Julia Glass Quotes

We've searched our database for all the quotes and captions related to Julia Glass. Here they are! All 100 of them:

When it comes to life, we spin our own yarn, and where we end up is really, in fact, where we always intended to be.
Julia Glass (Three Junes)
I'd rather be pleasantly surprised than fatally disappointed.
Julia Glass (I See You Everywhere)
Mind who you love. For that matter, mind how you are loved.
Julia Glass (Three Junes)
He gave her a sly, sideways look. "Did you bring it?" "My list? Heavens, no. What can you be thinking?" His smile widened. "I brought mine." Daphne gasped. "You didn't!" "I did. Just to torture Mother. I'm going peruse it right in front of her, pull out my quizzing glass—" "You don't have a quizzing glass." He grinned—the slow, devastatingly wicked smile that all Bridgerton males seemed to possess. "I bought one just for this occasion." "Anthony, you absolutely cannot. She will kill you. And then, somehow, she'll find a way to blame me." "I'm counting on it.
Julia Quinn (The Duke and I (Bridgertons, #1))
Here we are - despite the delays, the confusion, and the shadows en route - at last, or for the moment, where we always intended to be.
Julia Glass (Three Junes)
Eve rose stiffly when he strode out of the house. In silence, she watched Julia look after him. "The male ego," Eve murmured as she crossed the room to put an arm around Julia's shoulders. "It's a huge and fragile thing. I always envision it as an enormous penis made of thin glass.
Nora Roberts (Genuine Lies)
When the starry sky, a vista of open seas, or a stained-glass window shedding purple beams fascinate me, there is a cluster of meaning, of colors, of words, of caresses, there are light touches, scents, sighs, cadences that arise, shroud me, carry me away, and sweep me beyond the things I see, hear, or think, The "sublime" object dissolves in the raptures of a bottomless memory. It is such a memory, which, from stopping point to stopping point, remembrance to remembrance, love to love, transfers that object to the refulgent point of the dazzlement in which I stray in order to be.
Julia Kristeva (Powers of Horror: An Essay on Abjection (European Perspectives: a Series in Social Thought & Cultural Ctiticism) (English and French Edition))
I, too, seem to be a connoisseur of rain, but it does not fill me with joy; it allows me to steep myself in a solitude I nurse like a vice I've refused to vanquish.
Julia Glass (Three Junes)
When most of us talk to our dogs, we tend to forget that they're not people.
Julia Glass
Let me feed you,” he whispered, his tone suddenly husky. He sounded like sex. Or at least, what Julia imagined sex would sound like if it was sitting on a white banquette with shining blue eyes and an arrogant jaw, trying to press a cold glass up to her mouth. Oh my, Gabriel. Oh my, Gabriel. Oh my, Gabriel. Oh…my…Gabriel.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
This is a wonderful day,” Anthony was muttering to himself. “A wonderful day.” He looked up sharply at Gareth. “You don’t have sisters, do you?” “None,” Gareth confirmed. “I am in possession of four,” Anthony said, tossing back at least a third of the contents of his glass. “Four. And now they’re all off my hands. I’m done,” he said, looking as if he might break into a jig at any moment. “I’m free.” “You’ve daughters, don’t you?” Gareth could not resist reminding him. “Just one, and she’s only three. I have years before I have to go through this again. If I’m lucky, she’ll convert to Catholicism and become a nun. Gareth choked on his drink. “It’s good, isn’t it?” Anthony said, looking at the bottle. “Aged twenty-four years.” “I don’t believe I’ve ever ingested anything quite so ancient,” Gareth murmured.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
There you are, diligently swimming a straight line, minding the form of your strokes, when you look up and see, always a shock, the currents you can't even feel have pulled you off course.
Julia Glass (I See You Everywhere)
Never talk yourself out of knowing you're in love or into thinking that you are.
Julia Glass (Three Junes)
Time plays like an accordion in the way it can stretch out and compress itself in a thousand melodic ways. Months on end may pass blindingly in a quick series of chords, open-shut, together-apart; and then a single melancholy week may seem like a year's pining, one long unfolding note.
Julia Glass (Three Junes)
All I meant was that people take their same old lives wherever they go. No place is perfect enough to strip you of that. And some places have a way of magnifying your demons, or of, I don't know, giving them pep pills.
Julia Glass
People take their same old lives wherever they go. No place is perfect enough to strip you of that.
Julia Glass (Three Junes)
Now is almost always the better choice. You never know about later.
Julia Glass (And the Dark Sacred Night)
Maybe other people are like mirrors that we see ourselves in; versions of ourselves that vary dramatically depending on the particular cut of glass.
Jonathan Hull (Losing Julia)
Gareth sucked in a breath. Hyacinth’s brother wasn’t going to make this easy on him. But that didn’t matter. He had vowed to do this right, and he would not be cowed. He looked up, meeting the viscount’s dark eyes with steady purpose. “I would like to marry Hyacinth,” he said. And then, because the viscount did not say anything, because he didn’t even move, Gareth added, “Er, if she’ll have me.” And then about eight things happened at once. Or perhaps there were merely two or three, and it just seemed like eight, because it was all so unexpected. First, the viscount exhaled, although that did seem to understate the case. It was more of a sigh, actually—a huge, tired, heartfelt sigh that made the man positively deflate in front of Gareth. Which was astonishing. Gareth had seen the viscount on many occasions and was quite familiar with his reputation. This was not a man who sagged or groaned. His lips seemed to move through the whole thing, too, and if Gareth were a more suspicious man, he would have thought that the viscount had said, “Thank you, Lord.” Combined with the heavenward tilt of the viscount’s eyes, it did seem the most likely translation. And then, just as Gareth was taking all of this in, Lord Bridgerton let the palms of his hands fall against the desk with surprising force, and he looked Gareth squarely in the eye as he said, “Oh, she’ll have you. She will definitely have you.” It wasn’t quite what Gareth had expected. “I beg your pardon,” he said, since truly, he could think of nothing else. “I need a drink,” the viscount said, rising to his feet. “A celebration is in order, don’t you think?” “Er…yes?” Lord Bridgerton crossed the room to a recessed bookcase and plucked a cut-glass decanter off one of the shelves. “No,” he said to himself, putting it haphazardly back into place, “the good stuff, I think.” He turned to Gareth, his eyes taking on a strange, almost giddy light. “The good stuff, wouldn’t you agree?” “Ehhhh…” Gareth wasn’t quite sure what to make of this. “The good stuff,” the viscount said firmly. He moved some books to the side and reached behind to pull out what looked to be a very old bottle of cognac. “Have to keep it hidden,” he explained, pouring it liberally into two glasses. “Servants?” Gareth asked. “Brothers.” He handed Gareth a glass. “Welcome to the family.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Of all the virtues, discretion began to seem the most rewarding: it kept people guessing and sometimes, by default, admiring.
Julia Glass (Three Junes)
Ready how? Who's ever ready for anything important?
Julia Glass (The Widower's Tale)
When it comes to love, dogs make pretty steep competition for us people. And rightly so.
Julia Glass (Three Junes)
Rage cools fast without an accessible target.
Julia Glass (I See You Everywhere)
Ever noticed how sisters, when they aren't best friends, make particularly vicious enemies? -I See You Everywhere
Julia Glass
Always more to learn, that's the pain and the pleasure
Julia Glass (And the Dark Sacred Night)
Memories come back, pressing in on you, like ghost faces in the darkness pushing up the glass, trying to get into the lit room.
Julia Green
I think I want to kiss you again,
Julia Golding (The Glass Swallow (Dragonfly Trilogy, #2))
Most inexperienced cooks believe, mistakenly, that a fine cake is less challenging to produce than a fine souffle or mousse. I know, however, that a good cake is like a good marriage: from the outside, it looks ordinary, sometimes unremarkable, yet cut into it, taste it, and you know that it is nothing of the sort. It is the sublime result oflong and patient experience, a confection whose success relies on a profound understanding of compatibilities and tastes; on a respect for measurement, balance, chemistry and heat; on a history of countless errors overcome.
Julia Glass (The Whole World Over)
Here was someone you simply knew you could trust, who might nag or infuriate or sulk, but whose greatest charm lay on the most durable of virtues: loyalty.
Julia Glass (And the Dark Sacred Night)
What is the biggest tragedy you wouldn't be conscious of? Letting life pass you by. Living like a starfish, clinging to your one unchanging colorless rock.
Julia Glass (I See You Everywhere)
You have not truly met someone until you have looked him or her in the eye as a soul with a place in your future.
Julia Glass (The Widower's Tale)
I'd suffocate. From my own cowardice.
Julia Glass (And the Dark Sacred Night)
I should love to see a ground-glass blue ocean
Julia Quinn (A Night Like This (Smythe-Smith Quartet, #2))
My tastes, like my bones, fossilized decades ago. Reach a certain age and you are obliged to become an anthropologist. It's the only way to ignore that the rest of the world regards you as an artifact, that your culture has faded beyond the horizon, leaving you adrift on your tiny, solitary life raft.
Julia Glass (I See You Everywhere)
Franny stepped on a piece of glass," Alex explains. James makes a little clucking noise of sympathy. Julia says, "What are you guys doing here?" "I decided a day at the beach sounded like fun, so James drove us here to meet up with you guys." Marie turns to Harry. "I don't see [i] you [/i] helping out with this operation." "I'm providing moral support," he says airily. "It's a very challenging job." "You trying to be moral? I'm sure it is," she counters archly.
Claire LaZebnik (The Trouble with Flirting)
But things change, of course, and so do the ways in which people see themselves.
Julia Glass (And the Dark Sacred Night)
She loved the dogs as you’re supposed to love dogs: consistently
Julia Glass (Three Junes)
... we're all alive the day before we die ... but, how alive is another question.
Julia Glass (Three Junes)
Saints are merely tyrants in the kingdom of virtue.
Julia Glass (And the Dark Sacred Night)
Americans refused to see accidents as accidental. They did not comprehend they while tragedy always exacts a formidable price, it rarely incurs a debt.
Julia Glass (And the Dark Sacred Night)
Clever how the cosmos can, in a single portent, be ingratiating yet sadistic.
Julia Glass (Three Junes)
My mother is a muttonhead.
Julia Golding (The Glass Swallow (Dragonfly Trilogy, #2))
Ira felt as if he'd contracted an all-over emotional itch, as if he'd put on a sweater made of spiritually abrasive wool- but to take it off would leave him dreadfully cold.
Julia Glass (The Widower's Tale)
Everyone looked better at a distance. Everyone sounded sweetest when you did not have to hear them talk too long. After her husband hung up, Natasha skated past her brother at the wall, their mother cleaning her glasses beside him. Loving someone close-up—that was difficult.
Julia Phillips (Disappearing Earth)
She let her head sink, until her brow met the varnished glass. How easy it was, she thought unhappily as she did it, for men and women. They could stand in a street and argue, flirt—they could kiss, make love, do anything at all—and the world indulged them. Whereas she and Julia—
Sarah Waters (The Night Watch)
I come from a culture of handwringers, vengeance seekers, people who name children after ancestors by rote -- first child, paternal grandfather, second child, maternal, and on and on and on.
Julia Glass
And you, Lord Bridgerton," she replied in a tone that could have frozen champagne, "are almost as handsome as your brother." Colin snorted again, only this time it sounded as if he were being strangled. "Are you all right?" Miss Sheffield asked. "He's fine," Anthony barked. She ignored him, keeping her attention on Colin. "Are you certain?" Colin nodded furiously. 'Tickle in my throat." "Or perhaps a guilty conscience?" Anthony suggested. Colin turned deliberately from his brother to Kate. "I think I might need another glass of lemonade," he gasped. "Or maybe," said Anthony, "something stronger. Hemlock, perhaps?
Julia Quinn
On the endive show, she offered a Yogi Berra-style malaprop: "Now don't wash endive-that is, unless it's dirty." And during an episode of forgetfulness: "I did not have my glasses on when I was thinking." Once, she sorted through a jungle of seaweed in search of a twenty-pound lobster lurking in its folds; another time, she lifted the veil over a platter hunting for the "big, bad artichoke" lying furtively underneath.
Bob Spitz (Dearie: The Remarkable Life of Julia Child)
It's odd to spend your vacation with someone else's music especially when you're alone. You're free to let loose, unobserved, but someone else has chosen the words you belt out in private, the rythms you can dance to like a fool.
Julia Glass (I See You Everywhere)
The past is like the night: dark but sacred. It's the time when most of us sleep, so we think of the day as the time we really live, the only time that matters, because the stuff we do by day somehow makes us who we are. We feel the same way about the present. We say, let bygones be bygones... Water under the bridge. But there is no day without night, no wakefulness without sleep, no present without past. They are constantly somersaulting over each other.
Julia Glass (And the Dark Sacred Night)
Russ decided the best defense was a good offense. "I'm Russell Van Alstyne, Millers Kill chief of police." He held out his hand. She shook firm, like a guy. "Clare Fergusson," she said. "I'm the new priest at Saint Alban's. That's the Episcopal Church. At the corner of Elm and Church." There was a faint testiness in her voice. Russ relaxed a fraction. A woman priest. If that didn't beat all. "I know which it is. There are only four churches in town." He saw the fog creeping along the edges of his glasses again and snatched them off, fishing for a tissue in his pocket. "Can you tell me what happened, um..." What was he supposed to call her? "Mother?" "I go by Reverend, Chief. Ms. is fine, too." "Oh. Sorry. I never met a woman priest before." "We're just like the men priests, except we're willing to pull over and ask directions.
Julia Spencer-Fleming (In the Bleak Midwinter (The Rev. Clare Fergusson & Russ Van Alstyne Mysteries #1))
Well, yes, there were quite a lot of books throughout, tumbling out of haphazardly placed bookshelves, stacked beneath chairs, beside beds, even in the bottoms of a closet or two. But I was never a "collector." My love of books is a love of what they contain; they hold knowledge as a pitcher holds water, as a dress contains the mystery of a woman's exquisite body. Their physicality matters--do not speak to me of storing books as bytes!--but they should not inspire fetishistic devotion.
Julia Glass (The Widower's Tale)
To have children is to plant roses, muguets, lavender, lilac, gardenia, stock, peonies, tuberose, hyacinth ...it is to achieve a whole sense,a grand sense one did not priorly know. It is to give one's garden another dimension. Perfume of life itself.
Julia Glass (Three Junes)
He turned over towards the light and lay gazing into the glass paperweight. The inexhaustibly interesting thing was not the fragment of coral but the interior of the glass itself. There was such a depth of it, and yet it was almost as transparent as air. It was as though the surface of the glass had been the arch of the sky, enclosing a tiny world with its atmosphere complete. He had the feeling that he could get inside it, and that in fact he was inside it, along with the mahogany bed and the gateleg table, and the clock and the steel engraving and the paperweight itself. The paperweight was the room he was in, and the coral was Julia's life and his own, fixed in a sort of eternity at the heart of the crystal.
George Orwell (1984)
Seven years ago, I joined a support group. The loneliness of my Clemlessness—privately, that’s what I called it—had become so acute that I could feel it pulling me away, like an undertow, from the people I loved who were still alive. (I angered easily. I wanted to yell at them, “You don’t fucking know!”—not just about what they might lose but about anything, everything: politics, art, laundry, taxes. I saw them as not just ignorant but smug, not just naïve but stupid.
Julia Glass (I See You Everywhere)
When it comes to love, there is the timeworn caution that the very qualities you fall hardest for may be those you grow to despise. With Stavros, she wonders if the opposite might hold true: that this quality she nearly fears - his aversion to sanctifying the past - is something for which she will someday be grateful.
Julia Glass (Three Junes)
She thumped her weapon (others might call it a cane, but he knew better) against the floor. “Fell off your horse?” “No, I—” “Tripped down the stairs? Dropped a bottle on your foot?” Her expression grew sly. “Or does it involve a woman?” He fought the urge to cross his arms. She was looking up at him with a bit of a smirk. She liked poking fun at her companions; she’d once told him that the best part of growing old was that she could say anything she wanted with impunity. He leaned down and said with great gravity, “Actually, I was stabbed by my valet.” It was, perhaps, the only time in his life he’d managed to stun her into silence. Her mouth fell open, her eyes grew wide, and he would have liked to have thought that she even went pale, but her skin had such an odd tone to begin with that it was hard to say. Then, after a moment of shock, she let out a bark of laughter and said, “No, really. What happened?” “Exactly as I said. I was stabbed.” He waited a moment, then added, “If we weren’t in the middle of a ballroom, I’d show you.” “You don’t say?” Now she was really interested. She leaned in, eyes alight with macabre curiosity. “Is it gruesome?” “It was,” he confirmed. She pressed her lips together, and her eyes narrowed as she asked, “And where is your valet now?” “At Chatteris House, likely nicking a glass of my best brandy.” She let out another one of her staccato barks of laughter.
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
We do not demonstrate against anything. Our group is about being for something, never against. No antis except on my family tree.
Julia Glass (And the Dark Sacred Night)
We’re all alive the day before we die.
Julia Glass (Three Junes)
Do you think too long a period of nightlessness,” mused Sandra, “could drive you insane, the way they say sleeplessness can?
Julia Glass (And the Dark Sacred Night)
he poured himself a glass of whiskey. And another. And another. Not enough to get stinking drunk, just enough to make him overly contemplative.
Julia Quinn (Minx (The Splendid Trilogy, #3))
those jumbo look-at-me/don’t-look-at-me glasses
Julia Claiborne Johnson (Be Frank With Me)
I did not wonder if what his absence would spare me was the exhaustion of a longing so relentless it had become nearly unconscious, as if I had failed to realize that the water I drank was salty, always salty.
Julia Glass (Three Junes)
It's this time of year when Kit mist rise in the dark, as if we're a farmer or a fisherman, someone whose livelihood depends on beating the dawn, convincing himself that what looks like night is actually morning.
Julia Glass (And the Dark Sacred Night)
It was Friday, so the farmers' market was in full autumnal swing, a sea of potted chrysanthemums and bushel after bushel of apples, pears, Fauvist gourds, and pumpkins with erotically fanciful stems. On one table stood galvanized buckets of the year's final roses; on another, skeins of yarn in muted, soulful purples and reds. Walter loved this part of the season- and not just because it was the time of year his restaurant flourished, when people felt the first yearnings to sit by a fire, to eat stew and bread pudding and meatloaf, drink cider and toddies and cocoa. He loved the season's transient intensity, its gaudy colors and tempestuous skies.
Julia Glass (The Whole World Over)
Before heading back up the road, she had turned for a moment toward the sea. In the late afternoon light, the water was gray wrinkled with orange. Tiger water, she called it when it looked like that. Rhino water was smooth and leaden, dull as smoke. But her favorite was polar bear water, when the moon hung low and large, as if too heavy to rise very high, and scattered great radiant patches, like ice floes, across a dark blue ocean.
Julia Glass (The Whole World Over)
When Gabriel returned, he eagerly opened the wine, smiling to himself wickedly. He was in for a treat, and he knew it. He knew how Julianne looked when she tasted wine, and now he would have a repeat of her erotic performance from the other night. He felt himself twitch more than once in anticipation and wished that he had a video camera secretly placed in his condo somewhere. It would probably be too obvious to pull his camera out and take snapshots of her. He showed her the bottle first, noting with approval the impressed expression that passed across her face when she read the label. He’d brought this special vintage back from Tuscany, and it would have pained him to waste it on an undiscerning palate. He poured a little into her glass and stood back, watching, and trying very hard not to grin. Just as before, Julia swirled the wine slowly. She examined it in the halogen light. She closed her eyes and sniffed. Then she wrapped her kissable lips around the rim of the goblet and tasted it slowly, holding the wine in her mouth for a moment or two before swallowing. Gabriel sighed, watching her as the wine traveled down her long and elegant throat.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
How do you know when you're 'There'? Do you just get up one morning, pour yourself a glass of juice without breaking it, come to take a bite of your nicely grilled bagel and... boom! 'There' is right there, staring you in the face - that moment when you realize you have everything that you've worked for, and you finally find yourself utterly fulfilled. What happens after that? Do you go into the new world of 'What Else Is There", or do you finish your bagel and live happily ever after?
Julia Hockley
You are not what happened to you. You are so much more than that. You are a multitude of stories and journeys that have shaped you to be you. But they have done just that. And only that. Shaped you. They are not you. You are more than what happened to you.
Julia Reesor (Sea Glass Secrets)
Thanks to Granna, Werner and Walter had grown up to be highly functioning, productive citizens -- but if you were to ask Walter, Werner had a far easier time of it and lived his life with the sanctified nonchalance of those who will do anything to avoid dissecting their souls.
Julia Glass (The Whole World Over)
Happiness doesn't come easily, just because you want or even deserve it," she said. "I don't think you're too young to know that. So you've got to find your own way to let that happiness in. Sometimes, when it threatens to get away from you, you have to reach out the window and pull it in, like capturing a bird.
Julia Glass (And the Dark Sacred Night)
The older Kit gets, the less confident he feels judging other people as spouses or parents. These days, driving past the home of the Naked Hemp Society, he finds himself more curious than contemptuous about their easily ridiculed New Age ways. Why shouldn't they nurse their babies till age four? Why shouldn't they want to keep their children away from factory-farmed meats, from clothing soaked in fire-retardant chemicals, from dull-witted burned-out public school teachers whose tenure is all too easily approved? Why not frolic naked in the sprinkler---under the full moon, perhaps? Why not turn one's family into a small nurturing country protected by a virtual moat?
Julia Glass (And the Dark Sacred Night)
I need to know how you can be so certain,' Daniel said, his voice dropping into a furious hush. 'Well...' Hugh brought his glass to his lips and took something deeper than a sip. 'If you must know, I told him that if anything happens to you, I would kill myself.' If Daniel had been holding anything, anything at all, it would have crashed to the ground. It was a remarkable thing that *he* did not crash to the ground. 'My father knows me well enough to know that I do not say such a thing lightly,' Hugh said, lightly. Daniel couldn't speak. 'So if you would...' Hugh took another drink, this time barely touching his lips to the liquid. 'I would appreciate if you would endeavor not to get yourself killed in an unhappy accident. I'm sure to blame it on my father, and honestly, I'd rather not see myself off unnecessarily.' 'You're mad,' Daniel whispered ... 'Why would you do such a thing?' Daniel could not imagine anyone else - not even Marcus, who was truly a brother to him - making the same sort of threat.
Julia Quinn (A Night Like This (Smythe-Smith Quartet, #2))
I always believed I was a bad friend. I couldn’t nourish friendships. I couldn’t give my all to others. I couldn’t live up to their expectations. It ended up in a falling out. A fight. A break. Followed by distance. Stares. Glares. I learned that I didn’t need to spend my energy nourishing friendships that didn’t nourish me back. I learned that I didn’t need to give my all to others that didn’t give their all to me back. I learned that I didn’t need to live up to their expectations when they didn’t live up to mine. I slowly became my own best friend. It took becoming my own best friend for me to realize that I am a good friend. It just took the right person to make me believe that.
Julia Reesor (Sea Glass Secrets)
Having never had dealings with Bow Street, Lady Fieldhurst was not quite certain what to expect: perhaps a stout fellow past his prime, befuddled with sleep or spirits, with a bulbous red nose—the same sort as might be found in any number of watchmen’s boxes across the metropolis. The individual who entered the room in [the footman's] wake, however, was very nearly her own age. To be sure, his nose was somewhat crooked, as if it had been broken at some point, but it was far from bulbous, and it was certainly not red. He was quite tall, almost gangly, with curling brown hair tied at the nape of his neck in an outmoded queue. He wore an unfashionably shallow-crowned hat and a black swallow-tailed coat of good cloth but indifferent cut; indeed, his only claim to fashion lay in the quizzing glass which hung round his neck from a black ribbon, and which he now raised, the resulting magnification revealing his eyes to be a warm brown. Julia might have been much reassured as to his competence, had it not been for the fact that his mouth hung open as from a rusty hinge.
Sheri Cobb South (In Milady's Chamber (John Pickett Mysteries, #1))
Hugo planned a five-course meal: smoked duck, oyster stew, roast beef with mashed yams, a salad of apples with beets and blue cheese, then chocolate banana cream pie. Rich, rich, and richer still. Ben made pitchers of martinis and set aside thirty-five bottles of a tried-and-true Napa cabernet, pure purple velvet, and an Oregonian pinot gris, grassy and effervescent.
Julia Glass (The Whole World Over)
And there was the moon. A warm and visible greeting, a beacon of relief. Full, unshrouded, its edges crisp. It looked like an airy wafer- what were those crackers that came in the big green tin? She stared at the moon and thought about the fact that she was breathing. Fact of breathing, fact of life. This she could control: slow down and speed up her breathing, despite the pain in her throat. She'd never really looked at the moon, never really seen how intricate the etchings on its yellowy silver surface. Bowl of a spoon in candlelight. When she'd looked a long time- I see the moon, and the moon sees me- a glimmering ring like a rainbow materialized at the rim. In the memory she still retained, as clear as a framed snapshot, a portrait worn in a locket, Saga stared at the moon that way for hours, and it kept her company, it kept her sane, it kept her in one piece, it kept her alive. It was proof, fact, patience, faith.
Julia Glass (The Whole World Over)
Sebastian got up and walked to the window, resting his forehead against the pane. It was cold outside, and the icy chill pressed up against him through the glass. He liked the sensation. It was big. Grand. The sort of vivid moment that reminded him of his humanity. He was cold, therefore he must be alive. He was cold, therefore he must not be invincible. He was cold, therefore He stood back and let out a disgusted snort. He was cold, therefore he was cold. There wasn‘t really much more to it.
Julia Quinn (Ten Things I Love About You (Bevelstoke, #3))
The knives and forks jingled on the tables as we sped through the darkness; the little circle of gin and vermouth in the glasses lengthened to oval, contracted again, with the sway of the carriage, touched the lip, lapped back again, never spilt; I was leaving the day behind me. Julia pulled off her hat and tossed it into the rack above her, and shook her night-dark hair with a little sigh of ease—a sigh fit for the pillow, the sinking firelight, and a bedroom window open to the stars and the whisper of bare trees.
Evelyn Waugh (Brideshead Revisited)
But people, as Alan had once reflected to Greenie, were not at all like recipes. You could have all the right ingredients, in all the right amounts, and still there were no guarantees. Or perhaps they were like recipes, he pondered now, and the key to success was in finding the ingredients you had to remove, the components that turned all the others bitter, excessively salty, difficult to swallow; even too jarringly sweet. He had seen Greenie clarify butter, wash rice, devein shrimp, and meticulously snip the talons from artichoke leaves.
Julia Glass (The Whole World Over)
Clem is my first dead body. I’ve heard again and again—mostly from friends who’ve lost other friends to AIDS—that it’s essential to see the corpse of someone you love, especially someone who’s died undeservedly young; how it will confirm the way nothing else can that he or she is no longer here. The body won’t look like the person you know, the self of that person, at all. This tells you there has to be a soul because something’s missing; what else could that something be? The first thing I know, when I see her, isthat this is not a piece of advice I will ever pass on.
Julia Glass (I See You Everywhere)
You don't know it, but you captured me quickly, with your faux innocence, the nerdy-glasses, pencil-skirt look that you were trying to pull off. When I saw you later, dressed to the hilt, pure sex from your stilettos to your hair, I didn't believe it. I saw you as playing a part. But - " he breathed, reaching out and trailing a finger over my open lips "- you are pure sex. When you are in your element, which is typically when you are stuffed full of cock, I've never seen a more sexually perfect being in my life." His mouth twitched, and he pulled me to him for a soft, gentle kiss. "I fell for that feisty, smart-ass Julia that calls me on my shit. But I'm owned by the vixen that you become behind closed doors.
Alessandra Torre (Masked Innocence (Innocence, #2))
From harsh and shrill and clamant, the voices grew blurred and inarticulate. Bad sentences were helped out by worse gestures, and at one table, Scabius could only express himself with his napkin, after the manner of Sir Jolly Jumble in the first part of the Soldier’s Fortune of Otway. Basalissa and Lysistrata tried to pronounce each other’s names, and became very affectionate in the attempt; and Tala, the tragedian, robed in roomy purple and wearing plume and buskin, rose to his feet and with swaying gestures began to recite one of his favourite parts. He got no further than the first line, but repeated it again and again, with fresh accents and intonations each time, and was only silenced by the approach of the asparagus that was being served by satyrs dressed in white muslin. Clitor and Sodon had a violet struggle over the beautiful Pella, and nearly upset a chandelier. Sophie became very intimate with an empty champagne bottle, swore it had made her enceinte, and ended by having a mock accouchement on the top of the table; and Belamour pretended to be a dog, and pranced from couch to couch on all fours, biting and barking and licking. Mellefont crept about dropping love philtres into glasses. Juventus and Ruella stripped and put on each other’s things, Spelto offered a prize for who ever should come first, and Spelto won it! Tannhäuser, just a little grisé, lay down on the cushions and let Julia do whatever she liked.
Aubrey Beardsley (Salome/ Under the Hill: Oscar Wilde/Aubrey Beardsley (Creation Classics))
Stranger" As the music roared We moved through the crowd I kissed your lips There was no one around There was no one around In a house made of glass There's a boy throwing rocks Every love's like his last Cause your heart's all you got Yeah your heart's all you got Cos it's been so long Since you've been around I've never missed a stranger before I think it's love It's Judas's call I've never missed a stranger before, like you She wore lace round her hair Yeah she looked like a queen With eyes so fair... She was something of a dream Shw was something of a dream Cos it's been so long Since you've been around I've never missed a stranger before I think it's love It's Judas's call I've never missed a stranger before, like you Cos it's been so long Since you've been around I've never missed a stranger before I think it's love It's Judas's call I've never missed a stranger before, like you.
Angus and Julia Stone
Lass.' Saga turned away to hide her smile. How like a fairy tale, that word. Rapunzel. A tall tower by a deep emerald lake. A dark green word, 'lass.' As she turned, she saw the bookcase beside the armchair- right out there in the garden! It was filled with with paperback books that looked as if they'd been read about a hundred times each. She saw Pride and Prejudice, she saw Middlemarch and The Quiet American. Titles she had seen forever on the shelves in Uncle Marsden's house. "What if it rains when you're not looking?" "These are the books everyone likes to read again and again, books you can lose because they'll reappear the minute you turn your back. They replace themselves," he said. Saga pictured this man with the dashing accent as the rescuer of Rapunzel. It was't outrageous in the least. He was handsome enough, though neither tall nor dark. His skin and hair were faintly golden, or they had been once upon a time, and his hands were long and slim like the hands of a prince. Piano hands, Aunt Liz would have said.
Julia Glass (The Whole World Over)
She pulls from a shelf certain rare spices and sugars that her successor is unlikely to use. Insulating the jars with softbound books and sheafs of cooking notes, she packs them in a carton that came to this kitchen holding boxes of Italian pasta. She examines the fanciful designs on a container of sugar imported from Turkey, a favorite finish for the surface of cookies: bearclaws, butter wafers. The large, faceted granules glitter like bluish rhinestones; children always choose those cookies first. She wonders if she will be able to get this sugar anymore, if borders will tighten so austerely that she will lose some of her most precious, treasured ingredients: the best dried lavender and mascarpone, pomegranate molasses. But in the scheme of things, does it matter? She comes upon her collection of vinegars, which she uses to brighten the character of certain cakes, to hold the line between sweet and cloying. She takes down a spicy vinegar she bought at a nearby farm; inside the bottle, purple peppers, like sleeping bats, hang from the surface of the liquid. Greenie used it in a dark chocolate ice cream and molasses pie.
Julia Glass (The Whole World Over)
His arms folded across his chest. He stared at me without speaking, moving toward me until my back hit the driver’s side door. Leaning forward, he braced a hand on the glass beside my head. “What the fuck were you thinking? If I hadn’t been there—” He broke off, his eyes slamming shut. “I know, I know. I don’t know what would have happened.” I raised my shaking hands to his heaving chest. “Thank you for being there.” His eyes flashed open and zeroed in on me. “I’ve never been more pissed off at you.” “I wish you weren’t.” My fingers balled his T-shirt in a tight grip. “Please, Weston, don’t be mad at me.” He bent down, his nose almost brushing mine. “I’m so fucking angry, Elise. You have no idea what I want to do with you right now.” I inhaled. His hot breath hit my lips. A wild, frantic current flowed in the narrow space between us. Adrenaline coursed through my bloodstream. My mind scrambled. Then he was on me, or I was on him. There was no telling who moved first. We collided, our lips suctioning to one another, his tongue delving into my mouth. Fingers threaded through my hair, tugging my head back. He kissed me hard, violent, and I clawed at him.
Julia Wolf (Dear Grumpy Boss (The Harder They Fall, #1))
Chris- the one who wrote the halfway creepy thing about missing me so much when I didn't post and thinking I was dead- found it mind-boggling that before the Julie/Julia Project began, I had never eaten an egg. She asked, "How can you have gotten through life without eating a single egg? How is that POSSIBLE???!!!!!" Of course, it wasn't exactly true that I hadn't eaten an egg. I had eaten them in cakes. I had even eaten them scrambled once or twice, albeit in the Texas fashion, with jalapeños and a pound of cheese. But the goal of my egg-eating had always been to make sure the egg did not look, smell, or taste anything like one, and as a result my history in this department was, I suppose, unusual. Chris wasn't the only person shocked. People I'd never heard of chimed in with their awe and dismay. I didn't really get it. Surely this is not such a bizarre hang-up as hating, say, croutons, like certain spouses I could name. Luckily, eggs made the Julia Child way often taste like cream sauce. Take Oeufs en Cocotte, for example. These are eggs baked with some butter and cream in ramekins set in a shallow pan of water. They are tremendous. In fact the only thing better than Oeufs en Cocotte is Ouefs en Cocotte with Sauce au Cari on top when you've woken up with a killer hangover, after one of those nights when somebody decided at midnight to buy a pack of cigarettes after all, and the girls wind up smoking and drinking and dancing around the living room to the music the boy is downloading from iTunes onto his new, ludicrously hip and stylish G3 Powerbook until three in the morning. On mornings like this, Oeufs en Cocotte with Sauce au Cari, a cup of coffee, and an enormous glass of water is like a meal fed to you by the veiled daughters of a wandering Bedouin tribe after one of their number comes upon you splayed out in the sands of the endless deserts of Araby, moments from death- it's that good.
Julie Powell (Julie & Julia: My Year of Cooking Dangerously)
I once knew this cellist, Miss Browning, A swan with whom I enjoyed clowning. But at night when she bloomed I felt blissfully doomed. Far from shore, in danger of drowning.
Julia Glass (And the Dark Sacred Night)
Behold the rich farm boy Malachy Burns Who plays his pipe among the churns. He's a coward, he's benighted, He makes everyone feel slighted, And all things but music he spurns.
Julia Glass (And the Dark Sacred Night)
Sometimes I have this feeling,” Walter said, “that he operates on the philosophy that ‘what Walter doesn’t know won’t hurt him.
Julia Glass (And the Dark Sacred Night)
What, exactly, is a father if not a man who, once you’re grown and gone and out in the world making your own mistakes, all good advice be damned, waits patiently for you to return? And if you don’t, well then, you don’t. He understands that risk. He knows whose choice it is.
Julia Glass (And the Dark Sacred Night)
All that spring and summer, there were times when she felt as if she had no joints or muscles, no physical means with which to move about the world.
Julia Glass (And the Dark Sacred Night)
It is a pleasure to meet you, Miss Sheffield,” he said politely. “I do hope you will favor me with one of your dances this evening.” “I— Of course.” She cleared her throat. “I would be honored.” “Kate,” Mary said, nudging her softly, “show him your dance card.” “Oh! Yes, of course.” Kate fumbled for her dance card, which was tied prettily to her wrist with a green ribbon. That she had to fumble for anything actually tied to her body was a bit alarming, but Kate decided to blame her lack of composure on the sudden and unexpected appearance of a heretofore unknown Bridgerton brother. That, and the unfortunate fact that even under the best of circumstances she was never the most graceful girl in the room. Colin filled his name in for one of the dances later that evening, then asked if she might like to walk with him to the lemonade table. “Go, go,” Mary said, before Kate could reply. “Don’t worry about me. I’ll be just fine without you.” “I can bring you back a glass,” Kate offered, trying to figure out if it was possible to glare at her stepmother without Mr. Bridgerton noticing. “Not necessary. I really should get back to my position with all the other chaperones and mamas.” Mary whipped her head around frantically until she spied a familiar face. “Oh, look, there is Mrs. Featherington. I must be off. Portia! Portia!” Kate watched her stepmother’s rapidly retreating form for a moment before turning back to Mr. Bridgerton. “I think,” she said dryly, “that she doesn’t want any lemonade.” A sparkle of humor glinted in his emerald green eyes. “Either that or she’s planning to run all the way to Spain to pick the lemons herself.” -Colin, Kate, & Mary
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
I guess that’s how well you know me. You think I like hearing this news.” “I’m sorry. This is selfish. I just need to tell someone … outside my life. Get it out of my head, to keep from going nuts, but somewhere safe.” She sees me as safe? This brings tears to my eyes. “I trust you, Clem. Are you pissed?
Julia Glass (I See You Everywhere)
God, Lou. Don’t you think I want you to have what you want?” “You’re my sister. You’re supposed to want those things for me.” “You can’t have it both ways, Lou. When things get bad, you can’t call me—which I’m glad about, I am!—you can’t do that and then imply I don’t give a shit about you.” “That’s what I used to think.
Julia Glass (I See You Everywhere)
To love me, my family does not need to understand me.
Julia Glass (Three Junes)
When the girls were small, I heard Poppy tell one of her friends, “I don’t see how you could ever have a favorite when there are just two: one will always and forever be your first, the miracle baby, the one who paves the way, strikes out for adventure—the intrepid one, the one who teaches you how to do what nature intended all along—and the other, oh the other will always be your baby, your darling, the one you surprised yourself by loving just as desperately much as you loved the first.” Pursuant
Julia Glass (The Widower's Tale)
He pictured her living alone in that tranquil house with its fine old furnishings, tending her flowers and fruit trees.
Julia Glass (A House Among the Trees)
They agreed on four flavors of cake- vanilla, maple, orange, and coconut- to alternate, almost randomly, in twenty-one slim layers throughout the seven tiers beneath the one to be saved, the crown of coconut. A syrup infused with ginger would be brushed on the sponge beneath the icing.
Julia Glass (The Whole World Over)