Knee High Boots Quotes

We've searched our database for all the quotes and captions related to Knee High Boots. Here they are! All 44 of them:

does you costume involve leather?" she'd asked. and he'd said, "Actually, yeah, it might." it really did. it involved a leather dog collar, leather pants and a leash, and the leash was held by Ysandre, who was in skintight red rubber, from neck to knee high boots. she'd topped it off with a pair of devil horns and a red tridant. she'd made Shane her dog, complete with furry dog mask. ***"Breathe," Myrnin said. "I'm not much for it myself, but i hear it's quite good for humans."***
Rachel Caine (Feast of Fools (The Morganville Vampires, #4))
«He grins and straightens, wings high and regal behind him. I glare at his costume. It’s so typical him. A mix of medieval and rock star: brown leather forearm guards with studs over a ruffle-cuffed white shirt, and a cavalier doublet in burgundy with a gold lace overlay. The hem hits above his muscled thighs, so the skintight burgundy hose taper smoothly into knee-high brown boots, leaving nothing to the imagination. Worst of all, he has a crown. He dressed as a fairy king. The irony doesn’t escape me. I scowl. “Problem, luv?” He looks down on me from behind a gold lace half mask while adjusting the ruby-jeweled crown over his blue hair with velvet-clad hands. Tiny moth corpses are suspended in the rubies, like stained-glass fossils. I shake my head. “I’m pretty sure you’ll be the only one wearing anything tight enough to need a codpiece. Always have to be the showstopper, don’t you?” “Oh, I assure you, what I chose to show is only the start.»
A.G. Howard (Unhinged (Splintered, #2))
She stood and showed off her knee-high boots. “Very Kalinda Sharma,
Sylvia Day (Entwined with You (Crossfire, #3))
Georgie?” He reached out with both hands to steady her—and himself. His mind had trouble focusing. He couldn’t believe Georgie was actually standing in front of him. She looked liked an angel—in knee-high biker boots. Those boots looked even better in real life than in his imagination. He gazed into her eyes and was filled with so many emotions, so many things he wanted to say to her, he didn’t know where to start. “I like your shoes,” he said.
Jennifer Shirk (Georgie on His Mind (Maritime City, #1))
know you?” I asked. She didn’t look particularly familiar, but her American accent, her crisp white shirt, her sculpted jeans tucked into knee-high boots, all
Peter Swanson (The Kind Worth Killing)
Pirra kicked her leg out to show me more. “Knee-high boots, pink thermo suit, dark green top and shorts with the same dark green pinstripes, and you say ‘okay’? This is the top of the line.
Wyatt Davenport (Molly of Mars and the Alien Syndicate)
Edward Lasco was on the screened porch of his rented house in a comfortable but not elegant older section of the town where he'd lived for the past fifteen years when his wife, Elise, who six months before had left him and moved to a nearby city to work in a psychiatric hospital, came around the side of the house and stood beside the screen looking in. She had on a business outfit—natural linen suit, knee-high boots, dark glasses with at least three distinguishable colors tiered top to bottom in the lenses—and she carried a slick briefcase, thin and shiny. Her hair was shorter than he'd seen it, styled in a peculiar way so that it seemed it spots to jerk away from her head, to say, "I'm hair, boy, and you'd better believe it." Edward had come outside with a one-pint carton of skim milk and a ninety-nine-cookie package of Oreos and a just-received issue of InfoWorld, and he was entirely content with the prospect of eating his cookies and drinking his milk and reading his magazine, but when he saw Elise he was filled with a sudden, very unpleasant sense that he didn't want to see her. It'd been a good two and a half months since he'd talked to her, and there she was looking like an earnest TV art director's version of the modern businesswoman; it made him feel that his life was fucked, and this was before she'd said a word.
Frederick Barthelme (Two Against One)
Ichecked myself over nervously. I had never been the new kid before, and I wanted at least one friend before the day was done. One besides Josh. Girlfriends were a necessity. Plenty had eyed me up at the ball but none had been brave enough to talk to me. Not even when I danced with Josh. I smiled unintentionally, thinking about Josh. Perhaps he would be my only friend. I could live with that, couldn’t I? No. Girlfriends were a necessity. Who would I toil over Josh with? And who would I talk about Briton with? No, I needed fiends. I surveyed my gray skinny jeans, black-and-white striped three-quarter-sleeve shirt, and knee-high beige dress boots, and grinned. I looked like a city kid. Great. No one would want to hang with me. My long hair looked silky and fine, not thick and unruly like it truly was, and I had on too much makeup. Yikes.
Tara Brown (Sunder)
It was astonishing how loudly one laughed at tales of gruesome things, of war’s brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the “hat trick” with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers’ knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table. It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise. Now that ideal had broken like a china vase dashed to hard ground. The contrast between That and This was devastating. It was, in an enormous world-shaking way, like a highly dignified man in a silk hat, morning coat, creased trousers, spats, and patent boots suddenly slipping on a piece of orange-peel and sitting, all of a heap, with silk hat flying, in a filthy gutter. The war-time humor of the soul roared with mirth at the sight of all that dignity and elegance despoiled. So we laughed merrily, I remember, when a military chaplain (Eton, Christ Church, and Christian service) described how an English sergeant stood round the traverse of a German trench, in a night raid, and as the Germans came his way, thinking to escape, he cleft one skull after another with a steel-studded bludgeon a weapon which he had made with loving craftsmanship on the model of Blunderbore’s club in the pictures of a fairy-tale. So we laughed at the adventures of a young barrister (a brilliant fellow in the Oxford “Union”) whose pleasure it was to creep out o’ nights into No Man’s Land and lie doggo in a shell-hole close to the enemy’s barbed wire, until presently, after an hour’s waiting or two, a German soldier would crawl out to fetch in a corpse. The English barrister lay with his rifle ready. Where there had been one corpse there were two. Each night he made a notch on his rifle three notches one night to check the number of his victims. Then he came back to breakfast in his dugout with a hearty appetite.
Phillip Gibbs
So the Germans looked down at the crowd of kids around their knees: all the village children were there, fascinated by the uniforms, the horses, the high boots. However loudly their mothers called them, they wouldn't listen. They furtively touched the heavy material of the soldiers' jackets with their dirty fingers. The Germans beckoned to them and filled their hands with sweets and coins. It felt like a normal, peaceful Sunday. The Germans added a strange note to the scene, but the essential remained unchanged, thought Lucile.
Irène Némirovsky (Suite Française)
You say respect my elders, but what you mean is respecting my betters, is that not right? Are you so full of your own arrogance that you need me to bow and kowtow to you like some throwback fledgling? Or perhaps we should reinstate the role of concubines in our society. Then you may have the pleasure of claiming me and forcing me to fall to my knees, bowing low in respect of your masculine eminence!” Gideon watched as she did just that, her gown billowing around her as she gracefully kneeled before him, so close to him that her knees touched the tips of his boots. She swept her hands to her sides, bowing her head until her forehead brushed the leather, her hair spilling like reams of heavy silk around his ankles. The Ancient found himself unusually speechless, the strangest sensation creeping through him as he looked down at the exposed nape of her neck, the elegant line of her back. Unable to curb the impulse, Gideon lowered himself into a crouch, reaching beneath the cloak of coffee-colored hair to touch her flushed cheek. The heat of her anger radiated against his touch and he recognized it long before she turned her face up to him. “Does this satisfy you, my lord Gideon?” she whispered fiercely, her eyes flashing like flinted steel and hard jade. Gideon found himself searching her face intently, his eyes roaming over the high, aristocratic curves of her cheekbones, the amazingly full sculpture of her lips, the wide, accusing eyes that lay behind extraordinarily thick lashes. He cupped her chin between the thumb and forefinger of his left hand, his fingertips fanning softly over her angrily flushed cheek. “You do enjoy mocking me,” he murmured softly to her, the breath of his words close enough to skim across her face. “No more than you seem to enjoy condescending to me,” she replied, her clipped words coming out on quick, heated breaths. Gideon absorbed this latest venom with a blink of lengthy lashes. They kept their gazes locked, each seemingly waiting for the other to look away. “You have never forgiven me,” he said suddenly, softly. “Forgiven you?” She laughed bitterly. “Gideon, you are not important enough to earn my forgiveness.” “Is your ego so fragile, Legna, that a small slight to it is irreparable?” “Stop talking to me as if I were a temperamental child!” Legna hissed, moving to jerk her head back but finding his grip quite secure. “There was nothing slight about the way you treated me. I will never forget it, and I most certainly will never forget it!
Jacquelyn Frank (Gideon (Nightwalkers, #2))
He is even more horrifically beautiful than I was able to recall. They're all beautiful, unless they're hideous. That's the nature of the Folk. Our mortal minds cannot conceive of them; our memory blunts their power. His every finger sparks with a ring. An etched and jeweled breast-plate in polished gold hangs from his shoulders, covering a frothy white shirt. Boots curl up at his toes and rise high over his knees. His tail is visible, curled to one side of his leg. I suppose he has decided it is no longer something he needs to hide. At his brow, of course, is the Blood Crown. He regards me with gold-rimmed black eyes, a smirk hovering at the corners of his mouth. His black hair tumbles around his face, unbound and a little messy, as though he's recently risen from someone's bed.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Look happy, they tell you. Happiness, they say, is the optimal emotion to project when under surveillance, the least likely to arouse suspicion. People who are smiling, who are content and pleased, if not laughing and joking, don’t look like a threat. She prefers sexy. It’s easier to pull off when alone, and it’s always seemed to work for her—the lopsided smile, the strut in her walk as she pulls her Bottega Veneta trolley behind her down the terminal. It’s a role like any other, a coat she puts on when necessary and sheds as soon as she’s done, but she can see it’s working: the men trying for eye contact, checking the cleavage she’s made sure to reveal, allowing just enough bounce in her girls to make it memorable. The women sizing up her entire five-foot-nine-inch frame with envy, from her knee-high chocolate leather boots to her flaming red hair, before checking their husbands to see what they think of the view.
Bill Clinton (The President Is Missing)
there is nothing generic about a human life. When I was little, to get to my bus stop, I had to cross a field that had so much snow my parents fitted me with ski pants and knee-high thermal boots that were toasty to forty degrees below zero. I am excellent in the stern of a canoe, but I never got the hang of riding a bike with no hands. I have seen the northern lights because my parents always woke up the whole house when the night sky was painted with color. I love the smell of clover and chamomile because my sister and I used to pick both on the way home from swimming lessons. I spent weeks of my childhood riding around on my bike saving drowning worms after a heavy rain. My hair is my favorite feature even though it’s too heavy for most ponytails, and I still can’t parallel park. There is no life in general. Each day has been a collection of trivial details—little intimacies and jokes and screw-ups and realizations.
Kate Bowler
Mostly I love Halloween because it is the orange-and-black beginning of a season that tumbles into Thanksgiving, which tumbles into Christmas. And Zombies just seem a little out of place in that. Thanksgiving should have nothing to do with armies of shuffling undead. Don’t get me started on Christmas. The only undead at Christmas should be Jacob Marley, wailing about greed. The iconic image of Halloween should be the pun’kin. The pun’kin, carved into faces that are scary only because we want them to be, winking from every porch. The pun’kin cast in plastic, swinging from the hands of knee-high princesses, leering back from department store shelves, until it gives way to tins of butter cookies. But I fear for the pun’kin. How long before before he is kicked down the street by zombie hordes, booted into obscurity? Young people tell me that no one—no one— wants to dress up like a pun’kin any more. All a pun’kin does they say is sit there, and glow. This may be true, all of it, but try to make a pie out of a zombie, and see where that gets you. Though I hear that, when it comes to pies, your canned zombie is the way to go.
Rick Bragg (Where I Come From: Stories from the Deep South)
Cornwell’s painting is set at Fort Crawford, in Michigan Territory, during St. Martin’s second stint in Beaumont’s employ, around 1830. At this stage in his digestive explorations, Beaumont had been trying to determine whether the gastric juice would work outside of the stomach, removed from the body’s “vital force.” (It does.) He filled vial after vial with St. Martin’s secretions and dropped in all manner of foods. The cabin became a kind of gastric-juice dairy. Beaumont, in the painting, holds one end of a length of gum elastic tubing in St. Martin’s stomach; the other end drips into a bottle in Beaumont’s lap. I spent a good deal of time staring at this painting, trying to parse the relationship between the two. The gulf between their stations is clear. St. Martin wears dungarees worn through at the knees. Beaumont appears in full military dress—brass-buttoned jacket with gold epaulettes, piping-trimmed breeches tucked into knee-high leather boots. “True,” Cornwell seems to be saying, “it’s an unsavory situation for our man St. Martin, but look, just look, at the splendorous man he has the honor of serving.” (Presumably Cornwell took some liberties with the costuming in order to glorify his subject. Anyone who works with hydrochloric acid knows you don’t wear your dress clothes in the lab.)
Mary Roach (Gulp: Adventures on the Alimentary Canal)
he’s disastrously hot, wearing a goddamn corset vest. The satiny black vest has vertical ribs that taper his chest into his waist in the very definition of a perfect V. I want nothing more than to drop to my knees and weep, good lord how I have never seen a corset vest before—I mean, I’ve seen one, but I’ve never seen one, not on someone whose body looks physically sculpted to fill out this apex of human fashion. He’s got the only pop of color in the entire group, a scarlet silk button-up under the vest, the color such a deep red that there’s no question it’s meant to symbolize gore and darkness rather than Christmas’s cherry brightness. Tight black pants taper into calf-high combat boots and the tips of his black hair now brush his shoulders, half the strands pulled behind his head, showing—displaying—the blade-edge sharpness of his jaw and cheekbones and the array of piercings up the shell of his left ear. Wide, observant dark eyes rimmed with black liner go from the floor up to my dad and Iris, no emotion at all on his face, but that lack of emotion is reaction enough—I get the distinct feeling he’s pissed to be here. His hands hang at his sides, loosely clenched in fists, most of his fingers set with thick silver rings. “The royal house of Halloween,” an announcer bellows. “King Ichabod Hallow. Queen Carina Hallow. And their son Prince Hex Hallow.
Sara Raasch (The Nightmare Before Kissmas (Royals and Romance, #1))
He walked me to the door--the same one to which I’d been escorted many times before by pimply high school boys and a few miscellaneous suitors along the way. But this time was different. Bigger. I felt it. I wondered for a moment if he felt it, too. That’s when the spike heel of my boot caught itself on a small patch of crumbling mortar on my parents’ redbrick sidewalk. In an instant, I saw my life and any ounce of pride remaining in my soul pass before my eyes as my body lurched forward. I was going to bite it for sure--and right in front of the Marlboro Man. I was an idiot, I told myself, a dork, a klutz of the highest order. I wanted desperately to snap my fingers and magically wind up in Chicago, where I belonged, but my hands were too busy darting in front of my torso, hoping to brace my body from the fall. But someone caught me. Was it an angel? In a way. It was Marlboro Man, whose tough upbringing on a working cattle ranch had produced the quick reflexes necessary to save me, his uncoordinated date, from certain wipeout. Once the danger was over, I laughed from nervous embarrassment. Marlboro Man chuckled gently. He was still holding my arms, in the same strong cowboy grip he’d used to rescue me moments earlier. Where were my knees? They were no longer part of my anatomy. I looked at Marlboro Man. He wasn’t chuckling anymore. He was standing right in front of me…and he was still holding my arms.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Few grown humans can normally survive a fall of much more than twenty-five or thirty feet, though there have been some notable exceptions—none more memorable perhaps than that of a British airman in World War II named Nicholas Alkemade. In the late winter of 1944, while on a bombing run over Germany, Flight Sergeant Alkemade, the tail gunner on a British Lancaster bomber, found himself in a literally tight spot when his plane was hit by enemy flak and quickly filled with smoke and flames. Tail gunners on Lancasters couldn’t wear parachutes because the space in which they operated was too confined, and by the time Alkemade managed to haul himself out of his turret and reach for his parachute, he found it was on fire and beyond salvation. He decided to leap from the plane anyway rather than perish horribly in flames, so he hauled open a hatch and tumbled out into the night. He was three miles above the ground and falling at 120 miles per hour. “It was very quiet,” Alkemade recalled years later, “the only sound being the drumming of aircraft engines in the distance, and no sensation of falling at all. I felt suspended in space.” Rather to his surprise, he found himself to be strangely composed and at peace. He was sorry to die, of course, but accepted it philosophically, as something that happened to airmen sometimes. The experience was so surreal and dreamy that Alkemade was never certain afterward whether he lost consciousness, but he was certainly jerked back to reality when he crashed through the branches of some lofty pine trees and landed with a resounding thud in a snowbank, in a sitting position. He had somehow lost both his boots, and had a sore knee and some minor abrasions, but otherwise was quite unharmed. Alkemade’s survival adventures did not quite end there. After the war, he took a job in a chemical plant in Loughborough, in the English Midlands. While he was working with chlorine gas, his gas mask came loose, and he was instantly exposed to dangerously high levels of the gas. He lay unconscious for fifteen minutes before co-workers noticed his unconscious form and dragged him to safety. Miraculously, he survived. Some time after that, he was adjusting a pipe when it ruptured and sprayed him from head to foot with sulfuric acid. He suffered extensive burns but again survived. Shortly after he returned to work from that setback, a nine-foot-long metal pole fell on him from a height and very nearly killed him, but once again he recovered. This time, however, he decided to tempt fate no longer. He took a safer job as a furniture salesman and lived out the rest of his life without incident. He died peacefully, in bed, aged sixty-four in 1987. —
Bill Bryson (The Body: A Guide for Occupants)
We went away, leaving Dan sitting on the door-sill reading his book, and Jimmy P. snoozing blissfully on the sofa. When we returned—Felix and the girls and I were ahead of the others—Dan was still sitting in precisely the same place and attitude; but there was no Jimmy in sight. "Dan, where's the baby?" cried Felicity. Dan looked around. His jaw fell in blank amazement. I never say any one look as foolish as Dan at that moment. "Good gracious, I don't know," he said helplessly. "You've been so deep in that wretched book that he's got out, and dear knows where he is," cried Felicity distractedly. "I wasn't," cried Dan. "He MUST be in the house. I've been sitting right across the door ever since you left, and he couldn't have got out unless he crawled right over me. He must be in the house." "He isn't in the kitchen," said Felicity rushing about wildly, "and he couldn't get into the other part of the house, for I shut the hall door tight, and no baby could open it—and it's shut tight yet. So are all the windows. He MUST have gone out of that door, Dan King, and it's your fault." "He DIDN'T go out of this door," reiterated Dan stubbornly. "I know that." "Well, where is he, then? He isn't here. Did he melt into air?" demanded Felicity. "Oh, come and look for him, all of you. Don't stand round like ninnies. We MUST find him before his mother gets here. Dan King, you're an idiot!" Dan was too frightened to resent this, at the time. However and wherever Jimmy had gone, he WAS gone, so much was certain. We tore about the house and yard like maniacs; we looked into every likely and unlikely place. But Jimmy we could not find, anymore than if he had indeed melted into air. Mrs. Patterson came, and we had not found him. Things were getting serious. Uncle Roger and Peter were summoned from the field. Mrs. Patterson became hysterical, and was taken into the spare room with such remedies as could be suggested. Everybody blamed poor Dan. Cecily asked him what he would feel like if Jimmy was never, never found. The Story Girl had a gruesome recollection of some baby at Markdale who had wandered away like that— "And they never found him till the next spring, and all they found was—HIS SKELETON, with the grass growing through it," she whispered. "This beats me," said Uncle Roger, when a fruitless hour had elapsed. "I do hope that baby hasn't wandered down to the swamp. It seems impossible he could walk so far; but I must go and see. Felicity, hand me my high boots out from under the sofa, there's a girl." Felicity, pale and tearful, dropped on her knees and lifted the cretonne frill of the sofa. There, his head pillowed hardly on Uncle Roger's boots, lay Jimmy Patterson, still sound asleep!
L.M. Montgomery (The Story Girl)
He removed his hand from his worn, pleasantly snug jeans…and it held something small. Holy Lord, I said to myself. What in the name of kingdom come is going on here? His face wore a sweet, sweet smile. I stood there completely frozen. “Um…what?” I asked. I could formulate no words but these. He didn’t respond immediately. Instead he took my left hand in his, opened up my fingers, and placed a diamond ring onto my palm, which was, by now, beginning to sweat. “I said,” he closed my hand tightly around the ring. “I want you to marry me.” He paused for a moment. “If you need time to think about it, I’ll understand.” His hands were still wrapped around my knuckles. He touched his forehead to mine, and the ligaments of my knees turned to spaghetti. Marry you? My mind raced a mile a minute. Ten miles a second. I had three million thoughts all at once, and my heart thumped wildly in my chest. Marry you? But then I’d have to cut my hair short. Married women have short hair, and they get it fixed at the beauty shop. Marry you? But then I’d have to make casseroles. Marry you? But then I’d have to wear yellow rubber gloves to do the dishes. Marry you? As in, move out to the country and actually live with you? In your house? In the country? But I…I…I don’t live in the country. I don’t know how. I can’t ride a horse. I’m scared of spiders. I forced myself to speak again. “Um…what?” I repeated, a touch of frantic urgency to my voice. “You heard me,” Marlboro Man said, still smiling. He knew this would catch me by surprise. Just then my brother Mike laid on the horn again. He leaned out of the window and yelled at the top of his lungs, “C’mon! I am gonna b-b-be late for lunch!” Mike didn’t like being late. Marlboro Man laughed. “Be right there, Mike!” I would have laughed, too, at the hilarious scene playing out before my eyes. A ring. A proposal. My developmentally disabled and highly impatient brother Mike, waiting for Marlboro Man to drive him to the mall. The horn of the diesel pickup. Normally, I would have laughed. But this time I was way, way too stunned. “I’d better go,” Marlboro Man said, leaning forward and kissing my cheek. I still grasped the diamond ring in my warm, sweaty hand. “I don’t want Mike to burst a blood vessel.” He laughed out loud, clearly enjoying it all. I tried to speak but couldn’t. I’d been rendered totally mute. Nothing could have prepared me for those ten minutes of my life. The last thing I remember, I’d awakened at eleven. Moments later, I was hiding in my bathroom, trying, in all my early-morning ugliness, to avoid being seen by Marlboro Man, who’d dropped by unexpectedly. Now I was standing on the front porch, a diamond ring in my hand. It was all completely surreal. Marlboro Man turned to leave. “You can give me your answer later,” he said, grinning, his Wranglers waving good-bye to me in the bright noonday sun. But then it all came flashing across my line of sight. The boots in the bar, the icy blue-green eyes, the starched shirt, the Wranglers…the first date, the long talks, my breakdown in his kitchen, the movies, the nights on his porch, the kisses, the long drives, the hugs…the all-encompassing, mind-numbing passion I felt. It played frame by frame in my mind in a steady stream. “Hey,” I said, walking toward him and effortlessly sliding the ring on my finger. I wrapped my arms around his neck as his arms, instinctively, wrapped around my waist and raised me off the ground in our all-too-familiar pose. “Yep,” I said effortlessly. He smiled and hugged me tightly. Mike, once again, laid on the horn, oblivious to what had just happened. Marlboro Man said nothing more. He simply kissed me, smiled, then drove my brother to the mall.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
At heart, Kate remained an unfussy product of England’s Home Counties, her ever-present knee-high riding boots symbolizing her love of horses, hounds and shooting parties--a plus for William, an avid hunter who has said, “I am a country boy at heart.
People Magazine (People: The Royals: Their Lives, Loves, and Secrets)
The boy was gripping a lantern in his right hand. Perhaps he had taken it from the butler’s office. He might have looked awkward, but he moved like a cat. Cristian didn’t even sense him approach. The boy raised the lantern high above his head. Cristian fumbled with the lock on the door, his shaking left hand trying to work the mechanism while his right arm held the dagger to Flora’s throat. The boy took a step. Then another. He was almost within reach. The door swung open. Cristian started to turn. “Now!” Cass screamed. The boy slammed the lantern hard against Cristian’s skull, and Cass heard the same crunching sound she’d heard when she’d hit him with the fireplace poker. He slumped to the ground, unconscious. The dagger fell to the floor with a clatter. Flora landed on her hands and knees, shaking and sobbing. Luca thundered down the servants’ stairs, skidding to a stop as he witnessed the chaos. Bortolo and Narissa were right behind him. “Cass, what happened?” Luca asked. The servants were weeping. The boy who had knocked out Cristian looked a bit dazed himself. The lantern hung limply from his right hand. “He saved us.” Cass gestured at the boy. Luca only then recognized the crumpled form on the floor. “Cristian,” he said. Turning to Narissa, he added, “Send for the Town Guard immediately.” Narissa hurried toward the front of the house. Cristian groaned, his eyelids fluttering. Flora stumbled back from him, one hand clutching her throat. Luca placed the sole of his boot on Cristian’s neck. “Someone get some rope,” he barked. Turning to the sandy-haired boy, he asked, “Who are you?” “Matteo Querini.” The boy set the lantern on the kitchen counter and frowned at Cristian. “Where I come from, a man does not hold a blade to a lady’s throat.” He turned to Cass. “Signorina Caravello, I presume? I’m here to assume control of the estate. Sorry. I was a bit delayed in my arrival.” “On the contrary.” Cass dipped into a shallow curtsy. “I’d say you arrived just in time.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
they wear knee-high or ankle boots, never shoes.
Marcela Serrano (Ten Women)
Celaena cocked her head as Nehemia emerged to stand along the sidelines of the large white circle. The princess met her stare and lifted her chin in encouragement. She wore a spectacular outfit: close-fitting pants, a layered tunic studded with whorls of iron, and knee-high boots; she carried her wooden staff, which stretched as high as her head. To honor her, Celaena realized, her eyes stinging. One fellow warrior acknowledging the other.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
She would have snorted, but he did look rather good in his knee-high brown boots.
Sarah J. Maas (Throne of Glass)
Which Sofia is probably already referring to as the first-born male heir to the throne.”  She snorted and scuffed at the sidewalk with the toe of one knee-high boot.  “Like I care if I don’t inherit Dad’s business.  I want to be a forensic psychologist, that’s why I’m going to university.  I’m not a bloody Kardashian, living off my father’s fame.”  “I doubt there’s a Kardashian who can even spell the word ‘psychologist,’” Kira said, in an attempt at dry humor to lighten Emily’s mood.  She shot a sideways glance at her friend and noted with some triumph – going by the smile that curled Emily’s bowed lips – it had worked.  She tossed her head.  “Come on.  Let’s head over to The Kiosk and get some coffee.  I’ll share my notes from class so you’re all caught up.” “Ta,” Emily said.  “And thanks for letting me bitch about my stepmother and my father’s joke of a marriage to that beastly woman.
Casey Holman (Romance: The Sitter's Secret)
This outfit makes me want to get my nose pierced and spend some time at the tattoo parlor,” I said, frowning at the clothing. “Hey, we can make that happen,” Nessa, joked. “That’s very funny, Nessa,” I said as I pulled out the knee high black combat boots and black fishnet stockings to match. “It is better than the plaid cowboy shirt and Wranglers they got me,” Noah said, as he held up the outfit complete with worn leather cowboy boots. “Oh, Nessa, we will pay you back dearly for this,” I said sarcastically.
Andrea Heltsley (Dissolve (Dissolve, #1))
He opened his eyes and saw that Baltsaros was staring intently at them, unmoving. What was the captain feeling about all of this? Tom’s hands had snaked down to the front of Jon’s pants, and all thought left his head as he felt the buttons come loose. After a moment, Tom dropped to his knees in front of Jon; he then gently, almost reverently, peeled Jon’s pants down, looking up at him with naked hunger as he did so. “Good boy,” said Baltsaros. The captain’s eyes were dark and unreadable, but the hand curled over the front of his pants betrayed the desire he was feeling. Jon’s breath heaved in his chest, and he stepped out of his boots as Tom tugged at them. He was now stark naked in front of Tom who remained on his knees, gazing up at him. Jon could see the bigger man’s pulse jumping in the veins at his neck, but he frowned in confusion when Tom made no other move. He realized with a start that Tom was waiting for Baltsaros’s next command. Jon reached out and touched the top of Tom’s head, running his fingers softly through the short, sandy-blond strands. “Do you want him to suck your cock?” asked Baltsaros, almost conversationally. The question made Jon feel like he had just stepped off a cliff. He gulped and closed his eyes, nodding quickly. “Tom, please use that talented mouth on Jon. However, let’s not let him peak too soon, shall we?” said Baltsaros.
Bey Deckard (Caged: Love and Treachery on the High Seas (Baal's Heart, #1))
One hand went to that lovely organ of his, stroking slowly, gently, and the other untied his combat boots, sliding them off his feet one by one, leaving his socks on because sex in socks is funny. I mean, think about it: a dude, no matter how hot, is just inherently funnier if he’s wearing nothing but a pair of socks. Bonus-funny if they’re white, and knee high, like Nick’s were.
Jasinda Wilder (Harris (Alpha One Security, #1))
Only an idiot would try to break into a super-secret super-protected mansion while wearing maroon knee high boots.
Stefani Chaney (Midnight (The Opposition, #1))
It’s feels like zero out there!” Lola stamped her knee-high boots on the doormat, leaving bits of frozen slush to settle into its bristly fibers. “With the wind chill, yeah.” Lola flipped the fur-lined hood of her high-end winter coat. “I ignore that wind chill stuff. It’s either freezing or it isn’t.
Suzanne M. Trauth (Running Out of Time (A Dodie O'Dell Mystery #3))
Come out, White-Eyes,” the voice called. “I bring gifts, not bloodshed.” Henry, wearing nothing but his pants and the bandages Aunt Rachel had wrapped around his chest the night before, hopped on one foot as he dragged on a boot. By the time he reached the window, he had both boots on, laces flapping. Rachel gave him a rifle. He threw open the shutter and jerked down the skin, shoving the barrel out the opening. “What brings you here?” “The woman. I bring many horses in trade.” Loretta ran to the left window, throwing back the shutters and unfastening the membrane to peek out. The Comanche turned to meet her gaze, his dark eyes expressionless, penetrating, all the more luminous from the black graphite that outlined them. Her hands tightened on the rough sill, nails digging the wood. He looked magnificent. Even she had to admit that. Savage, frightening…but strangely beautiful. Eagle feathers waved from the crown of his head, the painted tips pointed downward, the quills fastened in the slender braid that hung in front of his left ear. His cream-colored hunting shirt enhanced the breadth of his shoulders, the chest decorated with intricate beadwork, painted animal claws, and white strips of fur. He wore two necklaces, one of bear claws, the other a flat stone medallion, both strung on strips of rawhide. His buckskin breeches were tucked into knee-high moccasins. Her gaze shifted to the strings of riderless ponies behind him. She couldn’t believe their number. Thirty? Possibly forty? Beyond the animals were at least sixty half-naked warriors on horseback. Loretta wondered why Hunter had come fully clothed in all his finery with wolf rings painted around his eyes. The others wore no shirts or feathers, and their faces were bare. “I come for the woman,” the Comanche repeated, never taking his gaze from her. “And I bring my finest horses to console her father for his loss. Fifty, all trained to ride.” His black sidestepped and whinnied. The Indian swayed easily with his mount. “Send me the woman, and have no fear. She will come to no harm walking in my footsteps, for I am strong and swift. She will never feel hunger, for I am a fine hunter. My lodge will shelter her from the winter rain, and my buffalo robes will shield her from the cold. I have spoken it.
Catherine Anderson (Comanche Moon (Comanche, #1))
Briony dips out from beneath Saint’s stance, grabbing another blade from inside her high-heeled boot, sending it directly into the skull of one of Cal’s bodyguards approaching her from behind. He shuffles on his feet before falling back onto the concrete beneath him like a collapsing wall as she quickly and effortlessly props one knee up and grabs another knife from under her skirt. With the precision of a skilled assassin, she sends the knife into the chest of the other bodyguard. Her training shines through her fluid movements. He cries out, gripping the blade that’s stuck directly in the center of his chest. Pulling it out, he tosses it to the floor with an echoed clang, stalking forward on heavy feet, his deadly gaze set on her as he pulls a gun from his side. She stands straight before him, her chin lifted, staring at him defiantly. He raises the gun at her, and she closes her eyes. I pull violently against my cuffs, needing to be freed before he can hurt her, no matter if that means ripping my arms off at the shoulders. But before I get ahead of myself, the guard takes two more steps, stumbling slightly before a shot from across the room earns him a bullet to the back of his head. The man’s blood splatters across Briony’s face and neck as she flinches. Callum looks entirely stunned while Nox’s barrel remains set on him, both of them with arms outstretched, guns ready to fire. Bishop Caldwell gasps in horror when Baret steps out from behind the stage area, his own smoking weapon aimed directly at him and his attempt to escape. His decrepit old hands shake before him as he surrenders on his knees like the fucking coward he is. Alastor grabs a gun from within his suit jacket and rushes towards me, placing it against my temple. “Now, now, now...” he says calmly, looking around the room. “Let’s just all take a nice deep breath before someone important gets hurt, huh?
Jescie Hall (That Sik Luv)
If I Wanted to Go to Heaven” September 18, 2024 at 12:41 PM Verse 1: If I wanted to go to heaven, I’d be on my knees tonight, Prayin’ for forgiveness, under the pale moonlight. But I’m sittin’ here in this old bar, with a whiskey in my hand, Thinkin’ 'bout the life I’ve lived, and the man I am. Chorus: If I wanted to go to heaven, I’d change my wicked ways, I’d trade these boots for angel wings, and walk the righteous way. But the road to redemption is a long and winding ride, And if I wanted to go to heaven, I’d have to leave this life behind. Verse 2: I’ve loved and lost, and fought my wars, with a heart that’s scarred and torn, I’ve seen the highs, I’ve felt the lows, in the eye of every storm. But there’s a fire in my soul, that keeps me on this path, And if I wanted to go to heaven, I’d have to face my past. Chorus: If I wanted to go to heaven, I’d change my wicked ways, I’d trade these boots for angel wings, and walk the righteous way. But the road to redemption is a long and winding ride, And if I wanted to go to heaven, I’d have to leave this life behind. Bridge: Maybe someday I’ll find the strength, to turn my life around, But tonight I’ll raise my glass, to the lost and the found. For every sinner has a story, and every saint has a past, And if I wanted to go to heaven, I’d have to make it last. Chorus: If I wanted to go to heaven, I’d change my wicked ways, I’d trade these boots for angel wings, and walk the righteous way. But the road to redemption is a long and winding ride, And if I wanted to go to heaven, I’d have to leave this life behind. Outro: So here’s to all the dreamers, and the ones who never quit, If I wanted to go to heaven, I’d have to make the best of it. But for now, I’ll keep on livin’, with this heart of mine, And if I wanted to go to heaven, I’d have to leave this life behind.
James Hilton-Cowboy
But who could yearn to be on the wrong end of the knife and fork? That’s his real interest here. They’re out there…and dear god, he finds them. “I’ve always lost myself in other people,” says a nervous young woman in an empty room with peeling windowsills. “It’s never enough. Why not carry it all the way?” A middle-aged man on a park bench leers into the camera, something lascivious in his gaze, as if he’s filming for a dating profile. He squeezes his thigh. “I’m thick. I’m meaty. Juicy. Who wouldn’t want me?” A couple, too. The man looks smaller than the Amazonian woman to begin with, the contrast exaggerated by the way he hunches on the floor beside her wrought iron chair. He strokes the leather of her knee-high boots. She stokes his hair the way she would a favored pet. “I want to be in her belly,” he whispers. “I want to pass through her. I want to become a part of her. Then neither of us will ever have to be lonely again.
Ellen Datlow (Final Cuts: New Tales of Hollywood Horror and Other Spectacles)
Grace’s gaze skimmed over her, taking in the various marks of possession that decorated her flesh. “Well, short of having Property of Trey Coleman tattooed on your forehead, he couldn’t have made it any clearer that he considers you his, could he?” Very true. In addition to those marks that Trey had left while they consummated the claiming, there were those that he had made during the second, third, and fourth rounds that followed through the night. There was a bite at the hollow of her throat, another on her inner wrist, a third one on the swell of her breast, and also claw marks on both upper arms—and those were only the ones that weren’t hidden beneath her black T-shirt, navy jeans, and black leather knee-high boots.
Suzanne Wright (Feral Sins (The Phoenix Pack, #1))
She had a dozen rings in each ear, and she looked as if her lithe curves had been poured into her Hijun hide leather jumpsuit. Stiletto-heeled knee-high boots rounded out the senior citizen cool look.
M.R. Forbes (Eight Ball (Starship for Sale, #6))
It seemed stupid that I had stayed in the cold stone room, knowing that as soon as the new day had crested, I was no longer in the Inquisitor’s service and no longer had to follow his orders. I finished eating and opened the package, revealing the complicated sections of leather pieces that somehow made up an outfit. Some of the sections were hardened with inlaid metal, a tarnished golden colour peeking through the stitching. I finally discerned something resembling the usual bodysuits worn beneath sectorian women’s clothing, though this one was different. It was thick brown leather, a silk underlining hidden on the inside. It moulded tightly to the body, two ovals cut into the sides, exposing the hips and the sides of the stomach and back. Some sort of covering fit over the top of the bodysuit, ending a few inches above the waist. The metal-inlaid patterns curved around the front of my chest and the top of my spine, connected with brown, buckled straps along my sides. A belted skirt slid over the hips, the belt pulling along the cut of the bodysuit, above my hips, another band looping around my hips. The skirt had two short layers. Yet another section of the outfit fit over my shoulders, metallic glimpses peering out from the leather that cupped my shoulders, attaching to the upper chest armour with straps. Another set of wraps covered my wrists and forearms, and I was glad to see the Inquisitor’s mark and the Spider’s mark disappearing from view. I was able to re-wear the same footwear, as there were also knee and thigh wraps in the same boiled brown leather that complemented the knee-high boots. The outfit was clearly some kind of warrior’s uniform. The Vold—and the Sentinels in particular—often wore revealing, scant clothing to show off their impressive physiques. With Calder’s cloak still on the ground, I could see half of his bare back above the golden armour that wrapped his torso. The muscles bunched and stretched as he pulled his forearm up for investigation. He had clearly stitched and re-dressed his wound after my dismal attempt at caring for it the night before. Despite my outfit showing so much skin, it was by far the heaviest thing I had ever worn, and I started to truly appreciate how quickly and silently Calder moved, weighed down as he must have been by so much armour. I tugged my hair over my shoulders, arranging the strands so that they might hide my face better. There was a lump in my throat when I stuffed everything back into my pack and muttered, “Done.
Jane Washington (A Tempest of Shadows (A Tempest of Shadows, #1))
It wasn't a formal dinner by any means- though Lucien, standing near the windows and watching the sun set over Velaris, was wearing a fine green jacket embroidered with gold, his cream-coloured pants showing off muscled thighs, and his knee-high black boots polished enough that the chandeliers of faelight reflected off them. He'd always had a casual grace about him, but here, tonight, with his hair tied back and a jacket buttoned to his neck, he truly looked the part of a High Lord's son. Handsome, powerful, a bit rakish- but well-mannered and elegant.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
My bedroom floor is a mess of soft pullover sweaters that make me feel like a sea captain, knee-high boots, and infinity scarves.
Sarah Hogle (You Deserve Each Other)
You see, that bridge is my gateway to the world. If you stay on this island for too long, you'll know what I mean. This weekend when I go to Alor Setar, I'll have to cross that bridge. It's getai season and there's extra cash to be made everywhere here in the north, as long as there are spirit-believing Taoists. I help the crew set up stage, do the wiring and man the lighting. The girl singer comes on, wearing knee-high boots and a spaceship suit. Sometimes I get a picture with her backstage, but sometimes the girls are so ugly I bet only ghosts are willing to look at them.
Wan Phing Lim (Two Figures in a Car and Other Stories)
They turn on short-range telemetry kits, and we approach through the clear-cut. The black soil is deformed into thigh-high welts from earth-moving equipment. Pings from the radio collars tell them that the male is south of the female, who is farther up the wood line. Because the male wolf and the yearlings will often sit the pups while the female goes off to hunt or rest elsewhere, the biologists must choose which wolf’s signal to focus upon. This morning, they can’t decide which wolf might be with the pups. Chris whispers a game plan to Ryan. “I’m going to walk up on the male,” Chris says. “You walk farther up and get a bead on the female. Wait a few minutes before you go in - give me some time to find him first because the wind will wash your scent south right back on top of him, okay? If the pups aren’t with him, I’ll just keep moving north toward her and find you.” Ryan nods his agreement, and Chris slips into the woods. The density of the vegetation encloses around him within a few feet from the tree line. Chris, having spent twenty-five years using telemetry to track wolves, can interpret the pings like most people read road signs. His body melts behind thick vines, woody growth, and an abundance of wax myrtle bushes that crowd the understory. Ryan and I walk north along the clear-cut. He listens for the female, holding his telemetry antennae high. He waves the unit this way and that, searching the radio wave for the best strength. It begins raining. He paces up and down a fifty-foot stretch of the tree line. Where the female wolf’s signal is the strongest, he scratches a large X in the dark muck with his boot heel. We wait in the light drizzle. Minutes tick by. Finally, Ryan motions for me to follow him into the woods. We creep deliberately, slowly, and I plant each step where he does. After about ten yards, he drops onto his hands and knees and crawls beneath a cluster of thorny devil’s walking sticks. I trail him as if playing a silent game of follow the leader. We pause here and there to let the wolf confuse our sounds with a foraging squirrel. He uses vine clippers to snip through several large branches obscuring our way. Soon, Ryan pulls the cable from his antennae and shows me that he can hear her with just the receiver box. We are close. I try not to breathe. She is within thirty feet. Then the pinging in his headphones tells him she is running. We don’t hear or even see her flush. It is like tracking a ghost.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
She told herself she was just trying to stay busy when she spent much longer than normal getting ready, even taking time to line her eyes with gold-flecked eyeliner. Just like she claimed the reason she chose the silky purple tunic that flared at the waist was because it was part of Flori’s new fighting wardrobe and not because it also happened to look really good on her. She even slipped some goblin throwing stars into the top of her knee-high boots and stuffed a few others into the zipped pockets lining her pants to take full advantage of her battle-ready clothes. See? She was just trying to be prepared. It had absolutely nothing to do with seeing a certain teal-eyed boy who’d claimed she was the only person he trusted. Nope. And she definitely wasn’t thinking about the last time they’d seen each other, when he’d hugged her before leaving the Healing Center.
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))