Horrible Day Quotes

We've searched our database for all the quotes and captions related to Horrible Day. Here they are! All 100 of them:

Have you ever been in love? Horrible isn't it? It makes you so vulnerable. It opens your chest and it opens up your heart and it means that someone can get inside you and mess you up. You build up all these defenses, you build up a whole suit of armor, so that nothing can hurt you, then one stupid person, no different from any other stupid person, wanders into your stupid life...You give them a piece of you. They didn't ask for it. They did something dumb one day, like kiss you or smile at you, and then your life isn't your own anymore. Love takes hostages. It gets inside you. It eats you out and leaves you crying in the darkness, so simple a phrase like 'maybe we should be just friends' turns into a glass splinter working its way into your heart. It hurts. Not just in the imagination. Not just in the mind. It's a soul-hurt, a real gets-inside-you-and-rips-you-apart pain. I hate love.
Neil Gaiman (The Sandman, Vol. 9: The Kindly Ones)
Percy smiled. He knew the stakes were high. He knew this day could go horribly wrong. But he also knew that Annabeth was on that ship.If things went right, this would be the best day of his life. He threw one arm around Hazel and one arm around Frank. "Come on," he said. "Let me introduce you to my other family.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
And I've fallen. So hard. I've hit the ground. Gone right through it. Never in my life have I felt this. Nothing like this. I've felt shame and cowardice, weakness and strength. I've known terror and indifference, self-hate and general disgust. I've seen things that cannot be unseen. And yet I've known nothing like this terrible, horrible, paralyzing feeling. I feel crippled. Desperate and out of control. And it keeps getting worse. Every day I feel sick. Empty and somehow aching. Love is a heartless bastard.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
if i was a woman these days, i'd be killing motherfuckers. my handgun would never cool and my hands would be covered in testicular blood. i would have a horrible reputation with a lot of men because i would be calling them on their weak bullshit left and right.
Henry Rollins (Solipsist)
Magnus had come to a horrible realization. One that he knew would cause him nothing but pain and suffering from that day forward. But there was no changing the truth of it. He had fallen in love with her.
Morgan Rhodes (Gathering Darkness (Falling Kingdoms, #3))
What would I gain from telling you the first moment I realized you were meant to be mine? Nothing. You’re supposed to protect what you love, Sal. You taught me that. I didn’t wake up one day and know I didn’t want to live without your horrible temper. I saw so much of me in you at first, but you aren’t like me at all. You’re you, and I will go to my grave before I let anyone change any part of you. I know that without a doubt in my mind. This,” he pointed between us. “This is what matters.
Mariana Zapata (Kulti)
From this day on, I refuse to let anyone bring me to a point where I can't take a horrible situation and spin it into something beneficial. I will never let anyone make me feel anything I don't want to feel again or rob me of the passions that make me who I am.
Chris Colfer (Struck By Lightning: The Carson Phillips Journal (The Land of Stories))
You know the days when you get the mean reds? Paul Varjak: The mean reds. You mean like the blues? Holly Golightly: No. The blues are because you’re getting fat, and maybe it’s been raining too long. You’re just sad, that’s all. The mean reds are horrible. Suddenly you’re afraid, and you don’t know what you’re afraid of. Do you ever get that feeling?
Truman Capote (Breakfast at Tiffany’s and Three Stories)
Be always drunken. Nothing else matters: that is the only question. If you would not feel the horrible burden of Time weighing on your shoulders and crushing you to the earth, be drunken continually. Drunken with what? With wine, with poetry, or with virtue, as you will. But be drunken.
Eugene O'Neill (Long Day’s Journey into Night)
Now there is one thing I can tell you: you will enjoy certain pleasures you would not fathom now. When you still had your mother you often thought of the days when you would have her no longer. Now you will often think of days past when you had her. When you are used to this horrible thing that they will forever be cast into the past, then you will gently feel her revive, returning to take her place, her entire place, beside you. At the present time, this is not yet possible. Let yourself be inert, wait till the incomprehensible power ... that has broken you restores you a little, I say a little, for henceforth you will always keep something broken about you. Tell yourself this, too, for it is a kind of pleasure to know that you will never love less, that you will never be consoled, that you will constantly remember more and more.
Marcel Proust
It's risky, falling in love." "I know that," I answered. "I've been in love before. It's like a narcotic. At first it brings the euphoria of complete surrender. The next day, you want more. You're not addicted yet, but you like the sensation, and you think you can still control things. You think about the person you love for two minutes, and forget them for three hours. "But then you get used to that person, and you begin to be completely dependent on them. Now you think about him for three hours and forget him for two minutes. If he's not there, you feel like an addict who can't get a fix. And just as addicts steal and humiliate themselves to get what they need, you're willing to do anything for love." "What a horrible way to put it," he said.
Paulo Coelho (By the River Piedra I Sat Down and Wept)
That's the funny thing about old hurts- they just wait for new heartache to come along and then show up, just as sharp and horrible as the first day you woke up with the world changed all around you.
Lilith Saintcrow (Strange Angels (Strange Angels, #1))
Our bad days have the ability to become better. It may be a horrible month. A horrible year. But there will be good days, good moments, great seconds.
Krista Ritchie (Some Kind of Perfect (Calloway Sisters, #5))
When you come out of the grips of a depression there is an incredible relief, but not one you feel allowed to celebrate. Instead, the feeling of victory is replaced with anxiety that it will happen again, and with shame and vulnerability when you see how your illness affected your family, your work, everything left untouched while you struggled to survive. We come back to life thinner, paler, weaker … but as survivors. Survivors who don’t get pats on the back from coworkers who congratulate them on making it. Survivors who wake to more work than before because their friends and family are exhausted from helping them fight a battle they may not even understand. I hope to one day see a sea of people all wearing silver ribbons as a sign that they understand the secret battle, and as a celebration of the victories made each day as we individually pull ourselves up out of our foxholes to see our scars heal, and to remember what the sun looks like.
Jenny Lawson (Furiously Happy: A Funny Book about Horrible Things)
maggie and milly and molly and may" maggie and milly and molly and may went down to the beach(to play one day) and maggie discovered a shell that sang so sweetly she couldn’t remember her troubles,and milly befriended a stranded star whose rays five languid fingers were; and molly was chased by a horrible thing which raced sideways while blowing bubbles:and may came home with a smooth round stone as small as a world and as large as alone. For whatever we lose(like a you or a me) it’s always ourselves we find in the sea
E.E. Cummings (E.E. Cummings: Complete Poems 1904-1962 (Revised, Corrected, and Expanded Edition))
All the time I'm not writing I feel like a criminal. It's horrible to feel felonious every second of the day. It's much more relaxing to actually write.
Fran Lebowitz
Have you ever been in love? Horrible, isn't it? It makes you so vulnerable. It opens your chest and it opens up your heart and it means that someone can get inside you and mess you up. You build up all these defenses. You build up this whole armor, for years, so nothing can hurt you, then one stupid person, no different from any other stupid person, wanders into your stupid life… You give them a piece of you. They don't ask for it. They do something dumb one day like kiss you, or smile at you, and then your life isn't your own anymore. Love takes hostages. It gets inside you. It eats you out and leaves you crying in the darkness, so a simple phrase like "maybe we should just be friends" or "how very perceptive" turns into a glass splinter working its way into your heart. It hurts. Not just in the imagination. Not just in the mind. It's a soul-hurt, a body-hurt, a real gets-inside-you-and-rips-you-apart pain. Nothing should be able to do that. Especially not love. I hate love.
Neil Gaiman (The Sandman, Vol. 9: The Kindly Ones)
I’m having one of those rare days where I love people and all of the amazing wonder they’re capable of and if someone fucks that up for me I will stab them right in the face.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
They stuff people’s heads down the toilet the first day at Stonewall,” he told Harry. “Want to come upstairs and practice?” “No, thanks,” said Harry. “The poor toilet’s never had anything as horrible as your head down it — it might be sick.” Then he ran, before Dudley could work out what he’d said.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Apparently, this really was Kill Charley Davidson Week. Or at least Horribly Maim Her.... It would probably never get government recognition, though, destined to be underappreciated like Halloween or Thesaurus Day.
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
...You find a way, somehow to get through the most horrible things, things you think would kill you. You find a way and you move through the days, one by one, in shock, in despair, but you move. The days pass, one after the other, and you go along with them - occasionally stunned, and not entirely relieved, to find that you are still alive.
Michelle Richmond (The Year of Fog)
Would it not be better to be dead than to have this horrible fear that Aslan has come and is not like the Aslan we have believed in and longed for? It is as if the sun rose one day and were a black sun.
C.S. Lewis (The Last Battle (Chronicles of Narnia, #7))
That's absolutely true, about the eight glasses a day. There's no reason whatsoever to drink eight glasses of water a day unless you, for whatever reason, particularly like the taste of water. Most experts agree that unless there's something horribly wrong with you, you should just drink water whenever you're - get this - thirsty.
John Green (An Abundance of Katherines)
To all who walk the dark path, and to those who walk in the sunshine but hold out a hand in the darkness to travel beside us: Brighter days are coming. Clearer sight will arrive. And you will arrive too. No, it might not be forever. The bright moments might be for a few days at a time, but hold on for those days. Those days are worth the dark.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
I have all the characteristics of a human being: blood, flesh, skin, hair; but not a single, clear, identifiable emotion, except for greed and disgust. Something horrible is happening inside of me and I don't know why. My nightly bloodlust has overflown into my days. I feel lethal, on the verge of frenzy. I think my mask of sanity is about to slip.
Bret Easton Ellis
I think I'll move to Australia.
Judith Viorst (Alexander and the Terrible, Horrible, No Good, Very Bad Day)
Do you think I care if Aslan dooms me to death?” said the King. “That would be nothing, nothing at all. Would it not be better to be dead than to have this horrible fear that Aslan has come and is not like the Aslan we have believed in and longed for? It is as if the sun rose one day and were a black sun.
C.S. Lewis (The Last Battle (Chronicles of Narnia, #7))
I have several close friends who have run marathons, a word that is actually derived from two Swahili words: mara, which means 'to die a horrible death', and thon, which means 'for a stupid T-shirt.' Look it up.
Celia Rivenbark (You Can't Drink All Day If You Don't Start in the Morning)
Have you ever been in love? Horrible isn't it? It makes you so vulnerable. It opens your chest and it opens up your heart and it means that someone can get inside you and mess you up. You build up all these defenses, you build up a whole suit of armor, so that nothing can hurt you, then one stupid person, no different from any other stupid person, wanders into your stupid life...You give them a piece of you. They didn't ask for it. They did something dumb one day, like kiss you or smile at you, and then your life isn't your own anymore. Love takes hostages. It gets inside you. It eats you out and leaves you crying in the darkness, so simple a phrase like 'maybe we should be just friends' turns into a glass splinter working its way into your heart. It hurts. Not just in the imagination. Not just in the mind. It's a soul-hurt, a real gets-inside-you-and-rips-you-apart pain. I hate love.
Yun Kouga
Now and then, however, he is horribly thoughtless, and seems to take a real delight in giving me pain. Then I feel, Harry, that I have given away my whole soul to some one who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer’s day.
Oscar Wilde (The Picture of Dorian Gray)
I am jealous of everything whose beauty does not die. I am jealous of the portrait you have painted of me. Why should it keep what I must lose? Every moment that passes takes something from me and gives something to it. Oh, if it were only the other way! If the picture could change, and I could be always what I am now! Why did you paint it? It will mock me some day—mock me horribly!
Oscar Wilde (The Picture of Dorian Gray)
Dudley had been accepted at Uncle Vernon's old private school, Smeltings...Harry, on the other hand, was going to Stonewall High, the local public high school. Dudley thought this was very funny. "They stuff people's heads down the toilet the first day at Stonewall," he told Harry. "Want to come upstairs and practice?" "No, thanks," said Harry. "The poor toilet's never had anything as horrible as your head down it - it might be sick." Then he ran, before Dudley could work out what he'd said.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
He would say, "How funny it will all seem, all you've gone through, when I'm not here anymore, when you no longer feel my arms around your shoulders, nor my heart beneath you, nor this mouth on your eyes, because I will have to go away some day, far away..." And in that instant I could feel myself with him gone, dizzy with fear, sinking down into the most horrible blackness: into death.
Arthur Rimbaud (A Season in Hell and The Drunken Boat)
Was I totally against the idea of having kids with Kat one day? Other than breaking out in hives at the thought of that, the idea wasn't too horrible. Of course, I wanted the white picket fence bullshit...if it occurred a good ten years from now, and the kids didn't have weird bowl haircuts and couldn't Jedi mind-screw people.
Jennifer L. Armentrout (Origin (Lux, #4))
Some days are like that. Even in Australia.
Judith Viorst (Alexander and the Terrible, Horrible, No Good, Very Bad Day)
For seven days she lay in bed looking sullenly at the ceiling as though resenting the death she had cultivated for so many years. Like some people who cannot vomit despite horrible nausea, she lay there unable to die, resisting death as she had resisted life, frozen with resentment of process and change.
William S. Burroughs (And the Hippos Were Boiled in Their Tanks)
Oh, well...up until now it had been a good day, in a horrible kind of way.
Terry Pratchett (Nation)
Bilbo almost stopped breathing, and went stiff himself. He was desperate. He must get away, out of this horrible darkness, while he had any strength left. He must fight. He must stab the foul thing, put its eyes out, kill it. It meant to kill him. No, not a fair fight. He was invisible now. Gollum had no sword. Gollum had not actually threatened to kill him, or tried yet. And he was miserable, alone, lost. A sudden understanding, a pity mixed with horror, welled up in Bilbo’s heart: a glimpse of endless unmarked days without light or hope of betterment, hard stone, cold fish, sneaking and whispering.
J.R.R. Tolkien (The Hobbit (The Lord of the Rings, #0))
Magic comes from the heart, from your feelings, your deepest expressions of desire. That's why black magic is so easy—it comes from lust, from fear and anger, from things that are easy to feed and make grow. The sort I do is harder. It comes from something deeper than that, a truer and purer source—harder to tap, harder to keep, but ultimately more elegant, more powerful. My magic. That was at the heart of me. It was a manifestation of what I believed, what I lived. It came from my desire to see to it that someone stood between the darkness and the people it would devour. It came from my love of a good steak, from the way I would sometimes cry at a good movie or a moving symphony. From my life. From the hope that I could make things better for someone else, if not always for me. Somewhere, in all of that, I touched on something that wasn't tapped out, in spite of how horrible the past days had been, something that hadn't gone cold and numb inside of me. I grasped it, held it in my hand like a firefly, and willed its energy out, into the circle I had created with the spinning amulet on the end of its chain.
Jim Butcher (Fool Moon (The Dresden Files, #2))
I like checking days off a calendar—151 days crossed and nothing truly horrible has happened. 152 and the world isn’t ruined. 153 and I haven’t destroyed anyone. 154 and no one really hates me. Sometimes I think I won’t ever feel safe until I can count my last days on one hand. Three more days to get through until I don’t have to worry about life anymore.
Gillian Flynn (Sharp Objects)
I’ve fallen for her…So hard. I’ve hit the ground. Gone right through it. Never in my life have if felt this. Nothing like this…I’ve known nothing like this terrible, horrible, paralyzing feeling. I feel crippled. Desperate and out of control. And it keeps getting worse. Every day I feel sick. Empty and somehow aching. Love is a heartless bastard. I’m driving myself insane.
Tahereh Mafi
"Horrible things have happened to us, are still happening to us, will happen every day for the rest of our lives, probably. What defines us is not our ability to never let them break us--what defines us is not letting them own us. We are the Thaw, and we will not be defeated by memories or evil men."
Sara Raasch (Ice Like Fire (Snow Like Ashes, #2))
He is not a tame lion," said Tirian. "How should we know what he would do? We, who are murderers. Jewel, I will go back. I will give up my sword and put myself in the hands of these Calormenes and ask that they bring me before Aslan. Let him do justice on me." "You will go to your death, then," said Jewel. "Do you think I care if Aslan dooms me to death?" said the King. "That would be nothing, nothing at all. Would it not be better to be dead than to have this horrible fear that Aslan has come and is not like the Aslan we have believed in and longed for? It is as if the sun rose one day and were a black sun." "I know," said Jewel. "Or as if you drank water and it were dry water. You are in the right, Sire. This is the end of all things. Let us go and give ourselves up." "There is no need for both of us to go." "If ever we loved one another, let me go with you now," said the Unicorn. "If you are dead and if Aslan is not Aslan, what life is left for me?
C.S. Lewis (The Chronicles of Narnia (The Chronicles of Narnia, #1-7))
I went to sleep with gum in my mouth and now there's gum in my hair and when I got out of bed this morning I tripped on the skateboard and by mistake I dropped my sweater in the sink while the water was running and I could tell it was going to be a terrible, horrible, no good, very bad day.
Judith Viorst (Alexander and the Terrible, Horrible, No Good, Very Bad Day)
Horrible things have happened to us, are still happening to us, will happen every day for the rest of our lives, probably. What defines us is not our ability to never let them break us— what defines us is not letting them own us.
Sara Raasch (Ice Like Fire (Snow Like Ashes, #2))
Do not chase boys. Chasing boys is bad. Chasing boys can lead to horrible things like mansions going up into flames, hand amputations, and blindness. So have some self respect and don't let things get too far before the wedding day.
Meg Cabot (Princess in Pink (The Princess Diaries, #5))
I remembered what it is I like about sex: what I like about sex is that I can lose myself in it entirely. Sex, in fact, is the most absorbing activity I have discovered in adulthood. When I was a child I used to feel this way about all sorts of things—Legos, The Jungle Book, The Hardy Boys, The Man from U.N.C.L.E., Saturday morning cartoons...I could forget where I was, the time of day, who I was with. Sex is the only thing I've found like that as a grown-up, give or take the odd film: books are no longer like that once you're out of your teens, and I've certainly never found it in my work. All the horrible pre-sex self-consciousness drains out of me, and I forget where I am, the time of day...and yes, I forget who I'm with, for the time being.
Nick Hornby (High Fidelity)
The clear awareness of having been born into a losing struggle need not lead one into despair. I do not especially like the idea that one day I shall be tapped on the shoulder and informed, not that the party is over but that it is most assuredly going on—only henceforth in my absence. (It's the second of those thoughts: the edition of the newspaper that will come out on the day after I have gone, that is the more distressing.) Much more horrible, though, would be the announcement that the party was continuing forever, and that I was forbidden to leave. Whether it was a hellishly bad party or a party that was perfectly heavenly in every respect, the moment that it became eternal and compulsory would be the precise moment that it began to pall.
Christopher Hitchens (Hitch 22: A Memoir)
I hope one day to be better, and I’m pretty sure I will be. I hope one day I live in a world where the personal fight for mental stability is viewed with pride and public cheers instead of shame. I hope it for you too.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
There is a certain kind of pain that can change you. Even the strongest sword, when placed in a raging fire, will soften and bend and change its form... Trust me on this one. I know this from personal experience. I hope that you never will, but, since you're a person, and therefore prone to making horrible, soul-splitting mistakes, you probably will one day know what this kind of guilt and shame feels like. And when that time comes, I hope you have the strength...to take advantage of the fire and reshape your own sword.
Adam Gidwitz (A Tale Dark & Grimm (A Tale Dark & Grimm, #1))
And I imagine... with great pleasure... all the horrible stirrings of the nonmanifested to bring forth the scream which creates the universe. Maybe one day I'll see you trembling, and you'll go into convulsion and grow larger and smaller until your mouth opens and the world will come from your mouth, escaping through the window like a river, and it will flood the city. And then we'll begin to live.
Alejandro Jodorowsky
There were two Avoxes with me in prison. Darius and Lavinia, but the guards mostly called them the redheads. They'd been our servants in the Training Center, so they arrested them, too. I watched them being tortured to death. She was lucky. They used too much voltage and her heart stopped right off. It took days to finish him off. Beating, cutting off parts. They kept asking him questions, but he couldn't speak, he just made these horrible animals sounds. They didn't want information, you know? They wanted me to see it.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
All that Ruby said was so horribly true, she was leaving everything she cared for. She had laid up her treasures on earth only. She had lived solely for the little things of life, the things that pass, forgetting the great things that go onward into eternity bridging the gulf between the two lives and making of death a mere passing of one dwelling to the other. From twilight to unclouded day. ...it was no wonder her soul clung in blind helplessness to the only things she knew and loved.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
I had an interview once with some German journalist—some horrible, ugly woman. It was in the early days after the communists—maybe a week after—and she wore a yellow sweater that was kind of see-through. She had huge tits and a huge black bra, and she said to me, ‘It’s impolite; remove your glasses.’ I said, ‘Do I ask you to remove your bra?
Karl Lagerfeld
After Kellan begged me for a final kiss, Griffin murmured, “Your wedding day is Thanksgiving. That’s convenient.” He pointed at Kellan. “You probably won’t forget your anniversary.” He looked over at Anna. “We shoulda done that. I already forgot ours.” Anna smirked at Griffin while Kellan’s lip twitched. “Uh, it won’t always be on Thanksgiving, Griff.” He looked horribly confused. “Huh? Yeah, it will.” “Kellan bit his lip. I could tell he was trying really hard not to laugh, since laughing hurt. “Thanksgiving isn’t on the same day every year. It moves around.” Griffin glared at Kellan. “Don’t even try fucking with me, Kell.” He tapped his finger to his head. “I’m on to you.” I heard Matt and Evan snigger with Justin and Denny. My dad stared at the ceiling as he shook his head. I couldn’t contain my giggle; poor Kellan had to take long, slow exhales so he didn’t laugh with everyone else. “Griff, I’m not . . .
S.C. Stephens (Reckless (Thoughtless, #3))
It is horrible to think that the world could one day be filled with nothing but those little cogs, little men clinging to little jobs and striving towards bigger ones - a state of affairs which is to be seen once more, as in the Egyptian records, playing an ever-increasing part in the spirit of our present administrative system, and especially of its offspring, the students. This passion for bureaucracy ... is enough to drive one to despair. It is as if in politics ... we were deliberately to become men who need "order" and nothing but order, become nervous and cowardly if for one moment this order wavers, and helpless if they are torn away from their total incorporation in it. That the world should know no men but these: it is such an evolution that we are already caught up, and the great question is, therefore, not how we can promote and hasten it, but what can we oppose to this machinery in order to keep a portion of mankind free from this parcelling-out of the soul, from this supreme mastery of the bureaucratic way of life.
Max Weber
I love being horribly straightforward. I love sending reckless text messages (because how reckless can a form of digitized communication be?) and telling people I love them and telling people they are absolutely magical humans and I cannot believe they really exist. I love saying, “Kiss me harder,” and “You’re a good person,” and, “You brighten my day.” I live my life as straight-forward as possible.
Rachel C. Lewis
When you took me from the witch trial at Cranesmuir--you said then that you would have died with me, you would have gone to the stake with me, had it come to that!" He grasped my hands, fixing me with a steady blue gaze. "Aye, I would," he said. "But I wasna carrying your child." The wind had frozen me; it was the cold that made me shake, I told myself. The cold that took my breath away. "You can't tell," I said, at last. "It's much too soon to be sure." He snorted briefly, and a tiny flicker of amusement lit his eyes. "And me a farmer, too! Sassenach, ye havena been a day late in your courses, in all the time since ye first took me to your bed. Ye havena bled now in forty-six days." "You bastard!" I said, outraged. "You counted! In the middle of a bloody war, you counted!" "Didn't you?" "No!" I hadn't; I had been much too afraid to acknowledge the possibility of the thing I had hoped and prayed for so long, come now so horribly too late. "Besides," I went on, trying still to deny the possibility, "that doesn't mean anything. Starvation could cause that; it often does." He lifted one brow, and cupped a broad hand gently beneath my breast. "Aye, you're thin enough; but scrawny as ye are, your breasts are full--and the nipples of them gone the color of Champagne grapes. You forget," he said, "I've seen ye so before. I have no doubt--and neither have you." I tried to fight down the waves of nausea--so easily attributable to fright and starvation--but I felt the small heaviness, suddenly burning in my womb. I bit my lip hard, but the sickness washed over me. Jamie let go of my hands, and stood before me, hands at his sides, stark in silhouette against the fading sky. "Claire," he said quietly. "Tomorrow I will die. This child...is all that will be left of me--ever. I ask ye, Claire--I beg you--see it safe.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
You forget, Moonlight, that there are different kinds of beauty. Your imagination is obsessed by the very obvious type of your cousin Olive. Oh, I've seen her—she's a stunner—but you'd never catch Allan Tierney wanting to paint her. In the horrible but expressive slang phrase, she keeps all her goods in the shop-window. But in your subconscious mind you have a conviction that nobody can be beautiful who doesn't look like Olive. Also, you remember your face as it was in the days when your soul was not allowed to shine through it.
L.M. Montgomery (The Blue Castle)
What you're doing is building a horrible kind of logic. People read what you write and they say, 'Yes, he is talking about things that really happen,' and they keep reading, and it makes sense to them. You're explaining things that can't be defended, and the explanations themselves are mad, just bizarre — but you offer them with such confidence. It was because she kept the chain on the door; it was because he needed to let off steam after a hard day's scraping and bowing at work; it was because she was irritating and stupid; it was because she lied to him, made a fool of him; it was because she had to die, she just had to, it makes dramatic sense; it was because 'nothing is more poetic than the death of a beautiful woman'; it was because of this, it was because of that. It's obscene to make such things reasonable.
Helen Oyeyemi (Mr. Fox)
What is my life for and what am I going to do with it? I don't know and I'm afraid. I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones, and variations of mental and physical experience possible in my life. And I am horribly limited. Yet I am not a cretin: lame, blind and stupid. I am not a veteran, passing my legless, armless days in a wheelchair. I am not that mongoloidish old man shuffling out of the gates of the mental hospital. I have much to live for, yet unaccountably I am sick and sad. Perhaps you could trace my feeling back to my distaste at having to choose between alternatives. Perhaps that's why I want to be everyone - so no one can blame me for being I. So I won't have to take the responsibility for my own character development and philosophy. People are happy - - - if that means being content with your lot: feeling comfortable as the complacent round peg struggling in a round hole, with no awkward or painful edges - no space to wonder or question in. I am not content, because my lot is limiting, as are all others. People specialize; people become devoted to an idea; people "find themselves." But the very content that comes from finding yourself is overshadowed by the knowledge that by doing so you are admitting you are not only a grotesque, but a special kind of grotesque.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
I shove the horrible, screaming images in my head into the dark, silent place in my mind that is getting deeper and more crowded each day. One day soon, the things I stuff in there will burst out and infect the rest of me. Maybe that will be the day the daughter becomes like the mother. Until then, I am still in control.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
If your child is killed by police, if the water in your community is poisoned, if a mockery is made of your grief, how do you feel? Do you want to be calm and quiet? Do you want to forgive in order to make everyone else comfortable? Or do you want to scream, to yell, to demand justice for the wrongs done? Anger gets the petitions out, it motivates marches, it gets people to the ballot. Anger is sometimes the only fuel left at the end of a long, horrible day, week, month, or generation.
Mikki Kendall (Hood Feminism: Notes from the Women White Feminists Forgot)
So I'm over there in England, you know, trying to get news about the [L.A.] riots... and all these Brit people are trying to sympathize with me... 'Oh Bill, crime is horrible. Bill, if it's any consolation crime is horrible here, too.' ...Shutup. This is Hobbitown and I am Bilbo Hicks, Okay? This is a land of fairies and elves. You do not have crime like we have crime, but I appreciate you trying to be, you know, Diplomatic. You gotta see English crime. It's hilarious, you don't know if you're reading the front page or the comic section over there. I swear to God. I read an article - front page of the paper - one day, in England: 'Yesterday, some Hooligans knocked over a dustbin in Shafsbry.' Wooooo... 'The hooligans are loose! The hooligans are loose! What if they become roughians? I would hate to be a dustbin in Shafsbry tonight.
Bill Hicks
With murder, the victim is gone, and not forced to deal with what happened to her. The family must deal with it, but not the victim. But rape is much worse. The victim has a lifetime of coping, trying to understand, of asking questions, and the worst part, of knowing the rapist is still alive and may someday escape or be released. Every hour of every day, the victim thinks of the rape and asks herself a thousand questions. She relives it, step by step, minute by minute, and it hurts just as bad. Perhaps the most horrible crime of all is the violent rape of a child. A woman who is raped has a pretty good idea why it happened. Some animal was filled with hatred, anger and violence. But a child? A ten-year-old child? Suppose you're a parent. Imagine yourself trying to explain to your child why she was raped. Imagine yourself trying to explain why she cannot bear children.
John Grisham (A Time to Kill (Jake Brigance, #1))
10 maggie and millie and molly and may went down to the beach (to play one day) and maggie discovered a shell that sang so sweetly she couldn't remember her troubles, and millie befriended a stranded star whose rays five languid fingers were and molly was chased by a horrible thing which raced sideways while blowing bubbles: and may came home with a smooth round stone as small as a world & as large as alone For whatever we lose (like a you or a me) it's always ourselves we find in the sea
E.E. Cummings
The great triumph (or horrible tragedy, depending on how you look at it) of being human is that our brains have evolved over hundreds of thousands of years to understand our mortality. We are, sadly, self-aware creatures. Even if we move through the day finding creative ways to deny our mortality, no matter how powerful, loved, or special we may feel, we know we are ultimately doomed to death and decay. This is a mental burden shared by precious few other species on Earth.
Caitlin Doughty
How sad it is!" murmured Dorian Gray with his eyes still fixed upon his own portrait. "How sad it is! I shall grow old, and horrible, and dreadful. But this picture will remain always young. It will never be older than this particular day of June… . If it were only the other way! If it were I who was to be always young, and the picture that was to grow old! For that—for that—I would give everything! Yes, there is nothing in the whole world I would not give! I would give my soul for that!
Oscar Wilde (The Picture of Dorian Gray)
I'm trying..." How could I put it? "I'm trying to get far enough down the line so that I can remember." I stopped, then continued: "so that I can remember without the pain killing me" And the days were stacking up. And weeks. And months. It was now almost the middle of June and he'd died in February, but I still felt like I'd just woken from a horrible dream, that I was suspended in that stunned, paralyzed state between sleep and reality where I was grasping for, but couldn't get a handle on normality.
Marian Keyes (Anybody Out There? (Walsh Family, #4))
The visitor from outer space made a serious study of Christianity, to learn, if he could, why Christians found it so easy to be cruel. He concluded that at least part of the trouble was slipshod storytelling in the New Testament. He supposed that the intent of the Gospels was to teach people, among other things, to be merciful, even to the lowest of the low. But the Gospels actually taught this: Before you kill somebody, make absolutely sure he isn’t well connected. So it goes. The flaw in the Christ stories, said the visitor from outer space, was that Christ, who didn’t look like much, was actually the Son of the Most Powerful Being in the Universe. Readers understood that, so, when they came to the crucifixion, they naturally thought, and Rosewater read out loud again: Oh, boy–they sure picked the wrong guy to lynch _that_ time! And that thought had a brother: “There are right people to lynch.” Who? People not well connected. So it goes. The visitor from outer space made a gift to the Earth of a new Gospel. In it, Jesus really was a nobody, and a pain in the neck to a lot of people with better connections than he had. He still got to say all the lovely and puzzling things he said in the other Gospels. So the people amused themselves one day by nailing him to a cross and planting the cross in the ground. There couldn’t possibly be any repercussions, the lynchers thought. The reader would have to think that, too, since the new Gospel hammered home again and again what a nobody Jesus was. And then, just before the nobody died, the heavens opened up, and there was thunder and lightning. The voice of God came crashing down. He told the people that he was adopting the bum as his son, giving him the full powers and privileges of The Son of the Creator of the Universe throughout all eternity. God said this: From this moment on, He will punish horribly anybody who torments a bum who has no connections.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
My darling, I'm waiting for you — how long is a day in the dark, or a week? The fire is gone now, and I'm horribly cold. I really ought to drag myself outside but then there would be the sun. . . I'm afraid I waste the light on the paintings and on writing these words. We die, we die rich with lovers and tribes, tastes we have swallowed, bodies we have entered and swum up like rivers, fears we have hidden in, like this wretched cave. We are the real countries, not the boundaries drawn on maps with the names of powerful men. I know you will come and carry me out into the palace of winds. That's all I've wanted — to walk in such a place with you, with friends, on earth without maps...
Michael Ondaatje (The English Patient)
Want your boat, Georgie?' Pennywise asked. 'I only repeat myself because you really do not seem that eager.' He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore. Yes, sure,' George said, looking into the stormdrain. And a balloon? I’ve got red and green and yellow and blue...' Do they float?' Float?' The clown’s grin widened. 'Oh yes, indeed they do. They float! And there’s cotton candy...' George reached. The clown seized his arm. And George saw the clown’s face change. What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke. They float,' the thing in the drain crooned in a clotted, chuckling voice. It held George’s arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches. They float,' it growled, 'they float, Georgie, and when you’re down here with me, you’ll float, too–' George's shoulder socked against the cement of the curb and Dave Gardener, who had stayed home from his job at The Shoeboat that day because of the flood, saw only a small boy in a yellow rain-slicker, a small boy who was screaming and writhing in the gutter with muddy water surfing over his face and making his screams sound bubbly. Everything down here floats,' that chuckling, rotten voice whispered, and suddenly there was a ripping noise and a flaring sheet of agony, and George Denbrough knew no more. Dave Gardener was the first to get there, and although he arrived only forty-five seconds after the first scream, George Denbrough was already dead. Gardener grabbed him by the back of the slicker, pulled him into the street...and began to scream himself as George's body turned over in his hands. The left side of George’s slicker was now bright red. Blood flowed into the stormdrain from the tattered hole where his left arm had been. A knob of bone, horribly bright, peeked through the torn cloth. The boy’s eyes stared up into the white sky, and as Dave staggered away toward the others already running pell-mell down the street, they began to fill with rain.
Stephen King (It)
Then I stay beside you for as long as we have." He kept stroking my hair. Cats like to be petted. Cait Sidhe like to pet. "October, I meant it when I told you I was not leaving you. I will never leave you while both of us are living. You were not quite this human when I met you, and you were far less human when I finally allowed myself to love you. But the essential core of your being has remained the same no matter what the balance of your blood." "How is it that you always know the exact right stupid romance novel thing to say?" I asked, leaning up to kiss him. He smiled against my lips. When I pulled back, he said. "I was a student of Shakespeare before the romance novel was even dreamt. Be glad I do not leave you horrible poetry on your pillow, wrapped securely around the bodies of dead rats.
Seanan McGuire (Chimes at Midnight (October Daye, #7))
Until then I had always thought of loneliness as something negative—an absence of company, and, of course, something temporary... That day I had learned that it was much more. It was something which could press and oppress, could distort the ordinary and play tricks with the mind. Something which lurked inimically all around, stretching the nerves and twanging them with alarms, never letting one forget that there was no one to help, no one to care. It showed one as an atom adrift in vastness, and it waited all the time its chance to frighten and frighten horribly—that was what loneliness was really trying to do; and that was what one must never let it do...
John Wyndham (The Day of the Triffids)
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Those the walkers carried into the Wood were less lucky. We didn't know what happened to them, but they came back out sometimes, corrupted in the worst way: smiling and cheerful, unharmed. They seemed almost themselves to anyone who didn't know them well, and you might spend half a day talking with one of them and never realize anything was wrong, until you found yourself taking up a knife and cutting off your own hand, putting out your own eyes, your own tongue, while they kept talking all the while, smiling, horrible. And then they would take the knife and go inside your house, to your children, while you lay outside blind and choking and helpless even to scream. If someone we loved was taken by the walkers, the only thing we knew to hope for them was death, and it could only be a hope.
Naomi Novik (Uprooted)
You know those days when you've got the means reds?’ ‘Same as the blues?’ ‘No,’ she said slowly. ‘No, the blues are because you’re getting fat or maybe it’s been raining too long. You’re sad that’s all. But the mean reds are horrible. You’re afraid, and you sweat like hell, but you don’t know what you’re afraid of. Except something bad is going to happen, only you don’t know what it is. You’ve had that feeling?’ ‘Quite often. Some people call it angst.’ ‘All right. Angst. But what do you do about it?’ ‘Well, a drink helps.’ ‘I’ve tried that. I’ve tried aspirin, too. Rusty thinks I should smoke marijuana, and I did for a while, but it only makes me giggle. What I’ve found does the most good is to just get into a taxi and go to Tiffany’s. It calms me down right away, the quietness and the proud look of it; nothing very bad could happen to you there, not with those kind men in their nice suits, and that lovely smell of silver and alligator wallets. If I could find a real-life place that made me feel like Tiffany’s, then I’d buy some furniture and give the cat a name.
Truman Capote (Breakfast at Tiffany’s and Three Stories)
One fine day you decide to talk less and less about the things you care most about, and when you have to say something, it costs you an effort . . . You’re good and sick of hearing yourself talk . . . you abridge . . . You give up … For thirty years you’ve been talking . . . You don’t care about being right anymore. You even lose your desire to keep hold of the small place you’d reserved yourself among the pleasures of life . . . You’re fed up … From that time on you’re content to eat a little something, cadge a little warmth, and sleep as much as possible on the road to nowhere. To rekindle your interest, you’d have to think up some new grimaces to put on in the presence of others . . . But you no longer have the strength to renew your repertory. You stammer. Sure, you still look for excuses for hanging around with the boys, but death is there too, stinking, right beside you, it’s there the whole time, less mysterious than a game of poker. The only thing you continue to value is petty regrets, like not finding time to run out to Bois-Colombes to see your uncle while he was still alive, the one whose little song died forever one afternoon in February. That horrible little regret is all we have left of life, we’ve vomited up the rest along the way, with a good deal of effort and misery. We’re nothing now but an old lamppost with memories on a street where hardly anyone passes anymore.
Louis-Ferdinand Céline (Journey to the End of the Night)
People have gotten used to living a botched-up life — to be anxious, insecure, hateful, jealous, and in various states of unpleasantness through the day — slowly humanity has begun to see it as normal. None of these things are normal. These are abnormalities. Once you accept them as part of life they become normal because the majority has joined the gang of unpleasantness. They are all saying, "Unpleasantness is normal. Being nasty to each other is normal. Being nasty to myself is normal." Someone trusted that you would be doing good things at least to yourself and said, "Do unto others what you do unto yourself." I am telling you, never do unto others what you are doing to yourself! By being with people, I know what they are doing to themselves is the worst thing. Fortunately, they are not doing such horrible things to others. Only once in a while they are giving a dose to others, but to themselves they are giving it throughout the day.
Sadhguru (Life and Death in One Breath)
Suffering is part of life,' she said. 'All the parts of life are jumbled up together; you can't separate out just the one thing.' She parred his hand again, kindly. 'I could let you kill me now, lovely man, and have peace and good dreams forever. But who knows what I get instead, if I stay? Maybe time to see a new grandchild. Maybe a good joke that sets me laughing for days. Maybe another handsome young fellow flirting with me.' She grinned toothlessly, then let loose another horrible, racking cough. Ehiru steadies her with shaking hands. 'I want every moment of my life, pretty man, the painful and the sweet alike. Until the very end. If these are all the memories I get for eternity, I want to take as many of them with me as I can.
N.K. Jemisin (The Killing Moon (Dreamblood, #1))
I remember the first year after my second child was born, what I can remember of it at all, as a year of disarray, of overturned glasses of milk, of toys on the floor, of hours from sunrise to sunset that were horribly busy but filled with what, at the end of the day, seemed like absolutely nothing at all. What saved my sanity were books. What saved my sanity was disappearing, if only for fifteen minutes before I inevitably began to nod off in bed...and as it was for me when I was young and surrounded by siblings, as it is today when I am surrounded by children, reading continues to provide an escape from a crowded house into an imaginary room of one's own.
Anna Quindlen (How Reading Changed My Life)
I almost forget that she still hates me, despite how hard I’ve fallen for her. And I’ve fallen. So hard. I’ve hit the ground. Gone right through it. Never in my life have I felt this. Nothing like this. I’ve felt shame and cowardice, weakness and strength. I’ve known terror and indifference, self-hate and general disgust. I’ve seen things that cannot be unseen. And yet I’ve known nothing like this terrible, horrible, paralyzing feeling. I feel crippled. Desperate and out of control. And it keeps getting worse. Every day I feel sick. Empty and somehow aching. Love is a heartless bastard. I’m driving myself insane.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
I have sometimes thought that the mere hearing of those songs would do more to impress some minds with the horrible character of slavery, than the reading of whole volumes of philosophy on the subject could do. I did not, when a slave, understand the deep meaning of those rude and apparently incoherent songs. I was myself within the circle; so that I neither saw nor heard as those without might see and hear. They told a tale of woe which was then altogether beyond my feeble comprehension; they were tones loud, long, and deep; they breathed the prayer and complaint of souls boiling over with bitterest anguish. Every tone was a testimony against slavery, and a prayer to God for deliverance from chains. The hearing of those wild notes always depressed my spirit, and filled me with ineffable sadness. I have frequently found myself in tears while hearing them. The mere recurrence to those songs, even now, afflicts me; and while I am writing these lines, an expression of feeling has already found its way down my cheek. To those songs I trace my first glimmering conception of the dehumanizing character of slavery. I can never get rid of that conception. Those songs still follow me, to deepen my hatred of slavery, and quicken my sympathies for my brethren in bonds. If any one wishes to be impressed with the soul-killing effects of slavery, let him go to Colonel Lloyd's plantation, and, on allowance-day, place himself in the deep pine woods, and there let him, in silence, analyze the sounds that shall pass through the chambers of his soul, - and if he is not thus impressed, it will only be because "there is no flesh in his obdurate heart." I have often been utterly astonished, since I came to the north, to find persons who could speak of the singing, among slaves, as evidence of their contentment and happiness. It is impossible to conceive of a greater mistake. Slaves sing most when they are most unhappy. The songs of the slave represent the sorrows of his heart; and he is relieved by them, only as an aching heart is relieved by its tears. At least, such is my experience. I have often sung to drown my sorrow, but seldom to express my happiness. Crying for joy, and singing for joy, were alike uncommon to me while in the jaws of slavery. The singing of a man cast away upon a desolate island might be as appropriately considered as evidence of contentment and happiness, as the singing of a slave; the songs of the one and of the other are prompted by the same emotion.
Frederick Douglass (Narrative of the Life of Frederick Douglass)
I’ve had boyfriends before, and frankly, each one was a disappointment. There was nothing horribly wrong with these boys. It was my fault. I’m kind of a snob when it comes to guys. So far, the biggest problem with the boys I’ve dated is that they weren’t too smart. And eventually I ended up hating myself for being with them. It scared me, trying to pretend I was something I wasn’t. I could see how easily it could be done, and it made me realize that was what most of the other girls were doing as well—pretending. If you were a girl, you could start pretending in high school and go on pretending your whole life, until, I suppose, you imploded and had a nervous breakdown, which is something that’s happened to a few of the mothers around here. All of a sudden, one day something snaps and they don’t get out of bed for three years.
Candace Bushnell (The Carrie Diaries (The Carrie Diaries, #1))
Happily for me, ninety-nine percent of all human life is spent simply repeating the same old actions, speaking the same tired clichés, moving like a zombie through the same steps of the dance we plodded through yesterday and the day before and the day before. It seems horribly dull and pointless-but it really makes a great deal of sense. After all, if you only have to follow the same path every day, you don't need to think at all. Considering how good humans are at any mental process more complicated than chewing, isn't that the best for everybody?
Jeff Lindsay (Double Dexter (Dexter, #6))
...there’s such an unbelievable amount that we’re all supposed to be able to cope with these days. You’re supposed to have a job, and somewhere to live, and a family (...) We don’t have a plan, we just do our best to get through the day, because there’ll be another one coming along tomorrow.Sometimes it hurts, it really hurts, for no other reason than the fact that our skin doesn’t feel like it’s ours. Sometimes we panic, because the bills need paying and we have to be grown-up and we don’t know how, because it’s so horribly, desperately easy to fail at being grown-up.
Fredrik Backman (Anxious People)
Some enterprising rabbit had dug its way under the stakes of my garden again. One voracious rabbit could eat a cabbage down to the roots, and from the looks of things, he'd brought friends. I sighed and squatted to repair the damage, packing rocks and earth back into the hole. The loss of Ian was a constant ache; at such moments as this, I missed his horrible dog as well. I had brought a large collection of cuttings and seeds from River Run, most of which had survived the journey. It was mid-June, still time--barely--to put in a fresh crop of carrots. The small patch of potato vines was all right, so were the peanut bushes; rabbits wouldn't touch those, and didn't care for the aromatic herbs either, except the fennel, which they gobbled like licorice. I wanted cabbages, though, to preserve a sauerkraut; come winter, we would want food with some taste to it, as well as some vitamin C. I had enough seed left, and could raise a couple of decent crops before the weather turned cold, if I could keep the bloody rabbits off. I drummed my fingers on the handle of my basket, thinking. The Indians scattered clippings of their hair around the edges of the fields, but that was more protection against deer than rabbits. Jamie was the best repellent, I decided. Nayawenne had told me that the scent of carnivore urine would keep rabbits away--and a man who ate meat was nearly as good as a mountain lion, to say nothing of being more biddable. Yes, that would do; he'd shot a deer only two days ago; it was still hanging. I should brew a fresh bucket of spruce beer to go with the roast venison, though . . . (Page 844)
Diana Gabaldon (Drums of Autumn (Outlander, #4))
Mrs. Nightwing glances at the box in my hands. She clears her throat."I understand you've decided against Mr. Middleton."... It's best to be sure, through and through," she says, keeping her eyes steadfastly on the girls running and playing on the lawn. "Else you could find yourself one day coming home to an empty house, save for a note: I've gone out. You could wait all night for him to return. Nights turn into weeks, to years. It's horrible, the waiting. You can scarcely bear it. And perhaps years later on holiday in Brighton, you see him, walking along the boardwalk as if out of some dream. No longer lost. Your heartbeat quickens. You must call out to him. Someone else calls first. A pretty young woman with a child. He stops and bends to lift the child into his arms. His child. He gives a furtive kiss to his young wife. He hands her a box of candy, which you know to be Chollier's chocolates. He and his family stroll on. Something in you falls away. You will never be as you were. What is left to you is the chance to become something new and unsure. But at least the waiting is over.
Libba Bray (Rebel Angels (Gemma Doyle, #2))
Get Comfortable Not Knowing There once was a village that had among its people a very wise old man. The villagers trusted this man to provide them answers to their questions and concerns. One day, a farmer from the village went to the wise man and said in a frantic tone, “Wise man, help me. A horrible thing has happened. My ox has died and I have no animal to help me plow my field! Isn’t this the worst thing that could have possibly happened?” The wise old man replied, “Maybe so, maybe not.” The man hurried back to the village and reported to his neighbors that the wise man had gone mad. Surely this was the worst thing that could have happened. Why couldn’t he see this? The very next day, however, a strong, young horse was seen near the man’s farm. Because the man had no ox to rely on, he had the idea to catch the horse to replace his ox—and he did. How joyful the farmer was. Plowing the field had never been easier. He went back to the wise man to apologize. “You were right, wise man. Losing my ox wasn’t the worst thing that could have happened. It was a blessing in disguise! I never would have captured my new horse had that not happened. You must agree that this is the best thing that could have happened.” The wise man replied once again, “Maybe so, maybe not.” Not again, thought the farmer. Surely the wise man had gone mad now. But, once again, the farmer did not know what was to happen. A few days later the farmer’s son was riding the horse and was thrown off. He broke his leg and would not be able to help with the crop. Oh no, thought the man. Now we will starve to death. Once again, the farmer went to the wise man. This time he said, “How did you know that capturing my horse was not a good thing? You were right again. My son is injured and won’t be able to help with the crop. This time I’m sure that this is the worst thing that could have possibly happened. You must agree this time.” But, just as he had done before, the wise man calmly looked at the farmer and in a compassionate tone replied once again, “Maybe so, maybe not.” Enraged that the wise man could be so ignorant, the farmer stormed back to the village. The next day troops arrived to take every able-bodied man to the war that had just broken out. The farmer’s son was the only young man in the village who didn’t have to go. He would live, while the others would surely die. The moral of this story provides a powerful lesson. The truth is, we don’t know what’s going to happen—we just think we do. Often we make a big deal out of something. We blow up scenarios in our minds about all the terrible things that are going to happen. Most of the time we are wrong. If we keep our cool and stay open to possibilities, we can be reasonably certain that, eventually, all will be well. Remember: maybe so, maybe not.
Richard Carlson (Don't Sweat the Small Stuff ... and it's all small stuff: Simple Ways to Keep the Little Things from Taking Over Your Life)
Harry: "Have you…" he began. "I mean, who … has anyone you known ever died?" "Yes," said Luna simply, "my mother. She was a quite extraordinary witch, you know, but she did like to experiment and one of her spells went rather badly wrong one day. I was nine." "I’m sorry," Harry mumbled. "Yes, it was rather horrible," said Luna conversationally. "I still feel very sad about it sometimes. But I’ve still got Dad. And anyway, it’s not as though I’ll never see Mum again, is it?" "Er – isn’t it?" said Harry uncertainly. She shook her head in disbelief. "Oh, come on. You heard them, just behind the veil, didn’t you?" " You mean…" "In that room in the archway. They were just lurking out of sight, that’s all, you heard them.
J.K. Rowling
In the days to come, when it will seem as if I were entombed, when the very firmament threatens to come crashing down upon my head, I shall be forced to abandon everything except what these spirits implanted in me. I shall be crushed, debased, humiliated. I shall be frustrated in every fiber of my being. I shall even take to howling like a dog. But I shall not be utterly lost! Eventually a day is to dawn when, glancing over my own life as though it were a story or history, I can detect in it a form, a pattern, a meaning. From then on the word defeat becomes meaningless. It will be impossible ever to relapse. For on that day I become and I remain one with my creation. On another day, in a foreign land, there will appear before me a young man who, unaware of the change which has come over me, will dub me "The Happy Rock." That is the moniker I shall tender when the great Cosmocrator demands-" Who art thou?" Yes, beyond a doubt, I shall answer "The Happy Rock!" And, if it be asked-"Didst thou enjoy thy stay on earth?"-I shall reply: "My life was one long rosy crucifixion." As to the meaning of this, if it is not already clear, it shall be elucidated. If I fail then I am but a dog in the manger. Once I thought I had been wounded as no man ever had. Because I felt thus I vowed to write this book. But long before I began the book the wound had healed. Since I had sworn to fulfill my task I reopened the horrible wound. Let me put it another way. Perhaps in opening my own wound, I closed other wounds.. Something dies, something blossoms. To suffer in ignorance is horrible. To suffer deliberately, in order to understand the nature of suffering and abolish it forever, is quite another matter. The Buddha had one fixed thought in mind all his life, as we know it. It was to eliminate human suffering. Suffering is unnecessary. But, one has to suffer before he is able to realize that this is so. It is only then, moreover, that the true significance of human suffering becomes clear. At the last desperate moment-when one can suffer no more!-something happens which is the nature of a miracle. The great wound which was draining the blood of life closes up, the organism blossoms like a rose. One is free at last, and not "with a yearning for Russia," but with a yearning for ever more freedom, ever more bliss. The tree of life is kept alive not by tears but the knowledge that freedom is real and everlasting.
Henry Miller
I’m such a negative person, and always have been. Was I born that way? I don’t know. I am constantly disgusted by reality, horrified and afraid. I cling desperately to the few things that give me some solace, that make me feel good. I hate most of humanity. Though I might be very fond of particular individuals, humanity in general fills me with contempt and despair. I hate most of what passes for civilization. I hate the modern world. For one thing there are just too Goddamn many people. I hate the hordes, the crowds in their vast cities, with all their hateful vehicles, their noise and their constant meaningless comings and goings. I hate cars. I hate modern architecture. Every building built after 1955 should be torn down! I despise modern music. Words cannot express how much it gets on my nerves – the false, pretentious, smug assertiveness of it. I hate business, having to deal with money. Money is one of the most hateful inventions of the human race. I hate the commodity culture, in which everything is bought and sold. No stone is left unturned. I hate the mass media, and how passively people suck up to it. I hate having to get up in the morning and face another day of this insanity. I hate having to eat, shit, maintain the body – I hate my body. The thought of my internal functions, the organs, digestion, the brain, the nervous system, horrify me. Nature is horrible. It’s not cute and loveable. It’s kill or be killed. It’s very dangerous out there. The natural world is filled with scary, murderous creatures and forces. I hate the whole way that nature functions. Sex is especially hateful and horrifying, the male penetrating the female, his dick goes into her hole, she’s impregnated, another being grows inside her, and then she must go through a painful ordeal as the new being pushes out of her, only to repeat the whole process in time. Reproduction – what could be more existentially repulsive? How I hate the courting ritual. I was always repelled by my own sex drive, which in my youth never left me alone. I was constantly driven by frustrated desires to do bizarre and unacceptable things with and to women. My soul was in constant conflict about it. I never was able to resolve it. Old age is the only relief. I hate the way the human psyche works, the way we are traumatized and stupidly imprinted in early childhood and have to spend the rest of our lives trying to overcome these infantile mental fixations. And we never ever fully succeed in this endeavor. I hate organized religions. I hate governments. It’s all a lot of power games played out by ambition-driven people, and foisted on the weak, the poor, and on children. Most humans are bullies. Adults pick on children. Older children pick on younger children. Men bully women. The rich bully the poor. People love to dominate. I hate the way humans worship power – one of the most disgusting of all human traits. I hate the human tendency towards revenge and vindictiveness. I hate the way humans are constantly trying to trick and deceive one another, to swindle, to cheat, and take unfair advantage of the innocent, the naïve and the ignorant. I hate the vacuous, false, banal conversation that goes on among people. Sometimes I feel suffocated; I want to flee from it. For me, to be human is, for the most part, to hate what I am. When I suddenly realize that I am one of them, I want to scream in horror.
Robert Crumb
It's certainly true that Chernobyl, while an accident in the sense that no one intentionally set it off, was also the deliberate product of a culture of cronyism, laziness, and a deep-seated indifference toward the general population. The literature on the subject is pretty unanimous in its opinion that the Soviet system had taken a poorly designed reactor and then staffed it with a group of incompetents. It then proceeded, as the interviews in this book attest, to lie about the disaster in the most criminal way. In the crucial first ten days, when the reactor core was burning and releasing a steady stream of highly radioactive material into the surrounding areas, the authorities repeatedly claimed that the situation was under control. . . In the week after the accident, while refusing to admit to the world that anything really serious had gone wrong, the Soviets poured thousands of men into the breach. . . The machines they brought broke down because of the radiation. The humans wouldn't break down until weeks or months later, at which point they'd die horribly.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
....the Crocodiles say they can't even begin to say how many new guys they've seen Come In and then get sucked back Out There, Come In to AA for a while and Hang In and put together a little sober time and have things start to get better, head-wise and life-quality-wise, and after a while the new guys get cocky, they decide they've gotten `Well,' and they get really busy at the new job sobriety's allowed them to get, or maybe they buy season Celtics tickets, or they rediscover pussy and start chasing pussy (these withered gnarled toothless totally post-sexual old fuckers actually say pussy), but one way or another these poor cocky clueless new bastards start gradually drifting away from rabid Activity In The Group, and then away from their Group itself, and then little by little gradually drift away from any AA meetings at all, and then, without the protection of meetings or a Group, in time--oh there's always plenty of time, the Disease is fiendishly patient--how in time they forget what it was like, the ones that've cockily drifted, they forget who and what they are, they forget about the Disease, until like one day they're at like maybe a Celtics-Sixers game, and the good old Fleet/First Interstate Center's hot, and they think what could just one cold foamer hurt, after all this sober time, now that they've gotten `Well.' Just one cold one. What could it hurt. And after that one it's like they'd never stopped, if they've got the Disease. And how in a month or six months or a year they have to Come Back In, back to the Boston AA halls and their old Group, tottering, D.T.ing, with their faces hanging down around their knees all over again, or maybe it's five or ten years before they can get it up to get back In, beaten to shit again, or else their system isn't ready for the recurred abuse again after some sober time and they die Out There--the Crocodiles are always talking in hushed, 'Nam-like tones about Out There--or else, worse, maybe they kill somebody in a blackout and spend the rest of their lives in MCI-Walpole drinking raisin jack fermented in the seatless toilet and trying to recall what they did to get in there, Out There; or else, worst of all, these cocky new guys drift back Out There and have nothing sufficiently horrible to Finish them happen at all, just go back to drinking 24/7/365, to not-living, behind bars, undead, back in the Disease's cage all over again. The Crocodiles talk about how they can't count the number of guys that've Come In for a while and drifted away and gone back Out There and died, or not gotten to die.
David Foster Wallace (Infinite Jest)
No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with itshideous fires, you will feel it, you will feel it terribly.Now, wherever you go, you charm the world. Will it always be so? . . . You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius-- is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it.You smile? Ah! when you have lost it you won't smile. . . . People say sometimes that beauty is only superficial.That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders.It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible. . . . Yes, Mr. Gray, the gods have been good to you.But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully.When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats.Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth while you have it. Don't squander the gold of your days,listening to the tedious, trying to improve the hopeless failure,or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals,of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing. . . . A new Hedonism-- that is what our century wants. You might be its visible symbol.With your personality there is nothing you could not do.The world belongs to you for a season. . . . The moment I met you I saw that you were quite unconscious of what you really are, of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself.I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last--such a little time.The common hill-flowers wither, but they blossom again.The laburnum will be as yellow next June as it is now.In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but youth!
Oscar Wilde (The Picture of Dorian Gray)
What is my life for and what am I going to do with it? I don't know and I'm afraid. I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones, and variations of mental and physical experience possible in my life. And I am horribly limited. Yet I am not a cretin: lame, blind and stupid. I am not a veteran, passing my legless, armless days in a wheelchair. I am not that mongoloidish old man shuffling out of the gates of the mental hospital. I have much to live for, yet unaccountably I am sick and sad. Perhaps you could trace my feeling back to my distaste at having to choose between alternatives. Perhaps that's why I want to be everyone - so no one can blame me for being I. So I won't have to take the responsibility for my own character development and philosophy. People are happy - - - if that means being content with your lot: feeling comfortable as the complacent round peg struggling in a round hole, with no awkward or painful edges - no space to wonder or question in. I am not content, because my lot is limiting, as are all others. People specialize; people become devoted to an idea; people "find themselves.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
My mother once told me that trauma is like Lord of the Rings. You go through this crazy, life-altering thing that almost kills you (like say having to drop the one ring into Mount Doom), and that thing by definition cannot possibly be understood by someone who hasn’t gone through it. They can sympathize sure, but they’ll never really know, and more than likely they’ll expect you to move on from the thing fairly quickly. And they can’t be blamed, people are just like that, but that’s not how it works. Some lucky people are like Sam. They can go straight home, get married, have a whole bunch of curly headed Hobbit babies and pick up their gardening right where they left off, content to forget the whole thing and live out their days in peace. Lots of people however, are like Frodo, and they don’t come home the same person they were when they left, and everything is more horrible and more hard then it ever was before. The old wounds sting and the ghost of the weight of the one ring still weighs heavy on their minds, and they don’t fit in at home anymore, so they get on boats go sailing away to the Undying West to look for the sort of peace that can only come from within. Frodos can’t cope, and most of us are Frodos when we start out. But if we move past the urge to hide or lash out, my mother always told me, we can become Pippin and Merry. They never ignored what had happened to them, but they were malleable and receptive to change. They became civic leaders and great storytellers; they we able to turn all that fear and anger and grief into narratives that others could delight in and learn from, and they used the skills they had learned in battle to protect their homeland. They were fortified by what had happened to them, they wore it like armor and used it to their advantage. It is our trauma that turns us into guardians, my mother told me, it is suffering that strengthens our skin and softens our hearts, and if we learn to live with the ghosts of what had been done to us, we just may be able to save others from the same fate.
S.T. Gibson
The other thing that I would say about writer's block is that it can be very, very subjective. By which I mean, you can have one of those days when you sit down and every word is crap. It is awful. You cannot understand how or why you are writing, what gave you the illusion or delusion that you would every have anything to say that anybody would ever want to listen to. You're not quite sure why you're wasting your time. And if there is one thing you're sure of, it's that everything that is being written that day is rubbish. I would also note that on those days (especially if deadlines and things are involved) is that I keep writing. The following day, when I actually come to look at what has been written, I will usually look at what I did the day before, and think, "That's not quite as bad as I remember. All I need to do is delete that line and move that sentence around and its fairly usable. It's not that bad." What is really sad and nightmarish (and I should add, completely unfair, in every way. And I mean it -- utterly, utterly, unfair!) is that two years later, or three years later, although you will remember very well, very clearly, that there was a point in this particular scene when you hit a horrible Writer's Block from Hell, and you will also remember there was point in this particular scene where you were writing and the words dripped like magic diamonds from your fingers -- as if the Gods were speaking through you and every sentence was a thing of beauty and magic and brilliance. You can remember just as clearly that there was a point in the story, in that same scene, when the characters had turned into pathetic cardboard cut-outs and nothing they said mattered at all. You remember this very, very clearly. The problem is you are now doing a reading and you cannot for the life of you remember which bits were the gifts of the Gods and dripped from your fingers like magical words and which bits were the nightmare things you just barely created and got down on paper somehow!! Which I consider most unfair. As a writer, you feel like one or the other should be better. I wouldn't mind which. I'm not somebody who's saying, "I really wish the stuff from the Gods was better." I wouldn't mind which way it went. I would just like one of them to be better. Rather than when it's a few years later, and you're reading the scene out loud and you don't know, and you cannot tell. It's obviously all written by the same person and it all gets the same kind of reaction from an audience. No one leaps up to say, "Oh look, that paragraph was clearly written on an 'off' day." It is very unfair. I don't think anybody who isn't a writer would ever understand how quite unfair it is.
Neil Gaiman
Some things you carry around inside you as though they were part of your blood and bones, and when that happens, there’s nothing you can do to forget …But I had never been much of a believer. If anything, I believed that things got worse before they got better. I believed good people suffered... people who have faith were so lucky; you didn’t want to ruin it for them. You didn’t want to plant doubt where there was none. You had to treat suck individuals tenderly and hope that some of whatever they were feeling rubs off on you Those who love you will love you forever, without questions or boundaries or the constraints of time. Daily life is real, unchanging as a well-built house. But houses burn; they catch fire in the middle of the night. The night is like any other night of disaster, with every fact filtered through a veil of disbelief. The rational world has spun so completely out of its orbit, there is no way to chart or expect what might happen next At that point, they were both convinced that love was a figment of other people’s imaginations, an illusion fashioned out of smoke and air that really didn’t exist Fear, like heat, rises; it drifts up to the ceiling and when it falls down it pours out in a hot and horrible rain True love, after all, could bind a man where he didn’t belong. It could wrap him in cords that were all but impossible to break Fear is contagious. It doubles within minutes; it grows in places where there’s never been any doubt before The past stays with a man, sticking to his heels like glue, invisible and heartbreaking and unavoidable, threaded to the future, just as surely as day is sewn to night He looked at girls and saw only sweet little fuckboxes, there for him to use, no hearts involved, no souls, and, most assuredly no responsibilities. Welcome to the real world. Herein is the place where no one can tell you whether or not you’ve done the right thing. I could tell people anything I wanted to, and whatever I told them, that would be the truth as far as they were concerned. Whoever I said I was, well then, that’s who id be The truths by which she has lived her life have evaporated, leaving her empty of everything except the faint blue static of her own skepticism. She has never been a person to question herself; now she questions everything Something’s, are true no matter how hard you might try to bloc them out, and a lie is always a lie, no matter how prettily told You were nothing more than a speck of dust, good-looking dust, but dust all the same Some people needed saving She doesn’t want to waste precious time with something as prosaic as sleep. Every second is a second that belongs to her; one she understands could well be her last Why wait for anything when the world is so cockeyed and dangerous? Why sit and stare into the mirror, too fearful of what may come to pass to make a move? At last she knows how it feels to take a chance when everything in the world is at stake, breathless and heedless and desperate for more She’ll be imagining everything that’s out in front of them, road and cloud and sky, all the elements of a future, the sort you have to put together by hand, slowly and carefully until the world is yours once more
Alice Hoffman (Blue Diary)
I love being horribly straightforward. I love sending reckless text messages (because how reckless can a form of digitized communication be?) and telling people I love them and telling people they are absolutely magical humans and I cannot believe they really exist. I love saying, Kiss me harder, and You’re a good person, and, You brighten my day. I live my life as straight-forward as possible. Because one day, I might get hit by a bus. Maybe it’s weird. Maybe it’s scary. Maybe it seems downright impossible to just be—to just let people know you want them, need them, feel like, in this very moment, you will die if you do not see them, hold them, touch them in some way whether its your feet on their thighs on the couch or your tongue in their mouth or your heart in their hands. But there is nothing more beautiful than being desperate. And there is nothing more risky than pretending not to care. We are young and we are human and we are beautiful and we are not as in control as we think we are. We never know who needs us back. We never know the magic that can arise between ourselves and other humans. We never know when the bus is coming.
Rachel C. Lewis