“
His feeling for the South was not so much historic as it was
of the core and desire of dark romanticism--that unlimited and
inexplicable drunkenness, the magnetism of some men's blood that
takes them into the heart of the heat, and beyond that, into the
polar and emerald cold of the South as swiftly as it took the heart
of that incomparable romanticist who wrote The Rime of the Ancient
Mariner, beyond which there is nothing. And this desire of his was
unquestionably enhanced by all he had read and visioned, by the
romantic halo that his school history cast over the section, by the
whole fantastic distortion of that period where people were said to
live in "mansions," and slavery was a benevolent institution,
conducted to a constant banjo-strumming, the strewn largesses of
the colonel and the shuffle-dance of his happy dependents, where
all women were pure, gentle, and beautiful, all men chivalrous and
brave, and the Rebel horde a company of swagger, death-mocking
cavaliers. Years later, when he could no longer think of the
barren spiritual wilderness, the hostile and murderous intrenchment
against all new life--when their cheap mythology, their legend of
the charm of their manner, the aristocratic culture of their lives,
the quaint sweetness of their drawl, made him writhe--when he could
think of no return to their life and its swarming superstition
without weariness and horror, so great was his fear of the legend,
his fear of their antagonism, that he still pretended the most
fanatic devotion to them, excusing his Northern residence on
grounds of necessity rather than desire.
”
”