Landscape Funny Quotes

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It's funny. When we were alive we spent much of our time staring up at the cosmos and wondering what was out there. We were obsessed with the moon and whether we could one day visit it. The day we finally walked on it was celebrated worldwide as perhaps man's greatest achievement. But it was while we were there, gathering rocks from the moon's desolate landscape, that we looked up and caught a glimpse of just how incredible our own planet was. Its singular astonishing beauty. We called her Mother Earth. Because she gave birth to us, and then we sucked her dry.
Jon Stewart (Earth (The Book): A Visitor's Guide to the Human Race)
Funny, Ronan thought, how sad an empty house felt and how preferable an empty landscape was.
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy #1))
I lacked the knowledge of linear perspective needed to get into the art school, so now I whitewash walls and imagine I’m heaven’s landscape painter.
Bauvard (Some Inspiration for the Overenthusiastic)
We're so often told that art can't really change anything. But I think it can. It shapes our ethical landscapes; it opens us to the interior lives of others. It is a training ground for possibility. It makes plain inequalities, and it offers other ways of living.
Olivia Laing (Funny Weather: Art in an Emergency)
When we got to the marina we saw this beautiful boat named Tara waiting for us. Fredo, Carin, Ryan, Dan, Kenny, Allison, my mom, and me were all together to enjoy that extraordinary day. As the boat pulled away from the city, its skyline vanished into the horizon. The captain took us to this area where we sailed through caves and lush hilly landscapes. All of a sudden, the captain pushed the throttle all the way down and we started bombing across the water like we were in a James Bond movie. Everyone's hair was blowing all over the place, especially the girls'. Of course, mine was perfect (ha,ha), but theirs ended up looking like the worst case of bed head I've seen! It was so funny.
Justin Bieber (Justin Bieber: Just Getting Started)
Yet there was a momentary hint of blue sky, and even this bit of light was enough to release a flash of diamonds across the wide landscape, so oddly disfigured by its snowy adventure. Usually the snow stopped at that hour of the day, as if for a quick survey of what had been achieved thus far; the rare days of sunshine seemed to serve much the same purpose—the flurries died down and the sun’s direct glare attempted to melt the luscious, pure surface of drifted new snow. It was a fairy-tale world, child-like and funny. Boughs of trees adorned with thick pillows, so fluffy someone must have plumped them up; the ground a series of humps and mounds, beneath which slinking underbrush or outcrops of rock lay hidden; a landscape of crouching, cowering gnomes in droll disguises—it was comic to behold, straight out of a book of fairy tales. But if there was something roguish and fantastic about the immediate vicinity through which you laboriously made your way, the towering statues of snow-clad Alps, gazing down from the distance, awakened in you feelings of the sublime and holy.
Thomas Mann (The Magic Mountain)
If this were a courageous country, it would ask Gloria to lead it since she is sane and funny and beautiful and smart and the National Leaders we've always had are not. When I listen to her talk about women's rights children's rights men's rights I think of the long line of Americans who should have been president, but weren't. Imagine Crazy Horse as president. Sojourner Truth. John Brown. Harriet Tubman. Black Elk or Geronimo. Imagine President Martin Luther King confronting the youthful "Oppie" Oppenheimer. Imagine President Malcolm X going after the Klan. Imagine President Stevie Wonder dealing with the "Truly Needy." Imagine President Shirley Chisholm, Ron Dellums, or Sweet Honey in the Rock dealing with Anything. It is imagining to make us weep with frustration, as we languish under real estate dealers, killers, and bad actors.
Alice Walker (Horses Make a Landscape Look More Beautiful)
It’s funny, isn’t it?” you started quietly. “How you look up there and find a city, and I look at London and see a landscape?” I frowned, glancing back at you. “What do you mean ‘landscape’?” “Just everything underneath, I guess.” You rubbed your fingers against your beard, thinking. “All that earth and life, always just under the concrete, ready to push back through the pavement and take over the city at any time. All that life beneath the dead.” “London’s more than just a pile of concrete,” I said. “Maybe.” Your eyes glinted in the dark. “But without humans, the wild would take over. It would only need a hundred years or so for nature to win again. We’re just temporary, really.
Lucy Christopher (Stolen (Stolen, #1))
Forget bringing the troops home from Iraq. We need to get the troops home from World War II. Can anybody tell me why, in 2009, we still have more than sixty thousand troops in Germany and thirty thousand in Japan? At some point, these people are going to have to learn to rape themselves. Our soldiers have been in Germany so long they now wear shorts with black socks. You know that crazy soldier hiding in the cave on Iwo Jima who doesn’t know the war is over? That’s us. Bush and Cheney used to love to keep Americans all sphinctered-up on the notion that terrorists might follow us home. But actually, we’re the people who go to your home and then never leave. Here’s the facts: The Republic of America has more than five hundred thousand military personnel deployed on more than seven hundred bases, with troops in one hundred fifty countries—we’re like McDonald’s with tanks—including thirty-seven European countries—because you never know when Portugal might invade Euro Disney. And this doesn’t even count our secret torture prisons, which are all over the place, but you never really see them until someone brings you there—kinda like IHOP. Of course, Americans would never stand for this in reverse—we can barely stand letting Mexicans in to do the landscaping. Can you imagine if there were twenty thousand armed Guatemalans on a base in San Ber-nardino right now? Lou Dobbs would become a suicide bomber. And why? How did this country get stuck with an empire? I’m not saying we’re Rome. Rome had good infrastructure. But we are an empire, and the reason is because once America lands in a country, there is no exit strategy. We’re like cellulite, herpes, and Irish relatives: We are not going anywhere. We love you long time!
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
We're so often told that art can't really change anything. But I think it can. It shapes our ethical landscapes; it opens us to the interior lives of others. It is a training ground for possibility. It makes plain inequalities, and it offers other ways of living. Don't you want it, to be impregnate with all that light? And what will happen if you are?
Olivia Laing (Funny Weather: Art in an Emergency)
Run. Eat. Drink. Eat more. Don't throw up. Instead, take a piss. Then take a crap. Wipe your butt. Make a phone call. Open a door. Rid your bik. Ride in a car. Ride in a subway. Talk. Talk to people. Read. Read maps. Make maps. Make art. Talk about your art. Sell your art. Take a test. Get into a school. Celebrate. HAve a party. Write a thank-you note to someone. Hug your mom. Kiss your dad. Kiss your little sister. Make out with Noelle. Make out with her more. Touch her. HOld her hand. Take her out somewhere. Meet her friends. Run down a street with her. Take her on a picnic. Eat with her. See a movie with her. See a move with Aaron. Heck, see a movie with Nia, once you're cool with her. Get cool with more people.. Drink coffee in little coffee-drinking places. Tell people your story. Volunteer. Go back to Six North. Walk in as a volunteer and say hi to everyone who waited on you as a patient. Help people. Help people like Bobby. Get people books and music that they want when they're in there. Help people like Muqtada. Show them how to draw. Draw more. Try drawing a landscape. Try drawing a person. Try drawing a naked person. Try drawing Noelle naked. Travel. Fly. Swim. Meet. Love. Dance. Win. Smile. Laugh. Hold. Walk. Skip. Okay, it's gay, whatever, skip. Ski. Sled. Play basketball. Jog. Run. Run. Run. Run home. Run home and enjoy. Enjoy. Take these verbs and enjoy them. They're yours, Craig. You deserved them because you chose them. You could have left the all behind but you chose to stay here. So now live for real, Craig. Live. Live. Live. Live. Live.
Ned Vizzini (It's Kind of a Funny Story)
He imagined a town called A. Around the communal fire they’re shaping arrowheads and carving tributes o the god of the hunt. One day some guys with spears come over the ridge, perform all kinds of meanness, take over, and the new guys rename the town B. Whereupon they hang around the communal fire sharpening arrowheads and carving tributes to the god of the hunt. Some climatic tragedy occurs — not carving the correct tributary figurines probably — and the people of B move farther south, where word is there’s good fishing, at least according to those who wander to B just before being cooked for dinner. Another tribe of unlucky souls stops for the night in the emptied village, looks around at the natural defenses provided by the landscape, and decides to stay awhile. It’s a while lot better than their last digs — what with the lack of roving tigers and such — plus it comes with all the original fixtures. they call the place C, after their elder, who has learned that pretending to talk to spirits is a fun gag that gets you stuff. Time passes. More invasions, more recaptures, D, E, F, and G. H stands as it is for a while. That ridge provides some protection from the spring floods, and if you keep a sentry up there you can see the enemy coming for miles. Who wouldn’t want to park themselves in that real estate? The citizens of H leave behind cool totems eventually toppled by the people of I, whose lack of aesthetic sense if made up for by military acumen. J, K, L, adventures in thatched roofing, some guys with funny religions from the eastern plains, long-haired freaks from colder climes, the town is burned to the ground and rebuilt by still more fugitives. This is the march of history. And conquest and false hope. M falls to plague, N to natural disaster — same climatic tragedy as before, apparently it’s cyclical. Mineral wealth makes it happen for the O people, and the P people are renowned for their basket weaving. No one ever — ever — mentions Q. The dictator names the city after himself; his name starts with the letter R. When the socialists come to power they spend a lot of time painting over his face, which is everywhere. They don’t last. Nobody lasts because there’s always somebody else. They all thought they owned it because they named it and that was their undoing. They should have kept the place nameless. They should have been glad for their good fortune, and left it at that. X, Y, Z.
Colson Whitehead (Apex Hides the Hurt)
The windshield wipers were on, and periodically, they made a swipe that gave her a momentarily clear view of the opposite shore. And it was funny, life was a bit like that, wasn't it. You went along, doing your thing, not really seeing the full landscape of where you were for all the daily minutiae you had to take care of—when suddenly, things crystallized and you got a brief picture that left you going, Ah so I am here.
J.R. Ward (The Bourbon Kings (The Bourbon Kings, #1))
The feeling of eating the last oatcake has stuck with me: a funny mix of joy and salt and homesickness, and sharp cheese, and knowing how far I was from an oatcake shop, and my grandparents, and the green-grey moorland. There’s no landscape like the Staffordshire moorlands (they aren’t moors; that’s important). On the edge of a national park, but not nearly so beloved, the earth dips and swoops in lazy curves that seem almost-but-not-quite like somewhere you’ve been before. I wasn’t born there, and didn’t grow up there, and yet some part of me – some mining ancestor deep in the bone – always knows: this is where the bones come from. This is a kind of home.
Ella Risbridger (Midnight Chicken: & Other Recipes Worth Living For)
A strange structure untangled itself out of the background like a hallucination, not part of the natural landscape. It was a funny-shaped, almost spherical, green podlike thing woven from living branches of trees and vines. A trellis of vines hung down over the opening that served as a door. Wendy was so delighted tears sprang to her eyes. It was her Imaginary House! They all had them. Michael wanted his to be like a ship with views of the sea. John had wanted to live like a nomad on the steppes. And Wendy... Wendy had wanted something that was part of the natural world itself. She tentatively stepped forward, almost swooning at the heavy scent of the door flowers. Languorously lighting on them were a few scissorflies, silver and almost perfectly translucent in the glittery sunlight. Their sharp wings made little snickety noises as they fluttered off. Her shadow made a few half-hearted attempts to drag back, pointing to the jungle. But Wendy ignored her, stepping into the hut. She was immediately knocked over by a mad, barking thing that leapt at her from the darkness of the shelter. "Luna!" Wendy cried in joy. The wolf pup, which she had rescued in one of her earliest stories, stood triumphantly on her chest, drooling very visceral, very stinky dog spit onto her face. "Oh, Luna! You're real!" Wendy hugged the gray-and-white pup as tightly as she could, and it didn't let out a single protest yelp. Although... "You're a bit bigger than I imagined," Wendy said thoughtfully, sitting up. "I thought you were a puppy." Indeed, the wolf was approaching formidable size, although she was obviously not yet quite full-grown and still had large puppy paws. She was at least four stone and her coat was thick and fluffy. Yet she pranced back and forth like a child, not circling with the sly lope Wendy imagined adult wolves used. You're not a stupid little lapdog, are you?" Wendy whispered, nuzzling her face into the wolf's fur. Luna chuffed happily and gave her a big wet sloppy lick across the cheek. "Let's see what's inside the house!" As the cool interior embraced her, she felt a strange shudder of relief and... welcome was the only way she could describe it. She was home. The interior was small and cozy; plaited sweet-smelling rush mats softened the floor. The rounded walls made shelves difficult, so macramé ropes hung from the ceiling, cradling halved logs or flat stones that displayed pretty pebbles, several beautiful eggs, and what looked like a teacup made from a coconut. A lantern assembled from translucent pearly shells sat atop a real cherry writing desk, intricately carved and entirely out of place with the rest of the interior. Wendy picked up one of the pretty pebbles in wonder, turning it this way and that before putting it into her pocket. "This is... me..." she breathed. She had never been there before, but it felt so secure and so right that it couldn't have been anything but her home. Her real home. Here there was no slight tension on her back as she waited for footsteps to intrude, for reality to wake her from her dreams; there was nothing here to remind her of previous days, sad or happy ones. There were no windows looking out at the gray world of London. There was just peace, and the scent of the mats, and the quiet droning of insects and waves outside. "Never Land is a... mishmash of us. Of me," she said slowly. "It's what we imagine and dream of- including the dreams we can't quite remember.
Liz Braswell (Straight On Till Morning)
10 Ideas For Transforming Advertising 1. No cranberry bagels at meetings. No exceptions. 2. While on duty, copywriters required to wear those Peruvian knit hats with the funny earflaps. 3. Reinstatement of the three martini lunch. After a 6-month trial period, optional upgrade to four. 4. Confiscate all computers and baseball caps from art directors. 5. Use of the following terms will be considered justifiable cause for termination: ecosystem, conversation, engagement, landscape, seared ahi tuna, and quirky. 6. When making presentations, account planners must dress up as pirates and hop around on one foot. 7. Breakthrough idea for tv spots: Animals that talk! 8. Criminalize all products containing pomegranates or acai berries. 9.  Increase touch points from 360 degrees to 380 degrees. 10. Require Sir Martin Sorrell to walk around with his weenie out.
Bob Hoffman (101 Contrarian Ideas About Advertising)
It’s not funny. How would you like it if your balls fled in fear? My balls haven’t been this frightened since I dove into the icy water at the Polar Bear Plunge my first year of high school.
K.C. Faelan (If At First You Don't Succeed)
I ran into a friend of Lisa’s today,” he told her, enjoying the way Lisa’s eyes got big and she started trying to communicate with him by way of frantic facial expressions behind her mother-in-law’s back. “Emma Shaw.” “Emma Shaw…Oh! The one who does the landscaping, right?” Lisa nodded. “She’s such a nice girl, but I haven’t seen her in ages. Not since I ran into you two at the mall and overheard you talking about her engagement. How are she and her fiancé doing?” Lisa opened her mouth, but closed it again when Sean folded his arms and looked at her, waiting to see how—or even if—she was going to get out of the conversation without lying outright to Aunt Mary. “I…think they’re having some problems,” she finally said. Nice hedge, but an understatement. “Oh, that’s too bad. What’s her fiancé’s name? I meant to ask that day, but you started talking about some shoe sale and I forgot.” It was a few seconds before Lisa sighed in defeat. “Sean.” “Isn’t that funny,” Mary said, smiling at him before turning back to her daughter-in-law. “What’s his last name? Maybe I know his family.” That was a pretty safe bet.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
Personally, as a kid, I preferred The Mary Tyler Moore Show, which I absorbed with fascination. Mary had a job, a snappy wardrobe, and really great hair. She was independent and funny, and unlike those of the other ladies on TV, her problems were interesting. She had conversations that weren’t about children or homemaking. She didn’t let Lou Grant boss her around, and she wasn’t fixated on finding a husband. She was youthful and at the same time grown-up. In the pre-pre-pre-internet landscape, when the world came packaged almost exclusively through three channels of network TV, this stuff mattered. If you were a girl with a brain and a dawning sense that you wanted to grow into something more than a wife, Mary Tyler Moore was your goddess. And here I was now, twenty-nine years old, sitting in the very same apartment where I’d watched all that TV and consumed all those meals
Michelle Obama (Becoming)
which I absorbed with fascination. Mary had a job, a snappy wardrobe, and really great hair. She was independent and funny, and unlike those of the other ladies on TV, her problems were interesting. She had conversations that weren’t about children or homemaking. She didn’t let Lou Grant boss her around, and she wasn’t fixated on finding a husband. She was youthful and at the same time grown-up. In the pre-pre-pre-internet landscape, when the world came packaged almost exclusively through three channels of network TV, this stuff mattered. If you were a girl with a brain and a dawning sense that you wanted to grow into something more than a wife, Mary Tyler Moore was your goddess. And here I was now, twenty-nine years old, sitting in the very same apartment where I’d watched all that TV and consumed all those meals
Michelle Obama (Becoming)
Funny... I'm looking at Nature, but I feel like she's looking at me instead.
Catherine Meurisse (La jeune femme et la mer)
it takes nine hours to Melbourne and thirteen to Sydney. If you drive to my hometown from Sydney, you’ll find stretches of road that are so long and straight you could place a brick on the accelerator and take a twenty-minute nap without veering off the road or missing anything in the dry, lifeless landscape of red sand, with its scattered blue saltbush and thirsty mulga and Mallee trees as far as the eye can see. The only thing that might wake you from your snooze would be hitting a red kangaroo. After happily hopping across the land with no particular plan in mind, startled kangaroos usually stop and stand frozen in the middle of the road, curious about the strange machine rocketing towards them. What a way to go. Here’s a tip: attach a ‘roo bar’ – not a place where kangaroos will dance for money, but a very solid metal grill – to the front of your car; that way, the impact will do more damage to the kangaroo than it does to your vehicle.
Brett Preiss (The (un)Lucky Sperm: Tales of My Bizarre Childhood - A Funny Memoir)
If you’re really thirsty for serious coffee culture and football, it takes nine hours to Melbourne and thirteen to Sydney. If you drive to my hometown from Sydney, you’ll find stretches of road that are so long and straight you could place a brick on the accelerator and take a twenty-minute nap without veering off the road or missing anything in the dry, lifeless landscape of red sand, with its scattered blue saltbush and thirsty mulga and Mallee trees as far as the eye can see. The only thing that might wake you from your snooze would be hitting a red kangaroo. After happily hopping across the land with no particular plan in mind, startled kangaroos usually stop and stand frozen in the middle of the road, curious about the strange machine rocketing towards them. What a way to go. Here’s a tip: attach a ‘roo bar’ – not a place where kangaroos will dance for money, but a very solid metal grill – to the front of your car; that way, the impact
Brett Preiss (The (un)Lucky Sperm: Tales of My Bizarre Childhood - A Funny Memoir)
Behind every boast of a successful “Mission Accomplished” there stands a forgotten landscape strewn with the wreckage and debris of what went wrong.  The ratio of success to failure mimics the visible portion of an iceberg – grand indeed, but a fraction of the story.
Tim Jenkins (Missions Accomplished: And some funny business along the way)
He glanced out the passenger window, watching the landscape slip by in an unending reel of surprisingly green grass. Funny how the world kept turning, even when his own life seemed to have ground to a halt.
Erin Knightley (The Return (Sunnybell #2))