Underwater Sea Quotes

We've searched our database for all the quotes and captions related to Underwater Sea. Here they are! All 100 of them:

Maybe i would become a mermaid... i would live in the swirling blue-green currents, doing exotic underwater dances for the fish, kissed by sea anemones, caressed by seaweed shawls. I would have a doliphin friend. He would have merry eyes and thick flesh of a god. My fingernails would be tiny shells and my skin would be like jade with light shining through it I would never have to come back up
Francesca Lia Block
Frank couldn't breathe underwater. But where was he? Percy turned in a full circle. Nothing. Then he glanced up. Hovering above him was a giant goldfish. Frank had turned -clothes, backpack, and all- into a koi the size of a teen-aged boy. "dude." Percy sent his thoughts through the water, the way he spoke to other sea creatures. "A goldfish?" Frank's voice came back to him: "I freaked. We were talking about goldfish, so it was on my mind. Sue me.
Rick Riordan
There was the place where all the shouted words fall into the water. They’re too weak to make it from shore to shore. I saw the words underwater, millions of them; they’re lying there on the bottom of the sea, a whole load of wrecked sentences, sentences that never reached their destination, questions from one side and answers from the other…
Antonia Michaelis (The Storyteller)
Silent," the carved wizardwood on his wrist breathed. "Silent as a blinded ship, floating hull-up in the sea. Silent as a scream underwater.
Robin Hobb (Ship of Destiny (Liveship Traders, #3))
Instead, I try to imagine someone she might fall in love with. Maybe it will be a merrow, and he will give her the gift of breathing underwater and a crown of pearls and take her to his bed under the sea. Actually, that sounds amazing. Maybe I am making all the wrong choices.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
What also happened, however, was that another DSRV-equipped submarine put to sea occasionally, except that this DSRV really was a saturation diving chamber designed to look like a DSRV. The job of these guys was no more and no less than to retrieve pieces of Soviet missile warheads from the ocean bottom at the splash zone of their test site in the Sea of Okhotsk, and to tap into the Soviet underwater communications cables snaking along the bottom through that area.
Robert G. Williscroft (Operation Ivy Bells)
Underwater I hear the water coming to my body, I hear the sunlight penetrating the water.
James Nestor (Deep: Freediving, Renegade Science, and What the Ocean Tells Us about Ourselves)
She also adored that it had taken an entire day for it to occur to him that the Kingdom of the Sea was underwater.
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
Sleeping Atlantis Silent cool waters dancing upon her skin ~ silent cool water ushering dreams within...
Muse (Enigmatic Evolution)
The whaleman’s rule of thumb was that, before diving, a whale blew once for each minute it would spend underwater. Whalemen also knew that while underwater the whale continued at the same speed and in the same direction as it had been traveling before the dive. Thus, an experienced whaleman could calculate with remarkable precision where a submerged whale was likely to reappear.
Nathaniel Philbrick (In the Heart of the Sea: The Tragedy of the Whaleship Essex (National Book Award Winner))
The waves are high and the sunset's red. So now it's time to go to bed. The tide is up and the wind does rip. But this old ship'll never tip. We're far at sea, days from land. But if you're scared just take my hand. Just hold on tight Boy-o-mine. In my arms you'll be just fine. The moon is full and the sea is deep. And we rock and rock and rock to sleep.
Jeff Lemire (The Underwater Welder)
Okay, okay!" I said. I put away the sword and started speaking as calmly as I could so the hippocampi and the cow serpent would stop panicking. I didn't know if it was possible to get stampeded underwater, but I didn't really want to find out. "It's cool. No sword. See? No sword. Calm thoughts. Sea grass. Mama cows. Vegetarianism.
Rick Riordan (Percy Jackson and The Olympians - The Lightning Thief (Boxed Set))
I wish I could live underwater. Maybe then my skin would absorb the sea’s consoling silence.
Cristina García (Dreaming in Cuban)
The children had had an argument once about whether there was more grass in the world or more sand, and Roger said that of course there must be more sand because of under the sea; in every ocean all over the world there would be sand, if you looked deep down. But there could be grass too, argued Deborah, a waving grass, a grass that nobody had ever seen, and the colour of that ocean grass would be darker than any grass on the surface of the world, in fields or prairies or people's gardens in America. It would be taller than tress and it would move like corn in the wind. ("The Pool
Daphne du Maurier (Echoes from the Macabre: Selected Stories)
She longed to hide beneath every drop of water in the sea.
Jessica Marie Baumgartner
Feathers," he says. They ask this question at least once a week. He gives the same answer. Even over such a short time — two months, three? He's lost count — they've accumulated a stock of lore, of conjecture about him: Snowman was once a bird but he's forgotten how to fly and the rest of his feathers fell out, and so he is cold and he needs a second skin, and he has to wrap himself up. No: he's cold because he eats fish, and fish are cold. No: he wraps himself up because he's missing his man thing, and he doesn't want us to see. That's why he won't go swimming. Snowman has wrinkles because he once lived underwater and it wrinkled up his skin. Snowman is sad because the others like him flew away over the sea, and now he is all alone.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
Last night I dreamt Moses and I were rowing underwater. We could breathe and talk to one another. We rowed past schools of fish and sea anemones and Moses named them for me.” —Jules Finn
J. Dylan Yates (The Belief in Angels)
And I can't stop crying for anything in the world right then. And I can't let go of him. Nothing could make me let go of that kid. The house could fall into the sea and crush everybody and we could go underwater and I would hold him the whole time.
Hannah Moskowitz (Teeth)
Something, most certainly, happens to a diver’s emotions underwater. It is not merely a side effect of the pleasing, vaguely erotic sensation of water pressure on the body. Nor is it alone the peculiar sense of weightlessness, which permits a diver to hang motionless in open water, observing sea life large as whales around him; not the ability of a diver, descending in that condition, to slowly tumble and rotate in all three spatial planes. It is not the exhilaration from disorientation that comes when one’s point of view starts to lose its “lefts” and “down” and gains instead something else, a unique perception that grows out of the ease of movement in three dimensions. It is not from the diminishment of gravity to a force little more emphatic than a suggestion. It is not solely exposure to an unfamiliar intensity of life. It is not a state of rapture with the bottomless blue world beneath one’s feet…it is some complicated mix of these emotions, together with the constant proximity of real terror.
Barry Lopez (About This Life: Journeys on the Threshold of Memory)
Do you ever think about the ocean?" Nick asked me. "What about it?" I said. "Like what could live down there? Like how there's as much life down there as up here? Maybe more?" "God Lives Underwater," said someone. "That's the name of a band. They're awesome." "But seriously," Nick said, "it's like an alternate universe. Right here on our own planet." "Right here, a hundred feet from us," said Sheila. "Right here in my hair," said one of the girls who had swum, pulling some sea gunk out of her wet hair. Everyone laughed quietly at that. Nick drank his beer. The wood crackled as it burned. We all stared at the black ocean.
Blake Nelson (They Came from Below)
Old books that we have known but not possessed cross our path and invite themselves over. New books try to seduce us daily with tempting titles and tantalizing covers. Families beg to be united: volume XVIII of the Complete Works of Lope de Vega is announced in a catalogue, calling to the other seventeen that sit, barely leafed through, on my shelf. How fortunate for Captain Nemo to be able to say, during his twenty-thousand-league journey under the sea, that ‘the world ended for me the day when my Nautilus sank underwater for the first time. On that day I bought my last volumes, my last pamphlets, my last periodicals, and since then, it is for me as if humanity no longer thought nor wrote a single word.’ But for readers like myself, there are no ‘last’ purchases this side of the grave.
Alberto Manguel (The Library at Night)
[She] had sounded like the rain. Sometimes storms, sometimes light patters, sometimes the sweet, lashing gales after a long drought. Sometimes even the kind that came with rainbows. The kind you wanted to feel on your face while you held the rest of your body underwater in the summer sea. Rain could be so warm. No one ever really talked about that.
Lana Popović (Wicked Like a Wildfire (Hibiscus Daughter, #1))
Sometimes you don’t get to choose your struggles—they choose you.
Andrew Mayne (The Girl Beneath the Sea (Underwater Investigation Unit, #1))
If I were reincarnated, I wouldn’t mind coming back as an undiscovered seahorse.
Jessica Marie Baumgartner
We’d never talked about his parents, like he was some underwater Peter Pan.
Katherine McIntyre (By the Sea)
The Chassepot rifle led to the torpedo, and the torpedo has led to this underwater battering ram, which in turn will lead to the world putting its foot down. At least I hope it will.
Jules Verne (20,000 Leagues Under the Sea (with the original illustrations by Alphonse de Neuville))
And finally the two of them plunged into the dark sea, a sea like a pack of wolves, and they dove around the boat trying to find young Reiter's body, with no success, until they had to come up for air, and before they dove again, they asked the men on the boat whether the brat had surfaced. And then, under the weight of the negative response, they disappeared once more among the dark waves like forest beasts and one of the men who hadn't been in before joined them, and it was he who some fifteen feet down spotted the body of young Reiter floating like uprooted seaweed, upward, a brilliant white in the underwater space, and it was he who grabbed the body under the arms and brought him up, and also he who made the young Reiter vomit all the water he had swallowed.
Roberto Bolaño (2666)
You don’t see yourself at all, do you? It seems to me that you’re good at everything you try,” said Ethan sincerely. “I had a dream I could breathe underwater,” I said flippantly, “Maybe I’ll go swim with the mermaids.” Ethan turned to look at me with shock in his eyes. “Just kidding,” I said, alarmed at his reaction
Derrolyn Anderson (Between the Land and the Sea (Marina's Tales, #1))
There, at a depth to which divers would find it difficult to descend, are caverns, haunts, and dusky mazes, where monstrous creatures multiply and destroy each other. Huge crabs devour fish and are devoured in their turn. Hideous shapes of living things, not created to be seen by human eyes wander in this twilight. Vague forms of antennae, tentacles, fins, open jaws, scales, and claws, float about there, quivering, growing larger, or decomposing and perishing in the gloom, while horrible swarms of swimming things prowl about seeking their prey. To gaze into the depths of the sea is, in the imagination, like beholding the vast unknown, and from its most terrible point of view. The submarine gulf is analogous to the realm of night and dreams. There also is sleep, unconsciousness, or at least apparent unconsciousness, of creation. There in the awful silence and darkness, the rude first forms of life, phantomlike, demoniacal, pursue their horrible instincts.
Victor Hugo (The Toilers of the Sea)
Also what you said about having a good team- sometimes being the son of the sea god hasn't been enough to save me, even underwater. One time, my friend Jason and I got pulled to the bottom of the Mediterranean by this sea goddess, Kymopoleia? Jason saved my butt by offering to make trading cards and action figures of her.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
There is no pain - just travel. On her knees, she stays still as a supplicant ready for communion. It is very quiet. All of a sudden there is no hurry. There will be time for everything. For the breezes that blow and for the rainwater drying in the gutters, for Maury to find a place of safety in the world, for Malcolm to come back from the dead and ask her about birds and jets. For the big things too, things like beauty and vengeance and honor and righteousness and the grace of God and the slow spilling of the earth from day to night and back to day again. It is spread out before her, compressed into one single moment. She will be able to see it all -- if she can keep her sleepy eyes open. It's like a dream where she is. Like a dream where you find yourself underwater and you are panicked for a moment until you realize you no longer need to breathe, and you can stay under the surface forever. She feels her body falling sideways to the ground. It happens slow - and she expects a crash that never comes because her mind is jumping and it doesn't know which way is up anymore, like the moon above her and the fish below her and her in between floating, like on the surface of the river, floating between sea and sky, the world all skin, all meniscus, and she a part of it too. Moses Todd told her if you lean over the rail at Niagara Falls it takes your breath away, like turning yourself inside out -- and Lee the hunter told her that one time people used to stuff themselves in barrels and ride over the edge. And she is there too, floating out over the edge of the falls, the roar of the water so deafening it's like hearing nothing at all, like pillows in your ears, and the water exactly the temperature of your skin, like you are falling and the water is falling, and the water is just more of you, like everything is just more of you, just different configurations of the things that make you up. She is there, and she's sailing out and down over the falls, down and down, and it takes a long time because the falls are one of God's great mysteries and so high they are higher than any building, and so she is held there, spinning in the air, her eyes closed because she's spinning on the inside too, down and down. She wonders if she will ever hit the bottom, wonders will the splash ever come. Maybe not - because God is a slick god, and he knows things about infinities. Infinities are warm places that never end. And they aren't about good and evil, they're just peaceful-like and calm, and they're where all travelers go eventually, and they are round everywhere you look because you can't have any edges in infinities. And also they make forever seem like an okay thing.
Alden Bell (The Reapers are the Angels (Reapers, #1))
Triton’s trident, they put the Royals on trial! But as much as Galen would love to throw that in their faces, he won’t. This is his one chance, however small it is, to turn things around for him and Emma. And he’s not about to toss that chance to sea with both hands. Rachel has pulled more chairs out to accommodate the gathering. The table they circle is shinier than Emma’s lip gloss. Unlike the human meetings Galen has attended with Rachel to sell his underwater finds, there is no paperwork on the table, no cups of coffee, no cell phones. Also unlike human meetings, most participants are either dressed in bathing suits or bathrobes. Leave it to Rachel’s creative hospitality. It is a sight Galen will never forget, seeing the elderly council of Archives sit uncomfortably in human chairs. If the situation weren’t so dire, he’d have to laugh. Especially since Tandel’s bathrobe has the human symbol of peace all over it in fluorescent colors. “Thank you for coming,” Galen says. He takes his place next to Grom, who sits at the head of the table. Appropriately, Antonis sits at the head of the other end, accompanied by Rayna and Toraf. Emma is at Galen’s left side. He doesn’t need to look at her to know she’s scowling at him.
Anna Banks (Of Triton (The Syrena Legacy, #2))
For more than a year and a half, since meeting Athena, since coming to know Octavia and now Kali, each time I’ve reached into the tanks where we have brought these creatures into our world, I’ve longed to enter theirs. At last, in the warm embrace of the sea, breathing underwater, surrounded by the octopus’s liquid world, my breath rising in silver bubbles like a song of praise, here I am.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
There were many deficits in our swamp education, but Grandpa Sawtooth, to his credit, taught us the names of whole townships that had been forgotten underwater. Black pioneers, Creek Indians, moonshiners, women, 'disappeared' boy soldiers who deserted their army camps. From Grandpa we learned how to peer beneath the sea-glare of the 'official, historical' Florida records we found in books. "Prejudice," as defined by Sawtooth Bigtree, was a kind of prehistoric arithmetic--a "damn, fool math"--in which some people counted and others did not. It meant white names on white headstones in the big cemetery in Cypress Point, and black and brown bodies buried in swamp water. At ten, I couldn't articulate much but I got the message: to be a true historian, you had to mourn amply and well.
Karen Russell (Swamplandia!)
Tsunami spotted Snail and Herring among the guards. Their eyes darted anxiously from side to side, as if they were wondering how they were still alive. Because Mother wants to make a spectacle of them, Tsunami guessed. Coral was probably waiting for the right moment to punish them in public, the way she’d punished Tortoise. Well, two can play the spectacle game, Your Majesty. “MOTHER!” Tsunami declared dramatically as the waitstaff set bowls of soup in front of each dragon. Beside her, Whirlpool jumped and nearly tipped his bowl onto himself. Even Queen Coral looked startled. “I have something DREADFULLY SHOCKING to tell you!” Tsunami announced. She wanted this to be loud, so every dragon could witness it. “Oh?” said Coral. “Could we discuss it after breakfast? In a civilized fashion?” “NO,” Tsunami said, louder than before. “This is TOO SHOCKING.” Even SeaWings not invited to the feast were starting to peer out of their caves and poke their heads out of the lake to hear what was going on. “Well, perhaps —” Coral started. “WOULD YOU BELIEVE,” Tsunami said, “that my friends — the DRAGONETS OF DESTINY, remember — were CHAINED UP? And STARVED? In YOUR CAVES? By YOUR DRAGONS?” “What?” Coral said, flapping her wings. She looked thoroughly alarmed, but Tsunami couldn’t tell whether that was because the news actually surprised her or because she was being confronted openly with what she’d done. “I KNOW!” Tsunami practically bellowed. “It’s UNBELIEVABLE. I’m sure you didn’t know anything about it, of course.” “Of course,” Coral said in a hurry. “I would never treat any dragonets that way! Especially my dearest daughter’s dearest friends. Who are part of the prophecy and everything.” “And I’m sure you’ll want to punish the dragons who disobeyed you by treating my friends so terribly,” Tsunami said. “Right? Like, for instance, the one who lied to you about keeping them well fed?” She shot a glare at Lagoon, who froze with a sea snail halfway to her mouth, suddenly realizing what was going on. “Absolutely,” said the queen. “Guards! Throw Lagoon in one of the underwater dungeons!” “But —” Lagoon said. “But I was only —” “Next time you’ll obey my orders,” said the queen. A stripe quickly flashed under her wings, but Tsunami spotted it, and it was one Riptide had taught her. Silence. Oh, Mother, Tsunami thought sadly. “Can’t I even —” Lagoon said, reaching wistfully for her cauldron of soup as the guards pulled her away. “No breakfast for you,” the queen ordered. “Think about how that feels as you sit in my dungeon.” Tsunami was fairly sure Lagoon wouldn’t actually suffer very much. Queen Coral would have her back at Council meetings before long. But Tsunami wasn’t done. “And
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
People gave up too soon on dreams and hope, but both were there, if you kept your eyes open. With that truth in mind, she returned to the world only to find her own eyes were so tear-filled, she might as well have been submerged fifty feet underwater. “Yes, I will marry you, John,” she heard herself say. “Of course, I will. You kidding me?” She laughed and wiped her eyes, no longer fifty feet underwater but skimming the surface of a great, churning sea. John reached up and kissed her, and they stayed like that for a minute, a month, a millennium.
Ray Smith (The Magnolia That Bloomed Unseen)
Fine, fuck it," Clay said, tossing the plate into the yard. The chicken parts bounced nicely, breading themselves with a light coating of sand, ants, and dried grass. "When did chicken become like plutonium anyway, for Christ's sake? You can't let it touch you or it's certain fucking death. And eggs and hamburgers kill you unless you cook them to the consistency of limestone! And if you turn on your fucking cell phone, the plane is going to plunge out of the sky in a ball of flames? And kids can't take a dump anymore but they have to have a helmet and pads on make them look like the Road Warrior. Right? Right? What the fuck happened to the world? When did everything get so goddamn deadly? Huh? I've been going to sea for thirty damned years, and nothing's killed me. I've swum with everything that can bite, sting, or eat you, and I've done every stupid thing at depth that any human can -- and I'm still alive. Fuck, Clair, I was unconscious for an hour underwater less than a week ago, and it didn't kill me. Now you're going to tell me that I'm going to get whacked by a fucking chicken leg? Well, just fuck it then!
Christopher Moore (Fluke: Or, I Know Why the Winged Whale Sings)
I swam underwater in a warm blue sea, gliding along a rocky seafloor. Colorful schools of fish scattered before me and dolphins swimming by my side struggled to keep up the pace. Picking up speed, I soared gracefully into the entrance of a sea cave, only to be engulfed by darkness and trapped in a small space. There was a sudden oppressive weight on my chest; I struggled to catch my breath as fear rose in my heart... ~ I woke to find the quilt pulled up over my head. Pushing it back, I came face to face with Charlie, sitting squarely on my chest with his eyes closed and paws curled up under his body.
Derrolyn Anderson (Between the Land and the Sea (Marina's Tales, #1))
JEFF BEZOS BLAMED the bananas. In early March 2013, he had quietly stolen away from his growing Amazon empire for a three-week expedition at sea, with a team of some of the best deep underwater ocean explorers in the world. Yet despite its vast experience, the crew had somehow violated one of the oldest seamen’s superstitions: never bring bananas on a boat.
Christian Davenport (The Space Barons: Elon Musk, Jeff Bezos, and the Quest to Colonize the Cosmos)
I’ve always wanted to be like a sea turtle so that I could stick my head underwater.
Nujood Ali (I Am Nujood, Age 10 and Divorced: A Memoir)
know for a fact that if we did as many drug searches of rich white schools as we do poor black ones, there’d be an outcry about our “lack of discretion.” It’s tricky on both sides.
Andrew Mayne (The Girl Beneath the Sea (Underwater Investigation Unit, #1))
Breathing Under Water,” a title taken from a telling poem by Carol Bieleck, r.s.c.j., which seemed to sum up so much of the common message. I quote it here in full:   “Breathing Under Water”   I built my house by the sea. Not on the sands, mind you; not on the shifting sand. And I built it of rock. A strong house by a strong sea. And we got well acquainted, the sea and I. Good neighbors. Not that we spoke much. We met in silences. Respectful, keeping our distance, but looking our thoughts across the fence of sand. Always, the fence of sand our barrier, always, the sand between.   And then one day, —and I still don’t know how it happened— the sea came. Without warning.   Without welcome, even Not sudden and swift, but a shifting across the sand like wine, less like the flow of water than the flow of blood. Slow, but coming. Slow, but flowing like an open wound. And I thought of flight and I thought of drowning and I thought of death. And while I thought the sea crept higher, till it reached my door. And I knew then, there was neither flight, nor death, nor drowning. That when the sea comes calling you stop being neighbors Well acquainted, friendly-at-a-distance, neighbors And you give your house for a coral castle, And you learn to breathe underwater.3
Richard Rohr (Breathing Underwater)
He could smoke through the water as though an aquamarine submarine, he could sever the festoonery of the poolside ebb and eddy into fiery fluttering swathes of hot-cut flax, he could treble beneath the meniscus of the pool, sharp as synthesiser music and with a trajectory of theological impermanence, a crucifixion affected underwater, a kingfisher with the velocity and capriciousness of a shooting star, a knife in the arm of a masochist, a cleft hatchet of rock through the porous orb of a sea urchin, a dick through butter, a tyrannical nutter, Shunt through water, watch Shunt corrupt your daughter. He could move in wet like a lion through wildebeest.
Kirk Marshall (A Solution to Economic Depression in Little Tokyo, 1953)
things were created by God and for God, no exceptions. Every note of music. Every color on the palette. Every flavor that tingles the taste buds. Arnold Summerfield, the German physicist and pianist, observed that a single hydrogen atom, which emits one hundred frequencies, is more musical than a grand piano, which only emits eighty-eight frequencies. Every single atom is a unique expression of God’s creative genius. And that means every atom is a unique expression of worship. According to composer Leonard Bernstein, the best translation of Genesis 1:3 and several other verses in Genesis 1 is not “and God said.” He believed a better translation is “and God sang.” The Almighty sang every atom into existence, and every atom echoes that original melody sung in three-part harmony by the Father, Son, and Holy Spirit. Did you know that the electron shell of the carbon atom produces the same harmonic scale as the Gregorian chant? Or that whale songs can travel thousands of miles underwater? Or that meadowlarks have a range of three hundred notes? But the songs we can hear audibly are only one instrument in the symphony orchestra called creation. Research in the field of bioacoustics has revealed that we are surrounded by millions of ultrasonic songs. Supersensitive sound instruments have discovered that even earthworms make faint staccato sounds! Lewis Thomas put it this way: “If we had better hearing, and could discern the descants [singing] of sea birds, the rhythmic tympani [drumming] of schools of mollusks, or even the distant harmonics of midges [flies] hanging over meadows in the sun, the combined sound might lift us off our feet.” Someday the sound will lift us off our feet. Glorified eardrums will reveal millions of songs previously inaudible to the human ear.
Mark Batterson (All In: You Are One Decision Away From a Totally Different Life)
I step on the stage and find the lights blazing against me and yet in the same distance pulling me forward. I am like something left over after a storm. Slight, a waif. It is like I am underwater in a pool of brightness. Slowly slowly I walk down towards the men. (...) I guess they don't know what they are seeing. I guess it is true they are seeing a lovely woman. Soft-breasted woman (...) I might be one of the footlights, with a burning wick for a heart. I don't utter a blessed word. (...) John Cole all spit and polish approaches from the far side of the stage and we hear the men draw in their breath like a sea tide drawing back on the shingle of a beach. He approaches and approaches. They know I'm a man because they have read it on the bill. But I'm suspecting that every one of them would like to touch me and now John Cole is their ambassador of kisses. Slowly slowly he edges nearer. He reaches out a hand, so openly and plainly that I believe I am going to expire. The held-in breath of the audience is not let out again. Half a minute passes. It is unlikely any of them could of holded their breath like this underwater. They have found new lungs. Down down we go under them waters of desire. Every last man, young and old, wants John Cole to touch my face, hold my narrow shoulders, put his mouth against my lips. Handsome John Cole, my beau. Our love in plain sight. Then the lungs of the audience giving out, and a rasping rush of sound. We have reached the very borderland of our act, the strange frontier. (…) We part like dancers, we briefly go down to our patrons, we briefly bow, and then we have turned and are gone. As if for ever. They have seen something they don’t understand and partly do, in the same breath. We have done something we don’t understand neither and partly do.
Sebastian Barry (Days Without End (Days Without End #1))
When a volcano lets fly or an earthquake brings down a mountainside, people look upon the event with surprise and report it to each other as news. People, in their whole history, have seen comparatively few such events; and only in the past couple of hundred years have they begun to sense the patterns the events represent. Human time, regarded in the perspective of geologic time, is much too thin to be discerned—the mark invisible at the end of a ruler. If geologic time could somehow be seen in the perspective of human time, on the other hand, sea level would be rising and falling hundreds of feet, ice would come pouring over continents and as quickly go away. Yucatáns and Floridas would be under the sun one moment and underwater the next, oceans would swing open like doors, mountains would grow like clouds and come down like melting sherbet, continents would crawl like amoebae, rivers would arrive and disappear like rainstreaks down an umbrella, lakes would go away like puddles after rain, and volcanoes would light the earth as if it were a garden full of fireflies. At the end of the program, man shows up—his ticket in his hand. Almost at once, he conceives of private property, dimension stone, and life insurance. When a Mt. St. Helens assaults his sensibilities with an ash cloud eleven miles high, he writes a letter to the New York Times recommending that the mountain be bombed.
John McPhee (In Suspect Terrain (Annals of the Former World Book 2))
It wasn't gloom at all, really. There were lights and colors. If it hadn't been for the feel of the water gliding by against his skin he might have imagined himself up in the sky, with meteors and comets blazing past. But these were sea-things, shining in the dark, the luminous life that blazes beneath the southern sea. First he'd see a tiny twinkling speck, like a star, and it might have been next to his face or a mile away, in that immense, featureless void, with its faint hint of green. It would grow larger. It would turn into a radiant sun of purple or crimson or orange and come rushing at him, and swerve aside at the last moment. There were sinuous ribbons of fire that coiled into bright patterns, and there were schools of tiny fish that flashed by like sparks. Down below, in the deeper abyss, the colors were paler, and once an enormous shape blundered past down there, like the sea-bottom itself moving heavily. Pete watched awhile and then swam up. ("Before I Wake...")
Henry Kuttner (Masters of Horror)
Doc was collecting marine animals in the Great Tide Pool on the tip of the Peninsula. It is a fabulous place: when the tide is in, a wave-churned basin, creamy with foam, whipped by the combers that roll in from the whistling buoy on the reef. But when the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals. Crabs rush from frond to frond of the waving algae. Starfish squat over mussels and limpets, attach their million little suckers and then slowly lift with incredible power until the prey is broken from the rock. And then the starfish stomach comes out and envelops its food. Orange and speckled and fluted nudibranchs slide gracefully over the rocks, their skirts waving like the dresses of Spanish dancers. And black eels poke their heads out of crevices and wait for prey. The snapping shrimps with their trigger claws pop loudly. The lovely, colored world is glassed over. Hermit crabs like frantic children scamper on the bottom sand. And now one, finding an empty snail shell he likes better than his own, creeps out, exposing his soft body to the enemy for a moment, and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down. Then the creeping murderer, the octopus, steals out, slowly, softly, moving like a gray mist, pretending now to be a bit of weed, now a rock, now a lump of decaying meat while its evil goat eyes watch coldly. It oozes and flows toward a feeding crab, and as it comes close its yellow eyes burn and its body turns rosy with the pulsing color of anticipation and rage. Then suddenly it runs lightly on the tips of its arms, as ferociously as a charging cat. It leaps savagely on the crab, there is a puff of black fluid, and the struggling mass is obscured in the sepia cloud while the octopus murders the crab. On the exposed rocks out of water, the barnacles bubble behind their closed doors and the limpets dry out. And down to the rocks come the black flies to eat anything they can find. The sharp smell of iodine from the algae, and the lime smell of calcareous bodies and the smell of powerful protean, smell of sperm and ova fill the air. On the exposed rocks the starfish emit semen and eggs from between their rays. The smells of life and richness, of death and digestion, of decay and birth, burden the air. And salt spray blows in from the barrier where the ocean waits for its rising-tide strength to permit it back into the Great Tide Pool again. And on the reef the whistling buoy bellows like a sad and patient bull.
John Steinbeck (Cannery Row (Cannery Row, #1))
As humans, our territory is on land. If we were meant to control the skies, we would have been given wings, and if we were meant to control the seas and oceans, we would have been designed to breathe underwater. The Creator created for us many natural water sources: lakes, ponds, rivers, springs, and streams — so that we would not tamper with the seas or oceans. This is why there is salt in the them, so we do not drink from them, or bother the huge creatures he put there to control the food chain. The salt content found in huge bodies of water is extremely vital to the elevation and balancing of the earth. This can be explained through basic physics or metaphysics. At the same time, wild creatures were also placed in jungles and forests to keep humans out of them. Plants are vital to purifying the atmosphere, and many wild animals rely on them as their food and medicine. Had the Creator not placed animals like tigers, wolves, bears, and other big creatures in untamed regions which are intended to remain inhabited, he knew that mankind would take over those areas — leaving nothing for the animals.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
This was the southern sea. The colors that fade when coral is drawn out of its element were garishly bright here, intricate and lovely labyrinths on the bottom. Among the coral, fish went darting; and overhead a sea-bat, a devil-fish, flapped slow wings past, its stingaree tail trailing. Morays coiled by, opening their incredible, wolfish mouths at him, and many-limbed crabs scuttled sidewise over the rocks and little sandy plateaus of the bottom. Groves of seaweed and great fans of colored sponges swung with hypnotic motion, and schools of tiny striped fish went flashing in and out among them, moving all together as if with a single mind. Pete swam down. From a cavern among the brown and purple rocks an octopus looked at him out of huge, alien eyes. Its tentacles hung and quivered. Pete swam away, hovering over an expanse of pale sand where the light from above shimmered and ran in rippling waves, his own shadow hanging spread-eagled below him. In and out of it many little creatures went scuttling busily on their underwater errands. Life here was painted in three dimensions, and there was no gravity. There was only beauty and strangeness and a hint of terror that sent pleasurable excitement thrilling through Pete's blood. ("Before I Wake")
Henry Kuttner (Masters of Horror)
Okay, okay!” I said. I put away the sword and started speaking as calmly as I could so the hippocampi and the cow serpent would stop panicking. I didn’t know if it was possible to get stampeded underwater, but I didn’t really want to find out. “It’s cool. No sword. See? No sword. Calm thoughts. Sea grass. Mama cows. Vegetarianism.
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
I close my eyes and listen as they circle the living room, making polite offerings. The house is full and yet quiet; it’s as if my ear is pressed against a wall, listening for some great truth. As if we’re underwater, our lives submerged. I imagine the furniture dunking and bobbing, floating and sinking in the sea as we try to arrange it on the ocean floor, one hopeless piece at a time.
Gurjinder Basran (Someone You Love Is Gone)
In the deep woods of the far North, under feathery leaves of fern, was a great fairyland of merry elves, sometimes called forest brownies. These elves lived joyfully. They had everything at hand and did not need to worry much about living. Berries and nuts grew plentiful in the forest. Rivers and springs provided the elves with crystal water. Flowers prepared them drink from their flavorful juices, which the munchkins loved greatly. At midnight the elves climbed into flower cups and drank drops of their sweet water with much delight. Every elf would tell a wonderful fairy tale to the flower to thank it for the treat. Despite this abundance, the pixies did not sit back and do nothing. They tinkered with their tasks all day long. They cleaned their houses. They swung on tree branches and swam in forested streams. Together with the early birds, they welcomed the sunrise, listened to the thunder growling, the whispering of leaves and blades of grass, and the conversations of the animals. The birds told them about warm countries, sunbeams whispered of distant seas, and the moon spoke of treasures hidden deeply in the earth. In winter, the elves lived in abandoned nests and hollows. Every sunny day they came out of their burrows and made the forest ring with their happy shouts, throwing tiny snowballs in all directions and building snowmen as small as the pinky finger of a little girl. The munchkins thought they were giants five times as large as them. With the first breath of spring, the elves left their winter residences and moved to the cups of the snowdrop flowers. Looking around, they watched the snow as it turned black and melted. They kept an eye on the blossoming of hazel trees while the leaves were still sleeping in their warm buds. They observed squirrels moving their last winter supplies from storage back to their homes. Gnomes welcomed the birds coming back to their old nests, where the elves lived during winters. Little by little, the forest once more grew green. One moonlight night, elves were sitting at an old willow tree and listening to mermaids singing about their underwater kingdom. “Brothers! Where is Murzilka? He has not been around for a long time!” said one of the elves, Father Beardie, who had a long white beard. He was older than others and well respected in his striped stocking cap. “I’m here,” a snotty voice arose, and Murzilka himself, nicknamed Feather Head, jumped from the top of the tree. All the brothers loved Murzilka, but thought he was lazy, as he actually was. Also, he loved to dress in a tailcoat, tall black hat, boots with narrow toes, a cane and a single eyeglass, being very proud of that look. “Do you know where I’m coming from? The very Arctic Ocean!” roared he. Usually, his words were hard to believe. That time, though, his announcement sounded so marvelous that all elves around him were agape with wonder. “You were there, really? Were you? How did you get there?” asked the sprites. “As easy as ABC! I came by the fox one day and caught her packing her things to visit her cousin, a silver fox who lives by the Arctic Ocean. “Take me with you,” I said to the fox. “Oh, no, you’ll freeze there! You know, it’s cold there!” she said. “Come on.” I said. “What are you talking about? What cold? Summer is here.” “Here we have summer, but there they have winter,” she answered. “No,” I thought. “She must be lying because she does not want to give me a ride.” Without telling her a word, I jumped upon her back and hid in her bushy fur, so even Father Frost could not find me. Like it or not, she had to take me with her. We ran for a long time. Another forest followed our woods, and then a boundless plain opened, a swamp covered with lichen and moss. Despite the intense heat, it had not entirely thawed. “This is tundra,” said my fellow traveler. “Tundra? What is tundra?” asked I. “Tundra is a huge, forever frozen wetland covering the entire coast of the Arctic Ocean.
Anna Khvolson
Crossover' is a word scientists use to describe dolphins' soaring over seas, their traveling so free and fast, so high-spirited and almost effervescent that their sleek bodies barely skim the waves. The suggestion of splashes from tail and pectoral leaves a luminous wake across the water. For these crossover miles, the dolphins, like their human terrestrial mammal kin, belong more to the element of air than the sea.... Held in [the dolphins'] fluid embrace, I pulled my arms close against my sides and our communal speed increased... Racing around the lagoon, I opened my eyes again to see nothing but an emerald underwater blur. And then I remembered what I had either forgotten long ago or never quite fully realized. This feeling of being carried along by other animals was familiar. Animals had carried me all my life. I was a crossover--carried along in the generous and instructive slipstream of other species. And I had always navigated my life with them in mind, going between the human and animal worlds--a crossover myself. By including animals in my life I was always engaging with the Other, imagining the animal mind and life. For almost half a century, my bond with animals had shaped my character and revealed the world to me. At every turning point in my life an animal had mirrored or influenced my fate. Mine was not simply a life with other animals, but a life because of animals. It had been this way since my beginning, born on a forest lookout station in the High Sierras, surrounded by millions of acres of wilderness and many more animals than humans. Since infancy, the first faces I imprinted, the first faces I ever really loved, were animal.
Brenda Peterson (Build Me an Ark: A Life with Animals)
No more Boston! This comes on the heels of Ocasio-Cortez’s claim that Miami’s days are numbered: apparently that city is projected to be underwater in “a few years.” And Astra Taylor warns that the flooding of coastal cities and even inland towns and farms may force people to “escape to New Zealand, to the moon, or to Mars.”12 But here’s an anomaly. The Obamas recently acquired property in Martha’s Vineyard for nearly $12 million.13 Very interesting! The property, purchased from the owner of the Boston Celtics, doesn’t merely have ocean views; it sits right on the Atlantic Ocean. The Obamas know about the literature on disappearing coastlines. Obama himself has repeatedly warned of rising sea levels engulfing coastal properties. And presumably everyone who lives on the coasts has access to this literature and has heard these dire warnings.
Dinesh D'Souza (United States of Socialism: Who's Behind It. Why It's Evil. How to Stop It.)
I scarcely know how to describe that room. It became, in a way, every room I had ever been in and every room I find myself in hereafter will remind me of Giovanni’s room. I did not really stay there very long—we met before the spring began and I left there during the summer—but it still seems to me that I spent a lifetime there. Life in that room seemed to be occurring underwater, as I say, and it is certain that I underwent a sea-change there.
James Baldwin (Giovanni's Room)
Lots of people do not feel and do not care, deeply. They're the sea creatures who were born to swim in the shallows. And I think that they look at those of us who come from the parts of the ocean that's pitch black and deeper than the core of the planet and they feel fascinated. They're fascinated in the way we are fascinated with eagles or with vampires. They think we're unabashedly deep and beautiful and they feel like they want to try being that way, too. It's like a fascination for a mystical creature. But I have watched these kinds of people burn out before they ever reach that depth (not even close). They burn out because they just get so exhausted! You only have the set of lungs designed for the depths of the ocean, if you are the type of creature who was born in those depths. It's not a regimen, it's not a list of rules, it's not a succession of steps to get there. It's about anatomy. There are creatures for the shallows and creatures for the deep. It is nature's designer plan. And when these people burn out, they will have these outbursts wherein they lash out at you, as if they are exasperated at why you're a mermaid in the black of the seas, and if they could, they'd drag you into a glass tank and chain you up because they don't want that kind of beauty around them, outshining them. Feeling and living in the depths of life (caring so much it hurts, feeling so much it becomes painful) is a mystical, beautiful thing but it cannot be copied and it shouldn't be copied. Everyone has their place and you are going to drown if you can't breathe underwater.
C. JoyBell C.
The Piri Reis map of 1513 features the western shores of Africa and the eastern shores of North and South America and is also controversially claimed to depict Ice Age Antarctica--as an extension of the southern tip of South America. The same map depicts a large island lying east of the southeast coast of what is now the United States. Also clearly depicted running along the spine of this island is a 'road' of huge megaliths. In this exact spot during the lowered sea levels of the Ice Age a large island was indeed located until approximately 12,400 years ago. A remnant survives today in the form of the islands of Andros and Bimini. Underwater off Bimini I have scuba-dived on a road of great megaliths exactly like those depicted above water on the Piri Reis map. Again, the implication, regardless of the separate controversy of whether the so-called Bimini Road is a man-made or natural feature, is that the region must have been explored and mapped before the great floods at the end of the Ice Age caused the sea level to rise and submerged the megaliths.
Graham Hancock (America Before: The Key to Earth's Lost Civilization)
Goggles but no bathing suit?" she asked. Daniel blushed. "I guess that was stupid. But I was in a hurry, only thinking about what you would need to get the halo." He drove the paddle back into the water, propelling them more quickly than a speedboat. "You can swim in your underwear, right?" Now Luce blushed. Under normal circumstances, the question might have seemed thrilling, something they both would have giggled at. Not these nine days. She nodded. Eight days now. Daniel was deadly serious. Luce just swallowed hard and said, "Of course." The pair of green-gray spires grew larger, more detailed, and then they were upon them. They were tall and conical, made of rusted slats of copper. They had once been capped by small teardrop-shaped copper flags sculpted to look like they were rippling in the wind, but one weathered flag was pocked with holes, and the other had broken off completely. In the open water, the spires' protrusion was bizarre, suggesting a cavernous cathedral of the deep. Luce wondered how long ago the church had sunk, how deep it sat below. The thought of diving down there in ridiculous goggles and mom-bought underwear made her shudder. "This church must be huge," she said. She meant I don't think I can do this. I can't breathe underwater. How are we going to find one small halo sunk in the middle of the sea? "I can take you down as far as the chapel itself, but only that far. So long as you hold on to my hand." Daniel extended a warm hand to help Luce stand up in the gondola. "Breathing will not be a problem. But the church will still be sanctified, which means I'll need you to find the halo and bring it out to me." Daniel yanked his T-shirt off over his head, dropping it to the bench of the gondola. He stepped out of his pants quickly, perfectly balanced on the boat, then kicked off his tennis shoes. Luce watched, feeling something stir inside her, until she realized she was supposed to be stripping down, too. She kicked off her boots, tugged off her socks, stepped out of her jeans as modestly as she could. Daniel held her hand to help her balance; he was watching her but not the way she would have expected. He was worried about her, the goose bumps rising on her skin. He rubbed her arms when she slipped off he sweater and stood freezing in her sensible underwear n the gondola in the middle of the Venetian lagoon. Again she shivered, cold and fear an indecipherable mass inside her. But her voice sounded brave when she tugged the goggles, which pinched, down over her eyes and said, "Okay, let's swim." They held hands, just like they had the last time they'd swum together at Sword & Cross. As their feet lifted off the varnished floor of the gondola, Daniel's hand tugged her upward, higher than she ever could have jumped herself-and then they dove. Her body broke the surface of the sea, which wasn't as cold as she'd expected. In fact, the closer she swam beside Daniel, the warmer the wake around them grew. He was glowing.
Lauren Kate (Rapture (Fallen, #4))
The room quieted, the space between us sucking everything into it. His eyes dropped down to my mouth and the burning in my chest ran into the rest of my body. It found every dark, hidden place and lit it on fire. I tried to breathe, but it wouldn’t come. I was underwater, trapped beneath the frozen lake. And as soon as he moved, it broke loose and the sound of my breath rang in my ears so loud that every thought ran like a retreating army. The heat of him hit me just before his lips touched mine and I froze, trying to feel it. That stinging, throbbing pulse beneath my skin. I lifted my hands slowly, opening my eyes to look at him. My fingertips touched the lines on the sides of his face and he pulled his mouth from mine, looking back at me like he wasn’t sure I was still there. His breath touched me. Somewhere I didn’t know I could feel. Somewhere I didn’t know existed. “Fiske.” I said his name in a voice that wasn’t mine and it hung between us in the silence. He pressed his lips together. “What?” I stood at the threshold of the thought. The thought of Fiske that had been buried alive in the back of my mind. I looked over the edge of it, peering down into the darkness. It called to me. It screamed my name. And I jumped.
Adrienne Young (Sky in the Deep (Sky and Sea, #1))
She could sense the approach of land- taste when the waters changed, feel when currents turned cool or warm- but it didn't hurt to keep an eye on the shore now and then, and an ear out for boats. The slap of oars could be heard for leagues. Her father had told tales about armored seafarers in days long past, whose trireme ships had three banks of rowers to ply the waters- you could hear them clear down to Atlantica, he'd say. Any louder and they would disrupt the songs of the half-people- the dolphins and whales who used their voices to navigate the waters. Even before her father had enacted the ban on going to the surface, it was rare that a boat would encounter a mer. If the captain kept to the old ways, he would either carefully steer away or throw her a tribute: fruit of the land, the apples and grapes merfolk treasured more than treasure. In return the mermaid might present him with fruit of the sea- gems, or a comb from her hair. But there was always the chance of an unscrupulous crew, and nets, and the potential prize of a mermaid wife or trophy to present the king. (Considering some of the nets that merfolk had found and freed their underwater brethren from, it was quite understandable that Triton believed humans might eat anything they found in the sea- including merfolk.)
Liz Braswell (Part of Your World)
We are a people much more concerned with ruling than loving. This is a mistake that positions us in places where we are no longer close enough to another person or thing to perceive its pain or need. To be human in an aching world is to know our dignity and become people who safeguard the dignity of everything around us. To protect everything may seem like too great a call. But we will not survive without it. Everything should be called by its name. So let justice roll down and twist and juke like a movement. Let it march into your bones, into seas of charred cane. Wash the earth in justice and watch what rises to the surface. Curses can't breathe underwater.
Cole Arthur Riley (This Here Flesh: Spirituality, Liberation, and the Stories That Make Us)
In front of me girls were entering and exiting the showers. The flashes of nakedness were like shouts going off. A year or so earlier these same girls had been porcelain figurines, gingerly dipping their toes into the disinfectant basin at the public pool. Now they were magnificent creatures. Moving through the humid air, I felt like a snorkeler. On I came, kicking my heavy, padded legs and gaping through the goalie mask at the fantastic underwater life all around me. Sea anemones sprouted from between my classmates’ legs. They came in all colors, black, brown, electric yellow, vivid red. Higher up, their breasts bobbed like jellyfish, softly pulsing, tipped with stinging pink. Everything was waving in the current, feeding on microscopic plankton, growing bigger by the minute. The shy, plump girls were like sea lions, lurking in the depths. The surface of the sea is a mirror, reflecting divergent evolutionary paths. Up above, the creatures of air; down below, those of water. One planet, containing two worlds. My classmates were as unastonished by their extravagant traits as a blowfish is by its quills. They seemed to be a different species. It was as if they had scent glands or marsupial pouches, adaptations for fecundity, for procreating in the wild, which had nothing to do with skinny, hairless, domesticated me.
Jeffrey Eugenides (Middlesex)
Standing at the prow of the pitching deck of the trawler, unscrewing the top of his flask, Frank Fontaine asked himself: Am I after fish—or a wild goose? Sure, he always dreamed about a big-paying long con, but this one was threatening to go on indefinitely—and though it was afternoon and supposedly summer, it was cold as a son of a bitch out here. Made a witch’s tit seem like a hot toddy. Was it worth giving up Gorland—becoming Fontaine? A city under the sea. It was becoming an obsession. Fontaine looked up at the streaming charcoal-colored clouds, wondered if it was going to storm again. Just being on this damn tub was too much like work. Talking to the men who picked up the fish for Rapture’s food supply, Fontaine had confirmed that Ryan had indeed built some gigantic underwater habitat, a kind of free-market utopia—and Fontaine knew what happened with utopias. Look at the Soviets—all those fine words about the proletariat had turned into gulags and breadlines. But a “utopia” was pure opportunity for a man like him. When this undersea utopia fell apart, he’d be there, with a whole society to feast on. Long as he didn’t step too hard on Ryan’s toes, he could build up an organization, get away with a pile of loot. But he had to get down to Rapture first … The trawler lurched, and so did Fontaine’s stomach. A small craft was being lowered over the side of the platform ship—a thirty-foot gig. Men descended
John Shirley (BioShock: Rapture)
The fully qualified Indian marine archaeologists who had dived on the structure in 1993 had not hesitated in their official report to pronounce it to be man-made with 'courses of masonry' plainly visible -- surely a momentous finding 5 kilometers from the shore at a depth of 23 metres? But far from exciting attention, or ruffling any academic feathers, or attracting funds for an extension of the diving survey to the other apparently man-made mounds that had been spotted bear by on the sea-bed -- and very far indeed from inspiring any Tamil expert to re-evaluate the derided possibility of a factual basis to the Kumari Kandam myth -- the NIO's discovery at Poompuhur had simply been ignored by scholarship, not even reacted to or dismissed, but just widely and generally ignored.
Graham Hancock (Underworld: The Mysterious Origins of Civilization)
What's in the papers then, Son?" he asked with the curtness of a father. "Nothing much, Dad," his son answered. "I saw that those newts have got up as far as Dresden, though." "Germanys had it then," Mr. Povondra asserted. "They're funny people you know, those Germans. They're well educated, but they're funny. I knew a German once, chauffeur he was for some factory; and he wasn't half coarse, this German. Mind you, he kept the car in good condition, I'll say that for him. And now look, Germanys disappearing from the map of the world," Mr. Povondra ruminated. "And all that fuss they used to make! Terrible, it was: everything for the army and everything for the soldiers. But not even they were any match for these newts. And I know about these newts, you know that, don't you. Remember when I took you out to show you one of them when you were only so high?" "Watch out, Dad," said his son, "you've got a bite." "That's only a tiddler," the old man grumbled as he twitched on his rod. Even Germany now, he thought to himself. No-one even bats an eyelid at it these days. What a song and dance they used to make at first whenever these newts flooded anywhere! Even if it was only Mesopotamia or China, the papers were full of it. Not like that now, Mr. Povondra contemplated sadly, staring out at his rod. You get used to anything, I suppose. At least they're not here, though; but I wish the prices weren't so high! Think what they charge for coffee these days! I suppose that's what you have to expect if they go and flood Brazil. If part of the world disappears underwater it has its effect in the shops. The float on Mr. Povondra's line danced about on the ripples of the water. How much of the world is it they've flooded so far then?, the old man considered. There's Egypt and India and China - they've even gone into Russia; and that was a big country, that was, Russia! When you think, all the way up from the Black Sea as far the Arctic Circle - all water! You can't say they haven't taken a lot of our land from us! And their only going slowly .. "Up as far as Dresden then, you say?" the old man spoke up. "Ten miles short of Dresden. That means almost the whole of Saxony will soon be under water." "I went there once with Mr. Bondy," Father Povondra told him. "Ever so rich, they were there, Frank. The food wasn't much good though. Nice people, though. Much better than the Prussians. No comparison.
Karel Čapek (War with the Newts)
I splash enough water in Chloe's face to put out a small house fire. I don't want to drown her, just exfoliate her eyeballs with sea salt. When she thinks I'm done, she opens her eyes-and her mouth. Big mistake. The next wave rinses off the hangy ball in the back of her throat and makes it to her lungs before she can swallow. She chokes and coughs and rubs her eyes as if she's been maced. "Great, Emma! You got my new hair wet!" she sputters. "Happy now?" "Nope." "I said I was sorry." She blows her nose in her hand, then sets the snot to sea. "Gross. And sorry's not good enough." "Fine. I'll make it up to you. What do you want?" "Let me hold your head underwater until I feel better," I say. I cross my arms, which is tricky when straddling a surfboard being pitched around in the wake of a passing speedboat. Chloe knows I'm nervous being this far out, but holding on would be a sign of weakness. "I'll let you do that because I love you. But it won't make you feel better." "I won't know for sure until I try it." I keep eye contact, sit a little straighter. "Fine. But you'll still look albino when you let me back up." She rocks the board and makes me grab it for balance. "Get your snotty hands off the surfboard. And I'm not albino. Just white." I want to cross my arms again, but we almost tipped over that time. Swallowing my pride is a lot easier than swallowing the Gulf of Mexico. "White than most," she grins. "People would think you're naked if you wore my swimsuit." I glance down at the white string bikini, offset beautifully against her chocolate-milk skin. She catches me and laughs. "Well, maybe I could get a tan while we're here," I say, blushing. I feel myself cracking and I hate it. Just this once, I want to stay mad at Chloe. "Maybe you could get a burn while we're here, you mean. Matterfact, did you put sunblock on?" I shake my head. She shakes her head too, and makes a tsking sound identical to her mother's. "Didn't think so. If you did, you would've slipped right off that guy's chest instead of sticking to it like that." "I know," I groan. "Got to be the hottest guy I've ever seen," she says, fanning herself for emphasis. "Yeah, I know. Smacked into him, remember? Without my helmet, remember?" She laughs. "Hate to break it to you, but he's still staring at you. Him and his mean-ass sister." "Shut up." She snickers. "But seriously, which one of them do you think would win a staring contest? I was gonna tell him to meet us at Baytowne tonight, but he might be one of those clingy stalker types. That's too bad, too. There's a million dark little corners in Baytowne for you two to snuggle-" "Ohmysweetgoodness, Chloe, stop!
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Creed by Abigail Carroll, p.196-197 I believe in the life of the word, the diplomacy of food. I believe in salt-thick ancient seas and the absoluteness of blue. A poem is an ark, a suitcase in which to pack the universe—I believe in the universality of art, of human thirst for a place. I believe in Adam's work of naming breath and weather—all manner of wind and stillness, humidity and heat. I believe in the audacity of light, the patience of cedars, the innocence of weeds. I believe in apologies, soliloquies, speaking in tongues; the underwater operas of whales, the secret prayer rituals of bees. As for miracles— the perfection of cells, the integrity of wings—I believe. Bones know the dust from which they come; all music spins through space on just a breath. I believe in that grand economy of love that counts the tiny death of every fern and white-tailed fox. I believe in the healing ministry of phlox, the holy brokenness of saints, the fortuity of faults—of making and then redeeming mistakes. Who dares brush off the auguries of a storm, disdain the lilting eulogies of the moon? To dance is nothing less than an act of faith in what the prophets sang. I believe in the genius of children and the goodness of sleep, the eternal impulse to create. For love of God and the human race, I believe in the elegance of insects, the imminence of winter, the free enterprise of grace.
Sarah Arthur (Between Midnight and Dawn: A Literary Guide to Prayer for Lent, Holy Week, and Eastertide)
By the time Jessica Buchanan was kidnapped in Somalia on October 25, 2011, the twenty-four boys back in America who had been so young during the 1993 attack on the downed American aid support choppers in Mogadishu had since grown to manhood. Now they were between the ages of twenty-three and thirty-five, and each one had become determined to qualify for the elite U.S. Navy unit called DEVGRU. After enlisting in the U.S. Navy and undergoing their essential basic training, every one of them endured the challenges of BUDS (Basic Underwater Demolition/SEAL) training, where the happy goal is to become “drownproofed” via what amounts to repeated semidrowning, while also learning dozens of ways to deliver explosive death and demolition. This was only the starting point. Once qualification was over and the candidates were sworn in, three-fourths of the qualified Navy SEALS who tried to also qualify for DEVGRU dropped out. Those super-warriors were overcome by the challenges, regardless of their peak physical condition and being in the prime of their lives. This happened because of the intensity of the training. Long study and practice went into developing a program specifically designed to seek out and expose any individual’s weakest points. If the same ordeals were imposed on captured terrorists who were known to be guilty of killing innocent civilians, the officers in charge would get thrown in the brig. Still, no matter how many Herculean physical challenges are presented to a DEVGRU candidate, the brutal training is primarily mental. It reveals each soldier’s principal foe to be himself. His mortal fears and deepest survival instinct emerge time after time as the essential demons he must overcome. Each DEVGRU member must reach beyond mere proficiency at dealing death. He must become two fighters combined: one who is trained to a state of robotic muscle memory in specific dark skills, and a second who is fluidly adaptive, using an array of standard SEAL tactics. Only when he can live and work from within this state of mind will he be trusted to pursue black operations in every form of hostile environment. Therefore the minority candidate who passes into DEVGRU becomes a member of the “Tier One” Special Mission Unit. He will be assigned to reconnaissance or assault, but his greatest specialty will always be to remain lethal in spite of rapidly changing conditions. From the day he is accepted into that elite tribe, he embodies what is delicately called “preemptive and proactive counterterrorist operations.” Or as it might be more bluntly described: Hunt them down and kill them wherever they are - and is possible, blow up something. Each one of that small percentage who makes it through six months of well-intended but malicious torture emerges as a true human predator. If removing you from this world becomes his mission, your only hope of escaping a DEVGRU SEAL is to find a hiding place that isn’t on land, on the sea, or in the air.
Anthony Flacco (Impossible Odds: The Kidnapping of Jessica Buchanan and Her Dramatic Rescue by SEAL Team Six)
3 INCIDENT IN THE ENGLISH CHANNEL Not long afterwards, a Belgian ferry, the Oudenbourg, was steaming its way from Ostende to Ramsgate. In the straits of Dover the duty officer noticed that half a mile south of its usual course there was something going on in the water. He could not be sure that there was no-one drowning there and so he ordered a change of course down to where the perturbance was taking place. Two hundred passengers on the windward side of the ship were shown a very strange spectacle: in some places a vertical jet of water shot out from the surface, and in some of those vertical jets there could be seen something like a black body thrown up with it; the surface of the sea for one or two hundred yards all around was tossing and seething wildly while, from the depths, a loud rattling and humming could be heard. "It was as if there was a small volcano erupting under the sea." As the Oudenbourg slowly approached the place an enormous wave rose about ten yards ahead of it and a terrible noise thundered out like an explosion. The entire ship was lifted violently and the deck was showered with a rain of water that was nearly boiling hot; and landing on the deck with the water was a strong black body which writhed and let out a sharp loud scream; it was a newt that had been injured and burnt. The captain ordered the ship full steam astern so that the ship would not steam straight into the middle of this turbulent Hell; but the water all around had also begun to erupt and the surface of the sea was strewn with pieces of dismembered newts. The ship was finally able to turn around and it fled northwards as fast as possible. Then there was a terrible explosion about six hundred yards to the stern and a gigantic column of water and steam, perhaps a hundred yards high, shot out of the sea. The Oudenbourg set course for Harwich and sent out a radio warning in all directions: "Attention all shipping, attention all shipping! Severe danger on Ostende-Ramsgate lane. Underwater explosion. Cause unknown. All shipping advised avoid area!" All this time the sea was thundering and boiling, almost as if military manoeuvres had been taking place under the water; but apart from the erupting water and steam there was nothing to see. From both Dover and Calais, destroyers and torpedo boats set out at full steam and squadrons of military aircraft flew to the site of the disturbance; but by the time they got there all they found was that the surface was discoloured with something like a yellow mud and covered with startled fish and newts that had been torn to pieces. At first it was thought that a mine in the channel must have exploded; but once the shores on both sides of the Straits of Dover had been ringed off with a chain of soldiers and the English prime-minister had, for the fourth time in the history of the world, interrupted his Saturday evening and hurried back to London, there were those who thought the incident must be of extremely serious international importance. The papers carried some highly alarming rumours, but, oddly enough, this time remained far from the truth; nobody had any idea that Europe, and the whole world with it, stood for a few days on the brink of a major war. It was only several years later that a member of the then British cabinet, Sir Thomas Mulberry, failed to be re-elected in a general election and published his memoirs setting out just what had actually happened; but by then, though, nobody was interested.
Karel Čapek (War with the Newts)
The ocean made space for me, pressing against the blackness of my assumed skin, buoying me and counter-acting the heaviness of the lead fastened around my waist. I kicked and continued my initial dive, feeling the pressures sliding back against my belly and legs, the quiet acceptance of the seas. Space and oceans have much in common, both are alien to us, not our element, both contain mysteries, dangers, sudden beauties of their own and beyond our land-bound experience. But space is a container of nothingness, a vacuum, a void of immeasurable loneliness and occasional transcendence. Water is a repository of life, and the life asserts itself as you move through the ocean; creatures large and small, beautiful or stunningle grotesque according to their custom, aquatic forests and microscopic landscapes, beings caught between the layers of life, rocks made of living creatures and living creatures made of stone, vegetable animals and animated plants and sudden deep, heart-breaking, lovely jewels that flick their trailing rainbows and dart away from you between the fronds of weeds, leaving shimmering mysteries that can be pursued, but never truly caught and comprehended. Space does not care whether you are there or not, and the struggle to survive between worlds is a fight to avoid being sucked into a vacuum, into an ultimate nil. Implacable in its indifference, it kills you simply because it is, and crushes you with the weight of your knowledge of its indifference. But the ocean is not indifferent. It reacts and shapes itself to your presence or absence, presents its laws as implacable realities, but an instant later displays the very non-exemplar of that rule swimming calmly through the depths. Accept the strangeness and the ocean opens to you, gives you freedom and beauty, a hook into otherness. But wonder approached in fear is cancelled, disappears into threathening shiverings of distant plants, into terrifying movements of bulky darkness through the rocks.
Marta Randall (Islands)
Then, decades later, in the 1970s, a hard-assed U.S. swim coach named James Counsilman rediscovered it. Counsilman was notorious for his “hurt, pain, and agony”–based training techniques, and hypoventilation fit right in. Competitive swimmers usually take two or three strokes before they flip their heads to the side and inhale. Counsilman trained his team to hold their breath for as many as nine strokes. He believed that, over time, the swimmers would utilize oxygen more efficiently and swim faster. In a sense, it was Buteyko’s Voluntary Elimination of Deep Breathing and Zátopek hypoventilation—underwater. Counsilman used it to train the U.S. Men’s Swimming team for the Montreal Olympics. They won 13 gold medals, 14 silver, and 7 bronze, and they set world records in 11 events. It was the greatest performance by a U.S. Olympic swim team in history. Hypoventilation training fell back into obscurity after several studies in the 1980s and 1990s argued that it had little to no impact on performance and endurance. Whatever these athletes were gaining, the researchers reported, must have been based on a strong placebo effect. In the early 2000s, Dr. Xavier Woorons, a French physiologist at Paris 13 University, found a flaw in these studies. The scientists critical of the technique had measured it all wrong. They’d been looking at athletes holding their breath with full lungs, and all that extra air in the lungs made it difficult for the athletes to enter into a deep state of hypoventilation. Woorons repeated the tests, but this time subjects practiced the half-full technique, which is how Buteyko trained his patients, and likely how Counsilman trained his swimmers. Breathing less offered huge benefits. If athletes kept at it for several weeks, their muscles adapted to tolerate more lactate accumulation, which allowed their bodies to pull more energy during states of heavy anaerobic stress, and, as a result, train harder and longer. Other reports showed hypoventilation training provided a boost in red blood cells, allowing athletes to carry more oxygen and produce more energy with each breath. Breathing way less delivered the benefits of high-altitude training at 6,500 feet, but it could be used at sea level, or anywhere. Over the years, this style of breath restriction has been given many names—hypoventilation, hypoxic training, Buteyko technique, and the pointlessly technical “normobaric hypoxia training.” The outcomes were the same: a profound boost in performance.* Not just for elite athletes, but for everyone. Just a few weeks of the training significantly increased endurance, reduced more “trunk fat,” improved cardiovascular function, and boosted muscle mass compared to normal-breathing exercise. This list goes on. The takeaway is that hypoventilation works. It helps train the body to do more with less. But that doesn’t mean it’s pleasant.
James Nestor (Breath: The New Science of a Lost Art)
waters, and even some that leave the water altogether. The Japanese flying squid (Todarodes pacificus) can take to the air like a flying fish; it builds up speed underwater and then launches itself out of the water and glides until reentry. Flying squid have been observed to cover distances as long as 100 feet above the surface, presumably to avoid predators, or utilizing jet-propelled aerial locomotion to save energy as they migrate. It has been shown that penguins, sea lions, and dolphins save energy by performing low-level leaps over the surface as they swim, which enables them to momentarily avoid the resistance of water and, concurrently, grab a breath of air. Squid don’t need a breath of air—they breathe water through their gills, like fishes—but several squid species can and do leave the water; mariners in all oceans occasionally find little squid on the decks after a night of sailing. The Humboldt squid (Dosidicus) has also been observed to get itself airborne; if a hundred-pound, ink-squirting, beak-snapping squid lands on your deck, you might have a bit of a problem.
Richard Ellis (The Little Blue-Eyed Vampire from Hell)
Biologists have long speculated about the reasons that animals in general, and marine animals in particular, make noise. One is communication; whales are said to communicate between members of a school. Another is defense, attempting to scare away attackers. Another is location, as in the echo-ranging of porpoises. Another is sexual attraction; most fish are noisy only within a male sex. A final reason must be that it must be pleasurable for a marine animal to make noise, just as in the humming of a tune by a human being.
Robert J. Urick (Ambient Noise in the Sea)
Even the water, grey and listless as it tossed against the harbour wall, seemed fixed in time; as if peering hard enough into its depths would reveal the tips of Peter’s fingers, himself still swaying underwater, cradled in the sea’s mouth.
Ava Bloomfield (Honest)
Irma Grese & Other Infamous SS Female Guards World War 2: A Brief History of the European Theatre World War 2 Pacific Theatre: A Brief History of the Pacific Theatre World War 2 Nazi Germany: The Secrets of Nazi Germany in World War II The Third Reich: The Rise & Fall of Hitler’s Germany in World War 2 World War 2 Soldier Stories: The Untold Stories of the Soldiers on the Battlefields of WWII World War 2 Soldier Stories Part II: More Untold Tales of the Soldiers on the Battlefields of WWII Surviving the Holocaust: The Tales of Survivors and Victims World War 2 Heroes: Medal of Honor Recipients in WWII & Their Heroic Stories of Bravery World War 2 Heroes: WWII UK’s SAS hero Robert Blair “Paddy” Mayne World War 2 Heroes: Jean Moulin & the French Resistance Forces World War 2 Snipers: WWII Famous Snipers & Sniper Battles Revealed World War 2 Spies & Espionage: The Secret Missions of Spies & Espionage in WWII   World War 2 Air Battles: The Famous Air Combat that Defined WWII World War 2 Tank Battles: The Famous Tank Battles that Defined WWII World War 2 Famous Battles: D-Day and the Invasion of Normandy World War 2 Submarine Stores: True Stories from the Underwater Battlegrounds The Holocaust Saviors: True Stories of Rescuers who risked all to Save Holocaust Refugees Irma Grese & The Holocaust: The Secrets of the Blonde Beast of Auschwitz Exposed Auschwitz & the Holocaust: Eyewitness Accounts from Auschwitz Prisoners & Survivors World War 2 Sailor Stories: Tales from Our Warriors at Sea World War 2 Soldier Stories Part III: The Untold Stories of German Soldiers World War 2 Navy SEALs: True Stories from the First Navy SEALs: The Amphibious Scout & Raiders   If these links do not work for whatever reason, you can simply search for these titles on the Amazon website to find them. Instant Access to Free Book Package!   As a thank you for the purchase of this book, I want to offer you some
Ryan Jenkins (World War 2 Air Battles: The Famous Air Combats that Defined WWII)
NYC Underwater Apartments: 2050 I'll betcha' five dollars that when the polar ice caps melt in 2050 and water levels rise flooding all the great coastal cities on our planet, you still won't be able to afford renting a 2-bedroom apartment in Manhattan sixty feet under the water. And I will also betcha' another five bucks, Sephardic Jews will be renting scuba equipment to tourists and running phony 'Going Out of Business' sales and harass you in undersea shopping malls with their bullshit Dead Sea Salts cosmetic line.
Beryl Dov
luxury underwater resort, Hydropolis. Shaped like a giant jellyfish, the Hydropolis would consist of two hundred luxury suites submerged sixty-six metres under the sea, offering spectacular views of the ocean bed and passing mermaids! This one-of-a-kind
J.R. Roth (Sheikhs, Lies and Real Estate: The Untold Story of Dubai)
ladder.
Andrew Mayne (The Girl Beneath the Sea (Underwater Investigation Unit, #1))
Aubade" As if one is a shadow stitched to the other, they sit, knees bent & parted, cradled in the basin of the clawfoot, her belly to his spine. She leans into him, her cheek resting against the blade in his back, & watches the window above the pull-chain warm from bath water to blue. He hangs his head & keeps his hands underwater, covering all that might split their silhouette.
Meg Day (Last Psalm at Sea Level)
Having left the previously heavily dredged area for a few years, marine life has been slow to return, allowing the Welsh Asssembly to conclude that a sandy underwater desert is the natural state of our cosatal waters. But along with the scallops, the metal claws have ripped out all the sea life: mussels, anemones, sea fans, sponges, seaweeds, all manner of fish, a marine world that cannot recover in a handful of years, but will take decades, centuries even. The exact marine life that dolphin mothers feed on when their calves are young and slow moving.
Raynor Winn (The Salt Path)
the dark underwater valley where the old sunken
Lindsey Scott (Sea Turtle Rescue (The Mermaid Adventures))
Pelicans are simply an ungrateful mouth on wings.
Andrew Mayne (The Girl Beneath the Sea (Underwater Investigation Unit, #1))
A descent into an unlit place from which there is no escape, an underwater labyrinth of impossible mazes. No ghosts floating around down there with writing utensils hidden under their white eyehole sheets. I prefer to either drown like a cockroach in the toilet, or swim the English Channel like a hero. I may well be an eleven-fingered oaf slobbering over a typewriter, pounding out a thorny jumble of trash, an uneducated animal who runs on instinct and feeling. But this is my voice. The facts and figures aren’t important to me, the colors and shapes that make up my world are; they are who I am, right or wrong. The limits of my memory are their own reward. Like Rashomon, the same thing looks different to everyone from their angle. The greatest fault of humankind belongs to those who think their view of what’s real is the only truth. I can only write and hope. Hope to arise from the muddy depths of this process, clear and cleansed, laser beams shooting from my eyeballs, holding the sunken treasure aloft, resplendent in silver and gold, an ebullient grin plastered on my face, and sea monsters docile at my feet.
Flea (Acid for the Children: A Memoir)
Yet it had not always been like this, the ancient whale remembered. Once, he had a golden master who had wooed him with flute song. Then his master had used a conch shell to bray his commands to the whale over long distances. As their communication grew so did their understanding and love of each other. Although the young whale had then been almost twelve metres long, his golden master had begun to swim with him in the sea. Then, one day, his master impetuously mounted him and became the whale rider. In ecstasy the young male had sped out to deep water and, not hearing the cries of fear from his master, had suddenly sounded in a steep accelerated dive, his tail stroking the sky. In that first sounding he had almost killed the one other creature he loved. Reminiscing like this the ancient bull whale began to cry his grief in sound ribbons of overwhelming sorrow. Nothing that the elderly females could do would stop his sadness. When the younger males reported a man-sighting on the horizon it took all their strength of reasoning to prevent their leader from arrowing out towards the source of danger. Indeed, only after great coaxing were they able to persuade him to lead them to the underwater sanctuary. Even so, they knew with a sense of inevitability that the old one had already begun to sound to the source of his sadness and into the disturbing dreams of his youth.
Witi Ihimaera
Cardiff thinks I’m tied up with them? I’ve half a mind to tell him to go fuck himself right now. Fortunately, the rational side of my brain keeps me from going all McPherson on him. I take a slow breath and put the regulator back in my mouth as I slip under the waves
Andrew Mayne (The Girl Beneath the Sea (Underwater Investigation Unit, #1))
You do the best you can, then you find something else that needs your attention. Every now and then, you make a difference.
Andrew Mayne (The Girl Beneath the Sea (Underwater Investigation Unit, #1))
CIA hired dirtbags to drop guns into South America. Those same dirtbags used their planes and contacts to bring cocaine back. It’s not the same as saying the CIA controlled the drug trade, but it had the same effect.
Andrew Mayne (The Girl Beneath the Sea (Underwater Investigation Unit, #1))
And all that time I couldn’t work. So much of a novelist’s writing, as I have said, takes place in the unconscious: in those depths the last word is written before the first word appears on the paper. We remember details of our story, we do not invent them. War didn’t trouble those deep sea-caves, but not there was something of infinitely greater importance to me than war, than my novel – the end of love. That was being worked out not, like a story: the pointed word that sent her crying, that seemed to have come so spontaneously to the lips, had been sharpened in those underwater caverns. My novel lagged, but my love hurried like inspiration to the end.
Graham Greene (The End of the Affair)
One of the crew shouted, “Man overboard!” Seeing what had happened, I instantly threw the engines into reverse, attempting to stop the vessel’s headway without backing over my floundering steward. As the ship shuttered from the unexpected reverse thrust of her engines, now running full speed astern and fighting the current, I watched helplessly as a large prehistoric reptile slithered into the muddy river. Instinctively he was followed by others. Within an instant they were underwater and out of sight, but I knew they were heading in our direction hoping for a tasty dinner. It took a while for me to actually stop the ship’s headway and start to back down. The bosun already had a ladder over the side and yelled to him to stop trashing around, but Henry was panicking and we all expected him to get pulled under. Henry quickly became aware of the imminent danger he was in and stopped floundering, thus allowing the current to carry him in our direction. Now with the ship stopped, we were at the mercy of the current. Henry, with fear painted on his face, would never be closer to us than now. This was the time for him to swim the last short distance, but his fear and knowing that splashing would attract the crocodiles caused him to freeze. With everyone shouting instructions it became confusing, so calculating the risk, I dove in and with just a few powerful strokes was next to Henry. The water was cool compared to the moist air and I thought it felt refreshing, but the only thing I should have been thinking about was getting the two of us out of there! Reaching out, I grabbed his already torn shirt and in what seemed less than a nanosecond towed him back to the ship. A push by me and a pull by the ship’s bosun landed the hapless steward on the deck like a fish out of water. Not wasting any time, I was up the ladder and onto the main deck in a shot. Looking back I half expected to see the huge mouth and glistening white teeth of a fearsome crocodilian. However, nothing stirred as we drifted with the current. Looking back to the now empty river bank I knew that just beneath the surface, they were in the murky water looking for us. Firing the engines up again, I turned the ship away from the bank and back on course in the channel. Handing the helm over to the Quartermaster, I went below to get changed since we would be approaching the treacherous sand bar in about a half hour.
Hank Bracker
One aspect of Ellony’s behavior was a certain feyness that manifested itself at Sisterhood gatherings. Sometimes, she would go into a trance and say strange things. She told of underwater realms of disturbing beauty, where creatures she could not describe writhed like eels among fallen marble columns. She spoke of the dragons, and then she would become agitated and flecks of foam would gather at the corners of her mouth. Pharinet thought that for Ellony the sea dragons had become a personal horror: a haunting she both welcomed and feared. No wonder she walked at night.
Storm Constantine (Sea Dragon Heir (The Chronicles of Magravandias, #1))
We figure that’s their
Andrew Mayne (The Girl Beneath the Sea (Underwater Investigation Unit, #1))
I hate myself for how much this grudging nod of respect means to me. But it does mean something . . . How do assholes make us care what they think?
Andrew Mayne (The Girl Beneath the Sea (Underwater Investigation Unit, #1))
A pianist can sometimes resemble a slow underwater swimmer, and a lover likewise swims within the sea of the other, far down where no waves can reach; overhead, the piano’s lid, heavier than a coffin’s, shuts out extraneous vibrations, while simultaneously demarcating the boundary between water and air. It’s too perfect underwater; that’s what kills us, the perfection!
William T. Vollmann (Europe Central)
Behind him, the lights of Erie appeared to be underwater now, a twinkling city sinking into an indigo sea.
Randall Silvis (Two Days Gone)
By now everyone must have realized that this person is not coming back to the picnic. Everyone was wrong; this person is not who they thought this person was. This person plunges underwater and moves her hair around like a sea anemone. This person can stay underwater for an impressively long time but only in a bathtub. This person wonders if there will ever be an Olympic contest for holding your breath under bathwater. If there were such a contest, this person would surely win it. An Olympic medal might redeem this person in the eyes of everyone this person has known. But no such contest exists, so there will be no redeeming. The person mourns the fact that she has ruined her one chance to be loved by everyone; as this person climbs into bed, the weight of this tragedy seems to bear down upon this person's chest. And it is a comforting weight, almost human in heft.
Miranda July (No One Belongs Here More Than You)
The ocean floor had identifiable formations such as the continental shelf near the continents' landmass. Here it is generally thought of as that part of the continent that is underwater. Perhaps it could be better thought of as that part that corresponds to the area of the mainland between the beach and the point where the continent falls off into the abyss. Other terms include the seabed, seafloor, sea floor, or ocean floor which is the bottom of the ocean. If this area were to be dry it would include many of the same features found on land, such as mountain ranges and flat plains. Some of these mountains penetrate the surface to become islands. The Hawaiian and Caribbean islands are examples of this. In the Atlantic Ocean the mid-Atlantic riff also has many examples such as Iceland, the Azores Madeira, Ascension Island and Saint Helena. These islands follow a seismic crack or fault line between adjacent tectonic plates. It runs 24,855 miles, mostly underwater, from the Polar Regions in both the northern and southern hemispheres. There is a concern that as more ice melts due to global warming some of the lands near the ocean, including entire islands, will relatively soon become flooded, Coastal Florida is definitely an area of concern, however politicians have not yet noticed! Usually a seabed describes the Seafloor and its characteristics such as the type of sediment, sand or stones covering it. Some scientists differentiate the Ocean floor from the Sea bottom, by the water over it such as that of an Ocean a Gulf or a Sea. Although it can be made to sound complicated these nouns are basically synonymous and in most cases can be used interchangeably.
Hank Bracker
The sea is an underwater museum still awaiting its visitors.
Philippe Diolé
The sight of it stunned Joe to the point that, if the strength of the sea had not held him, he would have fallen down. In this underwater existence, he was straight. This was his life’s curiosity incarnate. He had often wondered how his life would have been different—easier—if he were a heterosexual man.
Eric Arvin (Woke Up in a Strange Place)
My lifelong hero Gordon Moore, the aforementioned author of Moore’s Law, has thrown his talent and capital into the Bay Foundation’s efforts to restore the underwater kelp forests of California’s Monterey Coast. Sea kelp absorbs twenty times more CO2 than a comparably sized land forest.
John Doerr (Speed & Scale: An Action Plan for Solving Our Climate Crisis Now)