Kitchen Utensils Quotes

Shame on you, Crispin. Married how long, and you haven't spanked your wife with a metal spatula yet?" I'd gotten used to Ian's assumption that everyone was as perverted as he was, so I didn't miss a beat. "We prefer blender beaters for our kitchen utensil kink," I said with a straight face. Bones hid his smile behind his hand, but Ian looked intrigued. "I haven't tried that ... oh, you're lying, aren't you?" "Ya think?" I asked with a snort. Ian gave a sigh of exaggerated patience and glanced at Bones. "Being related to her through you is a real trial.

Ignoring the whispers of the skull, which kept suggesting different, unlikely kitchen utensils that could be used for murder, I sketched out a map of the room.

I walked in without knocking. The screen door banged to a close behind me announcing my presence. I followed my nose to the kitchen and found Kaleb standing by the stove. He stirred something that smelled absolutely delicious a wooden spoon in one hand and a huge chef’s knife in the other. “Are you sober?” I asked from the doorway. He turned and leveled a smile at me that made me a little wobbly. “I am." “Good. Because if not I was going to take the deadly kitchen utensil away from you.” I crossed the room and pulled myself up to sit on the counter beside the stove. A cutting board full of green peppers and two uncut stalks of celery waited for attention from the knife. Melted butter and diced onions bubbled in a sauté pan on the stove. “You cook." Kaleb was so pretty I was jealous. Pretty with ripped muscles and a tattoo of a red dragon covering most of his upper body. “Yes,” he said. “I cook.” “Do you usually wear a wife beater and,” I pushed him back a little by his shoulder “an apron that says ‘Kiss the Cook’ while you’re doing it? ” He leaned so close to me my heart skipped a couple of beats. “I’ll wear it all the time if you’ll consider it.

Have that spatula ready when I return," Ian sang out to her. "I don't even want to know what that means," were my first words when he climbed into the RV. "You don't? Shame on you, Crispin. Married how long, and you haven't spanked your wife with a metal spatula yet? "We prefer blender beaters for our kitchen utensil kink," I said with a straight face. Bones hid his smile behind his hand, but Ian looked intrigued. "I haven't tried that.....oh, you're lying, aren't you?" "Ya think?" I asked with a snort.

My mother has always been the sort of woman whose emotional state can be intuited from the volume at which she rattles kitchen utensils.

You better be careful, I've got a ladle. You never know what a trained killer can do with an innocent-looking kitchen utensil. I don't think you're a trained killer. So should I be insulted that you think I'm an amateur killer?

To attempt to increase the wealth of any country, either by introducing or by detaining in it an unnecessary quantity of gold and silver, is as absurd as it would be to attempt to increase the good cheer of private families by obliging them to keep an unnecessary number of kitchen utensils.

WHAT THE LIVING DO Johnny, the kitchen sink has been clogged for days, some utensil probably fell down there. And the Drano won't work but smells dangerous, and the crusty dishes have piled up waiting for the plumber I still haven't called. This is the everyday we spoke of. It's winter again: the sky's a deep, headstrong blue, and the sunlight pours through the open living-room windows because the heat's on too high in here and I can't turn it off. For weeks now, driving, or dropping a bag of groceries in the street, the bag breaking, I've been thinking: This is what the living do. And yesterday, hurrying along those wobbly bricks in the Cambridge sidewalk, spilling my coffee down my wrist and sleeve, I thought it again, and again later, when buying a hairbrush: This is it. Parking. Slamming the car door shut in the cold. What you called that yearning. What you finally gave up. We want the spring to come and the winter to pass. We want whoever to call or not call, a letter, a kiss--we want more and more and then more of it. But there are moments, walking, when I catch a glimpse of myself in the window glass, say, the window of the corner video store, and I'm gripped by a cherishing so deep for my own blowing hair, chapped face, and unbuttoned coat that I'm speechless: I am living. I remember you.

Temples and tochkas lay covered in scaly coats of clocks and measuring instruments, and every gap in between was filled with the friction and disorder of some lampstand, kitchen utensil, mirror window bottle doorpostboxcarouselectorpedometerrariumbilicalendartboardwalkmandalandminesweeperiscope …

Attention all kitchen utensils, unfinished books, “useless childhood artifacts,” and general household objects: take heed. Colette Yates is nesting. None of you are safe.

Inside our gift-wrapped packages there was a doll, kitchen utensils, modeling clay, a recipe book, crayons, a year’s subscription to France Loisirs, a princess outfit, and a magic wand.

Pimpin' ain't easy, but it's necessary, especially if you wanna fully utilize the power of your kitchen. You can't have your spatulas and whisks runnin' around like they own the place. Having the right utensils is a good start, but then you gotta show them who's the boss up in this bitch. In this chapter, I'm gonna tell you what you need to get started, what you don't need, and how to know if you're ready to become a full-fledged KP.

I know a good many farmers who think nothing of paying out several hundred dollars every year on improved machinery to lighten their own labor on the farm. But they think their wives are crazy if they ask for an improved washing-machine that costs twenty-five dollars or a few kitchen utensils of the latest style to save labor. That’s one reason so many farmers’ wives are crazy over in Crawford County Asylum.

Not sure what you use and what you don’t? Here is a tried and true way to find out. Empty the contents of your kitchen utensil drawers into a cardboard box. For one month, only put a utensil back into the drawer if you take it out of the box to use it. At the end of the month seriously consider discarding everything that’s still in the cardboard box. Face it: If it’s still in the box after four weeks, you don’t need it!

Her kitchen resembled mine. The appliances, the layout, the utensils, the wear, everything was normal. There were knives for various purposes, but their sharpening left something to be desired. Very few women can sharpen knives properly. I

The problem of an ideal kitchen grows more complex as I ponder on it. There are many small things I am sure about: no shelf-papers; no sharp edges or protruding hooks or wires; no ruffled curtains; and no cheap-coloured stove, mauve or green or opalescent like a modern toilet seat. Instead of these things I would have smooth shelves of some material like ebony or structural glass, shelves open or protected by sliding transparent doors. I would have curved and rounded edges, even to the floor, for the sake of cleanliness, and because I hate the decayed colours of a bruise. Instead of curtains I would have Venetian blinds, of four different colours for the seasons of the year. They would be, somehow, on the outside of the glass. And the stove would be black, with copper and earthenware utensils to put on it. It would be a wood stove, or perhaps (of this I am doubtful, unless I am the charwoman and janitor as well as the cook) electrical with place for a charcoal grill.

We don't just have equipment to set up, we have a whole stage set: TVs tuned to static, a busted old Moog synthesizer (also tuned to static - it basically just sits onstage, drooling, like a demented robot friend), an ironing board we use as a percussion stand, lamps (because we prefer mood lighting to rock-show lighting), various car parts and kitchen utensils (for hitting), a movie screen we project slides onto and a pair of mannequin legs in a gold lamé miniskirt with a TV for a torso. All this may sound arty, but really, it's just overenthusiastic.

Christine Frederick’s rational kitchen had been driven by efficiency: the fewest steps, the fewest utensils. The new ideal kitchens were far more opulent. These were dollhouses for grown women, packed with the maximum number of trinkets. The aim was not to save labor but to make the laborers forget they were working.

This kitchen had been the home to my beloved kitchen utensils too. There was the hundred-year-old pestle and mortar that belonged to my late grandmother, a container made of Japanese cypress that I'd used for keeping rice, a Le Creuset enamel pot I'd bought with my first pay cheque, a set of long-serving chopsticks with extra fine tips I'd found in a specialty shop in Kyoto, an Italian paring knife given to me on my twentieth birthday by the owner of an organic-vegetables shop, a comfortable cotton apron, jade gravel I used for making pickled aubergine, and the traditional cast-iron nambu frying pan I'd travelled as far north as Morioka to buy. It was a collection of quality items built to last a lifetime.

Three wretched chairs were all the furniture of this room, which was at once the kitchen and the dining-room. Over the chimney-piece were a piece of looking-glass, a tinder-box, three glasses, some matches, and a large, cracked white jug. Still, the floor, the utensils, the fireplace, all gave a pleasant sense of the perfect cleanliness and thrift that pervaded the dull and gloomy home. The old woman’s pale, withered face was quite in harmony with the darkness of the street and the mustiness of the place.

The kitchen. Scent of cumin, ajwain and cardamom. On the table, a little pile of nutmeg. Thick, oily vapor rose from the pot on the stove. The room was warm and spacious, the window high and wide. Tiny drops of condensation covered the top of the glass. Smoke soared towards the ceiling in shafts of light. I noticed many shiny pots and pans hanging on the whitewashed walls. And strings of lal mirchi, and idli makers, and thalis, and conical molds for kulfi. In the corner the tandoor was ready. Its orange glow stirred in the utensils on the walls.

I shoot up out of my chair. “It’s Bree. Hide the board!” Everyone hops out of their chairs and starts scrambling around and bumping into each other like a classic cartoon. We hear the door shut behind her, and the whiteboard is still standing in the middle of the kitchen like a lit-up marquee. I hiss at Jamal, “Get rid of it!” His eyes are wide orbs, head whipping around in all directions. “Where? In the utensil drawer? Up my shirt?! There’s nowhere! That thing is huge!” “LADY IN THE HOUSE!” Bree shouts from the entryway. The sound of her tennis shoes getting kicked off echoes around the room, and my heart races up my throat. Her name is pasted all over that whiteboard along with phrases like “first kiss—keep it light” and “entwined hand-holding” and “dirty talk about her hair”. Yeah…I’m not sure about that last one, but we’ll see. Basically, it’s all laid out there—the most incriminating board in the world. If Bree sees this thing, it’s all over for me. “Erase it!” Price whispers frantically. “No, we didn’t write it down anywhere else! We’ll lose all the ideas.” I can hear Bree’s footsteps getting closer. “Nathan? Are you home?” “Uh—yeah! In the kitchen.” Jamal tosses me a look like I’m an idiot for announcing our location, but what am I supposed to do? Stand very still and pretend we’re not all huddled in here having a Baby-Sitter’s Club re-enactment? She would find us, and that would look even worse after keeping quiet. “Just flip it over!” I tell anyone who’s not running in a circle chasing his tail. As Lawrence flips the whiteboard, Price tells us all to act natural. So of course, the second Bree rounds the corner, I hop up on the table, Jamal rests his elbow on the wall and leans his head on his hand, and Lawrence just plops down on the floor and pretends to stretch. Derek can’t decide what to do so he’s caught mid-circle. We all have fake smiles plastered on. Our acting is shit. Bree freezes, blinking at the sight of each of us not acting at all natural. “Whatcha guys doing?” Her hair is a cute messy bun of curls on the top of her head and she’s wearing her favorite joggers with one of my old LA Sharks hoodies, which she stole from my closet a long time ago. It swallows her whole, but since she just came from the studio, I know there is a tight leotard under it. I can barely find her in all that material, and yet she’s still the sexiest woman I’ve ever seen. Just her presence in this room feels like finally getting hooked up to oxygen after days of not being able to breathe deeply. We all respond to Bree’s question at the same time but with different answers. It’s highly suspicious and likely what makes her eyes dart to the whiteboard. Sweat gathers on my spine. “What’s with the whiteboard?” she asks, taking a step toward it. I hop off the table and get in her path. “Huh? Oh, it’s…nothing.” She laughs and tries to look around me. I pretend to stretch so she can’t see. “It doesn’t look like nothing. What? Are you guys drawing boobies on that board or something? You look so guilty.” “Ah—you caught us! Lots of illustrated boobs drawn on that board. You don’t want to see it.” She pauses, a fading smile hovering on her lips, and her eyes look up to meet mine. “For real—what’s going on? Why can’t I see it?” She doesn’t believe my boob explanation. I guess we should take that as a compliment? My eyes catch over Bree’s shoulder as Price puts himself out of her line of sight and begins miming the action of getting his phone out and taking a picture of the whiteboard. This little show is directed at Derek, who is standing somewhere behind me. Bree sees me watching Price and whips her head around to catch him. He freezes—hands extended looking like he’s holding an imaginary camera. He then transforms that into a forearm stretch. “So tight after our workout today.” Her eyes narrow.

The connection between the design of a product, its essence, and its manufacturing was illustrated for Jobs and Ive when they were traveling in France and went into a kitchen supply store. Ive picked up a knife he admired, but then put it down in disappointment. Jobs did the same. “We both noticed a tiny bit of glue between the handle and the blade,” Ive recalled. They talked about how the knife’s good design had been ruined by the way it was manufactured. “We don’t like to think of our knives as being glued together,” Ive said. “Steve and I care about things like that, which ruin the purity and detract from the essence of something like a utensil, and we think alike about how products should be made to look pure and seamless.” At most other companies, engineering tends to drive design. The engineers set forth their specifications and requirements, and the designers then come up with cases and shells that will accommodate them. For Jobs, the process tended to work the other way. In the early days of Apple, Jobs had approved the design of the case of the original Macintosh, and the engineers had to make their boards and components fit.

My dwelling was small, and I could hardly entertain an echo in it; but it seemed larger for being a single apartment and remote from neighbors. All the attractions of a house were concentrated in one room; it was kitchen, chamber, parlor, and keeping-room; and whatever satisfaction parent or child, master or servant, derive from living in a house, I enjoyed it all. Cato says, the master of a family (patremfamilias) must have in his rustic villa "cellam oleariam, vinariam, dolia multa, uti lubeat caritatem expectare, et rei, et virtuti, et gloriae erit," that is, "an oil and wine cellar, many casks, so that it may be pleasant to expect hard times; it will be for his advantage, and virtue, and glory." I had in my cellar a firkin of potatoes, about two quarts of peas with the weevil in them, and on my shelf a little rice, a jug of molasses, and of rye and Indian meal a peck each. I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude, substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head—useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace, some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse, and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil, and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping. A house whose inside is as open and manifest as a bird's nest, and you cannot go in at the front door and out at the back without seeing some of its inhabitants; where to be a guest is to be presented with the freedom of the house, and not to be carefully excluded from seven eighths of it, shut up in a particular cell, and told to make yourself at home there—in solitary confinement. Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you. I am aware that I have been on many a man's premises, and might have been legally ordered off, but I am not aware that I have been in many men's houses. I might visit in my old clothes a king and queen who lived simply in such a house as I have described, if I were going their way; but backing out of a modern palace will be all that I shall desire to learn, if ever I am caught in one.

I didn’t think we were being quiet, particularly. High heels may have looked dainty, but they didn’t sound that way on a tile floor. Maybe it was just that my dad was so absorbed in the convo on his cell phone. For whatever reason, when we emerged from the kitchen into the den, he started, and he stuffed the phone down by his side in the cushions. I was sorry I’d startled him, but it really was comical to see this big blond manly man jump three feet off the sofa when he saw two teenage girls. I mean, it would have been funny if it weren’t so sad. Dad was a ferocious lawyer in court. Out of court, he was one of those Big Man on Campus types who shook hands with everybody from the mayor to the alleged ax murderer. A lot like Sean, actually. There were only two things Dad was afraid of. First, he wigged out when anything in the house was misplaced. I won’t even go into all the arguments we’d had about my room being a mess. They’d ended when I told him it was my room, and if he didn’t stop bugging me about it, I would put kitchen utensils in the wrong drawers, maybe even hide some (cue horror movie music). No spoons for you! Second, he was easily startled, and very pissed off afterward. “Damn it, Lori!” he hollered. “It’s great to see you too, loving father. Lo, I have brought my friend Tammy to witness out domestic bliss. She’s on the tennis team with me.” Actually, I was on the tennis team with her. “Hello, Tammy. It’s nice to meet you,” Dad said without getting up or shaking her hand or anything else he would normally do. While the two of them recited a few more snippets of polite nonsense, I watched my dad. From the angle of his body, I could tell he was protecting that cell phone behind the cushions. I nodded toward the hiding place. “Hot date?” I was totally kidding. I didn’t expect him to say, “When?” So I said, “Ever.” And then I realized I’d brought up a subject that I didn’t want to bring up, especially not while I was busy being self-absorbed. I clapped my hands. “Okay, then! Tammy and I are going upstairs very loudly, and after a few minutes we will come back down, ringing a cowbell. Please continue with your top secret phone convo.” I turned and headed for the stairs. Tammy followed me. I thought Dad might order me back, send Tammy out, and give me one of those lectures about my attitude (who, me?). But obviously he was chatting with Pamela Anderson and couldn’t wait for me to leave the room. Behind us, I heard him say, “I’m so sorry. I’m still here. Lori came in. Oh, yeah? I’d like to see you try.” “He seems jumpy,” Tammy whispered on the stairs. “Always,” I said. “Do you have a lot of explosions around your house?” I glanced at my watch. “Not this early.

He served Adaira the first slice and grinned when she cast a wary look his way. “You made this?” “Aye,” he said, standing close to her, waiting. Adaira took her spoon and poked at the pie. “What’s in it, Jack?” “Oh, what all did we dump in there, Frae? Blackberries, strawberries, pimpleberries—” “Pimpleberries?” Frae gasped in alarm. “What’s a pim—” “Honey and butter and a dash of good luck,” he finished, his gaze remaining on Adaira. “All of your favorite things, as I recall, heiress.” Adaira stared at him, her face composed save for her pursed lips. She was trying not to laugh, he realized. He was suddenly flustered. “Heiress, I did not put pimpleberries in there,” Frae frantically said. “Oh, sweet lass, I know you didn’t,” Adaira said, turning a smile upon the girl. “Your brother is teasing me. You see, when we were your age, there was a great dinner in the hall one night. And Jack brought me a piece of pie, to say sorry for something he had done earlier that day. He looked so contrite that I foolishly believed him and took a bite, only to realize something was very strange about it.” “What was it?” Frae asked, as if she could not imagine Jack doing something so awful. “He called it a ‘pimpleberry’, but it was actually a small skin of ink,” Adaira replied. “And it stained my teeth for a week and made me very ill.” “Is this true, Jack?” Mirin cried, setting her teacup down with a clatter. “‘Tis truth,” he confessed, and before any of the women could say another word, he took the plate and the spoon from Adaira and ate a piece of the pie. It was delicious, but only because he and Frae had found and harvested the berries and rolled out the dough and talked about swords and books and baby cows while they made it. He swallowed the sweetness and said, “I believe this one is exceptional, thanks to Frae.” Mirin bustled into the kitchen to cut a new slice for Adaira and find her a clean utensil, muttering about how the mainland must have robbed Jack of all manners. But Adaira didn’t seem to hear. She took the plate from his hands, as well as the spoon, and ate after him.

I took the stairs two at a time, excited to have company today. When I opened the door I gasped and stood there in shock a moment before saying, “Patti, it’s awesome!” She had decorated with my school colors. Royal blue and gold streamers crisscrossed the ceiling, and balloons were everywhere. I heard her and the twins come up behind me, Patti giggling and Marna oohing. I was about to hug Patti, when a movement on the other side of the room caught my eye through the dangling balloon ribbons. I cursed my stupid body whose first reaction was to scream. Midshriek, I realized it was my dad, but my startled system couldn’t stop its initial reaction. A chain reaction started as Patti, then both the twins screamed, too. Dad parted the balloons and slunk forward, chuckling. We all shut up and caught our breaths. “Do you give all your guests such a warm welcome?” Patti’s hand was on her heart. “Geez, John! A little warning next time?” “I bet you’re wishing you’d never given me that key,” Dad said to Patti with his most charming, frightening grin. He stared at her long enough to make her face redden and her aura sputter. She rolled her eyes and went past him to the kitchen. “We’re about to grill,” she said without looking up from the food prep. “You’re welcome to stay.” Her aura was a strange blend of yellow and light gray annoyance. “Can’t stay long. Just wanted to see my little girl on her graduation day.” Dad nodded a greeting at the twins and they slunk back against the two barstools at the counter. My heart rate was still rapid when he came forward and embraced me. “Thanks for coming,” I whispered into his black T-shirt. I breathed in his clean, zesty scent and didn’t want to let him go. “I came to give you a gift.” I looked up at him with expectancy. “But not yet,” he said. I made a face. Patti came toward the door with a platter of chicken in her hands, a bottle of BBQ sauce and grilling utensils under her arm, and a pack of matches between her teeth. Dad and I both moved to take something from her at the same time. He held up a hand toward me and said, “I got it.” He took the platter and she removed the matches from her mouth. “I can do it,” she insisted. He grinned as I opened the door for them. “Yeah,” he said over his shoulder. “I know you can.” And together they left for the commons area to be domesticated. Weird.

We offhandedly devised many imaginary scenarios during the course of any given day, a habit that began as acerbic banter between two hypersharp intelligences, whose function seemed to be to absorb the venom of normal mundane tensions, anxieties, jealousies, resentments, and nano-betrayals, but gradually transformed into a daily hedge against death, an acknowledgement of our painful ephemerality, and a bid to take the kitchen utensils of mortality out of the hands of happenstance and put them back into our own drawer.

Tis difficult to watch anyone suffer, surely. But it pains most when ‘tis the woman you love.” The woman you love.   Nathaniel’s heart twitched and he looked away. Having only just discovered such for himself, voicing it to another would make the reality of it rest upon him in a way he was not yet ready to bear.  Thomas smiled knowingly, but his features remained solemn. “I know you try to hide it Nathaniel, but ‘tis plain to see. You are more your true self in her presence than I have ever witnessed.” Nathaniel grinned casually, trying to keep the growing heat from his face. Had he been so easy to read? “She is unlike any other woman I have known. I simply hate to see her in such pain.” He turned away, clinging to the one truth that would protect his heart. “You know I could never align myself with a Tory.” “Would you risk anything for her?” Nathaniel frowned. He needn’t answer something already so clear.  Thomas stepped closer and gripped Nathaniel’s shoulder. The weight of his voice mirrored the humorless question in his eyes. “Would you risk anything for her?” He flung Thomas’s arm away. “Of course I would risk anything for her, you know that!”  Thomas stepped back, undeterred by Nathaniel’s outburst. His tone remained even but dropped deeper. “Would you have her choose Higley over you?” Nathaniel froze, remembering Higley’s tender note. He couldn’t help the words from jumping from his mouth. “I would not.” “But what if she loves him?” He winced. “She does not.” Did she? “I don’t believe she does either.” Thomas shrugged with a slight grin that grated against Nathaniel like a dull kitchen utensil. “Higley is open in his affections and continues to write, asking Kitty to be his wife and join him in Boston. He accepts her for who she is...” His words trailed away, but his gaze nailed Nathaniel to the floor. What did Thomas imply? That Nathaniel didn’t accept her? “What are you inferring?” He crumpled the heightening jealousy in his chest and flicked it into the fire.  “You’re in love with her Nathaniel, and you must accept your affections or risk losing her.”  “I never had her to begin with.” “You would have Kitty marry Higley then?” “I will not speak of this with you.” He turned to leave, then spun and faced Thomas with the army of indignation that consumed him. “I will tell you what you so often told me. Leave this alone. I will worry about my own affections in my own time.” Thomas

Batteries, Bug repellent, Belts, Bags , Barbecue equipment, Boots, Bath towels. Bikes, Bike rack. C - Cash and credit cards, Cell phones & chargers, Camera and film/memory cards, Coffee pot, Can opener, Cups, Cutlery, Computer, Clock, Cleaning utensils, Clothes and coats, Camping Guides, Condiments (salt, sugar, pepper). D - Dishes, Drainers, Disinfectant. F - First Aid kit, Fire Extinguishers G - Glasses, (drinking, reading, sun), Games. H -Herbs, Hair brushes, Headphones. K -Keys (house, RV, Lockers), Kindle & cable, Kitchen Gadgets. M - Medication. Money belts, Measuring implements, Maps, P - PERSONAL DOCUMENTS: Passports, Health Certificates, Insurance, Driving License, RV documents, Power adapters, Pens, Pets:

Maybe it was just a spur-of-the-moment, “why not?” wild kind of thing that spontaneous people like him often do. I could easily see that: you’re sitting in the kitchen amid the smells of stale food, in the dark glow of a White Night, surrounded by dirty utensils and half-empty glasses and empty wine bottles. You look around morosely—and the window is ajar. Slowly you get up off your stool—there were no chairs in that kitchen when I was there—and walk to the window. Then, of course, this “why not?” thing can’t help crossing your mind. It occurs to you that this is something that you have never done before: life has already happened to you, but not death. Because of the uncertain light and the nauseatingly sweet wine in your blood, everything is slow, like in a dream sequence where the action takes place above the clouds on a gray day. So you just do it. A second before you’re on the win-dowsill, a second after you’re nowhere, leaving it to someone else to wonder about the fragility of his own life. The instant is like a membrane: you prick it with a pin and the balloon explodes, the phone stops working, you become deaf, and you know that your heart, too, may explode unpredictably, and that your body can burst with a cancer that it has been nurturing for months, and your plane can come apart high in the sky.

Isn’t eight thirty in the morning a little early to start drinking?” “Look,” she snarled, pointing the utensil his way. “In less than a week, I’ve set my kitchen on fire.” A hand waved wildly toward the missing stove. “Lost my job. And now I find out that my friends care so much about me that they felt the need to buy me a man. I don’t care what time it is, I’ve earned a damn glass of wine.

Swear to God if I fall for Cole Brighton, I’ll stab my own eyes out with a fork. He winks over at me, and my stomach bottoms out. Something tells me it’s time to hide the kitchen utensils.

That', Ghoolion said in a voice quivering with rage, 'is my dungeon for useless kitchen utensils. There's one such in every kitchen worthy of the name. Its inmates are kept there like especially dangerous patients in a mental institution.' He reached into the cupboard and brought out an odd-looking implement. 'What cook', he cried, 'does not possess such a gadget, which can sculpt a radish into a miniature rose? I acquired it at a fair in one of those moments of mental derangement when life without a miniature-rose-cutting gadget seems unimaginable.' He hurled the thing back into the darkness and brought out another. 'Or this here, which enables one to cut potatoes into spirals five yards long! Or this, a press for juicing turnips! Or this, a frying pan for producing rectangular omelettes!' Ghoolion took gadget after gadget from the cupboard and held them under Echo's nose, glaring at them angrily. 'What induced me to buy all these? What can one do with potato spirals long enough to decorate a banqueting hall? What demented voice convinced me in a whisper that I might some day be visited by guests with an insatiable hankering for turnip juice, rectangular omelettes and potatoes five yards long?' He Hurled the gadgets back into their dungeon with a look of disgust. 'Why, I ask myself, don't I simply chuck them all on to the rubbish dump? I'll tell you that too. I keep them for one reason alone: revenge! I keep them just as medieval princes kept their enemies on starvation rations. A quick death on a rubbish dump would be too merciful. No, let them languish in a gloomy dungeon, condemned to everlasting inactivity. That's the only condign punishment for a rectangular omelette pan!

In my little house I have my worktable, I have my Smith-Corona, my mattress, my box springs, my bed frame. I have a couch I found on the street in Pacific Grove. I have kitchen utensils—a pot, a teakettle, a frying pan. I have one spoon and one fork. I have a knife. I have no TV, no radio, no stereo. This is before computers, so no email, no Instagram, no social media. I have no correspondents. I write to nobody—not friends, not family. Nobody. And nobody writes to me. My day goes like this. I wake before dawn, eat a breakfast for a lumberjack. Four eggs, raw milk, potatoes, tomatoes. Bacon or sausage are too weak for me. Liver. A big slab for power. I walk for an hour. The sun is coming up now.

Ash flopped back against her bed, her phone still clenched in her hand. She didn’t think she could go back to sleep, so she spent the rest of the night fervently sketching, including scenes from the dream. Her kitchen with its wayward utensils scattered through the air, the basement, the man with his ominous warnings, and finally the field with the words STOP LOOKING drawn in dark hatched lines.

He had been working on damage control ever since Twelve had limped out of the church hall and called for emergency pickup. He had taken the response team himself to ensure that there was no trace of Twelve ever having been there. The blood from his leg had been scrubbed away and footage from local CCTV cameras had been deleted. The dead man—Rutherford—was left where he was. Twelve had explained what had happened. The surprise of Rutherford’s appearance had saved Milton’s life, so now, in death, he would have to pay back the damage that he had caused. His body would prove to be useful. It was easy to fabricate the story. CCTV footage placed Milton at the scene and showed Rutherford arriving moments before he was shot. A camera at the entrance to the park had footage of Milton heading north. He was wounded, too, a bullet to the shoulder. They had immediately checked local hospitals for admissions, but it was perfunctory; Milton was much too savvy to do something as foolish as that. An hour later they had intercepted a call to local police of a break-in. A couple had returned to their house on the edge of the nearby park to find that someone had forced the door to the garden. Their car and a few clothes had been stolen. That, in itself, would have been enough for Control to have investigated, but they had also reported that their first aid cabinet had been ransacked, that a lamp had been moved onto the kitchen table, and that kitchen utensils had been found covered in blood.

Another key to a perfect salad is the sauce, or vinaigrette. Most people don’t think of vinaigrette as a sauce but it is one of the most important in the French repertoire. It always includes mustard, and shallot, garlic, or chives, either vinegar or lemon juice, and most often peanut oil, though olive and canola oil are rapidly becoming more common. The proportions are 1 tablespoon vinegar, 1 teaspoon mustard, ¼ cup (60ml) oil, a pinch of salt. There can be more to a vinaigrette. Try adding a bit of soy sauce (1 teaspoon) when you add the vinegar, mix oils or use just a nut oil—hazelnut and walnut are my favorites, but almond and peanut oil are delicious, too. You can add different herbs aside from the traditional chives—try tarragon, mint, thyme, basil, or fennel fronds—a flavored mustard, a mix of ground peppercorns. One vital tip for making a great salad, whether green, composed, or otherwise, is to thoroughly toss the leaves in the vinaigrette. Some people ask me if they should toss salad with their hands. My resounding response is “Ugh.” Apparently someone at some time said the French do this but I’ve never witnessed this behavior and cannot imagine anything worse. The best utensils for tossing salad are a wooden spoon and fork, though you can use whatever is easiest for you. The point is to fatiguer la salade, tire out the lettuce, by lifting it up and out of the bowl, turning it, and letting it fall back into the bowl as many times as it takes for the lettuce leaves to begin to feel heavy. When they do, they’re perfectly dressed. And finally, toss the lettuce right before you plan to serve the salad. You cannot do this in advance. The acid in the vinaigrette begins to “cook” the leaves almost immediately—they’ll soon be wilted and soft if they’re left to sit.

He grabs his jacket from where he left it on the couch and races up the stairs two steps at a time. He’ll have a hard time dressing without his shirt, but I’m not about to follow and hand it to him. Not until Casey calms down. I’ve seen the kind of damage he can inflict with his fists, never mind kitchen utensils.

I was taught how to tie up the loin with a butcher's looping knot and was so excited by the discovery that I went home and practiced. I told Elisa about my achievement. “I tied up everything,” I said. “A leg of lamb, some utensils, a chair. My wife came home, and I tied up her too.” Elisa shook her head. “Get a life,” she said and returned to her task.

Low-end disruption has occurred several times in retailing.16 For example, full-service department stores had a business model that enabled them to turn inventories three times per year. They needed to earn 40 percent gross margins to make money within their cost structure. They therefore earned 40 percent three times each year, for a 120 percent annual return on capital invested in inventory (ROCII). In the 1960s, discount retailers such as Wal-Mart and Kmart attacked the low end of the department stores’ market—nationally branded hard goods such as paint, hardware, kitchen utensils, toys, and sporting goods—that were so familiar in use that they could sell themselves. Customers in this tier of the market were overserved by department stores, in that they did not need well-trained floor sales-people to help them get what they needed. The discounters’ business model enabled them to make money at gross margins of about 23 percent, on average. Their stocking policies and operating processes enabled them to turn inventories more than five times annually, so that they also earned about 120 percent annual ROCII. The discounters did not accept lower levels of profitability—their business model simply earned acceptable profit through a different formula.17

I haven’t eaten,” Aaron says, nodding down at the large white bag in his hands. “And I’m guessing Daniel didn’t feed you on the way over, because . . . well, because he’s Daniel . . . so I bought extra. Do we have plates in the kitchen, Sam?” When Aaron and Sam go off in search of utensils, Deo says, “The older brother is a pain in the ass. But this one, I could learn to like.

The further north the bus moved, the more drab became the buildings, the streets and the people. Cheap stores selling clothes, furniture, kitchen utensils: “Easy terms, ten months to pay!” Cafés became dimmer, the streets narrower and noisier, more and more children filled the sidewalks. Men out of work, with nothing to do and no place to go, stood in sullen, futile groups on street corners. Arab music blared from the dark cafés or from the open windows of bleak hotels. Then suddenly, police were everywhere, stalking the streets, eyes moving insolently from face to face, submachine guns strung from their shoulders. It was like Harlem, Simeon thought, except that there were fewer cops in Harlem.

After being together with someone for a few years, their attractions stand to become grievously familiar. We will ignore them and become experts on their most trying dimensions. But we are never without a chance to reverse the process. It might be that we watch them when they are with friends. We pick up again on their shy smile, their sympathetic look, or the purposeful way they push back the sleeves of their pullover. Or perhaps we hear that a casual acquaintance thinks that they are fascinating and elegant and – mixed in with a dose of jealous irritation – via this potential rival’s eye, we see again all that we could conceivably lose. We are adaptable creatures. Disenchantment is not a one-way street. We are capable of a second, more accurate look. We can turn to art for hints on how to perform the manoeuvre of re-enchantment. Many works of art look with particular focus at what has been ignored and taken for granted. In the 18th century, the French painter Chardin didn’t paint the grand things that other painters of the period went in for: heroic battles, majestic landscapes or dramatic scenes from history. Instead he looked around him and portrayed the quiet, ordinary objects of everyday life: kitchen utensils, a basket of fruit, a teacup. He brought to these objects a deeply loving regard. Normally you might not have given them a moment’s thought. But, encouraged by Chardin, we start to see their allure. He’s not pretending; he’s showing us their real but easily missed virtues. He isolates them, he concentrates attention, he carefully notes what is worthy of respect. He re-enchants our perception. In the 19th century, the English painter John Constable did something similar for clouds. Nothing, perhaps, sounds duller. Maybe as children we liked to watch the grey banks of cloud drift and scud across the arc of the sky. We had favourites among them; we saw how they merged and separated; how they were layered; how a blue patch could be revealed and then swiftly covered. Clouds are lovely things, we once knew. Then we forgot. Constable’s many cloud paintings remind us of the ethereal poetry unfolding above our heads at all moments, ready to delight us when we have the imagination to look up. Imagine meeting your partner through the lens of art. You would find again the allure of things about them that – through familiarity and haste – had been neglected. We could study once more the magic of a palm that we once longed to caress; we could attend again to a way of tilting the head that once seemed so suggestive. In the early days, we knew how to see. Now as artists of our lives – in our own fashion – we can rediscover, we can select, refocus, appreciate. We can become the explorers of lost continents filled with one another’s overlooked qualities.

since dawn and was utterly exhausted with efforts to make the squash court a place in which people could not only sleep, but keep their personal effects. The cooking had proved extremely difficult, as the kitchen utensils from Mill Farm had been moved to Pear Tree Cottage, and the Babies’ Hotel equipment – brought down in a Cazalet lorry – had lost its way and did not turn up until nine in the evening. They had to make the meal at Pear Tree Cottage and Villy took it down with them in a car. This meant cooking under the almost offensively patronising eye of Emily, whose view of ladies and their children was, of course, that they couldn’t boil an egg to save their lives; she was also unwilling to tell them where anything was on the twofold grounds that she didn’t know whether she was on her head or her heels with all the upset, and didn’t want them using her things anyway. Louise had to admit that Nora was wonderfully tactful and apparently insensitive to slights. They made two huge shepherd’s pies and Louise a batch of real Bath buns because she had just learned how to do them and was particularly good at it. The supper had been most gratefully received and Matron had called them two little bricks. Babies could be heard crying as they reached the house. Nora said that they

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I had sequenced Pickwick at home using nothing more complex than average kitchen utensils and cultivated her in a denucleated goose egg.

Tempest by Maisie Aletha Smikle Night has come The day is done It's time to go to sleep And rest in peace so sweet Then arise at daybreak with a praise For with sweet slumber you were graced It's the break of dawn And all is blessedly calm Some are waking up from their peaceful slumber While others hasten home to get their daily slumber Birds happily chirp hello And roosters crow how do you do Angels descend to take their earthly morning stroll And take a roll Of when to sack the bad And when to reward the good Like an eye at the middle of a storm So was the calm at dawn Then…Swoosh...Swoosh A mighty wind blew Birds stop sipping dew and flew Windows flew wide open Curtains leapt then went airborne floating in the air Empty teapots flew off stove tops Banging on adjacent doors Before landing on the kitchen floors Utensils cups and saucers clatter Forks dance with spoons to the rhythm of the wind Animals huddle tight In awe and fright In treetops they huddle In holes they shudder For out of their holes they will flood like grains of sand And the winds from the treetops they can't withstand Swoosh… Swoosh the mighty winds blew Sweeping like an enormous broom The winds swept What was unswept And that which was unkept And without a trace the winds left The sun peeked from behind the clouds Checking to see if the tempest had really left Then gracefully the sun arises To mop that which wasn't swept by the bristles of the tempest

From a long board, he watched her rake a pile into the stockpot: tomatoes and garlic, orange peel and bay, the heads and spines and tails of a dozen sardines. She plunged a knife into a spider crab and split it in two, tossing it after. She hadn't noticed Al standing behind her. He cleared his throat, and she swung around. "Oh, goodness," she said. "You've been busy." She held to his face a mortar of green pounded herbs and garlic, a rouille so sharp it made his eyes water. And then a hard loaf of bread, white fish steaks translucent as china; she put a salted almond in his mouth, a crust dipped into the stockpot, her finger. She was giddy, beautiful, his wife. She poured the stock through a strainer, pressing on the bones and shells with the back of a wooden spoon. She poached the fish steaks, some tiny rings and tangles of squid, picking out the mussels as they opened; she toasted bread; she warmed a Delft tureen with boiling water. She set the table, handing a cold bottle of white wine from the refrigerator and a corkscrew to him. "There's so much in this kitchen," she whispered. "Is Gigi here?" "No, not ever, I don't think. But she's got every kind of gadget. Look at this. Do you know what this is?" She held up a Bakelite-handled comb with a dozen tines. Al waited. "It's for slicing cake," she said.

I found an article in the New York Times titled “A No-Frills Kitchen Still Cooks” in which professional chef Mark Bittman told how he decked out an entire kitchen for about $ 300 including every cooking utensil someone would need to cook like a pro. Not only did he list every utensil you’d need to create even the most elegant of dishes, but he listed exactly how much to spend on it. Throughout the piece, he promoted this philosophy: “It needs only to be functional, not prestigious, lavish or expensive.” 7

I know why Stuart sent the note. He wanted me to start distrusting my friends and to drive a wedge between me and Seth. Another way to control me. For someone so clever he’s been incredibly stupid. And so have I. A kick, a shove, a twist of the wrist … it’s abuse, whichever way you look at it. I’ve been making excuses for him for far too long. It doesn’t take me long to pack my belongings. It’s funny how little of everything here is mine. The furniture, the crockery, the kitchen utensils. Everything is Stuart’s. I have nothing, which is the way he liked it. He wanted me to rely on him for everything. But now I’m free of him. Because I don’t want to be like Andrew Burton’s wife. Caroline or Carolyn. Abused and controlled by a misogynistic bully until I’m the one who finally flips and plunges a knife in to his chest. I need to get out now. While I still can.

The nuns were not the only ones to take an interest in French-Canadian cooking that fall. It was a November evening, a little before the first snow. With both her parents out, Madeleine opened the can of maple syrup she had stolen from the Damours grocery store. The maple syrup pie recipe was quite straightforward. Just five ingredients. But Madeleine prepared it with all the care and attention to detail that the Japanese take in making sushi. She worked in religious silence, without making a mess, without spilling flour. The sweet aroma of maple syrup soon floated over the kitchen, then the living room, as the syrup boiled with the heavy cream. A smell delectable enough to wake the dead, to make them wish they were still alive. Madeleine washed the utensils as she went, leaving no trace behind. Once the pie was in the oven, its aroma gained in strength and substance.

Jeff, what I have here is a report from the medical examiner regarding the contents found in the freezer of your refrigerator.” Dahmer sighed and sank in his chair with his head down as Murphy continued. “It says here, Jeff, that they found a number of items in there that need some further explanation.” Dahmer continued to look at the floor, motionless and silent. Murphy opened the report and thumbed through a few pages before continuing. “It says, Jeff, that there were, inside your freezer, a number of individually wrapped, neatly stored body parts. Namely, some meticulously cut and trimmed biceps, thigh, liver, and heart. The biceps and thigh have very distinctive markings on them which correlate with the wooden meat tenderizing utensil found in your kitchen.” Dahmer remained motionless, his cigarette burning unattended in his hand. I reached over and touched his shoulder once more. “Jeff, you have to believe what I told you on that first night that we were together. There is nothing that you can tell Murphy or me that will change our opinion of you. We’ve gotten to know and accept you, Jeff. We realize that the drinking had a big part to play in what happened and that there are possibly some other problems that might be linked to your situation; we accept and understand that, but you have got to be completely honest with us if you really want to put this thing behind you and move on with your life. Besides, if you don’t tell us something and we learn about it from another source, then it leads us to believe that you have not been telling the truth all along. Don’t you see, Jeff?

What can you do in your kitchen to eliminate possible cross contact with allergenic foods? Have you taken into consideration your pots, pans, cooking utensils and preparation surfaces?

Grateful she had locked it, she crept to the door and peered out the peephole, then smiled as she unlocked the deadbolt and opened the door. “Kyle. I didn’t expect to see you tonight.” “I couldn’t leave you all by yourself. And I’ll bet you haven’t had dinner. Am I right?” “Yes, but only because I fell asleep.” “My point exactly. You need someone to take care of you.” Jessica laughed and allowed him to enter. “I’m perfectly capable of taking care of myself.” “I know you are. But I think you deserve a little pampering, don’t you?” “I won’t argue with that.” Though she knew having him here would just make it harder to say good-bye later, she was willing to put it off for a little while longer. “What did you have in mind?” He held up a bag. “I brought Chinese.” He winked at her. “Your favorite.” Surprised by his apparent need to take care of her, if she didn’t know he was engaged to Melanie she’d think he was flirting with her. But he was engaged to Melanie, so she could only take his actions to mean that he was taking care of an old friend. He walked into the kitchen and set the bag on the table. “Where are the plates?” When she started walking toward the cabinets, he gently held on to her arms and steered her toward the table. “I can find them myself. You need to sit.” She smiled, loving the attention and soaking it up while it lasted. He found the plates as well as utensils and glasses, and set the table before sitting across from her. “I know you like the orange chicken and the fried rice, so I got plenty of both.” He scooped out a generous helping onto her plate, then filled his own. Jessica dug in, surprised by how hungry she was. “This is delicious. Thanks for bringing it over.” “My pleasure,” he said, grinning. He took a few more bites, then set his fork down. “I have to admit, it bothers me that your fiancé didn’t make the effort to be here with you after all you’ve been through.” Jessica froze, her fork midway to her mouth. She set it down and straightened the napkin in her lap before meeting Kyle’s eyes. “The truth is, I didn’t