Lanes Funny Quotes

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Bike lane: the section of the road that accommodates wide loads and has speed bumps to protect drunk drivers.
Bauvard (Some Inspiration for the Overenthusiastic)
Peas baffled me. I could not understand why grown-ups would take things that tasted so good when they were freshly-picked and raw, and put them in tin cans, and make them revolting.
Neil Gaiman (The Ocean at the End of the Lane)
R.F. JACKABY INVESTIGATIVE SERVICES ASSISTANT WANTED -$8 PER WEEK- Must be literate and possess a keen intellect and open mind. Strong stomach preferred. Inquire at 926 Augur Lane. Do not stare at the frog.
William Ritter (Jackaby (Jackaby, #1))
That much sexual tension makes me want to hump a phone pole, and that’s just not attractive in a pregnant woman.
Amy Lane (How to Raise an Honest Rabbit (Granby Knitting, #2))
I tried not to let my relief show. I’d been a passenger in Jae’s car a total of three times, and after each trip, I forced myself not to kiss the ground in thanks once I got free of the Explorer. He’d learned to drive in Seoul. Apparently, no one believed in turn signals or lanes in South Korea, because Jae drove like a drunk butterfly heading to its next fermented flower.
Rhys Ford (Dirty Secret (Cole McGinnis, #2))
That's the trouble with cookbooks. Like sex education and nuclear physics, they are founded on an illusion. They bespeak order, but they end in tears.
Anthony Lane (Nobody's Perfect: Writings from The New Yorker)
Well," Mr. Cheeseman interjected. "Perhaps there's an easy solution to this. Maybe Captain Fabulous has an alter ego." "What's an alter ego?" asked Gerard. "It's a superhero's true but secret identity," said Chip. "You know, the way that Superman is really Clark Kent." "Superman is really Clark Kent?" "It's pretty obvious," said Penny. "To everyone but you and Lois Lane." "Okay," Gerard conceded. "Captain Fabulous's alter ego will be...Teddy Roosevelt.
Cuthbert Soup (Another Whole Nother Story (A Whole Nother Story))
That’s the funny thing about writing your life story. You start out trying to remember dates and times and names. You think it’s about facts, your life; that what you’ll look back on and remember are the successes and failures, the time line of your youth and middle age, but that isn’t it at all. Love. Family. Laughter. That’s what I remember when it’s all said and done.
Kristin Hannah (Firefly Lane (Firefly Lane #1))
There’s no two ways about it, Tolkien fans are a funny bunch. I should know, for I was one of them. Been there, done that, read the book, gone mad. I first took on The Lord of the Rings at the age of eleven or twelve; to be precise, I began it at the age of eleven and finished at the age of twelve. It was, and remains, not a book that you happen to read, like any other, but a book that happens to you: a chunk bitten out of your life.
Anthony Lane
I have plenty of little black numbers in my closet at home, any one of which would be just fine for this event.” Finn snorted. “Sure, if you don’t mind wearing something that’s ripped, torn, and caked with dried blood.” I couldn’t argue with that. Funny how killing people inevitably led to ruined clothes.
Jennifer Estep (Deadly Sting (Elemental Assassin, #8))
Saddened that I, a smart, semi-funny, nutty, loyal, good woman, could feel so negative about myself under all the smiling and humor, I felt the sting of tears in my eyes. The way I felt about my appearance was bad. Really freakin' bad.
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
I failed. I fucking failed. For fifteen years, Timothy Lane handed out A’s like mints. The year I take the class? Lane’s ticker quits ticking, and I get stuck with Pamela Tolbert. It’s official. The woman is my archenemy. Just the sight of her flowery handwriting—which fills up every inch of available space in the margins of my midterm—makes me want to go Incredible Hulk on the booklet and rip it to shreds.
Elle Kennedy (The Deal (Off-Campus, #1))
Some nice lady came over here with food for us all. She claimed to be your mother. I don't believe it--you're an asshole, and she's good people.
Amy Lane (Living Promises (Promises, #3))
My vagina is a treacherous bitch. She can’t be trusted.
Dolores Lane (Bloody Fingers & Red Lipstick)
if I was gay, I’d… I’d be mesmerized by you. I’d listen to every word that fell out of your mouth like it was diamonds made of sound waves. I’d memorize the pattern of freckles on your back and spend months taking cooking classes just to find something you’d eat. You are kind, and you are funny, and you are brave, and any man who has you needs to see all that or he just isn’t worth the laces in your combat boots, you hear me
Amy Lane (Talker (Talker, #1))
I laugh harder with you. I feel more myself with you. I trust you with me–the real me. When something goes wrong, or right, or I hear a funny joke, or I see something bizarre, you’re the first person I want to talk to about it.
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
Do you think the Goblin King really did it?" asked Cordelia hesitantly. All the sheep knew she was talking about George's death. Mopple quickly pulled up a tuft of grass. "Or Satan?" added Lane. "Nonsense," Rameses snorted nervously. "Satan would never do a thing like that." several of the sheep bleated in agreement. None of them thought Satan capable of such an act. Satan was an elderly donkey who sometimes grazed in the meadow next to theirs, and uttered blood-curdling cries. his voice was truly dreadful, but otherwise he'd always struck them as harmless.
Leonie Swann (Three Bags Full (Sheep Detective Story, #1))
IFPs. I call them Interdimensional Fairy Potholes.” He smiled faintly. “Funny girl, aren’t you?” We lapsed into another uncomfortable silence. I looked at him. He looked away. I shrugged and looked away, too. “I wasn’t—” I began. “I didn’t—” He began. “How charming,” V’lane cut us off. His voice arrived before he did. “The very portrait of human domestic bliss. She’s on the floor, you’re towering over her. Did he strike you, MacKayla? Say the word and I’ll kill him.
Karen Marie Moning (Dreamfever (Fever, #4))
Dreams. They’d had so many of them, and a surprising number had come true. The funny thing was that she hadn’t valued them all highly enough when she’d had the chance.
Kristin Hannah (Firefly Lane (Firefly Lane #1))
You’re not the funny one. Just try and stick in your snarky, bitchy lane, yeah? It suits you better.” I opened my mouth to protest that, but Darius turned and punched him in the arm before I could. “Don’t tell her she can’t be funny, dickhead,” he warned like my own personal dark knight. “Well tell me this, Darius,” Seth said seriously, looking him square in the eye. “Did. You. Laugh?
Caroline Peckham (Heartless Sky (Zodiac Academy, #7))
That's the thing about "being funny": It actually, often, comes from struggle and trauma--from being doubted, being told you're too much, being told you're too little. It comes from people assuming that because you're funny, you can take a punch that really didn't need to be thrown" -
Lane Moore
Temperance pursed her lips, her eyes firmly fixed on the growing mound of chopped turnip roots. “Do you think anyone really likes turnips?” “Temperance…” Temperance poked the tip of her knife into a white cube and held it up. “They are very filling, of course, but really, when was the last time you heard someone say, ‘Oh, I’m so very fond of turnips’?
Elizabeth Hoyt (Wicked Intentions (Maiden Lane, #1))
Lane, I love you. Endlessly. Completely and with every piece of me. You’re funny and kind and smart and truly the best Scrabble player I’ve ever encountered.” He laughs and wipes a tear from his cheek. “I cannot wait to begin our story. The best is yet to come.” He closes the notebook tenderly and hands it to his father, who grabs his shoulder and kisses his cheek.
Hannah Bonam-Young (Next to You)
That’s the funny thing about writing your life story. You start out trying to remember dates and times and names. You think it’s about facts, your life; that what you’ll look back on and remember are the successes and failures, the time line of your youth and middle age, but that isn’t it at all. Love. Family. Laughter. That’s what I remember when it’s all said and done. For so much of my life I thought I didn’t do enough or want enough. I guess I can be forgiven my stupidity. I was young. I want my children to know how proud I am of them, and how proud I am of me. We were everything we needed—you and Daddy and I. I had everything I ever wanted. Love. That’s what we remember.
Kristin Hannah (Firefly Lane (Firefly Lane #1))
Which mirror now, Ms. Lane?” He glanced around the white room, scanning the ten mirrors. “Fourth from the left. Jericho.” I was sick of him calling me Ms. Lane. I picked myself up off the white floor. Once again the Silver had spit me out with entirely too much enthusiasm, and I didn’t even have the stones on me. I didn’t have anything but the spear in my holster, a protein bar, two flashlights, and a bottle of Unseelie in my pockets. “You don’t have the right to call me Jericho.” “Why? Because we haven’t been intimate enough? I’ve had sex with you in every possible position, killed you, fed you my blood in the hopes that it would bring you back to life, crammed Unseelie into your stomach, and tried to rearrange your guts. I’d say that’s pretty personal. How much more intimate do we have to get for you to feel comfortable with me calling you Jericho? Jericho.” I expected him to pounce on the sex-in-every-possible-position comment, but he only said. “You fed me your—” I pushed into the mirror, cutting him off. Like the first one, it resisted me, then grabbed me and squirted me out on the other side. His voice preceded his arrival. “You bloody fool, do you never stop to consider the consequences of your actions?” He barreled out of the mirror behind me. “Of course I do,” I said coolly. “There’s always plenty of time to consider the consequences. After I’ve screwed up.” “Funny girl, aren’t you, Ms. Lane?” “Sure am. Jericho. It’s Mac. I’m Mac. No more fake formality between us. Get with the program or get the hell out of here.” His dark eyes flared. “Big talk. Ms. Lane. Try to enforce it.” Challenge burned in his gaze. I sauntered toward him. He watched me coldly and I was reminded of the other night, when I’d pretended to be coming on to him, because I was angry. He thought I was doing it again. I wasn’t. Being in the White Mansion with him was doing something strange to me. Unraveling all my inhibitions, as if these walls had no tolerance for lies, or within them there was no need.
Karen Marie Moning (Shadowfever (Fever, #5))
It was at night,” I say. “What was?” “What happened. The car wreck. We were driving along the Storm King Highway.” “Where’s that?” “Oh, it’s one of the most scenic drives in the whole state,” I say, somewhat sarcastically. “Route 218. The road that connects West Point and Cornwall up in the Highlands on the west side of the Hudson River. It’s narrow and curvy and hangs off the cliffs on the side of Storm King Mountain. An extremely twisty two-lane road. With a lookout point and a picturesque stone wall to stop you from tumbling off into the river. Motorcycle guys love Route 218.” We stop moving forward and pause under a streetlamp. “But if you ask me, they shouldn’t let trucks use that road.” Cool Girl looks at me. “Go on, Jamie,” she says gently. And so I do. “Like I said, it was night. And it was raining. We’d gone to West Point to take the tour, have a picnic. It was a beautiful day. Not a cloud in the sky until the tour was over, and then it started pouring. Guess we stayed too late. Me, my mom, my dad.” Now I bite back the tears. “My little sister. Jenny. You would’ve liked Jenny. She was always happy. Always laughing. “We were on a curve. All of a sudden, this truck comes around the side of the cliff. It’s halfway in our lane and fishtailing on account of the slick road. My dad slams on the brakes. Swerves right. We smash into a stone fence and bounce off it like we’re playing wall ball. The hood of our car slides under the truck, right in front of its rear tires—tires that are smoking and screaming and trying to stop spinning.” I see it all again. In slow motion. The detail never goes away. “They all died,” I finally say. “My mother, my father, my little sister. I was the lucky one. I was the only one who survived.
James Patterson (I Funny: A Middle School Story)
Prologue In 1980, a year after my wife leapt to her death from the Silas Pearlman Bridge in Charleston, South Carolina, I moved to Italy to begin life anew, taking our small daughter with me. Our sweet Leah was not quite two when my wife, Shyla, stopped her car on the highest point of the bridge and looked over, for the last time, the city she loved so well. She had put on the emergency brake and opened the door of our car, then lifted herself up to the rail of the bridge with the delicacy and enigmatic grace that was always Shyla’s catlike gift. She was also quick-witted and funny, but she carried within her a dark side that she hid with bright allusions and an irony as finely wrought as lace. She had so mastered the strategies of camouflage that her own history had seemed a series of well-placed mirrors that kept her hidden from herself. It was nearly sunset and a tape of the Drifters’ Greatest Hits poured out of the car’s stereo. She had recently had our car serviced and the gasoline tank was full. She had paid all the bills and set up an appointment with Dr. Joseph for my teeth to be cleaned. Even in her final moments, her instincts tended toward the orderly and the functional. She had always prided herself in keeping her madness invisible and at bay; and when she could no longer fend off the voices that grew inside her, their evil set to chaos in a minor key, her breakdown enfolded upon her, like a tarpaulin pulled across that part of her brain where once there had been light. Having served her time in mental hospitals, exhausted the wide range of pharmaceuticals, and submitted herself to the priestly rites of therapists of every theoretic persuasion, she was defenseless when the black music of her subconscious sounded its elegy for her time on earth. On the rail, all eyewitnesses agreed, Shyla hesitated and looked out toward the sea and shipping lanes that cut past Fort Sumter, trying to compose herself for the last action of her life. Her beauty had always been a disquieting thing about her and as the wind from the sea caught her black hair, lifting it like streamers behind her,
Pat Conroy (Beach Music)
Dear Human, My Human, the Old Lady (that’s her name) is a Russian scientist. Old Lady made a big scientific discovery: found the key to my eternal youth. Or even to immortality, if we like. Old Lady made herself immortal first. I don’t blame her. Next, Martha-the-White-Rat. Then, me and my sister Milly—we trace our pedigree through the purest blood lines of Bavarian-born Spaniels. But then she stopped. My other siblings look all aged by now. But at my 17, I look no more than three or four. My sister Milly got stuck at puppy age. We watch the photos of our relatives on Facebook, and we are saddened that Old Lady did not make them immortal too. That she keeps it a secret. And I am so worried about my friend Fox Theodore. He is at the hight of his financial and physical might now, but I know he will age. My best friend. I once tried to unlock the Secret. Me and Raccoon. (Raccoon’s a human, but he is sort of my buddy.) That turned out to be my big mistake. Lots other Humans came coveting the Secret too, which resulted in a lot of unpleasant and funny stories. More unpleasant. In the aftermath, Old Lady had to flee and I got misplaced. All my own fault. Now I’m trying to get found. Have you seen my Old Lady? You’d recognize her: her hands and face are way too young, plus she always clips her amber brooch. If you see her, tell her where I stay: 7 White Goose Lane, Ducklingburg, South Duck United State of America P.S. Tell her from me that she is the very finest Human in the whole world and that I am very lonely here without her. Zip, the Spaniel Dog
Alex Valentine
Asa looked up, drawing a deep breath, and saw that his harpy wasn't amused by his laughter. "I don't think why you find the thought of me helping with your books so funny," she said in a stiff little voice. "Or, for that matter, letting me paint you." Her mouth- the only soft part of her, as far as he could tell- trembled a bit. Well, he hadn't meant to hurt her feelings. "Don't worry about it, luv," he said, tearing off a bite of the bread with his teeth. "You'll find out soon enough when you see my books. As for the other-" he set down the piece of bread and shrugged off his coat- "do you want to start now?" That got him a wide-eyed look, and he couldn't help but grin at her, mouth obnoxiously full, as he began unbuttoning his waistcoat. Had the lady bitten off more than she could chew? "What are you doing?" she asked, her voice high and a bit panicked. He opened his eyes in mock innocence as he yanked his shirt from his breeches. "Stop that at once." "Why?" he asked curiously, his fingers still on his lifted shirt. Her gaze darted to his bared navel and then away again like that of a sweet canary frightened by an ugly alley cat. "You said you wanted me to 'model' for you.
Elizabeth Hoyt (Sweetest Scoundrel (Maiden Lane, #9))
the tyre?’ said Janet. ‘I mean – it just might come in useful. And we could measure the width of the tyre print too.’ ‘I don’t see how those things can possibly matter,’ said Barbara, who wanted to go down the lane and join the three boys. ‘Well, I’m going to try and copy the pattern,’ said Janet firmly. ‘I’d like to have something to show the boys!’ So, very carefully, she drew the pattern in her notebook. It was a funny pattern, with lines and circles and V-shaped marks. It didn’t really look very good when she had done it. She had measured the print as best she could. She had no tape-measure with her, so she had placed a sheet from her notebook over the track, and had marked on it the exact size. She felt rather pleased with herself, but she did wish she had drawn the pattern better. Barbara laughed when she saw it. ‘Goodness! What a mess!’ she said. Janet looked cross and shut her notebook up. ‘Let’s follow the tracks down the lane now,’ she said. ‘We’ll see exactly where they go. Not many vans come down here – we ought to be able to follow the tracks easily.’ She was quite right. It was very easy to follow them. They went on and on down the lane – and then stopped outside the old house. There were such a lot of different marks there that it was difficult to see exactly what they were – footprints, tyre-marks, places where the snow had been kicked and ruffled up – it was hard to tell anything except that this was where people had got out and perhaps had had some kind of struggle. ‘Look – the tyre-marks leave all this mess and go on down the lane,’ said Janet. She looked over the gate. Were the boys in the old house with the caretaker? ‘Let’s go and see if we can find the boys,’ said Barbara.
Enid Blyton (The Secret Seven Collection 1: Books 1-3 (Secret Seven Collections and Gift books))
So they went out for a walk. They went through narrow, lightless lanes, where houses that were silent but gave out smells of fish and boiled rice stood on either side of the road. There was not a single tree in sight; no breeze and no sound but the vaguely musical humming of mosquitoes. Once, an ancient taxi wheezed past, taking a short-cut through the lane into the main road, like a comic vintage car passing through a film-set showing the Twenties into the film-set of the present, passing from black and white into colour. But why did these houses – for instance, that one with the tall, ornate iron gates and a watchman dozing on a stool, which gave the impression that the family had valuables locked away inside, or that other one with the small porch and the painted door, which gave the impression that whenever there was a feast or a wedding all the relatives would be invited, and there would be so many relatives that some of them, probably the young men and women, would be sitting bunched together on the cramped porch because there would be no more space inside, talking eloquently about something that didn’t really require eloquence, laughing uproariously at a joke that wasn’t really very funny, or this next house with an old man relaxing in his easy-chair on the verandah, fanning himself with a local Sunday newspaper, or this small, shabby house with the girl Sandeep glimpsed through a window, sitting in a bare, ill-furnished room, memorising a text by candlelight, repeating suffixes and prefixes from a Bengali grammar over and over to herself – why did these houses seem to suggest that an infinitely interesting story might be woven around them? And yet the story would never be a satisfying one, because the writer, like Sandeep, would be too caught up in jotting down the irrelevances and digressions that make up lives, and the life of a city, rather than a good story – till the reader would shout "Come to the point!" – and there would be no point, except the girl memorising the rules of grammar, the old man in the easy-chair fanning himself, and the house with the small, empty porch which was crowded, paradoxically, with many memories and possibilities. The "real" story, with its beginning, middle and conclusion, would never be told, because it did not exist.
Amit Chaudhuri (A Strange and Sublime Address)
By the time Shane and Mikhail had stood on a miserably wet February day and said funny, singular vows of their
Amy Lane (Forever Promised (Promises, #4))
John does a funny thing in traffic. If someone cuts him off or veers in and out of his lane and he ends up next to them at a stoplight, he cranes his neck sideways and glares at them. It’s as if he’s scolding them with his facial expression, like they’ll sense his eyes on them and think, Why is that man looking at me? Oh, it must have been the way I was tailing his car back there. What a mistake I’ve made! The regrets! How will I live with myself? In reality, the other driver never notices. John is wasting his energy, wanting some kind of revenge he’s not going to get. It’s one
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
He put it in reverse and tapped the gas...And was astounded when the thing growled backward like it was stalking a Honda to eat for lunch.
Amy Lane (It's Not Shakespeare (It's Not Shakespeare, #1))
RECIPE FOR LIFE 1. Life is a funny thing, Abby. Don't take it too seriously. 2. Spend time in the garden. Weeding cleanses your heart and soul. 3. If you need to, then sleep. If you need to cry, then cry. 4. Drink lots of water. It washes out the toxins in your body. 5. Look for the signs. They're all around you. 6. Treasure your friends. Good friends are hard to find. 7. Don't worry about what other people think. It doesn't matter. 8. Appreciate every day - even the ones that suck. 9. Always have eggs in the fridge. They're easy to cook. 10. Fall in love. It's fun
Melissa Crosby (In Three Years (Mulberry Lane #3))
Marriage was funny like that. It always starts with two people making lifetime promises to each other that neither one knew for certain they could truly keep. Of course, those promises were always made with the best of intentions. But life...well, life is a funny ol’ thing, isn’t it? Didn’t Alanis Morissette sing something to that effect? Life has a funny way of sneaking up on you when you think everything’s okay. Yes. It was a very good song. Louise liked it. Ironic—that was the title of the song. Because life is, well...ironic.
Melissa Crosby (In Three Years (Mulberry Lane #3))
Tell me about your day.” She huffs. “My day? Well, let’s see…” She takes a dramatic pause. “I buried my husband this morning. There’s that.” “And how was that?” “Riveting,” she hums with a nice dollop of sarcasm. “Good thing I’m taking you out tonight then. A lovely occasion for a celebration, wouldn’t you say?” She looks at me, gaping. Then she offendedly asks, “Celebration?” “Tell me this wasn’t one of the happiest days of your life.” She stares back at the road through the window as she contemplates. And then a loud snort comes out of her pretty mouth, which she quickly covers up with her hand. “Don’t you dare silence those pig-like snorts of yours. They’re like music to my ears.
Dolores Lane (Bloody Fingers & Red Lipstick)
I suppose there’s no use in trying to fight against it anymore. My vagina likes you too much.
Dolores Lane (Bloody Fingers & Red Lipstick)
Ah, fuck me with a fucking machete.
Dolores Lane (Bloody Fingers & Red Lipstick)
I tear my lips away from hers and fling her over my shoulder. “Hey!” she protests, kicking her feet and slapping me on the back. “You can’t just pick me up like I’m a sack of potatoes! I am not a potato!” I laugh, and Lord, am I in love with this woman. “You’re not a potato,” I confirm as I walk in the direction of the cabin. “But if you were, you’d be the most delicious potato in the world.” “I can’t fucking talk to you. You’re just all the way crazy in the head,” she spits out.
Dolores Lane (Bloody Fingers & Red Lipstick)
I wish you were going home with me tomorrow.” “I know.” She nearly added Me too, then realized she didn’t. Where would that leave the children? Stephen turned her hand over and ran his thumb across the ring. The wind tugged her hair. A lone seagull cried overhead, floating on the wind, almost stationary. “There was a part of me that hoped you would,” he said. “You know I can’t.” Hadn’t they been through this before? “It won’t be much longer. School will be out in a little over a month. And if the Goldmans buy the property, that’ll expedite things.” “And then what?” “The property would close thirty days from the signing. Maybe you could come for another visit between now and then.” “That’s not what I mean, Meridith.” She knew he referred to the children coming home with her, to their being a family, and she wished so desperately the day had gone better. “Today was a bad day. They’re not normally so quarrelsome, and Ben’s vomiting . . .” The memory was such a horrific end to the day, it was almost funny. She felt a laugh bubbling up inside. “Well, you have to keep your sense of humor around here, that’s for sure.” “I don’t find it funny in the least.” The bubble of laughter burst, unfulfilled. “I appreciate that you want to give them a chance. I’m just trying to say it isn’t always like this.” He looked at her, his eyes intent with purpose. “I didn’t come to bond with the kids, Meridith. I came to remind you what we have together.” He pressed another kiss to her palm. “I love you. I want to spend the rest of my life with you.” Her breath caught, but not because he’d repeated the words he’d spoken when he’d proposed. The other words made a far stronger impression. I didn’t come to bond with the kids. She’d misread the reason for his visit. She’d taken her own wish and transferred it onto him. “We have plans, good ones,” he said. “Save for a home in Lindenwood Park while we focus on our careers for three to five years. By then we’ll have enough to buy that dream home and start a family.” Meridith knotted the quilt material in her fist with the daffodil, clutching the stem against her chest. “I already have a family, Stephen.” His face fell. “They’re not your kids, Meridith. And they’re not mine.” “They’re my siblings. And they have no one else.” “That wasn’t our plan when I asked you to marry me. When you said yes.” “Life doesn’t always go according to plan, Stephen. Things happen. Change happens. I didn’t ask for this.” “I didn’t either. And I’m asking you to put me first. To put us first.” His grip tightened on her hand. “I love you. The future I want for us doesn’t include someone else’s children.” Meridith eased away from him, pulled her hand from his, and stood, even as he tightened his grip. If Stephen’s future didn’t include her siblings, then it didn’t include her either. She
Denise Hunter (Driftwood Lane (Nantucket, #4))
I wish you were going home with me tomorrow.” “I know.” She nearly added Me too, then realized she didn’t. Where would that leave the children? Stephen turned her hand over and ran his thumb across the ring. The wind tugged her hair. A lone seagull cried overhead, floating on the wind, almost stationary. “There was a part of me that hoped you would,” he said. “You know I can’t.” Hadn’t they been through this before? “It won’t be much longer. School will be out in a little over a month. And if the Goldmans buy the property, that’ll expedite things.” “And then what?” “The property would close thirty days from the signing. Maybe you could come for another visit between now and then.” “That’s not what I mean, Meridith.” She knew he referred to the children coming home with her, to their being a family, and she wished so desperately the day had gone better. “Today was a bad day. They’re not normally so quarrelsome, and Ben’s vomiting . . .” The memory was such a horrific end to the day, it was almost funny. She felt a laugh bubbling up inside. “Well, you have to keep your sense of humor around here, that’s for sure.” “I don’t find it funny in the least.” The bubble of laughter burst, unfulfilled. “I appreciate that you want to give them a chance. I’m just trying to say it isn’t always like this.” He looked at her, his eyes intent with purpose. “I didn’t come to bond with the kids, Meridith. I came to remind you what we have together.” He pressed another kiss to her palm. “I love you. I want to spend the rest of my life with you.” Her breath caught, but not because he’d repeated the words he’d spoken when he’d proposed. The other words made a far stronger impression. I didn’t come to bond with the kids. She’d misread the reason for his visit. She’d taken her own wish and transferred it onto him. “We have plans, good ones,” he said. “Save for a home in Lindenwood Park while we focus on our careers for three to five years. By then we’ll have enough to buy that dream home and start a family.” Meridith knotted the quilt material in her fist with the daffodil, clutching the stem against her chest. “I already have a family, Stephen.” His face fell. “They’re not your kids, Meridith. And they’re not mine.” “They’re my siblings. And they have no one else.” “That wasn’t our plan when I asked you to marry me. When you said yes.” “Life doesn’t always go according to plan, Stephen. Things happen. Change happens. I didn’t ask for this.” “I didn’t either. And I’m asking you to put me first. To put us first.” His grip tightened on her hand. “I love you. The future I want for us doesn’t include someone else’s children.” Meridith
Denise Hunter (Driftwood Lane (Nantucket, #4))
When she turned, Jake was standing over her. His nearness startled her. “Oh!” “Need my level.” Did the man not understand personal space? She stepped back. His lips twitched as he retrieved the tool. Not just the corner, but his whole lips. Not that she was looking. “Is something funny?” He reached toward her, his caramel eyes holding her captive. Her breath caught in her throat as his hand brushed the side of her face. The touch was nothing but a whisper, but it left a trail of fire. She couldn’t move if she tried. And she wasn’t sure she wanted to. He held up his finger, and she pulled her eyes from his. “Flour,” he said. Her scrambled brain took two full seconds, then she turned, wiping her cheek, hating the blush she knew was flooding her face as she exited the room.
Denise Hunter (Driftwood Lane (Nantucket, #4))
What happened to the troubled young reporter who almost brought this magazine down The last time I talked to Stephen Glass, he was pleading with me on the phone to protect him from Charles Lane. Chuck, as we called him, was the editor of The New Republic and Steve was my colleague and very good friend, maybe something like a little brother, though we are only two years apart in age. Steve had a way of inspiring loyalty, not jealousy, in his fellow young writers, which was remarkable given how spectacularly successful he’d been in such a short time. While the rest of us were still scratching our way out of the intern pit, he was becoming a franchise, turning out bizarre and amazing stories week after week for The New Republic, Harper’s, and Rolling Stone— each one a home run. I didn’t know when he called me that he’d made up nearly all of the bizarre and amazing stories, that he was the perpetrator of probably the most elaborate fraud in journalistic history, that he would soon become famous on a whole new scale. I didn’t even know he had a dark side. It was the spring of 1998 and he was still just my hapless friend Steve, who padded into my office ten times a day in white socks and was more interested in alphabetizing beer than drinking it. When he called, I was in New York and I said I would come back to D.C. right away. I probably said something about Chuck like: “Fuck him. He can’t fire you. He can’t possibly think you would do that.” I was wrong, and Chuck, ever-resistant to Steve’s charms, was as right as he’d been in his life. The story was front-page news all over the world. The staff (me included) spent several weeks re-reporting all of Steve’s articles. It turned out that Steve had been making up characters, scenes, events, whole stories from first word to last. He made up some funny stuff—a convention of Monica Lewinsky memorabilia—and also some really awful stuff: racist cab drivers, sexist Republicans, desperate poor people calling in to a psychic hotline, career-damaging quotes about politicians. In fact, we eventually figured out that very few of his stories were completely true. Not only that, but he went to extreme lengths to hide his fabrications, filling notebooks with fake interview notes and creating fake business cards and fake voicemails. (Remember, this was before most people used Google. Plus, Steve had been the head of The New Republic ’s fact-checking department.) Once we knew what he’d done, I tried to call Steve, but he never called back. He just went missing, like the kids on the milk cartons. It was weird. People often ask me if I felt “betrayed,” but really I was deeply unsettled, like I’d woken up in the wrong room. I wondered whether Steve had lied to me about personal things, too. I wondered how, even after he’d been caught, he could bring himself to recruit me to defend him, knowing I’d be risking my job to do so. I wondered how I could spend more time with a person during the week than I spent with my husband and not suspect a thing. (And I didn’t. It came as a total surprise). And I wondered what else I didn’t know about people. Could my brother be a drug addict? Did my best friend actually hate me? Jon Chait, now a political writer for New York and back then the smart young wonk in our trio, was in Paris when the scandal broke. Overnight, Steve went from “being one of my best friends to someone I read about in The International Herald Tribune, ” Chait recalled. The transition was so abrupt that, for months, Jon dreamed that he’d run into him or that Steve wanted to talk to him. Then, after a while, the dreams stopped. The Monica Lewinsky scandal petered out, George W. Bush became president, we all got cell phones, laptops, spouses, children. Over the years, Steve Glass got mixed up in our minds with the fictionalized Stephen Glass from his own 2003 roman à clef, The Fabulist, or Steve Glass as played by Hayden Christiansen in the 2003
Anonymous
Funny, how some of the most important people of your life can be dismissed as inconsequential, just because you believe the bullshit they've spent their entire lives selling.
Amy Lane (Knitter in His Natural Habitat (Granby Knitting, #3))
Funny story. A bunch of people -- the cult -- blame the appearance of abilities on the invention of the internet.
Alex Lane (Herophobia (Herophobia, #1))
I guess if you have shit you don’t feel good about, now’s as good a time as any to figure that out and do what you can about it.” He glances up at Harper, nodding once. “I don’t want to give you love advice, though. It’s contrary to my interests.” “You do love him, then?” Mason asks, and Harper looks away, blowing hair from his face. “Who knows?” “I think you know. It just depends on how much you’re willing to be honest with yourself.” He looks down at his hands. “But I’d rather not give you love advice either.
Addison Lane (Blackpines: The Antlers Witch: The Light in Her Dreams)
Her messages remain resolutely static. She sends Harper one, just to make sure it isn’t her signal: [knock knock] But he replies quickly: [no]
Addison Lane (Blackpines: The Magpie Witch: The North Star in Eclipse)
Nova returns, but he won’t meet anyone’s eye, smiling with a giddy, unhinged expression when spoken to. Mason avoids him, overcome by fear or guilt—something heavy that makes itself apparent in how he slinks around, avoiding notice. Jude scrambles nearly an entire carton of eggs, which no one but she and Harper eat, and then takes a long shower that uses up all the hot water.
Addison Lane (Blackpines: The Antlers Witch: The Black Tree Chaise)
Don’t give me love advice. You’re a maiden aunt.” “I’m not a maiden—” “No. We will never speak of this moment again,” he says, sliding off the stool. She laughs, swatting him with the dish rag.
Addison Lane (Blackpines: The Antlers Witch: The Black Tree Chaise)
I don’t have any money,” he tells her. “I know,” she replies, leaning over and unearthing a wallet. “But I found some.” “‘Found.’” She pulls out a card and puts the green leather square onto the console. The edge is riddled with tooth marks, and Nova frowns. “That’s Harper’s.” “I’ll buy him a present. He won’t mind.
Addison Lane (Blackpines: The Antlers Witch: The Black Tree Chaise)
Lucía snorts. “They think we’re doing it.” “We could always prove them right.” “Not until I’ve taken twenty showers, we cannot.
Addison Lane (Blackpines: The Antlers Witch: The Black Tree Chaise)
Amaris keeps texting me pictures of him. She took him to the record shop. She says he’s really into Pink Floyd.” He laughs, scrubbing a hand through his hair. “I mean, who doesn’t love The Wall?” “I always thought he was a Yellow Submarine kind of frog.
Addison Lane (Blackpines: The Antlers Witch: The Black Tree Chaise)
He passes the cigarette, grunting softly and pretending to be very interested in the skeleton eavesdropping on their heart-to-heart. She softly slaps his shoulder. “Don’t make those caveman sounds at me. You know I’m right.” “Yeah, but have you ever called your mama out on anything?” “Never had to. She’s always been right,” she says, squaring her shoulders and smiling slyly. He laughs.
Addison Lane (Blackpines: The Antlers Witch: The Black Tree Chaise)
No one is going to laugh, right?” “Laugh about what?” Lucía comes around the front of the truck, pulling her hair free of its band. Harper stares at him, genuinely confused. Mason lets out a choked laugh. “My awkward body.” Lucía’s brow furrows, amusement and skepticism etched into her expression. She shakes her head and puts a hand on his shoulder. “Everyone looks awkward with their clothes off.” “Hey,” Maya barks, standing a little taller and tossing Nova’s messy forelock over one eye. “I look good. Well, normally.” Lucía grins. “Okay, but is this the moment to point that out?
Addison Lane (Blackpines: The Antlers Witch: The Overcrowded Heart)
What was I supposed to do?” Lane returned. “Let him slaughter the old codger on the court room floor? Nhiles are you aware how hard it is to get blood out of carpet?
L.P. Cowling (Gearpox (Remnants of Magic Cycle Book 1))
Have you ever had a beach ball in a swimming pool or in the sea and tried to push it under the water? The ball is big and light on the surface but when you try and push it down it takes a lot of effort. The funny thing is, the harder you push it down, the more forcefully it wants to push itself back up. And if you’re not careful, it flies back up into your face in a crazily powerful way! ‘Well, the beach ball is like your emotions. When you get upset and confused about an emotion, you might find yourself trying to push it away.
Anne Lane (Nurture Your Child's Emotional Intelligence: 5 Steps To Help Your Child Cope With Big Emotions and Build Resilience)
Glancing around for his friends eenie, meenie, miney, and mo, they were nowhere to be found and he was left stranded with this lane picking dilemma, so he grimaced and picked the first lane offered.
J.S. Mason (A Dragon, A Pig, and a Rabbi Walk into a Bar...and other Rambunctious Bites)
I like being rough with you, Lucille, as you already know by now. And after getting to know you, I know you like it, too. I also know that I’ve terrorized the crap out of you and stepped over the line many times. But now that you’ve let me in, I need you to feel safe with me.” “Safe with you…” she says with a nice dollop of sarcasm. “Coming from my psychopathic stalker.” “The irony isn’t lost on me.
Dolores Lane (Bloody Fingers & Red Lipstick)
my lover stays lanes apart but it feels like continents once he stops replying on whatsapp: he has checked my story on instagram but one of these days, social media will be the death of me. my lover shows up on my door unannounced, two different flavours of doughnuts in his hand, he knows i have been crying. they'd taste better if they weren't so soggy, but i have enough filters on my phone to make them look pretty, my friends would be jealous, favourite desserts from half-closed, overpriced airport shops, a hundred cities away. my lover holds my hand A hasn't called me back he says, their boyfriends do not get them their and kisses my neck, i wish there was a song by the 1975 playing in the background, but instagram music isn't supported in my region. i haven't seen him in eight days, it's funny when i write it down because i was sure it was a millennium, we yearn for skin, touch, smell, but let me quickly take a photograph, make him look like he's not looking, our love can go stale, but my social media needs to keep its aesthetic game strong. two boomerangs, seven filters, and one kissing selfie later, we explode. without words, without music. i feel like it's my first kiss again. this is how it must have felt to be in love a thousand years ago.
Shlagha borah
I spun to see my own reflection starting back at me from a shiny chrome fender. My eyes were started, which was understandable considering that the fender was hovering 6 feet off the ground. ... "Get off the road!" "I'm not on the road." I pointed up. "It's that way." ... but even so it was clear that this joker was well below the designated traffic lane. I pointed that out, but all I got for my trouble was another loud blast from the horn. So of course I flipped him off. He said something rude, threw the truck into reverse, then shot past close enough to force me to duck. He swerved around another vehicle, rolled sideways to fit between a couple of buses & vanished into the glare.
Karen Chance (Death's Mistress (Dorina Basarab, #2))
You think about having sex with me while you murder people?” I clarified as we returned to the market. The Baroness shrugged. “Between tasks, yes. I spent over an hour stalking a young lord around Serin, so I had little else to think about.” “I see,” I muttered. “And what happened?” “You pinned me on my knees like the first time you fucked me at the Oculus, and every time I moaned for more, you choked me a little tighter. It was fantastic.” My eyebrows shot up as I quickly glanced around. “Okay, I meant what happened after you stalked the lord, but good to know I need to choke you more often.” “Oh,” the Baroness chuckled. “I killed him, of course. The poor man took an unexpected fall into the canal, and it didn’t seem to matter how much I prodded him with a post, he just stayed beneath the surface until there was nothing to be done.” “Fucking hell,” I snorted a I steered us to a less crowded part of the lane. “What did he do to deserve that?” “I don’t know, I didn’t listen to the man who paid me to do it,” Nulena sighed. “I was too annoyed during our meeting because he kept staring at my breasts every three seconds. So, I decided to go back and kill him once I finished with the lord. He certainly wasn’t staring at my breasts after I gouged his eyes out with a broken ink bottle and shoved a letter opener through his neck.” I took a steadying breath while I tried not to envision any of this. “Well, I’m glad you had a nice time at work.” “I did,” Nulena purred as she sent me a glittering smile. “Not the most satisfying endeavors, but I’m making do with what I have. The best part is the ink bottle man owned seven of the markets in Serin, and no one will find where I hung his body for at least three days. Shipments will be missed, wages will be disrupted, and we can only hope lives are lost over an inheritance battle. The filthy swine had eleven children. Can you believe the gall of him? I did find a moment to steal several nice things for Deya from a line of carriages at the castle, though, and only two footmen died in the process.” “That’s sweet,” I chuckled. “Out of curiosity, where did you hang the ink man’s body?” Nulena sent me a devious grin as we crossed my bridge. “At the sacred garden of the gods, of course. Right above the ceremonial altar.” “Nulena,” I groaned. “Come on, it’s funny!” the Baroness laughed. “The next ritual gathering is in three days, and thanks to me, it will be supremely uncomfortable.” “Alright, but don’t be surprised if the gods end up smiting you for this one,” I mumbled
Eric Vall (Metal Mage 14 (Metal Mage, #14))
I love her courage and heart! Funny, poignant, wise, and woke—an ideal travel companion.” —Joan Walsh (The Nation, CNN)
Lea Lane (Places I Remember: Tales, Truths, Delights from 100 Countries)
Have you got indigestion again?’ Woods’ voice cut through his daydream. ‘No.’ ‘Well, you’ve got a funny look on your face. Come on.
Karen Charlton (Murder in Park Lane (Detective Lavender Mysteries #5))
Ellery made good on his threat to put on his pajamas—warm flannel, soft as a kitten’s ass. Jackson had actually gotten to sleep a couple of nights by petting those damned pajamas.
Amy Lane (Red Fish, Dead Fish (Fish Out of Water, #2))
It's a funny thing, the way childhood friendships exist, like deep water below the rolling waves, steady, constant, cool. When you're a kid, you surf with people, maybe play a sport, go to a dance, you think you don't know each other very well until you get out into the world and realise there were things you shared with your hometown friends that no one outside that town, that life, will ever understand in the same way. You share something profound, know the measure of people, without even realising it.
Lilly Mirren (Cottage on Oceanview Lane (Emerald Cove, #1))
Poor Craw?" Ben retorted. "Poor Rory! Craw and Ari curse worse than a trucker shagging a sailor.
Amy Lane (Blackbird Knitting in a Bunny's Lair (Granby Knitting #4))
So back over the sledding hill, across the iced-up pond, past the snowman with the funny hat, under the giant shimmering icicles and up the snowy back lane back to you; yes YOU,are you missing out on anything right NOW while thinking about tomorrow?
Sarah Lawrence (Christmas Eve, Eve!: How Katie found the best present of all, The Present Moment (Motivational Stories for Children Collection Book 2))
That’s the funny thing about writing your life story. You start out trying to remember dates and times and names. You think it’s about facts, your life; that what you’ll look back on and remember are the successes and failures, the time line of your youth and middle age, but that isn’t it at all. Love. Family. Laughter. That’s what I remember when it’s all said and done. For so much of my life I thought I didn’t do enough or want enough. I guess I can be forgiven my stupidity. I was young. I want my children to know how proud I am of them, and how proud I am of me. We were everything we needed—you and Daddy and I. I had everything I ever wanted. Love. That’s
Kristin Hannah (Firefly Lane (Firefly Lane #1))