Lap Around The Sun Quotes

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When I lift her, she wraps her legs around me and I carry her to an oversized chair. I fall back onto it and giver her bum a good slap, making her scream, "Hey!" I hush her complaint with another kiss, and pull her hips down against mine until she lets her head fall back and sinks into my lap perfectly. It's still our wedding night. She's all mine until the sun rises and it's time to release her back into the world. Until then, let the celebration continue.
Wendy Higgins (Sweet Temptation (Sweet, #4))
Three things: 1- Stop letting pride win. Don't let it destroy and unravel friendships and loves. We blinked, and it's the holidays again. How many more laps around the sun are left? Life is slippery and fleeting, and distance so cold. Stay humble and warm. Remember what counts. 2- Be unapologetically in love with everything. People and the cosmos. Poetry and oceans. The growth everywhere from roses to your heart to the messes that brought you to this level. The ground beneath you. The feeling. Any feeling. The fact that you can feel at all- forever a privilege. 3- Stay tender. Always tender.
Victoria Erickson
Howard had a pine display case, fastened by fake leather straps and stained to look like walnut. Inside, on fake velvet, were cheap gold-plated earrings and pendants of semiprecious stones. He opened this case for haggard country wives when their husbands were off chopping trees or reaping the back acres. He showed them the same half-dozen pieces every year the last time he came around, when he thought, This is the season - preserving done, woodpile high, north wind up and getting cold, night showing up earlier every day, dark and ice pressing down from the north, down on the raw wood of their cabins, on the rough-cut rafters that sag and sometimes snap from the weight of the dark and the ice, burying families in their sleep, the dark and the ice and sometimes the red in the sky through trees: the heartbreak of a cold sun. He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband's boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.
Paul Harding (Tinkers)
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
Michelle Tea
Arin glanced up as she approached. One tree shadowed the knoll, a laran tree, leaves broad and glossy. Their shadows dappled Arin’s face, made it a patchwork of sun and dark. It was hard to read his expression. She noticed for the first time the way he kept the scarred side of his face out of her line of sight. Or rather, what she noticed for the first time was how common this habit was for him in her presence--and what that meant. She stepped deliberately around him and sat so that he had to face her fully or shift into an awkward, neck-craned position. He faced her. His brow lifted, not so much in amusement as in his awareness of being studied and translated. “Just a habit,” he said, knowing what she’d seen. “You have that habit only with me.” He didn’t deny it. “Your scar doesn’t matter to me, Arin.” His expression turned sardonic and interior, as if he were listening to an unheard voice. She groped for the right words, worried that she’d get this wrong. She remembered mocking him in the music room of the imperial palace (I wonder what you believe could compel me to go to such epic lengths for your sake. Is it your charm? Your breeding? Not your looks, surely.). “It matters because it hurts you,” she said. “It doesn’t change how I see you. You’re beautiful. You always have been to me.” Even when she hadn’t realized it, even in the market nearly a year ago. Then later, when she understood his beauty. Again, when she saw his face torn, stitched, fevered. On the tundra, when his beauty terrified her. Now. Now, too. Her throat closed. The line of his jaw hardened. He didn’t believe her. “Arin--” “I’m sorry for what happened in the village.” She dropped her hand to her lap. She hadn’t been conscious of lifting it.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Suppose that, instead of limiting ‘Earth’ to the solid globe that we 20th century materialists define it as, the archaic ‘Earth’ was everything that lay on the plane of the ecliptic (the orbital plane of the earth around the sun, which we on Earth perceive as the path of the Sun in the sky). This extension of Earth out into the skv would make an Earth that was truly flat. Like the physical Earth the continents of this ‘Greater Earth’ would still be surrounded by water, but the water would be a mighty ocean which stretched out into space to lap at the feet of the stars. Above this ‘Earth’ would be ‘heaven,’ and below it would be the ‘underworld.’ Those stars which disappear from view (‘die’) later reappear (are ‘reborn,’ or released from Hades). * As soon as we accept these suppositions into our world-view, our frame of reference and our perspectives broaden infinitely. Suddenly the space we live in takes on the limitlessness of the space in which the sky-gods live, and our previous assumptions of what might be “real” get stood on their pointy little heads. Now when we think of the Great Flood, a myth which has appeared in ancient cultures all over the earth, it
Robert E. Svoboda (The Greatness of Saturn: A Therapeutic Myth)
Bleak pushed the chair around a corner so the light of the dying sun stained their faces a healthy red, and added, "Look, life gives us everything. Then it takes it away. Youth, love, happiness, friends. Darkness gets it all in the end. We didn't have enough sense to know you can will it-life-to others. Your looks, your youth. Pass it on. Give it away. It's lent to us for only a while. Use it, let go without crying. It's a very fancy relay race, heading God knows where. Except now, in your last lap of the race, you find no one waiting for you on the track ahead. Nobody for you to hand the stick to.
Ray Bradbury (Farewell Summer)
So the earth rotates around the sun, right? And it would be super weird for it to start happening the other way around, right? Like, suddenly the sun starts revolving around the earth- Except that sorta like what loving someone is all about – You’re moving along life, doing your thing, managing your priorities and commitments- And then suddenly you meet THE ONE. And you fall completely out of the orbit you’ve been spinning in. And now you’re doing laps around this new world. And you’re hoping gravity can sustain you. But there’s no way of knowing if it can until you realise it can’t. Guess it’s all an orbit of faith.
Justin A. Reynolds (Opposite of Always)
Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.
Gerald Durrell
A new language enabled the ceremonial practice of that sacred relationship, and in that process I learned so much: on Her lap, She taught me and others. It is a self-knowledge in its layered and complex dimensions, as our Place of Being is … the self who is particular, the self who is deeply related, and the self who directly participates in the sentience of the creative Cosmos. It is a self who is founded in where we are: regional, Earth and Cosmos - inseparable. A practice of ceremony that celebrates the whole cycle of EarthGaia’s sacred journey around Sun – Where we are - may teach a person, grow a person, within the dimensions of real time and space – the place from which true action may arise.
Glenys Livingstone (A Poiesis of the Creative Cosmos: Celebrating Her)
them flouncing into the pool, drinking, tossing up their heads, drinking again, the water dribbling from their lips in silver threads. There was another flounce, and they came out of the pond, and turned back again towards the farm. She looked further around. Day was just dawning, and beside its cool air and colours her heated actions and resolves of the night stood out in lurid contrast. She perceived that in her lap, and clinging to her hair, were red and yellow leaves which had come down from the tree and settled silently upon her during her partial sleep. Bathsheba shook her dress to get rid of them, when multitudes of the same family lying round about her rose and fluttered away in the breeze thus created, "like ghosts from an enchanter fleeing." There was an opening towards the east, and the glow from the as yet unrisen sun attracted her eyes thither. From her feet, and between the beautiful yellowing ferns with their feathery arms, the ground sloped downwards to a hollow, in which was a species of swamp, dotted with fungi. A morning mist hung over it now—a fulsome yet magnificent silvery veil, full of light from the sun, yet semi-opaque—the hedge behind it being in some measure hidden by its hazy luminousness. Up the sides of this depression grew sheaves of the common rush, and here and there a peculiar species of flag, the blades of which glistened in the emerging sun, like scythes. But the general aspect of the swamp was malignant. From its moist and poisonous coat seemed to be exhaled the essences of evil things in the earth, and in the waters under the earth. The fungi grew in all manner of positions from rotting leaves and tree stumps, some exhibiting to her listless gaze their clammy tops, others their oozing gills. Some were marked with great splotches, red as arterial blood, others were saffron yellow, and others tall and attenuated, with stems like macaroni. Some were leathery and of richest browns. The hollow seemed a nursery of pestilences small and great, in the immediate neighbourhood of comfort and health, and Bathsheba arose with a tremor at the thought of having passed the night on the brink of so dismal a place.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
Yale tried to say some­thing, but didn’t know how to be­gin. It had to do with a walk he once took with Nico and Richard around the Lin­coln Park la­goon, the two of them shar­ing Richard’s Le­ica. It struck Yale that day how they both had a way of in­ter­act­ing with the world that was si­mul­ta­ne­ously self­ish and gen­er­ous—grab­bing at beauty and re­flect­ing beauty back. The benches and fire hy­drants and man­hole cov­ers Nico and Richard stopped to pho­to­graph were made more beau­ti­ful by their notic­ing. They were left more beau­ti­ful, once they walked away. By the end of the day, Yale found him­self see­ing things in frames, saw the way the light hit fence posts, wanted to lap up the rip­ples of sun on a record store win­dow. He said, “I get it, I do.
Rebecca Makkai (The Great Believers)
Without sight to get in the way of things, the whole world was suddenly alive with sound: the lapping of water as it washed around the posts below her, the splashing and skimming of ducks as they landed on the lake's surface, the wooden planks stretching beneath the sun's glare. As she listened, Sadie became aware of a thick blanketing hum behind it all, like hundreds of tiny motors whirring at once. It was a sound synonymous with summer, difficult to place at first, but then she realized. Insects, a hell of a lot of insects. Sadie sat up, blinking into the brightness. The world was briefly white before everything righted itself. Lily pads glistened, heart-shaped tiles on the water's surface, flowers reaching for the sky like pretty, grasping hands. The air surrounding them was filled with hundreds of small winged creatures.
Kate Morton (The Lake House)
There is a deep stillness in the Fakahatchee, but there is not a moment of physical peace. Something is always brushing against you or lapping at you or snagging at you or tangling in your legs, and the sun is always pummeling your skin, and the wetness in the air makes your hair coil like a phone cord. You never smell plain air in a swamp - you smell the tang of mud and the sourness of rotting leaves and the cool musk of new leaves and the perfumes of a million different flowers floating by, each distinct but transparent, like soap bubbles. The biggest number in the universe would not be big enough to count the things your eyes see. Every inch of land holds up a thatch of tall grass or a bush or a tree, and every bush or tree is girdled with another plant’s roots, and every root is topped with a flower or a fern or a swollen bulb, and every one of those flowers and ferns is the pivot around which a world of bees and gnats and spiders and dragonflies revolve. The sounds you hear are twigs cracking underfoot and branches whistling past you and leaves murmuring and leaves slopping over the trunks of old dead trees and every imaginable and unimaginable insect noise and every kind of bird peep and screech and tootle, and then all those unclaimed sounds of something moving in a hurry, something low to the ground and heavy, maybe the size of a horse in the shape of a lizard, or maybe the size, shape and essential character of a snake. In the swamp you feel as if someone had plugged all of your senses into a light socket. A swamp is logy and slow-moving about at the same time highly overstimulating. Even in the dim, sultry places deep within it, it is easy to stay awake.
Susan Orlean (The Orchid Thief)
But he was already kissing her, one hand on the side of her face, the other removing the sandwich from her lap and putting it on the seat next to him, and it turned out that little seedling hadn’t been crushed after all, and that first kisses didn’t necessarily require darkness and alcohol, they could happen in the open air, with the sun warm on your face and everything around you honest and real and true and thank God she hadn’t been chewing gum because she would have to have swallowed it quick-smart and she might have missed the fact that Tom tasted exactly the way she always suspected he’d taste: of cinnamon sugar and coffee and the sea. “I was worried we were destined for friendship,” she said when they came up for air. Tom brushed a lock of hair off her forehead and tucked it behind her ear. “Are you kidding? Besides, I’ve got enough friends.
Liane Moriarty (Big Little Lies)
Little Sleep's-Head Sprouting Hair in the Moonlight 1 You scream, waking from a nightmare. When I sleepwalk into your room, and pick you up, and hold you up in the moonlight, you cling to me hard, as if clinging could save us. I think you think I will never die, I think I exude to you the permanence of smoke or stars, even as my broken arms heal themselves around you. 2 I have heard you tell the sun, don't go down, I have stood by as you told the flower, don't grow old, don't die. Little Maud, I would blow the flame out of your silver cup, I would suck the rot from your fingernail, I would brush your sprouting hair of the dying light, I would scrape the rust off your ivory bones, I would help death escape through the little ribs of your body, I would alchemize the ashes of your cradle back into wood, I would let nothing of you go, ever, until washerwomen feel the clothes fall asleep in their hands, and hens scratch their spell across hatchet blades, and rats walk away from the culture of the plague, and iron twists weapons toward truth north, and grease refuse to slide in the machinery of progress, and men feel as free on earth as fleas on the bodies of men, and the widow still whispers to the presence no longer beside her in the dark. And yet perhaps this is the reason you cry, this the nightmare you wake screaming from: being forever in the pre-trembling of a house that falls. 3 In a restaurant once, everyone quietly eating, you clambered up on my lap: to all the mouthfuls rising toward all the mouths, at the top of your voice you cried your one word, caca! caca! caca! and each spoonful stopped, a moment, in midair, in its withering steam. Yes, you cling because I, like you, only sooner than you, will go down the path of vanished alphabets, the roadlessness to the other side of the darkness, your arms like the shoes left behind, like the adjectives in the halting speech of old folk, which once could call up the lost nouns. 4 And you yourself, some impossible Tuesday in the year Two Thousand and Nine, will walk out among the black stones of the field, in the rain, and the stones saying over their one word, ci-gît, ci-gît, ci-gît, and the raindrops hitting you on the fontanel over and over, and you standing there unable to let them in. 5 If one day it happens you find yourself with someone you love in a café at one end of the Pont Mirabeau, at the zinc bar where wine takes the shapes of upward opening glasses, and if you commit then, as we did, the error of thinking, one day all this will only be memory, learn to reach deeper into the sorrows to come—to touch the almost imaginary bones under the face, to hear under the laughter the wind crying across the black stones. Kiss the mouth that tells you, here, here is the world. This mouth. This laughter. These temple bones. The still undanced cadence of vanishing. 6 In the light the moon sends back, I can see in your eyes the hand that waved once in my father's eyes, a tiny kite wobbling far up in the twilight of his last look: and the angel of all mortal things lets go the string. 7 Back you go, into your crib. The last blackbird lights up his gold wings: farewell. Your eyes close inside your head, in sleep. Already in your dreams the hours begin to sing. Little sleep's-head sprouting hair in the moonlight, when I come back we will go out together, we will walk out together among the ten thousand things, each scratched in time with such knowledge, the wages of dying is love.
Galway Kinnell
A DAY IN THE WRITER’S LIFE . . . Virginia Woolf awoke early every morning, either at her home in London or the country house in Sussex, and breakfasted with her husband. Around 9:30 a.m., they both retreated to their respective writing rooms, hers an explosion of muddle—books, papers, odds and ends—where, assuming she was well, Woolf would sit in her armchair, plywood board on her lap, to work on her latest piece of fiction until 12:30 or 1 p.m., when she would break for lunch. In the afternoon, she would almost always take a walk, write in her diary, or work on an essay. Teatime came in the late afternoon. Then, before dinner, she would sometimes make revisions, sometimes read, or sometimes even see friends. The nighttime hours were for reading or socializing—her mind, she claimed, was no longer fit for writing after the sun went down.
Sarah Stodola (Process: The Writing Lives of Great Authors)
You do not like me too good. This is a sad thing, eh?” With a sweep of his hand, he indicated the world around them. “The sky is up, the earth is down. The sun shows its face, only to be chased away by Mother Moon. These things are for always, eh? Just as you are my woman. The song was sung long ago, and the song must come to pass. You must accept, Blue Eyes.” Loretta yearned to break eye contact but found she couldn’t. The silken threads of his deep voice wove a spell around her. She must accept? Already he was planning to give her away to his horrible cousin. She sank lower in the water, keeping her arms crossed to hide her breasts. Could he see through the ripples? Still studying her with the same unnerving intensity, he said, “When the wind blows, the sapling bends, the flowers lie low against the earth, the grass is flattened.” He thumped his chest with his fist. “I am your wind, Blue Eyes. Bend or break.” Bend or break. In all her life, she had never felt quite so helpless. Her attention moved to the knife on his hip. If only he would drop his guard--just for a moment. As if he sensed what she was thinking, he smiled another humorless smile and lowered his gaze to her chest where the water lapped just above her splayed fingertips. She tightened her arms around herself. He said nothing more, but words weren’t necessary. She couldn’t stay in the river forever, and when she emerged, he would be waiting. She was trapped. Always, forever, with no horizon.
Catherine Anderson (Comanche Moon (Comanche, #1))
Adaira was on her horse, following Innes and the western guards down the hill. Soon, she would melt into the woods and shadows. Jack fought the urge to chase after her. He paused in the grass, waiting for Adaira to glance behind. To look at him one more time. If she did, he would follow her into the west. His heart was beating in his throat as his eyes remained fixed on her. The long waves of her hair, the proud posture of her shoulders. Her horse stepped into the river. She was almost at the woods. She never looked back. Jack watched her disappear into the forest. His breaths were ragged as he walked down the hill. He came to a gradual stop in the valley. The river lapped at his ankles when he stepped into its currents. He stared toward the west, where the sun illuminated the Aithwood, catching the rapids of the river. He knelt in the cold water. It wasn’t long before he heard footsteps splash behind him. Small, thin arms came around him in an embrace. Frae held him as he grieved.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
You are not just the sum of your success, subtracted by your failures. Your worth is not just an equation of how much you can offer to the world. Your value does not just come from what you give, say, or do; there is more to you than just output. The sun doesn’t have to run laps around the horizon, the days do not have to pass to purchase your worth, you are not worth it in some future plane. You are not worthy only in the innocence of your past because it is not what you have done or do that makes you worthy. Your worth does not come just by your doing, it comes through the perfect God who created you. Stop calculating your worth with finite numbers when you were created by an infinite God who brought you to life with an everlasting spirit of light. Stop dividing who you are by the denominator of other people’s opinions. Remember, infinity divided by any number is still infinite. Remember forever cannot be reduced no matter how much you subtract. Remember you are not currency to fall and rise in value.
A. Helwa (Secrets of Divine Love: A Spiritual Journey into the Heart of Islam (Studying Qur'an & Hadith Book 2))
The day is bright and beautiful; she wants to relish in it, selfishly claim it, refusing to turn around in defeat. Taking off her shoes, she lies down on the sand, the warmth of the sun suffusing her skin, the rhythm of the waves barely lapping at her toes, and drifts into a hypnagogic state. As if at the center of the universe, her body humming to its ineffable tune, a sense of peace envelops her like a cocoon. The squawks of seabirds, the rolling waves, the faint voices of fishermen on their boats come in and out of her subconscious, caught between reality and a dream.
Kate Birkin (The Consequence of Anna)
She was impatient, disappointed with herself, with the limitations imposed by her physical presence, by her height and weight, age and maturity, mortality and fragility. The earth spun on its axis, and gravity grounded her. She sensed that the girl could fly if she chose to, that she could disappear and reappear, and pass through objects... all while Mary Beth grew old, day after day, and some cruel god counted the rotations, the laps around the sun... A tree grew until it fell.
Dana Cann (Ghosts of Bergen County)
Levering himself upward, Swift reached for her hair, which had begun to fall from its pins. His fingers were gentle as he pulled feathers from the glinting black strands. For a silent minute or two they worked on each other. Daisy was so intent on the task that the impropriety of her position didn’t occur to her at first. For the first time she was close enough to notice the variegated blue of his eyes, ringed with cobalt at the outer edge of the irises. And the texture of his skin, satiny and sun-hued, with the shadow of close-shaven stubble on his jaw. She realized that Swift was deliberately avoiding her gaze, concentrating on finding every tiny piece of down in her hair. Suddenly she became aware of a simmering communication between their bodies, the solid strength of him beneath her, the incendiary drift of his breath against her cheek. His clothes were damp, the heat of his skin burning through wherever it pressed against hers. They both went still at the same moment, caught together in a half-embrace while every cell of Daisy’s skin seemed to fill with liquid fire. Fascinated, disoriented, she let herself relax into it, feeling the throb of her pulse in every extremity. There were no more feathers, but Daisy found herself gently lacing her fingers through the dark waves of his hair. It would be so easy for him to roll her beneath him, his weight pressing her into the damp earth. The hardness of their knees pressed together through layers of fabric, triggering a primitive instinct for her to open to him, to let him move her limbs as he would. She heard Swift’s breath catch. He clamped his hands around her upper arms and unceremoniously removed her from his lap. Landing on the grass beside him with a decisive thump, Daisy tried to gather her wits. Silently she found the pen-knife on the ground and handed it back to him. After slipping the knife back into his pocket, he made a project of brushing feathers and dirt from his calves. Wondering why he was sitting in such an oddly cramped posture, Daisy struggled to her feet. “Well,” she said uncertainly, “I suppose I’ll have to sneak back into the manor through the servants’ entrance. If Mother sees me, she’ll have conniptions.” “I’m going back to the river,” Swift said, his voice hoarse. “To find out how Westcliff is faring with the reel. And maybe I’ll fish some more.” Daisy frowned as she realized he was deliberately avoiding her. “I should think you’d had enough of standing up to your waist in cold water today,” she said. “Apparently not,” Swift muttered, keeping his back to her as he reached for his vest and coat.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Rancorous ivy. On the other side of the wall, at the edge of the river, the sand burned. The river lay afire. Kingfishers fell like spots across the eyes and laughter was yellow. Every Sunday Omensetter strolled by the river with his wife, his daughters, and his dog. They came by wagon, spoke to people who were off to church, and while Furber preached, they sprawled in the gravel and trailed their feet in the water. Lucy Omensetter lay her swollen body on a flat rock. Furber felt the sun lapping at her ears. It was like a rising blush, and his hands trembled when he held them out to make the bars of the cross. May the Lord bless you and keep you . . . He closed his eyes, drifting off. They would see how moved he was, how intense and sincere he was. Cause His light to shine upon you . . . He would find the footprints of the dog and imprint of their bodies. All the days of your life . . . The brazen parade of her infected person. Watchman. Rainbows like rings of oil around her. Watchman. Shouldn’t we be? I spy you, Fatty, behind the tree. He wanted to rub the memory from his eyes. Glittering. Beads of water stood on her skin and drop fled into drop until they broke and ran, the streaks finally fading. Her navel was inside out—sweet spot where Zeus had tied her. She was so white and glistening, so . . . pale, though darker about the eyes, the nipples dark. Open us to evil. He made a slit in his lids. Burn our hearts. Shawls of sunlight spilled over the backs of the pews. Nay-ked-nessss. The droplets gathered at the point of her elbow and hung there, the sac swelling until it fell and spattered on her foot. Nay . . . nay. To enclose her like the water of the creek had closed her. Nay . . . Proper body for a lover. Joy to be a stone. Please, the peep-watch is over. Please hurry now. Hurry. Get out of my church.
William H. Gass (Omensetter's Luck)
Kenzie agreed to meet him at the park in the morning. Early. Linc sat in his car, waiting for her and watching the sun come up. She pulled in less than five minutes later. They ran some laps, and she told him what Jim had said. Then she ran ahead. He lengthened his strides to catch up, concentrating on the running so he could think. She outpaced him several more times. Feeling frisky. She seemed to have bounced back from her near breakdown at the climbing gym over that ugly card. He caught up again and flung himself across an imaginary ribbon. “And the winner is!” “Cheater,” she yelled, laughing. He loped off the track toward the exercise structures and she followed. Linc grabbed the pull-up bar and swung himself up, doing several. “Jim’s not crazy, Kenzie. Five.” The pull-ups hurt his arms, but it felt good. He’d been spending too much time sitting in front of laptops. Kenzie leaned against the metal frame of the structure, looking around absently at the small park. “I guess he was just thinking out loud. I never saw him get that steamed, though.” He let himself down with excruciating slowness and went up again. “Six. You can understand why.” “Yeah, I do.” “Seven.” He went for some fast ones. “Eight. Nine. Ten.” He sucked in a breath, tightening his abs, and let it out with a whoosh. “Going to the media is an idea. I considered it myself. But--eleven--it won’t work for us. Not at this point.” “Don’t forget about Randy Holt. She didn’t want to go public.” “Twelve.” His biceps bulged as he stayed up, swinging a little in midair. He thought he detected a flicker of interest in Kenzie’s eyes. About time. He was killing himself. She swung her arms to warm up. “Are you done showing off?” “Are you impressed yet?” Small smile. Okay, she had a lot on her mind. He wouldn’t push it. Then--Linc almost lost his grip when she walked over and put a hand on his chest. “Don’t forget to breathe,” she said mischievously. Linc gasped. He wasn’t sure whether to drop to the ground and take her in his arms, or lose the challenge. “Thirteen. Fourteen. And…fifteen.” He dropped to the ground with bent knees, more winded than he expected. “Your turn.” Kenzie reached high to grab the bar before he could grab her and did several without breaking a sweat, her ankles crossed. Perfect form. In more ways than one.
Janet Dailey (Honor (Bannon Brothers, #2))
But that did no harm, and a sad young mind found a way to match things up with an antagonist. Now, just stand a child up against your body. How tall is it? Possibly only up to your hip. Still, a man,—or an animal thinking that it is a man—will slap, whip, or viciously yank an arm of so frail, so soft a tiny body! That is what I call a coward!! By golly! almost a criminal! If a tot is what you call naughty, (and no child voluntarily is,) why not lift that young body up onto your lap, and talk—don’t shout—about what it just did? Shouting gains nothing with a tot. Man can shout at Man, at dogs, and at farm animals; but a man who shouts at a child is, at that instant, sinking in his own muck of bullyism; and bullyism is a sin, if anything in this world is. Ah Youth! You glorious dawn of Mankind! You bright, happy, glowing morning Sun; not at full brilliancy of noon, I know, but unavoidably on your way! Youth! How I do thrill at taking your warm, soft hand; walking with you; talking with you; but, most important of all, laughing with you! That is Man’s pathway to glory. A man who drops blossoms in passing, will carry joy to folks along his way; a man who drops crumbs will also do a kindly act; but a man who drops kind words to a sobbing child will find his joy continuing for many a day; for blossoms will dry up; crumbs may blow away; but a kind word to a child may start a blossom growing in that young mind, which will so far surpass what an unkindly man might drop, as an orchid will surpass a wisp of grass. Just stop a bit and look back at your footprints along your past pathway. Did you put many humps in that soil which a small child might trip on? Did you angrily slam a door, which might so jolt a high-strung tot as to bring on nights and nights of insomnia? Did you so constantly snarl at it that it don’t want you around? In fact, did you put anything in that back-path of yours which could bring sorrow to a child? Or start its distrust of you, as its rightful guardian? If so, go back right now, man, and fix up such spots by kindly acts from now on. Or, jump into a pond, and don’t crawl out again!! For nobody wants you around!
Ernest Vincent Wright (Gadsby)
We can set up sun parasols over the chairs to shield us while we have our drinks.” “That sounds very nice.” Perveen would have preferred to speak to Cora away from the villa. She hadn’t felt safe when she’d met the nawab. “Shall we go up to the veranda and tell Oshadi?” “Just a sec.” Cora went back into the cabana through the open door and came out with the cowbell. Swiftly, she loped a hundred feet or so toward the house and rang the bell vigorously. After a moment, a young man in blue began running down the lawn toward them. Using her hands, Cora instructed him to drag the chairs close to where water lapped the sand and raise the umbrellas. The only words she spoke were about choices of drinks. To Perveen, she said, “I like my orange juice with a splash of champagne. How about you?” “I’m a dreadful bore,” Perveen apologized. “Because of this heat, I’m craving plain water.” “Any ice?” Cora asked. “A luxury indeed!” Perveen said with a nod, repeating the same to the young man. They settled in their chairs as the manservant went off. There was an awkward silence, so Perveen began. “Let me just say that I’m sorry about the last time we were together. I felt wretched after I spoke with you at my office.” “Have you changed your mind about representing me, then?” Perveen hesitated, because she couldn’t lie outright. “I would like to know more about the hospital committee from you. In the brief time I spoke with your husband, he mentioned that there wasn’t enough support from the women’s husbands. I want to know who is involved at this point.” And who might have attended the party where Sunanda was attacked. The begum bit her lip, smearing a bit of red onto the bottom of a front tooth. “You’ll have to ask them yourself, because they won’t answer my calls.” “Do you mean—the ladies on the committee?” “Of course!” Cora’s voice was impatient. “My title might be Princess, but the white ladies in this town have made it clear I’m from the wrong place.” “Australia is respected enough by Britain to have had dominion status since 1901!” Perveen didn’t add that she thought the privilege had been given to Australia, rather than India, because of racism. “I keep my mouth shut around them about my own family, just as I do about my dancing and singing career,” Cora said glumly. “So it must be that they are thinking about Australia being founded as a penal colony. Australia is where men are supposed to go for horses—but not wives.” “Look, there’s the bearer coming!” Perveen said. After the bearer had handed off their drinks, she told Cora, “I also felt like an outsider at the tea party. I heard
Sujata Massey (The Mistress of Bhatia House (Perveen Mistry, #4))
Mrs. Hale seemed like the pure concentration of all the light and air and earth and people of Enon, from every lap it had ever taken around the sun, not merely from its relatively brief and no doubt fleeting career as a village of colonists but from its centuries as home to more original souls and a tract of forest, and its millennia under glaciers and at the bottoms of unnamed oceans, all taken in by her ancestral house and focused through the precisely configured windows, aligned and coordinated with the clocks and orrery and rendered into the small, prim, neatly dressed figure sitting on a plain wooden settle beneath an electric candle, in the middle of the room, the temple, the dim penetralia, everything else shrouded in darkness, as if she were an artifact in a museum or a prophet in a pew.
Paul Harding (Enon)
Good morning,” she said, smiling as she slid over beside me and straddled the stick shift. All worries of Sawyer fled my mind. “Good morning, beautiful,” I replied, and leaned over to kiss her. She immediately sighed and moved closer to me, running her fingers through my hair. It took all my self-control to pull back. “Don’t you want to get out of here first?” I asked. She pouted as if I’d just taken away her favorite toy and sat back, crossing her arms over her chest. “How’re you feeling today?” I asked, pulling out onto the road. Her dimple winked at me. It took extreme willpower to keep driving and not pull over so I could kiss that sweet spot. “I’m fine…I mean, better than fine. I’m--” She paused, and I glanced down to see her cheeks flush a pretty, bright pink. I couldn’t keep from chuckling at the innocent blush on her face. Reaching down, I gently pulled one of the small hands she was wringing nervously in her lap and threaded my fingers through hers while the first stirrings of possessiveness came over me. “Are you sore?” I asked. I’d heard virgins were normally sore afterward, but Ashton had been the first virgin I’d ever been with. She started to shake her head, but then her blush deepened. “Maybe a little.” “I’m sorry,” I replied, feeling a tug of protectiveness to go with the healthy heaping of possessiveness rearing up inside me. She was turning my insides into a war zone. She gazed up at me and smiled shyly. “I’m not.” God, I loved her. She wrapped her arms around mine and laid her head on my shoulder. It was one of the few times I hated my stick shift. I’d prefer to remain just like this without having to move my arm. “Tell me you put on sunblock,” I said, glancing down at her lightly tanned skin. The sun on the beach was intense for even the best tanner. She giggled and nodded her head. All was right with the world. Once I pulled out onto the highway, heading south, I tucked my hand between her thighs and enjoyed the ride.
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
o the earth rotates around the sun, right? And it would be super weird for it to start happening the other way around, right? Like, suddenly the sun starts revolving around the earth— Except that’s sorta like what loving someone is all about— You’re moving along life, doing your thing, managing your priorities and commitments— And then suddenly you meet THE ONE. And you fall completely out of the orbit you’ve been spinning in. And now you’re doing laps around this new world. And you’re hoping gravity can sustain you. But there’s no way of knowing if it can until you realize it can’t. Guess it’s all an orbit of faith.
Justin A. Reynolds
From the day I brought the kitten home there was a change in my husband, he didn't go out to the bars nearly as much, he tried to be home every night by dark, and he stoked the fires in both stoves and fussed all over that kitten, somehow he became that kitten's surrogate mother, and not only did my husband meticulously brush his teeth every night, he quit drinking beer at night altogether so as not to reek of it. And whenever I woke up to have a look, there was that kitten suckling at my husband's knuckle, and that's how they slept together, that's how they slept together even when that kitten grew into a full-grown tabby cat, that tabby cat couldn't fall asleep unless he was snuggled up to my husband and suckling at his knuckle. Little Ethan, that's what we named our tabby, was so in love with my husband that he just couldn't wait for evening to come, and when I made the beds Ethan liked to slip under the covers and romp around in the dark, even I fell in love with that tabby, even I fell in love with him as if he were our own little child, even I couldn't wait to see our tabby cat, who was fond of sunning himself up on the roof, up there where my husband typed on his typewriter, in fact, these days my husband even wrote while I was at home, because that tabby cat sat right next to him, gazing wisely at the typewriter keys, gazing lovestruck at my husband, and into my lap he would come, and then back to my husband at the typewriter, some sort of muse to my husband is what that little creature was.
Bohumil Hrabal (Gaps)