Kill Your Darlings Quotes

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Kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings.
Stephen King (On Writing: A Memoir of the Craft)
In writing, you must kill all your darlings.
William Faulkner
Be careful, you are not in Wonderland. I’ve heard the strange madness long growing in your soul. But you are fortunate in your ignorance, in your isolation. You who have suffered, find where love hides. Give, share, lose—lest we die, unbloomed.
Kill Your Darlings Screenplay
Yo, dumbass. What do you think she’d be doing with them? Giving them ballet lessons? (Darling) Tell me again why I can’t kill him? (Hauk) You’re afraid of handling explosives. (Nykyrian) One day I’m going to get over that and when I do…(Hauk) I’ll wisely stop annoying you. (Darling)
Sherrilyn Kenyon (Born of the Night (The League, #1))
You know me now. I’m only good at beginnings.
Allen Ginsberg
The advice to "kill your darlings" has been attributed to various authors across the various galaxies... and Mister Heist hated them all. Why teach young writers to edit out whatever it is they feel most passionate about? Better to kill everything in their writing they DON'T love as much. Until only the darlings remain.
Brian K. Vaughan (Saga, Volume 3)
You know, darling, if caffeine ever makes it to the illegals list, you’re going to have to register as an addict.” “They try to make coffee an illegal, I’ll kill them all, and it won’t be an issue.
J.D. Robb (Visions in Death (In Death, #19))
The stars are brilliant at this time of night and I wander these streets like a ritual I don’t dare to break for darling, the times are quite glorious. I left him by the water’s edge, still waving long after the ship was gone and if someone would have screamed my name I wouldn’t have heard for I’ve said goodbye so many times in my short life that farewells are a muscular task and I’ve taught them well. There’s a place by the side of the railway near the lake where I grew up and I used to go there to burry things and start anew. I used to go there to say goodbye. I was young and did not know many people but I had hidden things inside that I never dared to show and in silence I tried to kill them, one way or the other, leaving sin on my body scrubbing tears off with salt and I built my rituals in farewells. Endings I still cling to. So I go to the ocean to say goodbye. He left that morning, the last words still echoing in my head and though he said he’d come back one day I know a broken promise from a right one for I have used them myself and there is no coming back. Minds like ours are can’t be tamed and the price for freedom is the price we pay. I turned away from the ocean as not to fall for its plea for it used to seduce and consume me and there was this one night a few years back and I was not yet accustomed to farewells and just like now I stood waving long after the ship was gone. But I was younger then and easily fooled and the ocean was deep and dark and blue and I took my shoes off to let the water freeze my bones. I waded until I could no longer walk and it was too cold to swim but still I kept on walking at the bottom of the sea for I could not tell the difference between the ocean and the lack of someone I loved and I had not yet learned how the task of moving on is as necessary as survival. Then days passed by and I spent them with my work and now I’m writing letters I will never dare to send. But there is this one day every year or so when the burden gets too heavy and I collect my belongings I no longer need and make my way to the ocean to burn and drown and start anew and it is quite wonderful, setting fire to my chains and flames on written words and I stand there, starring deep into the heat until they’re all gone. Nothing left to hold me back. You kissed me that morning as if you’d never done it before and never would again and now I write another letter that I will never dare to send, collecting memories of loss like chains wrapped around my veins, and if you see a fire from the shore tonight it’s my chains going up in flames. The time of moon i quite glorious. We could have been so glorious.
Charlotte Eriksson (You're Doing Just Fine)
The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
In writing, you must kill your darlings.
William Faulkner
Kill your darlings.
Stephen King (On Writing: A Memoir of the Craft)
You've got to kill your darlings.
Andre Dubus III
Imagine having a well-cultivated pirate crew and established career as the terror of the seas, only to have some bloody ten-year-old show up claiming he's the spirit of youth and joy and your unholy nemesis, Oh, and he's rallied a bunch of other little boys to come and kill you.
Austin Chant (Peter Darling)
Lovely chatting with you, darling, but I've got to run. Face it, you're always more content when you're chasing me than when you have me locked up. I think we're going to have a lot of fun.
Chelsea Cain (Kill You Twice (Archie Sheridan & Gretchen Lowell, #5))
Kill the darlings in your life. Laziness, wishful thinking, procrastination; kill them
Bangambiki Habyarimana (The Great Pearl of Wisdom)
You can’t kill me with a bullet, darling. You’ll just piss me off.” – Sundown “Maybe, but shooting you might be fun. And while I might not be able to kill you, I sure could ruin your social life.” – Abigail
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
Be a writer, if you will Or don’t, no one will care Order your shelves, or not Kill or kiss your darlings Simply write
Garth Nix (The Left-Handed Booksellers of London (Left-Handed Booksellers of London #1))
Worse, their relationship with their work is often emotionally violent. You want to make something? You are told to open up a vein and bleed. Time to edit your work? You are instructed to kill your darlings.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Briseis is kneeling by my body. She has brought water and cloth, and washes the blood and dirt from my skin. Her hands are gentle, as though she washes a baby, not a dead thing. Achilles opens the tent, and their eyes meet over my body. "Get away from him," he says. "I am almost finished. He does not deserve to lie in filth." "I would not have your hands on him." Her eyes are sharp with tears. "Do you think you are the only one who loved him?" "Get out. Get out!" "You care more for him in death than in life." Her voice is bitter with grief. "How could you have let him go? You knew he could not fight!" Achilles screams, and shatters a serving bowl. "Get out!" Briseis does not flinch. "Kill me. It will not bring him back. He was worth ten of you. Ten! And you sent him to his death!" The sound that comes from him is hardly human. "I tried to stop him! I told him not to leave the beach!" "You are the one who made him go." Briseis steps towards him. "He fought to save you, and your darling reputation. Because he could not bear to see you suffer!" Achilles buries his face in his hands. But she does not relent. "You have never deserved him. I do not know why he ever loved you. You care only for yourself!" Achilles' gaze lifts to meet hers. She is afraid, but does not draw back. "I hope that Hector kills you." The breath rasps in his throat. "Do you think I do not hope the same?" he asks.
Madeline Miller (The Song of Achilles)
It’s a great thing to be able to tell the truth, darling. But there is such a thing as gentleness for the people you love. Just because a thing is true doesn’t mean it can’t be used cruelly. Be careful with your talents.
Saul Black (The Killing Lessons (Valerie Hart, #1))
It’s always easier to kill someone else’s darlings than it is to kill your own.
Stephen King (On Writing: A Memoir of the Craft)
Kill your darlings. Your crushes, your juvenile metaphysics. None of them belong on the page. It is the first principle of good creative work.
Kill Your Darlings
Under the trees several pheasants lay about, their rich plumage dabbled with blood; some were dead, some feebly twitching a wing, some staring up at the sky, some pulsating quickly, some contorted, some stretched out—all of them writhing in agony except the fortunate ones whose tortures had ended during the night by the inability of nature to bear more. With the impulse of a soul who could feel for kindred sufferers as much as for herself, Tess’s first thought was to put the still living birds out of their torture, and to this end with her own hands she broke the necks of as many as she could find, leaving them to lie where she had found them till the gamekeepers should come, as they probably would come, to look for them a second time. “Poor darlings—to suppose myself the most miserable being on earth in the sight o’ such misery as yours!” she exclaimed, her tears running down as she killed the birds tenderly.
Thomas Hardy (Tess of the D’Urbervilles)
Dear darling, I know you can release my pressure, by exercising your writ over my body’s various pressure points and pleasure points. You are creative in that department, and I totally adore you for that.
Kumar Kinshuk (Ritualistic Murder (The Kanke Killings Trilogy #0))
Give, share, loose—lest we die, unbloomed.
Allen Ginsberg
Some things, once you've loved them, become yours forever.And if you try to let them go... They only circle back and return to you.They become part of who you are...or they destroy you.
Kill Your Darlings
Good morning, mirror! Where’s your smile?
Lana M. Rochel (Kill Your Darlings: Long Poem (Poetry by Lana M. Rochel))
Choices must be made. In life as in writing, you kill your darlings. You kill, anyway, and then you see what you can take with you.
Chelsea G. Summers (A Certain Hunger)
Kill your darlings so they don’t kill you. I am my own darling, and I know it.
Caroline Kepnes (For You and Only You (You, #4))
I am not my uncle. I am not my father, but I do subscribe to the twenty rules he taught me from the cradle. One, if you’re afraid to fight, then you’ll never win. Two, in times of tragedy and turmoil, you’ll learn who your true friends are. Treasure them because they are few and far between. Three, know your enemies, and never become your own worst one. Four, be grateful for those enemies. They will keep you honest and ever striving to better yourself. Five, listen to all good advice, but never substitute someone else’s judgment for your own. Six, all men and women lie. But never lie to yourself. Seven, many will flatter you. Befriend the ones who don’t, for they will remind you that you’re human and not infallible. Eight, never fear the truth. It’s the lies that will destroy you. Nine, your worst decisions will always be those that are made out of fear. Think all matters through with a clear head. Ten, your mistakes won’t define you, but your memories, good and bad, will. Eleven, be grateful for your mistakes as they will tell you who and what you’re not. Twelve, don’t be afraid to examine the past, it’s how you learn what you don’t want to do again. Thirteen, there’s a lot to be said for not knowing better. Fourteen, all men die. Not everyone lives. Fifteen, on your deathbed, your greatest regrets will be what you didn’t do. Sixteen, don’t be afraid to love. Yes, it’s a weakness that can be used against you. But it’s also a source of the greatest strength you will ever know. Seventeen, the past is history written in stone that can’t be altered. The future is transitory and never guaranteed. Today is the only thing you can change for certain. Have the courage to do so and make the most of it because it could be all you’ll ever have. Eighteen, you can be in a crowd, surrounded by people, and still be lonely. Nineteen, love all, regardless of what they do. Trust only those you have to. Harm none until they harm you. And twenty… Never be afraid to kill or destroy your enemies. They won’t hesitate to kill or destroy you.” - Darling Cruel
Sherrilyn Kenyon
Just like any civilized person, you’ve spent practically your whole life torturing an innocent wild creature. Starved it, then force-fed it, cut it, cursed it, driven it to exhaustion. Imprisoned it with other creatures who tormented it.” “What?” Diana shakes her head in miserable confusion. “I don’t even kill spiders! I never wanted to hurt anything.” “The innocent wild creature to which I refer, my darling, is you.
Martha N. Beck (Diana, Herself: An Allegory of Awakening (The Bewilderment Chronicles #1))
You need me to do something stupid like kiss your sweet mouth in the back of this shit bar while men who’d be happy to kill us are steps away just to prove to you I’d do anything to be near you, on you, fucking in you?
Giana Darling (Good Gone Bad (The Fallen Men, #3))
The redheaded man flashed her a dazzling smile. He really was gorgeous. "They're only teasing you." He stood and extended his hand to her. "I'm Darling Cruel and yes, my parents really were nasty enough to name me that." Kiara shook his gloved hand as she realized this was the man Syn had wanted to kill when they rescued her. Something in Dalring's manner reminded her of an aristocrat. He seemed easy enough to get along with, unlike the two Andarions. He indicated the Andarion eating her food as he retook his seat. "The glutton is Dancer Hauk." "Dancer?" Kiara was amused by the revelation. Hauk stiffened. "It means 'killer' in Andarion." Darling laughed, a deep throaty sound as he draped his arms over the back of the couch in a decidedly masculine pose. "You wish. Nykyrian told me it meant 'of beautiful cheeks.'" Hauk gave Nykyrian a glare that bordered on murder. Nykyrian shrugged, apparently unconcerned by the unspoken threat. "Don't waste that look on me, chiran. I didn't name you and I can't help it if your adoring mother was as sick as Darling's." -Darling, Kiara, Hauk, & Nykyrian
Sherrilyn Kenyon (Born of Night (The League: Nemesis Rising, #1))
Just because the one you love is in love with someone else doesn’t mean your love isn’t gorgeous or real. It doesn’t mean that your love should be killed or it should be torn out of your heart and thrown into a river or burnt down like an extinct piece of architecture.
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
The hardest lesson you will ever learn will be to love yourself. But you can do it. There will always be days when you hate yourself, days when you wish you had never been born. But darling, you are beautiful, and if Shakespeare had met you, you would've inspired his 18th sonnet, and if Monet had known you, he would've given up painting water lilies and chosen to paint you instead. I know it’s hard to love yourself, but sometimes it’s okay to be a little selfish with your love.. When you begin to feel worthless, remember that the stars died for you. You are made of elements that are thousands of years old, elements that make up every atom of your being. When you want to cut your wrists, remember that the souls of stars live in your veins. Don’t kill them. Live for the life you always wanted but were too scared to pursue. Live for you. Live for me. Live for every person who has ever loved you, for the people who have come before you, so that you may be here today. Live for the fire that burns in your soul, that tells you: keep going, you’re almost there, just a little farther. Because when Rome burned down the emperor didn't run away, he stayed and he sang for his people. Stay. Sing for your people. Sing for us.
M.K. excerpt from "The Twelve-Step Program for Life"
Alluringly maturing is easier said than done.
Lana M. Rochel (Kill Your Darlings: Long Poem (Poetry by Lana M. Rochel))
If there are wrongs, they will be righted.
Lana M. Rochel (Kill Your Darlings: Long Poem (Poetry by Lana M. Rochel))
From the day a girl is born she's told she needs a love story to survive. It's everywhere: in poetry, in music, in films and books. She's told life is worthless without love. She's told she is worthless without love.' She lowers her voice. 'But what no one tells her, what no one talks about, is that it can kill her. That the very thing they say can save her can destroy her. Love is a trap, darling. It lures you in then digs its bony fingers into your chest, breaks open your ribs, and yanks out your bloody, beating heart, and still leaves you alive.
Shubnum Khan (The Djinn Waits a Hundred Years)
Then she spoke with Yolanda, her eldest child, with whom she'd been shopping all afternoon for an Easter dress. "Mommy, I'm not going to cry," Yoki said resolutely. "I'll see him again in heaven." But something was bothering her, something clearly nagged at her young conscience. "Should I hate the man who killed my father?" she asked. Coretta shook her head. "No, darling, your daddy wouldn't want you to do that.
Hampton Sides (Hellhound on His Trail: The Stalking of Martin Luther King, Jr. and the International Hunt for His Assassin)
It's a great thing to be able to tell the truth, darling. But there is such a thing as gentleness for the people you love. Just because a thing is true doesn't mean it can't be used cruelly. Be careful with your talents.
Saul Black (The Killing Lessons (Valerie Hart, #1))
The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE. Paradoxes of Destiny? Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t… That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe… It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost? I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash. There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown. Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight. He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here… Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!... Splat!... “Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…” Absolute cold and silence… THE END (1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.
Gonzalo Guma (Equinoccio. Susurros del destino)
Millie pinned him with her gaze. “It’s very simple, darling. You’re a veteran of two wars: the one in Europe and the one that kills queer boys the world over. There are bodies strewn from the Bowery to Belgium, and you don’t even have the comfort of a mind-numbing faith to explain why you’re not one of them.
G.N. Chevalier (Bonds of Earth)
It's a hell of thing, killing someone. You'll see the light extinguish from their eyes - that's the last thing to leave their so-called life. Your teeth buried into their neck is the last thing they feel, and you'll be the last thing they'll see. You take all they are, all they were, and all they will ever be. The vampire's kiss is the most efficient of killing tools. One bite takes all.
John Hennessy (Murderous Little Darlings (A Tale of Vampires))
The hardest lesson you will ever learn will be to love yourself. But you can do it. There will always be days when you hate yourself, days when you wish you had never been born. But darling, you are beautiful, and if Shakespeare had met you, you would've inspired his 18th sonnet, and if Monet had known you, he would've given up painting water lilies and chosen to paint you instead. I know it’s hard to love yourself, but sometimes it’s okay to be a little selfish with your love.. When you begin to feel worthless, remember that the stars died for you. You are made of elements that are thousands of years old, elements that make up every atom of your being. When you want to cut your wrists, remember that the souls of stars live in your veins. Don’t kill them. Live for the life you always wanted but were too scared to pursue. Live for you. Live for me. Live for every person who has ever loved you, for the people who have come before you, so that you may be here today. Live for the fire that burns in your soul, that tells you: keep going, you’re almost there, just a little farther. Because when Rome burned down the emperor didn't run away, he stayed and he sang for his people. Stay. Sing for your people. Sing for us.
M.K.
Clearing his throat, he kept his tone even and flat. “Kiara Zamir, the dancer.” Hauk gave a low, appreciative whistle. “What was she doing with those scabs?” Nykyrian cut a droll stare at the Andarion and a question that was so stupid there was no reason to even bother answering it. “Yo, dumbass,” Darling said sarcastically. “What do you think she’d be doing with them? Giving them ballet lessons?” Hauk narrowed his gaze at Nykyrian. “Tell me again why I can’t kill him?” “You’re afraid of handling explosives.” Hauk cursed. “One day I’m going to get over that and when I do…” “I’ll wisely stop annoying you.” Darling winked at him.
Sherrilyn Kenyon (Born of Night (The League, #1))
The truth is that things do not work out, that there are no solutions, and you can go a year, a whole year, and be no better, no more healed, maybe even worse, be so skittish that if you’re walking down the street with Anna, and if someone opens a car door and gets out and slams the door you turn around, honest-to-god ready to kill them, turn around so fast that Anna, who knows what is happening, cannot even open her mouth in time and then you’re standing there, crying, and there’s some guy in a leather jacket and a fedora getting out of his Volkswagen Rabbit staring at you like, is this girl all right? and you want to be like, this girl is not all right, this girl will never be all right.
Gabriel Tallent (My Absolute Darling)
Darling paused to let that seep into their collective minds before he spoke in a cold tone. “I am not my uncle. I am not my father, but I do subscribe to the twenty rules he taught me from the cradle. One, if you’re afraid to fight, then you’ll never win. Two, in times of tragedy and turmoil, you’ll learn who your true friends are. Treasure them because they are few and far between. Three, know your enemies, and never become your own worst one. Four, be grateful for those enemies. They will keep you honest and ever striving to better yourself. Five, listen to all good advice, but never substitute someone else’s judgment for your own. Six, all men and women lie. But never lie to yourself. Seven, many will flatter you. Befriend the ones who don’t, for they will remind you that you’re human and not infallible. Eight, never fear the truth. It’s the lies that will destroy you. Nine, your worst decisions will always be those that are made out of fear. Think all matters through with a clear head. Ten, your mistakes won’t define you, but your memories, good and bad, will. Eleven, be grateful for your mistakes as they will tell you who and what you’re not. Twelve, don’t be afraid to examine the past, it’s how you learn what you don’t want to do again. Thirteen, there’s a lot to be said for not knowing better. Fourteen, all men die. Not everyone lives. Fifteen, on your deathbed, your greatest regrets will be what you didn’t do. Sixteen, don’t be afraid to love. Yes, it’s a weakness that can be used against you. But it’s also a source of the greatest strength you will ever know. Seventeen, the past is history written in stone that can’t be altered. The future is transitory and never guaranteed. Today is the only thing you can change for certain. Have the courage to do so and make the most of it because it could be all you’ll ever have. Eighteen, you can be in a crowd, surrounded by people, and still be lonely. Nineteen, love all, regardless of what they do. Trust only those you have to. Harm none until they harm you. And twenty… Never be afraid to kill or destroy your enemies. They won’t hesitate to kill or destroy you.” The
Sherrilyn Kenyon (Born of Silence (The League #5))
To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSES IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK – HE ONLY SEES! “All right!” you’ll cry. “All right!” you’ll say, “But if we take the set away, What shall we do to entertain Our darling children! Please explain!” We’ll answer this by asking you, “What used the darling ones to do? How used they keep themselves contented Before this monster was invented?” Have you forgotten? Don’t you know? We’ll say it very loud and slow: THEY … USED … TO … READ! They’d READ and READ, AND READ and READ, and then proceed TO READ some more.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
They sit and stare and stare and sit Until they're hypnoti[z]ed by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keep them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? It rots the senses in the head! It kills imagination dead! It clogs and clutters up the mind! It makes a child so dull and blind He can no longer understand A fantasy, a fairyland! His brain becomes as soft as cheese! His powers of thinking rust and freeze! He cannot think-he only sees! 'All right' you'll cry. 'All right' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: They... used ... to... read! They'd read and read, And read and read, and then proceed To read some more, Great Scott! Gadzooks! One half their lives was reading books!... Oh books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall... ...They'll now begin to feel the need Of having something good to read. And once they start-oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did...
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
Elizabeth snapped awake in a terrified instant as the door to her bed chamber was flung open near dawn, and Ian stalked into the darkened room. “Do you want to go first, or shall I?” he said tightly, coming to stand at the side of her bed. “What do you mean?” she asked in a trembling voice. “I mean,” he said, “that either you go first and tell me why in hell you suddenly find my company repugnant, or I’ll go first and tell you how I feel when I don’t know where you are or why you want to be there!” “I’ve sent word to you both nights.” “You sent a damned note that arrived long after nightfall both times, informing me that you intended to sleep somewhere else. I want to know why!” He has men beaten like animals, she reminded herself. “Stop shouting at me,” Elizabeth said shakily, getting out of bed and dragging the covers with her to hide herself from him. His brows snapped together in an ominous frown. “Elizabeth?” he asked, reaching for her. “Don’t touch me!” she cried. Bentner’s voice came from the doorway. “Is aught amiss, my lady?” he asked, glaring bravely at Ian. “Get out of here and close that damned door behind you!” Ian snapped furiously. “Leave it open,” Elizabeth said nervously, and the brave butler did exactly as she said. In six long strides Ian was at the door, shoving it closed with a force that sent it crashing into its frame, and Elizabeth began to vibrate with terror. When he turned around and started toward her Elizabeth tried to back away, but she tripped on the coverlet and had to stay where she was. Ian saw the fear in her eyes and stopped short only inches in front of her. His hand lifted, and she winced, but it came to rest on her cheek. “Darling, what is it?” he asked. It was his voice that made her want to weep at his feet, that beautiful baritone voice; and his face-that harsh, handsome face she’d adored. She wanted to beg him to tell her what Robert and Wordsworth had said were lies-all lies. “My life depends on this, Elizabeth. So does yours. Don’t fail us,” Robert had pleaded. Yet, in that moment of weakness she actually considered telling Ian everything she knew and letting him kill her if he wanted to; she would have preferred death to the torment of living with the memory of the lie that had been their lives-to the torment of living without him. “Are you ill?” he asked, frowning and minutely studying her face. Snatching at the excuse he’d offered, she nodded hastily. “Yes. I haven’t been feeling well.” “Is that why you went to London? To see a physician?” She nodded a little wildly, and to her bewildered horror he started to smile-that lazy, tender smile that always made her senses leap. “Are you with child, darling? Is that why you’re acting so strangely?” Elizabeth was silent, trying to debate the wisdom of saying yes or no-she should say no, she realized. He’d hunt her to the ends of the earth if he believed she was carrying his babe. “No! He-the doctor said it is just-just-nerves.” “You’ve been working and playing too hard,” Ian said, looking like the picture of a worried, devoted husband. “You need more rest.” Elizabeth couldn’t bear any more of this-not his feigned tenderness or his concern or the memory of Robert’s battered back. “I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him. During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face. “Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?
Judith McNaught (Almost Heaven (Sequels, #3))
When I heard you were almost surely dead, that’s when I knew what you were to me. My woman. You rode back to me from the dead. I’ll never let you go again.” Weak and spent, I said desperately, as if I were shouting at him in a foreign language, “You don’t love me or you’d care what I feel!” “I do care. In a year you’ll love me.” Even at that moment, when I hated him, my blood quickened as he smiled. I cried defiance as much to my treacherous body as to him. “I won’t. I’ll hate you more than I do know. “ “We’ll see.” He cupped my chin and raised my face. “You’re tired darling. Sleep now. You can give me your answer in the morning.” I couldn’t let him kill Trace. But to submit to those muscular, golden-haired arms? Let him do the things Trace had? And it wouldn’t be for one time only, I was sure of that. Court might after a season let me go, but I had a frightening dread that if he possessed me long enough, he would drain me till I became his thing, his creature—that I wouldn’t go, even if he allowed it and Trace would take me.
Jeanne Williams (A Lady Bought with Rifles)
Dear troubles, my amigo Accolades to your valour and vigour in battling Me. Though each time you have lost the crusade, your persistent effort in drubbing me down with tiresome regularity, is remarkable. Sadly your trials have all been clunkers, and your lingering rage at being unceremoniously busted by snippy woman storm trooper inside me to boot is axiomatic. I know it’s not your fault, fighting me is not a cake walk. You can’t quash my acquaintance with the strategic moves you make, or the unreal-fleeting bonds you break. I am rather familiar with aimless, exasperated steps you take and that Duchenne smile you fake. I can, for sure, guess any rare cryptic word you say or sinister cat and mouse game you play. My dear old stinging Gordian’s Knot, I love the way you have always tailed me, but to your dismay I guess I was always ahead of the curve. My love, my darling, quandary little Catch-22, I suggest you kill me now, shoot me now, show no mercy bury me deep, deport me to hellhole, coz I have right to die. Hang me and close me in a gas chamber, entomb me and put my soul in a bottle, cap it tight and throw it in the deep sea. Get rid of me else if slightest of me comes back then my lovely, ‘stumbling hornets nest’, you are bound to fizzle out and evanesce into nothingness. Run, I say, run now and never return, you know I am kinda tried and tested………..
Usha banda
Pure? What does it mean? The tongues of hell Are dull, dull as the triple Tongues of dull, fat Cerberus Who wheezes at the gate. Incapable Of licking clean The aguey tendon, the sin, the sin. The tinder cries. The indelible smell Of a snuffed candle! Love, love, the low smokes roll From me like Isadora’s scarves, I’m in a fright One scarf will catch and anchor in the wheel, Such yellow sullen smokes Make their own element. They will not rise, But trundle round the globe Choking the aged and the meek, The weak Hothouse baby in its crib, The ghastly orchid Hanging its hanging garden in the air, Devilish leopard! Radiation turned it white And killed it in an hour. Greasing the bodies of adulterers Like Hiroshima ash and eating in. The sin. The sin. Darling, all night I have been flickering, off, on, off, on. The sheets grow heavy as a lecher’s kiss. Three days. Three nights. Lemon water, chicken Water, water make me retch. I am too pure for you or anyone. Your body Hurts me as the world hurts God. I am a lantern—— My head a moon Of Japanese paper, my gold beaten skin Infinitely delicate and infinitely expensive. Does not my heat astound you! And my light! All by myself I am a huge camellia Glowing and coming and going, flush on flush. I think I am going up, I think I may rise—— The beads of hot metal fly, and I love, I Am a pure acetylene Virgin Attended by roses, By kisses, by cherubim, By whatever these pink things mean! Not you, nor him Nor him, nor him (My selves dissolving, old whore petticoats)—— To Paradise.
Sylvia Plath (Ariel)
Evie.” She glanced at Sebastian. Whatever she saw in his face caused her to walk around the bed to him. “Yes,” she said with a concerned frown. “Dearest, this is going to help you—” “No.” It would kill him. It was difficult enough already to fight the fever and the pain. If he was further weakened by a long bloodletting he wouldn’t be able to hold on any longer. Frantically Sebastian tugged at his tautly stretched arm, but the binding held fast and the chair didn’t even wobble. Bloody hell. He stared up at his wife wretchedly, battling a wave of light-headedness. “No,” he rasped. “Don’t…let him…” “Darling,” Evie whispered, bending over to kiss his shaking mouth. Her eyes were suddenly shiny with unshed tears. “This may be your best chance—your only chance—” “I’ll die. Evie…” Rising fear caused blackness to streak across his vision, but he forced his eyes to stay open. Her face became a blur. “I’ll die,” he whispered again. “Lady St. Vincent,” came Dr. Hammond’s steady, kind voice, “your husband’s anxiety is quite understandable. However, his judgment is impaired by illness. At this time, you are the one who is best able to make decisions for his benefit. I would not recommend this procedure if I did not believe in its efficacy. You must allow me to proceed. I doubt Lord St. Vincent will even remember this conversation.” Sebastian closed his eyes and let out a groan of despair. If only Hammond were some obvious lunatic with a maniacal laugh…someone Evie would instinctively mistrust. But Hammond was a respectable man, with all the conviction of someone who believed he was doing the right thing. The executioner, it seemed, could come in many guises. Evie was his only hope, his only champion. Sebastian would never have believed it would come to this…his life depending on the decision of an unworldly young woman who would probably allow herself to be persuaded by the Hammond’s authority. There was no one else for Sebastian to appeal to. He felt her gentle fingers at the side of his fevered face, and he stared up at her pleadingly, unable to form a word. Oh God, Evie, don’t let him— “All right,” Evie said softly, staring at him. Sebastian’s heart stopped as he thought she was speaking to the doctor…giving permission to bleed him. But she moved to the chair and deftly untied Sebastian’s wrist, and began to massage the reddened skin with her fingertips. She stammered a little as she spoke. “Dr. H-Hammond…Lord St. Vincent does not w-want the procedure. I must defer to his wishes.” To Sebastian’s eternal humiliation, his breath caught in a shallow sob of relief. “My lady,” Hammond countered with grave anxiety, “I beg you to reconsider. Your deference to the wishes of a man who is out of his head with fever may prove to be the death of him. Let me help him. You must trust my judgment, as I have infinitely more experience in such matters.” Evie sat carefully on the side of the bed and rested Sebastian’s hand in her lap. “I do respect your j-j—” She stopped and shook her head impatiently at the sound of her own stammer. “My husband has the right to make the decision for himself.” Sebastian curled his fingers into the folds of her skirts. The stammer was a clear sign of her inner anxiety, but she would not yield. She would stand by him. He sighed unsteadily and relaxed, feeling as if his tarnished soul had been delivered into her keeping.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
You surprise me, she says. Do I? he says. Why? Though I like to surprise you. He lights a cigarette, offers her one; she shakes her head for no. He’s smoking too much. It’s nerves, despite his steady hands. Because you said they fell in love, she says. You’ve sneered at that notion often enough—not realistic, bourgeois superstition, rotten at the core. Sickly sentiment, a high-flown Victorian excuse for honest carnality. Going soft on yourself? Don’t blame me, blame history, he says, smiling. Such things happen. Falling in love has been recorded, or at least those words have. Anyway, I said he was lying. You can’t wiggle out of it that way. The lying was only at first. Then you changed it. Point granted. But there could be a more callous way of looking at it. Looking at what? This falling in love business. Since when is it a business? she says angrily. He smiles. That notion bother you? Too commercial? Your own conscience would flinch, is that what you’re saying? But there’s always a tradeoff, isn’t there? No, she says. There isn’t. Not always. You might say he grabbed what he could get. Why wouldn’t he? He had no scruples, his life was dog eat dog and it always had been. Or you could say they were both young so they didn’t know any better. The young habitually mistake lust for love, they’re infested with idealism of all kinds. And I haven’t said he didn’t kill her afterwards. As I’ve pointed out, he was nothing if not self-interested. So you’ve got cold feet, she says. You’re backing down, you’re chicken. You won’t go all the way. You’re to love as a cock-teaser is to fucking. He laughs, a startled laugh. Is it the coarseness of the words, is he taken aback, has she finally managed that? Restrain your language, young lady. Why should I? You don’t. I’m a bad example. Let’s just say they could indulge themselves—their emotions, if you want to call it that. They could roll around in their emotions—live for the moment, spout poetry out of both ends, burn the candle, drain the cup, howl at the moon. Time was running out on them. They had nothing to lose. He did. Or he certainly thought he did! All right then.She had nothing to lose. He blows out a cloud of smoke. Not like me, she says, I guess you mean. Not like you, darling, he says. Like me. I’m the one with nothing to lose. She says, But you’ve got me. I’m not nothing.
Margaret Atwood (The Blind Assassin)
My darling son: depression at your age is more common than you might think. I remember it very strongly in Minneapolis, Minnesota, when I was about twenty-six and felt like killing myself. I think the winter, the cold, the lack of sunshine, for us tropical creatures, is a trigger. And to tell you the truth, the idea that you might soon unpack your bags here, having chucked in all your European plans, makes your mother and me as happy as could be. You have more than earned the equivalent of any university 'degree' and you have used your time so well to educate yourself culturally and personally that if university bores you, it is only natural. Whatever you do from here on in, whether you write or don't write, whether you get a degree or not, whether you work for your mother, or at El Mundo, or at La Ines, or teaching at a high school, or giving lectures like Estanislao Zuleta, or as a psychoanalyst to your parents, sisters and relatives, or simply being Hector Abad Faciolince, will be fine. What matters is that you don't stop being what you have been up till now, a person, who simply by virtue of being the way you are, not for what you write or don't write, or for being brilliant or prominent, but just for being the way you are, has earned the affection, the respect, the acceptance, the trust, the love, of the vast majority of those who know you. So we want to keep seeing you in this way, not as a future great author, or journalist or communicator or professor or poet, but as the son, brother, relative, friend, humanist, who understands others and does not aspire to be understood. It does not matter what people think of you, and gaudy decoration doesn't matter, for those of us who know you are. For goodness' sake, dear Quinquin, how can you think 'we support you (...) because 'that boy could go far'? You have already gone very far, further than all our dreams, better than everything we imagined for any of our children. You should know very well that your mother's and my ambitions are not for glory, or for money, or even for happiness, that word that sounds so pretty but is attained so infrequently and for such short intervals (and maybe for that very reason is so valued), for all our children, but that they might at least achieve well-being, that more solid, more durable, more possible, more attainable word. We have often talked of the anguish of Carlos Castro Saavedra, Manuel Meija Vallejo, Rodrigo Arenas Betancourt, and so many quasi-geniuses we know. Or Sabato or Rulfo, or even Garcia Marquez. That does not matter. Remember Goethe: 'All theory (I would add, and all art), dear friend, is grey, but only the golden tree of life springs ever green.' What we want for you is to 'live'. And living means many better things than being famous, gaining qualifications or winning prizes. I think I too had boundless political ambitions when I was young and that's why I wasn't happy. I think I too had boundless political ambitions when I was young and that's why I wasn't happy. Only now, when all that has passed, have I felt really happy. And part of that happiness is Cecilia, you, and all my children and grandchildren. Only the memory of Marta Cecilia tarnishes it. I believe things are that simple, after having gone round and round in circles, complicating them so much. We should do away with this love for things as ethereal as fame, glory, success... Well, my Quinquin, now you know what I think of you and your future. There's no need for you to worry. You are doing just fine and you'll do better, and when you get to my age or your grandfather's age and you can enjoy the scenery around La Ines that I intend to leave to all of you, with the sunshine, heat and lush greenery, and you'll see I was right. Don't stay there longer than you feel you can. If you want to come back I'll welcome you with open arms. And if you regret it and want to go back again, we can buy you another return flight. A kiss from your father.
Héctor Abad Faciolince
Kill all your darlings. And then kill some who aren't your darlings, just for good measure. (My paraphrasing/re-thinking of Faulkner's famous quote.)
Dayanara Ryelle
The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE. Paradoxes of Destiny? Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t… That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe… It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost? I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash. There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown. Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight. He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here… Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!... Splat!... “Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…” Absolute cold and silence… THE END (1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation
Gonzalo Guma (Equinoccio. Susurros del destino)
Life begins only after you kill your darlings namely laziness and procrastination
Prabakaran Thirumalai
Kill your darlings, die alone.
Joey Comeau
She awakened with a start to find Macon standing at the foot of the bed, watching her with a grin stretched across his face. His finger and thumb still lingered on her big toe. Stunned, she scooted toward the headboard, as if it could lend her some protection, her eyes wide. Steven’s .45 was in the drawer of the nightstand on his side of the bed. She inched in that direction. “What are you doing here?” she croaked. Macon dragged his eyes over her lush figure, her sleep-rumpled underthings made of the thinnest lawn, and smiled. “You might say I’ve come to admire the spoils. It won’t be long now, Emma, dear. Things are going very badly for Steven. Soon you’ll be giving me fine, redheaded sons. Of course, I won’t be able to keep you here at Fairhaven—that would be indiscreet. We’ll have to get you a place in town.” Emma tried to shield her breasts with one arm as she moved nearer and nearer the side of the bed. “You’re vile, Macon Fairfax, and I’d sooner die than let you touch me. Now, get out of here before I scream!” “You can scream all you want,” he chuckled, spreading his hands wide of his lithe body. “There’s nobody here but the servants, and they wouldn’t dream of interfering, believe me.” Emma swallowed hard. She couldn’t be sure whether he was bluffing; after all, this was Macon’s house as well as Cyrus’s. If he gave instructions, they were probably obeyed. “Get out,” she said again. Her hand was on the knob of the nightstand drawer, but she knew she wasn’t going to have time to get the pistol out and aim it before Macon was on her. He was too close, and his eyes showed that he knew exactly what she meant to do. “It won’t be so bad, Emma,” he coaxed, his voice a syrupy croon by then. “I know how to make you happy, and you’re in just the right place for me to prove it.” “Don’t touch me,” Emma breathed, shrinking back against the headboard, her eyes wide with horror. “Steven will kill you if you touch me!” “You wouldn’t tell him.” Macon was standing over her by then, looking down into her face. She could see a vein pulsing at his right temple as he set his jaw for a moment. “You’d keep it to yourself because he wouldn’t have a chance in hell of winning this case if he assaulted me in a fit of rage—would he?” Emma’s heart was thundering against her ribs and she was sure she was going to throw up. She tried to move away from Macon, but he reached out and grasped her hard by the hair. “Please,” she whispered. He indulged in a small, tight smile. “Don’t humiliate yourself by begging, darling. It won’t save you. Keep your pleas for those last delicious moments before pleasure overtakes you.” Bile rushed into the back of Emma’s throat. “Let me go.” He pressed her flat against the mattress, his hand still entangled in her hair. She gazed up at him in terror, unable to speak at all. The crash of the door against the inside wall startled them both. Emma’s eyes swung to the doorway, and so did Macon’s. Nathaniel was standing there, still dressed in the suit he’d worn to Steven’s trial, his tie loose, his Fairfax eyes riveted on his cousin’s face. In his shaking hand was a derringer, aimed directly at Macon’s middle. “Let her go,” he said furiously. Macon released Emma, but only to shrug out of his coat and hang it casually over the bedpost. “Get out of here, Nathaniel,” he said, sounding as unconcerned as if he were about to open a book or pour himself a drink. “This is business for a man, not a boy.” Emma was breathing hard, her eyes fixed on Nathaniel, pleading with him. With everything in her, she longed to dive for the other side of the bed and run for her life, but she knew she wouldn’t escape Macon. Not without Nathaniel’s help. “I won’t let you hurt her,” the boy said with quiet determination. The derringer, wavering before, was steady now. Macon
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
It's okay to be nervous. It's all part part of it. It's not a very pleasant feeling, but it won't kill you. You're tougher than you think." - Mr Darling; ppg 77
Annabel Pitcher (Silence is Goldfish)
During fair reporting and writing, you must kill all your darlings.
Chaudhry Ahsan Premee
Plus, I know for a fact that Governor Cruel won’t allow them to keep us.” Pip sneered at her. “You’re about to learn a harsh lesson, little girl. You’re nothing to him. Just another replaceable whore.” He raked a harsh glare over her body. “Probably not even that. I’ve heard his tastes run more along the line of pretty young boys.” She met his glare with one of her own. “You know nothing about him. And if you refer to him again with anything other than the utmost respect in your tone, you won’t have to worry about prison or the League. I’ll fucking kill you with my own bare hands.” Those words had the effect she wanted them to. Everyone sucked their breath in and held it. No one had ever heard her use such language before. It wasn’t in her nature. But she was through watching others insult Darling when all he’d ever done was try to help them. Her
Sherrilyn Kenyon (Born of Silence (The League #5))
I thought today was your day off?” I murmur, my voice rough with sleep. He blinks and looks over at me. “Darling, Vipers never take a day off—too many people to kill, too much money to earn.
K.A. Knight (Den of Vipers)
My voice felt cold, lovely, and alien as crystal in my throat. "Why should I help you anywhere?" Though he was slumped against the wall now, he managed to look up at me. His catlike pupils were so dilated they looked almost human. "Well... I did save your life." Then he doubled up in pain and slid to the floor. As long as I could remember, the anger had writhed and clawed inside me, and no matter how much it hurt, I had choked it down. Now at last I hated someone who deserved hatred, and it felt like I was Zeus's thunder, like I was the storms of Poseidon upon the sea. I was shaking with fury, and I had never felt so glad. "You killed my mother. You enslaved my world. And as you pointed out, I will live here as your captive till I die. Tell me, my darling lord, why should I thank you for my life?" He was gasping and shuddering with pain, and he didn't seem to be seeing me anymore as he whispered, "Please." I knelt over him and smiled down into his face. My body was wrapped in ice; my voice came from somewhere very far away. "Do you think you are safe with me?" Then I stood and walked away, leaving him all alone in the dark.
Rosamund Hodge (Cruel Beauty)
I’ll tear my heart out and throw it at your feet if I have to. Because it’s yours. My heart that I thought I’d killed is yours. It beats for you, Salem. Like a crazy fucking maniac that doesn’t know when to quit. And if you want, you can stomp on it and set it on fire and stab it with a knife. You can do whatever you want to it, it will still be alive. It will still beat for you.
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
I don’t think you get it, not yet, but you’re mine, Smoky Darling. You’re mine to touch and spoil and keep safe. And while you’re letting that sink in, I’m gonna do what needs to be done. Because the only thing worse than thinking about some strange man fixing your rotten floorboards, is the thought of you being unsafe. I won’t fucking have it, Elouise. So don’t ask me to. The last time I saw you injured it nearly killed me.
S.J. Tilly (Smoky Darling (Darling, #1))
Sure you are, but for now sit by the fire. Once you warm up you won’t need to smother yourself like that.” “There’s nothing to sit on.” “That’s why the Lord put extra padding on your backside, darling. Sit on that.” If looks could kill, he’d be a hundred times dead and moldering in the grave, but she sat.
Ellen O'Connell (A Grand Race (Sutton Family, #3))
And how much is making it work going to cost me?” “I’m in negotiations,” she declares, a strongness to her voice that doesn’t bode well. It’s cocky. “But I’ve assured the proprietor that money isn’t an issue, is it, darling?” No, it’s not, but her having an interest other than me is. “Rose?” “Yes, darling.” “You’re pregnant.” “Am I?” she cries, sounding surprised. “Shit, I wondered what the fuck was going on with my body.” I look up at the ceiling. God, please, make her stop before I do something I regret. Like kill her. “You’re blackmailing me.” “I’m harnessing my power.” I laugh. “Oh, baby, you sure do have power.
Jodi Ellen Malpas (The Rising (Unlawful Men, #4))
Either with your body or your outbursts, you’re bound to kill me with a fucking heart attack.
S.J. Tilly (Latte Darling (Darling #2))
Don’t tempt me. I’m not some untrained boy wrapped around your little finger. I’m not even a man. I kill for sport, I love pain and fuckin’ court death daily. You play with me, Bea, you knowingly play with a monster, something more dead than alive. I’ll ruin you,” he promised.
Giana Darling (Dead Man Walking (The Fallen Men, #6))
Jesus, my God, my Redeemer, my Friend, my intimate Friend, my Heart, my Darling: here I come to tell you, from the depths of my heart and with the greatest sincerity and affection of which I am capable, that there is nothing in the world that attracts me except you alone, my Jesus. I do not want the things of the world. I do not want to console myself with creatures. I want only to empty myself and be free of all things in order to love you alone. For you, Lord, is all my heart with all its affections, all its loves, and all its delights. O Lord, I do not tire of repeating to you: I want nothing but your love and your trust. I swear to you, Lord: I promise to hear all your inspirations and to live your very own life. Speak very frequently in the depths of my soul, and demand much of me, for I swear always to do whatever your heart desires, as easy or as hard as it may be. How can I deny you anything if the only consolation of my heart is waiting for a word to fall from your lips, in order to satisfy your wishes. Lord, behold my misery, my weakness. Kill me before I deny you anything you wish of me. Lord, by your Mother! Lord, by your souls! Give me this grace. As the years went by, Arrupe’s prayers became more sober and profound, but not less ardent or sincere. We see in them his enormous joy and confidence: “I have great confidence in God, for we are in his hands. Things can never turn out badly if one follows the will of God, though one might have to suffer.” 8 Iturrioz, “Pedro Arrupe.” When
Pedro Miguel Lamet (Pedro Arrupe: Witness of the Twentieth Century, Prophet of the Twenty-First)
Selene," I said shakily, "I think he's dead." "Shhh," she said soothingly. "Poor darling. Sit down. Let me give you some tea." Tea? I thought wildly. I think I killed someone, and you're offering me tea?
Cate Tiernan (Dark Magick (Sweep, #4))
Willoughby: My Darling Anne, There's a longer letter in the dresser drawer I've been writing for the last week or so, that one covers us, and my memories of us, and how much I've always loved you. This one just covers tonight, and more importantly, today. Tonight I have gone out to the horses to end it. I cannot say sorry for the act itself, although I know for a short time you will be angry at me, or even hate me for it. Please don't. This is not a case of, I came in this world alone and I'm goin' out of it alone, or anything dumb like that. I did not come in this world alone, my mom was there. And I am not goin' out of it alone, 'cause you were there, drunk on the couch, making Oscar Wilde cock jokes. No, this is a case, in some senses, of bravery. Not the bravery of facing a bullet down. The next few months of pain would be far harder than that small flash. No, it's the bravery of weighing up the next few months of still being with you, still waking up with you, of playing with the kids... Against the next few months of seeing in your eyes how much my pain is killing you. How my weakened body, as it ebbs away, and you tend to it, are your final and lasting memories of me. I won't have that. Your final memories of me will be us at the riverside, and that dumb fishing game, which I think they cheated at. And me inside of you, and you on top of me... And barely a fleeting thought, of the darkness yet to come. That was the best Anne. A whooole day of not thinking about it. Dwell on this day baby, 'cause it was the best day of my life. Kiss the girls for me, and know that I've always loved you... And maybe I'll see ya again if there's another place, and if there ain't... Well, it's been heaven knowing you. Your Boy, Bill
Martin McDonagh (Three Billboards Outside Ebbing, Missouri)
Godric threw Ashton’s good arm around his shoulders and helped his friend get inside. Emily was waiting at the top of the stairs and with a panicked cry she rushed down to help them. “What happened to him?” she asked. Godric motioned for her to open the door to the drawing room. Emily did, then called for a maid to bring some water and cloths. “Lay him on the couch, Godric.” Emily indicated a blue and gold brocaded bit of furniture. She hastened to help Ashton sit down. He took a deep shaky breath that made Godric and Emily share a look of concern. “We’ve sent for a doctor,” Godric told her. “That’s all well and good, if he doesn’t bleed out before then,” Emily snapped. Godric took hold of Ashton’s shoulders and looked his friend in the eye. “Do you plan on bleeding out, Ash?” he asked, partially in jest. Ash shook his head in a wobbly sort of way. “No, Your Grace.” He chuckled. The blood loss was making him feel a little silly, not because he was losing much of it, but because the sight of blood sometimes made him lightheaded. Besides, his friend bickering with his wife was far too amusing. “See? He’ll be fine, darling.” Godric wrapped an arm around her shoulders and tucked her into his side. “Don’t you darling me, Godric. If he dares to die in my drawing room, I’ll revive him only to kill him again myself!” Emily helped remove the old binding on his arm and then peeled off Ashton’s coat. “Followed shortly by yourself.
Lauren Smith
Ethan slumped on the bench in the change room, ignoring the ribald behavior around him after yet another foregone win. A hard slap on the rear of his head roused him and he whirled, his lip curled back as he growled menacingly. “Don’t you dare show me your teeth,” Javier warned with a dark look. He ran his hand through hair, already tousled and sweaty from the match. “What the fuck happened out there? I passed you the perfect shot, and instead of grabbing it and scoring, you crashed into the g**damn arena glass. What are you, a rookie? Been watching too many Bugs Bunny cartoons?” Heat burned Ethan’s cheeks in remembrance of his mishap before dejection— along with a large dose of disbelief— quickly set back in. “I missed. It happens and besides, it’s not like we needed the point to win.” “Of course we didn’t,” Javier replied with a scoffing snort. “But it’s the point of it. What the hell distracted you so much? And, why do you look like your best friend died, which, I might add, is an impossibility given I’m standing right beside you.” Javier grinned. “I think I found my mate,” Ethan muttered. A true beauty with light skin, a perfect oval face framed by long, brown hair and the most perfect set of rosebud lips. Javier’s face expressed shock, then glee. “Congrats, dude.” Javier slapped him hard on the back, and while the blow might have killed a human or a smaller species, it didn’t even budge Ethan. “I know you’ve been pining to settle down with someone of the fairer sex. You must be ecstatic.” “Not really.” Although he should have been. Finding one’s mate was a one in a zillion chance given how shifters were scattered across the globe. Most never even came close to finding the one fate deemed their perfect match. His friend’s jovial grin subsided. “What’s wrong? Was she, like, butt ugly? Humongous? Old? Surely she can’t be that bad?” “No, she appears perfect. Or did.” Ethan groaned as banged his head off the locker door. “I am so screwed.” A frown creased Javier’s face. “I don’t get it. I thought you wanted to find the one, you sick bastard. Settle down and pop out cubs.” Ethan looked up in time to see Javier’s mock shudder. “Me, I prefer to share my love among as many women as possible.” Javier mimed slapping an ass then humping it with a leering grin. Ethan didn’t smile at Javier’s attempt at humor even if it happened to be the truth. Javier certainly enjoyed variety where the other sex was concerned. Heck, on many an occasion he’d shared with Ethan. Tag team sessions where they both scored. Best friends who did just about everything together. Blowing out a long sigh, Ethan answered him. “I do want to find my mate, actually, I’m pretty sure I already have, but I don’t think I made a great impression. She’s the one they took out on the stretcher after the ball I missed hit her in the face.” Javier winced. “Ouch. Sucks to be you, my friend. Don’t worry, though. I’m sure she’ll forgive you in, like, fifty years.” Ethan groaned and dropped his head back into his hands. Now that I’ve found her, how do I discover who she is so I can beg her forgiveness? And even worse, how the hell do I act the part of suitor? Raised in the Alaskan wilds by a father who wasn’t all there after the death of Ethan’s mother, his education in social niceties was sadly lacking. He tended to speak with his fists more often than not. Lucky for him, when it came to women, he didn’t usually have to do a thing. Females tended to approach him for sex so they could brag afterward that they’d ridden the Kodiak and survived. Not that Ethan would ever hurt a female, even if his idea of flirty conversation usually consisted of “Suck me harder” and “Bend over.” If I add “darling” on the end, will she count it as sweet talk?
Eve Langlais (Delicate Freakn' Flower (Freakn' Shifters, #1))
Where to begin? Write, throw away the first ten or so pages of story, that primed the pump. Use your expository intro as story outline and put in the back or trash. If you can’t answer whether it’s plot or characters which form the story. Stop. Learn that LY is hideous and the bastion of the weak. It’s okay to lift bits and ideas from your reading. Wait until you’ve forgotten the source and you won’t be stalled by fear of derivative. Write your darlings, kill them later
Miles Long
My mother’s throwing her annual fancy dress party for the holidays and if I am not there, she may actually kill me.” He gives a low, sympathetic chuckle. “Well, it was nice knowing you, if only briefly. I’ll look for your obituary in The Times,
Liz Michalski (Darling Girl)
From the day a girl is born she’s told she needs a love story to survive. It’s everywhere: in poetry, in music, in films and books. She’s told life is worthless without love. She’s told she is worthless without love.” She lowers her voice. “But what no one tells her, what no one talks about, is that it can kill her. That the very thing they say can save her can destroy her. Love is a trap, darling. It lures you in then digs its bony fingers into your chest, breaks open your ribs, and yanks out your bloody, beating heart, and still leaves you alive.
Shubnum Khan (The Djinn Waits a Hundred Years)