Knit Clothes Quotes

We've searched our database for all the quotes and captions related to Knit Clothes. Here they are! All 78 of them:

She said I owned the clothes of a radiologist and the shoes of an OBGYN; which is like the medical doctor equivalent of saying that I dressed like a librarian with a propensity of fuckmeboots.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
And in the act of making things, just by living their daily lives, they also make history. Knitting is clothing made in spare moments, or round the fire, whenever women gathered together... It's something to celebrate-clothes made in love and service, something women have always done.
Anne Bartlett (Knitting)
But I’m practically a guy. I mean, except for these fucking hormones that make me want to jump Ty and Justin Timberlake. I don’t obsess over things that other girls care about, like clothes, movie stars, hair, painting nails, knitting, or whatever shit they’re into.
Miranda Kenneally (Catching Jordan)
Slowly he took out the clothes in which, ten years beforem Cosette had left Montfermeil; first the little dress, then the black scarf, then the great heavy child's shoes Cosette could still almost have worn, so small was her foot, then the vest of very thich fustian, then the knitted petticoat, the the apron with pockets, then the wool stockings.... Then his venerable white head fell on the bed, this old stoical heart broke, his face was swallowed up, so to speak, in Cosette's clothes, and anybody who had passed along the staircase at that moment would have heard irrepressible sobbing.
Victor Hugo (Les Misérables)
Adults who are racked with death anxiety are not odd birds who have contracted some exotic disease, but men and women whose family and culture have failed to knit the proper protective clothing for them to withstand the icy chill of mortality. —IRVIN YALOM, PSYCHIATRIST
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
I used to think freedom was freedom of speech, freedom of the press, freedom of conscience. But freedom is the whole life of everyone. Here is what it amounts to: you have to have the right to sow what you wish to, to make shoes or coats, to bake into bread the flour ground from the grain you have sown, and to sell it or not sell it as you wish; for the lathe operator, the steelworker, and the artist it’s a matter of being able to live as you wish and work as you wish and not as they order you to. And in our country there is no freedom – not for those who write books nor for those who sow grain nor for those who make shoes.” (Grossman, p. 99) He noted that “In people’s day-to-day struggle to live, in the extreme efforts workers put forth to earn an extra ruble through moonlighting, in the collective farmers’ battle for bread and potatoes as the one and only fruit of their labor, he [Ivan Grigoryevich] could sense more than the desire to live better, to fill one’s children’s stomachs and to clothe them. In the battle for the right to make shoes, to knit sweaters, in the struggle to plant what one wished, was manifested the natural, indestructible striving toward freedom inherent in human nature. He had seen this very same struggle in the people in camp. Freedom, it seemed, was immortal on both sides of the barbed wire.” (Grossman, p. 110)
Vasily Grossman (Forever Flowing)
I am the Maker of all things. By my word were the heavens made, their starry host by the breath of my mouth. I spread out the northern skies over empty space; I suspend the earth over nothing. I clothe you with skin and flesh and knit you together with bones and sinews. I form the light and create darkness, I bring prosperity and create disaster.
Zhang Yun (Understand God's Word - Walk in the Truth)
I am of the opinion that women don’t really understand men. Most men, real men would do anything for the woman they love. When a man loves a woman enough to marry her, he loves her to the point of obsession. It’s the devotion of a male for his mate. He watches her sleep. He smells her clothes searching for her scent. He craves her admiration like a drug. He lives for her smile, for her laugh, and especially for her touch. Being needed—by his woman—is ecstasy for a man.
Penny Reid (Friends Without Benefits (Knitting in the City, #2))
Empress of the Universe would be way too much work. I'd have to wear fancy clothes, probably including lady shoes with pointed toes, and could no longer slouch into the study in PJs and slippers. Someone would (avert!) straighten my desk. Someone would reorganize my yarn stash...in fact, they'd assign someone else to knit my socks, thus depriving me of an excuse to rest my brain while pretending to accomplish something useful.
Elizabeth Moon
Adults who are racked with death anxiety are not odd birds who have contracted some exotic disease, but men and women whose family and culture have failed to knit the proper protective clothing for them to withstand the icy chill of mortality.
Caitlin Doughty (From Here to Eternity: Travelling the World to Find the Good Death)
Poker.” He nodded once, holding me in place with a clearly skeptical if not entertained expression. “Is it very cold? This place where you’re going to play poker?” Without me really noticing he’d crossed the room. I felt like one moment Quinn was at the far side by the window and the next moment he was standing directly in front of me, no more than three feet of air, and clothes, separated us. “N-no. Not necessarily. I just wanted to be prepared.” “Prepared for artic temperatures?” “Prepared for any eventuality.” “Like what? Poker in a freezer?
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
home, it’s different. I mean yes, you want money and a job, but there’s a hundred other things you do for getting by, especially older people and farmers with the crops, tomato gardens and such. Hunting and fishing, plus all the woman things, making quilts and clothes. Whether big or small, you’ve always got the place you’re living on. I’ve known people to raise a beef in the yard behind their rented trailer. I was getting the picture now on why June’s doom castle had freaked me out. Having some ground to stand on, that’s our whole basis. It’s the bags of summer squash and shelly beans everybody gives you from their gardens, and on from there. The porch rockers where the mammaws get together and knit baby clothes for the pregnant high school girls. Sandwiches the church ladies pack for the hungrier kids to take home on weekends.
Barbara Kingsolver (Demon Copperhead)
I’ve come to understand clothes matter to most people because society decrees how a person is ‘packaged’ reflects the internal values, abilities, and personality of that person. This packaging is often called ‘personal expression.’ Since deciphering this, I’ve resented the concept of personal expression
Penny Reid (Dating-ish (Knitting in the City, #6))
You want to get breakfast?" Like- like this?” He gave me a small sardonic smile as he turned, “No, obviously I’ll get some clothes on.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
He shifted on his feet, stuffed his hands in his pockets, and studied me with open and growing amusement; “Are you going somewhere?” I swallowed and tried to shrug but the movement was lost under the layers of clothing, “Yes.” I lifted my chin, feeling suddenly hot which reminded me of how hot it was outside… even at 9:30pm; I then quickly amended, “No.” I lowered my hands from the hat on my head and tugged at the sleeves of the jacket, “I haven’t decided.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
At the same moment when massive global institutions seem to rule the world, there is an equally strong countermovement among regular people to claim personal agency in our own lives. We grow food in backyards. We brew beer. We weave cloth and knit blankets. We shop local. We create our own playlists. We tailor delivery of news and entertainment. In every arena, we customize and personalize our lives, creating material environments to make meaning, express a sense of uniqueness, and engage causes that matter to us and the world. It makes perfect sense that we are making our spiritual lives as well, crafting a new theology. And that God is far more personal and close at hand than once imagined.
Diana Butler Bass (Grounded: Finding God in the World-A Spiritual Revolution)
We are accustomed to think of ourselves as a great democratic body, linked by common ties of blood and language, united indissolubly by all the modes of communication which the ingenuity of man can possibly devise; we wear the same clothes, eat the same diet, read the same newspapers, alike in everything but name, weight and number; we are the most collectivized people in the world, barring certain primitive peoples whom we consider backward in their development. And yet— yet despite all the outward evidences of being close-knit, interrelated, neighborly, good−humored, helpful, sympathetic, almost brotherly, we are a lonely people, a morbid, crazed herd thrashing about in zealous frenzy, trying to forget that we are not what we think we are, not really united, not really devoted to one another, not really listening, not really anything, just digits shuffled about by some unseen hand in a calculation which doesn't concern us.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
I don’t obsess over things that other girls care about, like clothes, movie stars, hair, painting nails, knitting or whatever shit they’re into. I just want to eat a bunch of hot wings, sleep, play ball, and maybe, someday, make out with Ty.
Miranda Kenneally (Catching Jordan)
In contrast, a number of innovations can plausibly be attributed to the Little Ice Age: glass windowpanes, storm doors, skis, ice skates, sunglasses (first used for preventing snow blindness), distilled liquor, trousers, knitted clothing, buttons, and chimneys.
Rodney Stark (How the West Won: The Neglected Story of the Triumph of Modernity)
but there was something so significant about being able to make a gorgeous item of clothing from almost raw materials. It gave her a feeling of her own power, to make something practical and beautiful just by using her own skill and creativity. It inspired her.
Kate Jacobs (The Friday Night Knitting Club (Friday Night Knitting Club series Book 1))
Almost as important is the need to guard Myself against the return of illness. To this end I have resolved to take better care of Myself. I must not become so absorbed in my scientific work that I forget to fish and end up with nothing to eat. (The House provides much food for the active and enterprising person. There is no excuse for going hungry!) I must devote more of my energies to mending my clothes and making coverings for my feet, which are often cold. (Question: is it possible to knit socks from seaweed? Doubtful.)
Susanna Clarke (Piranesi)
You are so beautiful,” he said as he stared at her, “standing there in the light like that.” She glanced at her Gap black pants and her two-year-old knit turtleneck. “You must be blind.” “Why?” he asked, coming over to her. “Well, I feel like such an ass for saying this.” She smoothed the front of her off-the-rack-and-then-some slacks. “But I wish I had better clothes. Then I’d be beautiful.” Rehvenge paused. And then shocked the crap out of her by kneeling before her. As he looked up, he had a slight smile on his lips. “Don’t you get it, Ehlena.” With gentle hands, he stroked down her calf and brought her foot forward, balancing it on his thigh. As he undid the laces on her cheapo Keds sneaker, he whispered, “No matter what you wear…to me, you will always have diamonds on the soles of your shoes.” -Rehv & Ehlena
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
I began to feel slightly uneasy. You know I am not used to such ceremonies, and there was something ominous in the atmosphere. It was just as though I had been let into some conspiracy—I don’t know—something not quite right; and I was glad to get out. In the outer room the two women knitted black wool feverishly. People were arriving, and the younger one was walking back and forth introducing them. The old one sat on her chair. Her flat cloth slippers were propped up on a foot–warmer, and a cat reposed on her lap. She wore a starched white affair on her head, had a wart on one cheek, and silver–rimmed spectacles hung on the tip of her nose. She glanced at me above the glasses. The swift and indifferent placidity of that look troubled me. Two youths with foolish and cheery countenances were being piloted over, and she threw at them the same quick glance of unconcerned wisdom. She seemed to know all about them and about me, too. An eerie feeling came over me. She seemed uncanny and fateful. Often far away there I thought of these two, guarding the door of Darkness, knitting black wool as for a warm pall, one introducing, introducing continuously to the unknown, the other scrutinizing the cheery and foolish faces with unconcerned old eyes. AVE! Old knitter of black wool. MORITURI TE SALUTANT. Not many of those she looked at ever saw her again—not half, by a long way.
Joseph Conrad (Heart of Darkness)
Honestly, I suck at physical activities. I’m great at knitting, reading, sewing. Cooking, even. I make a mean apple crumble and double-choc brownie. I also jigsaw puzzle like a pro. And I’m great at shopping … for shoes and clothes. But never … I repeat never have I chosen to exercise.
Jaymin Eve (House of Darken (Secret Keepers, #1))
According to her views,” her niece later recalled, “little girls were to be taught to move very gently, to speak softly and prettily, to say ‘yes, ma’am’ and ‘no, ma’am,’ never to tear their clothes, to sew, to knit at regular hours, to go to church on Sunday and make all the responses, and to come home and be catechised.” Harriet
Noel B. Gerson (Harriet Beecher Stowe: A Biography)
there were late nights, but those nights consisted of…” “of what?” “p—” “perversion?” “no.” “peculiar habits?” “no. well, one.” “if you don’t tell me right away what it is, i will knit all of your clothes from now on,” jane said, and she fully intended to follow through on her threat. “poetry,” g blurted out. “pardon me?” - g & jane
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
After he'd gone, I slammed the door shut and, after the day I had, wasn't the least bit surprised to see my closet door open and Whitley stick his head out. "Son of hibachi," I muttered. Now I would have to add burning all of my clothes to my list of things to do. "What?" He exited the closet with a smile. "I don't even get a hello?" I held up a finger. "Wait right here." He shrugged. I shut the door behind me and marched back into the living room and pointed at Dr. Wendell. "You. Come with me. Now." Wide-eyed, he rose from the couch and followed me to my door. Before I opened it, I turned to him. "You said part of your job was to protect me, right?" He nodded, his brow knit in lines of confusion. "Just to prove how bad you suck at your job, look at this." I swung open the door and Whitley waved from his perch at the end of my bed. Dr. Wendell's mouth dropped and he took a step back. "Wait. What is-who is that?" "That"-I gestured to the boy on my bed-"is Whitley, aka Zeami, aka the psycho who tried to kill me, steal my powers, and burnt down my house." Whitley smiled. "Guilty as charged." I folded my arms and glared at Dr. Wendell. "If you're supposedly protecting me, how could you let my past-life murderer walk right into my bedroom and hide out in my closet?" Dr. Wendell shook his head, his skin a shade paler than it had been moments ago. "But I-I didn't-how-" He looked at Whitley. "How did you get in here?" Whitley rolled his eyes. "Through the door. Duh." Dr. Wendell pushed me behind him, bringing his shaking fists in front of his face. "It doesn't matter. If you want to kill Rileigh, you're going to have to get past me.
Cole Gibsen (Senshi (Katana, #2))
She positions herself on a stool in front of a giant washing machine, watching her garments twirl in flashing patterns of red and white on a sea of black. It subdues her, that clothes can be washed in Boston or Rome and look the same for it, that she can step on an airplane and be anywhere else in the civilized world within a day and wear the same clothes and be the same person. That the small realities stay knitted together!
Eliot Schrefer (The New Kid)
The only items she approved of in my wardrobe were my shoes. In fact, she borrowed a pair of orange faux-crocodile leather wedge heals with a turquoise bow at the toe. I wore a zebra printed spiked heal; the rest of my outfit came from her closet. She said I owned the clothes of a radiologist and the shoes of an OBGYN; which is like the medical doctor equivalent of saying that I dressed like a librarian with a propensity for fuckmeboots.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
Her family had been very kind to me, friendly and welcoming, and without treating me as special in any way, which made it even better. As her father was uncorking a bottle of Châteauneuf-du-Pape, it suddenly occurred to me that for the last twenty years Myriam had had dinner with her parents every night, that she helped her little brother with his homework, that she took her little sister shopping for clothes. They were a tribe, a close-knit family tribe, and as I thought back on my own life, it was so unlike anything I’d ever known that I almost broke down in sobs.
Michel Houellebecq (Submission)
We’re not evenly matched.” I pointed to his tie then put my hands on my hips and mimicked his stance. I hoped bravado and wine-haze would prop up my resolve. So far so good. He glared at me, looking resentful, and his voice was steely as he asked, “What, specifically, makes you think so?” I lifted my chin and indicated his tie again, “Your tie, Quinn. I have on nine pieces of clothing and, assuming you’re wearing underwear of some sort, you have on ten. Now I can either put on my hat or you can take off your tie.” His glare morphed into a perplexed frown as I spoke but then, when I reached the end of the last sentence, his features transitioned into something like petulant yet amused understanding and most of the rigidity left his shoulders and neck. We stared at each other, again almost for a half minute, before I broke the silence. “Or, you could take off your jacket…?” Quinn’s mouth hooked to the side and he smoothly removed his jacket; he tossed it to the pile created by my discarded clothes. He began unfastening his cufflinks at his sleeves and the breath he released while pinning me with an irritated stare sounded relieved.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
The abbot had called her a sweet soul. This was true, but she was also massively irritating. She fussed over Rabalyn as if he was still three years old, and her conversation was absurdly repetitive. Every time he left the little cottage she would ask: ‘Are you going to be warm enough?’ If he voiced any concerns about life, schooling or future plans, she would say: ‘I don’t know about that. It’s enough to have food on the table today.’ Her days were spent cleaning other people’s sheets and clothes. In the evenings she would unravel discarded woollen garments and create balls of faded wool. Then she would knit scores of squares, which would later be fashioned into blankets. Some she sold. Others she gave away to the poorhouse. Aunt Athyla was never idle.
David Gemmell (White Wolf: An epic, all-action tale of love, betrayal and treachery from the master of heroic fantasy (Drenai Book 10))
Do you have a dream? If you do, what is it? Is your dream similar to mine? I hope that even more people dream the same dream as me, because my dream is so big I couldn't handle it by myself. If you are someone who has the same dream as me, this is what I have to say to you. Right now, you are planting a single tree. Right now, you are sowing a single seed. And you are beginning to knit something with one strange of yarn. The first step or two are nothing, but imagine that you continue that work for ten years. One tree becomes a forest, one seed becomes a field, and that single thread becomes a beautiful cloth. Believe in the life inside you, believe in the great and holy mind within you, and push forward with the dream you have chosen until you make it.
Ilchi Lee (The Call of Sedona: Journey of the Heart)
The sharpie uniform is perhaps the most unlikely fashion statement you will ever see, a Frankenstein’s monster of baby-doll plucked eyebrows, skinhead-meets-mullet hair, 1970s fat ties and just a hint of bovver boy. Clothes worn too tight and too small. Kerry had prepared a shopping list: • bluebird earrings • three-inch Mary Jane corkie platform shoes • treads (shoes made using recycled tyres for the sole with suede thonging for the upper) • Lee canvas jeans • beachcombers • short white bobby socks • ribbed tights • a short, flared, preferably panelled skirt • satin baggies • a striped Golden Breed t-shirt or a KrestKnit polo shirt • a tight coral necklace from the surf shop • a Conti brand striped cardigan • blue metallic eye shadow from a small pot or a crayon
Magda Szubanski (Reckoning: A powerful memoir from an Australian icon)
There were Italians, Finns, Jews, Negroes, Shropshiremen, Cubans—anyone who had heeded the voice of liberty—and they were dressed with that sumptuary abandon that European caricaturists record with such bitter disgust. Yes, there were grandmothers in shorts, big-butted women in knitted pants, and men wearing such an assortment of clothing that it looked as if they had dressed hurriedly in a burning building. But this, as I say, is my own country and in my opinion the caricaturist who vilifies the old lady in shorts vilifies himself. I am a native and I was wearing buckskin jump boots, chino pants cut so tight that my sexual organs were discernible, and a rayon-acetate pajama top printed with representations of the Pinta, the Niña, and the Santa María in full sail. The scene was strange—the strangeness of a dream where we see familiar objects in an unfamiliar light.
John Cheever (The Stories of John Cheever)
Camera You want this instant: nearly spring, both of us walking, wind blowing walking sunlight knitting the leaves before our eyes the wind empty as Sunday rain drying in the wormy sidewalk puddles the vestiges of night on our lightscratched eyelids, our breezy fingers you want to have it and so you arrange us: in front of a church, for perspective, you make me stop walking and compose me on the lawn; you insist that the clouds stop moving the wind stop swaying the church on its boggy foundations the sun hold still in the sky for your organized instant. Camera man how can I love your glass eye? Wherever you partly are now, look again at your souvenir, your glossy square of paper before it dissolves completely: it is the last of autumn the leaves have unravelled the pile of muddy rubble in the foreground, is the church the clothes I wore are scattered over the lawn my coat flaps in a bare tree there has been a hurricane that small black speck travelling towards the horizon at almost the speed of light is me
Margaret Atwood (Circle Game)
Why?” “Why? Blimey, Harry, everyone’d be wantin’ magic solutions to their problems. Nah, we’re best left alone.” At this moment the boat bumped gently into the harbor wall. Hagrid folded up his newspaper, and they clambered up the stone steps onto the street. Passersby stared a lot at Hagrid as they walked through the little town to the station. Harry couldn’t blame them. Not only was Hagrid twice as tall as anyone else, he kept pointing at perfectly ordinary things like parking meters and saying loudly, “See that, Harry? Things these Muggles dream up, eh?” “Hagrid,” said Harry, panting a bit as he ran to keep up, “did you say there are dragons at Gringotts?” “Well, so they say,” said Hagrid. “Crikey, I’d like a dragon.” “You’d like one?” “Wanted one ever since I was a kid — here we go.” They had reached the station. There was a train to London in five minutes’ time. Hagrid, who didn’t understand “Muggle money,” as he called it, gave the bills to Harry so he could buy their tickets. People stared more than ever on the train. Hagrid took up two seats and sat knitting what looked like a canary-yellow circus tent. “Still got yer letter, Harry?” he asked as he counted stitches. Harry took the parchment envelope out of his pocket. “Good,” said Hagrid. “There’s a list there of everything yeh need.” Harry unfolded a second piece of paper he hadn’t noticed the night before, and read: HOGWARTS SCHOOL of WITCHCRAFT and WIZARDRY UNIFORM First-year students will require: 1. Three sets of plain work robes (black) 2. One plain pointed hat (black) for day wear 3. One pair of protective gloves (dragon hide or similar) 4. One winter cloak (black, silver fastenings) Please note that all pupils’ clothes should carry name tags COURSE BOOKS All students should have a copy of each of the following: The Standard Book of Spells (Grade 1) by Miranda Goshawk A History of Magic by Bathilda Bagshot Magical Theory by Adalbert Waffling A
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter #1))
OCCUPATIONAL SAFETY I don’t know of people who do everything from going to school, learning different skills and basically develop themselves so that they stay at home. It’s ingrained in every kid that they should study hard and excel so that they can get good jobs and live well. With that said, working is what makes us build nations and fulfill some our dreams so it’s important to ensure that the work environment is kept safe and comfortable for workers so that they can remain productive for the longest time. However as long as we are living there will SWMS always be greedy employers who will take short cuts or fail to protect their employees and this is where OSHA(occupational safety and health administration)comes in to rectify these issues. Occupational safety is ensuring that employees work in danger free environment. There are many industries of different nature and hence the possible hazards vary. For example in the textile and clothing industry, employees deal with dyes, chemicals and machines that spin , knit and weave to ensure production. In some countries there have been cases of sweatshops where people make clothes in poorly ventilated places for long hours. The tools of trade in all industries are still the ones that cause hazards e.g. machines can cut people, chemicals emit poisonous fumes or burn the skin and clothes etc. Its therefore the mandate of employers to ensure work places are safe for workers and incase the industry uses chemicals or equipments that may harm the workers in any way, they should provide protective gear. Employers can also seek the services of occupational safety specialists who can inspect their companies to ensure they adhere to the set health and safety standards. These specialists can also help formulate programs that will prevent hazards and injuries. Workers should report employers to OSHA if they fail to comply. As a worker you now know it’s partly your duty to hold your employer accountable so do not agree to work in a hazardous environment.
Peter Gabriel
My internal dialogue went something like this: leave it open!… but that would be strange if someone walks by… who cares? I care! Why do I care? Just close it! You can’t close it; you’re in your underwear!! and if the door is closed you might… do… something… Here is the situation: I’m in my underwear in my room with Quinn and my alcohol laden inhibitions are low, low, low. It’s like closing yourself up in a Godiva chocolate shop, of course you’re going to sample something… Don’t sample anything!! Don’t even smell anything!! If you smell it you’ll want to try it. Don’t smell him anymore. No. More. Smelling. I hope he doesn’t see the empty bottle of wine… Put some clothes on. Is it weird if I dress in front of him? I want some chocolate. Ah! Clothes!! Finally the door closed even though I hadn’t made a conscious decision to do so. I took a steadying breath then turned and followed, trailing some distance behind him and crossing to the opposite side of the room from where he was currently standing. I spotted my workout shirt on the bed and attempted to surreptitiously put it on. Quinn’s back was to me and he seemed to be meandering around the space; he didn’t appear to be in any hurry. He paused for a short moment next to my laptop and stared at the screen. He looked lost and a little vulnerable. Smash, smash, smash I took this opportunity to rapidly pull on some sweatpants and a sweatshirt from my suitcase. The sweatshirt was on backwards, with the little ‘V’ in the back and the tag in the front, but I ignored it and grabbed my jacket from the closet behind me and soundlessly slipped it on too. He walked to the window and surveyed the view as I hurriedly pushed my feet into socks and hand knit slippers, given to me by Elizabeth last Christmas. I was a tornado of frenzied activity, indiscriminately and quietly pulling on clothes. I may have been overcompensating for my earlier state of undress. However, it wasn’t until he, with leisurely languid movements, turned toward me that I finally stopped dressing; my hands froze on my head as I pulled on a white cabled hat, another hand knit gift from Elizabeth. Quinn sighed, “I need to talk to you about your sist-” but
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
Once you get over the initial fear, Tokyo’s subway system, its main method of public transportation, turns out to be an absolute delight. Even when it is heaving with people, as it always is, and even though the map looks like an eighty-year-old woman’s knitting basket after the cat has got at it, the cars are air-conditioned which, for someone coming from London, is enough to make you refuse ever to get off. I was tempted to take off most of my clothing, pack a picnic, and make a day of it.
Simon Majumdar (Eat My Globe: One Year to Go Everywhere and Eat Everything)
The term “tops” includes clothes for every season, from T-shirts and camisoles to knitted sweaters.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
Mohair jumpers, knitted on big needles, so loosely that you can see all the way through them, T-shirts slashed and written on by hand, seams and labels on the outside, showing the construction of the piece; these attitudes are reflected in the music we make. It’s OK not to be perfect, to show the workings of your life and your mind in your songs and your clothes. And everything you do in life is meaningful on a political level.
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys.)
I’M SCURRYING AROUND THE HOUSE, TRYING TO DECIDE WHAT I should pack (cloth diapers, knitted booties, cotton jumpers?) and what I should leave behind (cloth diapers, knitted booties, cotton jumpers?) when I’m stopped in my tracks by the lowing and braying of the animals in the barn.
Megan McCafferty (Thumped (Bumped, #2))
I’M SCURRYING AROUND THE HOUSE, TRYING TO DECIDE WHAT I should pack (cloth diapers, knitted booties, cotton jumpers?) and what I should leave behind (cloth diapers, knitted booties, cotton jumpers?) when I’m stopped in my tracks by the lowing and braying of the animals in the barn. Someone’s coming. Again.
Megan McCafferty (Thumped (Bumped, #2))
People were pushing and shoving and squeezing and stepping on one's toes; it was a daily stampede. Russians; military, militia, N.K.G.B. - all these people claimed that they did not have to stand in line, only the local people had to. Their ideas of democracy were such, it would have been a good joke, but the joke was played out on me, a local person. I with my knitted sandals, I had bloody toes every day. The worst part of the job proved to be getting a 30 day bread ration card for a worker. I knew that when he was summoned to the central office in Czernovitz and my boss ordered me to get him a 30 day bread ration card, he would be put on a train to Murmansk or Pechora. It would take him 30 days to reach the location - an Arctic port, where American ships arrived and provided the Soviets, at that time allies, with military materiel, clothing and food.
Pearl Fichman (Before Memories Fade)
After that they had the presents. Those from the guests to the hosts were chiefly a disguised dole: tins or pots of more or less luxurious food, bottles of hard liquor, wide-spectrum gift tokens. Hosts showered guests with diversely unwearable articles of clothing: to Keith from Adela, a striped necktie useful for garroting underbred rivals in his trade; to Tracy from George, a liberation-front lesbian's plastic apron. Under a largely unspoken kind of non-aggression pact, the guests gave one another things like small boxes of chocolates or very large boxes of matches with (say) aerial panoramas of Manhattan on their outsides and containing actual matches each long enough, once struck, to kindle the cigarettes of (say) the entire crew of a fair-sized merchant vessel, given the assembly of that crew in some relatively confined space. Intramural gifts included a bathroom sponge, a set of saucepans, a cushion in a lop-sided cover, a photograph-frame wrought by some vanished hand and with no photographs in it, an embroidered knitting bag. Keith watched carefully what Bernard gave, half expecting a chestnut-coloured wig destined for Adela, or a lavishly-illustrated book on karate for George, but was disappointed, although he savored Bernard's impersonation of a man going all out to hide his despondency as he took the wrappings off present after useless, insultingly cheap, no doubt intended to be facetious, present.
Kingsley Amis
Seriously, every article of clothing she wore—beret, scarf, wool coat, knitted mittens—were all a shade of purple so bright my pupils had to adjust.
Darynda Jones (Betwixt (Betwixt & Between, #1))
This proposal I at once adopted, and accordingly found myself one morning at a small station of the Moscow Railway, endeavouring to explain to a peasant in sheep's clothing that I wished to be conveyed to Ivanofka, the village where my future teacher lived. At that time I still spoke Russian in a very fragmentary and confused way—pretty much as Spanish cows are popularly supposed to speak French. My first remark therefore being literally interpreted, was—"Ivanofka. Horses. You can?" The point of interrogation was expressed by a simultaneous raising of the voice and the eyebrows. "Ivanofka?" cried the peasant, in an interrogatory tone of voice. In Russia, as in other countries, the peasantry when speaking with strangers like to repeat questions, apparently for the purpose of gaining time. "Ivanofka," I replied. "Now?" "Now!" After some reflection the peasant nodded and said something which I did not understand, but which I assumed to mean that he was open to consider proposals for transporting me to my destination. "Roubles. How many?" To judge by the knitting of the brows and the scratching of the head, I should say that that question gave occasion to a very abstruse mathematical calculation. Gradually the look of concentrated attention gave place to an expression such as children assume when they endeavour to get a parental decision reversed by means of coaxing. Then came a stream of soft words which were to me utterly unintelligible.
Donald Mackenzie Wallace (Russia)
Her dream of being a textile artist had actually begun as a fetish for vintage clothing. Not because she loved clothes. She’d never cared about fashion. It was fabric that captivated her, the way it moved and felt and behaved. Watered silks and pebbly knits, crisp organdy, diaphanous lace, nubby tweeds and lamb-soft worsteds, each with a texture and personality all its own. Her first attempt had been crude and unsophisticated, but a passion for creation had already found its way into her blood, driving her to perfect her craft with practice and new techniques. What had started as a fetish had become a quiet obsession, resulting in a series of pieces dubbed the Storm Watch Collection.
Barbara Davis (The Keeper of Happy Endings)
She did like the convent. The house of Our Lady of Grackles was quiet and dull, the things that people expected of her were clear-cut and not shrouded behind diplomatic words. She was not exactly a novice, but she worked in the garden with them and knit bandages and shrouds. She liked knitting and cloth and fibers. Her hands could work and she could think anything she wanted and no one asked to know what it was. If she said something foolish, it reflected only on her, and not the entire royal family. When she shut the door to her room, it stayed shut. In the royal palace, the doors were always opening, servants coming and going, nurses coming and going, ladies-in-waiting coming and going. Princesses were public property. She had not realized that a nun had more power than a princess, that she could close a door.
T. Kingfisher (Nettle & Bone)
Colors and Designs - Trends for Toddlers - Motheringo The summer collections this year are flooded with all the bright colors perfect for the summer look. Offering miscellaneous colors from blues and pinks to corals and mints, the basic colors of black and white would never go out of style. The clothing is enhanced with the use of multiple textures, animal prints, and graphics, from the sparkly sequins to the knits, velvets, and denims, making sure your little one is dressed in a convenient yet trendiest of attires. Another element of cuteness that is enchantingly loved by the young toddlers are the intricate yet bold appliques of characters and graphics on the shirts and dresses. From having the ears or tail protruding out, or the frills with a 3-D texture, young kids are fond of such sensory elements in their apparel.
Abbe Kaya
Details Warmth and responsiveness are provided by the midsole substance. Shock absorption and stability are provided by these sports shoes for women. Super-soft, breezy knit fabric and synthetic. The top design is comfortable, lightweight, and highly ventilated. The sole is made to provide quick traction and a good sense of the terrain. Strength and stability are provided by a parametric midsole.
ActivefitnessStore
The female of this species can be roughly divided into two types: indoors and outdoors. Both are utterly terrifying. Neither generally wears pantalon rouge, but there is unquestionably a uniform. I’m not sufficiently au fait with it to know who makes it, but they must have made a fortune out of it as it appears to be a mandatory sartorial requirement. It’s a sort of green tartan waistcoat, made from the hardiest of tweed. It looks like the sort of thing that’s tough enough to drag through a hedge backwards without damaging a single stitch. It is invariably accompanied by a waxed jacket (Barbour). The outdoor female pantalon rouge wears, without exception, trousers that she has almost certainly knitted herself with the wool from the pelt of a long extinct species of mammal which has been hanging on the wall of her ancestral home for several hundred years; they are sufficiently coarse that they could comfortably exfoliate a rhinoceros. Every item of her clothing is of a colour that might have been designed with no other purpose than to disguise mud, a material of which she maintains a permanent film.
Shaun Bythell (Seven Kinds of People You Find in Bookshops)
even you, fellow creature, sister sitting across from me, dark with love, working like me to pick apart working with me to remake this trailing knitted thing, this cloth of darkness, this woman’s garment, trying to save the skein
Adrienne Rich (Diving Into the Wreck)
Poppy smiled. “I remember never being able to find the cake pan, because Beatrix was forever making it into a bed for her pets.” Amelia gave an unladylike snort of laughter. “What about the time one of the chickens was so frightened by the neighbor’s dog, it lost all its feathers? And Bea got Mother to knit a little sweater for it.” Poppy spluttered in her tea. “I was mortified. Everyone in the village came to see our bald chicken strutting around in a sweater.” “As far as I know,” Amelia said with a grin, “Leo’s never eaten poultry since. He says he can’t have something for dinner if there’s a chance it once wore clothes.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
The word swatch dates back to the 1600s, when it referred to a sample piece of cloth attached to a batch of fabric being sent to the dye house. Today,
Clara Parkes (The Yarn Whisperer: My Unexpected Life in Knitting)
There’s other things I think I’d be good at too if I got the chance,” I hurried on, tossing my fake hook away. “Like water skiing, rollerblading, wearing a fez respectfully and coolly, saving animals from bush fires, knitting clothes for cats, eating a pint of ice cream in under fifteen minutes, making Moscow Mules, riding horses backwards while yodelling, guessing the sex of people’s babies before they’re born and if they’re going to grow up to be assholes, writing books about psychos in a magical prison for Fae who are all ruled by the stars and the zodiac and the lead character would be this badass werewolf girl who wants to break out a hot, tattooed incubus with a pierced dick and-
Caroline Peckham (The Death Club (Dead Men Walking, #1))
That peculiar light just before sunset, before gloaming: it is then that Essa sees for the first time the famous dunes at Avanue, which roll like fat people in their sleep, and shift restlessly forever. “They cast long shadows, these sleeping giants, and Essa shivers. She has walked too far—after the trip north she was so grateful to be out of hospital—her hands and feet are cold, and she is dizzy with exhaustion. She sits down on the ragged grass at the edge of the bluff which overlooks the dunes, and tries not to hate them. “Her mother’s words, remembered in a dream, sound like water flowing in her thoughts. There is no water here. The grasses under her are dry and stiff, and they grow in sand so fine it grits through her clothing against the skin of her ass. The sea is too far away to see or smell. But at least she is alone. “Though she is shivering, it is still a hot day, and the sun has warmed the sand. The ground radiates heat into her body. She lies down flat on her belly, her head to one side so that she can still see the dunes, and puts her hands beneath her; gradually they warm. “Gradually her body comes back into balance and she starts to see an eerie beauty before her. The sun is fully down when she sits up, brushes the sand away as well as she can, and hugs her knees to her chest. She puts her chin on her knees and watches darkness descend over the low rolling landscape. “This is unlike any cliff on which she has rested yet. It is low and gives no perspective. The dunes come up almost to her feet. Yet the demarcation is quite abrupt: there is no grass growing anywhere after this brief crumbling drop-off, and she can see as the land-breeze begins to quicken that ahead of her the sand is moving. In fact, she realizes, she can hear it, a low sweeping sound which has mounted from inaudibility until it inexorably backs every other sound: sounds of grasses moving, insects scraping, birds calling from the invisible sea far beyond her viewpoint are all subsumed in one great sand-song. “It is a sound so relentlessly sad that Essa can hardly bear to listen, but so persistent that she cannot ignore it now that she has become aware of its susurration. She pulls her sweater—the one her mother made by her knitting—around her and waits. “When it is fully dark and the wind has died again, she rises and begins the long walk back to town in the dim light of stars and crescent moon.
Candas Jane Dorsey (Black Wine)
Clara stood next to the third and last tree, the only one without brightly knitted clothing. She hadn’t noticed me because she was chatting away, while knitting, to the grim leaning against the brick wall next to our entrance. He wore faded jeans and a leather jacket, his jet-black hair hiding most of his profile as he lifted a cigarette to his lips. Henry Blackwater, Sean’s older brother.
Juliette Cross (Witches Get Stitches (Stay a Spell, #3))
At the white-clothed table, Mom sat stiffly upright. She wore a cowl-collared jersey dress with a knit beret over her short black hair and long, dangling earrings.
Kristin Hannah (The Women)
Having some ground to stand on, that’s our whole basis. It’s the bags of summer squash and shelly beans everybody gives you from their gardens, and on from there. The porch rockers where the mammaws get together and knit baby clothes for the pregnant high school girls. Sandwiches the church ladies pack for the hungrier kids to take home on weekends. Honestly, I would call us the juice economy. Or I guess used to be, up until everybody started getting wrecked on the newer product. We did not save our juice, we would give it to each and all we meet, because we’re going to need some of that back before long, along with the free advice and power tools. Covered dishes for a funeral, porch music for a wedding, extra hands for getting the tobacco in.
Barbara Kingsolver (Demon Copperhead)
James was teaching me how to knit baby clothes, but I didn’t get on very well when he wasn’t there, but I did manage two vests that resembled badly made porridge.
Barbara Comyns
Soon we began to collect a little group of odd people who would drink with us every cocktail hour. Brigitte, who was a 22-year-old German, very beautiful, could have been on the cover of Stern magazine. Her boyfriend Volker was one of the most beautiful men I'd ever met - people said he looked like James Hunt, the English racecar driver. He was like Billy Budd. He was from Germany and had been a cowboy in Wyoming. Then there was Elford Elliot from England, who had something to do with producing garden gnomes. He was tripping on acid all the time and going out to Delos, this little island off Mykonos, chipping little pieces off the ancient ruins, which he then brought back in the pocket of his jumpsuit. Then there was Bryan, an IBM operator from Australia, who fancied himself as a kind of Oscar Wilde figure. I don't know why. The only story of his I remember was about some Australians who stole a garden gnome from the front lawn of a very elegant mansion and took it for a trip around the world. They would send postcards back to the owner saying things like, 'Having a lovely time in the Fiji Islands' and sign it, 'The Garden Gnome.' After six weeks, they brought the garden gnome back and left it on the lawn with little suitcases full of tiny clothing they'd knitted for it.
Spalding Gray (Sex and Death to the Age 14)
Graham went to the gym to work out, as he does almost every day. There's a pile of unfolded clothes on the couch beside me and a bag of cheese puffs in my lap. I love it when he goes to the gym, if only because I can be the massive sloth I naturally am in peace. If he were here, he'd be eyeing up my laundry and staring at the edible garbage in my lap and on my fingers, internally freaking out over the possibility of powdery cheese getting on the furniture. One hand in the bag, one hand wrapped around the stem of my wine glass—this is my idea of perfection. 'Girls Chase Boys' by Ingrid Michaelson is presently keeping me company from the stereo system. When my phone rings from where it resides on the back of the couch, I jump and send the bag flying. Orange confetti falls to the floor and I swallow, knowing I am so dead if Graham walks in the door right now. “What?” is my less than friendly greeting. “What'd you do?” How does he know me so well? I guess because he made me. “I just let off a bomb of cheese puffs. Although, technically, I'm blaming it on you since it was your phone call that scared me into dumping the bag over.” “Your mother is knitting again.” Eyes glued to the orange blobs on the pale carpet, I reply, “Oh? I'm sure it's marvelous, whatever it is.” Are they seeping into the carpet as I watch, even now becoming an irremovable part of it? Graham is going to majorly freak out over this. “Looks like a yellow condom.” I choke on nothing. “I have to go, Dad.” He grunts a goodbye. I fling the phone away and dive to my knees, hurriedly scooping up the abused deliciousness into my hands. Of course this is when Graham decides to come home—when my ass is in the air facing the door and I look like I'm eating processed food off the floor. I groan and let my head fall forward, smashing a cheese puff with my forehead. He doesn't say anything for a really, really long time, and I refuse to move or look at him, so it gets sort of awkward. “Never thought I'd come home to this scene. Ever.” Just to rile him up, I shove a cheese puff in my mouth and chomp away. “I can't believe you just ate that!” I get to my feet as I pop another into my mouth. “Mmm.” Graham's face is twisted with horror, his backpack dropping to the floor. Sweat clings to him in a delicious way, his hair damp with it. “Do you know how dirty the carpet is?” “You clean it almost every day. It can't be that dirty.” “I don't get everything out of it!” he exclaims, slapping the remaining puffs from my hands. “Go brush your teeth. No. Wait. Induce vomiting. Immediately.” I look at him and laugh. “You're crazy.” “Just...go drink water or something. I'll clean this up.” “I am perfectly capable of cleaning up my own messes.” He just looks at me. “Okay, so not as well as you, but still.” He remains mute. “Fine.” I toss my hands in the air and carefully walk over the splotches of orange beneath me. As I leave the living room, I pause by a framed photograph of a lemon tree, sliding it off-center on the wall. “I saw that,” he calls after me. “Just giving you something to do!” I smirk as I saunter into the bathroom. “I'll give you something to do.” I cock my head at that, wondering if that was meant to be sexual or not. I'm thinking not. I flip the light switch up in the bathroom and scream. Even with the distance between us, I can hear him laughing. The mirror is covered in what looks like blood, spelling out R – E – D. I put my face close to it and sniff. Ketchup. What a waste of a good condiment. “Not funny!” “So funny!
Lindy Zart (Roomies)
There’s Tom,” Becky says. He’s been tromping around the city half the day, but I don’t see a speck of mud on him. Though he dresses plain, it always seems he rolls out of bed in the morning with his hair and clothes as neat and ordered as his arguments. We walk over to join him, and he acknowledges us with a slight, perfectly controlled nod. He’s one of the college men, three confirmed bachelors who left Illinois College to join our wagon train west. Compared to the other two, Tom Bigler is a bit of a closed book—one of those big books with tiny print you use as a doorstop or for smashing bugs. And he’s been closing up tighter and tighter since we blew up Uncle Hiram’s gold mine, when Tom negotiated with James Henry Hardwick to get us out of that mess. “How goes the hunt for an office?” I ask. “Not good,” Tom says. “I found one place—only one place—and it’s a cellar halfway up the side of one those mountains.” Being from Illinois, which I gather is flat as a griddle, Tom still thinks anything taller than a tree is a mountain. “Maybe eight foot square, no windows and a dirt floor, and they want a thousand dollars a month for it.” “Is it the cost or the lack of windows that bothers you?” He pauses. Sighs. “Believe it or not, that’s a reasonable price. Everything else I’ve found is worse—five thousand a month for the basement of the Ward Hotel, ten thousand a month for a whole house. The land here is more valuable than anything on it, even gold. I’ve never seen so many people trying to cram themselves into such a small area.” “So it’s the lack of windows.” He gives me a side-eyed glance. “I came to California to make a fortune, but it appears a fortune is required just to get started. I may have to take up employment with an existing firm, like this one.” Peering at us more closely, he says, “I thought you were going to acquire the Joyner house? I mean, I’m glad to see you, but it seems things have gone poorly?” “They’ve gone terribly,” Becky says. “They haven’t gone at all,” I add. “They’ll only release it to Mr. Joyner,” Becky says. Tom’s eyebrows rise slightly. “I did mention that this could be a problem, remember?” “Only a slight one,” I say with more hope than conviction. “Without Mr. Joyner’s signature,” Becky explains, “they’ll sell my wedding cottage at auction. Our options are to buy back what’s ours, which I don’t want to do, or sue to recover it, which is why I’ve come to find you.” If I didn’t know Tom so well, I might miss the slight frown turning his lips. He says, “There’s no legal standing to sue. Andrew Junior is of insufficient age, and both his and Mr. Joyner’s closest male relative would be the family patriarch back in Tennessee. You see, it’s a matter of cov—” “Coverture!” says Becky fiercely. “I know. So what can I do?” “There’s always robbery.” I’m glad I’m not drinking anything, because I’m pretty sure I’d spit it over everyone in range. “Tom!” Becky says. “Are you seriously suggesting—?” “I’m merely outlining your full range of options. You don’t want to buy it back. You have no legal standing to sue for it. That leaves stealing it or letting it go.” This is the Tom we’ve started to see recently. A little angry, maybe a little dangerous. I haven’t made up my mind if I like the change or not. “I’m not letting it go,” Becky says. “Just because a bunch of men pass laws so other men who look just like them can legally steal? Doesn’t mean they should get away with it.” We’ve been noticed; some of the men in the office are eyeing us curiously. “How would you go about stealing it back, Tom?” I ask in a low voice, partly to needle him and partly to find out what he really thinks. He glances around, brows knitting. “I suppose I would get a bunch of men who look like me to pass some laws in my favor and then take it back through legal means.” I laugh in spite of myself. “You’re no help at all,” Becky says.
Rae Carson (Into the Bright Unknown (The Gold Seer Trilogy, #3))
tried to shrug but the movement was lost under the layers of clothing,
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
I wanted to cross my arms over my chest but, due to clothing and boobs and lack of coordination, I encountered too much bulk; my movements were restricted.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
....The important thing is not where we die but how we live. Being native to a place is a labor of love and a life's work. It means stitching your life to that of a place with a thread spun from mindfulness, attentiveness, husbandry, pilgrimage, and witness. Stories knit these components of practice together. Flung outward, they clothe our relationships; flung inward, they map the soul. Stories enable us to enter and dwell attentively in a place; they enable us to travel and return, then eventually to leave for good. We need stories to stay alive spiritually: without them we would all turn into hungry ghosts. Stories are the only things we can take with us out of this world. They are the wings that bear us up or the chains that drag us down. In the end, it is stories that enable us to die.
John Tallmadge (The Cincinnati Arch: Learning from Nature in the City)
I pictured myself sitting by the fire and knitting the Celtic mists and shadowy pools into my cloth. I pictured Jonathan getting up from his typewriter and going out to split wood like a man in Ingmar Bergman, and the child, with woollen mittens flapping at its cuffs, tottering after him.
Barbara Trapido (Brother of the More Famous Jack)
McHotpants was standing in the doorway, clothed only in a white towel wrapped low around his waist as if it didn’t matter to him whether it stayed in place or pooled on the floor. I vote for the floor! Even
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
Did you pack all those clothes?” “Of course.” “Where are they?” Alessandra blinked at him. “In my overnight bag. On the backseat.” “Open it, will you?” Harry finished the Pepsi. They were going to have to stop soon to get some coffee. He was exhausted. On the other hand, all he had to do to stay awake was breathe. Every time he inhaled, his side felt as if it were on fire. He took a deep breath. Ouch. Alessandra didn’t move. “You want me to . . . ?” “Grab your bag and open it,” he said patiently. “You have about three pairs of really tight pants somewhere in there. One black, one gray, and one navy blue, I think. Get ’em out. We need to talk about your clothes.” “They’re leggings,” she informed him, wrestling the cheap nylon bag George had bought for her up into the front seat. “Whatever. And that black turtleneck,” Harry said. “The tight one with the lines.” “It’s a rib knit,” she said, unzipping the bag and rummaging around. “Rib knit. At last. My life is surely more complete now that I know that.
Suzanne Brockmann (Bodyguard)
was the only place he wanted to be right at this moment. Tossing his clothes into a pile on the floor, Jeffrey yanked his pajamas from the drawer, put them on, then climbed under his duvet and pulled it over his head. He just needed to sleep. He’d figure out what to do in the morning. He could hear a ticking sound, but not like the one his clock made. Jeffrey pulled the covers away from his head and looked around the dark room. There was an odd shadow in the chair in the corner. As he swallowed hard and screwed his eyes up to focus, he saw Agnes, her needles clacking as she knitted, her head lowered purposefully over her work. “Mum, what’re you doing?” he whispered. “I could ask you the same thing, laddie.” The little purple head tilted to the side, and his mother’s dark eyes connected with his. “I don’t understand ye, Jeffrey.” Jeffrey sat up in bed and turned on the bedside light. Meanwhile, Agnes carefully wrapped a long strand of wool around the bulk of what she was working on, stuck the needles through the bundle, and placed it behind her as she rose from the chair. He watched her familiar movements, afraid to move or breathe too deeply in case she wafted away. When she sat on the edge of his bed, Jeffrey noted that she made no impression on the duvet, like a butterfly landing on a flower. He leaned back against his pillow and tried
Alison Ragsdale (Tuesday's Socks)
of both rayon and wool, draped around a papier-mâché replica in miniature of the Palais Rose. She wished that she could wear such sexily clinging clothes for—instinctively her mind had entertained Rostov, out of habit, and she forced him to leave to make the considerable room necessary for Doyle—well, for the man who would marry her. Unfortunately, she did not have the necessary figure now, nor had she possessed such a figure when she was younger. The Maker gave every human being one advantage, no more. She would have to settle for brains, which were neither sexy nor the right filling for clinging knits. How odd of God, she thought, in dispensing His favors, not to have made all females feminine. But then, He was a male, and males never understood how women really felt. She withdrew her attention from the depressing window display and pivoted on a heel to resume her watch of the Élysée. And there was Jay Doyle, like Jumbo except for the lack of a trunk, lumbering toward her. “Well?” she asked quickly, even before he had reached her. He wheezed noisily, and after an unnecessarily theatrical glance around to be sure they could not be overheard, he said, “Rostov’s in there all right. I didn’t see him, of course, but some of the other correspondents saw him arrive at four. The ministers are still locked up in the Murat Salon, in the section called the Foreign Sovereigns’ Apartment.” “When do they break?” asked Hazel anxiously
Irving Wallace (The Plot)
I can’t stop cleaning and I have a monster inside my brain and I miss you and Sloan is falling apart and his parents won’t take him off life support, so his organs are rotting. I can’t get all the lines right on the carpet with the vacuum and Stuntman is in a kennel and I haven’t seen him in days, and I just need you to let me clean this fucking apartment!” I’m not sure how much of it he heard, if any. I was crying so hard I could barely understand myself. He just held me and caressed my hair, and for the first time in weeks the velociraptor hunted other prey. Josh made me weak. Or strong. It was hard to tell anymore what I was without my coping mechanism. At least when I rode the beast, I got shit done. And now I was nothing but an emotional mess. But at least the mess was mine. Why did he have this effect on me? He had this way of waking up dormant parts of my soul. He ripped through me and let everything in with him like a storm surge. I took on water. And at the same time, something told me if I let him, he’d keep me afloat. He wouldn’t let me sink. I’d never felt this vulnerable and safe with anyone. I felt hot and shaky. I gasped and clutched his shirt until the crying spasms stopped. He held me so tight my knees could have given out and I wouldn’t have fallen an inch. “I can’t be the only one who has their shit together,” I whispered. His chest rumbled as he spoke. “It doesn’t look like you have your shit together…” I snorted. “Josh, please.” I looked up at him, my hands trembling on his collarbone. “I need you to insert yourself here. Go talk to his parents. They’ll listen to you.” He looked at me like seeing me cry was agony. The longing on his face was razor blades to my heart. His sad eyes, the set of his mouth, his knit brows. He loved me almost as much as I loved him, and I knew I was hurting him. I knew he thought I was enough. But I wasn’t enough. How could one of me be any kind of substitute for the half dozen kids he’d always wanted? It just couldn’t. The math didn’t work. The logic wasn’t sound. He wiped a tear off my cheek with his thumb. “Okay,” he whispered. “I’ll go. Just, sit down or something. Stop cleaning.” He dipped his head to catch my eyes. “Are you okay? You’re shaking.” He put a hand over mine to still the tremor against his chest, and the closeness of him made me whole for the first time in weeks. “I’m fine,” I said, swallowing. “Just hurry, okay?” He looked at me for a long moment, like he was trying to memorize my face or steal an extra second to hold me. Then he turned for the bathroom. When he walked away from me, the absence of his body pressed into mine felt like I’d lost my clothes and I stood naked and exposed to the elements. I missed him. No amount of time lessened it. It made it worse. My heart was a neglected building, and every day I weathered a fierce storm that dripped through my roof, flooded my floors, and broke my windows, and the disrepair just made me weaker and closer to collapse. The water turned on in the bathroom and I looked around the apartment, my compulsion raging back with a fury now that he was gone. At least I could do this for him. I could take care of his space, give it order. Wash his clothes and his blankets. Make things smell clean, turn his home into someplace he wanted to be. Do this thing that he obviously couldn’t do for himself at the moment.
Abby Jimenez
Is there a small habit that can support a major habit?” (For example, packing your exercise clothes in the morning so they’ll be ready for the gym in the evening.) “Do I often end the day frustrated because I didn’t complete the most important tasks?” (Identify the most important tasks for the next day and then schedule them into your calendar.) “What quick activities make me feel inspired or happy?” (For example, watching a short motivational video each morning.) “What five goals are the most important to me right now?” (What can you do daily to support all five of these goals?) “What are the activities that I love to do?” (Think of tasks that can support hobbies, like running, knitting, traveling, or reading.) “What areas of my financial life do I need to improve?” (If you’re in debt, then address this first. But if you have money in the bank, then you should build a habit that focuses on building up your investment portfolio.) “Can I improve the quality of my interpersonal relationships?” (Think about your interactions with your parents, children, significant other, and closest friends. Is there anything you can do daily to make these interactions better?) “What makes me feel great about myself?” (If something brings you enjoyment, then you should either do it every day or schedule time for it each week.) “How can I become more spiritual in my daily life?” (For example, read from a book of prayers, practice a bit of yoga, or recite positive affirmations.) “What is a new skill I’ve always wanted to master?” (For example, make a habit of researching and learning about talents like home brewing, playing a musical instrument, learning a new language, or anything that sounds fun.) “Is there anything I can do to support my local community or an important cause?” (We all believe in something. So if you schedule time daily for this activity, then it’s not hard to consistently help others.) “Is there something that I can do to improve my job performance and get a raise?” (For example, build a skill that will become valuable to the company.)
S.J. Scott (Habit Stacking: 127 Small Actions That Take Five Minutes or Less)
Vivienne [Westwood] and Malcolm [McLaren] use clothes to shock, irritate and provoke a reaction but also to inspire change. Mohair jumpers, knitted on big needles, so loosely that you can see all the way through them, T-shirts slashed and written on by hand, seams and labels on the outside, showing the construction of the piece; these attitudes are reflected in the music we make. It’s ok not to be perfect, to show the workings of your life and your mind in your songs and your clothes. And everything you do in life is meaningful on a political level. That’s why we’re all merciless about each other’s failings and why sloppiness is derided.
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
be followed in making a sewn or knitted item.  a wooden or metal model from which a mold is made for a casting.  an example for others to follow: he set the pattern for subsequent study.  a sample of cloth or wallpaper.   v. [trans.] 1 [usu. as adj.] (patterned) decorate with a recurring design: rosebud patterned wallpapers;violet-tinged flowers patterned the grassy banks. 2 give a regular or intelligible form to: the brain not only receives information, but interprets and patterns it.  (pattern something on/after) give something a form based on that of (something else): the clothing is patterned on athletes' wear.
Oxford University Press (The New Oxford American Dictionary)
Excuse me. I have to speak to her. I’ll be right back.” By the time I caught up with her, Catherine was at the corner. She watched me approach with wary eyes, her bag clutched in front of her like a shield. “Come back. Elise will skin me alive if I let you leave.” I stopped in front of her, peering down at her. I always forgot how short she was since she didn’t seem short. Then again, this was the first time I had seen her outside a work environment. She was normally pressed and pristine, with neat hair and simple, classic clothing. Today, her hair was piled on top of her head in a messy, unruly bun, and she was cozy in a hoodie and leggings. “Please tell her I already ate.” She tugged at her hoodie, which was oversized everywhere except where it stretched over her belly. “I really feel way too schlubby to go to a restaurant, and all of you—” “You look nice. No one’s going to judge you for wearing a hoodie when you’re thirty-seven weeks—” “Wait, you know how many weeks I am?” Her brow knitted in confusion. “Of course. You told me five weeks ago. Five plus thirty-two equals thirty-seven. It isn’t difficult.” “Oh.
Julia Wolf (P.S. You're Intolerable (The Harder They Fall, #3))