Julian Sands Quotes

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As if you have discovered a beach you have been visiting all your life is made not of sand but of diamonds, and they blind you with their beauty." Diamonds might be blinding in their beauty, but they were also the hardest and sharpest gems in the world. They could cut you or grind you down, smash and slice you apart. Malcolm, deranged with love, had not thought of that. But Julian could think of nothing else.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
...As if you have discovered a beach you have been visiting all your life is made not of sand but of diamonds, and they blind you with their beauty... Diamonds might be blinding in their beauty, but they were also the hardest and sharpest gems in the world. They could cut you or grind you down, smash and slice you apart. Malcolm, deranged with love, had not thought of that. But Julian could think of nothing else.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
At a certain point memory becomes a beach strewn with landmines, all life’s many losses buried in those sands.
Thomas H. Cook (The Crime of Julian Wells)
It did not occur to me that absence of human companionship does not assure solitude. It may, on the contrary, plunge one into an environment compared with which New York or London would appear deserts. For we take memory and imagination with us. The seabirds that scream overhead or waddle along the margins of the surf; the grotesque forms of twisted cedars; the rustle of sea-grass in the wind; the interminable percussion of the breakers; the dead infinity of the sand itself - there can be no solitude, in the sense of freedom from disturbances of thought, in the presence of such things. They draw us back into the maelstrom. ("Absolute Evil")
Julian Hawthorne (American Fantastic Tales: Terror and the Uncanny from Poe to the Pulps)
Refusing to listen to him any longer, Julian backs up. “Whenever you realize working together is in Summer’s best interest, come find me, Boy Scout. Until then, I’ll just pretend you don’t exist.” Then he walks away. Gage glares at Julian’s retreating form. His hand scrapes through his hair as he fumes. A guttural roar of rage crawls up his throat, and he kicks the sand. Damn him and his stupid logic. He’s right. And Gage knows he’s right. But that doesn’t mean he has to like it.
Laura Kreitzer (Burning Falls (Summer Chronicles, #3))
You're covered in blood too," Cristina murmured to Emma, shrugging off her own jacket. She slung it around Emma's shoulders, covering her bloody tank. She brushed her hands through Emma's hair, looking at her worriedly. "You sure you're not hurt?" "Julian's blood," Emma whispered, and Cristina made a murmuring noise and pulled Emma into a hug. She patted Emma's back and Emma hung on to her for dear life and decided there and then that if anyone ever tried to hurt Cristina she would grind them to a pulp and make amusing sand castles out of the remains.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
What is especially striking about the earth is the way in which it contains time capsules nested within time capsules, like a Russian doll. Individual biological cells (properly interpreted) are time capsules from which biologists read genetic time. Organs within the body are again time capsules, and contain traces of the history and morphogenesis of our bodies. The body itself is a time capsule. History is written in a face, which carries a date - the approximate date of our birth. We can all tell the rough age of a person from a glance at their face. Wherever we look, we find mutually consistent time capsules - in grains of sand, in ripe cherries, in books in libraries. This consistent meshing of stories even extends far from the Earth and into the outermost reaches of the universe. The abundances of the chemical elements and isotopes in the gas of stars and the waters of the oceans tell the story of the stars and a Big Bang that created the lightest elements. It all fits together so well.
Julian Barbour (The End of Time: The Next Revolution in Our Understanding of the Universe)
We cross a bridge, and all of us girls gasp in unison and crane our necks to the right-hand window of the car, pushing each other to get a sight of Florence by night--the dark velvety river lit up with glittering lights; narrow bridges farther down, the famous one with all the houses on it clustered tight together; a cathedral dome, terra-cotta and white, rising above the marble buildings, illuminated with soft spotlights, exactly like-- “Oh, it’s like a movie!” Paige exclaims in delight. “A Room with a View,” Kendra agrees. “I love that movie.” I do too; I think the bit where Julian Sands goes up to Helena Bonham Carter in the cornfield and kisses her is one of the most romantic scenes I’ve ever seen. I’m just about to agree, when Luca says, “Oh, yes. Italy is very romantic,” so dryly that the words die on my lips. His accent’s light, his English seems very good. “Lots of corruption, lots of bribes. Very romantic.” “Well, he’s a load of fun, isn’t he?” Paige says in my ear.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
If you're quite done, gentlemen, I'll thank you to remove the corpses for the sake of the floor," Oppenshaw said. "It is troublesome to sand. Thank you, Mr Mathey, this was quite interesting. I would encourage you to write it up for the British Journal of Metaphysics, but I very much doubt you'd be allowed to publish.
Melissa Scott (A Death at the Dionysus Club (Julian Lynes and Ned Mathey, #2))
.."So you know everything now." Julian raised an eyebrow. "I can't believe that," he drawled. "There are no more secrets, no more illicit little plots percolating in your devious mind? You'll have to forgive me if I find that hard to credit, Violette." "Oh, there's one more secret," she said dully. "But only one, and you might as well know it. I love you. I love you so much it hurts. And I'll never love anyone else in the same way"..."There ,now," she said. That's all of it. I've tricked you and I've used you. I've lied to you, and rearranged your life to suit my own purposes. I forced you to leave Spain, and I'm the illegitimate daughter of a Penhallan and a robber baron. But I love you with my heart and soul, and I'd give my last drop of blood if you ever needed it." ..."But of course you won't ever need it, so I'll go now. And you need never fear that our paths will cross again." Turning from him, she began to walk back across the sand. "You omitted to mention puking all over my boots in that catalog of wrongs," Julian said. ..."I suppose you're entitled to that," she said. "Entitled to mock. Why should you believe in my love? Anyway, it's a poor thing. I know it can't excuse or make up what I've done to you." "Dear God," he said. "I'm assuming this extraordinary show of humility was brought on by that drug Penhallan gave you. I trust it's effect isn't permanent." ..."Oh you despicable bastard! You are an unmitigated cur!" She swooped down, grabbed a handful of sand, and threw it at him. Darting sideways, she picked up the empty cognac bottle. It flew through the air and caught him a glancing blow on the shoulder... ... Diabillo ! Virago! Termagant!" Julian taunted, grinning as he ducked one of Gabriel's boots. "Espadachin! Brute! Bully! Unchivalrous pig!" she hurled back.. ...He'd fought the knowledge ..he'd been fighting it for weeks..and now he'd lost the battle. She was a lawless, manipulative, illegitimate half-breed, no possible wife for a St Simon, and he didn't give a damn.
Jane Feather
Malcom's words echoed in his head. As if you have discovered a beach you have been visiting all your life is made not of sand but of diamonds, and they blind you with their beauty. Diamonds might be blinding in their beauty, but they were also the hardest and sharpest gems in the world. They could cut you or grind you down, smash and slice you apart. Malcolm, deranged with love, had not thought of that. But Julian could think of nothing else.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
You, more than most, know the concept of right and wrong. And so does Julian. Why have you endured, resisted wrong, when others turned? You fought for justice, for our people. You had a code, and you have always lived up to it, as you are doing now. You say you have no feeling, but what of the compassion you felt for your lifemate when she was so frightened? You cannot turn. Every moment is an eternity for you, I know, but you have an end in sight." Gregori's cold eyes seemed to impale Aidan, but the younger Carpathian did not flinch. He held Gregori's gaze until Alexandria could have sworn she saw a flicker of fire, a flame, springing from one to the other. Gregori's hard mouth softened slightly. "You have learned well, Aidan. You are a healer of both body and mind." Aidan inclined his head in acknowledgement of the compliment. The wind howled, the waves crashed, and Gregori launched himself into the dark, roiling clouds. A black shape spread across the sky, an ominous shadow staining the heavens, and then it moved north and faded away as if it had never been, taking the storm with it. Aidan sank into the sand, his head bowed, his shoulders shaking, as if he was trying to control some great emotion that had overcome him. Alexandria circled his head with her arms. She could feel sobs tearing at his throat and chest, yet he made no sound. Only a single, blood-red tear marked his great sorrow. "I am sorry, cara, but he is a great man, one our people cannot afford to lose. I could feel his bleakness, the inner demon waiting to devour him. To have to honor my promise to him, to have to hunt him..." He shook his head. "It is such a disservice to one who has dedicated his life to our people, to our Prince." Alexandria's breath caught in her throat. She had thought Aidan invincible. Capable, even, of hunting vampires and triumphing over their evil power. But Gregori was a different proposition. Even with two hunters such as Aidan, it didn't seem possible that he could be defeated. "Can't you contact this woman, the one who could save him?" Aidan shook his head regretfully. "He would continue to honor his vow, and her presence would only make things worse.
Christine Feehan (Dark Gold (Dark, #3))