On My Shoulders Quotes

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How long was I asleep?" she whispered. He didn't respond. "How long was I asleep?" she asked again, and noticed a hint of red in his cheeks. "You were asleep, too?" "Until you began drooling on my shoulder.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
You should go," I breathed. "You should definitely go." "Go here?" His mouth was on my shoulder. "Or here?" It moved up my neck.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
I am grateful you're alive", he said. "I am grateful that you're beside me. I am grateful that you're eating." She rested her head on his shoulder. "You're better that waffles, Matthias Helvar." A small smile curled the Fjerdan's lips. "Let's not say things we don't mean, my love.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
My yesterdays walk with me. They keep step, they are gray faces that peer over my shoulder.
William Golding
Why won’t you leave me alone?” I whispered one night as he hovered behind me while I tried to work at my desk. Long minutes passed. I didn’t think he would answer. I even had time to hope he might have gone, until I felt his hand on my shoulder. “Then I’d be alone, too," he said, and he stayed the whole night through, till the lamps burned down to nothing.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Sometimes,” he says, sliding his arm across my shoulders, “people just want to be happy, even if it’s not real.
Veronica Roth (Insurgent (Divergent, #2))
I hung my fingertips on his waistband, tugging him closer. Patch buried his face in the curve of my shoulder, his hands flexing over my back. He gave a low groan. "I love you," he murmured into my hair. "I'm happier right now than I ever remember being.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
And I'll dance with you in Vienna, I'll be wearing a river's disguise. The hyacinth wild on my shoulder my mouth on the dew of your thighs. And I'll bury my soul in a scrapbook, with the photographs there and the moss. And I'll yield to the flood of your beauty, my cheap violin and my cross.
Leonard Cohen (Stranger Music: Selected Poems and Songs)
This is what I want: I want to grab my brother’s hand and run back through time, losing years like coats falling from our shoulders.
Jandy Nelson (I'll Give You the Sun)
Take off your shirt." Jace raised his eyebrows. "I'm not going to attack you," she said impatiently. "I can take the sight of your naked chest without swooning." "Are you sure?" he asked, obediently sliding the shirt off his shoulders. "Because viewing my naked chest has caused many women to seriously injure themselves stampeding to get to me.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
My shoulder will never be the same. I expect you to nurse me back to health.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
I've had it with being nice, understanding, fair and hopeful. I feel like being negative all day. The chip on my shoulder could sink the QE2. I've got an attitude problem and nobody better get in my way...I'm in a bad mood and the whole stupid little world is gonna pay!
John Waters (Crackpot: The Obsessions of John Waters)
Sometimes I think I must have a Guardian Idiot. A little invisible spirit just behind my shoulder, looking out for me...only he's an imbecile.
Spider Robinson (Off the Wall at Callahan's (Callahan's Series Excerpts and Quotes))
Five hundred souls. I carried them in my fingers, like suitcases. Or I'd throw them over my shoulder. It was only the the children I carried in my arms.
Markus Zusak (The Book Thief)
Is that a yes?" he asked, pushing his fingers through my hair, fanning it out around my shoulders and searching my face intently. "Please let it be yes," he said with a gravelly edge. "Stay with me tonight. Let me hold you, even if that's all it is. Let me keep you safe.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
I close my eyes, thinking that there is nothing like an embrace after an absence, nothing like fitting my face into the curve of his shoulder and filling my lungs with the scent of him.
Jodi Picoult (Keeping Faith)
As for my brothers," Zeus said, "we are thankful"-he cleared his throat like the words were hard to get out-"erm, thankful for the aid of Hades." The lord of the dead nodded. He had a smug look on his face, but I figure he'd earned the right. He patted his son Nico on the shoulders, and Nico looked happier than I'd ever seen him. "And, of course," Zeus continued, though he looked like his pants were smoldering, "we must...um...thank Poseidon." "I'm sorry, brother," Poseidon said. "What was that?" "We must thank Poseidon," Zeus growled. "Without whom . . . it would've been difficult-" "Difficult?" Poseidon asked innocently. "Impossible," Zeus said. "Impossible to defeat Typhon.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
...the devil on my right shoulder must have brutally strangled the angel on my left...
Gena Showalter (Playing with Fire (Tales of an Extraordinary Girl, #1))
He balled up my discarded sweatshirt and put it against his shoulder. “Go on,” he said. “I don’t bite.” “And from what I hear, that’s a good thing.” He gave a rumbling chuckle. “Yeah, it is.” I leaned against his shoulder.
Kelley Armstrong (The Awakening (Darkest Powers, #2))
This one incident I will not allow you to shrug off!" "I wasn't planning to," Jace said. "I can't shrug anything off. My shoulder's dislocated." -Hodge & Jace, pg.296-
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
And Zach was taking his jacket off and draping it around my shoulders, which (according to Liz, who double checked with Macey) is the single-sexiest thing a guy can do.
Ally Carter (Don't Judge a Girl by Her Cover (Gallagher Girls, #3))
I could introduce myself properly, but it's not really necessary. You will know me well enough and soon enough, depending on a diverse range of variables. It suffices to say that at some point in time, I will be standing over you, as genially as possible. Your soul will be in my arms. A color will be perched on my shoulder. I will carry you gently away.
Markus Zusak (The Book Thief)
He froze, becoming stone still. As the hover climbed the hill to the palace, his shoulders sank, and he returned his gaze to the window. "She's my alpha," he murmured, with a haunting sadness in his voice. Alpha. Cress leaned forward, propping her elbows on her knees, "Like the star?" "What star?" She stiffened, instantly embarrassed, and scooted back from him again. "Oh. Um. In a constellation, the brightest star is called the alpha. I thought maybe you meant that she's...like...your brightest star." Looking away, she knotted her hands in her lap, aware that she was blushing furiously now and this beast of a man was about to realize what an over-romantic sap she was. But instead of sneering or laughing, Wolf sighed, "Yes," he said, his gaze climbing up to the full moon that had emerged in the blue evening sky. "Exactly like that.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
Will put his hand on Nico's shoulder. "Nico, we need to have another talk about your people skills." "Hey, I'm just stating the obvious. If this is Apollo, and he dies, we're all in trouble." Will turned to me. "I apologize for my boyfriend." Nico rolled his eyes. "Could you not―" "Would you prefer special guy?" Will asked. "Or significant other?" "Significant annoyance, in your case," Nico grumbled
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
I do not remember very many things from the inside out. I do not remember what it felt like to touch things, or how bathwater traveled over my skin. I did not like to be touched, but it was a strange dislike. I did not like to be touched because I craved it too much. I wanted to be held very tight so I would not break. Even now, when people lean down to touch me, or hug me, or put a hand on my shoulder, I hold my breath. I turn my face. I want to cry.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
I have been smashed and put back together so many times nothing works right. Nothing is where it should be, heavy thumping in my shoulder where my heart now beats.
Elizabeth Scott (Living Dead Girl)
Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I’ll rise.
Maya Angelou
I suppose he could have changed," Neal said dryly. "I myself have noticed my growing resemblance to a daffodil." The other pages snorted. Kel eyed her friend. "You do look yellow around the edges," she told him, her face quite serious. "I hadn’t wanted to bring it up." "We daffodils like to have things brought up," Neal said, slinging an arm around her shoulders. "It reminds us of spring.
Tamora Pierce (Page (Protector of the Small, #2))
Fang’s hand gently smoothed my hair off my neck. My breath froze in my chest, and every sense seemed hyperalert. His hand stroked my hair again, so softly, and then trailed across my neck and shoulder and down my back, making me shiver. I looked up. 'What the heck are you doing?' 'Helping you change your mind,' he whispered, and then he leaned over, tilted my chin up, and kissed me.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
Do not urge me to leave you or turn back from you.’” He trailed his fingers down my arm in slow, torturous strokes. My head fell back on his shoulder, my eyes fluttering closed, as his lips continued to move against my neck. “‘Where you go, I will go. Where you stay, I will stay.
Shelby Mahurin (Serpent & Dove (Serpent & Dove, #1))
I am a product [...of] endless books. My father bought all the books he read and never got rid of any of them. There were books in the study, books in the drawing room, books in the cloakroom, books (two deep) in the great bookcase on the landing, books in a bedroom, books piled as high as my shoulder in the cistern attic, books of all kinds reflecting every transient stage of my parents' interest, books readable and unreadable, books suitable for a child and books most emphatically not. Nothing was forbidden me. In the seemingly endless rainy afternoons I took volume after volume from the shelves. I had always the same certainty of finding a book that was new to me as a man who walks into a field has of finding a new blade of grass.
C.S. Lewis
Vhat ozzer abilities do you haf?" ter Borcht snapped, which his assistant waited, pen in hand. Gazzy thought. "I have X-ray vision," he said. He peered at ter Borcht's chest, then blinked and looked alarmed. Ter Borcht was startled for a second, but then he frowned. "Don't write dat down," he told his assistant in irritation. The assistant froze in midsentence. "You. Do you haf any qualities dat distinguish you in any way?" Nudge chewed on a fingernail. "You mean, like, besides the WINGS?" She shook her shoulders gently, and her beautiful fawn-colored wings unfolded a bit. His face flushed, and I felt like cheering. "Yes," he said stiffly. "Besides de vings." "Hmm. Besides de vings." Nudge tapped one finger against her chin. "Um..." Her face brightened. "I once ate nine Snickers bars in one sitting. Without barfing. That was a record!" "Hardly a special talent," ter Borcht said witheringly. Nudge was offended. "Yeah? Let's see YOU do it." ... "I vill now eat nine Snickers bars," Gazzy said in a perfect, creepy imitation of ter Borcht's voice, "visout bahfing." Iggy rubbed his forehead with one hand. "Well, I have a highly developed sense of irony." Ter Borcht tsked. "You are a liability to your group. I assume you alvays hold on to someone's shirt, yes? Following dem closely?" "Only when I'm trying to steal their dessert" ...Fang pretended to think, gazing up at the ceiling. "Besides my fashion sense? I play a mean harmonica." "I vill now destroy de Snickuhs bahrs!" Gazzy barked.
James Patterson
Are you looking for me? I am in the next seat. My shoulder is against yours. you will not find me in the stupas, not in Indian shrine rooms, nor in synagogues, nor in cathedrals: not in masses, nor kirtans, not in legs winding around your own neck, nor in eating nothing but vegetables. When you really look for me, you will see me instantly — you will find me in the tiniest house of time. Kabir says: Student, tell me, what is God? He is the breath inside the breath.
Kabir
I am unarmed. But Butler here, my ...ah...butler, has a Sig Saucer in his shoulder holster, two shrike-throwing knives in his boots, aderringer two-shot up his sleeve, garrotte wire in his watch, and three stun greanades concealed in variouse pockets. Anything else, Butler?
Eoin Colfer (Artemis Fowl (Artemis Fowl, #1))
Ash pulled me back against him, brushing my hair from my neck. His mouth skimmed my shoulder, up my neck, sending butterflies swarming through my insides. "If you want to rest, then do so," he murmured against my skin. "The rain will not touch you, I promise.
Julie Kagawa (The Iron King (The Iron Fey, #1))
A world of "if"s, but it would make no difference. If I could go back in time... but I couldn't. The past was behind me. The best thing now would be to stop looking over my shoulder. It was time to forget the past and look to the present and future.
Darren Shan (Cirque du Freak: A Living Nightmare (Cirque du Freak, #1))
Out of nowhere, Valek appeared before me, yelling in my ear, shaking my shoulders. Stupidly, belatedly, I realized he was the drunk. Who else but Valek could win a fight against four large men when armed only with a beer mug?
Maria V. Snyder (Poison Study (Study, #1))
I see nothing. We may sink and settle on the waves. The sea will drum in my ears. The white petals will be darkened with sea water. They will float for a moment and then sink. Rolling over the waves will shoulder me under. Everything falls in a tremendous shower, dissolving me.
Virginia Woolf (The Waves)
I don’t suppose I really know you very well - but I know you smell like the delicious damp grass that grows near old walls and that your hands are beautiful opening out of your sleeves and that the back of your head is a mossy sheltered cave when there is trouble in the wind and that my cheek just fits the depression in your shoulder.
Zelda Fitzgerald
He sucked some of the rain from my bottom lip, and I felt his mouth smile against mine. He swept my hair aside and kissed me just above the collarbone. He nibbled at my ear, then sank his teeth into my shoulder. I hung my fingertips on his waistband, tugging him closer. Patch buried his face in the curve of my shoulder, his hands flexing over my back. He gave a low groan. “I love you,” he murmured into my hair. “I’m happier right now than I ever remember being.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
I watched him pitch the ball at a table neatly lined with six bowling pins, my stomach giving a little flutter when his T-shirt crept up in the back, revealing a stripe of skin. I knew from experience that every inch of him was hard, defined muscle. His back was smooth and perfect too, the scars from when he’d fallen once again replaced with wings—wings I, and every other human, couldn’t see. “Five dollars says you can’t do it again,” I said, coming up behind him. Patch looked back and grinned. “I don’t want your money, Angel.” “Hey now, kids, let’s keep this discussion PG-rated,” Rixon said. “All three remaining pins,” I challenged Patch. “What kind of prize are we talking about?” he asked. “Bloody hell,” Rixon said. “Can’t this wait until you’re alone?” Patch gave me a secret smile, then shifted his weight back, cradling the ball into his chest. He dropped his right shoulder, brought his arm around, and sent the ball flying forward as hard as he could. There was a loud crack! and the remaining three pins scattered off the table. “Aye, now you’re in trouble, lass,” Rixon shouted at me over the commotion caused by a pocket of onlookers, who were clapping and whistling for Patch. Patch leaned back against the booth and arched his eyebrows at me. The gesture said it all: Pay up. “You got lucky,” I said. “I’m about to get lucky.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
<…>When I was done speaking I felt his body had gone still again, stone still. And silent. Then he asked quietly, "Nightmare?" "Nightmare," I replied firmly. Ty didn't move. By a miracle, I held it together. Then he moved but it was to rest his chin on my shoulder and I closed my eyes because I needed him to go, go, go so I could fall apart again on my own. Then he said, "Your nightmare, mama, was my dream." My heart clenched. He kept going. "Never had a home until you gave me one." My breath started sticking. "Never had anyone give to me the way you gave to me." My breath stopped sticking and clogged. "Never thought of findin' a woman who I wanted to have my baby." Oh God. "Never had light in my life, never, not once, I lived wild but I didn't burn bright until you shined your light on me." Oh God. "Whacked, fuckin' insane, but, at night, you curled in front of me, didn't mind I did that time that wasn't mine 'cause it meant I walked out to you." He had to stop. He had to. He didn't. "Your nightmare," he whispered, turned his head and against my neck he finished, "my dream."<…>
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
It isn't the big troubles in life that require character. Anybody can rise to a crisis and face a crushing tragedy with courage, but to meet the petty hazards of the day with a laugh - I really think that requires spirit. It's the kind of character that I am going to develop. I am going to pretend that all life is just a game which I must play as skillfully and fairly as I can. If I lose, I am going to shrug my shoulders and laugh - also if I win.
Jean Webster (Daddy Long Legs)
Thirty years ago my older brother, who was ten years old at the time, was trying to get a report written on birds that he'd had three months to write, which was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books about birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him put his arm around my brother's shoulder, and said, "Bird by bird, buddy. Just take it bird by bird.
Anne Lamott (Bird by Bird)
Claire. Wake up.” She blinked and realized that her head was on Shane’s shoulder, and Michael was nowhere to be seen. Her first thought was, Oh my God, am I drooling? Her second was that she hadn’t realized she was so close to him, snuggled in. Her third was that although Michael’s part of the couch was empty, Shane hadn’t moved away. And he was watching her with warm, friendly eyes. Oh. Oh, wow, that was nice.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
He trapped my hand against his chest and yanked my sleeve down past my wrist, covering my hand with it. Just as quickly, he did the same thing with the other sleeve. He held my shirt by the cuffs, my hands captured. My mouth opened in protest. Reeling me closer, he didn’t stop until I was directly in front of him. Suddenly he lifted me onto the counter. My face was level with his. He fixed me with a dark, inviting smile. And that’s when I realized this moment had been dancing around the edge of my fantasies for several days now. "Take off your hat," I said, the words tumbling out before I could stop them. He slid it around, the brim facing backward. I scooted to the edge of the counter, my legs dangling one on either side of him. Something inside of me was telling me to stop—but I swept that voice to the far back of my mind. He spread his hands on the counter, just outside my hips. Tilting his head to one side, he moved closer. His scent, which was all damp dark earth, overwhelmed me. I inhaled two sharp breaths. No. This wasn’t right. Not this, not with Patch. He was frightening. In a good way, yes. But also in a bad way. A very bad way. "You should go," I breathed. "You should definitely go." "Go here?" His mouth was on my shoulder. "Or here?" It moved up my neck. My brain couldn’t process one logical thought. Patch’s mouth was roaming north, up over my jaw, gently sucking at my skin... "My legs are falling asleep," I blurted. It wasn’t a total lie. I was experiencing tingling sensations all through my body, legs included. "I could solve that." Patch’s hands closed on my hips.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Some people try to tell you the things you want in life are out of your grasp, while others lift you up on their shoulders and help you reach them. I may not know a lot, but I prefer to fill my life with people who let me climb on top of their shoulders, not people who try to keep me planted on the ground.
Katie Kacvinsky (Awaken (Awaken, #1))
Who taught you to write in blood on my back? Who taught you to use your hands as branding irons? You have scored your name into my shoulders, referenced me with your mark. The pads of your fingers have become printing blocks, you tap a message on to my skin, tap meaning into my body.
Jeanette Winterson (Written on the Body)
Why do they blame me for all their little failings? They use my name as if I spent my entire days sitting on their shoulders, forcing them to commit acts they would otherwise find repulsive. 'The devil made me do it.' I have never made one of them do anything. Never. They live their own tiny lives. I do not live their lives for them.
Neil Gaiman (The Sandman, Vol. 4: Season of Mists)
Seth threw me a mischievous grin. “I can’t have Marcus just walking in on us. What if I want to snuggle on these cold New York nights?” My frown increased. “We don’t snuggle.” He dropped his arm over my shoulder, and the scent of mint and something wild tickled my nose. “How about we cuddle?” “We don’t do that either.” “But you’re my cuddle bunny. My little Apollyon cuddle—” I punched him in the side.
Jennifer L. Armentrout (Pure (Covenant, #2))
When I am lonely for boys it’s their bodies I miss. I study their hands lifting the cigarettes in the darkness of the movie theaters, the slope of a shoulder, the angle of a hip. Looking at them sideways, I examine them in different lights. My love for them is visual: that is the part of them I would like to possess. Don’t move, I think. Stay like that, let me have that.
Margaret Atwood (Cat’s Eye)
He leaned his head to me, his neck so close to my lips, I felt the heat coming off his skin. His breath was warm against my ear. His voice was a ragged snarl. "I miss you." This wasn't happening. "I worry about you." He dipped his head and looked into my eyes. "I worry something stupid will happen and I won't be there and you'll be gone. I worry we won't ever get a chance and it's driving me out of my skull." No, no, no, no......... We stared at each other. The tiny space between us felt too hot. Muscles bulged on his naked frame. He looked feral. Mad gold eyes stared into mine. "Do you miss me, Kate?" I closed my eyes trying to shut him out. I could lie then we would be back to square one. Nothing would be resolved. I'd still be alone, hating him and wanting him. He grabbed my shoulders and shook me once. "Do you miss me?" I took the plunge. "Yes.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
You’re not going to handle me?” I call after him, shock raising my brows. “Not tonight!” he tosses over his shoulder. I scoff. “What are you waiting for?” “It’s no fun if you expect it,” he answers, striding into the darkness. “Now, get back to bed before your wingleader realizes you’re out after curfew.” “What?” I gawk after him. “You’re my wingleader!
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
He smiled at that, and then his gaze shifted to a spot over my shoulder and it faded. 'These doubts wouldn’t have anything to do with the company you’re keeping of late, would they?' I didn’t get a chance to answer before the shop door was thrown open and a furious war mage stomped in. Pritkin spotted me and his eyes narrowed. 'You shaved my legs?!' Mircea looked at me and folded his arms across his chest. I looked from one unhappy face to the other and suddenly remembered that I had somewhere else to be.
Karen Chance (Curse the Dawn (Cassandra Palmer, #4))
I look at her there in the shadows of the shut-down city, her hair falling onto her face, and I can see her trying to figure out if I’ve lost it. And I have to fight the urge to take her by the shoulders and slam her against a shuttered building until we feel the vibrations ringing through both of us. Because I suddenly want to hear her bones rattle. I want to feel the softness of her flesh give, to hear her gasp as my hip bone jams into her. I want to yank her head back until her neck is exposed. I want to rip my hands through her hair until her breath is labored. I want to make her cry and then lick up the tears. And then I want to take my mouth to hers, to devour her alive, to transmit all the things she can’t understand.
Gayle Forman (Where She Went (If I Stay, #2))
Oh, by the way…” Jason glanced at Percy. “I resigned my office, gave Frank a field promotion to praetor. Unless you want to contest that ruling.” Percy grinned. “No argument here.” “Praetor?” Hazel stared at Frank. He shrugged uncomfortably. “Well… yeah. I know it seems weird.” She tried to throw her arms around him, then winced as she remembered her busted ribs. She settled for kissing him. “It seems perfect.” Leo clapped Frank on the shoulder. “Way to go, Zhang. Now you can order Octavian to fall on his sword.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Then his eyes focus on something over my shoulder, and he starts walking. I turn to see Uriah jogging from the elevator bank. He is grinning. “Heard a rumor you were a dirty traitor,” Uriah says. “Yeah, whatever,” says Zeke. They collide in an embrace that looks almost painful to me, slapping each other’s backs and laughing with their fists clasped between them.
Veronica Roth (Insurgent (Divergent, #2))
Spend the night with me.” (...) “I’m tired of living like I’m not alive.” He dropped his hands from my face to grip my shoulders. “I’m bloody sick to death of it. I want one night to be alive. With you.” He closed his eyes and leaned his forehead on mine. “Please, Anna. One last night and we’ll go back to being safe again. I need this. I need you.
Wendy Higgins (Sweet Peril (Sweet, #2))
Simulation Tobias kisses my neck. I try to think. I have to face the fear. I have to take control of the situation and find a way to make it less frightening. I look Simulation Tobias in the eye and say sternly, “I am not going to sleep with you in a hallucination. Okay?” Then I grab him by his shoulders and turn us around, pushing him against the bedpost. I feel something other than fear—a prickle in my stomach, a bubble of laughter. I press against him and kiss him, my hands wrapping around his arms. He feels strong. He feels…good. And he’s gone. I laugh into my hand until my face gets hot. I must be the only initiate with this fear.
Veronica Roth (Divergent (Divergent, #1))
Reluctantly, I pulled out my necklace and showed it to them. Samuel frowned. The little figure was stylized; I suppose he couldn't tell what it was at first. "A dog?" asked Zee, staring at my necklace. "A lamb," I said defensively, tucking it safely back under my shirt. "Because one of Christ's names is 'The Lamb of God.'" Samuel's shoulders shook slightly. "I can see it now, Mercy holding a roomful of vampire at bay with her glowing sheep." I gave his shoulder a hard push, aware of the heat climbing to my cheeks, but it didn't help. He sang in a soft taunting voice, "Mercy had a little lamb...
Patricia Briggs (Moon Called (Mercy Thompson, #1))
A second floor window opened, and Kyle stuck his head and shoulders out so he could look down at us. “If you two are finished playing Cowboy and Indian out there, some of us would like to get their beauty sleep.” I looked at Warren. “You heard ‘um Kemo Sabe. Me go to my little wigwam and get ‘um shut-eye.” “How come you always get to play the Indian?” whined Warren, deadpan. “Cause she’s the Indian, white boy,” said Kyle.
Patricia Briggs (Iron Kissed (Mercy Thompson, #3))
What did you do?” I mumble. He is just a few feet away from me now, but not close enough to hear me. As he passes me he stretches out his hand. He wraps it around my palm and squeezes. Squeezes, then lets go. His eyes are bloodshot; he is pale. “What did you do?” This time the question tears from my throat like a growl. I throw myself toward him, struggling against Peter’s grip, though his hands chafe. “What did you do?” I scream. “You die, I die too” Tobias looks over his shoulder at me. “I asked you not to do this. You made your decision. These are the repercussions.
Veronica Roth
In spite of everything I loved you, and will go on loving you―on my knees, with my shoulders drawn back, showing my heels to the headsman and straining my goose neck―even then. And afterwards―perhaps most of all afterwards―I shall love you, and one day we shall have a real, all-embracing explanation, and then perhaps we shall somehow fit together, you and I, and turn ourselves in such a way that we form one pattern, and solve the puzzle: draw a line from point A to point B... without looking, or, without lifting the pencil... or in some other way... we shall connect the points, draw the line, and you and I shall form that unique design for which I yearn. If they do this kind of thing to me every morning, they will get me trained and I shall become quite wooden.
Vladimir Nabokov
Not half as much as I’d miss me if you killed me. (He blinked like a girl and leaned against Ash’s shoulder.) Please don’t hurt me, Ash. Please. I don’t want to die while I’m still a virgin. At least let me get laid before you kill me – which according to my mom I can’t do until I’m married and I can’t do that until I finish college. So you have to wait a good ten years before you snuff me. Deal? (Nick)
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
I wept bitterly, surrendering momentarily to my fear and heartbroken confusion, but slowly I began to quiet a bit, as Jamie stroked my neck and back, offering me the comfort of his broad, warm chest. My sobs lessened and I began to calm myself, leaning tiredly into the curve of his shoulder. No wonder he was so good with horses, I thought blearily, feeling his fingers rubbing gently behind my ears, listening to the soothing, incomprehensible speech. If I were a horse, I'd let him ride me anywhere.
Diana Gabaldon (Outlander (Outlander, #1))
Daemon snatched the yellow packages from my hands. “Oh! Books! You have books!” I laughed as several people waiting in line looked over their shoulders. “Hand them over.” He clutched them to his chest, making moony eyes. “My life is now complete.” “My life would be complete if I could actually post a review on something other than the school library computers.” I did that about twice a week since my latest laptop went to the big computer heaven in the sky.
Jennifer L. Armentrout (Opal (Lux, #3))
We got off at the next exit, quietly, and, switching drivers, we walked in front of the car. We met and I held him, my hands balled into tight fists around his shoulders, and he wrapped his short arms around me and squeezed tight, so that I felt the heaves of his chest as we realized over and over again that we were still alive. I realized it in waves and we held on to each other crying and I thought, 'God we must look so lame,' but it doesn't matter when you have just now realized, all the time later, that you are still alive.
John Green (Looking for Alaska)
He slouched back in his seat, looking tired, and leaned his face on his shoulder to look at me while he played with my hair. He started to hum a song, and then, after a few bars, he sang it. Quietly, sort of half-sung, half-spoken, incredibly gentle. I didn’t catch all the words, but it was about his summer girl. Me. Maybe his forever girl. His yellow eyes were half-lidded as he sang, and in that golden moment, hanging taut in the middle of an icecovered landscape like a single bubble of summer nectar, I could see how my life could be stretched out in front of me.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
I heard this girl worked for Bishop,' said one of the guys, who had a tire iron resting on his shoulder. 'Carrying around his death warrants. Like one of those Nazi collaborators.' 'You heard wrong,' Shane said. 'She’s my girl. Now back off.' 'Let’s hear from her,' said the leader of the pack, and locked stares with Claire. 'So? You working for the vamps?' Shane sent her a quick, warning glance. Claire took in a deep breath and said, 'Absolutely.' 'Ah hell,' Shane breathed. 'Okay, then. Run.
Rachel Caine (Fade Out (The Morganville Vampires, #7))
For a moment, I pretended. Not that we weren't two different species, because I didn't see him that way, but that we actually liked each other. And then he shifted and rolled. I was on my back, and he was still on the move. His face burrowed into the space between my neck and shoulder, nuzzling. Sweet baby Jesus...Warm breath danced over my skin, sending shivers down my body. His arm was heavy against my stomach, his leg between mine, pushing up and up. Scorched air fled my lungs. Daemon murmured in a language I couldn't understand. Whatever it was, it sounded beautiful and soft. Magical. Unearthly. I could've woken him up but for some reason I didn't. The thrill of him touching me was far stronger than anything else. His hand was on the edge of the borrowed shirt, his long fingers on the strip of exposed flesh between the hem on the shirt and the band of the worn pajama bottoms. And his hand inched up under the shirt, across my stomach, where it dipped slightly. My pulse went into cardiac territory. The tips of his fingers brushed my ribs. His body moved, his knee pressed against me. I gasped. Daemon stilled. No one moved. The clock on the wall ticked. And I cringed.
Jennifer L. Armentrout (Obsidian (Lux, #1))
In Blackwater Woods Look, the trees are turning their own bodies into pillars of light, are giving off the rich fragrance of cinnamon and fulfillment, the long tapers of cattails are bursting and floating away over the blue shoulders of the ponds, and every pond, no matter what its name is, is nameless now. Every year everything I have ever learned in my lifetime leads back to this: the fires and the black river of loss whose other side is salvation, whose meaning none of us will ever know. To live in this world you must be able to do three things: to love what is mortal; to hold it against your bones knowing your own life depends on it; and, when the time comes to let it go, to let it go.
Mary Oliver (New and Selected Poems, Volume One)
You will be the first test subject, Tobias. Beatrice, however...." She smiles. "You are too injured to be of much use to me, so your execution will occur at the conclusion of this meeting." I try to hide the shudder that goes through me at the word "execution," my shoulder screaming with pain, and look up at Tobias. It's hard to blink tears back when I see the terror in Tobias's wide, dark eyes. "No," says Tobias. His voice trembles, but his look stern as he shakes his head. "I would rather die." "I'm afraid you don't have much of a choice in that matter," replies Jeanine lightly. Tobias takes my face in this hands roughly and kisses me, the pressure of his lips pushing mine apart. I forget my pain and the terror of approaching death and for a moment, I am grateful that the memory of that kiss will be fresh in my mind as I meet my end.
Veronica Roth (Divergent (Divergent, #1))
I took a step forward, rage swirling inside me. “You broke into Mount Weather?” Hunter choked out a laugh. “Are you insane?” “Shut up,” I said, keeping my eyes on Luc. Hunter made a deep noise. “Our little mutual white flag of friendship is going to come to a halt if you tell me to shut up again.” I spared him a brief glance. “Shut. Up.” Dark shadows drifted over the Arum’s shoulder, and I faced him fully. “What?” I said, throwing my hands up in a universal come get some. “I have a lot of pent-up violence I’d love to take out on someone.” “Guys.” Luc sighed, sliding off the bar. “Seriously? Can’t you two bro-mance it out?
Jennifer L. Armentrout (Origin (Lux, #4))
His hands slid up my neck, searing hot. Pressing his thumbs gently into my throat, he tipped my head back. I felt his lips come against mine so hard he stopped whatever name I'd been about to call him from coming out. His hands dropped to my shoulders, skimmed down my arms, and came to rest at the small of my back. Little shivers of panic and pleasure shot through me. He tried to pull me against him, and I bit him on the lip. He licked his lip with the tip of his tongue. "Did you just bite me?" "Is everything a joke to you?" I asked. He dabbed his tongue to his lip again. "Not everything." "Like what?" "You.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
You don't regret it?" She shakes her head, her smile sad, "No." "Good," I murmur. "Because I've always had a thing for short hair." "Oh, really?" She laughs as I sway us in a circle. "It's true. Among other things, of course." I shrug a shoulder. "Short hair. Ocean-blue eyes. Twenty-eight freckles. And"- I pause, examining her with a tilt of my head-"how tall are you?" She blinks in confusion. "Umm, about five and a half feet?" "Five and a half feet," I continue evenly. "The terrifying ability to kick a man's ass. Stunning smile. Ridiculously stubborn. Hair like molten silver. Quick to threaten me with a dagger." I smile down at her. "Should I go on?
Lauren Roberts (Reckless (The Powerless Trilogy, #2))
He swapped the fistful of my shirt for one in my hair, and ground his mouth against mine. I exploded. I shoved at him, and clawed him closer. He shoved me back, and yanked me tighter to his body. I pulled his hair. He pulled mine. He didn‘t fight fair. Actually, he fought exactly fair. He didn‘t extend courtesies, not a single one. I bit his lip. He tripped me and pushed me down to the stone floor of the cavern. I punched him. He straddled me. I ripped his shirt down the front, left it hanging in tatters from his shoulders. "I liked that shirt", he snarled. He rose over me, a dark demon, glistening in the torchlight, dripping sweat and blood, his torso covered with tattoos that disappeared beneath his waistband. He grabbed the hem of my shirt, tore it straight up to my neck, and inhaled sharply.
Karen Marie Moning (Bloodfever (Fever, #2))
A number of years ago, when I was a freshly-appointed instructor, I met, for the first time, a certain eminent historian of science. At the time I could only regard him with tolerant condescension. I was sorry of the man who, it seemed to me, was forced to hover about the edges of science. He was compelled to shiver endlessly in the outskirts, getting only feeble warmth from the distant sun of science- in-progress; while I, just beginning my research, was bathed in the heady liquid heat up at the very center of the glow. In a lifetime of being wrong at many a point, I was never more wrong. It was I, not he, who was wandering in the periphery. It was he, not I, who lived in the blaze. I had fallen victim to the fallacy of the 'growing edge;' the belief that only the very frontier of scientific advance counted; that everything that had been left behind by that advance was faded and dead. But is that true? Because a tree in spring buds and comes greenly into leaf, are those leaves therefore the tree? If the newborn twigs and their leaves were all that existed, they would form a vague halo of green suspended in mid-air, but surely that is not the tree. The leaves, by themselves, are no more than trivial fluttering decoration. It is the trunk and limbs that give the tree its grandeur and the leaves themselves their meaning. There is not a discovery in science, however revolutionary, however sparkling with insight, that does not arise out of what went before. 'If I have seen further than other men,' said Isaac Newton, 'it is because I have stood on the shoulders of giants.
Isaac Asimov (Adding a Dimension: Seventeen Essays on the History of Science)
Archer?” I asked, raising my eyebrows. Hey, you might be able to take away my magical powers, but the power of sarcasm was still at my disposal. “Is your last name Newport or Vanderbilt? Maybe followed by some numbers? Ooh!” I said, widening my eyes, “or maybe even Esquire!” I’d hoped to hurt his feelings or, at the very least, make him angry, but he just kept smiling at me. “Actually, it’s Archer Cross, and I’m the first one. Now what about you?” He squinted. “Let’s see . . . brown hair, freckles, whole girl-next-door vibe going on . . . Allie? Lacie? Definitely something cutesy ending in ie.” You know those times when your mouth moves but no sound actually comes out? Yeah, that’s pretty much what happened. And then, of course, my mom took that opportunity to end her conversation with Justin’s parents and call out, “Sophie! Wait up.” “I knew it.” Archer laughed. “See you, Sophie,” he called over his shoulder as he disappeared into the house.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
I once saw a spindly man carrying a stone larger than his head upon his back. He stumbled beneath the weight, shirtless under the sun, wearing only a loincloth. He tottered down a busy thoroughfare. People made way for him. Not because they sympathized with him, but because they feared the momentum of his steps. You dare not impede one such as this. The monarch is like this man, stumbling along, the weight of a kingdom on his shoulders. Many give way before him, but so few are willing to step in and help carry the stone. They do not wish to attach themselves to the work, lest they condemn themselves to a life full of extra burdens. I left my carriage that day and took up the stone, lifting it for the man. I believe my guards were embarrassed. One can ignore a poor shirtless wretch doing such labor, but none ignore a king sharing the load. Perhaps we should switch places more often. If a king is seen to assume the burden of the poorest of men, perhaps there will be those who will help him with his own load, so invisible, yet so daunting.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
He fell to the seat, she by his side. There were no more words. The stars were beginning to shine. How was it that the birds sing, that the snow melts, that the rose opens, that May blooms, that the dawns whitens behind the black trees on the shivering summit of the hills? One kiss, and that was all. Both trembled, and they looked at each other in the darkness with brilliant eyes. They felt neither the cool night, nor the cold stone, nor the damp ground, nor the wet grass; they looked at each other, and their hearts were full of thought. They had clasped hands, without knowing it. She did not ask him; did not even think where and how he had managed to get into the garden. It seemed so natural to her that he should be there. From time to time Marius’ knee touched Cosette’s. A touch that thrilled. At times, Cosette faltered out a word. Her soul trembled on her lips like a drop of dew on a flower. Gradually, they began to talk. Overflow succeeded to silence, which is fullness. The night was serene and glorious above their heads. These two beings, pure as spirits, told each other everything, their dreams, their frenzies, their ecstasies, their chimeras, their despondencies, how they had adored each other from afar, how they had longed for each other, their despair when they had ceased to see each other. They had confided to each other in an intimacy of the ideal, which already, nothing could have increased, all that was most hidden and most mysterious in themselves. They told each other, with a candid faith in their illusions, all that love, youth and the remnant of childhood that was theirs, brought to mind. These two hearts poured themselves out to each other, so that at the end of an hour, it was the young man who had the young girl’s soul and the young girl who had the soul of the young man. They interpenetrated, they enchanted, they dazzled each other. When they had finished, when they had told each other everything, she laid her head on his shoulder, and asked him: "What is your name?" My name is Marius," he said. "And yours?" My name is Cosette.
Victor Hugo (Les Misérables)
Charles,” Bones said distinctly. “You’d better have a splendid explanation for her being on top of you.” The black-haired vampire rose to his feet as soon as I jumped off, brushing the dirt off his clothes. “Believe me, mate, I’ve never enjoyed a woman astride me less. I came out to say hello, and this she-devil blinded me by flinging rocks in my eyes. Then she vigorously attempted to split my skull before threatening to impale me with silver if I so much as even twitched! It’s been a few years since I’ve been to America, but I daresay the method of greeting a person has changed dramatically!” Bones rolled his eyes and clapped him on the shoulder. “I’m glad you’re still upright, Charles, and the only reason you are is because she didn’t have any silver. She’d have staked you right and proper otherwise. She has a tendency to shrivel someone first and then introduce herself afterwards.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
Black is the color that is no color at all. Black is the color of a child's still, empty bedroom. The heaviest hour of night-the one that traps you in your bunk, suffocating in another nightmare. It is a uniform stretched over the broad shoulders of an angry young man. Black is the mud, the lidless eye watching your every breath, the low vibrations of the fence that stretches up to tear at the sky. It is a road. A forgotten night sky broken up by faded stars. It is the barrel of a new gun, leveled at your heart. The color of Chubs's hair, Liam's bruises, Zu's eyes. Black is a promise of tomorrow, bled dry from lies and hate. Betrayal. I see it in the face of a broken compass, feel it in the numbing grip of grief. I run, but it is my shadow. Chasing, devouring, polluting. It is the button that should never have been pushed, the door that shouldn't have opened, the dried blood that couldn't be washed away. It is the charred remains of buildings. The car hidden in the forest, waiting. It is the smoke. It is the fire. The spark. Black is the color of memory. It is our color. The only one they'll use to tell our story.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live. In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formality. My spirit, my emotional being, whatever you want to call all that inner turmoil that has nothing to do with physical existence, were long gone, dead and gone, and only a mass of the most fucking god-awful excruciating pain like a pair of boiling hot tongs clamped tight around my spine and pressing on all my nerves was left in its wake. That's the thing I want to make clear about depression: It's got nothing at all to do with life. In the course of life, there is sadness and pain and sorrow, all of which, in their right time and season, are normal -- unpleasant, but normal. Depression is an altogether different zone because it involves a complete absence: absence of affect, absence of feeling, absence of response, absence of interest. The pain you feel in the course of a major clinical depression is an attempt on nature's part (nature, after all, abhors a vacuum) to fill up the empty space. But for all intents and purposes, the deeply depressed are just the walking, waking dead. And the scariest part is that if you ask anyone in the throes of depression how he got there, to pin down the turning point, he'll never know. There is a classic moment in The Sun Also Rises when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, 'Gradually and then suddenly.' When someone asks how I love my mind, that is all I can say too
Elizabeth Wurtzel (Prozac Nation)
You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves. After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm. That’s what I believe. The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens. These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.
Robert McCammon (Boy's Life)
With a chaste heart With pure eyes I celebrate your beauty Holding the leash of blood So that it might leap out and trace your outline Where you lie down in my Ode As in a land of forests or in surf In aromatic loam, or in sea music Beautiful nude Equally beautiful your feet Arched by primeval tap of wind or sound Your ears, small shells Of the splendid American sea Your breasts of level plentitude Fulfilled by living light Your flying eyelids of wheat Revealing or enclosing The two deep countries of your eyes The line your shoulders have divided into pale regions Loses itself and blends into the compact halves of an apple Continues separating your beauty down into two columns of Burnished gold Fine alabaster To sink into the two grapes of your feet Where your twin symmetrical tree burns again and rises Flowering fire Open chandelier A swelling fruit Over the pact of sea and earth From what materials Agate? Quartz? Wheat? Did your body come together? Swelling like baking bread to signal silvered hills The cleavage of one petal Sweet fruits of a deep velvet Until alone remained Astonished The fine and firm feminine form It is not only light that falls over the world spreading inside your body Yet suffocate itself So much is clarity Taking its leave of you As if you were on fire within The moon lives in the lining of your skin.
Pablo Neruda
There was a soft chuckle beside me, and my heart stopped. "So this is Oberon's famous half-blood," Ash mused as I whirled around. His eyes, cold and inhuman, glimmered with amusement. Up close, he was even more beautiful, with high cheekbones and dark tousled hair falling into his eyes. My traitor hands itched, longing to run my fingers through those bangs. Horrified, I clenched them in my lap, trying to concentrate on what Ash was saying. "And to think," the prince continued, smiling, "I lost you that day in the forest and didn't even know what I was chasing." I shrank back, eyeing Oberon and Queen Mab. They were deep in conversation and did not notice me. I didn't want to interrupt them simply because a prince of the Unseelie Court was talking to me. Besides, I was a faery princess now. Even if I didn't quite believe it, Ash certainly did. I took a deep breath, raised my chin, and looked him straight in the eye. "I warn you," I said, pleased that my voice didn't tremble, "that if you try anything, my father will remove your head and stick it to a plaque on his wall." He shrugged one lean shoulder. "There are worse things." At my horrified look, he offered a faint, self-derogatory smile. "Don't worry, princess, I won't break the rules of Elysium. I have no intention of facing Mab's wrath should I embarrass her. That's not why I'm here." "Then what do you want?" He bowed. "A dance." "What!" I stared at him in disbelief. "You tried to kill me!" "Technically, I was trying to kill Puck. You just happened to be there. But yes, if I'd had the shot, I would have taken it." "Then why the hell would you think I'd dance with you?" "That was then." He regarded me blandly. "This is now. And it's tradition in Elysium that a son and daughter of opposite territories dance with each other, to demonstrate the goodwill between the courts." "Well, it's a stupid tradition." I crossed my arms and glared. "And you can forget it. I am not going anywhere with you." He raised an eyebrow. "Would you insult my monarch, Queen Mab, by refusing? She would take it very personally, and blame Oberon for the offense. And Mab can hold a grudge for a very, very long time." Oh, damn. I was stuck.
Julie Kagawa (The Iron King (The Iron Fey, #1))
Aware of every breath, every movement, I sat in his lap. His hands gently braced my hips as I studied his face. “And now I want you to know, Rhysand, that I love you. I want you to know … ” His lips trembled, and I brushed away the tear that escaped down his cheek. “I want you to know,” I whispered, “that I am broken and healing, but every piece of my heart belongs to you. And I am honored—honored to be your mate.” His arms wrapped around me and he pressed his forehead to my shoulder, his body shaking. I stroked a hand through his silken hair. “I love you,” I said again. I hadn’t dared say the words in my head. “And I’d endure every second of it over again so I could find you. And if war comes, we’ll face it. Together. I won’t let them take me from you. And I won’t let them take you from me, either.” Rhys looked up, his face gleaming with tears. He went still as I leaned in, kissing away one tear. Then the other. As he had once kissed away mine. When my lips were wet and salty with them, I pulled back far enough to see his eyes. “You’re mine,” I breathed.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
If you are eager to find the reason I became the Kvothe they tell stories about, you could look there, I suppose." Chronicler's forehead wrinkled. "What do you mean, exactly?" Kvothe paused for a long moment, looking down at his hands. "Do you know how many times I've been beaten over the course of my life?" Chronicler shook his head. Looking up, Kvothe grinned and tossed his shoulders in a nonchalant shrug. "Neither do I. You'd think that sort of thing would stick in a person's mind. You'd think I would remember how many bones I've had broken. You'd think I'd remember the stitches and bandages." He shook his head. "I don't. I remember that young boy sobbing in the dark. Clear as a bell after all these years." Chronicler frowned. "You said yourself that there was nothing you could have done." "I could have," Kvothe said seriously, "and I didn't. I made my choice and I regret it to this day. Bones mend. Regret stays with you forever.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
In this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And no, they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don't love your mouth. You got to love it. This is flesh I'm talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. and all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver--love it, love it and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
Toni Morrison (Beloved (Beloved Trilogy, #1))
Until death," Jem replied gently. "Those are the words of the oath. 'Until aught but death part thee and me.' Someday, Will, I will go where none can follow me, and I think it will be sooner rather than later. Have you ever asked yourself why I agreed to be your parabatai?" "No better offers forthcoming?" Will tried for humor, but his voice cracked like glass. "I thought you needed me," Jem said. "There is a wall you have built about yourself, Will, and I have never asked you why. But no one should shoulder every burden alone. I thought you would let me inside if I became your parabatai, and then you would have at least someone to lean upon. I did wonder what my death would mean for you. I used to fear it, for your sake. I feared you would be left alone inside that wall. But now... something has changed. I do not know why. But I know that it is true." "That what is true?" Will's fingers were still digging into Jem's wrist. "That the wall is coming down.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Tohrment spoke. "Bella's brother called. He's tabled the sehelusion request and asked that she stay here for a couple of days." Z jacked his head up. "Why?" "He didn't give a reason-" Tohr's eye's narrowed on Z's face. "Oh... my God." "What the fuck are you looking at?" Phury pointed to the antique mirror hanging on the wall next to the double doors. "See for yourself." Zsadist marched across the room, ready to give them all hell. Bella was what mattered- His mouth went lax at his reflection. With a shaky hand he reached out to the eyes in the old-fashioned leaded glass. His irises were no longer black. They were yellow. Just like his twin's. "Phury?" he said softly. "Phury... what happened to me?" As the male came up behind him, his brother's face appeared right beside Z's. And then Wrath's dark reflection showed up in the mirror, all long hair and sunglasses. Then Rhage's star-fallen beauty. And Vishous's Sox cap. And Tohrment's brush cut. And Butch's busted nose. One by one they reached out and touched him, their big hands gently on his shoulders. "Welcome back, my brother," Phury whispered. Zsadist stared at the males who were behind him. And the oddest thought that if he were to let himself go limp and fall backward... they would catch him.
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
You saved the world," annabeth said. "We saved the world." "And Rachel is the new Oracle, which means she won't be dating anybody." "You don't sound disappointed," I noticed. Annabeth shrugged. "Oh, I don't care." "Uh-huh." She raised an eyebrow. "You got something to say to me, Seaweed Brain?" "You'd probably kick my butt." "You know I'd kick your butt." I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal." Annabeth kept her eyes on the horizon. "Yeah?" "Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking—" "Oh, you so wanted to." "Well, maybe a little. But I didn't, because I thought—I didn't want things to stay the same for eternity, because things could always get better. And I was thinking . . ." My throat felt really dry. "Anyone in particular?" Annabeth asked, her voice soft. I looked over and saw that she was trying not to smile. "You're laughing at me," I complained. "I am not!" "You are so not making this easy." Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it." When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!" Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders. "Oh, come on!" I complained. "Is there no privacy?" "The lovebirds need to cool off!" Clarisse said with glee. "The canoe lake!" Connor Stoll shouted. and they dumped us in the water.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
We were fools.” “You were children. Was there no one to protect you?” “Was there anyone to protect you?” “My father. My mother. They would have done anything to keep me from being stolen.” “And they would have been mowed down by slavers.” “Then I guess I was lucky I didn’t have to see that.” How could she still look at the world that way? “Sold into a brothel at age fourteen and you count yourself lucky.” “They loved me. They love me. I believe that.” He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. “You protected me, Kaz.” “The fact that you’re bleeding through your bandages tells me otherwise.” She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. “I need Nina to fix this one.” He didn’t mean to say it. He meant to let her go. “I can help you.” Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she’d spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she’d nearly destroyed him. Maybe he should let her finish the job.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Plastic ware," he said slowly, "like knives and forks and spoons?" I brushed a bit of dirt off the back of my car—was that a scratch?—and said casually, "Yeah, I guess.Just the basics, you know." "Did you need plastic ware?" he asked. I shrugged. "Because," he went on, and I fought the urge to squirm, "it's so funny, because I need plastic ware. Badly." "Can we go inside, please?" I asked, slamming the trunk shut. "It's hot out here." He looked at the bag again, then at me. And then, slowly, the smile I knew and dreaded crept across his face. "You bought me plastic ware," he said. "Didn't you?' "No," I growled, picking at my license plate. "You did!" he hooted, laughing out loud. "You bought me some forks. And knives. And spoons. Because—" "No," I said loudly. "—you love me!" He grinned, as if he'd solved the puzzler for all time, as I felt a flush creep across my face. Stupid Lissa. I could have killed her. "It was on sale," I told him again, as if this was some kind of an excuse. "You love me," he said simply, taking the bag and adding it to the others. "Only seven bucks," I added, but he was already walking away, so sure of himself. "It was on clearance, for God's sake." "Love me," he called out over his shoulder, in a singsong voice. "You. Love. Me.
Sarah Dessen (This Lullaby)
In rode the Lord of the Nazgûl. A great black shape against the fires beyond he loomed up, grown to a vast menace of despair. In rode the Lord of the Nazgûl, under the archway that no enemy ever yet had passed, and all fled before his face. All save one. There waiting, silent and still in the space before the Gate, sat Gandalf upon Shadowfax: Shadowfax who alone among the free horses of the earth endured the terror, unmoving, steadfast as a graven image in Rath Dínen. "You cannot enter here," said Gandalf, and the huge shadow halted. "Go back to the abyss prepared for you! Go back! Fall into the nothingness that awaits you and your Master. Go!" The Black Rider flung back his hood, and behold! he had a kingly crown; and yet upon no head visible was it set. The red fires shone between it and the mantled shoulders vast and dark. From a mouth unseen there came a deadly laughter. "Old fool!" he said. "Old fool! This is my hour. Do you not know Death when you see it? Die now and curse in vain!" And with that he lifted high his sword and flames ran down the blade. Gandalf did not move. And in that very moment, away behind in some courtyard of the city, a cock crowed. Shrill and clear he crowed, recking nothing of war nor of wizardry, welcoming only the morning that in the sky far above the shadows of death was coming with the dawn. And as if in answer there came from far away another note. Horns, horns, horns, in dark Mindolluin's sides they dimly echoed. Great horns of the north wildly blowing. Rohan had come at last.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.” Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?” … “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.” “You don’t have to do this, Clary, it’s a trick—” (Simon) ...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.” “That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too. Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count. He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said. Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough. His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud... His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up. ...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?” The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
And then we jerked to a stop. Jared was blocking the exit. "Have you lost your mind, Ian?" he asked, shocked and outraged. "What are you doing to her?" "Did you know about this?" Ian shouted back, shoving me toward Jared and shaking me at him. "You're going to hurt her!" "Do you know what she's planning?" Ian roared. Jared stared at Ian, his face suddenly closed off. He didn't answer. That was answer enough for Ian. Ian's fist struck Jared so fast that I missed the blow - I just felt the lurch in his body and saw Jared reel back into the dark hall. "Ian, stop," I begged. "You stop," he growled back at me. He yanked me through the arch into the tunnel, then pulled me north. I had to almost run to keep up with his longer stride. "O´Shea!" Jared shouted after us. "I'm going to hurt her?" Ian roared back over his shoulder, not breaking pace. "I am? You hypocritical swine!" There was nothing but silence and blackness behind us now. I stumbled in the dark, trying to keep up. He jerked me along faster, and my breath caught in a moan, almost like a cry of pain. The sound made Ian stumble to a stop. His breathing was hoarse in the darkness. "Ian, Ian, I..." I chocked, unable to finish. I didn't know what to say, picturing his furious face. His arms caught me abruptly, yanking my feet out from under me and then catching my shoulders before I could fall. He started running forward again, carrying me now. His hands were not rough and angry like before; he cradled me against his chest.
Stephenie Meyer (The Host (The Host, #1))
Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery. People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his. ... After a while I rest my head against his shoulder. Feel his hand caress my hair. "Katniss... If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life", he says. "I would never be happy again." I start to object but he puts a finger to my lips. "It's different for you. I'm not sayin it wouldn't be hard. But there are other people who'd make your life worth living." ... "Your family needs you, Katniss", Peeta says. My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intension is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it. Everithing. That's what Peeta wants me to take from him. ... "No one really needs me", he says, and there's no self-pity in his voice. It's true his family doesen't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me. "I do", I say. "I need you." He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss. I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down. This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Dear Max - You looked so beautiful today. I'm going to remember what you looked like forever. ... And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy. But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right. Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it. The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray. I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while. ... You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet. ... At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you. But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock. Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again. Please make us only go through this once. ... I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me. ... You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without. ... Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it. Good-bye, my love. Fang P.S. Tell everyone I sure will miss them
James Patterson