has a penchant for terror and self-defense. If not tempted by other nourishment, it will content itself with lurching to its feet just when we don't want it to, attacking someone senselessly. It is as much soup as animal. It prefers steeping away to thinking. It is a mess, but in its mess lie impressions life once gave us.

Wine appreciation is not a simple sum of its parts any more than poetry appreciation is an arithmetic notation of its similes, alliterations, or rhythmic style. Most complex flavor perceptions are cerebral creations. They start from the detection of separate sensations, but it is their combined interactions that generate odor memories. Only the unique combinations of multiple sensations generate the typical fragrance of an object, be it wine, coffee, lilacs, or fried bacon.

He used to bake on weekends and on the days when he did not have much homework. He used to bake all the time, and how could we reproduce all the time? Butter and cream and honey and cinnamon and vanilla and nutmeg and clove and all the jars and bottles on his baking shelf: No one's words, Proust's included, could bring back to life their warm fragrance mixed with the scents of the winter rain of California and the wet eucalyptus leaves. You almost an invention to immortalize scents, Mr. Edison. Without that our memory is incomplete.

All the positive associations the subjects had with Coca-Cola—its history, logo, color, design, and fragrance; their own childhood memories of Coke, Coke’s TV and print ads over the years, the sheer, inarguable, inexorable, ineluctable, emotional Coke-ness of the brand—beat back their rational, natural preference for the taste of Pepsi. Why? Because emotions are the way in which our brains encode things of value, and a brand that engages us emotionally—think Apple, Harley-Davidson, and L’Oréal, just for starters—will win every single time.

Oh God. We’re talking about me being naked, in the shower with cooter cream. Please world, end. Kill me. “I know it’s not soap. I just… if it’s scented… I can’t do scented. Flowers and stuff like that. Fruit-flavored soaps make… things… burnish.” She could tell from the peeks at his face Mr. Fitzwell had never stepped foot in bath and lotion store, wanting to try the array of fun fragrances. Nor had he purchased Peppermint Candy shower gel, foamed up his nether regions, and felt like he had dipped them in lava. Dove crossed and uncrossed her legs at the memory. Mr. Fitzwell seemed concerned. “Okay, just a heads-up. It’s definitely not good to put any fruits or plant life near your genitals.” He made a V with his hands and formed his own pretend vagina in front of his pants. Dove covered her eyes and tried to defend herself because now she could hear the sickly older woman beating her supporters with a purse. Dove’s mumbling got louder with her embarrassment. “I don’t put weird things down… there. Just make sure that the cream’s vagina-scented. Just plain. For vaginas.” She kept her eyes on the counter.

After sending Bella a Christmas card for years with no response, a few years before I'd decided to add something more personal- one of Mum's recipes. I had included various Christmas recipes each year since, from gingerbread to chocolate and cranberry brownies- Bella's favorite as a child. I saw these as a reminder of the good times we'd shared and hoped she'd feel the same. Just writing down those recipes reminded me of Mum in her kitchen- the soft, wobbly fold of flour into butter, the grit of sugar, the heady fragrance of chocolate, sweet vanilla and the warmth of ginger.

And time is a curious thing. Most of us only live for the time that lies right ahead of us. A few days, weeks, years. One of the most painful moments in a person's life probably comes with the insight that an age has been reached when there is more to look back on than ahead. And when time no longer lies ahead of one, other things have to be lived for. Memories, perhaps. Afternoons in the sun with someone’s hand clutched in one’s own. The fragrance of flowerbeds in fresh bloom. Sundays in a café. Grandchildren, perhaps. One finds a way of living for the sake of someone else’s future.

And time is a curious thing. Most of us only live for the time that lies right ahead of us. A few days, weeks, years. One of the most painful moments in a person's life probably comes with the insight that an age has been reached when there is more to look back on than ahead. And when time no longer lies ahead of one, other things have to be lived for. Memories, perhaps. Afternoons in the sun with someone's hand clutched in one's own. The fragrance of flowerbeds in fresh bloom. Sundays in a cafe. Grandchildren, perhaps. One finds a way of living for the sake of someone else's future.

You were asleep. I wake you. The vast morning brings the illusion of a beginning. You had forgotten Virgil. Here are the hexameters. I bring you many things. The four Greek elements: earth, water, fire, air. The single name of a woman. The friendship of the moon. The bright colors of the atlas. Forgetting, which purifies. Memory, which chooses and rediscovers. The habits which help us to feel we are immortal. The sphere and the hands that measure elusive time. The fragrance of sandalwood. The doubts that we call, not without some vanity, metaphysics. The curve of the walking stick the hand anticipates. The taste of grapes and from “Obverse

And time is a curious thing. Most of us only live for the time that lies right ahead of us. A few days, weeks, years. One of the most painful moments in a person’s life probably comes with the insight that an age has been reached when there is more to look back on than ahead. And when time no longer lies ahead of one, other things have to be lived for. Memories, perhaps. Afternoons in the sun with someone’s hand clutched in one’s own. The fragrance of flower beds in fresh bloom. Sundays in a café. Grandchildren, perhaps. One finds a way of living for the sake of someone else’s future. And it wasn’t as if Ove also died when Sonja left him. He just stopped living.

Then, halfway down the little lane, I stood still, as the soft flutter of a childhood memory brushed my heart: I had just recognized, from the indentations of the shiny leaves overhanging the threshold, a hawthorn bush, which since the end of spring, alas, had been bare of all blossom. A fragrance of forgotten months of Mary and long-lost Sunday afternoons, beliefs, and fallacies surrounded me. I wished I could grasp it as it passed. Andrée, seeing me pause, showed her charming gift of insight by letting me commune for a moment with the leaves of the little tree: I asked after its blossom, hawthorn flowers like blithe young girls, a little silly, flirtatious, and faithful.

I want to die young, neither loving nor grieving for anyone; to burst like a golden falling star, to shed my petals while still an unfaded flower. I want those wearied by hostility to find bliss twofold at my gravestone. I want to die young. Bury me to the side, away from the irritating and noisy road, there, where the pussy willow inclines to the waves, where the overgrown bushes grow yellow. So that the dreamy poppies may grow, so that the wind may breathe the fragrances of the distant earth over me. I want to die young. I don't look at the path I've travelled, at the madness of wasted years. I can doze untroubled, once I've sung my final hymn. Let the fire not completely fade; let there remain a memory of what aroused the heart's thirst for life. I want to die young.

Silent remembering is a form of prayer. No fragrance is more enchanting to re-experience than the aromatic bouquet gleaned from inhaling the cherished memories of our pastimes. We regularly spot elderly citizens sitting alone gently rocking themselves while facing the glowing sun. Although these sun worshipers might appear lonely in their state of serene solitude, they are not alone at all, because they deeply enmesh themselves in recalling the glimmering memories of days gone by. Marcel Proust wrote “In Search of Time Lost,” “As with the future, it is not all at once but grain by grain that one savors the past.” Test tasting the honeycombed memories of their bygone years, a delicate smile play out on their rose thin lips. The mellow tang of sweet tea memories – childhood adventures, coming of age rituals, wedding rites, recreational jaunts, wilderness explorations, viewing and creating art, literature, music, and poetry, sharing in the mystical experiences of life, and time spent with family – is the brew of irresistible intoxicants that we all long to sip as we grow old. The nectar mashed from a collection of choice memories produces a tray of digestible vignettes that each of us lovingly roll our silky tongues over. On the eve of lying down for the last time in the stillness of our cradled deathbeds, we will swaddle ourselves with a blanket of heartfelt love and whisper a crowning chaplet of affection for all of humanity. After all, we been heaven blessed to take with us to our final resting place an endless scroll amassing the kiss soft memories of time yore.

Once upon a time we all walked on the golden road. It was a fair highway, through the Land of Lost Delight; shadow and sunshine were blessedly mingled, and every turn and dip revealed a fresh charm and a new loveliness to eager hearts and unspoiled eyes. On that road we heard the song of morning stars; we drank in fragrances aerial and sweet as a May mist; we were rich in gossamer fancies and iris hopes; our hearts sought and found the boon of dreams; the years waited beyond and they were very fair; life was a rose-lipped comrade with purple flowers dripping from her fingers. We may long have left the golden road behind, but its memories are the dearest of our eternal possessions; and those who cherish them as such may haply find a pleasure in the pages of this book, whose people are pilgrims on the golden road of youth.

Then he dropped the paper in. We watched as the flames caught its edges and curled them into light, then blackness. The smoke that emerged was a blue so clear it surpassed the sky, the water, my father's eyes. And then, the fragrance. It was big and full, shimmering with a strength its scent-paper had never had. This was no brief window into a world. This was the thing itself. I closed my eyes and the cabin walls vanished. I could smell the sweet spice of just-cut grass, and a sparkling conversation of flowers- lush and creamy, sharp and quick, dusty and soft as memory itself. They came together like bird songs overlapping. There was sunshine, pulling out the fragrances with its warmth. I could feel it on my skin, surrounding me in a way the heat of our woodstove never could. I stood in the middle of it all, inhaling. I had never felt so full of anything before.

There was a time when I thought that my life's significant work would be to write a history of the Six Duchies. I made a start on it any number of times, but always seemed to slide sideways from that grand tale into a recounting of the days and details of my own small life. The more I studied the accounts of others, both written and told, the more it seemed to me that we attempt such histories not to preserve knowledge, but to fix the past in a settled way. Like a flower pressed flat and dried, we try to hold it still and say, this is exactly how it was the day I first saw it. But like the flower, the past cannot be trapped that way. It loses its fragrance and its vitality, its fragility becomes brittleness and its colors fade. And when next you look on the flower, you know that it is not at all what you sought to capture, that that moment has fled forever. I wrote my history and my observations. I captured my thoughts and ideas and memories in words on vellum and paper. So much I stored, and thought it was mine. I believed that by fixing it down in words, I could force sense on all that had happened, that effect would follow cause, and the reason for each event come clear to me. Perhaps I sought to justify myself, not just all I had done, but who I had become. For years, I wrote faithfully nearly every evening, carefully explaining my world and my life to myself. I put my scrolls on a shelf, trusting that I had captured the meaning of my days. But then I returned one day, to find all my careful scribing gone to fragments of vellum lying in a trampled yard with wet set, snow blowing over them. I sat my horse, looking down on them, and knew that, as it always would, the past had broken free of my effort to define and understand it. History is no more fixed and dead than the future. The past is no further away than the last breath you took.

If I could cut out my beating heart and put it in a box and forget about it, I would. Maybe I would pad the box with our photos of you, our love letters, a lock of your hair and that heart-shaped perfume bottle, the one that I gave you for your birthday. You always said it was your favorite. Maybe if I put the box up in the attic, some place out of sight and sound, I could forget you. (sigh) I force myself to look around my yard. The sun is brilliant against the bright blue sky, birds are singing out their borders and gathering twigs and grasses for nesting, and the late-season daffodils are bursting an egg-yolk yellow. I feel myself smile. For the first time this season, I spot a Peace rose, a sunshine-swelled bloom of yellow and pink flame. I inhale the bloom's faintly sweet fragrance, which floats delicate memories of you across my mind's eye — I am happy. Without thinking, I turn to the house to call you. If only It was that easy.

They stood in the courtyard at Our Lady Queen of Angels Catholic Church and stared at each other in silence, then Stanton pulled her into the shadows near a window and kissed her forehead. He cupped his hands around her face. When she didn't resist his touch, he let his hands smooth gently down her neck over her shoulders to her back. "I had to come see you," he whispered against her ear, breathing in her fragrance. His fingers stroked her back, and savored the silky feel of her blouse. He nestled his lips on her temple, her satiny hair tickling his cheek. He drew back, wanting to kiss her, but hesitated, waiting for permission. She closed her eyes and let her arms slowly slip to his back, pulling him to her. He bent forward and when his lips touched hers, the sensation was electric. As they kissed, he weaved in and out of her mind, enjoying the luxury of sorting through her memories again and seeing what she had been doing. He lingered over her thoughts of him. Finally, he pulled back and looked at her. She smiled, letting him see the truth; she still cared for him.

It was delicious in the garden. The storm had passed over long since, and it was still and warm; the sweetness of the stocks and roses filled the air with the peculiar intensity of fragrance of flowers after rain - in the evening light they had the unnatural shadowy vividness of a coloured photograph. The rain had stirred up the nightingales too - near and far, their bubbling ecstasy welled out from the dark shelter of ilexes and cypresses, and through the open windows of the villa there came presently the cool elusive sequences of Debussy's music - ghosts of melody rather than melodies, evocations rather than statements; gleams on water and pale lights in spring skies, a single star, slow waves beating in mist on a deserted shore. Grace leant back in the corner of her seat, listening, watching the leaves of the buckthorns, like little curved pencils, against the sky above her head; in the relaxation of fatigue her attention was fixed on nothing, but some part of her was profoundly aware of all these things - the scent of the flowers, the song of the nightingales, the cool western music, with its memories of her own Atlantic shores.

A fresh, uplifting mélange of Italian bergamot, mandarin, and raspberry that comprised the opening accord filled her nostrils with the carefree scents of spring. Her imagination soared with memories. The gardens of Bellerose, picnic baskets bursting with summer fruits on sunny Mediterranean beaches, summers spent on the Riviera, yacht parties, and the casino in Monte Carlo. The plain little bottle held the essence of the happy life she had known. She inhaled again, closed her eyes, and allowed her mind to wander, to visualize the images the aroma evoked. Excitement coursed through her veins. She imagined a glamorous, luxurious lifestyle of exotic locales, mysterious lovers, sandy beaches, glittering parties, elegant gowns, and precious jewels. And amid it all, sumptuous bouquets of fabulous flowers, enchanting and romantic, intense aromas of pure, bridal white jasmine and sultry tuberose, and the heady, evocative aroma of rose. Seductive spices, clove with musk and patchouli, smoothed with sandalwood and vanilla, elegant and sensual, like a lover in the night. And finally, she realized what was missing. A strong, smooth core, a warm amber blend that would provide a deep connection to the soul. Love.

Then his tears came once more, and feeling cold he went into his dressing-room to look for something to throw around his shoulders. But he had lost control of his hand so that it moved like a brainless creature and completely failed to carry out the small mathematical operation which consisted, because the inside of the wardrobe was dark, in fumbling a way through the different velvets, silks and satins of his mother's outmoded dresses which, since she had given up wearing them, for many years, she had put away in this piece of furniture, until it could feel the wooden jamb, far back, which separated these garments from his own, and, on reaching the second rough-surfaced coat, to take it from the hanger from which it depended. Instead, it tore down the first piece of fabric it encountered. This happened to be a black velvet coat, trimmed with braid, and lined with cherry-coloured satin and ermine, which, mauled by the violence of his attack, he pulled into the room like a young maiden whom a conqueror has seized and dragged behind him by the hair. In just such a way did Jean now brandish it, but even before his eyes had sent their message to his brain, he was aware of an indefinable fragrance in the velvet, a fragrance that had greeted him when, at ten years old, he had run to kiss his mother—in those days still young, still brilliant and still happy—when she was all dressed up and ready to go out, and flung his arms about her waist, the velvet crushed within his hand, the braid tickling his cheeks, while his lips, pressed to her forehead, breathed in the glittering sense of all the happiness she seemed to hold in keeping for him.

The questing, anxious, exacting way that we have of looking at the person we love, our eagerness for the word which shall give us or take from us the hope of an appointment for the morrow, and, until that word is uttered, our alternative if not simultaneous imaginings of joy and of despair, all these make our observation, in the beloved object’s presence, too tremulous to be able to carry away a clear impression of her. Perhaps, also, that activity of all the senses at once which endeavours to learn from the visible aspect alone what lies behind it is over-indulgent to the thousand forms, to the changing fragrance, to the movements of the living person whom as a rule, when we are not in love, we regard as fixed in one permanent position. Whereas the beloved model does not stay still; and our mental photographs of her are always blurred. I did not rightly know how Gilberte’s features were composed, save in the heavenly moments when she disclosed them to me; I could remember nothing but her smile. And not being able to see again that beloved face, despite every effort that I might make to recapture it, I would be disgusted to find, outlined in my memory with a maddening precision of detail, the meaningless, emphatic faces of the man with the wooden horses and of the barley-sugar woman; just as those who have lost a dear friend whom they never see even while they are asleep, are exasperated at meeting incessantly in their dreams any number of insupportable creatures whom it is quite enough to have known in the waking world. In their inability to form any image of the object of their grief they are almost led to assert that they feel no grief.

I AM LOVE I am the fountain of peace, lake of tranquility, I am the lips of blooming youth, I am the wine of soul and rose of nature’s bosom, I am the glimpse of beloved through amorous eyes. I am the elation, the sacred shrine in the heart of An innocent child; The chalice of my love overflows with divine grace, I am the rose whom lover’s lips have touched. The dawn breaks with the echo of my heart song, And whispers in the twilight; I am the beating heart inside of you, The twinkling star in the night sky, the ardent desire in the swell of passion, I am the tremulous lips parted in delight, an expression of love’s rhapsody. I breathe fragrance into your heart’s essence, tearing away the veil Of your sorrowful sigh, I am the flute which plays music to your ears, I am the nature’s call, the echo of mountains, the wild dance of a swelling ocean. I am the blazing fire of love arousing your soul to an eternal call; I flow towards the beloved like a dancing stream; I am the sweetness of your soul, Who fondles the book of caressing memories, beckoning you to be lost in my heart call. I am the lost gem of love that your hungry soul has been searching for years; I am the loving wreath of moments of happiness, Your name, engraved on my heart shines as a rarest treasure; That sparkles, illuminates on my desolate soul. From thee I arise, and to Thee I surrender; You are the gushing spring of my ecstasy, As the wine of my life rests in the chalice of your heart, Your lips press it to mine, sipping a sap of it, I die to rebirth in that soul wine. Beyond all language, beyond all words, wherein lies the land Of enchanting silence; a paradise where lovers yearn to dissolve, And clasp the timeless love to their bare bosom.  

She was floating, arms outspread, water lapping her body, breathing in a summery fragrance of salt and coconut. There was a pleasantly satisfied breakfast taste in her mouth of bacon and coffee and possibly croissants. She lifted her chin and the morning sun shone so brightly on the water, she had to squint through spangles of light to see her feet in front of her. Her toenails were each painted a different color. Red. Gold. Purple. Funny. The nail polish hadn’t been applied very well. Blobby and messy. Someone else was floating in the water right next to her. Someone she liked a lot, who made her laugh, with toenails painted the same way. The other person waggled multicolored toes at her companionably, and she was filled with sleepy contentment. Somewhere in the distance, a man’s voice shouted, “Marco?” and a chorus of children’s voices cried back, “Polo!” The man called out again, “Marco, Marco, Marco?” and the voices answered, “Polo, Polo, Polo!” A child laughed; a long, gurgling giggle, like a stream of soap bubbles. A voice said quietly and insistently in her ear, “Alice?” and she tipped back her head and let the cool water slide silently over her face. Tiny dots of light danced before her eyes. Was it a dream or a memory? “I don’t know!” said a frightened voice. “I didn’t see it happen!” No need to get your knickers in a knot. The dream or memory or whatever it was dissolved and vanished like a reflection on water, and instead fragments of thought began to drift through her head, as if she were waking up from a long, deep sleep, late on a Sunday morning. Is cream cheese considered a soft cheese? It’s not a hard cheese. It’s not . . . . . . hard at all. So, logically, you would think . . . . . . something. Something logical. Lavender is lovely. Logically lovely. Must prune back the lavender! I can smell lavender. No, I can’t. Yes, I can. That’s when she noticed the pain in her head for the first time. It hurt on one side, a lot, as if someone had given her a good solid thwack with a baseball bat. Her thoughts sharpened. What was this pain in the head all about?

HEART OF TEA DEVOTION Now stir the fire, and close the shutters fast, Let fall the curtains, wheel the sofa round, And, while the bubbling and loud hissing urn Throws up a steamy column and the cups That cheer but not inebriate, wait on each, So let us welcome peaceful ev ning in. WILLIAM COWPER Perhaps the idea of a tea party takes you back to childhood. Do you remember dressing up and putting on your best manners as you sipped pretend tea out of tiny cups and shared pretend delicacies with your friends, your parents, or your teddy bears? Were you lucky enough to know adults who cared enough to share tea parties with you? And are you lucky enough to have a little person with whom you could share a tea party today? Is there a little girl inside you who longs for a lovely time of childish imagination and "so big" manners? It could be that the mention of teatime brings quieter memories-cups of amber liquid sipped in peaceful solitude on a big porch, or friendly confidences shared over steaming cups. So many of my own special times of closeness-with my husband, my children, my friends-have begun with putting a kettle on to boil and pulling out a tea tray. But even if you don't care for tea-if you prefer coffee or cocoa or lemonade or ice water, or if you like chunky mugs better than gleaming silver or delicate china, or if you find the idea of traditional tea too formal and a bit intimidating-there's still room for you at the tea table, and I think you would love it there! I have shared tea with so many people-from business executives to book club ladies to five-year-old boys. And I have found that few can resist a tea party when it is served with the right spirit. You see, it's not tea itself that speaks to the soul with such a satisfying message-although I must confess that I adore the warmth and fragrance of a cup of Earl Grey or Red Zinger. And it's not the teacups themselves that bring such a message of beauty and serenity and friendship-although my teacups do bring much pleasure. It's not the tea, in other words, that makes teatime special, it's the spirit of the tea party. It's what happens when women or men or children make a place in their life for the

The New Man is the most important things that is happening in the world today. The new man will have to find new forms of communication, working together and sharing, because the old man and the old society will not disappear immediately. The old man will also put up a fight. The new man is a new humanity. Up to now, man has lived a pathological life, a neurotic life, a destructive life. During modern times, during the last 3000 years, there have been 6000 wars. You can not call this humanity healthy. Once in a while a Buddha, a Jesus, a Socrates, appeared, but each person is born to be a Buddha. How can I become the new man? The new man means a new consciousness, a new being. Humanity can not be saved if the new man does not arrive. Before it was not a necessity, but now it is absolutely necessary because now the war technology can destroy the whole earth. if not the new man arrives, if not people become more aware, awake and conscious, then this earth will not survive. The New Man means to develop all the three dimensions of being, all the three doors to God: the head, the dimension of thinking, logic and reason, the heart, the dimension of joy, trust, intuition, relationships, beauty, creativity and a sense of unity in love and the being, the dimension of meditation, silence, emptiness and oneness with life. The first level of the head is the dimension of ideas, intellect, hypothesis, theories, logic, analysis, rationality and dualistic thinking. The first level is the level of the mind, which means a continuous oscillation like a pendulum between the mind's memories of the past and the ideas, dreams and expectations of the future. The second level of the heart is the dimension of joy, acceptance, trust, understanding, trust, friendship, relationships, intuition, empathy, creativity, compassion, humor, playfulness and a sense of unity in love. The third level of being is the dimension of presence, awareness, meditation, silence, emptiness and wholeness. The third level is our connection with our inner life source. The new man means awareness, consciousness, love and creativity. The new man means meditation, to be in contact with our own inner source of silence. And if more people become meditative, the earth becomes filled with the fragrance of the new man.

Two nights after the Chaworth ball, Gabriel practiced at the billiards table in the private apartments above Jenner's. The luxurious rooms, which had once been occupied by his parents in the earlier days of their marriage, were now reserved for the convenience of the Challon family. Raphael, one of his younger brothers, usually lived at the club, but at the moment was on an overseas trip to America. He'd gone to source and purchase a large quantity of dressed pine timber on behalf of a Challon-owned railway construction company. American pine, for its toughness and elasticity, was used as transom ties for railways, and it was in high demand now that native British timber was in scarce supply. The club wasn't the same without Raphael's carefree presence, but spending time alone here was better than the well-ordered quietness of his terrace at Queen's Gate. Gabriel relished the comfortably masculine atmosphere, spiced with scents of expensive liquor, pipe smoke, oiled Morocco leather upholstery, and the acrid pungency of green baize cloth. The fragrance never failed to remind him of the occasions in his youth when he had accompanied his father to the club. For years, the duke had gone almost weekly to Jenner's to meet with managers and look over the account ledgers. His wife Evie had inherited it from her father, Ivo Jenner, a former professional boxer. The club was an inexhaustible financial engine, its vast profits having enabled the duke to improve his agricultural estates and properties, and accumulate a sprawling empire of investments. Gaming was against the law, of course, but half of Parliament were members of Jenner's, which had made it virtually exempt from prosecution. Visiting Jenner's with his father had been exciting for a sheltered boy. There had always been new things to see and learn, and the men Gabriel had encountered were very different from the respectable servants and tenants on the estate. The patrons and staff at the club had used coarse language and told bawdy jokes, and taught him card tricks and flourishes. Sometimes Gabriel had perched on a tall stool at a circular hazard table to watch high-stakes play, with his father's arm draped casually across his shoulders. Tucked safely against the duke's side, Gabriel had seen men win or lose entire fortunes in a single night, all on the tumble of dice.

The rain spattered against the window in a wind-driven sheet, and he dropped his forehead to her shoulder. “Sleep with me tonight,” he said, “or let me sleep with you.” “You know we cannot.” “Just sleep, Emmie. I will not bother you.” In the dark, she could not read his expression, but she did know he was ripe for another setback. He wasn’t sleeping in his bed, it was after midnight, and his memories were tormenting him. “I will scream the house down if you misbehave, and I will not let you seduce me.” It was a terrible idea—almost as terrible as the thought of not seeing him for weeks, not hearing him banter with Lord Amery, not watching as he slowly coaxed Winnie into a semblance of civilized behavior. It was a terrible idea, for she could not think of refusing him. “Tonight, Emmie love, I could not seduce my own right hand. I’ve already tried.” She shot him a puzzled look but kept her questions to herself. “Take me upstairs, Emmie.” He rose and drew her to her feet. “Please.” She made no reply, just took his hand, picked up her candle, and led him to her bedroom. While she finished braiding her hair, he locked the door then undressed, washed, and climbed under her covers. When her fingers hesitated at the ties of her nightgown, he met her gaze. “It’s up to you. Sleep however you are comfortable.” She blew out the candle before taking off her clothes and climbing in beside him. “You will sleep?” she asked, her voice hesitant in the darkness. “Eventually,” he replied, pushing her gently to her side, “and so will you.” He trailed his fingers over her shoulder blades then down her spine. “Relax, Emmie. I’ve given my word I will behave, and I would not lie to you.” She sighed and gave herself up to the pleasure of having her back rubbed and then, only moments later, to the pleasure of slumber. “Better,” he murmured, content just to touch her. The smooth, fragrant expanse of her flesh under his hands soothed him, distracted him from the rain and the rain scents coming in the windows. Her breathing evened out, and the tension in her body eased. Slowly, so as not to disturb her, he curved his naked body around hers and slipped a hand around her waist. She sighed again and snuggled back against his chest, then laced her fingers through his. He felt himself drifting into sleep, Emmie’s hand in his, her warmth against his heart, her fragrance blotting out the memories that had denied him sleep. Peace. Finally, finally, I have experienced that thing referred to as peace. ***

You’re the one needing a bath,’ the marine said. The Daru’s expression displayed shock, then dismay. ‘Outrageous notion. Sufficient layers of sweet scent applied over sufficient years, nay, decades, have resulted in a permanent and indeed impervious bouquet of gentlest fragrance.’ He waved his plump, pale hands. ‘A veritable aura about oneself to draw lovestruck butterflies—

It was the fragrance of memories. Lost voices whispered in my ear.

They say that love has never been immortal. That it is only the songs, books, and movies which instill this thought in our mind. But tell me then why does my heart yearn to just have a glimpse of you every moment of my life? Why do I see you in every sunrise? Why do I see you in every sunset? Why do I think of you when I walk down the lane of my apartment? Why do I imagine you sitting beside me while riding my bike? Why do I inhale your fragrance around me in my days and in my nights? Why do I keep missing you? Why do I feel restless untill I have spoken to you? Why do I keep thinking about you every night lying there in my bed? Why do I feel incomplete without you in my life? Why do all my memories smell of you?

There was a purgatory on earth that we the living wandered into, clinging on to the memories of the person, breathing in the clothes still hanging in the closet until time gently ameliorates their fragrance, blending it into the sameness of air. Our ghosts resided there, in that closet. Few of us had the courage to shut that door, to lock it, to never peep into it again, to let the ghosts swirl within the closed confines desperate for release. We kept returning to peek into those closets in our heads, we kept letting our ghosts out.

The Fragrance of Nostalgia..!! The Fragrance of Nostalgia...!! The aroma of nostalgia is akin to a fragrant journey through time, unlocking forgotten memories and transporting one to moments long past.

The Fragrance of Nostalgia..!! The aroma of nostalgia is akin to a fragrant journey through time, unlocking forgotten memories and transporting one to moments long past.

I've had a heap o' comfort all my life makin' quilts, and now in my old age I wouldn't take a fortune for 'em. Set down here, child, where you can see out o' the winder and smell the lilacs, and we'll look at 'em all. You see, some folks has albums to put folks' pic tures in to remember :em by, and some folks has a book and writes down the things that happen every day so they won't forgit 'em; but, honey, these quilts is my albums and my di'ries, and whenever the weather's bad and I can't git out to see folks, I jest spread out my quilts and look at 'em and study over 'em, and it's jest like goin' back fifty or sixty years and livin' my life over agin. "There ain't nothin' like a piece o' caliker for bringin' back old times, child, unless it's a flower or a bunch o'thyme or a piece o' pennyroy'l — anything that smells sweet. Why, I can go out yonder in the yard and gether a bunch o' that purple lilac and jest shut my eyes and see faces I ain't seen for fifty years, and somethin' goes through me like a flash o' lightnin', and it seems like I'm young agin jest for that minute.

A thought A fragrance A memory All in a split second That is all it takes to make my heart beat like the angry ocean That is all it takes for all my feelings for you to overwhelm me.

God, if there' one, don't let all of us die (the house! the house!), allow one to survive and wear down the eternity of the dictator; if he lives to a hundred, let us last a hundred and ten, long enough to spit on his grave and drown his corpse in the lagoon of our contempt; if he lives to two hundred, let us survive two hundred and ten, just long enough to fertilize the gardens with the shit of his memory; if he's thinking of living through his sons' sons, allow us to outlive them all, just for the pleasure of being alive when he dies, before we bury him in the amnesia of our relief of his passing. After that, why, after that, there will be time for everything, time to lift this drink to one's lips, time even to turn our faces to the sun's fragrance in the unbearable fragility of this country's morning.

and I can smell the sea—something I’ve only seen in paintings. The fragrance doesn’t, however, cover the unpleasant odor coming from Respectful Lady’s bound feet. “Your thoughts are elsewhere.” Her voice sounds as frail as her body looks. “You must pay attention.” She reaches over and takes one of my hands. “Are you having pain today?” When I nod, she says, “The memories of the agony you felt during your footbinding will never leave completely. There will be days from now until you die when the anguish will visit—if you’ve stood too long or walked too far, if the weather is about to change, if you don’t take proper care of your feet.” She squeezes my hand sympathetically. “When they throb or smart, remind yourself that one day your suffering will be proof to your husband of your love. Focusing on something else will distract you from the pain.

In the quagmire of feelings and emotions that engulf us on our drab and monotonous days and starry, resplendent nights, the ones that bring back past memories hold a special place, almost a unique pedestal, in our hearts! The distinct fragrance of nostalgia that serenades us in our minds, though incomparable, could be akin to a feeling of ecstasy. A feeling that hovers in our minds for a humongous period of time, and one that takes us to mammoth heights in the midst of chaos and cacophony. It is as if we found a new elixir that rejuvenates us and makes us spring back into life. ~ Notes of a Traveler, The Musafir.

For spring and summer, Dina baked delicate and light pastries fragranced with rosewater, meskouta orange bundt cake, and delicate raspberry macarons. When strawberries were in season in early June, she made airy fraisier cake. For autumn and winter, Dina worked with heavier ingredients: thick, dark chocolate, cinnamon, cardamom, gingerbread, and pumpkin. As the days grew colder and the light dimmed earlier and earlier, people started to crave that feeling of warmth and comfort. And Dina would give that to them, even if only for a short while. One special bake for this season was a ginger and persimmon cake, yellowed with saffron strands, which Dina had bought on her last trip to Morocco, and fresh vanilla pods, their sweet scent so potent that it wafted across the café. This was in addition to all the regular pastries and cakes she had on offer, which were all recipes her mother had taught her to bake. The cake made with dark honey from the Atlas mountains was an all-time customer favorite. Dina had imbibed it with a very specific spell, a childhood memory of a time that she must have fallen asleep on a car ride home, and although she was a little too big to be carried, she remembered her father lifting her into his arms, her mother closing the car door softly so as not to wake her, then carrying her upstairs and tucking her into bed. When she'd been fashioning the spell for the first time, it had occurred to Dina that one day your parents put you down and they never picked you up again, and so she'd made the honey cake to recreate that feeling of childhood comfort. That sensation of someone taking the utmost care of you, holding you close, was a feeling that many in the rushing city of London didn't experience often. Sometimes she wondered if she was really in the business of café ownership, or if she was more of a fairy godmother in disguise. Undeniably, the magical pastries were great at keeping customers coming back for more, so that was a bonus on the businesswoman side of things.

a long line of men, each with a torch, all dressed in the finery of the Highland chieftains. They were barbarous and splendid, decked in grouse feathers, the silver of swords and dirks gleaming red by the torchlight, picked out amid the folds of tartan cloth. The pipes stopped abruptly, and the first of the men strode into the clearing and stopped before the stands. He raised his torch above his head and shouted, “The Camerons are here!” Loud whoops of delight rang out from the stands, and he threw the torch into the kerosene-soaked wood, which went up with a roar, in a pillar of fire ten feet high. Against the blinding sheet of flame, another man stepped out, and called, “The MacDonalds are here!” Screams and yelps from those in the crowd that claimed kinship with clan MacDonald, and then— “The MacLachlans are here!” “The MacGillivrays are here!” She was so entranced by the spectacle that she was only dimly aware of Roger. Then another man stepped out and cried, “The MacKenzies are here!” “Tulach Ard!” bellowed Roger, making her jump. “What was that?” she asked. “That,” he said, grinning, “is the war cry of clan MacKenzie.” “Sounded like it.” “The Campbells are here!” There must have been a lot of Campbells; the response shook the bleachers. As though that was the signal he had been waiting for, Roger stood up and flung his plaid over his shoulder. “I’ll meet you afterward by the dressing rooms, all right?” She nodded, and he bent suddenly and kissed her. “Just in case,” he said. “The Frasers’ cry is Caisteal Dhuni!” She watched him go, climbing down the bleachers like a mountain goat. The smell of woodsmoke filled the night air, mixing with the smaller fragrance of tobacco from cigarettes in the crowd. “The MacKays are here!” “The MacLeods are here!” “The Farquarsons are here!” Her chest felt tight, from the smoke and from emotion. The clans had died at Culloden—or had they? Yes, they had; this was no more than memory, than the calling up of ghosts; none of the people shouting so enthusiastically owed kinship to each other, none of them lived any longer by the claims of laird and land, but … “The Frasers are here!” Sheer panic gripped her, and her hand closed tight on the clasp of her bag. No, she thought. Oh, no. I’m not. Then the moment passed, and she could breathe again, but jolts of adrenaline still thrilled through her blood. “The Grahams are here!” “The Inneses are here!” The Ogilvys, the Lindsays, the Gordons … and then finally, the echoes of the last shout died. Brianna held the bag on her lap, gripped tight, as though to keep its contents from escaping like the jinn from a lamp. How could she? she thought, and then, seeing Roger come into the light, fire on his head and his bodhran in his hand, thought again, How could she help it?

Rakesh Roshan Rakesh Roshan is a producer, director, and actor in Bollywood films. A member of the successful Roshan film family, Mr. Roshan opened his own production company in 1982 and has been producing Hindi movies ever since. His film Kaho Naa…Pyaar Hai won nine Filmfare awards, including those for best movie and best director. When I remember Diana and her activities in the last years of her life, I strongly feel that God sends some special people into this world to perform some special duties. Diana was one of these special people. Advancing on this godly path of love and goodness, Diana was blossoming like a flower, and with her captivating fragrance she started infusing new life in our dangerously sick garden--which was apparently at the brink of a precipice. The irony is that the cruel winds of autumn ruthlessly blew away this rare flower and deprived the world of its soothing fragrance. Diana, Princess of Wales, is no longer present in this world, but Diana, the queen of millions of hearts, is immortal and will live forever. My heart breaks when I think of her last journey, her funeral, which was brilliantly covered all over the world. One could see the whole of England in tears, and the eyes of all the television viewers were also flooded. Thousands of men, women, and children had lined up along the entire route from the palace to the church where the services were held. All the fresh flowers available in the United Kingdom were there on the passage. All eyes were tearful, and one could clearly hear the sobs of people. There were heartrending scenes of people paying tribute to their departed darling. Last, I would like to write here a translation in English of a poem written in Urdu. We hope you will come back…dear friend But why this pervading sadness…dear friend The familiar flavor in the atmosphere is singing… You are somewhere around…dear friend Please come back, Diana; this sinking world desperately needs a savior.

My resolution to “Embrace good smells” has developed into a full-blown obsession. A few of my favorite perfumes: CB I Hate Perfume    Demeter Fragrance Library    Frédéric Malle To See a Flower    Fireplace    Lys Méditerranée Hay    Pure Soap    En Passant Tea/Rose    Baby Powder    Gardenia de Nuit On the Beach 1966 Memory of Kindness         (for the Fleur Mécanique) The