Kentucky Girl Quotes

Black Minx never moved. She seemed to know what this was all about. She accepted their offerings, their embraces, in a very queenly way. Her manner indicated that she was getting only what was long due her, and that she had known all along no colt would beat her in the Kentucky Derby. Perhaps she had known. Alec and Henry wouldn't have been surprised. She was that kind of girl.

I'm second string to a true, actual, just-moved-here new girl. Mackenzie's from Minnesota, says her O's in a really weird way, and already has more friends than I do.

I decided I would not sell this farm if the Devil himself promised me pretty girls, fame, or all the money in the world.

Take a little thought experiment. Imagine all the rampage school shooters in Littleton, Colorado; Pearl, Mississippi; Paducah, Kentucky; Springfield, Oregon; and Jonesboro, Arkansas; now imagine they were black girls from poor families who lived instead in Chicago, New Haven, Newark, Philadelphia, or Providence. Can you picture the national debate, the headlines, the hand-wringing? There is no doubt we’d be having a national debate about inner-city poor black girls. The entire focus would be on race, class, and gender. The media would doubtless invent a new term for their behavior, as with wilding two decades ago. We’d hear about the culture of poverty, about how living in the city breeds crime and violence. We’d hear some pundits proclaim some putative natural tendency among blacks toward violence. Someone would likely even blame feminism for causing girls to become violent in a vain imitation of boys. Yet the obvious fact that virtually all the rampage school shooters were middle-class white boys barely broke a ripple in the torrent of public discussion. This uniformity cut across all other differences among the shooters: some came from intact families, others from single-parent homes; some boys had acted violently in the past, and others were quiet and unassuming; some boys also expressed rage at their parents (two killed their parents the same morning), and others seemed to live in happy families.

I sigh, feel the heat rise in my cheeks, and look at the clock. Wolf asks me to play a game with him-me! out of all the girls at our table!-and I injure him. Flick him right in the eye.

Well, I don't know," he starts, looking down and then up again, anywhere but at me. "Like, for example, your new clothes, it's like a whole new you. You dress more like those girls now." "I just want to look nice!" I defend myself. "No,not that that's a bad thing, Ricki Jo!" he says, glancing down at me and then back over his shoulder. "You look great. Really pretty, actually.Just, you didn't care before and you were still"-he stammers on-"y-you know...pretty.

Well, I declare!: The Appalachian dialect of the mountains of West Virginia, Kentucky, and Tennessee is linguistically closer to Elizabethan English (the language of Shakespeare) than any other dialect spoken today. That includes the dialect spoken by the British royal family!

Fuming, I reach for the stick at my feet; however, this is the precise moment that a small black garter snake slithers out in front of me. I do what any normal fourteen-year-old girl would do: scream my head off, dance in spastic horror, and throw my tobacco knife into the dirt-completely missing the snake. I look to Luke for help, but he's laughing hysterically, which really gets my already hot blood boiling. Wrists on sweaty forehead, breathing totally out of control, I walk around in a circle until the disgusting little reptile slithers away. I am-offically-over it.

Kentucky, a state whose capital I did not know. I had never wondered about Kentucky, never imagined it as a girl the way I had New York or Houston or Paris. No one I knew had ever been to Kentucky, or was planning on going, and so I thought it would be the last place anyone would look for me. “Tell

Take a little thought experiment. Imagine all the rampage school shooters in Littleton, Colorado; Pearl, Mississippi; Paducah, Kentucky; Springfield, Oregon; and Jonesboro, Arkansas; now imagine they were black girls from poor families who lived instead in Chicago, New Haven, Newark, Philadelphia, or Providence. Can you picture the national debate, the headlines, the hand-wringing? There is no doubt we’d be having a national debate about inner-city poor black girls. The entire focus would be on race, class, and gender. The media would doubtless invent a new term for their behavior, as with wilding two decades ago. We’d hear about the culture of poverty, about how living in the city breeds crime and violence. We’d hear some pundits proclaim some putative natural tendency among blacks toward violence. Someone would likely even blame feminism for causing girls to become violent in a vain imitation of boys.

After thirty minutes of learning and rehearsing this routine, I've decided to never show my aforementioned self-taught moves to the public. Today's dance style seems to involve a dash of bump and a cup of grind, with a heavy dose of attitude...ingredients I haven't incorporated before. Not having cable television can really keep a girl out of the loop.

He pushed his face closer to mine and I tucked my chin, cowering, knowing if there was one thing the Blue folk had in common with other womenfolk, it was to do just that, duck from a man’s hard flying fist. Like all Kentucky women, I knew when to stand and knew when to bow and back down. It was a means of survival that was taught to the very young, instilled in the smallest of girls.

Dusk settled over our shoulders like a damp purple blanket. The river- the churn and clank of boat traffic, the shush of water, and the tangy smell of catfish and mud- was slowly beaten back by honeysuckle and cicadas and some bird that cooed the same three syllables in a lilting circle. It was all so familiar and so foreign. I pictured a young girl in a blue cotton dress running down this same road on cinnamon-stick legs. Then I pictured another girl, white and square-jawed, running before her. Adelaide. Mother. I would've missed it if I hadn't been looking: a narrow dirt drive crowded on either side by briars and untrimmed boughs. Even once I'd followed the track to its end I was uncertain- who would live in such a huddled, bent-back cabin, half-eaten by ivy and some sort of feral climbing rose? The wooden-shake shingles were green with moss; the barn had collapsed entirely.

I grabed one of his hands that was hanging loosely at his side.I took a little bit of work to pry the fat silver ring off his finger, but when I had it free I held it up between the two of us and looked him dead in the eye. He was watching me caustiously, but didn't ask me what I was doing. Do you love me Jet? Dispite it all. Do you love me? Aden I'm here of course I love you. I love you before, I love you after, and I'll love you for everything in between. Had we not been in a grungy motel room in Kentucky,there was a good chance I would have gotten down on one kneeto make the moment more dramatic, to prove to him just how serious I was about not running away anymore but a girl had to have standards. I grad his left hand and put a kiss in his left palm. Jet Keller I love you and there is no future for me without you in it. I'm never going to bed with a man that isn't you again. I don't care if you're a rock star or a a car salesman.I just want there to be a you and me forever. Will you marry me?

That's stupid," Luke says sharply, totally out of character, and shoots Laura a look that makes her flush red. "First of all, she's not ugly-pretty, she's just normal pretty. What a dumb thing to say. And second, she's different from the average girl 'cause she doesn't even need makeup." Silence. Luke looks down at his arm and twirls the leather strap around his wrist. I nudge him, and when he looks up at me, I mouth Thank you, not trusting my voice since an unexpected lump has found its way to my throat.

I've never seen you flip the bird, RJ," Luke says. I can't stop the little smile that creeps up onto my lips.I really don't know what came over me.I've never been the vixen.I'm always one hundred percent good girl. "Yeah,it felt weird.And wrong. And awesome." "Well,you're lucky Mr. Bates didn't see you.Principles usually frown on that kind of sign language." He laughs. "Mr. Bates can suck it," I say defiantly. "Whoa!" Luke replies and we both laugh. "Have you been watching wrestling with Ben again? Admit it, Ricki Jo. You love oiled-up fat guys in unitards." "Ew!

Call me crazy,but something about throwing myself blindly backward seems not so smart.I can't see where I'm going, and it's hard to fearlessly toss my entire weight back.Then Kimi, in all of her bossiness, takes control of the situation and basically threatens my life if I don't do it.I don't want to look bad in front of these girls; plus, I tell myself, I'll beone step closer to accomplishing the ten goals of Project Ericka. Deep breath drawn, prayers said, I lean back over their arms...and voila! I do a back flap! (A very slow back flip-kind of like a back bend over Mackenzie's and Laura's arms where I get stuck, leaving Kimi and Sarah to grab my calves and heave me over-but a back flip nonetheless!)

I took the Washington bus; wasted some time there wandering around; went out of my way to see the Blue Ridge, heard the bird of Shenandoah and visited Stonewall Jackson’s grave; at dusk stood expectorating in the Kanawha River and walked the hillbilly night of Charleston, West Virginia; at midnight Ashland, Kentucky, and a lonely girl under the marquee of a closed-up show. The dark and mysterious Ohio, and Cincinnati at dawn. Then Indiana fields again, and St. Louis as ever in its great valley clouds of afternoon. The muddy cobbles and the Montana logs, the broken steamboats, the ancient signs, the grass and the ropes by the river. The endless poem. By night Missouri, Kansas fields, Kansas night-cows in the secret wides, crackerbox towns with a sea for the end of every street; dawn in Abilene. East Kansas grasses become West Kansas rangelands that climb up to the hill of the Western night.

Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last. And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?" When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red. Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons. What a roaring.

She is waiting for me when I step outside of school at the end of the day, her sturdy frame standing by the passenger door of my papaw's small truck, waving. Yes,waving-ildly, with both arms in the air,and catching herself on the door when she loses her balance. Mortified,I attempt a nonchalant wave to the other girls on my squad. Practice actually went well today.I like the girls and I'm on top of all the pyraminds, which is cool. What is not cool is my grandmother shouting my name and motioning at me like an escaped mental patient who has taken a day job landing planes.I sprint over to their truck, which is parked diagonally across to handicapped spots, as quickly as I can. "I'm here, gosh! Stop yelling," I say. "Comee here, baby," she says, and before I know it, she's pressing me against her massive bosom in a bear hug, slapping my back and cooing into my ear. "You're Mamaw's baby, ain't ya? Yes, Mamaw's sure happy to see you." There is no escape.Because I am too short and scrawny and no match for her brute grandchild-love strength, I wait it out.

Nah, hoe, she is gonna be too busy tossing my salad. You can say your prayers girl when I’m sitting on your face … cause you know …” another woman said and then began to sing, “My neck, my back, lick pussy and my crack, oh shit, my neck back, that white bitch is gonna lick my ass.

No. I can’t have a lesbian with me. That is worse than a well-endowed girl-man.

Put some tongue in there girl, this ain’t the WB, this is pussy licking OZ Kim Davis.

I'm going to go away to college, and I'm going to let a real man kiss me, not some stupid hillbilly who thinks his lips are God's gift to Kentucky girls.

Like all Kentucky women, I knew when to stand and knew when to bow and back down. It was a means of survival that was taught to the very young, instilled in the smallest of girls.

And to top off her country girl look, she’s got on a pair of tan cowgirl boots, reminding me of one of her favorite sexual positions. She used to ride my cock hard and fast. Like she was in the Kentucky fucking Derby.

I was crazy for this girl, ready to give up everything if it meant I could be with her, so why was it doing wonderful, primal, undeniable things to me to watch her ride Brett like she was in the Kentucky Derby?

Aunt Jane was in perfect correspondence with her environment. She wore a purple calico dress, rather short and scant; a gingham apron, with a capacious pocket, in which she always carried knitting: or some other "handy work"; a white handkerchief was laid primly around the wrinkled throat and fastened with a pin containing a lock of gray hair; her cap was of black lace and lutestring ribbon, not one of the butterfly affairs that perch on the top of the puffs and frizzes of the modern old lady, but a substantial structure that covered her whole head and was tied securely under her chin. She talked in a sweet old treble with a little lisp, caused by the absence of teeth, and her laugh was as clear and joyous as a young girl's. "Yes, I'm a-piecin' quilts again," she said, snipping away at the bits of calico in her lap. "I did say I was done with that sort o' work; but this mornin' I was rummagin' around up in the garret, and I come across this bundle of pieces, and thinks I, 'I reckon it's intended for me to piece one more quilt before I die;' I must 'a' put 'em there thirty years ago and clean forgot 'em, and I've been settin' here all the evenin' cuttin' 'em and thinkin' about old times. "Jest feel o' that," she continued, tossing some scraps into my lap. "There ain't any such caliker nowadays. This ain't your five-cent stuff that fades in the first washin' and wears out in the second. A caliker dress was somethin' worth buyin' and worth makin' up in them days. That blue-flowered piece was a dress I got the spring before Abram died. When I put on mournin' it was as good as new, and I give it to sister Mary. That one with the green ground and white figger was my niece Rebecca's. She wore it for the first time to the County Fair the year I took the premium on my salt-risin' bread and sponge cake. This black-an' white piece Sally Ann Flint give me. I ricollect 'twas in blackberry time, and I'd been out in the big pasture pickin' some for supper, and I stopped in at Sally Ann's for a drink o' water on my way back. She was cuttin' out this dress.

Collecting statistics at camp Zachary Taylor after the armistice [WW1 1918], I found that out of two hundred and fifty men from Kentucky and Tennessee, ninety were completely illiterate, several were actual imbeciles, two had syphilitic rheumatism; and any number had married at childhood ages, from twelve - the youngest - to seventeen. They had married girls from nine - the youngest - to fourteen. So I am ready to believe that the Faulkner and Caldwell depictions of ingrown sections of the country are based upon actual conditions....

Is this an antique?” He nodded. “It was a wedding present from my grandfather to my grandma.” She traced the pattern with her fingers. “It’s beautiful.” “Yeah, it is,” he said, in a thoughtful tone. “They were honeymooning in France and she fell in love with it. When they got home, it was waiting for her.” “How romantic,” Maddie said, studying the rich detail work. Even back then, it must have cost a fortune. “My grandpa was desperately in love with her. If she wanted something, he moved heaven and earth to get it for her.” What would that be like? To be loved like that. Steve always acted like he’d do anything for her, but if he’d loved her unconditionally, wouldn’t he have liked her more? She looked back at Mitch. “How’d they meet?” He chuckled, a soft, low sound. “You’re not going to believe this.” She crossed her legs. “Try me.” He flashed a grin. “I swear to God, this is not a line.” “Oh, this is going to be good.” She shifted around, finding a dip in the mattress she could get comfortable in. He stretched his arm, drawing Maddie’s gaze to the contrast of his golden skin against the crisp white sheets. “My grandfather was old Chicago money. He went to Kentucky on family business and on the way home, his car broke down.” Startled, Maddie blinked. “You’re kidding me.” He shook his head, assessing her. “Nope. He broke down at the end of the driveway and came to ask for help. My grandmother opened the door, and he took one look at her and fell.” He pointed to a picture frame on the dresser. “She was quite beautiful.” Unable to resist, Maddie slid off the bed and walked over, picking up the frame, which was genuine pewter. She traced her fingers over the glass. It was an old-fashioned black-and-white wedding picture of a handsome, austere, dark-haired man and a breathtakingly gorgeous girl with pale blond hair in a white satin gown. “He asked her to marry him after a week,” Mitch said. “It caused a huge uproar and his family threatened to disinherit him. She was a farm girl, and he’d already been slated to marry a rich debutante who made good business sense.” Maddie carefully put the frame back and crawled back onto the bed, anxious for the rest of the story. “Looks like they got married despite the protests.” Mitch’s

Is this an antique?” He nodded. “It was a wedding present from my grandfather to my grandma.” She traced the pattern with her fingers. “It’s beautiful.” “Yeah, it is,” he said, in a thoughtful tone. “They were honeymooning in France and she fell in love with it. When they got home, it was waiting for her.” “How romantic,” Maddie said, studying the rich detail work. Even back then, it must have cost a fortune. “My grandpa was desperately in love with her. If she wanted something, he moved heaven and earth to get it for her.” What would that be like? To be loved like that. Steve always acted like he’d do anything for her, but if he’d loved her unconditionally, wouldn’t he have liked her more? She looked back at Mitch. “How’d they meet?” He chuckled, a soft, low sound. “You’re not going to believe this.” She crossed her legs. “Try me.” He flashed a grin. “I swear to God, this is not a line.” “Oh, this is going to be good.” She shifted around, finding a dip in the mattress she could get comfortable in. He stretched his arm, drawing Maddie’s gaze to the contrast of his golden skin against the crisp white sheets. “My grandfather was old Chicago money. He went to Kentucky on family business and on the way home, his car broke down.” Startled, Maddie blinked. “You’re kidding me.” He shook his head, assessing her. “Nope. He broke down at the end of the driveway and came to ask for help. My grandmother opened the door, and he took one look at her and fell.” He pointed to a picture frame on the dresser. “She was quite beautiful.” Unable to resist, Maddie slid off the bed and walked over, picking up the frame, which was genuine pewter. She traced her fingers over the glass. It was an old-fashioned black-and-white wedding picture of a handsome, austere, dark-haired man and a breathtakingly gorgeous girl with pale blond hair in a white satin gown. “He asked her to marry him after a week,” Mitch said. “It caused a huge uproar and his family threatened to disinherit him. She was a farm girl, and he’d already been slated to marry a rich debutante who made good business sense.” Maddie carefully put the frame back and crawled back onto the bed, anxious for the rest of the story. “Looks like they got married despite the protests.” Mitch’s gaze slid over her body, lingering a fraction too long on her breasts before looking back into her eyes. “He said he could make more money, but there was only one of her. In the end, his family relented, and he whisked her into Chicago high society.” “It sounds like a fairy tale.” “It was,” Mitch said, his tone low and private. The story and his voice wrapped her in a safe cocoon where the world outside this room didn’t exist. “In the sixty years they were together, they never spent more than a week a part. He died of a heart attack and she followed two months later.” She studied the bedspread, picking at a piece of lint. “I guess if you’re going to get married, that’s the way to do it.” “Any

I begged Ana to shut them up, come out as Cuban, play the jail card. But she refused to claim that authority. 'It will mean you, as a Kentucky girl, have nothing valuable to say about Cuba. And Cubans have nothing to say about the rest of the world.

The Director gave me Denise Giardina, the great chronicler of the years when West Virginia’s miners fought back against exploitative mine owners, and local poets Louise McNeill and Irene McKinney. She gave me Nikki Giovanni, and bell hooks, and taught me about the rich Affrilachian community that had been thriving in the region for centuries. I read Chad Berry, who directs the Loyal Jones Appalachian Center at Berea College in Kentucky, and learned about his idea of “the divided heart,

“You’ve got to continue to grow, or you’re just like last night’s cornbread--stale and dry.” --Loretta Lynn, Kentucky Grits

by refusing to repeat it, much to the despair of their record companies. Both wrote gorgeous sci-fi ballads blatantly inspired by 2001—“Space Oddity” and “After the Gold Rush.” Both did classic songs about imperialism that name-checked Marlon Brando—“China Girl” and “Pocahontas.” Both were prodigiously prolific even when they were trying to eat Peru through their nostrils. They were mutual fans, though they floundered when they tried to copy each other (Trans and Tin Machine). Both sang their fears of losing their youth when they were still basically kids; both aged mysteriously well. Neither ever did anything remotely sane. But there’s a key difference: Bowie liked working with smart people, whereas Young always liked working with . . . well, let’s go ahead and call them “not quite as smart as Neil Young” people. Young made his most famous music with two backing groups—the awesomely inept Crazy Horse and the expensively addled CSN—whose collective IQ barely leaves room temperature. He knows they’re not going to challenge him with ideas of their own, so he knows how to use them—brilliantly in the first case, lucratively in the second. But Bowie never made any of his memorable music that way—he always preferred collaborating with (and stealing from) artists who knew tricks he didn’t know, well educated in musical worlds where he was just a visitor. Just look at the guitarists he worked with: Carlos Alomar from James Brown’s band vs. Robert Fripp from King Crimson. Stevie Ray Vaughan from Texas vs. Mick Ronson from Hull. Adrian Belew from Kentucky vs. Earl Slick from Brooklyn. Nile Rodgers. Peter Frampton. Ricky Gardiner, who played all that fantastic fuzz guitar on Low (and who made the mistake of demanding a raise, which is why he dropped out of the story so fast). Together, Young and Bowie laid claim to a jilted generation left high and dry by the dashed hippie dreams. “The