Agriculture Funny Quotes

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own. Save a parrot’s tree. Save ten. Without our help, without needed legislative protection and worldwide consciousness-raising on their behalf, parrots will be lost in short years to come. It is fitting to end this book with this succinct summation from Wayne Pacelle, president of the Humane Society of the United States:   We are at an odd moment in history. There are more people in this country sensitized to animal protection issues than ever before. The Humane Society of the United States alone has 8 million members, and in addition, there are more than 5,000 other groups devoted to animal protection. At the same time, there are more animals being harmed than ever before—in industrial agriculture, research and testing, and the trade in wild animals. It is pitiful that our society still condones keeping millions of parrots and other wild birds as pets—wild animals that should be free to fly and instead are languishing in cages, with more being bred every day. It’s an issue of supply and demand and it’s also an issue of right and wrong. Animals suffer in confinement, and we have a moral obligation to spare them from needless suffering. Every person can make a difference every day for animals by making compassionate choices in the marketplace: don’t buy wild animals as pets, whether they are caught from the wild or bred in captivity. If we spare the life of just one animal, it’s a 100% positive impact for that creature. If we can solve the larger bird trade problem, it will be 100% positive for all parrots and other wild birds in the U.S. and beyond our borders. I believe we will look back in 50 -75 years and say “How could we as a society countenance things like the decades long imprisonment of extraordinarily intelligent animals like parrots?” Acknowledgments For this work, which took more than two and a half years to research and write, I amassed thousands of documents and conducted several hundred interviews with leading scientists, environmentalists, paleontologists, ecological economists, conservationists, global warming experts, federal law enforcement officers, animal control officers, avian researchers, avian rescuers, veterinarians, breeders, pet bird owners, bird clubs, pet bird industry executives and employees, sanctuaries and welfare organizations, legislators, and officials with the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES), and other sources in the United States and around the world.
Mira Tweti (Of Parrots and People: The Sometimes Funny, Always Fascinating, and Often Catastrophic Collision of Two Intelligent Species)
It’s time for the Great Lickin’ Festival,” she said unnecessarily, “to celebrate our glorious agricultural heritage.” She sighed again. “And I don’t need to tell you how excited your daddy and the other men in the Thicket get at Lickin’ time.
Lucy Lennox (Fakers (Licking Thicket, #1))
It wasn’t about me anymore. I had a child. A husband who needed me to be there for him in the midst of what was turning out to be a terrible time to be making a living in agriculture. I didn’t have time to get mired in the angst of my own circumstances anymore. I didn’t have time for the past. My family--my new family--was all that mattered to me. My child. And always and forever, Marlboro Man. And then he appeared--walking down the basement steps in his Wranglers and rain-drenched boots. He stepped into the basement, a warm, gentle smile on his face. It was Marlboro Man. He was there. “Hey, Mama…,” he called. “It’s all fine.” The storm had passed us by, the funnel cloud dissipating before it could do any damage. “Hey, Daddy,” I answered. It was the first time I’d ever called him that. Looking on the ground at the water bottles and granola bars, he asked, “What’s all this for?” I shrugged. “I wasn’t sure how long I’d be down here.” He laughed. “You’re funny,” he said as he scooped our sleeping baby from my arms and threw the blanket over his shoulder. “Let’s go eat. I’m hungry.” We walked across the yard to our cozy little white house, where we ate pot roast with mashed potatoes and watched The Big Country with Gregory Peck…and spent the night listening to a blessed September thunderstorm send rain falling from the sky.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The most important mystery of ancient Egypt was presided over by a priesthood. That mystery concerned the annual inundation of the Nile flood plain. It was this flooding which made Egyptian agriculture, and therefore civilisation, possible. It was the centre of their society in both practical and ritual terms for many centuries; it made ancient Egypt the most stable society the world has ever seen. The Egyptian calendar itself was calculated with reference to the river, and was divided into three seasons, all of them linked to the Nile and the agricultural cycle it determined: Akhet, or the inundation, Peret, the growing season, and Shemu, the harvest. The size of the flood determined the size of the harvest: too little water and there would be famine; too much and there would be catastrophe; just the right amount and the whole country would bloom and prosper. Every detail of Egyptian life was linked to the flood: even the tax system was based on the level of the water, since it was that level which determined how prosperous the farmers were going to be in the subsequent season. The priests performed complicated rituals to divine the nature of that year’s flood and the resulting harvest. The religious elite had at their disposal a rich, emotionally satisfying mythological system; a subtle, complicated language of symbols that drew on that mythology; and a position of unchallenged power at the centre of their extraordinarily stable society, one which remained in an essentially static condition for thousands of years. But the priests were cheating, because they had something else too: they had a nilometer. This was a secret device made to measure and predict the level of flood water. It consisted of a large, permanent measuring station sited on the river, with lines and markers designed to predict the level of the annual flood. The calibrations used the water level to forecast levels of harvest from Hunger up through Suffering through to Happiness, Security and Abundance, to, in a year with too much water, Disaster. Nilometers were a – perhaps the – priestly secret. They were situated in temples where only priests were allowed access; Herodotus, who wrote the first outsider’s account of Egyptian life the fifth century BC, was told of their existence, but wasn’t allowed to see one. As late as 1810, thousands of years after the nilometers had entered use, foreigners were still forbidden access to them. Added to the accurate records of flood patters dating back centuries, the nilometer was an essential tool for control of Egypt. It had to be kept secret by the ruling class and institutions, because it was a central component of their authority. The world is full of priesthoods. The nilometer offers a good paradigm for many kinds of expertise, many varieties of religious and professional mystery. Many of the words for deliberately obfuscating nonsense come from priestly ritual: mumbo jumbo from the Mandinka word maamajomboo, a masked shamanic ceremonial dancer; hocus pocus from hoc est corpus meum in the Latin Mass. On the one hand, the elaborate language and ritual, designed to bamboozle and mystify and intimidate and add value; on the other the calculations that the pros make in private. Practitioners of almost every métier, from plumbers to chefs to nurses to teachers to police, have a gap between the way they talk to each other and they way they talk to their customers or audience. Grayson Perry is very funny on this phenomenon at work in the art world, as he described it in an interview with Brian Eno. ‘As for the language of the art world – “International Art English” – I think obfuscation was part of its purpose, to protect what in fact was probably a fairly simple philosophical point, to keep some sort of mystery around it. There was a fear that if it was made understandable, it wouldn’t seem important.
John Lanchester (How to Speak Money: What the Money People Say — And What It Really Means)
all the coffee beans are cage-free and organically raised according to an individualized Montessori education plan before getting dumped into the roaster.
J.L. Bryan (Lullaby (Ellie Jordan, Ghost Trapper #7))
A colleague once asked me about community supported agriculture (CSA). When I explained how it worked—driving to the farm weekly to pick up my produce—she responded, 'Well, that’s fine for you, but what about the rest of us?' It’s funny how perception works, because in my eyes, I am 'the rest of us.
J. Natalie Winch (Ditching the Drive-Thru)