Lame Horse Quotes

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Before our white brothers came to civilize us we had no jails. Therefore we had no criminals. You can't have criminals without a jail. We had no locks or keys, and so we had no thieves. If a man was so poor that he had no horse, tipi or blanket, someone gave him these things. We were too uncivilized to set much value on personal belongings. We wanted to have things only in order to give them away. We had no money, and therefore a man's worth couldn't be measured by it. We had no written law, no attorneys or politicians, therefore we couldn't cheat. We really were in a bad way before the white men came, and I don't know how we managed to get along without these basic things which, we are told, are absolutely necessary to make a civilized society.
John Fire Lame Deer (Lame Deer, Seeker of Visions)
Before our white brothers arrived to make us civilized men,we didn't have any kind of prison. Because of this, we had no delinquents. We had no locks nor keys and therefore among us there were no thieves. When someone was so poor that he couldn't afford a horse, a tent or a blanket, he would, in that case, receive it all as a gift. We were too uncivilized to give great importance to private property. We didn't know any kind of money and consequently, the value of a human being was not determined by his wealth. We had no written laws laid down, no lawyers, no politicians, therefore we were not able to cheat and swindle one another. We were really in bad shape before the white men arrived and I don't know how to explain how we were able to manage without these fundamental things that (so they tell us) are so necessary for a civilized society.
John Fire Lame Deer
Horses are of a breed unique to Fantasyland. They are capable of galloping full-tilt all day without a rest. Sometimes they do not require food or water. They never cast shoes, go lame or put their hooves down holes, except when the Management deems it necessary, as when the forces of the Dark Lord are only half an hour behind. They never otherwise stumble. Nor do they ever make life difficult for Tourists by biting or kicking their riders or one another. They never resist being mounted or blow out so that their girths slip, or do any of the other things that make horses so chancy in this world. For instance, they never shy and seldom whinny or demand sugar at inopportune moments. But for some reason you cannot hold a conversation while riding them. If you want to say anything to another Tourist (or vice versa), both of you will have to rein to a stop and stand staring out over a valley while you talk. Apart from this inexplicable quirk, horses can be used just like bicycles, and usually are. Much research into how these exemplary animals come to exist has resulted in the following: no mare ever comes into season on the Tour and no stallion ever shows an interest in a mare; and few horses are described as geldings. It therefore seems probable that they breed by pollination. This theory seems to account for everything, since it is clear that the creatures do behave more like vegetables than mammals. Nomads appears to have a monopoly on horse-breeding. They alone possess the secret of how to pollinate them.
Diana Wynne Jones (The Tough Guide to Fantasyland)
Before our white brothers arrived to make us civilized men, we didin't have any kind of prison. Because of this, we didn't have any delinquents. Without a prison, there can't be no delinquents. We had no locks nor keys therefore among us there were no thieves. When someone was so poor that he couldn't afford a horse, a tent or a blanket, he would, in that case, receive it all as a gift. We were too uncivilized to give great importance to private property. We didn't know any kind of money and consequently, the value of a human being was not determined by his wealth. We had no written laws laid down, no lawyers, no politicians, therefore we were not able to cheat and swindle one another. We were really in bad shape before the white man arrived and I don't know how to explain how we were able to manage without these fundamental things that (so they tell us) are so necessary for a civilized society.
John Fire Lame Deer
Here. Tea.” Reagan hands me a steaming mug. One sip tells me it’s not just tea. “You spiked the drink of an injured person,” I state flatly, the alcohol burning in my throat. “Who does that?” “It’s better than what a lame horse gets,
K.A. Tucker
Marriage is like calculus. Complicated and inexplicably remote. People think it's about loving one another and riding off into the sunset, but no one tells you the horse is lame or that it's an eclipse, and there won't be a sunset that day.
Kristin Billerbeck (The Trophy Wives Club (Trophy Wives Club, #1))
My horse went lame about ten days back and I turned him loose.
John Flanagan (The Burning Bridge (Ranger's Apprentice, #2))
In this world, some time ago, far past anyone's remembering,women as a kind had done something so terrible, so awful, so fantastically cruel that they and their daughters and their daughters' daughters were forever beyond forgiveness until the end of time- unforgiving, distrusted, enslaved, made to suffer for the least offenses committed against any man. What was remembered were the terms of our survival as a class: We were to be docile, beautiful,uncomplaining, pure, and failing that at the least useful.bin return we might be allowed something like a long life. But if we were not any of these things, but a man's reckoning, or if perchance we violated their sense of that pact, we would have no protection whatsoever and were to be treated worse than any wild dog or lame horse.
Alexander Chee (The Queen of the Night)
I will say something still easier. Take a single flea or louse-since you tempt and mock our God with this talk about curing a lame horse-and if, after combining all the powers and concentrating all the efforts both of your good and all your supporters, you succeed in killing it in the name of free choice, you shall be victorious, your case shall be established, and we too will come at once and worship that god of yours, that wonderful killer of the louse.
Martin Luther (The Bondage of the Will)
Here, on a human face, appeared all the ruin following upon hopeless labour. Laveuve's unkempt beard straggled over his features, suggesting an old horse that is no longer cropped; his toothless jaws were quite askew, his eyes were vitreous, and his nose seemed to plunge into his mouth. But above all else one noticed his resemblance to some beast of burden, deformed by hard toil, lamed, worn to death, and now only good for the knackers.
Émile Zola (Paris (Three Cities Trilogy, #3))
There are a whole lot of things whose names I do not know and I’d like to tell you about them in the sky your hair solemnly draws away kinds of rain one no longer sees nuts Saint Elmo’s fire sun lames whispered nights cathedrals too which are the carcasses of large gnawed horses spat by the sea from far away but still worshiped by people a whole lot of forgotten things a whole lot of dreamed things
Aimé Césaire (Lost Body)
It seems that a physically weak man is of less value to society than even a lame horse.
Osamu Dazai (Otogizōshi: The Fairy Tale Book of Dazai Osamu)
There once was a brown horse that was brown like a bean, and he lived in the home of a very poor farmer. And the poor farmer had a very poor wife, and they had a very thin chicken and a lame little pig. And so, one day the very poor farmer s wife said: We have nothing more to eat because we are very poor, so we must eat the very thin chicken. So they killed the very thin chicken and made a thin soup and ate it. And so, for a while, they were fine; but the hunger returned and the very poor farmer told his very poor wife: We have nothing more to eat because we are so poor, so we must eat the lame little pig. And so the lame little pig s turn came and they killed it and they made a lame soup and ate it. And then it was the bean-brown horse s turn. But the bean-brown horse did not wait for the story to end; it just ran away and went to another story. Is that the end of the story? I asked Durito, unable to hide my bewilderment. Of course not. Didn't you hear me say that the bean-brown horse fled to another story? he said as he prepared to leave. And so? I ask exasperated. And so nothing you have to look for the bean-brown horse in another story! he said, adjusting his hat. But, Durito! I said, protesting uselessly. Not one more word! You tell the story like it is
Subcomandante Marcos (Our Word is Our Weapon: Selected Writings)
If the wedding was wanted at Melrose—and Buccleuch, as Hereditary Bailie of the Abbey lands, had fewer objections than usual to any idea not his own—then the congregation had to come armed, that was all. The Scotts and their allies, the twenty polite Frenchmen from Edinburgh, the Italian commander with the lame leg, had left their men at arms outside with their horses, the plumed helmets lashed to the saddlebows; and if there were a few vacant seats where a man from Hawick or Bedrule had ducked too late ten days before, no one mentioned it.
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
But things changed fast. She knew that now. A horse could get old overnight and go lame. A friend could become a stranger just as quickly.
Kristin Hannah (Firefly Lane (Firefly Lane #1))
The typical capitalists are lovers of power rather than sensual indulgence, but they have the same tendency to crush and to take tribute that the cruder types of sensualism possess. The discipline of the capitalist is the same as that of the frugalist. He differs from the latter in that he has no regard for the objects through which productive power is acquired. HE does not hesitate to exploit natural resources, lands, dumb animals and even his fellowman. Capital to such a man is an abstract fund, made up of perishable elements which are quickly replaced… The frugalist…stands in marked contrast to the attitude of the capitalist. The frugalist takes a vital interest in his tools, in his land, and in the goods he produces. He has a definite attachment to each. He dislikes to see an old coat wear out, an old wagon break down, or an old horse go lame. He always thinks of concrete things, wants them and nothing else. He desires not land, but a given farm, not horses or cattle and machines, but particular breeds and implements; not shelter, but a home…. He rejects as unworthy what is below standard and despises as luxurious what is above or outside of it. Dominated by activities, he thinks of capital as a means to an end.
Ellen Ruppel Shell (Cheap: The High Cost of Discount Culture)
Hox is a racing word: it means to hamstring a horse not so brutally that she can’t walk but cleverly so that she can’t run. Society hoxes women and pretends that God, Nature or the genepool designed them lame.
Jeanette Winterson (Art Objects: Essays on Ecstasy and Effrontery)
the reservation population turned out. As Smith walked the horse by, an ancient Indian leaned up and looked the horse over. “Racehorse?” he said. Smith nodded. “Looks like a cow pony to me.”1 Smith was pleased. The rumors followed them west. The backstretch at Hollywood was thick with stories, chief among them that Seabiscuit was lame. The stewards listened and worried that they would be burned by Seabiscuit as Belmont and Suffolk Downs had been. They had some reason to be wary. Earlier in the meet, a much-anticipated meeting between Kentucky Derby winner Lawrin and Preakness winner Dauber had to be canceled at the last moment when Dauber suffered a minor injury. The event had been traumatic for the Hollywood Park officials and seemed to make them overly concerned about Smith. On July 11, 1938, Smith walked Seabiscuit onto the track for his first workout at Hollywood. The trainer didn’t like the looks of the track, which was so deep and crumbly that it was playing at least a second slower than usual.2 “It looked like they were trying to grow corn on the track,” he said.3
Laura Hillenbrand (Seabiscuit: An American Legend)
OK, so this is the story of a Chinese father and son and their best horse. The horse runs away, for no reason, and lives with some nomads across the border. The son is very upset that the horse has gone, and the father says to him, "What makes you so sure this isn't a blessing?" Then the horse comes back, a few months later, with a beautiful nomad stallion. The son is thrilled, but the father says to him, "What makes you so sure this isn't a disaster?" The son loves riding the new horse, but one day falls and breaks his leg. Everyone is sad for him, and his father says, wait for it, "What makes you so sure this isn't a blessing?" At some point the nomads invade, and every able-bodied young man has to go off to battle. The nomads basically wipe out all the men, but the son is safe because he is lame, and so he and his father live on and look after one another.
Scarlett Thomas (Our Tragic Universe)
The Americans had a greater tendency to name places for people than had the Spanish. After he valleys were settled the names of places refer more to things which happened there, and these to me are the most fascinating of all names because each name suggests a story that has been forgotten. I think of Bolsa Nueva, a new purse; Morocojo, a lame Moor (who was he and how did he get there?); Wild Horse Canyon and Mustang Grade and Shirt Tail Canyon. The names of places carry a charge of the people who named them, reverent or irreverent, descriptive, either poetic or disparaging. You can name anything San Lorenzo, but Shirt Tailor Canyon or the Lame Moor is something quite different.
John Steinbeck
I preferred a safe horse to a fast one - I would like to have an excessively gentle horse - a horse with no spirit whatever- a lame one, if he had such a thing. Inside of five minutes I was mounted, and perfectly satisfied with my outfit. I had no time to label him 'This is a horse,' and so if the public took him for a sheep I cannot help it.
Mark Twain (Mark Twain in Hawaii: Roughing It in the Sandwich Islands: Hawaii in the 1860s)
She doesn’t want to sell me and only told you to do so because you didn’t want to care for me while she is gone. Dear Miss Belinda, please keep me! I’ll eat as little as I can. I won’t ask for a new blanket, though this old army one is thin and shabby. I’ll trot for you all winter and try not to show it if I am lame. I’ll do anything a horse can, no matter how humble, in order to earn my living. Don’t, I beg you, send me away among strangers who have neither interest nor pity for me!
Louisa May Alcott (A Merry Christmas: And Other Christmas Stories)
Judas: I’ll tell you what I know: I watched you trip over your own dusty feet to heal the sick, the blind, the lame, the unclean, any two-bit stranger stubbed their fuckin’ toe! When some lowly distant relative - too cheap to buy enough wine for his own fuckin’ wedding - suddenly runs out of booze - no problem, you just presto change-o and it was fuckin’ Miller time in ol’ Canaan again, wasn’t it, bro? But when I fuckin’ needed you - where the fuck were you, huh?! Jesus: Judas- Judas: You forgave Peter and bullshit Thomas - you knocked Paul of Tarsus off a horse - you raised Lazarus from the fuckin’ dead- but me? Me? Your ‘heart’? What about me? What about me, Jesus? Huh? You just, you just - I made a mistake! And if that was wrong, then you should have told me! And if a broken heart wasn’t sufficient reason to hang, THEN YOU SHOULD HAVE TOLD ME THAT, TOO! Jesus: Don’t you think that if I knew that it would have changed your mind… That I would have? Judas: All I know is that you broke me unfixable […]
Stephen Adly Guirgis (The Last Days of Judas Iscariot)
I decided early in graduate school that I needed to do something about my moods. It quickly came down to a choice between seeing a psychiatrist or buying a horse. Since almost everyone I knew was seeing a psychiatrist, and since I had an absolute belief that I should be able to handle my own problems, I naturally bought a horse. Not just any horse, but an unrelentingly stubborn and blindingly neurotic one, a sort of equine Woody Allen, but without the entertainment value. I had imagined, of course, a My Friend Flicka scenario: my horse would see me in the distance, wiggle his ears in eager anticipation, whinny with pleasure, canter up to my side, and nuzzle my breeches for sugar or carrots. What I got instead was a wildly anxious, frequently lame, and not terribly bright creature who was terrified of snakes, people, lizards, dogs, and other horses – in short, terrified of anything that he might reasonably be expected to encounter in life – thus causing him to rear up on his hind legs and bolt madly about in completely random directions. In the clouds-and-silver-linings department, however, whenever I rode him I was generally too terrified to be depressed, and when I was manic I had no judgment anyway, so maniacal riding was well suited to the mood. Unfortunately, it was not only a crazy decision to buy a horse, it was also stupid. I may as well have saved myself the trouble of cashing my Public Health Service fellowship checks, and fed him checks directly: besides shoeing him and boarding him – with veterinary requirements that he supplement his regular diet with a kind of horsey granola that cost more than a good pear brandy – I also had to buy him special orthopedic shoes to correct, or occasionaly correct, his ongoing problems with lameness. These shoes left Guicci and Neiman-Marcus in the dust, and, after a painfully aquired but profound understanding of why people shoot horse traders, and horses, I had to acknowledge that I was a graduate student, not Dr. Dolittle; more to the point, I was neither a Mellon nor a Rockefeller. I sold my horse, as one passes along the queen of spades, and started showing up for my classes at UCLA.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
Besides the 254 peasants and cotters who owned and lived on assessed land, there were 39 persons listed as artisans and apprentices, 92 squatters, 11 enlisted soldiers, 6 innkeepers, 5 horse traders, 3 house-to-house peddlers. There were also 274 farm servants, 23 bedesmen and bedeswomen, 104 “ordinary poor,” 18 sick and crippled, 11 deaf and dumb, 8 blind, 6 nearly blind, 13 almost lame, 4 lame, 5 near idiots, 3 idiots, 1 half idiot, 3 whores and 2 thieves. On the last page of the church book, under the heading “End of the Parish,” were listed 27 persons who had moved away and never been further heard from.
Vilhelm Moberg (The Emigrants (The Emigrants #1))
Old snow was layered over the ground, the parked cars that hadn’t been disturbed, the tough little shrubs that would bear the snow’s impossible weight until spring. She could feel her own brittleness as the frozen air did battle with her coat. It was no worse than Chicago, it might even have been two degrees warmer, and still it was like walking into a wall of broken glass. She pictured those early settlers in their covered wagons crossing the prairies in search of a better life. Why did they stop here? Were the horses lame? Was it springtime? Were they so hungry that they brought their wagons to a halt and said, This is far enough?
Ann Patchett (Commonwealth)
. . . everything that has life gives sign of satisfaction, and the cattle that lie on the ground seem to have great and tranquil thoughts. These halcyons may be looked for with a little more assurance in that pure October weather which we distinguish by the name of the Indian summer. The day, immeasurably long, sleeps over the broad hills and warm wide fields. To have lived through all its sunny hours, seems longevity enough. The solitary places do not seem quite lonely. At the gates of the forest, the surprised man of the world is forced to leave his city estimates of great and small, wise and foolish. The knapsack of custom falls off his back with the first step he takes into these precincts. Here is sanctity which shames our religions, and reality which discredits our heroes. Here we find Nature to be the circumstance which dwarfs every other circumstance, and judges like a god all men that come to her. Nature, Ralph Waldo Emerson Aye, and poets send out the sick spirit to green pastures, like lame horses turned out unshod to the turf to renew their hoofs. A sort of yarb-doctors in their way, poets have it that for sore hearts, as for sore lungs, nature is the grand cure. But who froze to death my teamster on the prairie? And who made an idiot of Peter the Will Boy? The Confidence Man, Herman Melville
John Williams (Butcher's Crossing)
Urgent Story" When the oracle said, ‘If you keep pigeons you will never lose home.’ I kept pigeons. They flicked their red eyes over me, a deft trampling of that humanly proud distance by which remaining aloof in it’s own fullness. I administered crumbs, broke sky with them like breaking the lemon-light of the soul's amnesia for what It wants but will neither take nor truh let go. How it revived me, to release them! And at that moment of flight to disavow the imprint, to tear their compass, out by the roots of some green meadow they might fly over on the way to an immaculate freedom, meadow in which a woman has taken off her blouse, then taken off the man's flannel shirt in their sky-drenched arc of one, then the other above each other's eyelids is a branding of daylight, the interior of its black ambush in which two joys lame the earth a while with heat and cloudwork under wing-beats. Then she was quiet with him. And he with her. The world hummed with crickets, with bees nudging the lupins. It is like that when the earth counts its riches—noisy with desire even when desire has strengthened our bodies and moved us into the soak of harmony. Her nipples in sunlight have crossed his palm wind-sweet with savor and the rest is so knelt before that when they stand upright the flight-cloud of my tamed birds shapes an arm too short for praise. Oracle, my dovecot is an over and over nearer to myself when its black eyes are empty. But by nightfall I am dark before dark if one bird is missing. Dove left open by love in a meadow, Dove commanding me not to know where it sank into the almost-night—for you I will learn to play the concertina, to write poems full of hateful jasmine and longing, to keep the dead alive, to sicken at the least separation. Dove, for whose sake I will never reach home.
Tess Gallagher (My Black Horse: New & Selected Poems)
The rock came loose, but Jake’s satisfied grunt turned into a howl of outraged pain as a set of huge teeth in the next stall clamped into Jake’s ample rear end. “You vicious bag of bones,” he shouted, jumping to his feet and throwing himself half over the rail in an attempt to land a punch on Attila’s body. As if the horse anticipated retribution, he sidled to the edge of his stall and regarded Jake from the corner of his eye with an expression that looked to Jake like complacent satisfaction. “I’ll get you for that,” Jake promised, and he started to shake his fist when he realized how absurd it was to threaten a dumb beast. Rubbing his offended backside, he turned to Mayhem and carefully put his own rump against the outside wall of the barn. He checked the hoof to make certain it was clean, but the moment his fingers touched the place where the rock had been lodged the chestnut jerked in pain. “Bruised you, did it?” Jake said sympathetically. “It’s not surprisin’, considering the size and shape of the rock. But you never gave a sign yesterday that you were hurtin’,” he continued. Raising his voice and infusing it with a wealth of exaggerated admiration, the patted the chestnut’s flank and glanced disdainfully at Attila while he spoke to Mayhem. “That’s because you’re a true aristocrat and a fine, brave animal-not a miserable, sneaky mule who’s not fit to be your stallmate!” If Attila cared one way or another for Jake’s opinion, he was disappointingly careful not to show it, which only made Jake’s mood more stormy when he stomped into the cottage. Ian was sitting at the table, a cup of steaming coffee cradled between his palms. “Good morning,” he said to Jake, studying the older man’s thunderous frown. “Mebbe you think so, but I can’t see it. Course, I’ve spent the night freezin’ out there, bedded down next to a horse that wants to make a meal of me, and who broke his fast with a bit of my arse already this mornin’. And,” he finished irately as he poured coffee from the tin pot into an earthenware mug and cast a quelling look at his amused friend, “your horse is lame!” Flinging himself into the chair beside Ian, he gulped down the scalding coffee without thinking what he was doing; his eyes bulged, and sweat popped out on his forehead. Ian’s grin faded. “He’s what?” “Picked up a rock, and he’s favoring his left foreleg.” Ian’s chair legs scraped against the wooden floor as he shoved his chair back and started to go to the barn. “There’s no need. It’s just a bruise.
Judith McNaught (Almost Heaven (Sequels, #3))
Before five hundred spectators, Seabiscuit breezed an easy mile under Woolf. He didn’t show a trace of lameness, prompting Smith to announce that the horse was ready to run in the Gold Cup. But no one was ready to believe that things were as they appeared. The rumors about Seabiscuit’s bad-leggedness continued to circulate, and the stewards’ anxiety escalated. Two days later Smith stacked Seabiscuit with 133 pounds, including Woolf, and turned them loose for another workout. With Woolf pulling hard on the reins, Seabiscuit went smoothly and soundly, looking so fit that even the clockers were singing his praises. The pair of workouts should have been enough to dispel the rumors. They weren’t. As Smith led the horse back to the barn, someone gave him an incredible piece of news. The stewards had commissioned a veterinarian to go over to the Howard barn, pull Seabiscuit out, examine him, and determine whether or not Smith was lying about his horse’s condition. The action was unprecedented; no one had ever seen stewards treat a trainer with such blatant distrust.4 It was all the more extraordinary given the record of the trainer in question; aside from Fair Knightess, Tom Smith had reportedly never had a horse in his care suffer a serious injury.5 But Smith had played around with his pursuers for too
Laura Hillenbrand (Seabiscuit: An American Legend)
Office and Classroom Tools—Have the child cut with scissors; use a stapler and hole puncher; draw with crayons and chalk; paint with brushes, feathers, sticks, and eyedroppers; squeeze glue onto paper in letters or designs, sprinkle sparkles on the glue, and shake off the excess; and wrap boxes with brown paper, tape, and string. MOTOR PLANNING Jumping from a Table—Place a gym mat beside a low table and encourage the child to jump. After each landing, stick tape on the mat to mark the spot. Encourage the child to jump farther each time. Walking Like Animals—Encourage the child to lumber like a bear, on all fours; a crab, from side to side on all fours; a turtle, creeping; a snake, crawling; an inchworm, by stretching flat and pulling her knees toward her chest; an ostrich, while grasping her ankles; a duck, squatting; a frog, squatting and jumping; a kangaroo or bunny, jumping; a lame dog, with an “injured” leg; a gorilla, bending her knees; a horse, galloping. Playground Games—Remember Simon Says, Ring-Around-the-Rosy, The Hokey-Pokey, London Bridge, Shoo Fly, and Mother, May I? Insy-Outsy—Teach the child to get in and out of clothes, the front door, and the car. With a little help, the child may become able to perform these tasks independently, even if it takes a long time!
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
Later on, Orpheus stood beside the hearth fire in the center of the hall and sang about the day’s adventure. On his lips, the northern raiders were transformed from swift, deadly riders to winged and taloned monsters, part hawk, part woman. Because they could fly so high that spears and arrows couldn’t reach them, only men with the blood of the gods in their veins could end the havoc they caused. Luckily, a ship of heroes came ashore to rid the land of the hideous creatures. Zetes and Kalais, the sons of Boreas, had inherited the North Wind’s ability to fly and soon defeated the Harpies. They would trouble good Lord Phineas no more. Orpheus finished his song, and the men cheered and banged their fists on the tables so loudly that it seemed like they’d bring the roof down in pieces. As for me, I kept my mouth shut and my arms folded. Orpheus noticed my frosty look when he sat back down. “You didn’t like it,” he murmured. “They deserved better,” I replied stiffly. “They were brave fighters.” “I thought I made that clear. Just look at Zetes over there, grinning ear to ear in spite of a nasty arrow wound that probably still burns like Hephaestus’s own forge-fires. It might leave him half lame for life, but he won’t mind, because in my song, he owns the sky.” “You didn’t see the way he fought today,” I shot back. “He’s not worthy to own a mud puddle. They fought well, those women. They were as skilled and courageous as any man, so you turned them into monsters!” Orpheus was silent for a little while. Then he took a sip of wine and said, “They attacked without warning, they destroyed good ships for the sake of destruction, they violated the sanctity of a sacrifice to the gods, and they would have cut down a blind old man, king or not, if we hadn’t come ashore when we did. I won’t argue with you about their valor or their mastery of weapons and horses, but see them for what they are, lad. You say I’ve made them monsters, yet you’d make them gods. They’re women, human women, as praiseworthy and as flawed as any fighting men I’ve ever known, but plain truth makes a poor song.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
Sir!" he called out. "The Great Chaffalo! My name's Touch, and I brought a bundle of straw. I'd be much obliged if you'd turn it into a horse." Nearby, the tall weeds rasped a little in the breeze. But that was all. He picked up the straw and hurried past broken windows to the rear of the house. "You there, Mr. Chaffalo? It's me, Touch, and I'm in a dreadful hurry. My great-uncle aims to cart me off to the orphan house, but that don't take my fancy. I ain't asking for a fine, high-stepping horse, sir. Just any four legs'll do, as long as one ain't lame. I'd be proper grateful, Mr. Great Chaffalo." Undiscouraged, Touch moved his bundle of straw back to the front of the house to try again. And he noticed the rocking chair was pitching as if someone had just got up. Touch's hair went stiff as needles. But he was determined not to be scared off. He caught his breath. "If you were dozing, I don't mean to rile you up, sir. Maybe you heard of my great-uncle. Judge Wigglesforth? Crosscut saws don't come any meaner. I know I don't amount to much, for a boy, but I'm not shifty-eyed, the way he says. I hope you can see that, Great Chaffalo." Suddenly, Touch thought he could feel a pair of eyes watching him. The eyes in the poster! he thought. His hopes took a leap. "I aim to ride through the woods until I'm long out of reach, sir. He won't know where to look. I'll thank you everlastingly if you'll oblige me with a horse." A snarl burst out of the tall weeds. It wasn't a horse. It was a scruffy wild dog, its teeth looking like rusty nails. And it was coming straight for Touch. Touch began to shinny up a porch column, but he knew that hound was going to get its rusty teeth into his leg. Then he heard a snap of fingers and a voice in the air. "Hey! Hey!" The bundle of straw changed into a horse.
Sid Fleischman (The Midnight Horse)
He wrote that he would love to sit someone on a horse and startle it into a gallop, or perhaps give a man in a hurry a lame horse, or even hitch his carriage to two horses who went at different speeds — anything to goad the person into seeing what he meant by the ‘passion’ of existence.
Sarah Bakewell (At the Existentialist Café: Freedom, Being, and Apricot Cocktails with Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, Martin Heidegger, Maurice Merleau-Ponty and Others)
Tell me, why did it matter to you who won? I mean, even if you’d won, you still could have released me from the bargain. You could have said I didn’t have to spend those two days with you.” “I could have,” he acknowledged. “But after…after you told me about your father, I wanted you to have his horse back. Rava should have had more respect for his memory. She shouldn’t have taken him--them--away.” Tears stung my eyes, and I swallowed several times to loosen my throat. What a stupid reaction. “Thank you,” I murmured, and I felt his hand close around mine, giving it a squeeze. I sighed contentedly, letting myself enjoy the moment. “What was your father like?” “I don’t know,” he said offhandedly. “What do you mean, you don’t know?” As usual, my typical phrasing was somewhat coarse, driven by my curiosity, and I caught myself, adopting a more considerate tone. “Did he die when you were young?” “No, he’s still alive.” I turned my head to gape at him, greatly confused. “He left you?” “No.” “Then what?” I sat up again, close to exasperation; he just looked at me, bemused, my hand still in his. “Father’s don’t raise their children in Cokyri. They aren’t trusted with such an important responsibility. I never knew mine.” This was not an answer I could have foreseen, and I shifted uneasily, trying to figure out how to proceed. “I’m sorry,” I said lamely. He was quiet at first, his eyes fixed on the darkened sky as he pondered our different experiences. “I never felt sorry about it. My mother was a good woman--she and her maidens took care of me. But like I told you before, I had to work harder than you can imagine to achieve my military rank, and only because I’m a man. I can do everything Rava can do. I always could, but no one would see it, not even her. A struggle like that makes you question things.” “So now you wish you’d known your father?” Again, he reflected. “No. I wish I’d known yours.” I looked away, once more fighting tears. I didn’t understand how he could affect me so deeply. “I’m not sure my father would have been to your liking,” I finally said, meeting his eyes. “I found him brave for his willingness to fight, even when there was no more hope. You would probably have found him weak.” He sat up and gazed earnestly at me. “There is a way to accomplish things, but it’s rarely to declare a war, private or otherwise.” “Sometimes the war is not of your making,” I retorted. “You must fight, otherwise you’re a lamb. And lambs are slaughtered, Saadi.” His brows drew together, and we stared at each other for much longer than we should have, and I knew I had rattled him. Then he shook his head. “See those lights up there? They’re called stars.” I laughed. “I can take a hint. We should go back.” We caught and saddled our mounts, then took our time returning to the city, neither of us really wanting the day to end.
Cayla Kluver (Sacrifice (Legacy, #3))
Shall I Compare thee to a Hashtag Hater? Shall I compare thee to a hashtag hater? Thou art less self-promoting and gots no marketing skillz, bitch. My razor wit tumbles thy humongous ass off thy high horse; Even Frank's makes better sauce than thy lame sauciness. Sometime my hot-wing-ed words set you aflame, And the kickass rhymes I bust dull thy bleak provincial mind. In every bullshit hate you chant, thou art abated, Hung by thine own petards, ye redneck retards. But thy noisome toll shall soon fade; With every hateful word ye spout, my followers grow boundless; Death shall boast that thou wand’rest in his shade, As Time, O wisest judge, diminishes thee in his eternal lines. So long as men can breathe, or eyes can see, My wit and my poetry, shall make short shrift of thee.
Beryl Dov
If Pierre buys a horse for two hundred francs and Jacques buys a mule for a hundred and forty, and the two enter into a partnership and decide to trade their creatures for a piece of land that costs four hundred and eighty francs, then how long will it take a lame Frenchman to borrow a silk umbrella?
Wally Lamb (The Hour I First Believed)
An uncomfortable horse hits the ground harder with his feet, increasing stress on his lower legs, which can result in lameness. The veterinary bills mount as treatments for his lower-leg soreness yield no results because the problems originate in his back.
Joyce Harman (The Western Horse's Pain-Free Back and Saddle-Fit Book: Soundness and Comfort with Back Analysis and Correct Use of Saddles and Pads)
Are you all right?” Arin glanced up at Roshar, then returned his attention to the horse. He ran a hand down the inside of its front left leg and picked up the hoof, cupping its front. With his free hand, he cleaned the hoof with a pick, brushed it off, and used a knife to probe the outer edges of the hoof, looking for the source of the problem. Steam rose from a nearby bucket of hot, salted water. It was near noon. “Arin.” “Just thinking.” Kestrel’s written words still radiated through him, making him feel larger inside than he had been before, as if he’d swallowed the sun and it somehow fit, and blazed and ached and left him dazzled: half-blind but still seeing things more clearly than before. “Well, stop it,” Roshar said. “You’ve been looking either dour or dreamy and neither really suits the victorious leader of his free people.” Arin snorted. The horse, feeling his knife touch a sore spot, tried to pull her hoof away. He held it fast, supporting it from below with his knee. “You could at least make a rousing speech,” Roshar said. “Can’t. I’m riding to Sythiah.” Roshar made a strangled sound. “Not on this horse,” Arin said. “She’s lame.” “What are you doing?” “She was limping. It hurt to look at her. An abscess, I think. She must have stepped on something sharp.” “Arin, you’re not a damn farrier. Someone else can do this.” “Tssah,” Arin hissed in sympathy when he found the abscess. The horse tried again to tug away, but he punctured the sealed wound, which instantly dribbled black pus. He worked on opening the abscess, then pressed the rest of the pus out. “Bring that bucket closer, will you?” “Oh, certainly. I live to please.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Really, Gareth, His Grace was not unkind to me. He gave me a huge amount of money —" "I don't care what he gave you, you traveled three thousand miles to get here, and what does he damn well do? Pays you off like some — some creditor or something!  You, who ought to be treated as a member of our family, not a piece of unwanted baggage!  I cannot forgive him, Juliet. Do not ask it of me!" "I'm not asking it of you, but surely you can swallow your pride just for one night, if only for the sake of your niece." He stared at her, furious. "Er ... daughter," she corrected, lamely. Through his teeth he gritted, "We are not staying at de Montforte House or Blackheath Castle or any of Lucien's other estates, and I'll hear no more about it!"  He made a fist and pressed it to his forehead, trying to keep his temper under control even as Perry made a noise of impatient disgust and Charlotte's endless screaming threatened to drown out all thought, all sanity. Perry chose the wrong moment to be sarcastic. "Well done, my friend. You have just succeeded in showing your unsuspecting bride that there is indeed another side to you. Were you beginning to think your new lord was all syrupy sweetness, Lady Gareth?" Gareth's patience broke, and with a snarl, he went for his sword. Juliet grabbed his arm just in time. "Stop it, the both of you!  Really, Lord Brookhampton — must you antagonize him so?" Perry touched a forefinger to his chest. "Me?" "Yes, you!  The two of you are acting like a pair of brawling schoolboys!"  She pushed Gareth's hand away from its sword hilt and faced him with flashing eyes. "Charlotte and I have had enough. Either take us to de Montforte House or wash your hands of us, but I'm not going to stand here watching you two bicker while she screams London down around our ears!" Gareth stared at her in shock. And Perry, raising his brows at this sudden display of fire, merely reached into his coat and pulled out his purse.  He tossed it casually to Gareth. "Here," he said. "There's enough in there to buy yourselves room and board somewhere for a week, by which time maybe you'll have come to your senses. Consider it my wedding present."  He mounted his horse and touched his hat to Juliet. "Good day, Lady Gareth."  He gave Gareth a look of mocking contempt. "I wish the two of you many hours of marital bliss." And then, to Juliet's dismay, he turned and trotted off, leaving her standing on the pavement with a screaming baby and a husband who — it was growing alarmingly clear — was ill-equipped to take care of either of them.  
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
I have not danced the waltz in several years, and what memories I have of it are few and dim. Perhaps you’d take pity on a lame soldier and see whether he can recall it?” He expected her to laugh. On his bad days he was lame, and most days he was at least unsound, as an old horse might be unsound. He had not danced the waltz since being injured, had never hoped to again because it required grace, balance, and a little derring-do. Also a willing partner. Louisa put her bare hand in his and rose. “The pleasure would be mine.” Her lips quirked as she stood, but she didn’t drop his hand. “You must not allow me to lead.” He’d watched a hundred couples dancing a hundred waltzes, and had enjoyed the dance himself when it was first becoming popular on the Continent. The steps were simple. What was not simple at all was the feel of Louisa Windham, matter-of-factly stepping quite close, clasping his palm to her own. “I like to just listen for a moment,” she said, “to feel the music inside, feel the way it wants to move you, to lift your steps and infuse you with lightness.” She slipped in closer, so close her hair tickled Joseph’s jaw. Her hand settled on his shoulder, and he felt her swaying minutely as the orchestra launched into the opening bars. She moved with the rhythm of the music, let it shift her even as she stood virtually in his embrace. What he felt inside was a marvelous sense of privilege, to be holding Louisa Windham close to his body, to have the warm, female shape of her there beneath his hands. Her scent, clean and a little spicy, was sweeter when she was this close. She wasn’t as tall in his embrace as she was in his imagination. Against his body, she fit… perfectly. And with the sense of privilege and wonder, there lurked a current of arousal. Louisa Windham was lovely, dear, smart, and brave, but she was also a grown woman whom Joseph had found desirable from the moment he’d laid eyes on her. He waited until the phrasing felt right, closed his fingers gently around hers, then moved off with his partner. She shifted with him, the embodiment of grace, as weightless as sunshine, as fluid as laughter. “You lead well,” she whispered, her eyes half closed. “You’re a natural.” He was a man plagued by a bad knee and a questionable hip, but with Louisa Windham for a partner and the music of an eighteen-piece orchestra to buoy him, Joseph Carrington danced. The longer they moved together, the better they danced. Louisa let him lead, let him guide her this way and that, let him decide how much sweep to give the turns and how closely to enfold her. She gave herself up to the music, and thus a little to him, as well, and yet, she anchored him too. Dancing with a woman who enjoyed the waltz this much gave a man some bodily confidence. He brought her closer, wonderfully closer, and realized what gave him such joy was not simply the physical pleasure of holding her but the warmth in his heart generated by her trust. She was dancing with a lame soldier, with a pig farmer, and enjoying it. All too soon, the music wound to a sweet final cadence, but Louisa did not sink into the closing curtsy. She instead stood in the circle of Joseph’s arms and dropped her forehead to his shoulder. “Sir Joseph, thank you.” What
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
while Vincent looks like he’s been dragged through several hedges by a lame horse.
Caroline Cauchi (Mrs Van Gogh)
For all of their size and strength, horses are surprisingly fragile creatures. Bearing tremendous weight on their slender legs, they are subject to all manner of lameness—bone spavins, pricked feet, broken knees, corns. Some have faults of conformation that put unnecessary strain on their legs. Some have been ill used—jumped too much or ridden too hard.
Elizabeth Letts (The Eighty-Dollar Champion: Snowman, The Horse That Inspired a Nation)
The Americans had a greater tendency to name places for people than had the Spanish. After the valleys were settled the names of places refer more to things which happened there, and these to me are the most fascinating of all names because each name suggests a story that has been forgotten. I think of Bolsa Nueva, a new purse; Morocojo, a lame Moor (who was he and how did he get there?); Wild Horse Canyon and Mustang Grade and Shirt Tail Canyon. The names of places carry a charge of the people who named them, reverent or irreverent, descriptive, either poetic or disparaging. You can name anything San Lorenzo, but Shirt Tail Canyon or the Lame Moor is something quite different.
John Steinbeck (East of Eden)
Now, when I say “exiled” I'm not referring to the old superstition about Adam and Eve getting kicked out of the Garden of Eden, and now we're all under some kind of bad ju-ju from an abusive creator. And I'm certainly not talking about that obscene and perverted doctrine known as original sin. Whoever the ignorant, woman-hating, insecure, irrational, terrified, guilt-ridden, diabolical, self-despising horse's ass was who came up with that diseased and malevolent concept should have been thrown into the Nebuchadnezzar
Lon Milo DuQuette (The Chicken Qabalah of Rabbi Lamed Ben Clifford: Dilettante's Guide to What You Do and Do Not Need to Know to Become a Qabalist)
Well, I remember a story once where a smith forgot to use one last nail on a horse’s shoe, and the shoe came off at the worst time and the horse went lame, and the rider of the horse was tossed and killed, and failed to deliver a message which kept a king from riding into a trap and his kingdom fell when he was killed. So a kingdom was lost, all for the want of a nail.’ ‘So what nail did we overlook?
Raymond E. Feist (The Chaoswar Saga: A Kingdom Besieged / A Crown Imperilled / Magician's End (The Chaoswar Saga, #1-3))
This was no kindly country. They left a trail of dead and dying horses behind them as they went, for Pono, Jhaqo, and the others had seized the best of Drogo’s herds, leaving to Dany the old and the scrawny, the sickly and the lame, the broken animals and the ill-tempered. It was the same with the people. They are not strong, she told herself, so I must be their strength. I must show no fear, no weakness, no doubt. However frightened my heart, when they look upon my face they must see only Drogo’s queen. She felt older than her fourteen years. If ever she had truly been a girl, that time was done.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
The Black Clouds He had trudged through tangles and trailed in steeps for two days scratching his face and extremities into blood. The sun was near to setting and he was not able to overcome the plumb rocks. He had hunger collywobles in his stomach. “Tomorrow I will easily reach the troops…” – he entered a familiar cave with these thoughts and emptying the pockets full of mushrooms picked on the road burnt a flame. He took from the internal pocket a flat bottle of moonshine and swallowed – it removed the fatigue and helped him to rid himself of remorse. He felt stick in his mouth – “As is, I have drunk of bile and smell like lathery horse…» His tousled beard hid all light lines on his face making him more terrible. His large shoulders and brawny arms proved him as a strong person. He almost had no neck – as though, his head was stuck into shoulders. His old and narrow dress fitted close to his body – under it he had military officer’s shirt. Although he avoided twists and turns of war, he was accustomed to the smell of blood and death – he was bright, fearless and volitional like a real fighter. “I could become a good fighter,” – he was sure in it and sometimes expressed this thought loudly watching the fighting troops. Besides everything, the war is ugly also because of the fact that pillagers not wasting the time pillage the dead fighters. When the fights get calm, the Sun illuminates the naked corpses – it is qiute common phenomenon. The most of people think that this action is done by the winner figthers. But they are wrong because the day-time heroes cannot turn into night hyenas. This action is done by pillagers wearing military dress and hang around the attacking troops and, some of them do it with entire family in horse carts. He also was fed by the war – he also wandered following the troops like dark shadow and emtied the dead fighters’ pockets. He often sold the robbed things to fighters. His accomplices robbed in dream even own fellow travellers. But he was more compassionate and never robbed the wounded fighters thinking that it would moderate his sins. He never took the dead figthers’ dress but emptied only their pockets. But the pillagers following him stripped the dead fighters naked. “Thy say that there is a lame necrophiliac pillager among them raping the dead people.” Once, checking the laying fighter’s pockets he saw that the fighter is alive but his leg is torn off and suspended on the skin. Sitting close he started to frankly speak to the fighter consoling him. The fighter asked him to cut his leg off and bury it. He implicitly fulfilled the fighter’s request; coming to consciousness in the evening the fighter cheerfully said that his leg called him to the beyond. At that moment he tried to think about the world above but immediately shook his hand thinking «That’s load of rubbish!» The fighter died in the night and, taking the fighters ring off his finger, he put into sack. The fighters didn’t think about them in the heat of the battle. However, if the fighter caught any of them they unreservedly killed them. Once he always was near to death – however, he could save his life saying that he was carrying the army’s battle to the troops and furthermore, tearfully implored a little reward from officer. Coming back, he emptied his killed accomplices’ pockets ad collected a lot of money and valuables. He hated retreating troops. “Troops should either self-destruct or destroy the enemies!" Rivers of blood, ditches full of human corpses, mothers’ tears – all of these notions were nonsensical rot in his comprehension. Both the victory and defeat also were considered by him as nonsense – he was interested only in trophies. The days when he succeeded to collect rich trophies he could neither sleep in nights nor eat for sake of protecting the robbed values from pillagers but it didn’t weaken him. He willingly studied information about bloody wars and was mostly amazed by the fight of Waterloo: «It
Rashid
It can weigh on your mind, if you think very hard about a horse’s life.” He might have meant anything, but what came into her own head was Alfred Logerwell beating his horse with a pipe, and her dad’s horses, and other horses she had known, horses who were gaunt, thirsty, lame, wounded, broken-winded, frightened, discouraged.
Molly Gloss (The Hearts of Horses)