“
My objective is to create my own world and these images which we create mean nothing more than the images which they are. We have forgotten how to relate emotionally to art: we treat it like editors, searching in it for that which the artist has supposedly hidden. It is actually much simpler than that, otherwise art would have no meaning. You have to be a child—incidentally children understand my pictures very well, and I haven’t met a serious critic who could stand knee-high to those children. We think that art demands special knowledge; we demand some higher meaning from an author, but the work must act directly on our hearts or it has no meaning at all.
”
”
Andrei Tarkovsky
“
It is better to die, than dive heart-first, into a pool of love, only knee-high deep.
”
”
Anthony Liccione
“
But what struck me was the book-madness of the place--books lay scattered across the unmade bed and the top of a battered-looking desk, books stood in knee-high piles on the floor, books were crammed sideways and right side up in a narrow bookcase that rose higher than my head and leaned dangerously from the wall, books sat in stacks on top of a dingy dresser. The closet door was propped open by a pile of books, and from beneath the bed a book stuck out beside the toe of a maroon slipper.
”
”
Steven Millhauser (Dangerous Laughter)
“
«He grins and straightens, wings high and regal behind him. I glare at his costume. It’s so typical him. A mix of medieval and rock star: brown leather forearm guards with studs over a ruffle-cuffed white shirt, and a cavalier doublet in burgundy with a gold lace overlay. The hem hits above his muscled thighs, so the skintight burgundy hose taper smoothly into knee-high brown boots, leaving nothing to the imagination. Worst of all, he has a crown.
He dressed as a fairy king. The irony doesn’t escape me.
I scowl.
“Problem, luv?” He looks down on me from behind a gold lace half mask while adjusting the ruby-jeweled crown over his blue hair with velvet-clad hands. Tiny moth corpses are suspended in the rubies, like stained-glass fossils.
I shake my head. “I’m pretty sure you’ll be the only one wearing anything tight enough to need a codpiece. Always have to be the showstopper, don’t you?”
“Oh, I assure you, what I chose to show is only the start.»
”
”
A.G. Howard (Unhinged (Splintered, #2))
“
The farm brook ran down from the mountain in a straight line for the fold then swerved to the west to go its way down into the marshes. There were two knee-high falls in it and two pools, knee-deep. At the bottom there was shingle, pebbles and sand. It ran in many curves. Each curve had its own tone, but not one of them was dull; the brook was merry and music-loving, like youth, but yet with various strings, and it played its music without thought of any audience and did not care though no one heard for a hundred years, like the true poet.
”
”
Halldór Laxness (Independent People)
“
This is comfortable and clean and familiar. Apart from a tendency among men of a certain age to wear knee-high socks with shorts, these people are just like you and me.
”
”
Bill Bryson (In a Sunburned Country)
“
But those sparkling blue shallows- so enticing at first glance- had not yet graded off into depths, so that sometimes I got the disconcerting sensation of wading around in knee-high waters hoping to step into a drop-off, a place deep enough to swim.
”
”
Donna Tartt (The Goldfinch)
“
We got a saying around here about our corn, ‘it grows knee-high by the Fourth of July.
”
”
Richard Puz (The Carolinian (Six Bulls series, #2))
“
She stood and showed off her knee-high boots. “Very Kalinda Sharma,
”
”
Sylvia Day (Entwined with You (Crossfire, #3))
“
I didn’t bother tellin her no made-up story, because she always sees through em and has since I was knee-high to a collie.
”
”
Stephen King (The Bazaar of Bad Dreams)
“
Georgie?” He reached out with both hands to steady her—and himself. His mind had trouble focusing. He couldn’t believe Georgie was actually standing in front of him. She looked liked an angel—in knee-high biker boots. Those boots looked even better in real life than in his imagination. He gazed into her eyes and was filled with so many emotions, so many things he wanted to say to her, he didn’t know where to start. “I like your shoes,” he said.
”
”
Jennifer Shirk (Georgie on His Mind (Maritime City, #1))
“
Able closed his eyes. He was running. The grass was green with spring and fragrant, knee-high and cushioning his steps. And there was sun and a warm wind blew. Men called to him from the trees just atop the rise. He ran. He ran to them.
”
”
Lance Weller (Wilderness)
“
Unconsciously, Amah's hand smoothed my hair, falling back into the old rhythms of childhood as though I were really only knee-high and had come to seek solace in her lap. "And now you. You are my little girl too." We clung to each other like two shipwrecked survivors.
”
”
Yangsze Choo (The Ghost Bride)
“
The drapery was so thick and the furniture so cloaked that I half expected to find Sherlock Holmes thumb-wrestling with Jane Austen in the corner. It wasn’t as dusty or smoky as one expects a parlor to be, but all the wood had the weight of card catalogs and the fabric seemed soaked in wine. Knee-high sculptures perched in corners and by the fireplace, while jacketless books crowded on shelves, peering down like old professors too tired to speak to one another.
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
Some people is and some people are knee-high on a grasshopper. Which on ain't you ain't?
”
”
Gavin Williams
“
The knee-high grass looked like something snakes would enjoy.
”
”
Kenn Amdahl (The Land of Debris and the Home of Alfredo)
“
know you?” I asked. She didn’t look particularly familiar, but her American accent, her crisp white shirt, her sculpted jeans tucked into knee-high boots, all
”
”
Peter Swanson (The Kind Worth Killing)
“
Not one of them fails to ask me the same loaded question ... 'So, where are you from?' A question as mundane as it is predictable. It feels like an obligatory rite-of-passage, before the relationship can develop any further. My skin - the colour of caramel - must explain itself by offering up its pedigree. 'I'm a human being' My answer rankles with them. Not that I'm trying to be provocative. Any more than I want to appear pedantic or philosophical. But when I was just knee-high to a locust, I had already made up my mind never to define myself again.
”
”
Gaël Faye (Small Country)
“
Pirra kicked her leg out to show me more. “Knee-high boots, pink thermo suit, dark green top and shorts with the same dark green pinstripes, and you say ‘okay’? This is the top of the line.
”
”
Wyatt Davenport (Molly of Mars and the Alien Syndicate)
“
His stone walls are knee-high, not castle-worthy. They have large gaps in them for driveways and paths and grape arbors.
And yet every time he drives past a property he's shaped with his own heavy hands, he pictures the parents sitting down to dinner with their children, harmony wrapping the table like mosquito netting as if literal foundations might lay the pattern for emotional ones.
”
”
Jodi Picoult (Perfect Match)
“
My faux school uniform is like a power suit, my armor, a super hero’s costume that makes me feel on top of the world. Short skirt, white blouse, knee-highs and Mary Janes. When I wear this, I make the rules.
”
”
Lauren Blakely (The Thrill of It (No Regrets, #1))
“
Bobby's back yard hadn't changed since she was knee-high. It was still littered with bicycle bits and pieces of engine that he was always tinkering with. It looked like the same relentless weeds bravely struggled through the cracked flagstones; the same array of socks and T-shirts flapped on the washing line, though somewhat bigger, and even the same wasps droned around the dustbin. That's how it seemed – a place immune to time.
”
”
Bernie Morris (Bobby's Girl)
“
got places — striding. Walking was for ordinary people. Standing beside him, Blue found the church eerier in the daylight, as she always did. Growing inside the ruined walls among collapsed bits of roof, knee-high grass and trees as tall as her strove toward the sunlight. There was no evidence there had
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Edward Lasco was on the screened porch of his rented house in a comfortable but not elegant older section of the town where he'd lived for the past fifteen years when his wife, Elise, who six months before had left him and moved to a nearby city to work in a psychiatric hospital, came around the side of the house and stood beside the screen looking in. She had on a business outfit—natural linen suit, knee-high boots, dark glasses with at least three distinguishable colors tiered top to bottom in the lenses—and she carried a slick briefcase, thin and shiny. Her hair was shorter than he'd seen it, styled in a peculiar way so that it seemed it spots to jerk away from her head, to say, "I'm hair, boy, and you'd better believe it." Edward had come outside with a one-pint carton of skim milk and a ninety-nine-cookie package of Oreos and a just-received issue of InfoWorld, and he was entirely content with the prospect of eating his cookies and drinking his milk and reading his magazine, but when he saw Elise he was filled with a sudden, very unpleasant sense that he didn't want to see her. It'd been a good two and a half months since he'd talked to her, and there she was looking like an earnest TV art director's version of the modern businesswoman; it made him feel that his life was fucked, and this was before she'd said a word.
”
”
Frederick Barthelme (Two Against One)
“
Rain filled the gutters and splashed knee-high off the sidewalk. Big cops in slickers that shone like gun barrels had a lot of fun carrying giggling girls across the bad places. The rain drummed hard on the roof of the car and the burbank top began to leak. A pool of water formed on the floorboards for me to keep my feet in. It was too early in the fall for that kind of rain.
”
”
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
“
And there were so many places to go. Thickets of bramble. Fallen trees. Ferns, and violets, and gorse, paths all lined with soft green moss. And in the very heart of the wood, there was a clearing, with a circle of stones, and an old well in the middle, next to a big dead oak tree, and everything- fallen branches, standing stones, even the well, with its rusty pump- draped and festooned and piled knee-high with ruffles and flounces of strawberries, with blackbirds picking over the fruit, and the scent like all of summer.
It wasn't like the rest of the farm. Narcisse's farm is very neat, with everything set out in its place. A little field for sunflowers: one for cabbages; one for squash; one for Jerusalem artichokes. Apple trees to one side; peaches and plums to the other. And in the polytunnels, there were daffodils, tulips, freesias; and in season, lettuce, tomatoes, beans. All neatly planted, in rows, with nets to keep the birds from stealing them.
But here there were no nets, or polytunnels, or windmills to frighten away the birds. Just that clearing of strawberries, and the old well in the circle of stones. There was no bucket in the well. Just the broken pump, and the trough, and a grate to cover the hole, which was very deep, and not quite straight, and filled with ferns and that swampy smell. And if you put your eye to the grate, you could see a roundel of sky reflected in the water, and little pink flowers growing out from between the cracks in the old stone. And there was a kind of draught coming up from under the ground, as if something was hiding there and breathing, very quietly.
”
”
Joanne Harris (The Strawberry Thief (Chocolat, #4))
“
Ichecked myself over nervously. I had never been the new kid before, and I wanted at least one friend before the day was done. One besides Josh. Girlfriends were a necessity. Plenty had eyed me up at the ball but none had been brave enough to talk to me. Not even when I danced with Josh. I smiled unintentionally, thinking about Josh. Perhaps he would be my only friend. I could live with that, couldn’t I? No. Girlfriends were a necessity. Who would I toil over Josh with? And who would I talk about Briton with? No, I needed fiends. I surveyed my gray skinny jeans, black-and-white striped three-quarter-sleeve shirt, and knee-high beige dress boots, and grinned. I looked like a city kid. Great. No one would want to hang with me. My long hair looked silky and fine, not thick and unruly like it truly was, and I had on too much makeup. Yikes.
”
”
Tara Brown (Sunder)
“
You've been here before, Bell. Remember the stories you told me about wandering in the woods when you were a little girl? It scared the crap out of you, but you went out there all alone, knee-high to a bunny rabbit, and picked berries and climbed trees and found bird nests and came home all bug-bitten and mossy. And you loved every minute of it. It made you our beautiful Arctic Bell, impervious to cold and feared by mosquitoes. Aren't you glad you didn't stay by grandma's side, darning socks and baking gingerbread?
Who darns socks?
Girls nobody tells stories about.
”
”
Alexis M. Smith
“
Nancy had chosen a route which would take her to River Road. Half an hour later she turned into the beautiful country road which wound in and out along the Muskoka River, and began to look at the names on the mailboxes. “Hoover,” she reminded herself. About halfway to River Heights, while enjoying the pastoral scenes of cows standing knee-high in shallow sections of the stream, and sheep grazing on flower-dotted hillsides, Nancy suddenly realized the sun had been blotted out. “A thunderstorm’s on the way,” she told herself, glancing at black clouds scudding across the sky. “Guess I’d better put the top of the car up.
”
”
Carolyn Keene (The Secret of The Old Clock (Nancy Drew Mystery, #1))
“
There was someone sitting in his room, over on that chair—
“Are you kidding me?” He exhaled a curse and rubbed the back of his brain. “Really? Are you fucking kidding me?”
Across the way, like some fucked-up scarecrow, a pair of blue jeans, that Nirvana concert T-shirt of the angel’s, the flannel bullshit, and a set of Nikes had been stuffed with God only knew what. The head of the “Lassiter” was made out of a nylon bag that had had potatoes in it, and the black and yellow hair was a collection of knee-high business socks—probably Butch’s—and Swiffer cleaning rags that had been safety pinned in place.
Around its neck? A handwritten sign that read: the boss was here.
”
”
J.R. Ward (The Chosen (Black Dagger Brotherhood, #15))
“
Hackham Heath was an open space covered with knee-high gorse, interspersed with clumps of taller bushes. It stretched for half a kilometer and on either side it was bounded by thick forest. The ground sloped upward, and at the beginning of the slope, the Slipsunder River ran in a huge U-shaped curve. The river widened at the semicircular curve, and the water shallowed, providing a ford. The army had crossed that spot the previous day. Around the ford, the banks were wet and muddy, but by no means impassable. To either side, in the arms of the U, the river ran among thick trees. It was narrower, but much deeper. And the current was fast and treacherous. The ford was the only point where it was possible to cross. The
”
”
John Flanagan (The Battle of Hackham Heath (Ranger's Apprentice: The Early Years #2))
“
If you’ve tied them up, start by undoing the knot! Lay the toes one on top of the other and fold the stocking in half lengthwise. Then fold it into thirds, making sure that the toes are inside, not outside, and that the waistband protrudes slightly at the top. Finally, roll the stocking up toward the waistband. If the waistband is on the outside when you finish, you’ve done it right. Fold knee-high stockings the same way. With thicker material, such as tights, it is easier to roll if you fold them in half rather than in thirds. The point is that the stocking should be firm and stable when you’ve finished, much like a sushi roll. When you store the stockings in your drawer, arrange them on end so that the swirl is visible.
”
”
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
“
As they picked their way around the house through knee-high weeds dense with booby traps of unseen bottles, tin cans, rusted bed springs, broken emery stones, rotting harness, dead cats, dog offal, puddles of stinking garbage, and swarms of bottle flies, house flies, gnats, mosquitoes, the first cop said in extreme disgust, “I don’t see how people can live in such filth.” But he hadn’t seen anything yet. When they arrived at the back they found a section of the wall had fallen from the second floor, leaving a room exposed to the weather, and the rubble piled on the ground formed the only access to the open back door. Carefully they climbed up the pile of broken bricks and plaster, their footsteps raising a thick gray dust, and entered the kitchen unimpeded.
”
”
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
“
Imagine you have the power to change and shape reality and you have thousands of years of magical knowledge at your fingertips because of the internet. But right at the time when humanity leans dangerously close to the brink of extinction, you use all that to… put pentagrams on knee-high socks? It feels weird, right? I don’t think the commodification of witchcraft is entirely witches’ fault. Capitalism is really good at neutralizing a threat through commodifying it. Put a price tag on something and you can own and control it. Finding your inner power is so important, especially for women, girls, queer people, and people of color, who are told so often to shrink themselves for others. Witchcraft is a tool for accessing that inner power, and it gets me so mad to see all this potential energy directed at purely surface-level aesthetic stuff. Are women really going to have our power reduced down to image once again?
”
”
Sarah Lyons (Revolutionary Witchcraft: A Guide to Magical Activism)
“
Look happy, they tell you. Happiness, they say, is the optimal emotion to project when under surveillance, the least likely to arouse suspicion. People who are smiling, who are content and pleased, if not laughing and joking, don’t look like a threat. She prefers sexy. It’s easier to pull off when alone, and it’s always seemed to work for her—the lopsided smile, the strut in her walk as she pulls her Bottega Veneta trolley behind her down the terminal. It’s a role like any other, a coat she puts on when necessary and sheds as soon as she’s done, but she can see it’s working: the men trying for eye contact, checking the cleavage she’s made sure to reveal, allowing just enough bounce in her girls to make it memorable. The women sizing up her entire five-foot-nine-inch frame with envy, from her knee-high chocolate leather boots to her flaming red hair, before checking their husbands to see what they think of the view.
”
”
Bill Clinton (The President Is Missing)
“
there is nothing generic about a human life. When I was little, to get to my bus stop, I had to cross a field that had so much snow my parents fitted me with ski pants and knee-high thermal boots that were toasty to forty degrees below zero. I am excellent in the stern of a canoe, but I never got the hang of riding a bike with no hands. I have seen the northern lights because my parents always woke up the whole house when the night sky was painted with color. I love the smell of clover and chamomile because my sister and I used to pick both on the way home from swimming lessons. I spent weeks of my childhood riding around on my bike saving drowning worms after a heavy rain. My hair is my favorite feature even though it’s too heavy for most ponytails, and I still can’t parallel park. There is no life in general. Each day has been a collection of trivial details—little intimacies and jokes and screw-ups and realizations.
”
”
Kate Bowler
“
prerelease:
Snuggie Bobo grew up in the rural Midwest, but soon became enticed with running the streets of the hood. It became an area to be conquered by all means necessary! This, of course, led to a long stay in ‘upstate’ maximum security correctional college nicknamed ‘Gladiator School’. It was the school of hard knocks where men left better criminals than they entered. In the process of trying to omit the truth of the past years’ regrets, Snuggie became educated, going as far as obtaining a PhD with the hopes to rejoin society. Unfortunately, society tends to look down upon street hoods and ex-felons! Now, Snuggie lives in Chicagoland spinning tales based on this lived history to bring the reader into his world. Sean Jr. was one of the people in this world. He was a gay brother, who lost his father to crack. His father was dealing with their family problem. Sean’s mother abused him due to his forbidden illness: lusting for men. Snuggie knew Sean since he was knee-high to a grasshopper and years later took him in. He was his mentor. These are tales out of Sean and Snuggie’s life.
© Snuggie Bobo 2023
”
”
Snuggie Bobo
“
Mostly I love Halloween because it is the orange-and-black beginning of a season that tumbles into Thanksgiving, which tumbles into Christmas. And Zombies just seem a little out of place in that. Thanksgiving should have nothing to do with armies of shuffling undead. Don’t get me started on Christmas. The only undead at Christmas should be Jacob Marley, wailing about greed.
The iconic image of Halloween should be the pun’kin. The pun’kin, carved into faces that are scary only because we want them to be, winking from every porch. The pun’kin cast in plastic, swinging from the hands of knee-high princesses, leering back from department store shelves, until it gives way to tins of butter cookies.
But I fear for the pun’kin. How long before before he is kicked down the street by zombie hordes, booted into obscurity? Young people tell me that no one—no one— wants to dress up like a pun’kin any more. All a pun’kin does they say is sit there, and glow.
This may be true, all of it, but try to make a pie out of a zombie, and see where that gets you. Though I hear that, when it comes to pies, your canned zombie is the way to go.
”
”
Rick Bragg (Where I Come From: Stories from the Deep South)
“
And yeah, put out as I can be with Mama 'bout a lotta things, I gotta admit she gets all the credit for getting me interested in cooking when I was just knee-high to a grasshopper. Gladys never seemed to give a damn about it when we were kids, which I guess is why she and that family of hers nourish themselves today mainly on KFC and Whoppers and junk like that. But me, I couldn't keep my eyes off Mama when she'd fix a mess of short ribs, or cut out perfect rounds of buttermilk biscuit dough with a juice glass, or spread a thick, real shiny caramel icing over her 1-2-3-4 cakes. And I can remember like it was yesterday (must have been about 4 years old at the time) when she first let me help her bake cookies, especially the same jelly treats I still make today and could eat by the dozen if I didn't now have better control.
"Honey, start opening those jars on the counter," she said while she creamed butter and sugar with her Sunbeam electric hand mixer in the same wide, chipped bowl she used to make for biscuit dough. Strawberry, peach, and mint- the flavors never varied for Mama's jelly treats, and just the idea of making these cookies with anything but jelly and jam she'd put up herself the year before would have been inconceivable to Mama.
”
”
James Villas (Hungry for Happiness)
“
Cornwell’s painting is set at Fort Crawford, in Michigan Territory, during St. Martin’s second stint in Beaumont’s employ, around 1830. At this stage in his digestive explorations, Beaumont had been trying to determine whether the gastric juice would work outside of the stomach, removed from the body’s “vital force.” (It does.) He filled vial after vial with St. Martin’s secretions and dropped in all manner of foods. The cabin became a kind of gastric-juice dairy. Beaumont, in the painting, holds one end of a length of gum elastic tubing in St. Martin’s stomach; the other end drips into a bottle in Beaumont’s lap. I spent a good deal of time staring at this painting, trying to parse the relationship between the two. The gulf between their stations is clear. St. Martin wears dungarees worn through at the knees. Beaumont appears in full military dress—brass-buttoned jacket with gold epaulettes, piping-trimmed breeches tucked into knee-high leather boots. “True,” Cornwell seems to be saying, “it’s an unsavory situation for our man St. Martin, but look, just look, at the splendorous man he has the honor of serving.” (Presumably Cornwell took some liberties with the costuming in order to glorify his subject. Anyone who works with hydrochloric acid knows you don’t wear your dress clothes in the lab.)
”
”
Mary Roach (Gulp: Adventures on the Alimentary Canal)
“
Sweet to me your voice, said Caolcrodha Mac Morna, brother to sweet-worded sweet-toothed Goll from Sliabh Riabhach and Brosnacha Bladhma, relate then the attributes that are to Finn's people.
[...]
I will relate, said Finn. Till a man has accomplished twelve books of poetry, the same is not taken for want of poetry but is forced away. No man is taken till a black hole is hollowed in the world to the depth of his two oxters and he put into it to gaze from it with his lonely head and nothing to him but his shield and a stick of hazel. Then must nine warriors fly their spears at him, one with the other and together. If he be spear-holed past his shield, or spear-killed, he is not taken for want of shield-skill. No man is taken till he is run by warriors through the woods of Erin with his hair bunched-loose about him for bough-tangle and briar-twitch. Should branches disturb his hair or pull it forth like sheep-wool on a hawthorn, he is not taken but is caught and gashed. Weapon-quivering hand or twig-crackling foot at full run, neither is taken. Neck-high sticks he must pass by vaulting, knee-high sticks by stooping. With the eyelids to him stitched to the fringe of his eye-bags, he must be run by Finn's people through the bogs and the marsh-swamps of Erin with two odorous prickle-backed hogs ham-tied and asleep in the seat of his hempen drawers. If he sink beneath a peat-swamp or lose a hog, he is not accepted of Finn's people. For five days he must sit on the brow of a cold hill with twelve-pointed stag-antlers hidden in his seat, without food or music or chessmen. If he cry out or eat grass-stalks or desist from the constant recital of sweet poetry and melodious Irish, he is not taken but is wounded. When pursued by a host, he must stick a spear in the world and hide behind it and vanish in its narrow shelter or he is not taken for want of sorcery. Likewise he must hide beneath a twig, or behind a dried leaf, or under a red stone, or vanish at full speed into the seat of his hempen drawers without changing his course or abating his pace or angering the men of Erin. Two young fosterlings he must carry under the armpits to his jacket through the whole of Erin, and six arm-bearing warriors in his seat together. If he be delivered of a warrior or a blue spear, he is not taken. One hundred head of cattle he must accommodate with wisdom about his person when walking all Erin, the half about his armpits and the half about his trews, his mouth never halting from the discoursing of sweet poetry. One thousand rams he must sequester about his trunks with no offence to the men of Erin, or he is unknown to Finn. He must swiftly milk a fat cow and carry milk-pail and cow for twenty years in the seat of his drawers. When pursued in a chariot by the men of Erin he must dismount, place horse and chariot in the slack of his seat and hide behind his spear, the same being stuck upright in Erin. Unless he accomplishes these feats, he is not wanted of Finn. But if he do them all and be skilful, he is of Finn's people.
”
”
Flann O'Brien (At Swim-Two-Birds)
“
I continued my explorations in a cobbled yard overlooked by broken doors and cracked windows. Pushing open a swollen door into a storeroom, I found a stream running across paving stones and a carpet of slippery green moss. My explorations took me beneath a gateway surmounted by a clock face, standing with hands fixed permanently at eleven o'clock. Beyond stood derelict stables; then the park opened up in an undulating vista, reaching all the way to a swathe of deep forest on the horizon. In the distance was the twinkle of the river that I realized must border my own land at Whitelow. The grass was knee-high and speckled with late buttercups, but I was transported by that first sight of the Delafosse estate. In its situation alone, the Croxons had chosen our new home well. I dreamed for a moment of myself and Michael making a great fortune, and no longer renting Delafosse Hall but owning every inch of it, my inheritance spinning gold from cotton. Turning back to view the Hall I took a sharp breath; it was as massive and ancient as a child's dream of a castle, the bulk of its walls carpeted in greenery, the diamond-leaded windows sparkling in picturesque stone mullions. True, the barley-twist chimneys leaned askew, and the roofs sagged beneath the weight of years, but the shell of it was magnificent. It cast a strange possessive mood upon me. I remembered Michael's irritation at the house the previous night, and his eagerness to leave. Somehow I had to entice Michael into this shared dream of a happy life here, beside me.
Determined to explore the park, I followed the nearest path. After walking through a deep wood for a good while I emerged into the sunlight by a round hill surmounted by a two-story tower. A hunting lodge, Mrs. Croxon had called it, but I thought it more a folly. It had a fantastical quality, with four miniature turrets, each topped with a verdigris-tarnished dome. Above the doorway stood a sundial drawn upon a disc representing a blazing sun. It was embellished with a script I thought might be Latin: FERREA VIRGA EST, UMBRATILIS MOTUS. I wondered whether Michael might know the meaning, or Anne's husband perhaps. As for the sundial's accuracy, the morning light was too weak to cast a line of shadow.
”
”
Martine Bailey (A Taste for Nightshade)
“
She faced her pretend Arin. His scar was healed. His gray eyes were startlingly clear. “You’re not real,” she reminded him.
“I feel real.” He brushed one finger across her lower lip. It suddenly seemed that there were no clouds in the sky, and that she sat in full sunshine. “You feel real,” he said.
The puppy yawned, her jaws closing with a snap. The sound brought Kestrel to herself. She felt a little embarrassed. Her pulse was high. But she couldn’t stop pretending.
Kestrel reached beneath her skirts to pull down a knee-high stocking.
Arin made a sound.
“I want to feel the grass beneath my feet,” Kestrel told him.
“Someone’s going to see you.”
“I don’t care.”
“But that someone is me, and you should have a care, Kestrel, for my poor heart.” He reached under the hem of her dress to catch her hand in the act of pulling down the second stocking. “You’re treating me quite badly,” he said, and slid the stocking free, his palm skimming along the path of her calf. He looked at her. His hand wrapped around her bare ankle. Kestrel became shy…though she had known full well what she was doing.
Arin grinned. With his free hand, he plucked a blade of grass. He tickled it against the sole of her foot. She laughed, jerking away.
He let her go. He settled down beside her, lying on his stomach on the grass, propped up by his elbow. Kestrel lay on her back. She heard birdsong: high and long, with a trill at the end. She gazed up at the sky. It was blue enough for summer.
“Perfect,” she said.
“Almost.”
She turned to look at him, and he was already looking at her. “I’m going to miss you when I wake up,” she whispered, because she realized that she must have fallen asleep under the sun. Arin was too real for her imagination. He was a dream.
“Don’t wake up,” he said.
The air smelled like new leaves. “You said you trusted me.”
“I did.” He added, “I do.”
“You are a dream.”
He smiled.
“I lied to you,” Kestrel said. “I kept secrets. I thought it was for the best. But it was because I didn’t trust you.”
Arin shifted onto his side. He caressed her cheek lightly with the back of his hand. That trailing sensation felt like the last note of the bird’s song. “No,” he agreed, his voice gentle. “You didn’t.”
Kestrel woke. The puppy was draped across her feet, sleeping. Her stockings lay in a small heap beside her. The sun had climbed in the sky. Her cheek was flushed, the skin tight: a little sunburned.
The puppy twitched, still lost in sleep. Kestrel envied her. She rested her head again on the grass.
She closed her eyes, and tried to find her way back into her dream.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
A folded triangle of paper landed in the center of his notebook.
Normally he’d unfold it discreetly, but Beamis was so clueless that the note could have hit him in the head and he wouldn’t notice.
Loopy script in purple pen. The paper smelled like her.
What’s your #?
Wow.
Hunter clicked his pen and wrote below her words.
I have a theory about girls who ask for your number before asking for your name.
Then he folded it up and flicked it back.
It took every ounce of self-control to not watch her unfold it.
The paper landed back on his desk in record time.
I have a theory about boys who prefer writing to texting.
He put his pen against the paper.
I have a theory about girls with theories.
Then he waited, not looking, fighting the small smile that wanted to play on his lips.
The paper didn’t reappear.
After a minute, he sighed and went back to his French essay.
When the folded triangle smacked him in the temple, he jumped a mile. His chair scraped the floor, and Beamis paused in his lecture, turning from the board. “Is there a problem?”
“No.” Hunter coughed, covering the note with his hand. “Sorry.”
When the coast was clear, he unfolded the triangle.
It was a new piece of paper.
My name is Kate.
Kate. Hunter almost said the name out loud.
What was wrong with him?
It fit her perfectly, though. Short and blunt and somehow indescribably hot.
Another piece of paper landed on his notebook, a small strip rolled up tiny.
This time, there was only a phone number.
Hunter felt like someone had punched him in the stomach and he couldn’t remember how to breathe.
Then he pulled out his cell phone and typed under the desk.
Come here often?
Her response appeared almost immediately.
First timer.
Beamis was facing the classroom now, so Hunter kept his gaze up until it was safe. When he looked back, Kate had written again.
I bet I could strip na**d and this guy wouldn’t even notice.
Hunter’s pulse jumped. But this was easier, looking at the phone instead of into her eyes.
I would notice.
There was a long pause, during which he wondered if he’d said the wrong thing. Then a new text appeared.
I have a theory about boys who picture you na**d before sharing their name.
He smiled.
My name is Hunter. Where you from?
This time, her response appeared immediately.
Just transferred from St. Mary’s in Annapolis.
Now he was imagining her in a little plaid skirt and knee-high socks.
Another text appeared.
Stop imagining me in the outfit.
He grinned.
How did you know?
You’re a boy.
I’m still waiting to hear your theory on piercings.
Right. IMO, you have to be crazy hot to pull off either piercings or tattoos. Otherwise you’re just enhancing the ugly.
Hunter stared at the phone, wondering if she was hitting on him—or insulting him. Before he could figure it out, another message appeared.
What does the tattoo on your arm say?
He slid his fingers across the keys.
It says “ask me about this tattoo.”
Liar.
Mission accomplished, I’d say.
He heard a small sound from her direction and peeked over. She was still staring at her phone, but she had a smile on her face, like she was trying to stifle a giggle.
Mission accomplished, he’d say.
”
”
Brigid Kemmerer (Spirit (Elemental, #3))
“
But who could yearn to be on the wrong end of the knife and fork? That’s his real interest here. They’re out there…and dear god, he finds them. “I’ve always lost myself in other people,” says a nervous young woman in an empty room with peeling windowsills. “It’s never enough. Why not carry it all the way?” A middle-aged man on a park bench leers into the camera, something lascivious in his gaze, as if he’s filming for a dating profile. He squeezes his thigh. “I’m thick. I’m meaty. Juicy. Who wouldn’t want me?” A couple, too. The man looks smaller than the Amazonian woman to begin with, the contrast exaggerated by the way he hunches on the floor beside her wrought iron chair. He strokes the leather of her knee-high boots. She stokes his hair the way she would a favored pet. “I want to be in her belly,” he whispers. “I want to pass through her. I want to become a part of her. Then neither of us will ever have to be lonely again.
”
”
Ellen Datlow (Final Cuts: New Tales of Hollywood Horror and Other Spectacles)
“
No, I mean also the department-store sales in January and the interest-charging credit cards used at them; and the vacations spent at the beach driven by the bizarre urge to darken one’s skin; and the shrill perfect fifths of a violin; and the notion that running a piece of toilet paper along your anus is enough to keep you clean; and the discomfort of working with a blade of cloth tied to your neck so tightly you can barely breathe; and the bikinis and knee-high skirts; and, of course, the needlessly happy ending to every story. I don’t think we were exactly wrong to see things as we did.
”
”
Ayad Akhtar (Homeland Elegies)
“
Oh, the other slaves who lived at Windisle, I imagine. It’s been passed down through generations. Why, my own grandmother told me the story of Angelina Loreaux and John Whitfield when I was knee-high to a mosquito.” She laughed, the sound melodic and sweet
”
”
Mia Sheridan (The Wish Collector)
“
It was high summer on the isle. The nights were warm and star-soaked, the afternoons storm-swept, and the gardens full of soft, dark loam, their harvest imminent. Berries grew sweet on wild vines, winkles gathered in rock eddies when the tide was low, and fawns could often be seen on the hills, trailing their mothers through bracken and knee-high wildflowers.
”
”
Rebecca Ross (A Fire Endless (Elements of Cadence, #2))
“
She would have snorted, but he did look rather good in his knee-high brown boots.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass #0.1–0.5, 1–7))
“
I laced myself into my favorite knee-high purple Docs
”
”
E.E. Holmes (The World of The Gateway: Books 1-3 (The Gateway Trilogy #1-3))
“
Four-eyed Beatty was one of my typesetters, still a juniper in the news, not yet knee-high to a lamb, skinny as a barber’s cat, with his clergyman’s collar buttoned to the top and his suspenders pulling his pants too short. The young man was plum stuck between hay and grass. He’d never jump the broom and find a piece of calico shorter than him. But I didn’t hire him for his stature. The young man wrote better than a hickory above a persimmon, but talked as though he were translating Latin.
”
”
Heather Miller (Yellow Bird's Song)
“
It seemed stupid that I had stayed in the cold stone room, knowing that as soon as the new day had crested, I was no longer in the Inquisitor’s service and no longer had to follow his orders. I finished eating and opened the package, revealing the complicated sections of leather pieces that somehow made up an outfit. Some of the sections were hardened with inlaid metal, a tarnished golden colour peeking through the stitching. I finally discerned something resembling the usual bodysuits worn beneath sectorian women’s clothing, though this one was different. It was thick brown leather, a silk underlining hidden on the inside. It moulded tightly to the body, two ovals cut into the sides, exposing the hips and the sides of the stomach and back. Some sort of covering fit over the top of the bodysuit, ending a few inches above the waist. The metal-inlaid patterns curved around the front of my chest and the top of my spine, connected with brown, buckled straps along my sides. A belted skirt slid over the hips, the belt pulling along the cut of the bodysuit, above my hips, another band looping around my hips. The skirt had two short layers. Yet another section of the outfit fit over my shoulders, metallic glimpses peering out from the leather that cupped my shoulders, attaching to the upper chest armour with straps. Another set of wraps covered my wrists and forearms, and I was glad to see the Inquisitor’s mark and the Spider’s mark disappearing from view. I was able to re-wear the same footwear, as there were also knee and thigh wraps in the same boiled brown leather that complemented the knee-high boots. The outfit was clearly some kind of warrior’s uniform. The Vold—and the Sentinels in particular—often wore revealing, scant clothing to show off their impressive physiques. With Calder’s cloak still on the ground, I could see half of his bare back above the golden armour that wrapped his torso. The muscles bunched and stretched as he pulled his forearm up for investigation. He had clearly stitched and re-dressed his wound after my dismal attempt at caring for it the night before. Despite my outfit showing so much skin, it was by far the heaviest thing I had ever worn, and I started to truly appreciate how quickly and silently Calder moved, weighed down as he must have been by so much armour. I tugged my hair over my shoulders, arranging the strands so that they might hide my face better. There was a lump in my throat when I stuffed everything back into my pack and muttered, “Done.
”
”
Jane Washington (A Tempest of Shadows (A Tempest of Shadows, #1))
“
Looking at her grandson with great patience, Grammy replied, “When I was knee-high to a grasshopper, not much younger’n you, my Memaw tole me that biscuit makin’ was ser’ous business. For ever’ biscuit ya cut, yer buildin’ muscle and storin’ up grit.
”
”
Eve M. Harrell (Revealed Truth: A Journey From Fear to Faith)
“
You see, that bridge is my gateway to the world. If you stay on this island for too long, you'll know what I mean. This weekend when I go to Alor Setar, I'll have to cross that bridge. It's getai season and there's extra cash to be made everywhere here in the north, as long as there are spirit-believing Taoists. I help the crew set up stage, do the wiring and man the lighting. The girl singer comes on, wearing knee-high boots and a spaceship suit. Sometimes I get a picture with her backstage, but sometimes the girls are so ugly I bet only ghosts are willing to look at them.
”
”
Wan Phing Lim (Two Figures in a Car and Other Stories)
“
Because I’m his mate?” She kept wading through the knee-high snow. “Did you guess, or did he tell you?” “The Suriel told me. After I went to hunt it for information on how to heal him.” She swore. “Is he—is he all right?” “He’ll live,” I said. She didn’t ask any other questions. And I wasn’t feeling generous enough to supply further information. We reached the door to the cabin, which she unlocked with a wave of her hand. A main, wood-paneled room consisting of a kitchen to the right, a living area with a leather sofa covered in furs to the left; a small hall in the back that led to two bedrooms and a shared bathing room, and nothing else. “We got sent up here for ‘reflection’ when we were younger,” Mor said. “Rhys used to smuggle in books and booze for me.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Mombasa, too, furnished with such
Palaces and sumptuous houses,
Will be laid waste with iron and fire
In payment for its former treachery.
Along the Indian coast, swarming
With enemy ships plotting Portugal's
Downfall, Lourenço with sail and with oar
Will give his uttermost, and then give more.
Though the powerful Samorin's giant ships
Choke the entire sea, his cannon-shot
Thundering from hot brass
Will pulverize rudder, mast, and sail;
Then, daring to grapple the enemy
Flagship, watch him leap
On deck, armed only with lance and sword,
To drive four hundred Muslims overboard.
But God's inscrutable wisdom (He knows
Best what is best for his servants)
Will place him where neither strength nor wisdom
Can avail in preserving his life.
In Chaul, the very seas will churn
With blood, fire, and iron resistance,
As the combined fleets of Egypt and Cambay
Confront him with his destiny that day.
The united power of many enemies
(Might was defeated only by might),
Faltering winds and a swelling sea
Will all be ranged against him.
Here, let ancient heroes rise
To learn from this scion of courage
This second Scaeva who, however maimed,
Knows no surrender and will not be tamed.
With one thighbone completely shattered
By a wayward cannon-ball, still
He battles on with his forearms alone
And a heart not to be daunted,
Until another ball snaps the ties
Binding flesh and spirit together:
The leaping soul slips its body's prison
To claim the greater prize of the arisen.
Go in peace, O soul! After war's
Turbulence, you have earned supreme peace!
As for that scattered, broken body,
He who fathered it plans vengeance.
Already, I hear their hot perdition
Looming in a thunderous barrage
On Mameluke and cruel Cambayan
From catapult, from ordnance and cannon.
Here comes the father, magnified
By his anger and grief, his heart
On fire, his eyes swimming, his soul
Transfixed by paternal love.
He has taken an oath his noble rage
Will make blood run knee-high
In the enemy ships; the Nile will mourn,
The Indus witness, the Ganges be forlorn.
”
”
Luís de Camões (The Lusiads)
“
Celaena cocked her head as Nehemia emerged to stand along the sidelines of the large white circle. The princess met her stare and lifted her chin in encouragement. She wore a spectacular outfit: close-fitting pants, a layered tunic studded with whorls of iron, and knee-high boots; she carried her wooden staff, which stretched as high as her head. To honor her, Celaena realized, her eyes stinging. One fellow warrior acknowledging the other.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
Come out, White-Eyes,” the voice called. “I bring gifts, not bloodshed.”
Henry, wearing nothing but his pants and the bandages Aunt Rachel had wrapped around his chest the night before, hopped on one foot as he dragged on a boot. By the time he reached the window, he had both boots on, laces flapping. Rachel gave him a rifle. He threw open the shutter and jerked down the skin, shoving the barrel out the opening. “What brings you here?”
“The woman. I bring many horses in trade.”
Loretta ran to the left window, throwing back the shutters and unfastening the membrane to peek out. The Comanche turned to meet her gaze, his dark eyes expressionless, penetrating, all the more luminous from the black graphite that outlined them. Her hands tightened on the rough sill, nails digging the wood.
He looked magnificent. Even she had to admit that. Savage, frightening…but strangely beautiful. Eagle feathers waved from the crown of his head, the painted tips pointed downward, the quills fastened in the slender braid that hung in front of his left ear. His cream-colored hunting shirt enhanced the breadth of his shoulders, the chest decorated with intricate beadwork, painted animal claws, and white strips of fur. He wore two necklaces, one of bear claws, the other a flat stone medallion, both strung on strips of rawhide. His buckskin breeches were tucked into knee-high moccasins.
Her gaze shifted to the strings of riderless ponies behind him. She couldn’t believe their number. Thirty? Possibly forty? Beyond the animals were at least sixty half-naked warriors on horseback. Loretta wondered why Hunter had come fully clothed in all his finery with wolf rings painted around his eyes. The others wore no shirts or feathers, and their faces were bare.
“I come for the woman,” the Comanche repeated, never taking his gaze from her. “And I bring my finest horses to console her father for his loss. Fifty, all trained to ride.” His black sidestepped and whinnied. The Indian swayed easily with his mount. “Send me the woman, and have no fear. She will come to no harm walking in my footsteps, for I am strong and swift. She will never feel hunger, for I am a fine hunter. My lodge will shelter her from the winter rain, and my buffalo robes will shield her from the cold. I have spoken it.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
so it was hard to see the thousands of two-foot tall humanistic shapes suspended from overhead conveyor hooks.
”
”
D.A. Metrov (The Terrible Quest of Thaddeus Pennybrook's Knee-High Steambots)
“
they wear knee-high or ankle boots, never shoes.
”
”
Marcela Serrano (Ten Women)
“
From the hilltop Loretta watched the lone man walking toward her from the village. Relief flooded through her when she recognized Hunter’s loose-hipped, graceful stride. She crossed herself quickly and murmured thanks to the Holy Mother for her intercession. A dozen emotions surging through her, she urged Friend down the embankment.
Hunter met her halfway across the flat. As Loretta rode toward him, she couldn’t stop staring. Even though she had been away from him only a short while, she had forgotten how Indian he looked. How savage. He moved with the fluid strength of a well-muscled animal, his shoulders, arms, and chest in constant motion, a bronzed play of tendon and flesh. The wind whipped his hair about his face.
Mercy. He wasn’t wearing any breeches, just a breechcloth and knee-high moccasins. She drew Friend to a halt and swallowed a rush of anxiety. Aunt Rachel was right. He was a Comanche, first, last, and always. Yet she had come to him.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Even at a distance he recognized the way she sat a horse, the tilt of her head. He couldn’t believe she had come so far and so quickly. Fate had indeed led her in a circle back to him.
Ordering Blackbird back to his mother’s lodge, Hunter increased his pace, the dread of leaving his people forgotten. Destiny. A month ago he had railed against it. Now he wasn’t certain how he felt. Resentful, yet pleased. And relieved. Deep in the quiet places of his heart, he sensed the rightness.
Fate. Today it had brought him a woman, a woman like no other, with skin as white as a night moon, hair like honey, and eyes like the summer sky. His woman, and this time she came freely.
From the hilltop Loretta watched the lone man walking toward her from the village. Relief flooded through her when she recognized Hunter’s loose-hipped, graceful stride. She crossed herself quickly and murmured thanks to the Holy Mother for her intercession. A dozen emotions surging through her, she urged Friend down the embankment.
Hunter met her halfway across the flat. As Loretta rode toward him, she couldn’t stop staring. Even though she had been away from him only a short while, she had forgotten how Indian he looked. How savage. He moved with the fluid strength of a well-muscled animal, his shoulders, arms, and chest in constant motion, a bronzed play of tendon and flesh. The wind whipped his hair about his face.
Mercy. He wasn’t wearing any breeches, just a breechcloth and knee-high moccasins. She drew Friend to a halt and swallowed a rush of anxiety. Aunt Rachel was right. He was a Comanche, first, last, and always. Yet she had come to him.
“Blue Eyes?”
He slowed his pace as he got closer, his indigo eyes traveling the length of her, taking in every detail of her dress, from the high neckline down to the bit of petticoat and black high-topped shoes showing below the hem of her full skirts. His eyes warmed with the familiar gleam of laughter that had once irritated her so much.
She fastened her gaze on his face and, resisting the need to blurt out her troubles, searched her mind for the appropriate Comanche greeting, determined to begin this encounter on the right note. “Hi, hites,” she said, lifting her right hand.
He caught the stallion’s bridle and stepped close. He was so tall that he didn’t have to tip his head back to see her face. With a smile in his voice, he replied, “Hello.”
Loretta caught her bottom lip between her teeth to stop its trembling. How like him to remember her word of greeting. He was her friend. She had been right to come here.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
It’s feels like zero out there!” Lola stamped her knee-high boots on the doormat, leaving bits of frozen slush to settle into its bristly fibers. “With the wind chill, yeah.” Lola flipped the fur-lined hood of her high-end winter coat. “I ignore that wind chill stuff. It’s either freezing or it isn’t.
”
”
Suzanne M. Trauth (Running Out of Time (A Dodie O'Dell Mystery #3))
“
309Knee-high by the Fourth of July. So it must be June. Every farmhouse in its cloud of trees. There is a way trees stir before a rain, as if they already felt the heaviness. It all just went on and on, the United States of America. It was so easy to forget that most of the world was cornfields.
”
”
Marilynne Robinson
“
and descended into a nearby meadow. When it was still several feet from the ground, five men jumped out and landed in the knee-high grass, moving quickly toward the road. Their camouflaged clothing blended perfectly with the surroundings, as did the camouflaged tape wrapped around the automatic weapons slung across their backs. The team leader took point and ran for the treeline on the opposite side of the road while the others followed. Once inside the cover of the vegetation, the team changed
”
”
Jason Tesar (Awaken His Eyes (The Awakened, #1))
“
Which Sofia is probably already referring to as the first-born male heir to the throne.” She snorted and scuffed at the sidewalk with the toe of one knee-high boot. “Like I care if I don’t inherit Dad’s business. I want to be a forensic psychologist, that’s why I’m going to university. I’m not a bloody Kardashian, living off my father’s fame.” “I doubt there’s a Kardashian who can even spell the word ‘psychologist,’” Kira said, in an attempt at dry humor to lighten Emily’s mood. She shot a sideways glance at her friend and noted with some triumph – going by the smile that curled Emily’s bowed lips – it had worked. She tossed her head. “Come on. Let’s head over to The Kiosk and get some coffee. I’ll share my notes from class so you’re all caught up.” “Ta,” Emily said. “And thanks for letting me bitch about my stepmother and my father’s joke of a marriage to that beastly woman.
”
”
Casey Holman (Romance: The Sitter's Secret)
“
breeze. Legs sprinted through the knee-high grass. Oil stains smudged the runner’s cheeks, which only grew more slick from the sweat that cut through the rough stubble along his jaw. A name tag pinned to his chest flapped wildly with each hurried step: Reese Coleman, New Energy Inc. Reese twisted at the waist to look behind him. A trail of matted grass stretched back in the direction of an amber red
”
”
James Hunt (Stolen: The Beginning- Book 0)
“
She stood on packed earth; the grass grew knee-high beside the bare patch, and each blade of it, each angled stem and puff of seed, was perfectly still. She began to hear her own blood hissing in her ears. She looked at the edge of the woods, the field going over the hill, the stand of walnut trees around the bedrock at the top, and none of it scratched out any sound to match the seething in her veins. Her aliveness was monumental and the world was faint and distant and dark.
She had been like that for most of her adolescence, vivid to herself with the world muted and blurred around her. Now the world was thunderous. She pulled up a blade of grass and chewed on the end of it. The world was loud and close, and her heart and lungs and brain were a tinny afterthought.
”
”
Rosalie Knecht (Relief Map)
“
FISHERMAN’S NET The dreadlocks from Little Bay did not worry about worry. Chilled by the sea breeze, icy beer and a spliff, I could tell as he turned to the music, he was irie with the rhythm of the rising tide. I selected a yellow-tail snapper from his catch. “Come home and cook for you,” he smiled, flashing a gold-capped tooth. I laughed that throaty unnerving laugh, but he never flinched. Can’t be sure of the sequence; the music lapped us into knee-high grass, and the sea spray settled like the skin round my nipples, and thighs knotted like mangrove roots giving in to the deep, held by the strength of his arms and the cry of the snapper, caught.
”
”
Peekash Press (Coming Up Hot: Eight New Poets from the Caribbean)
“
Mom knew he was harmless, but try explaining all those burnt desserts that suffered while Mom got knee-high drunk in compliments anytime Kip came over for dinner.
”
”
G.L. Tomas (The Mark of Noba (The Sterling Wayfairer, #1))