β
You're not lost, Kaylee. You can't ever be lost, because I'll always know where you are. And if I'm not there with you, I'm on my way, and nothing standing between us will be standing for very long.
β
β
Rachel Vincent (Before I Wake (Soul Screamers, #6))
β
So ... will you stay with me until it's over? Please?"
"Kaylee, I would do anything for the girl who granted my dying wish.
β
β
Rachel Vincent (If I Die (Soul Screamers, #5))
β
Kaylee, you're adding two and two and coming up with seven.
β
β
Rachel Vincent (My Soul to Take (Soul Screamers, #1))
β
What if I was the sexual equivalent of popcorn? Suitable for light snacking only?
β
β
Rachel Vincent (My Soul to Save (Soul Screamers, #2))
β
I love you, Kaylee. More than I've ever loved anyone. More than I will ever love anyone. If I could freeze this moment in time and never have to let you go, I would do it without a second thought.
β
β
Rachel Vincent (Before I Wake (Soul Screamers, #6))
β
The three of you are enough to drive a mara mad.'She can wear my shirt," she growled in an imitation of Nash."No,she can wear my shirt,"she said switching to Tod's smoother tone.Then Sabine took off down the hall without a glance at any of us."I have a spare.Come on, Kaylee,before I choke on testosterone and melodrama.
β
β
Rachel Vincent (Before I Wake (Soul Screamers, #6))
β
You're the brightest thing I've ever seen, Kaylee. You're this beautiful ball of fire spitting sparks out at the world, burning fiercely, holding back the dark by sheer will. And I always knew that if I reached out -- if i tried to touch you -- I'd get burned. Because you're not mine. I'm not supposed to feel the fire. I'm not supposed to want it. But I do. I want you, Kaylee, like I've never wanted anything. Ever. I want the fire. I want the heat, and the light, and I want the burn.
β
β
Rachel Vincent (If I Die (Soul Screamers, #5))
β
But I'll be fine. I'll be with Tod. He's a good guy, you know." He just hides it under all the sarcasm and curls.
β
β
Rachel Vincent (Before I Wake (Soul Screamers, #6))
β
Hey, do you wanna go out for..." His words melted with a sigh when he noticed Tod, but then he rallied with a smile. "Hi, Tod, I didn't realise you were here. In my daughter's bedroom. With the door closed."
"Happy to be here," Tod said, and I groaned out loud.
β
β
Rachel Vincent (Before I Wake (Soul Screamers, #6))
β
The world lost something when you died, Tod, and I know that wasn't easy for your family. But the world's loss was Kaylee's gain. I hope the two of you have the forever her mother and I never got."
"I will do my damnedest to make sure of that."
"I know you will.
β
β
Rachel Vincent (Before I Wake (Soul Screamers, #6))
β
You two are cracked," Tod snapped.
My smile widened. "Says the undead man in love with the soulless pop star.
β
β
Rachel Vincent (My Soul to Save (Soul Screamers, #2))
β
There's a good kind of crazy, Kaylee," he insisted softly, reaching out to wrap his warm hand around mine. "It's the kind that makes you think about things that make your head hurt, because not thinking about them is the coward's way out. The kind that makes you touch people who bruise your soul, just because they need to be touched. This is the kind of crazy that lets you stare out into the darkness and rage at eternity, while it stares back at you, ready to swallow you whole."
Tod leaned closer, staring into my eyes so intently I was sure he could see everything I was thinking, but too afraid to say. "I've seen you fight, Kaylee. I've seen you step into that darkness for someone else, then claw your way out, bruised, but still standing. You're that kind of crazy, and I live in that darkness. Together, we'd take crazy to a whole new level.
β
β
Rachel Vincent (If I Die (Soul Screamers, #5))
β
Kaylee do you know why you are here?"
"Yeah. Because the doors are locked.
β
β
Rachel Vincent (My Soul to Lose (Soul Screamers, #0.5))
β
Only two years dead, and it was getting harder for me to feelβ¦anything. I was starting to slip into the darkness. The numbness. And the worst part is that it wasnβt even scary. I was losing myself, and I didnβt even care. Then I met you, and at first I didnβt understand what had happened. What had changed. All I knew was that I wanted to be near you. Then you helped me with Addison, even though it nearly got you killedβI nearly got you killedβand I started to understand how special you are. But by then, you were getting serious with Nash. With my brotherβone of few people in the whole world I still gave a damn about. So I tried to stay away. I tried so hard.β His voice cracked on the last word, and my heart cracked with it. Tears stood in my eyes, but I was afraid to let them fall. I was afraid to even breathe for fear of missing a single word. "But you kept pulling me back. Youβre the brightest thing Iβve ever seen, Kaylee. Youβre this beautiful ball of fire spitting sparks out at the world, burning fiercely, holding back the dark by sheer will. And I always knew that if I reached outβif I tried to touch youβIβd get burned. Because youβre not mine. Iβm not supposed to feel the fire. Iβm not supposed to want it. But I do. I want you, Kaylee, like Iβve never wanted anything. Ever. I want the fire. I want the heat, and the light, and I want the burn.
β
β
Rachel Vincent (If I Die (Soul Screamers, #5))
β
How long until you have to go...reap?" I whispered as my arms slid around his neck. Like we were dancing. Only we weren't moving, and there was no music.
"Don't know. Don't care."
"Won't you get in trouble if you miss something?"
"See my previous answer.
β
β
Rachel Vincent (Before I Wake (Soul Screamers, #6))
β
I want you, Kaylee, like Iβve never wanted anything. Ever. I want the fire. I want the heat, and the light, and I want the burn.
β
β
Rachel Vincent (If I Die (Soul Screamers, #5))
β
Near-death experiences release a lot of endorphins, resulting in a natural high," Tod whispered. "And it's totally true that one passion feeds another."
"You know we're way past 'near-death', right?"
"My endorphins aren't listening to you.
β
β
Rachel Vincent (Before I Wake (Soul Screamers, #6))
β
Her dark-eyed glare narrowed on me. "You could have least given him a shirt, Kaylee."
"Like you're an expert on when it's appropriate to wear a shirt." Sabine bristled.
"This seems headed into girl-fight territory," Tod said. "Should I make popcorn?
β
β
Rachel Vincent (Before I Wake (Soul Screamers, #6))
β
Levi will kill me the minute he sees me, and I don't trust Madeline. There's something in her eyes..."
"I believe that's integrity and dedication in her job."
"Yeah. It's disturbing.
β
β
Rachel Vincent (Before I Wake (Soul Screamers, #6))
β
Harmony glanced to her left, and my gaze followed hers to the living room, where my aunt had died, my cousin had been restored, and I'd whacked a psychotic grim reaper with a cast-iron skillet.
Weirdest. Tuesday. Ever.
β
β
Rachel Vincent (My Soul to Take (Soul Screamers, #1))
β
Tod laughed. He was always able to find the humour in even the creepiest situations. I'd thought that it was an undead thing, until I became a member of the undead. Then I realized it was a Tod-thing.
β
β
Rachel Vincent (With All My Soul (Soul Screamers, #7))
β
So what does Tod look like? Whitewashed skeleton skulking around in a black cape and hood? Carrying a scythe? 'Cause I'm thinking that would cause mass panic in the hospital." ..... "Do you chase after a funeral processions in a long, dirty dress, hair trailing behind you in the wind? I shot him a mock frown. "Have you been following me again?
β
β
Rachel Vincent (My Soul to Take (Soul Screamers, #1))
β
If you want to call yourself my friend, you should know that position comes with boundaries."
Sabine frowned. "I'm no good with boundaries."
"Yes, and the ocean is damp. Can we be done with
the understatements now?
β
β
Rachel Vincent (Before I Wake (Soul Screamers, #6))
β
Kaylee and Nash are like those rocks that ancient cave people used to make fire. Bang them together, and you get sparks." Sabine said.
"Let's never again use the phrase 'bang them together' in reference to my brother and my girlfriend," Tod mumbled.
β
β
Rachel Vincent (With All My Soul (Soul Screamers, #7))
β
Our bodies are our temples. They should have a little more respect for themselves than that.β
βYou know, I could have sworn I saw you shoveling Cheetos into your temple last week.β
βOh, but Iβm pretty sure those were nonfat,β Kaylee piped up.
Oh brother.
β
β
Gemma Halliday (Deadly Cool (Deadly Cool, #1))
β
I don't want to wear your dad's clothes. He hates me."
"You'd rather wear mine?"
Nash scowled.
β
β
Rachel Vincent (Before I Wake (Soul Screamers, #6))
β
Sabine gestured to him with the half-eaten crust. "I like him. Not sure why he's wasting his time with the pole dancer, though."
Tod laughed out loud and I groaned. "Sophie takes ballet and jazz. She's not a pole dancer."
"There's more money in pole dancing," Sabine insisted.
β
β
Rachel Vincent (Before I Wake (Soul Screamers, #6))
β
His name's Nash."
Aunt Val took a butter knife from the silverware drawer. "What year is he?"
I groaned inwardly. "Senior." ...here we go ...
Her smile was a little too enthusiastic. "Well that's wonderful!"
Of course, what she really meant was "Rise from the shadows, social leper, and walk in the bright light of acceptance!
β
β
Rachel Vincent (My Soul to Take (Soul Screamers, #1))
β
Great. "So not only am I not-human, but Death is my arch foe?" Who, me? Panic? "Anything else you want to tell me, while we're confessing?
β
β
Rachel Vincent (My Soul to Take (Soul Screamers, #1))
β
Survival strategy. If youβre not careful, this place will eat you alive, and Kayleeβs like bait for the beasts.
β
β
Rachel Vincent (Never to Sleep (Soul Screamers, #5.5))
β
Why do I always have to be the one who says 'stop'?" I demanded, my voice little more than a moan.
"You don't. In fact, at this point I'm considering a petition to that word stricken from the English language." His grin was almost lazy, the gleam in his eyes an effortless challenge. "If I did, would you sign?
β
β
Rachel Vincent (Before I Wake (Soul Screamers, #6))
β
Have you and Nash both lost your minds? This is really a very simple concept--one that you taught me! Hellion equals evil. Period!"
-Kaylee to Tod
β
β
Rachel Vincent (My Soul to Keep (Soul Screamers, #3))
β
Nash Hudson. Holy crap. I almost looked down to see if ice had anchored my feet to the floor, since hell had surely frozen over. Somehow Iβd stepped off the dance floor and into some weird warp zone where irises swam with color and Nash Hudson smiled at me, and me alone.
β
β
Rachel Vincent (My Soul to Take (Soul Screamers, #1))
β
Tod crossed his arms over his snug white T-shirt, silently giving me the floor. Fortunately, I was prepared.
"Sabine ambushed me in the hall this morning and gave me a lecture on sex."
Tod's brow's rose halfway to his hairline.
"I hope you took notes...
β
β
Rachel Vincent (My Soul to Steal (Soul Screamers, #4))
β
I see you all the time, but you've never seen me, because Kaylee said if I got too close to you, I'd suffer eternity without my balls."
"Jeez, Tod!" I shouted, my anger threatening to boil over and scald us all.
The reaper leaned closer to Emma and spoke in a stage whisper. "She's not as scary as she thinks she is, but I respect her intent.
β
β
Rachel Vincent (My Soul to Save (Soul Screamers, #2))
β
Thereβs a good kind of crazy, Kaylee,β he insisted softly, reaching out to wrap his warm hand around mine. βItβs the kind that makes you think
about things that make your head hurt, because not thinking about them is the cowardβs way out. The kind that makes you touch people who bruise your
soul, just because they need to be touched. This is the kind of crazy that lets you stare out into the darkness and rage at eternity, while it stares back at
you, ready to swallow you whole.
β
β
Rachel Vincent (If I Die (Soul Screamers, #5))
β
Sneak out." He shrugged, as if that should have been a no-brainer. But that was easy for him to say. He was dead. What else could they do to him, take away his birthday?
β
β
Rachel Vincent (My Soul to Save (Soul Screamers, #2))
β
Because you don't belong with him! I tried to tell you that, but you wouldn't listen, and I thought if you understood that he'd be better off without you, you'd break up with him for his own good. So I...exaggerated how easy it'd be for him to get over you, with Sabine there to step in. But I underestimated how incredibly stubborn you are"
"I prefer to think of it as dedication..." I mumbled.
β
β
Rachel Vincent (If I Die (Soul Screamers, #5))
β
So what did you do?" I repeated.
"I hit Sophie on the back of the head with a universal remote. This thing was huge. It's like a cell phone from the '90s."
"You were supposed to get rid of Avari without hurting the host!"
"Yeah, I didn't get that memo. Maybe next time you should be a little more specific when you boss me around while I'm saving your ass. Though, frankly, this whiny little shrew is lucky she only has one bump, 'cause she's had this coming for a while."
-Kaylee and Tod
β
β
Rachel Vincent (My Soul to Keep (Soul Screamers, #3))
β
Come on, Kaylee, before I choke on testosterone and melodrama.
β
β
Rachel Vincent (Before I Wake (Soul Screamers, #6))
β
Tod's eyes widened and his irises swirled in tight twists of blue. "Well, I don't see that I have much of a choice, considering that's part of Reaper Law."
"There's a Reaper Law?"
"Of course. 'A reaper is Trustworthy, Loyal, Helpful, Friendly, Courteous...'" He shrugged. "It gets boring after that. But this situation is clearly covered under the 'helpful' category."
I rolled my eyes. "I think that's the Boy Scout law."
"They took it from us. But they left out all the good stuff.
β
β
Rachel Vincent (Before I Wake (Soul Screamers, #6))
β
Wouldn't you be mad if I told you to give up on someone you cared about? Just... hand her over to someone who doesn't even deserve her?"
Tod gave me a strange, sad look I couldn't interpret, and the blues in his irises shifted subtly for a moment before he got control of them. "Yeah. I guess I would.
β
β
Rachel Vincent (My Soul to Steal (Soul Screamers, #4))
β
How did you do it?" I brought the teacup to my mouth for another sip. "How did you guide Sophie's soul? I thought you were a reaper."
"He's both," Nash said from behind me, and I turned just as he followed my father through the front door, pulling his long sleeves down one at a time. He and my dad had just loaded Aunt Val's white silk couch into the back of my uncle's truck, so he wouldn't have to deal with the bloodstains when he and Sohie got back from the hospital. "Tod is very talented."
Tod brushed the curl back from his face and scowled.
Harmony spoke up from the kitchen as the oven door squealed open. "Both my boys are talented."
"Both?" I repeated, sure I'd heard her wrong.
Nash sighed and slid onto the chair his mother had vacated, then gestured toward the reaper with one hand. "Kaylee, meet my brother, Tod.
β
β
Rachel Vincent (My Soul to Take (Soul Screamers, #1))
β
Kaylee, this means something to me.β His hands trailed down my arms to cup my elbows, and his gaze held mine. βWith any
luck, weβre going to have millions of moments over the course of eternity, and I plan to love every one of them. But weβll never
have this moment again, and this is very important to me.β The twists of blue in his eyes coiled so tightly the color was almost gone,
lost among pale shades of a need so deep it couldnβt possibly be captured in a kiss, or a touch. βI need to know that this is important
to you, too. I need to know that this isnβt like last time. That youβre not doing this just so you can say youβve done it. Because thatβs
not good enough for me. Thatβs not good enough for us.
β
β
Rachel Vincent (Before I Wake (Soul Screamers, #6))
β
She got to you, too, huh?" I said, sliding onto the bench seat across from him.
"Actually, I called her." Luca grinned. "I'm vomiting from a possible case of food poisoning. You?"
"Sudden onset menstruation."
He nodded respectfully. "Classic."
"Yeah, but I should have gone for something more long-term. Yours will get you out of the whole afternoon. Ferris Bueller would be proud.
β
β
Rachel Vincent (Before I Wake (Soul Screamers, #6))
β
I nodded, chewing my own syrup-soaked bite. "But surely that's not all there is to it. I mean, really? A big picnic? That's Avari's master plan? That makes him sound about as dangerous as Yogi Bear."
Tod shrugged. "Yeah. If Yogi were a soul-sucking, body-stealing, boyfriend-snatching, damned-soul-torturing evil demon from another world. Besides, what else could he be planning?
β
β
Rachel Vincent (My Soul to Keep (Soul Screamers, #3))
β
You're Nash's brother. And a grim reaper?" She blinked again, and I readied myself for hysterics, or fear, or laughter. But knowing emma, I should have known better. "So you, what? Kill people? Did you kill me that day in the gym?" She clenched the headrest, her expression an odd mix of anger, awe, and confusion. But there was no disbelief. She'd seen and heard enough of the bizarre following her own temporary death that Tod's admission obviously didn't come as that much of a surprise.
Or maybe Nash's Influence was still affecting her a little.
"No," Tod shook his head firmly, but the corners of his mouth turned up in amusement. "I had nothing to do with that. I do kill people, then I reap their souls and take them to be recycled. But only people who are on my list."
"So, you're not...dangerous?"
His pouty grin deepened into something almost predatory, like the Tod I'd first met two months earlier. "Oh, I'm dangerous...."
"Tod..." I warned, as Nash punched his brother in the arm, hard enough to actually hurt.
"Just not to you," the reaper finished, shrugging at Emma. "I see you all the time, but you've never seen me, because Kaylee said if I got too close to you, I'd suffer eternity without my balls."
"Jeez, Tod!" I shouted, my anger threatening to boil over and scald us all.
The reaper leaned closer to Emma and spoke in a stage whisper. "She's not as scary as she thinks she is, but I respect her intent.
β
β
Rachel Vincent (My Soul to Save (Soul Screamers, #2))
β
10:38 AM - Third period. Kaylee has no class this period. I have no one to kill. Coincidence, or fate?
β
β
Rachel Vincent (A Day in the Afterlife of Tod (Soul Screamers, #4.1))
β
I went up on my toes to kiss him, and he groaned. "Do you really think this is appropriate on school grounds?"
"Nope." I wrapped my arms around his neck. "And I happen to know there isn't an appropriate thought running through your head right now."
"Or any other time." Tod pulled me close and held me so tight my ribs almost hut, but I didn't want him to let go. Ever.
β
β
Rachel Vincent (With All My Soul (Soul Screamers, #7))
β
Baby, youβre all I see. There has been no one since you, and there will be no one after.
β
β
Kaylee Ryan (Emphatic (Soul Serenade #1))
β
Sometimes keeping a secret seems like the right thing to do because telling the truth might hurt someone and makes it seem like you don't love them. But really, telling the truth is the right thing to do. It's the most loving thing to do.
-Kaylee
β
β
Ginny L. Yttrup (Words)
β
Life is subjective as far as memories are concerned. I mean, what pieces of your own life do you really remember? Some good times, some bad times definitely, but mostly you remember those times that really stand out, those times that define who you are as an individual. Now's the time my life flashes before meβflickering recollections, vacations, holidays, friendships, the moments that made a difference. Mostly I remember that weekend with Kaylee.
β
β
Megan Bostic (Never Eighteen)
β
The future belongs to those who believe in the beauty of their dreams.
β
β
Kaylee Ryan (Tempting Tatum)
β
I'm not going to lose you, Kaylee. No matter what I have to do, or whom I have to fight. Even if that means quashing your vexing tendencies toward self-sacrifice." Tod said.
"Did you just say 'vexing'?" Nash asked.
Tod scowled. "Nothing else seemed to fit. I stand by my word choice.
β
β
Rachel Vincent (Before I Wake (Soul Screamers, #6))
β
My hands wrapped around his waist, traveling up the broad expanse of his back, mooth and hard, and...
"Give it a rest, already," Tod snapped from somewhere behind his brother. "It already smells like sex in here, and you're both still dressed. You have no idea how messed up that is.
β
β
Rachel Vincent (My Soul to Save (Soul Screamers, #2))
β
I want her. I want all of her. I want her smiles and her laugh. I want to be the one she leans on, runs to. I want to be the one who can make the sadness is her eyes disappear. I want to build a life with her.
β
β
Kaylee Ryan (Tempting Tatum)
β
want her to be mine. I donβt want the βwham bam thank you maβamβ with her.
β
β
Kaylee Ryan (Tempting Tatum)
β
But before I could come up with an answer, Tod appeared in the desk chair, where I'd sat minutes earlier. 'Hey. Am I interrupting something?'
'Yes,' Nash said. 'Get out.'
But Tod was watching me, and I could tell from the angry line of his jaw that he'd been listening long before he showed himself. He'd heard what Avari had done to me. What Nash had let him do.
'You want me to go?' Tod asked me, his back to his brother.
Nash implores me silently to say yes. Tod waited patiently.
'No,' I said, looking right at Nash. He scowled, and his shoulders sagged.
'Good.' Tod stood and kicked the rolling chair out of his way. 'I just checked on your friend in the straitjacket. But first...' The reaper swung before either of us realized what he intended to do.
Tod's very sold first slammed into Nash's jaw. Nash's head snapped back. He stumbled into the wall. Tod shook his hand like it hurt. 'That's for what you let him do to Kaylee.
β
β
Rachel Vincent (My Soul to Keep (Soul Screamers, #3))
β
Sometimes the clouds in the sky are mistaken. They didnβt come to block the sunlight. They came to embrace it.
β
β
Kaylee Stepkoski
β
Don't let the fear of the unknown or the what-ifs keep you from living life.
β
β
Kaylee Ryan (Trust the Push)
β
Kaylee, an innocent child, paid the price for others' poor choicesβjust like Christ, who was also completely innocent, paid the price for my choices.
β
β
Ginny L. Yttrup (Words)
β
I could have kissed you months ago, but it wouldn't have meant anything. I wished for you to see me. And want me. So...did you mean it?" Fragile hope peeked out at me from behind the smug self-assurance I now recognized as his mask. As armor, against a world that no longer claimed or understood him, and suddenly I realised he wasn't breathing. He was just waiting. For me.
"Yes," I said, and in some unnamed tension inside me eased. "I see you, Tod.
β
β
Rachel Vincent
β
A true best friend may get you into trouble, but they will always be there to pull you out of it too.
β
β
Kaylee Stepkoski
β
I giggle. It's fun to watch him go all caveman "me take care of my woman.
β
β
Kaylee Ryan (Tempting Tatum)
β
When that happens, when you find someone who can do that to you, you latch on and never let go.
β
β
Kaylee Ryan (Just Say When)
β
If New Horizons is, like Kaylee said, the tool God gave me to create a better life, I'm pretty sure I'm using it wrong.
β
β
Jessica Verdi (The Summer I Wasn't Me)
β
Everyone has a price, Kaylee. You just have to be willing to push until you figure out what it is.
β
β
Joelle Charbonneau (Need)
β
I want this; I want to be with you. I just canβt put a label on it. Not yet anyway. My heart canβt take losing someone else,
β
β
Kaylee Ryan (Tempting Tatum)
β
Live and Love Fearlessly
β
β
Kaylee Ryan (Anywhere with You (With You, #1))
β
Youβre different, Tatum. I will fight every day until you understand what you mean to me. I know this is fast, but my heart tells me this is right.
β
β
Kaylee Ryan (Tempting Tatum)
β
She just laughs and says friendships are not about quantity but quality.
β
β
Kaylee Ryan (Levitate)
β
You can let the darkness swallow you whole, locking yourself in its hold, or you can be the light, defying the lies as you stand bright.
β
β
Kaylee Stepkoski
β
Life is all about choices, Blaise. You can choose to take the next step in a situation because itβs what you think is the right thing to do. You can also choose to follow your heart. Let it lead you.
β
β
Kaylee Ryan (Tempting Tatum)
β
Yeah.β I took another deep breath. βIβm gonna die, Emma.β
βYou mean eventually, right?β She blinked, and I could tell it hadnβt sunk in. βPlease tell me youβre making some kind of big-picture philosophical
statement about the inevitability of death and the transient nature of human existence.β
βNot eventually, Em. Sometime on Thursday.
β
β
Rachel Vincent (If I Die (Soul Screamers, #5))
β
Iβm in this, Tatum. I will wait for you to catch up to what Iβm feeling. Nothing is going to change my mind or my heart. The sweaty palms, the giddy excitement, the rapid beat in my chest, all caused by you. Youβre it for me.
β
β
Kaylee Ryan (Tempting Tatum)
β
Tate, baby, I need you to be mine. I need to know Iβm the only man who gets to lavish this sweet body of yours with kisses. I need to know I have all your kisses, your smiles. I need to be the person you run to, that you lean on. I need all of you,
β
β
Kaylee Ryan (Tempting Tatum)
β
Must. Resist. Temptation.
β
β
Kaylee Ryan (Tempting Tatum)
β
You are alive. So strive and thrive.
β
β
Kaylee Stepkoski
β
The rain puts me in a daze. A daze that pulls me away into the worlds I've made.
β
β
Kaylee Stepkoski
β
Sometimes your next life adventure finds you.
β
β
Kaylee Stepkoski
β
I want to drop to my knees and tell her I'll buy her any damn ring she wants. I don't care what it costs if she'll just talk to me and remove her hands from him.
β
β
Kaylee Ryan (Remedy)
β
There's more than you even know...
β
β
Kaylee Stepkoski (Another Vision)
β
You ask me who I am and why I am, but you donβt know who you are yourself. Tell me, how could you understand who or what I am if you donβt understand yourself?
β
β
Kaylee Stepkoski (Another Vision)
β
The last gust of the past still dwells in the heart.
β
β
Kaylee Stepkoski (Another Vision)
β
Donβt get old, Kaylee. It sucks!
β
β
Christie Walker Bos (Goodbye Blues, Hello Love)
β
His family had become hers, in many ways. They weren't perfect, but there was more love in their broken pieces than Kaylee's home had ever had.
β
β
Maisey Yates (Untamed Cowboy (Gold Valley, #2))
β
Kaylee was doing homework and Chelly was looking at hot guys on Pinterest.
β
β
Katrina Abbott (Reading Between the Lines (The Rosewoods, #4))
β
ANSON: I guess weβre all monsters.
KAYLEE: Yeah, well, humans can be monsters, too...
β
β
T.S. Joyce
β
Someday decades from now, when you and Sabine are hobbling around in your old-people pants and orthopedic shoes, yelling at grandchildren and reminiscing about the days when you could still see your feet, unimpeded by the view of your gut, I will still be basking in the glow of eternal youth, forever young, forever golden, foreverββ
βIn love with the face in the mirror and the sound of your own voice,β I finished for him, and Nash laughed.
β
β
Rachel Vincent
β
Kaylee,
For over a hundred years, magicians have been pulling objects out of hats. Rabbits, flowers... It's become such a famous trick that rabbits are known to represent magic in general.
I'm a magician. I've been pulling things from hats since I learned the trick at ten years old. It's all about sleight of hand. Misdirection.
Distraction.
What people don't really know is it isn't the magician that makes the trick magical. It's the object. What is a zig-zag box without the blades? What is a cage without a dove?
The object is the spark--the real reason why the illusion is worth seeing, worth doing, worth discovering.
Sometimes magicians lose their rabbits. They get lost in the act, or the magician makes a mistake and has to coax the rabbit back out. Because without the rabbit, the trick is useless. Without the rabbit, the hat becomes insignificant.
Kaylee Elizabeth Sperling, you are the rabbit to my hat, and I love you. Please forgive me for losing the spark in your trick. I will do whatever I can to make it up to you, starting with this deck of cards. 52 reasons why I love you. And I could fill another deck. Perhaps two more or three.
Whatever it takes to coax my rabbit back out.
-Nate
β
β
Cassie Mae (True Love and Magic Tricks (Beds, #0.5))
β
Life inevitably throws us curve balls blazing with unexpected circumstances. Living life, taking risks.β She shrugs. βItβs something we all have to do in order to understand the miracle of it all; only then do true miracles happen. The best things in life are truly unexpected.
β
β
Kaylee Ryan (Tempting Tatum)
β
Iβm in love with you. All of me, every second, every hour, every day that I spend with you, that love grows, and I ache until I can see you again.
β
β
Kaylee Ryan (Unexpected Reality (Unexpected Arrivals, #1))
β
God has only granted us a limited and short amount of time on this Earth so do your best and have fun
β
β
Kaylee Harrell
β
Itβs time to go, pretty girl.
β
β
Kaylee Ryan (Levitate)
β
Life is not without pain and sorrow, but itβs the pieces in between that we have to hold on to.
β
β
Kaylee Ryan (Southern Desire (Southern Heart, #2))
β
You can't?" Cyprian barked out a laugh. "The Bloody Baroness does whatever she wants. Even if it means stealing a starship in the middle of the night, crashing it into the side of a mountain, and slaughtering an innocent girl in the process.
β
β
Sasha Alsberg (Zenith Part 1)
β
Kaylee," Adrian cut in, "you don't like me and I get that. You have probably heard all the sordid stories of everything I have ever done and you're judging me based on that. She's your friend and you think that I'm going to hurt her again. Have I made mistakes? Yes, I'm just a man. Am I in way over my head? Yes, I'm in an overwhelming situation and I'm scared out of my mind. I'm just a man. But I'm a man that's desperately in love with your friend so I'm not going anywhere. She means everything to me and I won't hurt her again.
β
β
Jacqueline Francis - The Journal
β
Standing on the left side of the runway was my battle-worn X-wing fighter. Parked on the right side was my DeLorean. Sitting on the runway itself was my most frequently used spacecraft, the Vonnegut. Max had already powered up the engines, and they emitted a low, steady roar that filled the hangar. The Vonnegut was a heavily modified Firefly-class transport vessel, modeled after the Serenity in the classic Firefly TV series. The ship had been named the Kaylee when Iβd first obtained it, but Iβd immediately rechristened it after one of my favorite twentieth-century novelists. Its new name was stenciled on the side of its battered gray hull. Iβd looted the Vonnegut from a cadre of Oviraptor clansmen who had foolishly attempted to hijack my X-wing while I was cruising through a large group of worlds in Sector Eleven known as the Whedonverse. The
β
β
Ernest Cline (Ready Player One (Ready Player One, #1))
β
But remember 2003, though, when girls wore those miniskirts that were like six floaty napkins stapled to a scrunchie, with perhaps an Edwardian waistcoat sewn of cobwebs as a top? Where at any moment a babyβs sneeze across campus might expose Kayleeβs entire bunghole and even the slouchy Western belt she wore over her three layers of different-colored camisoles couldnβt save her? In case youβve repressed the memory, 2003 was the kind of year where Jessica Simpson might wear rubber flip-flops to the Golden Globes, and Nicole Richie was nearly elected president on a platform of βstraight blonde hair on top, long curly dark brown extensions underneath, one feather.β The 2003 vibeβculturally, socially, politically, spirituallyβwas very βenergy drink commercial directed by Mark McGrath, and not Mark McGrath in his prime, either.β Millions of Americans were forced to mourn Mr. Rogers while wearing a hot-pink corduroy train conductorβs hat. Never again! Bad Boys II is a 2003 movie.
β
β
Lindy West (Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema)
β
With diversity things I know people are always like, "oh don't force diversity!" I'm of the opinion that if I read your book and at the end of the book I'm like, it's kinda weird that there are no black people in this? Bad world building. The way I find easiest to explain especially to people who are maybe hesitant to change, is that if you took 100 random people off of the earth and were like "here's 100 people!" The chances of every single one of them being pale white and straight are very unlikely. So when I read a book and you introduce me to over a hundred characters and every single one of them is pale white and straight, it's bad world building. It doesn't feel like a real place to me.
β
β
Kaylee Jaye