Kansas Prairie Quotes

Dorothy lived in the midst of the great Kansas prairies, with Uncle Henry, who was a farmer, and Aunt Em, who was the farmer's wife.

When the Populist congressman "Sockless" Simpson of Medicine Lodge, Kansas, misspelled his hometown while running for office, he said, "I wouldn't give a tinker's durn for a man who can't spell a word more than one way.

You can never really escape. It goes with you, wherever you go. Somehow, the prairie dust gets in your blood, and it flows through your veins until it becomes a part of you. The vast stretches of empty fields, the flat horizons of treeless plains. The simplicity of the people—good, earnest people. The way they talk and the way they live. The lack of occurrence, lack of attention, lack of everything. All that—it’s etched into your soul and it colors the way you see everything and it becomes a part of you. Eventually, Ms. Harper, when you leave, everything you experience outside of Kansas will be measured against all you know here. And none of it will make any sense.

This morning a splendid dawn passed over our house on its way, to Kansas. This morning Kansas rolled out of its sleep into a sunlight grandly announced, proclaimed throughout heaven—one more of the very finite number of days that this old prairie has been called Kansas, or Iowa. But it has all been one day, that first day. Light is constant, we just turn over in it. So every day is in fact the selfsame evening and morning. My grandfather’s grave turned into the light, and the dew on his weedy little mortality patch was glorious.

Dorothy lived in the midst of the great Kansas prairies, with Uncle Henry, who was a farmer, and Aunt Em, who was the farmer's wife. Their house was small, for the lumber to build it had to be carried by wagon many miles. There were four walls, a floor and a roof, which made one room; and this room contained a rusty looking cookstove, a cupboard for the dishes, a table, three or four chairs, and the beds. Uncle Henry and Aunt Em had a big bed in one corner, and Dorothy a little bed in another corner. There was no garret at all, and no cellar—except a small hole dug in the ground, called a cyclone cellar, where the family could go in case one of those great whirlwinds arose, mighty enough to crush any building in its path. It was reached by a trap door in the middle of the floor, from which a ladder led down into the small, dark hole.

Kansas afternoons in late summer are peculiar and wondrous things. Often they are pregnant, if not over-ripe, with a pensive and latent energy that is utterly incapable of ever finding an adequate release for itself. This results in a palpable, almost frenetic tension that hangs in the air just below the clouds. By dusk, spread thin across the quilt-work farmlands by disparate prairie winds, this formless energy creates an abscess in the fabric of space and time that most individuals rarely take notice of. But in the soulish chambers of particularly sensitive observers, it elicits a familiar recognition—a vague remembrance—of something both dark and beautiful. Some understand it simply as an undefined tranquility tinged with despair over the loss of something now forgotten. For others, it signifies something far more sinister, and is therefore something to be feared.

The Osage had been assured by the U.S. government that their Kansas territory would remain their home forever, but before long they were under siege from settlers. Among them was the family of Laura Ingalls Wilder, who later wrote Little House on the Prairie based on her experiences. “Why don’t you like Indians, Ma?” Laura asks her mother in one scene. “I just don’t like them; and don’t lick your fingers, Laura.” “This is Indian country, isn’t it?” Laura said. “What did we come to their country for, if you don’t like them?” One evening, Laura’s father explains to her that the government will soon make the Osage move away: “That’s why we’re here, Laura. White people are going to settle all this country, and we get the best land because we get here first and take our pick.” Though, in the book, the Ingallses leave the reservation under threat of being removed by soldiers, many squatters began to take the land by force. In 1870, the Osage—expelled from their lodges, their graves plundered—agreed to sell their Kansas lands to settlers for $1.25 an acre. Nevertheless, impatient settlers massacred several of the Osage, mutilating their bodies and scalping them. An Indian Affairs agent said, “The question will suggest itself, which of these people are the savages?

The Old Man's prayers was more sight than sound, really, more sense than sensibility. You had to be there: the aroma of burnt pheasant rolling through the air, the wide, Kansas prairie about, the smell of buffalo dung, the mosquitoes and wind eating at you one way, and him chawing at the wind the other. He was a plain terror in the praying department

During the darkest days, a saying took hold in Kansas: “there is no god west of Salina.

The Osage had been assured by the US government that their Kansas territory would remain their home forever, but before long they were under siege form settlers. Among them was the family o f Laura Ingalls Wilder, who later wrote Little house on the Prairie based on her experiences.

...there should be a few places where prairie dogs can just be prairie dogs, where they can kick back and fulfill their niches in the grand scheme of the shortgrass prairie, work on their whistles, try to dig to China or least to Amarillo. Sooner or later a hungry mother kit fox will strike blood, but until then there should be a few places where prairie dogs don't have to worry about two guys bumping chests behind a pickup truck after a single exploding bullet launches them heavenward for an extra eleven points. "Montana Mist!" If not on public lands like the Cimarron National Grassland, then where?

Compared with Iowa, Kansas City was a strange world. The Halls where she worked was in the most elegant place she’d ever been at that point, a made-up town for shopping, a Fifth Avenue on the prairie (when she got to the real Fifth Avenue, she wasn’t very impressed, because the Country Club Plaza had spoiled her).

You think wandering around Kansas camping on the prairie for a couple of days was good? Yeah, so it’s beautiful out there, but our planet is freaking out. The oceans are rising, people are fighting more and more wars every day, plants and animals are dying out, every other week some kid takes one of his parents’ guns to school and starts shooting. .

Though Wilder blamed her family’s departure from Kansas on “blasted politicians” ordering white squatters to vacate Osage lands, no such edict was issued over Rutland Township during the Ingallses’ tenure there. Quite the reverse is true: only white intruders in what was known as the Cherokee Strip of Oklahoma were removed to make way for the displaced Osages arriving from Kansas. (Wilder mistakenly believed that her family’s cabin was located forty—rather than the actual fourteen—miles from Independence, an error that placed the fictional Ingalls family in the area affected by the removal order.) Rather, Charles Ingalls’s decision to abandon his claim was almost certainly financial, for Gustaf Gustafson did indeed default on his mortgage. The exception: Unlike their fictional counterparts, the historical Ingalls family’s decision to leave Wisconsin and settle in Kansas was not a straightforward one. Instead it was the eventual result of a series of land transactions that began in the spring of 1868, when Charles Ingalls sold his Wisconsin property to Gustaf Gustafson and shortly thereafter purchased 80 acres in Chariton County, Missouri, sight unseen. No one has been able to pinpoint with any certainty when (or even whether) the Ingalls family actually resided on that land; a scanty paper trail makes it appear that they actually zigzagged from Kansas to Missouri and back again between May of 1868 and February of 1870. What is certain is that by late February of 1870 Charles Ingalls had returned the title to his Chariton County acreage to the Missouri land dealer, and so for simplicity’s sake I have chosen to follow Laura Ingalls Wilder’s lead, contradicting history by streamlining events to more closely mirror the opening chapter of Little House on the Prairie, and setting this novel in 1870, a year in which the Ingalls family’s presence in Kansas is firmly documented.

This morning a splendid dawn passed over our house on its way to Kansas. This morning Kansas rolled out of its sleep into a sunlight grandly announced, proclaimed throughout heaven—one more of the very finite number of days that this old prairie has been called Kansas, or Iowa. But it has all been one day, that first day. Light is constant, we just turn over in it. So every day is in fact the selfsame evening and morning. My grandfather’s grave turned into the light, and the dew on his weedy little mortality patch was glorious.

We were so invisible as to be misrepresented even in caricature, lumped in with other sorts of poor whites, derogatory terms applied to us even if they didn't make sense. We lived on the open prairie, so we weren't "roughnecks" in oil fields; Kansas had a humble tap on oil thousands of feet below the prairie, but nothing like Oklahoma or Texas to the south. "Redneck" and "cracker" didn't quite translate, since their American usage was rooted in the slave South, against which Kansas had lit many of the fires that sparked the Civil War.

Laura Ingalls Wilder, author of the classic series Little House, lived that idea, facing some of the toughest and unwelcoming elements on the planet: harsh and unyielding soil, Indian territory, Kansas prairies, and the humid backwoods of Florida. Not afraid, not jaded—because she saw it all as an adventure. Everywhere was a chance to do something new, to persevere with cheery pioneer spirit whatever fate befell her and her husband. That isn’t to say she saw the world through delusional rose-colored glasses. Instead, she simply chose to see each situation for what it could be—accompanied by hard work and a little upbeat spirit. Others make the opposite choice. As for us, we face things that are not nearly as intimidating, and then we promptly decide we’re screwed. This is how obstacles become obstacles. In other words, through our perception of events, we are complicit in the creation—as well as the destruction—of every one of our obstacles. There is no good or bad without us, there is only perception. There is the event itself and the story we tell ourselves about what it means. That’s a thought that changes everything, doesn’t it?

Why are you stopping people in places where there’s no crime?” Weisburd says. “That doesn’t make sense to me.” Sherman is just as horrified. “At that hour of the day in that location, stopping [Sandra Bland] for changing lanes is not justifiable,” he said. Even during the initial Kansas City gun experiment—in a neighborhood a hundred times worse than Prairie View—Sherman said that the special police officers made their stops solely at night. That’s the only time of day when the crime rate was high enough to justify aggressive policing. Sandra Bland was pulled over in the middle of the afternoon.

ONCE, WHEN I WAS THIRTEEN YEARS old, my parents moved me from the land of flat, grassy prairies and towering, angry tornadoes and life-giving cool country air to the mysterious land of suffocating dust and prickly cactus and life-sucking desert heat to lord over a park of western-themed amusements that bring delight to many young children and a handful of immature grown-ups. In other words, we moved from Kansas to Arizona to run a theme park, but it sounds much more exciting when I say it the other way, and I want you to think this is going to be an exciting story. What I mean is, it’s absolutely going to be an exciting story. Prepare yourselves accordingly.

Thanksgiving List Prairie birds, the whistle of gophers, the wind blowing, the smell of grass and spicy earth, friends like Mad Dog, the cattle down in the river, water washing over their hooves, the sky so big, so full of shifting clouds, the cloud shadows creeping over the fields, Daddy’s smile, and his laugh, and his songs, Louise, food without dust, Daddy seeing to Ma’s piano, newly cleaned and tuned, the days when my hands don’t hurt at all, the thank-you note from Lucille in Moline, Kansas, the sound of rain, Daddy’s hole staying full of water as the windmill turns, the smell of green, of damp earth, of hope returning to our farm.

The Osage had been assured by the U.S. government that their Kansas territory would remain their home forever, but before long they were under siege from settlers. Among them was the family of Laura Ingalls Wilder, who later wrote Little House on the Prairie based on her experiences. “Why don’t you like Indians, Ma?” Laura asks her mother in one scene. “I just don’t like them; and don’t lick your fingers, Laura.” “This is Indian country, isn’t it?” Laura said. “What did we come to their country for, if you don’t like them?” One evening, Laura’s father explains to her that the government will soon make the Osage move away: “That’s why we’re here, Laura. White people are going to settle all this country, and we get the best land because we get here first and take our pick.” Though, in the book, the Ingallses leave the reservation under threat of being removed by soldiers, many squatters began to take the land by force. In 1870, the Osage—driven from their lodges, their graves plundered—agreed to sell their Kansas lands to settlers for $1.25 an acre. Nevertheless, impatient settlers massacred several of the Osage. An Indian Affairs agent said, “The question will suggest itself, which of these people are the savages?

Author’s Note Caroline is a marriage of fact and Laura Ingalls Wilder’s fiction. I have knowingly departed from Wilder’s version of events only where the historical record stands in contradiction to her stories. Most prominently: Census records, as well as the Ingalls family Bible, demonstrate that Caroline Celestia Ingalls was born in Rutland Township, Montgomery County, Kansas on August 3, 1870. (Wilder, not anticipating writing a sequel to Little House in the Big Woods, set her first novel in 1873 and included her little sister. Consequently, when Wilder decided to continue her family’s saga by doubling back to earlier events, Carrie’s birth was omitted from Little House on the Prairie to avoid confusion.) No events corresponding to Wilder’s descriptions of a “war dance” in the chapter of Little House on the Prairie entitled “Indian War-Cry” are known to have occurred in the vicinity of Rutland Township during the Ingalls family’s residence there. Drum Creek, where Osage leaders met with federal Indian agents in the late summer of 1870 and agreed peaceably to sell their Kansas lands and relocate to present-day Oklahoma, was nearly twenty miles from the Ingalls claim. I have therefore adopted western scholar Frances Kay’s conjecture that Wilder’s family was frightened by the mourning songs sung by Osage women as they grieved the loss of their lands and ancestral graves in the days following the agreement. In this instance, like so many others involving the Osages, the Ingalls family’s reactions were entirely a product of their own deep prejudices and misconceptions.

At least Em, long-suffering as she was, tried to give the child a bit of her heart, which - after all those years of living with Henry on that old gray farm in the middle of the gray prairie - was as dried up as an old pea. She tried, but she wasn't much good at it. It was a bit like trying to water a budding flower in the middle of a dry Kansas summer with a watering can poked through with holes.

This morning a splendid dawn passed over our house on its way to Kansas. This morning Kansas rolled out of its sleep into a sunlight grandly announced, proclaimed throughout heaven—one more of the very finite number of days that this old prairie has been called Kansas, or Iowa. But it has all been one day, that first day. Light is constant, we just turn over in it. So every day is in fact the selfsame evening and morning.

Mason had once driven that road all the way to Liberal, Kansas. Eight hours of seamless prairie, thinking about the pioneers who had dared to cross that land 150 years ago. There must have been moments when they looked in every direction, finding nothing to reveal where they were, where they’d been, or where they were going.

Petraeus’s acolytes arrived in Baghdad in February of 2007 armed with the holy writ: Field Manual 3-24, Counterinsurgency, came right from the font, written by the master and his team during the general’s interlude commanding the Army’s Combined Arms Center at Fort Leavenworth, Kansas, from 2005 to 2007. Leavenworth writes doctrine, the Army’s how-to manuals. During his tenure on the Kansas prairie, David Petraeus ensured that his views on counterinsurgency were recorded. Now they would be applied.

324This morning a splendid dawn passed over our house on its way to Kansas. This morning Kansas rolled out its sleep into a sunlight grandly announced, proclaimed throughout heaven--one more of the very finite number of days that this old prairie has been called Kansas, or Iowa. But it has all been one day, that first day. Light is constant, we just turn over in it. So every day is in fact the selfsame evening and morning. My grandfather's grave turned into the light, and the dew on his weedy little mortality patch was glorious

bear Indian names such as Yukon, Ontario, Manitoba, and Saskatchewan in the north, and Alabama, Mississippi, Texas, and Arizona in the south. Often these names reflect the tribal names of the people who lived in an area. Such names might be a tribe’s own name for itself, or it might be the name given them by a neighboring group. We have states named for the Dakota, the Kansa, the Massachuset, the Illini, and the Utes. Some are names that describe the land or the water. Iowa is a Siouan word for “beautiful land,” Wyoming derives from the Algonquian for a large prairie, Michigan is Ojibwa for “great water,” and Minnesota is Siouan for “waters that reflect the sky.” The original meanings are often rather straightforward, but translators and local boosters have usually worked to derive the most poetic name possible. Nebraska means “flat” or “broad river” in the Omaha language; this makes it similar in meaning but not pronunciation to the Algonquian term for “long river” that eventually became Connecticut. Ohio means “good river” in Iroquoian languages, and Oregon means “beautiful water” in Algonquian. Kentucky has one of the more mysterious meanings: “dark and bloody ground.

Wyoming got an Algonquian name from Pennsylvania meaning “large prairie,” but the adoption came only after a long fight. Decades before the settling of the present state of Wyoming, its name achieved popular acclaim after an 1809 poem, “Gertrude of Wyoming,” by Thomas Campbell. The poem recalled the Iroquois defeat of a group of Tory settlers and the ensuing death of 350 of them during the chaos of the American Revolution. By the time Congress created the territory of Wyoming in 1868, ten communities in Rhode Island, New York, Pennsylvania, West Virginia, Kansas, and Nebraska had already claimed the name. The name had grown in popularity and was proposed for the new Western territory, even though it had no historical relationship to the area, to the native people who lived there, or to the languages spoken there. One anti-Wyoming group of congressmen favored the name Cheyenne, since that name referred to the native people living there, but Congress rejected Cheyenne for fear that Europeans might confuse it with the French word chienne, meaning “female dog.” No one in the seemly Victorian era wanted a state whose name meant “bitch” (G. R. Stewart 1945).

She could hardly wait to cross over from Kansas into the Oklahoma prairie and take in God’s beautiful land. —Addison in "Addison’s Adventure" by Lisa M. Prysock.

There, at 5650 Ward Parkway, Pendergast hired a Nichols architect to design him an ostentatious mansion that was near equal parts French Regency, Italian Renaissance, and American Prairie.

As Lincoln had predicted would happen under popular sovereignty, civil war now raged on the Kansas prairie—proof indeed that slavery was too volatile ever to be solved as a purely local matter.

the citizens of Ulysses cut the town’s buildings into pieces and dragged them across the prairie to a new location, “leaving the bond-holders,” as the 1939 WPA guide to the state puts it, “40 acres of bare ground on which to foreclose.”9 The only social actor capable of that kind of defiance today is the corporation. Corporations are mobile; cities are not.

Among the leading intellectual proponents of Roosevelt’s form of liberalism were the three brilliant young founders of The New Republic, Herbert Croly, Walter Lippmann, and Walter Weyl—all slightly older friends of Adolf Berle’s. In 1909 Croly published a Progressive Era manifesto called The Promise of American Life. “The net result of the industrial expansion of the United States since the Civil War,” Croly wrote, “has been the establishment in the heart of the American economic and social system of certain glaring inequalities of condition and power … The rich men and big corporations have become too wealthy and powerful for their official standing in American life.” He asserted that the way to solve the problem was to reorient the country from the tradition of Thomas Jefferson (rural, decentralized) to the tradition of Alexander Hamilton (urban, financially adept). Weyl, in The New Democracy (1913), wrote that the country had been taken over by a “plutocracy” that had rendered the traditional forms of American democracy impotent; government had to restore the balance and “enormously increase the extent of regulation.” To liberals of this kind, these were problems of nation-threatening severity, requiring radical modernization that would eliminate the trace elements of rural nineteenth-century America. Lippmann, in Drift and Mastery (1914), argued that William Jennings Bryan (“the true Don Quixote of our politics”) and his followers were fruitlessly at war with “the economic conditions which had upset the old life of the prairies, made new demands on democracy, introduced specialization and science, had destroyed village loyalties, frustrated private ambitions, and created the impersonal relationships of the modern world.” A larger, more powerful, more technical central government, staffed by a new class of trained experts, was the only plausible way to fight the dominance of big business. The leading Clash of the Titans liberals were from New York City, but even William Allen White, the celebrated (in part for being anti-Bryan) small-town Kansas editor who was a leading Progressive and one of their allies, wrote, in 1909, that “the day of the rule of the captain of industry is rapidly passing in America.” Now the country needed “captains of two opposing groups—capitalism and democracy” to reset the

It's a scene from the Kansas prairie painted by someone who had never been to Kansas, based on a novel by a writer who had also never been to Kansas, and Jack finds he resents it. It's similar to the resentment he felt years ago when city hipsters began ironically wearing the same John Deere hat that his own father actually, sincerely, wore: Jack was like, 'Fuck you.' He's weirdly protective of the rural Midwest, even though, as a young man, he tried very hard to escape it.