King Leopold Congo Quotes

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The name Hitler does not offend a black South African because Hitler is not the worst thing a black South African can imagine. Every country thinks their history is the most important, and that’s especially true in the West. But if black South Africans could go back in time and kill one person, Cecil Rhodes would come up before Hitler. If people in the Congo could go back in time and kill one person, Belgium’s King Leopold would come way before Hitler. If Native Americans could go back in time and kill one person, it would probably be Christopher Columbus or Andrew Jackson. I
Trevor Noah (Born a Crime: Stories from a South African Childhood)
Furthermore, unlike many other great predators of history, from Genghis Khan to the Spanish conquistadors, King Leopold II never saw a drop of blood spilled in anger. He never set foot in the Congo. There is something very modern about that, too, as there is about the bomber pilot in the stratosphere, above the clouds, who never hears screams or sees shattered homes or torn flesh.
Adam Hochschild (King Leopold's Ghost)
And yet the world we live in—its divisions and conflicts, its widening gap between rich and poor, its seemingly inexplicable outbursts of violence—is shaped far less by what we celebrate and mythologize than by the painful events we try to forget. Leopold's Congo is but one of those silences of history.
Adam Hochschild (King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa)
From the colonial era, the major legacy Europe left to Africa was not democracy as it is practiced today in countries like England, France, and Belgium; it was authoritarian rule and plunder. On the whole continent, perhaps no nation has had a harder time than the Congo in emerging from the shadow of its past.
Adam Hochschild (King Leopold's Ghost)
At the time of the Congo controversy a hundred years ago, the idea of full human rights, political, social, and economic, was a profound threat to the established order of most countries on earth. It still is today.
Adam Hochschild (King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa)
More than 80 percent of the uranium in the Hiroshima and Nagasaki bombs came from the heavily guarded Congo mine of Shinkolobwe. The
Adam Hochschild (King Leopold's Ghost)
Millions of dead' appears nowhere in the rich oral tradition of my ancestors, nor in Lumumba's speeches. Nor does it appear with Mobutu, who was born and raised in the Equator province, where the ABIR and the Anversoise exploited rubber.
Marcel Yabili (The Greatest Fake News of All Time: Leopold II, The Genius and Builder King of Lumumba)
Sorry, but they’re burning the State archives.” The furnaces burned for eight days, turning most of the Congo state records to ash and smoke in the sky over Brussels. “I
Adam Hochschild (King Leopold's Ghost)
Most striking about the traditional societies of the Congo was their remarkable artwork: baskets, mats, pottery, copper and ironwork, and, above all, woodcarving. It would be two decades before Europeans really noticed this art. Its discovery then had a strong influence on Braque, Matisse, and Picasso -- who subsequently kept African art objects in his studio until his death. Cubism was new only for Europeans, for it was partly inspired by specific pieces of African art, some of them from the Pende and Songye peoples, who live in the basin of the Kasai River, one of the Congo's major tributaries. It was easy to see the distinctive brilliance that so entranced Picasso and his colleagues at their first encounter with this art at an exhibit in Paris in 1907. In these central African sculptures some body parts are exaggerated, some shrunken; eyes project, cheeks sink, mouths disappear, torsos become elongated; eye sockets expand to cover almost the entire face; the human face and figure are broken apart and formed again in new ways and proportions that had previously lain beyond sight of traditional European realism. The art sprang from cultures that had, among other things, a looser sense than Islam or Christianity of the boundaries between our world and the next, as well as those between the world of humans and the world of beasts. Among the Bolia people of the Congo, for example, a king was chosen by a council of elders; by ancestors, who appeared to him in a dream; and finally by wild animals, who signaled their assent by roaring during a night when the royal candidate was left at a particular spot in the rain forest. Perhaps it was the fluidity of these boundaries that granted central Africa's artists a freedom those in Europe had not yet discovered.
Adam Hochschild (King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa)
In the American South, there are hundreds of Civil War battle monuments and preserved plantation manor houses for every exhibit that in any way marks the existence of slavery. And yet the world we live in—its divisions and conflicts, its widening gap between rich and poor, its seemingly inexplicable outbursts of violence—is shaped far less by what we celebrate and mythologize than by the painful events we try to forget. Leopold’s Congo is but one of those silences of history.
Adam Hochschild (King Leopold's Ghost)
This heroism was also that of the first missionaries. They had a life expectancy of about 5 years in Congo, and some were given extremely anointing at the time of their journey to Africa. There were many young idealists. Their graves are still lined up in the Mpala locality, which overlooks Lake Tanganyika. The Catholic mission was a fort where people who fled slavers and brutality took refuge.
Marcel Yabili (The Greatest Fake News of All Time: Leopold II, The Genius and Builder King of Lumumba)
Most striking about the traditional societies of the Congo was their remarkable artwork: baskets, mats, pottery, copper and ironwork, and above all, woodcarving. It would be two decades before Europeans really noticed this art. Its discovery then had a strong influence on Braque, Matisse, and Picasso.
Adam Hochschild (King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa)
To get at parts of the vine high off the ground, men frantic to get every possible drop of rubber would sometimes tear down the whole vine, slice it into sections, and squeeze the rubber out. Although the Congo state issued strict orders against killing the vines this way, it also applied the chicotte to men who didn't bring in enough rubber. The chicotte prevailed. One witness saw Africans who had to dig up roots in order to find enough rubber to meet their quotas.
Adam Hochschild (King Leopold's Ghost)
Sorry, but they’re burning the State archives.” The furnaces burned for eight days, turning most of the Congo state records to ash and smoke in the sky over Brussels. “I will give them my Congo,” Leopold told Stinglhamber, “but they have no right to know what I did there.
Adam Hochschild (King Leopold's Ghost)
It was several decades later that I encountered that footnote, and with it my own ignorance of the Congo’s early history. Then it occurred to me that, like millions of other people, I had read something about that time and place after all: Joseph Conrad’s Heart of Darkness. However, with my college lecture notes on the novel filled with scribbles about Freudian overtones, mythic echoes, and inward vision, I had mentally filed away the book under fiction, not fact.
Adam Hochschild (King Leopold's Ghost)
In population losses on this scale, the toll is usually a composite of figures from one or more of four closely connected sources: (1) murder; (2) starvation, exhaustion, and exposure; (3) disease; and (4) a plummeting birth rate. In the worst period in the Congo, the long rubber boom, it came in abundance from all four:
Adam Hochschild (King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa)
The obsession with seeking in Africa's colonial past the causes of all its miseries today is the work of people intimately convinced that Africa is doomed, that it is unable to take care of itself today, and that, finally, the fate of the Black will only improve if the White comes back to repair what he has done wrong: these “hidden Afro- pessimists “ are hiding, under gratuitous accusations, anger, or demand for reparation, their own disarray. This explains why their words are sterile, never accompanied by proposals for solutions to the problems they evoke. They are doing a lot of harm to Africa because they divert issues that have worth.
Marcel Yabili (The Greatest Fake News of All Time: Leopold II, The Genius and Builder King of Lumumba)
At one meeting in Chicago an old woman who had been born a slave tried to donate her life savings to the cause of Congo reform; the
Adam Hochschild (King Leopold's Ghost)
An absurdly deceptive book on Congolese rubber production (King Leopold’s Ghost) is better described as historical fiction.
Bruce Gilley
The Chinese who mine cobalt mines in the Congo are now whipping Congolese workers with impunity. A video of this went viral, but no action group or government reacted to it.
Marcel Yabili (The Greatest Fake News of All Time: Leopold II, The Genius and Builder King of Lumumba)
The French's acts of violence did not exonerate Leopold, but they did not make it into the Angelo-International press: Brazza's 1905 report was not published until 1965.
Marcel Yabili (The Greatest Fake News of All Time: Leopold II, The Genius and Builder King of Lumumba)
The rubber production only took place in the northwest of the Congo, in the Equateur province, a very small part of the huge country.
Marcel Yabili (The Greatest Fake News of All Time: Leopold II, The Genius and Builder King of Lumumba)
Human zoos existed in many countries (France, Norway, USA), but only Leopold II was accused of bringing Congolese to Belgium in 1885, 1894 and 1897.
Marcel Yabili (The Greatest Fake News of All Time: Leopold II, The Genius and Builder King of Lumumba)
The current problems in Congo (poverty, 27 million people in famine, enrichment by the top, brutal rapes, murders, ...) receive much less attention than those during the time of Leopold II.
Marcel Yabili (The Greatest Fake News of All Time: Leopold II, The Genius and Builder King of Lumumba)
The exclusive focus of the reform movement on Leopold’s Congo seems even more illogical if you reckon mass murder by the percentage of the population killed. By these standards, the toll was even worse among the Hereros in German South West Africa, today’s Namibia. The killing there was masked by no smokescreen of talk about philanthropy. It was genocide, pure and simple, starkly announced in advance.
Adam Hochschild (King Leopold's Ghost)
King Leopold’s private fiefdom in the Congo was precisely the counterfactual to colonial rule and the best argument for colonialism. His inability to control his native rubber agents who continued their pre-colonial business of slave-trading and coercive rubber harvesting showed the problems that would arise if European freelancers allied with native warlords and slave-traders to establish regimes with no outside scrutiny.
Bruce Gilley (The Case for Colonialism: A Response to My Critics (Paper))
Jules Marchal, Adam Hochschild, Lucas Catherine and Daniel Vangroenweghe deliberately did not publish reliable figures and did not read the 1905 investigation report, set by Leopold II. They are spreaders of fake news.
Marcel Yabili (The Greatest Fake News of All Time: Leopold II, The Genius and Builder King of Lumumba)
During and after the war, though, no one in the Allied countries wanted to be reminded that, only a decade or two earlier, it was the King of the Belgians whose men in Africa had cut off hands. And so the full history of Leopold’s rule in the Congo and of the movement that opposed it dropped out of Europe’s memory, perhaps even more swiftly and completely than did the other mass killings that took place in the colonization of Africa.
Adam Hochschild (King Leopold's Ghost)
In the Congo, as in Russia, mass murder had a momentum of its own. Power is tempting, and in a sense no power is greater than the ability to take someone’s life. Once under way, mass killing is hard to stop; it becomes a kind of sport, like hunting.
Adam Hochschild (King Leopold's Ghost)
There was no written language in the Congo when Europeans first arrived, and this inevitably skewed the way that history was recorded. We have dozens of memoirs by the territory’s white officials; we know the changing opinions of key people in the British Foreign Office, sometimes on a day-by-day basis. But we do not have a full-length memoir or complete oral history of a single Congolese during the period of the greatest terror. Instead of African voices from this time there is largely silence.
Adam Hochschild (King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa)
The anti-clericalism of some Belgians falsified history by attributing the low level of education to "the racism of the missionaries", while it was they who provided education and educated the African elite with the first university priest Stefano Kaoze in 1917
Marcel Yabili (The Greatest Fake News of All Time: Leopold II, The Genius and Builder King of Lumumba)
It was only in 1926, long after Leopold II, that the whip was introduced in local courts with Congolese chieftains and dignitaries as judges. In 1959 the use had completely disappeared, but Laurent Kabila reintroduced it in 1997 and now the whip is a common torture of the police.
Marcel Yabili (The Greatest Fake News of All Time: Leopold II, The Genius and Builder King of Lumumba)
So there was a decent system which reacted to these abuses. There were three investigative commissions for the abuses in the Congo under King Leopold II. Why do we know so little about the atrocities in the Congo in the nineties? Because the Congolese government didn’t give a damn about them!
Bruce Gilley
In the case of the highest official in the Congo, the man who corresponds in Africa to Lord Curzon in India, no sooner was he placed in possession of the conclusions of the Commission than the appalling significance of their indictment convinced him that the game was up, and he went into his room and cut his throat.
Mark Twain (King Leopold's Soliloquy: A Defense of His Congo Rule (1905))
In France’s equatorial African territories, where the region’s history is best documented, the amount of rubber-bearing land was far less than what Leopold controlled, but the rape was just as brutal. Almost all exploitable land was divided among concession companies. Forced labor, hostages, slave chains, starving porters, burned villages, paramilitary company “sentries,” and the chicotte were the order of the day. Thousands of refugees who had fled across the Congo River to escape Leopold’s regime eventually fled back to escape the French. The population loss in the rubber-rich equatorial rain forest owned by France is estimated, just as in Leopold’s Congo, at roughly 50 percent.
Adam Hochschild (King Leopold's Ghost)
Morel begins to notice things that unsettle him. At the docks of the big port of Antwerp he sees his company’s ships arriving filled to the hatch covers with valuable cargoes of rubber and ivory. But when they cast off their hawsers to steam back to the Congo, while military bands play on the pier and eager young men in uniform line the ships’ rails, what they carry is mostly army officers, firearms, and ammunition. There is no trade going on here. Little or nothing is being exchanged for the rubber and ivory. As Morel watches these riches streaming to Europe with almost no goods being sent to Africa to pay for them, he realizes that there can be only one explanation for their source: slave labor.
Adam Hochschild (King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa)
Lumumba praised Leopold as a genius and builder of the Congo; in his fierce speech of June 30, 1960, he denounced 9 forms of violence, but the "severed hands" and the "chicotte" (whip) were not among them. The chicotte was part of the sharia and the Arab slave traders, but it was banned in the law that was introduced by Leopold after 1885 for Congolese citizens.
Marcel Yabili (The Greatest Fake News of All Time: Leopold II, The Genius and Builder King of Lumumba)
Congo Free State had an annual 'Bulletin Officiel' from 1885 to 1908, it was a member of the Universal Postal Union and one Congolese franc was worth one Reichsmark. The Bulletin had 9,777 pages in 23 editions from 1885 to 1908. The Free State's income rose from 0.6 million Congolese francs in 1891 to 35 million in 1908. So by no means all the money went to Leopold II. These figures are hushed up by all critics.
Marcel Yabili (The Greatest Fake News of All Time: Leopold II, The Genius and Builder King of Lumumba)
To Leopold, the international explosion of bad publicity triggered by the Kowalsky disaster was a turning point: instead of grandly bequeathing the Congo to Belgium at his death as he had planned, he understood that he would have to make the change before then. With his extraordinary knack for making the best of an apparently difficult situation, he began to maneuver. If these do-gooders were forcing him to give up his beloved colony, he decided, he was not going to give it away. He would sell it. And Belgium, the buyer, would have to pay dearly.
Adam Hochschild (King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa)
Just as Europeans would be long obsessed with African cannibalism, so Africans imagined Europeans practicing the same thing. The whites were thought to turn their captives’ flesh into salt meat, their brains into cheese, and their blood into the red wine Europeans drank. African bones were burned, and the gray ash became gunpowder. The huge, smoking copper cooking kettles that could be seen on sailing vessels were, it was believed, where all these deadly transformations began. The death tolls on the packed slave ships that sailed west from the Congo coast rose higher still when some slaves refused to eat the food they were given, believing that they would be eating those who had sailed before them.
Adam Hochschild (King Leopold's Ghost)
Demographer Jean-Paul Sanderson, estimated the decline of the Congolese population during the reign of Leopold II and after, between 1885 and 1920 at several hundred thousand, and there were several reasons for this: diseases, malnutrition (including because men worked in the rubber harvest rather than farming), fewer births. Professor Anatole Romaniuk of the University of Alberta in Canada wrote a study on this, showing that almost half of the women in Congo in the second half of the 19th century suffered from Afro-Arab slavery and did not give birth to a single living child because of 'une stérilité massive pathologique d'origine vénérienne', i.e. because of massive infertility due to venereal disease. This factor trumped all other causes.
Marcel Yabili (The Greatest Fake News of All Time: Leopold II, The Genius and Builder King of Lumumba)
The much-criticised rubber regime of Leopold II had only a brief heyday and disappeared from the tables of Congolese resources shortly after 1900 in favour of palm oil and palm nuts. The production tables also show that the population increased from 1890 onwards and was not exterminated. In 1888, And revenue from the 'red' rubber largely went to the Free State for public expenditure, including road construction and the army. These budgets, too, are never cited by the narrators, ever. Ditto for the rubber tables, which show that far more rubber arrived in Antwerp from French Congo and Angola than from the Free State in the early period. Rubber from Congo Free State accounted for barely 10 per cent of world production. The big supplier was the Amazon with 70%.
Marcel Yabili (The Greatest Fake News of All Time: Leopold II, The Genius and Builder King of Lumumba)
Without in any way diminishing the horror on the Holocaust, to a certain extent we can understand Nazism as European colonialism and imperialism brought home. The decimation of the indigenous populations of the Americas and Australia, the tens of millions who died of famine in India under British rule, the ten million killed by Belgian king Leopold's Congo Free State, and the horrors of transatlantic slavery are but a sliver of the mass death and societal decimation wrought by European powers prior to the rise of Hitler. Early concentration camps (known as "reservations") were set up by the American government to imprison indigenous populations, by the Spanish monarchy to contain Cuban revolutionaries in the 1890s, and by the British during the Boer War at the turn of the century. Well before the Holocaust, the German government had committed genocide against Herero and Nama people of southwest Africa through the use of concentration camps and other methods between 1904 and 1907.
Mark Bray (Antifa: The Anti-Fascist Handbook)
For the past 25 years, the idea of the Congo has been closely linked in the Western imagination to the 1998 book King Leopold’s Ghost by the American journalist Adam Hochschild. The book is widely assigned in high schools and colleges, and it regularly tops best-seller lists in colonial, African, and Western history. Hochschild has become a sort of king of the Congo, or at least of its history. The book is reflexively cited by reputable scholars in their footnotes any time they wish to assert that it is “well known” and “beyond doubt” that sinister men in Europe wrought havoc in Africa over a century ago. Any discussion of the Congo, or of European colonialism more generally, invariably begins with the question: “Have you read King Leopold’s Ghost?” I have read it. And I can declare that it is a vast hoax, full of distortions and errors both numerous and grave. Some people might view “King Hochschild’s Hoax,” as we might call it, as an empowering fable for modern Africans at the expense of the white man.
Bruce Gilley
In return for receiving the Congo, the Belgian government first of all agreed to assume its 110 million francs’ worth of debts, much of them in the form of bonds Leopold had freely dispensed over the years to favorites like Caroline. Some of the debt the outmaneuvered Belgian government assumed was in effect to itself—the nearly 32 million francs worth of loans Leopold had never paid back. As part of the deal, Belgium also agreed to pay 45.5 million francs toward completing certain of the king’s pet building projects. Fully a third of the amount was targeted for the extensive renovations under way at Laeken, already one of Europe’s most luxurious royal homes, where, at the height of reconstruction, 700 stone masons, 150 horses, and seven steam cranes had been at work following a grand Leopoldian blueprint to build a center for world conferences. Finally, on top of all this, Leopold was to receive, in installments, another fifty million francs “as a mark of gratitude for his great sacrifices made for the Congo.” Those funds were not expected to come from the Belgian taxpayer. They were to be extracted from the Congo itself.
Adam Hochschild (King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa)
I began to read more. The further I explored, the more it was clear that the Congo of a century ago had indeed seen a death toll of Holocaust dimensions.
Adam Hochschild (King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa)
do not understand Englishmen at all,” Stanley wrote. “Either they suspect me of some self-interest, or they do not believe me. . . . For the relief of Livingstone I was called an impostor; for the crossing of Africa I was called a pirate.” Nor was there enthusiasm in the United States for Congo colonization. James Gordon Bennett, Jr., in New York, now wanted to send Stanley off in search of the North Pole.
Adam Hochschild (King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa)
Thousands of refugees who had fled across the Congo River to escape Leopold’s regime eventually fled back to escape the French. The
Adam Hochschild (King Leopold's Ghost)
When another American, Francis Ford Coppola, tried to put the blood lust of that war on film, where did he turn for the plot of his Apocalypse Now? To Joseph Conrad, who had seen it all, a century earlier, in the Congo.
Adam Hochschild (King Leopold's Ghost)
He [Stanley] had stated that he longed to do something wonderful for the African tribes along the Congo, and instead, as would become all too apparent, had set them up for a terrible fate. In 1877 he came down the great river as the first European ever to do so, declaring his hope that the Congo should become like `a torch to those who sought to do good'." Instead, it became the torch that attracted the archexploiter King Leopold II of Belgium.
Tim Jeal (Stanley: The Impossible Life of Africa's Greatest Explorer)
the idea of independence and self-government in Africa was voiced by almost no one, except for a few beleaguered rebels deep in the Congo rain forest. In
Adam Hochschild (King Leopold's Ghost)
To the Africans throughout the Congo conscripted to work on these and other new enterprises, the Great Depression, paradoxically, brought lifesaving relief.
Adam Hochschild (King Leopold's Ghost)
as in Leopold’s colony, both the French territories and the German Cameroons were wracked by long, fierce rebellions against the rubber regime. The French scholar Catherine Coquéry-Vidrovitch has published a chilling graph showing how, at one French Congo post, Salanga, between 1904 and 1907, the month-by-month rise and fall in rubber production correlated almost exactly to the rise and fall in the number of bullets used up by company “sentries”—nearly four hundred in a busy month.
Adam Hochschild (King Leopold's Ghost)
One traveler to the Congo came on a deserted town where a fifteen-foot boa constrictor was dining on smallpox victims’ flesh, and on another where the vultures were so gorged that they were too heavy to fly.
Adam Hochschild (King Leopold's Ghost)
If you yield so much as an inch of the Congo, your old King will rise from his grave to blame you.
Leopold II
Starting a business like the one that has kept me so busy is always difficult and troublesome. I insisted on taking the effort entirely on myself. In order to do his country a service, a king must not shy away from the realization of an undertaking, even if it shows evidence of recklessness. The wealth of a monarch lies in public prosperity.
Leopold II
Hochschild describes the startling moment when he first learned that forced labor in the Congo had taken eight to ten million lives, making it one of the major killing grounds of modern times.
Adam Hochschild (King Leopold's Ghost)
Kwitny’s Endless Enemies: The Making of an Unfriendly World (1984), an astute examination of U.S. economic policy and its long habit of manipulating governments. Kwitny wrote extensively about the Congo: how its hard-won independence lasted only about fifty days before it was lost again—diamonds, cobalt, self-determination, and all—to foreign business interests. The U.S. was the star player in this piracy. The first elected Congolese Prime Minister, Patrice Lumumba, declared that Congo’s wealth belonged to her people and would be used to improve their lives. The U.S. response was to hatch an assassination plan, finance a coup, and replace Lumumba with a puppet dictator who could be bribed to open the vaults to multinational corporations.
Adam Hochschild (King Leopold's Ghost)
George Washington Williams, a black American journalist, appears to have been the first foreign visitor to the Congo who saw savagery in the station commanders’ business-as-usual, and committed the rest of his life to telling the world this truth. Edmund Morel, employed by a British shipping company, noticed that vessels sent off to the Congo carried only weaponry, and returned full of ivory, rubber, and other valuables; looking into this mystery, he uncovered horrors that catapulted him into a career of human-rights advocacy.
Adam Hochschild (King Leopold's Ghost)
(When Leopold turned over his colony to Belgium he burned all the state records, declaring, ‘I will give them my Congo, but they have no right to know what I did there.’) Truly, this is the aching heart of the story: how a population comprised of millions of souls, spread over nearly a million square miles, rich in language and music and deeply honored traditions, can be muted and erased.
Adam Hochschild (King Leopold's Ghost)
Although it was Edmund Dene Morel who had ignited a movement, he was not the first outsider to see King Leopold’s Congo for what it was and to try hard to draw the world’s attention to it. That role was played by George Washington Williams, a black American journalist and historian, who, unlike anyone before him, interviewed Africans about their experience of their white conquerors. It was another black American, William Sheppard, who recorded a scene he came across in the Congo rain forest that would brand itself on the world’s consciousness as a symbol of colonial brutality.
Adam Hochschild (King Leopold's Ghost)
The independence of the Congo is the crowning of the work conceived by the genius of King Leopold II undertaken by him with firm courage, and continued by Belgium with perseverance. Independence marks a decisive hour in the destinies not only of the Congo herself but- I don't hesitate to say-of the whole of Africa.
Baudouin I
The Portuguese kings showed no sympathy. King João III replied: “You . . . tell me that you want no slave-trading in your domains, because this trade is depopulating your country. . . . The Portuguese there, on the contrary, tell me how vast the Congo is, and how it is so thickly populated that it seems as if no slave has ever left.” Affonso pleaded with his fellow sovereigns as one Christian with another, complete with the prejudices of the day. Of the priests turned slave-traders, he wrote: In this kingdom, faith is as fragile as glass because of the bad examples of the men who come to teach here, because the lusts of the world and lure of wealth have turned them away from the truth.
Adam Hochschild (King Leopold's Ghost)
He had to raise huge sums of money in a short period of time. He had already spent about ten million of his personal fortune on his African ventures. [...] It was utopian, however, to imagine that a single person, no matter how wealthy, could bear all the financial burdens.
Barbara Emerson (Leopold II of the Belgians: King of colonialism)
The nineteenth century brought no improvement in the ethics of capitalism. The Industrial Revolution that swept through Europe enriched the bankers and capital-owners, but condemned millions of workers to a life of abject poverty. In the European colonies things were even worse. In 1876, King Leopold II of Belgium set up a nongovernmental humanitarian organisation with the declared aim of exploring Central Africa and fighting the slave trade along the Congo River. It was also charged with improving conditions for the inhabitants of the region by building roads, schools and hospitals. In 1885 the European powers agreed to give this organisation control of 2.3 million square kilometres in the Congo basin. This territory, seventy-five times the size of Belgium, was henceforth known as the Congo Free State. Nobody asked the opinion of the territory’s 20–30 million inhabitants. Within a short time the humanitarian organisation became a business enterprise whose real aim was growth and profit. The schools and hospitals were forgotten, and the Congo basin was instead filled with mines and plantations, run by mostly Belgian officials who ruthlessly exploited the local population. The rubber industry was particularly notorious. Rubber was fast becoming an industrial staple, and rubber export was the Congo’s most important source of income. The African villagers who collected the rubber were required to provide higher and higher quotas. Those who failed to deliver their quota were punished brutally for their ‘laziness’. Their arms were chopped off and occasionally entire villages were massacred. According to the most moderate estimates, between 1885 and 1908 the pursuit of growth and profits cost the lives of 6 million individuals (at least 20 per cent of the Congo’s population). Some estimates reach up to 10 million deaths.4
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
While King Leopold II of Belgium established his notoriously brutal colonial regime late in the nineteenth century in the Congo, a system to extract rubber evolved in the farthest reaches of the Upper Amazon that was also based on terror, mass abduction, and forced labor. Exploration
Scott Wallace (The Unconquered: In Search of the Amazon's Last Uncontacted Tribes)
In little more than a generation, the Belgian king’s yearning for empire and fortune may have killed ten million people in the territory—half of Congo’s population, or more than the entire death toll in World War I. Even today Japan continues to face international ostracism for its brutal imperial conduct in China, Korea and other parts of Asia in the 1930s, which followed Leopold’s Congo holocaust by a mere two decades. And yet there has never been any remorse in the West over the fallout from Europe’s drive to dominate Africa. Indeed, few have heard these grim facts.
Howard W. French (A Continent for the Taking: The Tragedy and Hope of Africa)
Morel made particularly effective use of photography. A central part of almost every Congo protest meeting was a slide show, comprising some sixty vivid photos of
Adam Hochschild (King Leopold's Ghost)
He and his supporters never doubted that if only Britain were to act, it could force Leopold to mend his ways or could wrest the Congo entirely from his grasp.
Adam Hochschild (King Leopold's Ghost)
Power is tempting, and in a sense no power is greater than the ability to take someone’s life. Once under way, mass killing is hard to stop; it becomes a kind of sport, like hunting. Congo
Adam Hochschild (King Leopold's Ghost)
two white men were put on trial for a particularly gruesome set of murders in the French Congo; to celebrate Bastille Day, one had exploded a stick of dynamite in a black prisoner’s rectum. Copying
Adam Hochschild (King Leopold's Ghost)
In any case, his lust for colonies still extended to all corners of the world. In 1897, he started to invest Congo state profits in a railway in China, eventually making big money on the deal. He saw that country as he had seen the “magnificent African cake,” a feast to be consumed, and he was as ready as ever to invite himself to the table.
Adam Hochschild (King Leopold's Ghost)
In 1890, George Washington Williams had called for the Congo to be under rule that would be “local, not European; international, not national.” But it would be more than three decades later before even the most ardently anticolonialist intellectuals, in Europe, Africa, or the Americas, said much like this again.
Adam Hochschild (King Leopold's Ghost)
I read everything I could find about the Congo, which wasn’t much. Americans had no connection with that place. At the top of the African continent stood some pyramids that might be worth a tourist’s while, and down at the bottom, a headline-grabbing political drama of apartheid was playing out. But the middle was a great blur. If Africa came up in conversation, it was framed by power imbalance: the Christian mission to help the unenlightened; the charitable donation to feed the wretched children. This kind of talk, with the attendant photos of pleading waifs, didn’t square with the spirited Congolese kids I’d once known, so dazzlingly proficient at the skills their lives required, so very plainly not trying to be like me. Absent from the haves-and-have-nots conversation was any notion of fully formed African cultures with their own laws and scriptures and ways of making food and homes and families. Cultures that might have been on the way to making their own history, but somehow had gotten arrested instead. Now they seemed to be marching in place, shut off from the rest of the world.
Adam Hochschild (King Leopold's Ghost)
I am a great admirer of Leopold II, although I think that he should be destroyed in the memory of mankind and reduced to the state in which I presented him in my play, namely a dirty goblin who as soon as he does something of any interest must be raised in order to become a fully-fledged human being.
Hugo Claus
The freelance EIC had at its peak just 1,500 administrative officers and about 19,000 police and soldiers for an area one third the size of the continental United States. As such, it exerted virtually no control over most areas, which were in the hands either of Arab slave-traders and African warlords, or of native soldiers nominally in the employ of Belgian concession companies without a white man for a hundred miles. Hochschild’s description of the EIC as “totalitarian” is bizarre, as is his claim that Léopold exerted a “framework of control…across his enormous realm.” If only this were true.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
The rubber quotas imposed on natives in this 15 percent of the territory were enforced by native soldiers working for the companies or for the EIC itself. In many areas, the rubber came with ease and the natives prospered. The rubber station at Irengi, for instance, was known for its bulging stores and hospitable locals, whose women spent a lot of time making bracelets and where “no one ever misses a meal,” noted the EIC soldier George Bricusse in his memoirs. Elsewhere, however, absent direct supervision, and with the difficulties of meeting quotas greater, some native soldiers engaged in abusive behavior to force the collection. Bricusse noted these areas as well, especially where locals had sabotaged rubber stations and then fled to the French Congo to the north. In rare cases, native soldiers kidnapped women or killed men to exact revenge. When they fell into skirmishes, they sometimes followed long-standing Arab and African traditions by cutting off the hands or feet of the fallen as trophies, or to show that the bullets they fired had been used in battle. How many locals died in these frays is unclear, but the confirmed cases might put the figure at about 10,000, a terrible number.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
As a self-proclaimed human rights activist, Hochschild can be forgiven for his economic illiteracy. But since it is the keystone that begins his tale, it is another fib worth correcting. The EIC’s large trade surplus (more physical goods going out than coming in) was because virtually none of the revenue from the goods sold in Europe was sent back to pay for labor, which was “paid for” as a fulfillment of the EIC labor obligation. Instead, the revenue paid for European administration, infrastructure, and trade services in the Congo as well as profits that were parked in Belgium (an overall payments deficit). For Hochschild to claim that Africans were getting “little or nothing” for the goods they produced because fewer goods were being sent to Africa displays a stunning economic ignorance. It is like saying that the empty container ships returning to China from today’s port of Long Beach show that China’s workers are being paid “little or nothing.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
This egregious example of “Belgians bad, natives good” is the conceptual foundation of King Hochschild’s Hoax. And it bleeds into what is, for most readers, the enduring imaginative impact of the book, to have put a nasty Belgian face onto Mistah Kurtz, the phantom who draws Marlow’s steamboat up the Congo river in Joseph Conrad’s 1902 novella Heart of Darkness. Like generations of English professors, Hochschild has misread the book as an indictment of colonialism, which is difficult to square with its openly pro-colonial declarations and the fact of the “adoring” natives surrounding the deceased Kurtz.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Some people might view “King Hochschild’s Hoax,” as we might call it, as an empowering fable for modern Africans at the expense of the white man. But its debilitating effects on Africa, and on the Congo in particular, make the opposite more nearly the case. It is a callous and negligent chicotte (hippo whip) lash on the backs of all black Africans, narcissistic guilt porn for white liberals at the expense of the African. The Congolese lawyer Marcel Yabili calls it “the greatest falsification in modern history,” a compliment of sorts, I suppose.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
How could Hochschild go so wrong? He was highly motivated from the start to “find” a genocide because, as he notes, his project began by reading the American humorist Mark Twain’s claim that eight to ten million people had died in the EIC. But no scholar has ever made such a charge. His source was a chapter by the Belgian ethnographer Jan Vansina, citing his own work on population declines in the entirety of central Africa throughout the 19th century that included only what became the northern areas of the EIC. In any case, Vansina’s own source was a Harvard study of 1928 that quoted a 1919 Belgian claim that “in some areas” population had fallen by half, but quoted it in order to assert that it was almost certainly false.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
he main point is that Conrad realistically described the terrible things done by Belgians in the Congo. Hochschild certainly wishes this was Conrad’s purpose. He repeats an old theory that Kurtz was based on the EIC officer Léon Rom whom Conrad “may have met” in 1890 and “almost certainly” read about in 1898. Visitors noted that Rom’s garden was decorated with polished skulls buried in the ground, the garden gnomes of the Congo then. But Kurtz’s compound has no skulls buried in the ground but rather freshly severed “heads on the stakes” that “seemed to sleep at the top of that pole.” As the British scholar Johan Adam Warodell notes, none of the “exclusively European prototypes” for Kurtz advanced by woke professors and historians followed this native mode of landscape gardening. By contrast, dozens of accounts of African warlords and slavers in the Congo published before 1898 described rotting heads on poles (“a wide-reaching area marked by a grass fence, tied to high poles, which at the very top were decorated with grinning, decomposing skulls,” as one 1888 account had it). Far from being “one of the most scathing indictments of [European] imperialism in all literature,” as Hochschild declares it, Heart of Darkness is one of the most scathing indictments of the absence of European imperialism in all literature. Kurtz is a symbol of the pre-colonial horrors of the Congo, horrors that the EIC, however fitfully, was bringing to an end.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
The abuses were first reported by an American missionary in The Times of London in 1895 and quickly brought Léopold’s censure: “If there are these abuses in the Congo, we must stop them,” he warned EIC officials in 1896. “If they continue, it will be the end of the state.” For the next ten years, reforming the Congo’s rubber industry absorbed an inordinate amount of attention in the British and American press and legislatures, not to mention within Belgium and the EIC itself, leading to formal Belgian colonization in 1908. Hochschild thus takes a very limited, unintentional, unforeseen, and perhaps unavoidable problem of native-on-native conflict over rubber harvesting and blows it up into a “forgotten Holocaust” to quote the subtitle given to the French edition of his book. Inside this great invention are many more perfidious Russian dolls.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Hochschild repeats the urban legend that Léopold burned all the EIC documents, going “to extraordinary lengths to try to erase potentially incriminating evidence.” Quite the opposite: Léopold was proud of the EIC and went to extraordinary lengths to leave behind an extensive record. The testimony of his military aide that Hochschild cites about “burning the State archives” and turning “most of the Congo state records to ash” was a misunderstanding: what the aide saw burning were ruined and unreadable papers among the thousands of documents that came back in crates from the Congo in 1908. Léopold left behind 14 trunks filled with his personal letters and financial statements. Everything was carefully cataloged in “a vast room that looked like a post office,” the aide recalled. Some of it went missing in the turmoil of World War II before resurfacing in the basement of a house in 1983. Just last year, researchers at the Royal Museum for Central Africa who work on the EIC archives published a new book, The Congo Free State: What Could Archives Tell Us?
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Even taking Sanderson’s pessimistic estimate as correct, does this mean that Léopold’s rule “killed” 500,000 people? Of course not, because, in addition to the misplaced personalization of long-term population changes, the rubber regions, as mentioned, experienced both population increases and declines. Even in the latter, such as the rubber-producing Bolobo area in the lower reaches of the Congo river, population decline was a result of the brutalities of freelance native chiefs and ended with the arrival of an EIC officer. More generally, the stability and enforced peace of the EIC caused birth rates to rise near EIC centers, such as at the Catholic mission under EIC protection at Baudouinville (today’s Kirungu). Population declines were in areas outside of effective EIC control. The modest population gains caused by EIC interventions were overwhelmed by a range of wholly separate factors, which in order of importance were: the slave trade, sleeping sickness, inter-tribal warfare, other endemic diseases (smallpox, beriberi, influenza, yellow fever, pneumonia, dysentery, tuberculosis, typhoid fever, and venereal disease), cannibalism, and human sacrifice.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
The missionary Fanny Emma Fitzgerald Guinness was allowed to visit one Arab slave fort in 1890, seeing “rows upon rows of dark nakedness, relieved here and there by the white dresses of the captors” in one pen holding 2,300 souls. She estimated that for every one slave eventually sold, seven died either in the raids, in the camps, or while being transported to the Indian Ocean.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Hochschild describes the EIC official Léon Fiévez as a “sadist” who “terrorized” the rubber-rich Équateur district where he was commissioner. His source is the George Bricusse mentioned above. Bricusse lasted only three years in the Congo before dying of either typhoid or malaria, a common occurrence for the EIC where the annual mortality rate for European soldiers was 20 percent. In the 1894 incident recalled, Fiévez is recounting to Bricusse his desperate attempts to feed his soldiers while battling slave lords in the area. There is no mention of rubber because this particular place had little of it. The slaving business, on the other hand, is flourishing and Bricusse notes its devastation everywhere. Fiévez had arrived a few days earlier and held parlay with local chiefs. They had agreed to supply his soldiers with food for payment. They then reneged and fled into the forest. Fiévez sent his troops in pursuit and, in the ensuing fight, 100 of the chiefs’ soldiers were killed. After that, the chiefs made good on their promise.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
The first proper sample-based census was not carried out until 1949, so demographers have to reconstruct population totals from micro-level data on food supply, settlement patterns, village counts, birth records, and the like. The most sophisticated modeling by French and Belgian demographers variously suggests a population of 8 to 11 million in 1885 and 10 to 12 million by 1908. The Belgian Jean-Paul Sanderson, using a backward projection method by age cohorts, found a slight decline, from 10.5 million in 1885 to 10 million in 1910. This estimated change in total population governed by changing birth and death rates over a 25 year period represents a negligible annual net decline in population.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Belgium had no prior history in the slave trade, nor of African slaves. Léopold could fight against slavery without any hint of hypocrisy, even of the ahistorical type advanced by Hochschild. And it was slavery, not rubber operations, that contemporary observers viewed as the biggest threat to the people of the Congo.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
In 1892, a Belgian trader and his entire caravan of six Europeans and 40 porters were beheaded by a thug controlled by the notorious slaver and warlord Msiri, who asked that their heads be returned to him to decorate his compound. The trader had tried to persuade Msiri and other local tyrants to sell their ivory to his company, which could transport it by river, thus obviating the need for slaves.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
The first and biggest deceit at the heart of King Leopold’s Ghost is the attempt to equate Léopold’s “État indépendant du Congo” or EIC (long mistranslated as the Congo Free State) with Western colonialism. Yet the EIC was a short-term solution to the absence of colonial government in the Congo river basin.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Most memorably for readers, Hochschild reprints staged photographs taken by the English missionary Alice Seeley Harris and supplied to the anti-Léopold campaign through the English missionary John Weeks. The missionaries knew that showing these fake photos at “lantern shows” in community halls in Britain won more attention and donations than their detailed accounts of cannibalism and sleeping sickness ravaging their areas. Hochschild does not tell the reader that the photographs are staged, nor does he explain that the photographs of people with severed hands were victims of gangrene, tribal vendettas, or cannibalism having nothing to do with rubber. In the most famous photo of them all, a man whom Seeley got to sit on the veranda of her mission station with a severed hand and foot before him, the original caption given by Morel reads: “Sala of Wala and remains of his five year old daughter; both wife and child were eaten by king’s soldiers at a cannibal feast. Until Hochschild, no one had suggested that the girl or her mother were killed for rubber, only that the EIC had failed to control the eating habits of its citizens. Hochschild, however, captions the photo thus: “Nsala, of the district of Wala, looking at the severed hand and foot of his five-year-old daughter, Boali, a victim of the Anglo-Belgian India Rubber Company (A.B.I.R.) militia.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Why did Hochschild put such store in plainly erroneous data about a loss of life caused by the EIC? Here we come to the horror at the heart of King Hochschild’s Hoax: his attempt to equate the EIC to the Nazis and to the sacred memory of the Holocaust. Throughout the book there is a nauseating, indeed enraging, use of Holocaust and Auschwitz comparisons. In part these reveal an insecurity about his main thesis and the knowledge that one way to silence criticism is to play on the fact that no one wants to be called a Holocaust denier. While we know “how many Jews the Nazis put to death,” he menaces readers, insisting on such precision in the EIC is distasteful. You have been warned!
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
The further falsehoods and distortions that make up King Hochschild’s Hoax all collectively derive from the problems above. Perhaps most remarkably, the book is not really much about the history of the EIC at all. The central activity that justified, motivated, absorbed, and in the end defeated the EIC is missing: the battle against the Afro-Arab slave trade. This is akin to writing a history of the 68 years of colonial Kenya that limits itself only to the eight years of Mau Mau counter-insurgency campaign.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
By 1891, six years into the attempt to build the EIC, the whole project was on the verge of bankruptcy. It would have been easy for Léopold to raise revenues by sanctioning imports of liquor that could be taxed or by levying fees on the number of huts in each village, both of which would have caused harm to the native population. A truly “greedy” king, as Hochschild repeatedly calls him, had many fiscal options that Léopold did not exercise.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
If there are these abuses in the Congo, we must stop them, If they continue, it will be the end of the state.
Leopold II
the big headline of the book, a whopper really, is Hochschild’s claim that the population of the Congo fell by 50 percent or 10 million on Léopold’s watch. The EIC, he claims, caused “depopulation” and “mass murder” of “genocidal proportions” due to its drive for rubber profits. In fact, the most knowledgeable estimates today suggest that the general population of the Congo rose slightly during the EIC era and that any deaths attributable to the limited abuses in the rubber areas were far outweighed by the lives saved and created by the EIC’s direct interventions in other respects. Even if we can agree that any life lost to senseless violence and negligent governance is always and everywhere deserving of condemnation, Léopold’s regime was a monumental achievement in saving and promoting black lives.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Hochschild is at pains to convince the reader that anyone opposing the EIC was good, whether brutal slave trader, inveterate cannibal, fetish priest, or ethnic-cleansing warlord. His treatment of the 1895 rebellion by native soldiers at a military camp named Luluabourg in the southern savannah strains to portray the rebels as noble savages pining for freedom and a return to pastoral life. In his telling, the Belgian commander Mathieu Pelzer was a “bully” who “used his fists” and thus got his comeuppance at breakfast with a knife to the throat. Actually, Pelzer had nothing to do with it. The rebels were former soldiers for a black slave king. The EIC had brought them to the southern camp to reintegrate them as government soldiers. But their loss of royal prerogatives to whore, steal, and maim caused them to rebel. The group never exceeded 300 (Hochschild speculates that it reached 2,500) and petered out in the northern jungles in 1897, a rag-tag criminal gang gone to seed.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
Conrad spent six months working for a cargo company in the EIC in 1890, three weeks of it aboard a steamship traveling up river to today’s Kisangani. There is no mention of rubber in the novel because Conrad was there five years before rubber cultivation began. Kurtz is an ivory trader. So whatever sources Conrad was using when he began work on Heart of Darkness in 1898, his personal experiences would at most have added some color and context. Hochschild will have none of it, insisting that Conrad “saw the beginnings of the frenzy of plunder and death” which he then “recorded” in Heart of Darkness. The brutalities by whites in the 1979 film Apocalypse Now were inspired by the novel, Hochschild avers, because Conrad “had seen it all, a century earlier, in the Congo.” In another example of creative chronology, Hochschild cites a quotation that he believes was the inspiration for Kurtz’s famous scrawl, “Exterminate all the brutes!” The quotation was made public for the first time during a Belgian legislative debate in 1906. Whatever its authenticity, it could not be a source for a book published in 1902.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)
The deal was simple: Léopold was to open the area to trade and eliminate endemic Arab slave empires and African tribal wars. In return, he hoped to bring glory to the Belgian people for having done what no other European ruler dared (one in three Europeans who traveled to the Congo died, usually of illness). The EIC had nothing to do with the Belgian government. To the extent that limited abuses and misrule occurred in some parts of his domain, this was a direct result of its not being controlled by a European state. As no less than Morel insisted (not quoted by Hochschild), “Let us refrain from referring to the Congo as a Belgian colony, let us avoid writing of ‘Belgian misrule.
Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)