Joints Quotes

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He was mastered by the sheer surging of life, the tidal wave of being, the perfect joy of each separate muscle, joint, and sinew in that it was everything that was not death, that it was aglow and rampant, expressing itself in movement, flying exultantly under the stars.
Jack London (The Call of the Wild)
This is what you shall do; Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life, re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.
Walt Whitman
Real isn't how you are made,' said the Skin Horse. 'It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.' 'Does it hurt?' asked the Rabbit. 'Sometimes,' said the Skin Horse, for he was always truthful. 'When you are Real you don't mind being hurt.' 'Does it happen all at once, like being wound up,' he asked, 'or bit by bit?' 'It doesn't happen all at once,' said the Skin Horse. 'You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand.
Margery Williams Bianco (The Velveteen Rabbit)
So long as you don't bleed in the shape of wing joints, you should pass for human. Oh, and don't let anyone pick you up. They'll know you're not right as soon as they feel how light you are." "I'll be sure not to let anyone but you carry me in her arms.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand.
Margery Williams Bianco (The Velveteen Rabbit)
I was sentimental about many things: a woman’s shoes under the bed; one hairpin left behind on the dresser; the way they said, 'I’m going to pee.' hair ribbons; walking down the boulevard with them at 1:30 in the afternoon, just two people walking together; the long nights of drinking and smoking; talking; the arguments; thinking of suicide; eating together and feeling good; the jokes; the laughter out of nowhere; feeling miracles in the air; being in a parked car together; comparing past loves at 3am; being told you snore; hearing her snore; mothers, daughters, sons, cats, dogs; sometimes death and sometimes divorce; but always carring on, always seeing it through; reading a newspaper alone in a sandwich joint and feeling nausea because she’s now married to a dentist with an I.Q. of 95; racetracks, parks, park picnics; even jails; her dull friends; your dull friends; your drinking, her dancing; your flirting, her flirting; her pills, your fucking on the side and her doing the same; sleeping together
Charles Bukowski (Women)
We all need something to help us unwind at the end of the day. You might have a glass of wine, or a joint, or a big delicious blob of heroin to silence your silly brainbox of its witterings but there has to be some form of punctuation, or life just seems utterly relentless.
Russell Brand (My Booky Wook)
The real marriage of true minds is for any two people to possess a sense of humor or irony pitched in exactly the same key, so that their joint glances on any subject cross like interarching searchlights.
Edith Wharton (A Backward Glance)
See, when you lie to me it hurts," Rixon said, swiping an imaginary tear. "I thought we had something special. I thought our joint eternal sentences of damnation were our bond.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
I certainly hadn't expected to walk away from today's trip with joint custody of a miniature dragon.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Humans were built to look back; that's why we have that swivel joint in our necks
Stephen King (11/22/63)
You become. It takes a long time. That’s why it doesn’t happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in your joints and very shabby. But these things don’t matter at all, because once you are Real you can’t be ugly, except to people who don’t understand.
Margery Williams Bianco (The Velveteen Rabbit)
First of all, love is a joint experience between two persons — but the fact that it is a joint experience does not mean that it is a similar experience to the two people involved. There are the lover and the beloved, but these two come from different countries. Often the beloved is only a stimulus for all the stored-up love which had lain quiet within the lover for a long time hitherto. And somehow every lover knows this. He feels in his soul that his love is a solitary thing. He comes to know a new, strange loneliness and it is this knowledge which makes him suffer. So there is only one thing for the lover to do. He must house his love within himself as best he can; he must create for himself a whole new inward world — a world intense and strange, complete in himself. Let it be added here that this lover about whom we speak need not necessarily be a young man saving for a wedding ring — this lover can be man, woman, child, or indeed any human creature on this earth. Now, the beloved can also be of any description. The most outlandish people can be the stimulus for love. A man may be a doddering great-grandfather and still love only a strange girl he saw in the streets of Cheehaw one afternoon two decades past. The preacher may love a fallen woman. The beloved may be treacherous, greasy-headed, and given to evil habits. Yes, and the lover may see this as clearly as anyone else — but that does not affect the evolution of his love one whit. A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lilies of the swamp. A good man may be the stimulus for a love both violent and debased, or a jabbering madman may bring about in the soul of someone a tender and simple idyll. Therefore, the value and quality of any love is determined solely by the lover himself. It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare his beloved. The lover craves any possible relation with the beloved, even if this experience can cause him only pain.
Carson McCullers (The Ballad of the Sad Café and Other Stories)
I tattered their wings and tore off their legs, joint by joint, watched them crawl in circles, like little lost infants, untill they decide to die.
Ellen Hopkins (Impulse (Impulse, #1))
re-examine all you have been told in school or church or in any book, and dismiss whatever insults your own soul; and your very flesh shall be a great poem, and have the richest fluency, not only in its words, but in the silent lines of its lips and face, and between the lashes of your eyes, and in every motion and joint of your body. [From the preface to Leaves Grass]
Walt Whitman (Leaves of Grass)
Look at your body— A painted puppet, a poor toy Of jointed parts ready to collapse, A diseased and suffering thing With a head full of false imaginings. —The Dhammapada
Thomas Ligotti (The Conspiracy Against the Human Race: A Contrivance of Horror)
A universal vision and a joint interest are steppingstones for full-blown empathy, and explicitly through empathy, we seize the pulsating assets of ‘sharing,’ sharing precious values with the others. (“Resilience”)
Erik Pevernagie
The universe as we know it is a joint product of the observer and the observed.
Pierre Teilhard de Chardin
The price of living seems to always be death." Tohin stood, joints popping audibly. "And that is why you become a dealer of death. You feed death as many people as you can to keep it full and content so its eye stays off you.
Kiersten White (And I Darken (The Conqueror's Saga, #1))
You hold on to old experiences: injuries, injustices, and great love affairs, too. And you hold them in your joints and your organs, and wear them on your skin.
Ann Brashares (My Name Is Memory)
This isn’t lust. Lust wants, does the obvious, and pads back into the forest. Love is greedier. Love wants round-the-clock care; protection; rings, vows, joint accounts; scented candles on birthdays; life insurance. Babies. Love’s a dictator.
David Mitchell (The Bone Clocks)
When I pretended to be precocious, people started the rumor that I was precocious. When I acted like an idler, rumor had it I was an idler. When I pretended I couldn't write a novel, people said I couldn't write. When I acted like a liar, they called me a liar. When I acted like a rich man, they started the rumor I was rich. When I feigned indifference, they classed me as the indifferent type. But when I inadvertently groaned because I was really in pain, they started the rumor that I was faking suffering. The world is out of joint.
Osamu Dazai (The Setting Sun (New Directions Book))
Love is a joint experience between two persons -- but the fact that it is a joint experience does not mean that it is a similar experience to the two people involved.
Carson McCullers (The Ballad of the Sad Café and Other Stories)
Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger's touch. But when you live with them and love them, you feel the softness going inward, the round-cheeked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says "I am," and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And "I am" grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until "I am" is set, delicate and detailed as an insect in amber.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Because I am enough. My heart is enough. The stories and the sentences twisting around my mind are enough. I am fizzing and frothing and buzzing and exploding. I'm bubbling over and burning up. My early-morning walks and my late-night baths are enough. My loud laugh at the pub is enough. My piercing whistle, my singing in the shower, my double-jointed toes are enough. I am a just-pulled pint with a good, frothy head on it. I am my own universe; a galaxy; a solar system. I am the warm-up act, the main event, and the backing singers. And if this is it, if this is all there is- just me and the trees and the sky and the seas- I know now that that's enough.
Dolly Alderton (Everything I Know About Love)
When I finally caught up with Abraham Trahearne, he was drinking beer with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside of Sonoma, California, drinking the heart right out of a fine spring afternoon.
James Crumley (The Last Good Kiss (C.W. Sughrue, #1))
But for pain words are lacking. There should be cries, cracks, fissures, whiteness passing over chintz covers, interference with the sense of time, of space; the sense also of extreme fixity in passing objects; and sounds very remote and then very close; flesh being gashed and blood spurting, a joint suddenly twisted - beneath all of which appears something very important, yet remote, to be just held in solitude.
Virginia Woolf (The Waves)
Management is about human beings. Its task is to make people capable of joint performance, to make their strengths effective and their weaknesses irrelevant.
Peter F. Drucker (Essential Drucker, The)
Look at your body— A painted puppet, a poor toy Of jointed parts ready to collapse, A diseased and suffering thing With a head full of false imaginings.
The Dhammapada
Her blood is settled, and her joints are stiff; Life and these lips have long been separated: Death lies on her like an untimely frost Upon the sweetest flower of all the field.
William Shakespeare (Romeo and Juliet)
... Chicago divided your heart. Leaving you loving the joint for keeps. Yet knowing it never can love you.
Nelson Algren (Chicago: City on the Make)
All beauty comes from beautiful blood and a beautiful brain. If the greatnesses are in conjunction in a man or woman it is enough...the fact will prevail through the universe...but the gaggery and gilt of a million years will not prevail. Who troubles himself about his ornaments or fluency is lost. This is what you shall so: Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life, re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body...
Walt Whitman (Leaves of Grass)
Society everywhere is in conspiracy against the manhood of everyone of its members. Society is a joint-stock company, in which the members agree, for the better securing of his bread to each shareholder, to surrender the liberty and culture of the eater. The virtue in most request is conformity. Self-reliance is its aversion. It loves not realities and creators, but names and customs.
Ralph Waldo Emerson (Self-Reliance: An Excerpt from Collected Essays, First Series)
Pain. Everyone is always in pain. Whether it’s a loose hangnail, a sore joint, a cramped back muscle—something. No human is never not in at least a minute amount of pain.
Rebecca Schaeffer (Not Even Bones (Market of Monsters, #1))
You live by yourself for a stretch of time and you get to staring at different objects. Sometimes you talk to yourself. You take meals in crowded joints. You develop an intimate relationship with your used Subaru. You slowly but surely become a has-been.
Haruki Murakami (Dance Dance Dance (The Rat, #4))
People talk about the happy quiet that can exist between two loves, but this, too, was great; sitting between his sister and his brother, saying nothing, eating. Before the world existed, before it was populated, and before there were wars and jobs and colleges and movies and clothes and opinions and foreign travel -- before all of these things there had been only one person, Zora, and only one place: a tent in the living room made from chairs and bed-sheets. After a few years, Levi arrived; space was made for him; it was as if he had always been. Looking at them both now, Jerome found himself in their finger joints and neat conch ears, in their long legs and wild curls. He heard himself in their partial lisps caused by puffy tongues vibrating against slightly noticeable buckteeth. He did not consider if or how or why he loved them. They were just love: they were the first evidence he ever had of love, and they would be the last confirmation of love when everything else fell away.
Zadie Smith (On Beauty)
You’re a coward,” he whispers. “You want to be with me and it terrifies you. And you’re ashamed,” he says. “Ashamed you could ever want someone like me. Aren’t you?” He drops his gaze and his nose grazes mine and I can almost count the millimeters between our lips. I’m struggling to focus, trying to remember that I’m mad at him, mad about something, but his mouth is right in front of mine and my mind can’t stop trying to figure out how to shove aside the space between us. “You want me,” he says softly, his hands moving up my back, “and it’s killing you.” I jerk backward, breaking away, hating my body for reacting to him, for falling apart like this. My joints feel flimsy, my legs have lost their bones. I need oxygen, need a brain, need to find my lungs— “You deserve so much more than charity,” he says, his chest heaving. “You deserve to live. You deserve to be alive.” He’s staring at me, unblinking. “Come back to life, love. I’ll be here when you wake up.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
The universe as we know it is a joint product of the observer and the observed. Pierre Teilhard de Chardin
Pierre Teilhard de Chardin
The first time I was ever called ugly, I was thirteen. It was a rich friend of my brother Carlton's over to shoot guns in the field. 'Why you crying, girl?' Constantine asked me in the kitchen. I told her what the boy had called me, tears streaming down my face. 'Well? Is you?' I blinked, paused my crying. 'Is I what?' 'Now you look a here, Egenia'-because constantien was the only one who'd occasionally follow Mama's rule. 'Ugly live up on the inside. Ugly be a hurtful, mean person. Is you one a them peoples?' 'I don't know. I don't think so,' I sobbed. Constantine sat down next to me, at the kitchen table. I heard the cracking of her swollen joints. She pressed her thumb hard in the palm of my hand, somthing we both knew meant Listen. Listen to me. 'Ever morning, until you dead in the ground, you gone have to make this decision.' Constantine was so close, I could see the blackness of her gums. 'You gone have to ask yourself, Am I gone believe what them fools say about me today?' She kept her thumb pressed hard in my hand. I nodded that I understood. I was just smart enough to realize she meant white people. And even though I still felt miserable, and knew that I was, most likely, ugly, it was the first time she ever talked to me like I was something besides my mother's white child. All my life I'd been told what to believe about politics, coloreds, being a girl. But with Constantine's thumb pressed in my hand, I realized I actually had a choice in what I could believe.
Kathryn Stockett (The Help)
Curran gave me a flat look. "I can always drive to a burger joint instead." "Oh, so you'd throw a burger down my throat and expect making out in the back seat?" He grinned. "We can do it in the front seat instead, if you prefer. Or on the hood of the car." "I'm not doing it on the hood of the car." "Is that a dare?" Why me?
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
Weight (too much or too little) is a by-product. Weight is what happens when you use food to flatten your life. Even with aching joints, it's not about food. Even with arthritis, diabetes, high blood pressure. It's about your desire to flatten your life. It's about the fact that you've given up without saying so. It's about your belief that it's not possible to live any other way -- and you're using food to act that out without ever having to admit it. (p. 53)
Geneen Roth (Women, Food and God: An Unexpected Path to Almost Everything)
For the word is quick and powerful Sharper than any two-edged sword Piercing even to the dividing asunder Of soul and spirit Of joints and marrow It is a discerner of the thoughts And intents of the heart
Amy Harmon (The Bird and the Sword (The Bird and the Sword Chronicles, #1))
What is the heart but a spring, and the nerves but so many strings, and the joints but so many wheels, giving motion to the whole body?
Thomas Hobbes
Vic nudged my elbow with his. "You and me are still friends, right? You guys get a joint custody in the divorce. Generous visitations rights." "Divorce?" Despite myself, I laughed. Only Vic could call the aftermath of a bad first date a divorce. We hadn't exactly been friends beforehand, so "still" was an exaggeration, but it would've been mean to point that out. Besides, I liked Vic. "We're still friends." "Excellent. The weirdos have to stick together around here." "Are you calling me a weirdo?" "Highest honor I can bestow.
Claudia Gray (Evernight (Evernight, #1))
We are usually told that democracy originated in ancient Athens—like science, or philosophy, it was a Greek invention. It’s never entirely clear what this is supposed to mean. Are we supposed to believe that before the Athenians, it never really occurred to anyone, anywhere, to gather all the members of their community in order to make joint decisions in a way that gave everyone equal say?
David Graeber (Fragments of an Anarchist Anthropology (Paradigm))
I’ve spent my entire life listening to people tell me why I can’t be loved and how I’m nothing but a worthless piece of shit. I always told myself that I didn’t care, that I didn’t need anyone else. It was a lie, you know. I do care and I want Kiara. If it costs me my life to be with her, it doesn’t matter. I’ve already lived past my prime, anyway. I get up every morning with more pain in my joints than the day before. If I have to die, I’d rather die knowing someone cared about me, just once. Is that really too much to ask? (Nykyrian) For us? Yes. It is. We are the gutter and the gutter is all we’ll ever be. Don’t reach out for the stars. They’ll burn you until there’s nothing left. (Syn) Then let me burn. (Nykyrian)
Sherrilyn Kenyon (Born of the Night (The League, #1))
The pretense in disputed elections is that the great conflict is between the two major parties. The reality is that there is a much bigger conflict that the two parties jointly wage against large numbers of Americans who are represented by neither party and against powerless millions around the world." (p. 65)
Howard Zinn (A Power Governments Cannot Suppress)
Mr. Franzen said he and Mr. Wallace, over years of letters and conversations about the ethical role of the novelist, had come to the joint conclusion that the purpose of writing fiction was “a way out of loneliness.” (NY Times article on the memorial service of David Foster Wallace.)
Jonathan Franzen
Language fails us, and sometimes our parents do too. We all fail each other, sometimes small, sometimes big, but look, when we love we trust, and when we fail, we fracture that joint.
Caleb Azumah Nelson (Open Water)
I mean,he decided we'd be better apart,you know?it wasn't a joint decision.like, if your gonna make a decision about me and my life without consulting me,i'd better be dying and unconscious and you'd better be following carefully written instructions.
James Patterson (Angel (Maximum Ride, #7))
Either I'm changing very quickly, and everything is standing still, or I'm the one standing still and everything is changing around me. Either way, I'm out of joint with the world.
Kate Rorick (The Secret Diary of Lizzie Bennet)
Perhaps the great renewal of the world will consist of this, that man and woman, freed of all confused feelings and desires, shall no longer seek each other as opposites, but simply as members of a family and neighbors, and will unite as human beings, in order to simply, earnestly, patiently, and jointly bear the heavy responsibility of sexuality that has been entrusted to them.
Rainer Maria Rilke (Letters to a Young Poet)
New York! The white prisons, the sidewalks swarming with maggots, the breadlines, the opium joints that are built like palaces, the kikes that are there, the lepers, the thugs, and above all, the ennui, the monotony of faces, streets, legs, houses, skyscrapers, meals, posters, jobs, crimes, loves... A whole city erected over a hollow pit of nothingness. Meaningless. Absolute meaningless.
Henry Miller (Tropic of Cancer (Tropic, #1))
What is an "I", and why are such things found (at least so far) only in association with, as poet Russell Edson once wonderfully phrased it, "teetering bulbs of dread and dream" -- that is, only in association with certain kinds of gooey lumps encased in hard protective shells mounted atop mobile pedestals that roam the world on pairs of slightly fuzzy, jointed stilts?
Douglas R. Hofstadter (Gödel, Escher, Bach: An Eternal Golden Braid)
The Great Gatsby's my favorite book," he says. "F. Scott Fitzgerald dedicated it to Zelda." "His wife?" I say. "Yeah. His crazy-ass wife who he had no business loving that much," he says, giving me a loaded look. "You know what their joint epitaph says? It's a quote from the book... Their kid picked it for them." I shake my head. "What's it say?" His eyes close halfway as he recites, "So we beat on, boats against the current, borne back ceaselessly into the past.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
His mouth twisted into a perceptive, sexy smile. "Hmm." "Hmm?" I looked away, flustered, automatically using irritation to cover my discomfort up. "What does 'hmm' have to do with anything? Could you ever use more than five words? All this grunting and miced words make you come across--primal." His smile tipped higher. "Primal." "You're impossible." "Me Jev, you Nora." "Stop it." But I nearly smiled in spite of myself. "Since we're keeping it primal, you smell good," he observed. Hw moved closer, makin me acutely aware of his size, the rise and fall of his chest, the warm burn of his skin on mine. Electricity tingled along my scalp, and I shuddered with pleasure. "It's called a shower...," I began automatically, then trailed off. My memory snagged, taken aback by a compelling and forceful sense of undue familiarity. "Soap, shampoo, hot water," I added, almost as an afterthought. "Naked. I know the drill," Jev said, something unreadable passing over his eyes. Unsure how to proceed, I attempted to wash away the moment with an airy laugh. "Are you flirting with me, Jev?" "Does it feel that way to you?" "I don't know you well enough to say either way." I tried to keep my voice level, neutral even. "Then we'll have to change that." Still uncertain of his motives, I cleared my throat. Two could play this game. "Running from bad guys together is your idea of playing getting-to-know-you?" "No. This is." He dipped my body backward, drawing me up in a slow arc until he raised me flush against him. In his arms, my joints loosened, my defenses melting as he led me through the sultry steps.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
In a civil war… every side is wrong. It’s hopeless to try to untangle it. Everyone is a victim.
Philip K. Dick (Time Out of Joint)
The string slices into the skin of his fingers and no matter how tough the calluses, it tears. But this beat is fast and even though his joints are aching, his arm's out of control like it has a mind of its own and the sweat tat drenches his hair and face seems to smother him, but nothing's going to stop Tom. He;s aiming for oblivion.
Melina Marchetta (The Piper's Son)
Don't look back, never look back. How often do people tell themselves that after an experience that is exceptionally good (or exceptionally bad?)? Often, I suppose. And the advice usually goes unheeded. Humans were built to look back; that's why we have tat swivel joint in our necks.
Stephen King (11/22/63)
The odd thing in this world is that an eager-beaver type, with no original ideas, who mimes those in authority above him right to the last twist of necktie and scrape of chin, always gets noticed. Gets selected. Rises.
Philip K. Dick (Time Out of Joint)
You know that to love is both to swim and to drown. You know to love is to be a whole, partial, a joint, a fracture, a heart, a bone. It is to bleed and heal. It is to be in the world, honest. It is to place someone next to your beating heart, in the absolute darkness of your inner, and trust they will hold you close. To love is to trust, to trust is to have faith. How else are you meant to love? You knew what you were getting into, but taking the Underground, returning home with no certainty of when you will see her next, it is terrifying.
Caleb Azumah Nelson (Open Water)
Break ups aren't fair. Why does only one person have power? We both agreed to start dating. Why do you get to make the decision to end it? Shouldn't it be a joint decision too? Relationships aren't a democracy. Not everyone gets an equal vote.
Alyssa Rose Ivy (Focus (The Crescent Chronicles, #2))
Women of today are still being called upon to stretch across the gap of male ignorance and to educate men as to our existence and our needs. This is an old and primary tool of all oppressors to keep the oppressed occupied with the master's concerns. Now we hear that is is the task of women of Color to educated white women - in the face of tremendous resistance - as to our existence, our differences, our relative roles in our joint survival. This is a diversion of energies and a tragic repetition of racist patriarchal thought.
Audre Lorde (Sister Outsider: Essays and Speeches)
After the death of the poet Jane Kenyon, her husband Donald Hall wrote, “We did not spend our days gazing into each other’s eyes. We did that gazing when we made love or when one of us was in trouble, but most of the time our gazes met and entwined as they looked at a third thing. Third things are essential to marriages, objects or practices or habits or arts or institutions or games or human beings that provide a site of joint rapture or contentment. Each member of a couple is separate; the two come together in double attention.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
The Trump marriage veered furthest away from my concept of the union — and surprised me most as a student of American politics. Donald and Melania seem to inhabit separate realms and to come together when necessary, when one could not move forward without the other. The presidency was one instance in which they were forced into a joint undertaking. If my choice of language sounds businesslike, that’s because that’s how I’ve come to view the Trumps. Having learned more about each partner’s history, I believe they are two highly ambitious individuals who benefit from their partnership. It’s a transaction: he gains a beautiful woman on his arm, a solid-seeming marriage, a son, and a savvy adviser. She gains wealth and international cachet.
Anne Michaud (Why They Stay: Sex Scandals, Deals, and Hidden Agendas of Eight Political Wives)
I couldn’t make sense out of what I was seeing. There was a shiny metal arm about an inch thick with a joint in the middle and a knob on the end. The arm was knocking the knob against the window. The oddest thing was that the arm wasn’t connected to anything. It appeared to be floating by itself in midair!
C.A. Knutsen (Tom and G.E.R.I.)
The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it. "What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?" "Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real." "Does it hurt?" asked the Rabbit. "Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt." "Does it happen all at once, like being wound up," he asked, "or bit by bit?" "It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand." "I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled. "The Boy's Uncle made me Real," he said. "That was a great many years ago; but once you are Real you can't become unreal again. It lasts for always.
Margery Williams Bianco (The Velveteen Rabbit)
But I don’t understand. Why do you want me to think that this is great architecture? He pointed to the picture of the Parthenon. That, said the Dean, is the Parthenon. - So it is. - I haven’t the time to waste on silly questions. - All right, then. - Roark got up, he took a long ruler from the desk, he walked to the picture. - Shall I tell you what’s rotten about it? - It’s the Parthenon! - said the Dean. - Yes, God damn it, the Parthenon! The ruler struck the glass over the picture. - Look,- said Roark. - The famous flutings on the famous columns – what are they there for? To hide the joints in wood – when columns were made of wood, only these aren’t, they’re marble. The triglyphs, what are they? Wood. Wooden beams, the way they had to be laid when people began to build wooden shacks. Your Greeks took marble and they made copies of their wooden structures out of it, because others had done it that way. Then your masters of the Renaissance came along and made copies in plaster of copies in marble of copies in wood. Now here we are, making copies in steel and concrete of copies in plaster of copies in marble of copies in wood. Why?
Ayn Rand (The Fountainhead)
You never forget about things you've done that you know you shouldn't have done. They hang around your mind, linger like a thief casing a joint for a future job. You see them there, dramatically lurking nearby in striped monochrome, leaping behind postboxes as soon as your head whips around to confront them. Or it's a familiar face in a crowd that you glimpse but then lose sight of. An annoying Where's Wally? forever locked away and hidden in every thought in your conscience. The bad thing that you did, always there to let you know.
Cecelia Ahern (The Time of My Life)
Patch's eyes grazed me with silent heat. My reflection swirled in them, red hair and lips aflame. I was connected to him by a force I couldn't control, a tiny thread that tethered my soul to his. With the moon at his back, shadows painted the faint hollows beneath his eyes and cheekbones, making him look breathtakingly handsome and equally diabolical. His hands steadied my face, holding me still before him. The wind tangled my hair around his wrists, twining us together. His thumbs moved across my cheekbones in a slow, intimate caress. Despite the cold, a steady burn coiled up inside me, vulnerable to his touch. His fingers traced lower, lower, leaving behind a hot, delicious ache. I closed my eyes, my joints melting. He lit me up like a flame, light and heat burning at a depth I'd never fathomed. His thumb stroked my lip, a soft, seductive tease. I gave a sharp sigh of pleasure. "Kiss you now?" he asked. I couldn't speak; a wilted no was my reply. His mouth, hot and daring, met mine. All play had left him, and he kissed me with his own black fire, deep and possessive, consuming my body, my soul, and laying waste to all past notions of what it meant to be kissed.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
In the back of my mind, I thought maybe I would find my Robert Redford in New Orleans. We made our way to the city by afternoon and planned to drive home when the sun rose over Lake Pontchartrain. We had no idea where else to go, except to Bourbon Street. We walked toward the bright lights and glowing colors of one strip club after another…. In 1975, Big Daddy’s was the top, topless go-go joint on Bourbon.
Karen Hinton (Penis Politics: A Memoir of Women, Men and Power)
Nothing has changed. The body is susceptible to pain, It must eat and breath air and sleep, It has thin skin and blood right underneath, An adequate stock of teeth and nails, Its bones are breakable, its joints are stretchable. In tortures all this is taken into account. Nothing has changed. The body shudders as it is shuddered Before the founding of Rome and after, In the twentieth century before and after Christ. Tortures are as they were, it’s just the earth that’s grown smaller, And whatever happens seems on the other side of the wall. Nothing has changed. It’s just that there are more people, Besides the old offenses, new ones have appeared, Real, imaginary, temporary, and none, But the howl with which the body responds to them, Was, and is, and ever will be a howl of innocence According to the time-honored scale and tonality. Nothing has changed. Maybe just the manners, ceremonies, dances, Yet the movement of the hands in protecting the head is the same. The body writhes, jerks, and tries to pull away Its legs give out, it falls, the knees fly up, It turns blue, swells, salivates, and bleeds. Nothing has changed. Except of course for the course of boundaries, The lines of forests, coasts, deserts, and glaciers. Amid these landscapes traipses the soul, Disappears, comes back, draws nearer, moves away, Alien to itself, elusive At times certain, at others uncertain of its own existence, While the body is and is and is And has no place of its own.
Wisława Szymborska
To see a thing one has to comprehend it. An armchair presupposes the human body, its joints and limbs; a pair of scissors, the act of cutting. What can be said of a lamp or a car? The savage cannot comprehend the missionary’s Bible; the passenger does not see the same rigging as the sailors. If we really saw the world, maybe we would understand it.
Jorge Luis Borges (The Book of Sand and Shakespeare's Memory)
We were halfway through our first joint when we heard Tom's footsteps coming down the stairs. 'Shhhh... Shhhh!' The footsteps approached my door. Silence. And then a piece of A4 paper appeared under my door. Neither of us said a word as I crept over and picked it up. It was a drawing of two stick men, each with a massive joint in their hand. And written underneath were the words 'Rule Breakers'.
Dougie Poynter (McFly: Unsaid Things... Our Story)
Do ye want me?" he whispered. "Sassenach, will ye take me--and risk the man that I am, for the sake of the man ye knew?" I felt a great wave of relief, mingled with fear. It ran from his hand on my shoulder to the tips of my toes, weakening my joints. "It's a lot too late to ask that," I said.... "Because I already risked everything I had. But whoever you are now Jamie Fraser--yes. Yes, I do want you.
Diana Gabaldon (Voyager (Outlander, #3))
By any rights, he should be dead. He was involved in an explosion with a bomb, which he happened to be carrying at the time. Conrad is something of a scientific miracle. There are more than thirty metal pins in his body. He has a metal plate in his skull. There are metal wires in his jaw and in most of his major joints." "He must set off a lot of airport alarms," Alex muttered.
Anthony Horowitz (Skeleton Key (Alex Rider, #3))
In fact, I take the view that God, in his infinite wisdom, didn't bother to spring for two joints - heaven and hell. They're the same place, but heaven is when you get everything you want and you meet Mummy and Daddy and your best friends and you all have a hug and a kiss and play your harps. Hell is the same place - no fire and brimstone - but they all pass by and don't see you. There's nothing, no recognition. You're waving, "It's me, your father," but you're invisible. You're on a cloud, you've got your harp, but you can't play with nobody because they don't see you. That's hell.
Keith Richards (Life)
Girls, be good to these spirits of music and poetry that breast your threshold with their scented gifts. Lift the lyre, clear and sweet, they leave with you. As for me, this body is now so arthritic I cannot play, hardly even hold the instrument. Can you believe my white hair was once black? And oh, the soul grows heavy with the body. Complaining knee-joints creak at every move. To think I danced as delicate as a deer! Some gloomy poems came from these thoughts: useless: we are all born to lose life, and what is worse, girls, to lose youth. The legend of the goddess of the dawn I’m sure you know: how rosy Eos madly in love with gorgeous young Tithonus swept him like booty to her hiding-place but then forgot he would grow old and grey while she in despair pursued her immortal way.
Sappho
One evening Milarepa returned to his cave after gathering firewood, only to find it filled with demons. They were cooking his food, reading his books, sleeping in his bed. They had taken over the joint. He knew about nonduality of self and other, but he still didn’t quite know how to get these guys out of his cave. Even though he had the sense that they were just a projection of his own mind—all the unwanted parts of himself—he didn’t know how to get rid of them. So first he taught them the dharma. He sat on this seat that was higher than they were and said things to them about how we are all one. He talked about compassion and shunyata and how poison is medicine. Nothing happened. The demons were still there. Then he lost his patience and got angry and ran at them. They just laughed at him. Finally, he gave up and just sat down on the floor, saying, “I’m not going away and it looks like you’re not either, so let’s just live here together.” At that point, all of them left except one. Milarepa said, “Oh, this one is particularly vicious.” (We all know that one. Sometimes we have lots of them like that. Sometimes we feel that’s all we’ve got.) He didn’t know what to do, so he surrendered himself even further. He walked over and put himself right into the mouth of the demon and said, “Just eat me up if you want to.” Then that demon left too.
Pema Chödrön (Start Where You Are: A Guide to Compassionate Living)
In this sense the Dionysian man resembles Hamlet: both have once looked truly into the essence of things, they have gained knowledge, and nausea inhibits action; for their action could not change anything in the eternal nature of things; they feel it to be ridiculous or humiliating that they should be asked to set right a world that is out of joint. Knowledge kills action; action requires the veils of illusion: that is the doctrine of Hamlet, not that cheap wisdom of Jack the Dreamer who reflects too much and, as it were, from an excess of possibilities does not get around to action. Not reflection, no--true knowledge, an insight into the horrible truth, outweighs any motive for action, both in Hamlet and in the Dionysian man. Now no comfort avails any more; longing transcends a world after death, even the gods; existence is negated along with its glittering reflection in the gods or in an immortal beyond. Conscious of the truth he has once seen, man now sees everywhere only the horror or absurdity of existence; now he understands what is symbolic in Ophelia's fate; now he understands the wisdom of the sylvan god, Silenus: he is nauseated. Here, when the danger to his will is greatest, art approaches as a saving sorceress, expert at healing. She alone knows how to turn these nauseous thoughts about the horror or absurdity of existence into notions with which one can live: these are the sublime as the artistic taming of the horrible, and the comic as the artistic discharge of the nausea of absurdity. The satyr chorus of the dithyramb is the saving deed of Greek art; faced with the intermediary world of these Dionysian companions, the feelings described here exhausted themselves.
Friedrich Nietzsche (The Birth of Tragedy / The Case of Wagner)
We must be as stealthy as rats in the wainscoting of their society. It was easier in the old days, of course, and society had more rats when the rules were looser, just as old wooden buildings have more rats than concrete buildings. But there are rats in the building now as well. Now that society is all ferrocrete and stainless steel there are fewer gaps in the joints. It takes a very smart rat indeed to find these openings. Only a stainless steel rat can be at home in this environment...
Harry Harrison (The Stainless Steel Rat (Stainless Steel Rat, #4))
With a suddenness that startled them all the wizard sprang to his feet. He was laughing! "I have it!" he cried. "Of course, of course! Absurdly simple, like most riddles when you see the answer." Picking up his staff he stood before the rock and said in a clear voice: Mellon! The star shone out briefly and faded again. Then silently a great doorway was outlined, though not a crack or joint had been visible before. Slowly it divided in the middle and swung outwards inch by inch, until both doors lay back against the wall.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Our radio plays rhythm and blues as we pass the joint back and forth in jutjawed silence both looking ahead with big private thoughts now so vast we can't communicate them anymore and if we tried it would take a million years and a billion books ― Too late, too late, the history of everything we've seen together and separately has become a library in itself ― The shelves pile higher ― They're full of misty documents or documents of the Mist - The mind has convoluted in every tuckaway every whichaway tuckered hole till there's no more the expressing of our latest thoughts let alone the old.
Jack Kerouac (Big Sur)
If someone had asked him, “Ben, are you lonely? , ” he would have looked at that someone with real surprise. The question had never even occurred to him. He had no friends, but he had his books and his dreams; he had his Revell models; he had a gigantic set of Lincoln Logs and built all sorts of stuff with them. His mother had exclaimed more than once that Ben’s Lincoln Logs houses looked better than some real ones that came from blueprints. He had a pretty good Erector Set, too. He was hoping for the Super Set when his birthday came around in October. With that one you could build a clock that really told time and a car with real gears in it. Lonely? he might have asked in return, honestly foozled. Huh? What? A child blind from birth doesn’t even know he’s blind until someone tells him. Even then he has only the most academic idea of what blindness is; only the formerly sighted have a real grip on the thing. Ben Hanscom had no sense of being lonely because he had never been anything but. If the condition had been new, or more localized, he might have understood, but loneliness both encompassed his life and overreached it. It simply was, like his double-jointed thumb or the funny little jag inside one of his front teeth, the little jag his tongue began running over whenever he was nervous.
Stephen King (It)
In the midst of aches in the joints, anxiety over the payment of bills, concern for the safety of those you love, envy of the rich, fear of robbers, dog-weariness at the end of a long day, and the unacceptable slipping away of youth, there does occasionally appear, like a ray of light piercing the clouds, a moment of joy. Perhaps you have entered the house and sat down before removing your boots. A friend has pressed a drink into your hands, and is telling you the latest news. You see from his face that he's glad you've come in; and you are glad too. Glad to be sitting down, glad of the warming glow of the dirnk, glad of your friend's furrowed brow and eager speech. For this moment, nothing more is required. It is in its way unimprovable. This is what I mean by the Great Enough.
William Nicholson (The Society of Others)
Be calm! I entreat you to hear me before you give vent to your hatred on my devoted head. Have I not suffered enough, that you seek to increase my misery? Life, although it may only be an accumulation of anguish, is dear to me, and I will defend it. Remember, thou hast made me more powerful than thyself; my height is superior to thine, my joints more supple. But I will not be tempted to set myself in opposition to thee. I am thy creature, and I will be even mild and docile to my natural lord and king if thou wilt also perform thy part, the which thou owest me. Oh, Frankenstein, be not equitable to every other and trample upon me alone, to whom thy justice, and even thy clemency and affection, is most due. Remember that I am thy creature; I ought to be thy Adam, but I am rather the fallen angel, whom thou drivest from joy for no misdeed. Everywhere I see bliss, from which I alone am irrevocably excluded. I was benevolent and good; misery made me a fiend. Make me happy, and I shall again be virtuous.
Mary Wollstonecraft Shelley (Frankenstein, or the Modern Prometheus)
Because I am enough. My heart is enough. The stories and the sentences twisting around my mind are enough. I am fizzing and frothing and buzzing and exploding. I'm bubbling over and burning up. My early-morning walks and my late-night baths are enough. My loud laugh at the pub is enough. My piercing whistle, my singing in the shower, my double-jointed toes are enough. I am a just-pulled pint with a good, frothy heard on it. I am my own universe; a galaxy; a solar system. I am the warm-up act, the main event, and the backing singers. And if this is it, if this is all there is- just me and the trees and the sky and the seas- I know now that that's enough.
Dolly Alderton
How can I ever make you understand Cassie and me? I would have to take you there, walk you down every path of our secret shared geography. The truism says it’s against all odds for a straight man and woman to be real friends, platonic friends; we rolled thirteen, threw down five aces and ran away giggling. She was the summertime cousin out of storybooks, the one you taught to swim at some midge-humming lake and pestered with tadpoles down her swimsuit, with whom you practiced first kisses on a heather hillside and laughed about it years later over a clandestine joint in your granny’s cluttered attic. She painted my fingernails gold and dared me to leave them that way for work…We climbed out her window and down the fire escape and lay on the roof of the extension below, drinking improvised cocktails and singing Tom Waits and watching the stars spin dizzily around us. No.
Tana French (In the Woods (Dublin Murder Squad, #1))
Once I dated a woman I only liked 43%. So I only listened to 43% of what she said. Only told the truth 43% of the time. And only kissed with 43% of my lips. Some say you can't quantify desire, attaching a number to passion isn't right, that the human heart doesn't work like that. But for me it does-I walk down the street and numbers appear on the foreheads of the people I look at. In bars, it's worse. With each drink, the numbers go up until every woman in the joint has a blurry eighty something above her eyebrows, and the next day I can only remember 17% of what actually happened. That's the problem with booze-it screws with your math.
Jeffrey McDaniel
But I’m not the one digging her grave; I didn’t open her hole in the earth when I drove away that night or when I couldn’t make her come with us. My dad dug it years ago; he forced her to lie down in it and kept her there by fear and beatings. And when she tried to get out, he stomped her back in. She has been lying there for twenty-five years. Her muscles have atrophied, her joints have stiffened, and she can’t see anything except him and the tight little space she calls home. I don’t know how she’ll get out; I can tug and pull and yank, but it won’t make any difference. She was right: she’s gotta solve it her own way.
Swati Avasthi (Split)
Things aren't like this," he kept repeating. "It shouldn't be this way." As if he had access to some other plane of existence, some parallel, "right" universe, and had sensed that our time had somehow been put out of joint. Such was his vehemence that I found myself believing him, believing, for example, in the possibility of that other life in which Vina had never left and we were making our lives together, all three of us, ascending together to the stars. Then he shook his head, and the spell broke. He opened his eyes, grinning ruefully. As if he knew his thoughts had infected mine. As if he knew his power. "Better get on with it," he said. "Make do with what there is.
Salman Rushdie (The Ground Beneath Her Feet)
These are the voices which we hear in solitude, but they grow faint and inaudible as we enter into the world. Society everywhere is in conspiracy against the manhood of every one of its members. Society is a joint stock company in which the members agree for the better securing of his bread to each shareholder, to surrender the liberty and culture of the eater. The virtue in most request is conformity. Self-reliance is its aversion. It [That is, conformity.] loves not realities and creators, but names and customs. "Whoso would be a man must be a nonconformist. He who would gather immortal palms must not be hindered by the name of goodness, but must explore if it be goodness. Nothing is at last sacred but the integrity of our own mind. Absolve you to yourself, and you shall have the suffrage of the world. I remember an answer which when quite young I was prompted to make to a valued adviser who was wont to importune me with the dear old doctrines of the church. On my saying, What have I to do with the sacredness of traditions, if I live wholly from within? my friend suggested--'But these impulses may be from below, not from above.' I replied, 'They do not seem to me to be such; but if I am the devil's child, I will live them from the devil.' No law can be sacred to me but that of my nature. Good and bad are but names very readily transferable to that or this; the only right is what is after my constitution, the only wrong what is against it. A man is to carry himself in the presence of all opposition as if everything were titular and ephemeral but he. I am ashamed to think how easily we capitulate to badges and names, to large societies and dead institutions. Every decent an well-spoken individual affects and sways me more than is right. I ought to go upright and vital, and speak the rude truth in all ways.
Ralph Waldo Emerson
Constantine sat down next to me, at the kitchen table, I heard the cracking of her swollen joints. She pressed her thumb hard in the palm of my hand, something we both knew meant 'Listen to me.' "Every morning, until you dead in the ground, you gone have to make this decision." Constantine was so close, I could see the blackness of her gums. "You gone have to ask yourself, am I gone believe what them fools say about me today?" She kept her thumb pressed hard in my hand. I nodded that I understood. I was just smart enough to realize she meant white people. And even though I still felt miserable, and knew that I was, most likely, ugly, it was the first time she ever talked to me like I was something besides my mother's white child. All my life I'd been told what to believe about politics, coloreds, being a girl. But with Constantine's thumb pressed in my hand, I realized I actually had a choice in what I could believe.
Kathryn Stockett (The Help)
On the plane leaving Tokyo I’m sitting alone in back twisting the knobs on Etch-A-Sketch and Roger is next to me singing “Over the Rainbow” straight into my ear, things changing, falling apart, fading, another year, a few more moves, a hard person who doesn’t give a fuck, a boredom so monumental it humbles, arrangements so fleeting made by people you don’t even know that it requires you to lose any sense of reality you might have once acquired, expectations so unreasonable you become superstitious about ever matching them. Roger offers me a joint and I take a drag and stare out the window and I relax for a moment when the lights of Tokyo, which I never realized is an island, vanish from view but this feeling only lasts a moment because Roger is telling me that other lights in other cities, in other countries, on other planets, are coming into view soon.
Bret Easton Ellis (The Informers)
Ten Best Song to Strip 1. Any hip-swiveling R&B fuckjam. This category includes The Greatest Stripping Song of All Time: "Remix to Ignition" by R. Kelly. 2. "Purple Rain" by Prince, but you have to be really theatrical about it. Arch your back like Prince himself is daubing body glitter on your abdomen. Most effective in nearly empty, pathos-ridden juice bars. 3. "Honky Tonk Woman" by the Rolling Stones. Insta-attitude. Makes even the clumsiest troglodyte strut like Anita Pallenberg. (However, the Troggs will make you look like even more of a troglodyte, so avoid if possible.) 4. "Pour Some Sugar on Me" by Def Leppard. The Lep's shouted choruses and relentless programmed drums prove ideal for chicks who can really stomp. (Coincidence: I once saw a stripper who, like Rick Allen, had only one arm.) 5. "Amber" by 311. This fluid stoner anthem is a favorite of midnight tokers at strip joints everywhere. Mellow enough that even the most shitfaced dancer can make it through the song and back to her Graffix bong without breaking a sweat. Pass the Fritos Scoops, dude. 6. "Miserable" by Lit, but mostly because Pamela Anderson is in the video, and she's like Jesus for strippers (blonde, plastic, capable of parlaying a broken nail into a domestic battery charge, damaged liver). Alos, you can't go wrong stripping to a song that opens with the line "You make me come." 7. "Back Door Man" by The Doors. Almost too easy. The mere implication that you like it in the ass will thrill the average strip-club patron. Just get on all fours and crawl your way toward the down payment on that condo in Cozumel. (Unless, like most strippers, you'd rather blow your nest egg on tacky pimped-out SUVs and Coach purses.) 8. Back in Black" by AC/DC. Producer Mutt Lange wants you to strip. He does. He told me. 9. "I Touch Myself" by the Devinyls. Strip to this, and that guy at the tip rail with the bitch tits and the shop teacher glasses will actually believe that he alone has inspired you to masturbate. Take his money, then go masturbate and think about someone else. 10. "Hash Pipe" by Weezer. Sure, it smells of nerd. But River Cuomo is obsessed with Asian chicks and nose candy, and that's just the spirit you want to evoke in a strip club. I recommend busting out your most crunk pole tricks during this one.
Diablo Cody
Somatic Symptoms: People with Complex PTSD often have medical unexplained physical symptoms such as abdominal pains, headaches, joint and muscle pain, stomach problems, and elimination problems. These people are sometimes most unfortunately mislabeled as hypochondriacs or as exaggerating their physical problems. But these problems are real, even though they may not be related to a specific physical diagnosis. Some dissociative parts are stuck in the past experiences that involved pain may intrude such that a person experiences unexplained pain or other physical symptoms. And more generally, chronic stress affects the body in all kinds of ways, just as it does the mind. In fact, the mind and body cannot be separated. Unfortunately, the connection between current physical symptoms and past traumatizing events is not always so clear to either the individual or the physician, at least for a while. At the same time we know that people who have suffered from serious medical, problems. It is therefore very important that you have physical problems checked out, to make sure you do not have a problem from which you need medical help.
Suzette Boon (Coping with Trauma-Related Dissociation: Skills Training for Patients and Therapists (Norton Series on Interpersonal Neurobiology))
Song of myself I am of old and young, of the foolish as much as the wise, Regardless of others, ever regardful of others, Maternal as well as paternal, a child as well as a man, Stuff'd with the stuff that is coarse and stuff'd with the stuff that is fine, One of the Nation of many nations, the smallest the same and the largest the same, A Southerner soon as a Northerner, a planter nonchalant and hospitable down by the Oconee I live, A Yankee bound my own way ready for trade, my joints the limberest joints on earth and the sternest joints on earth, A Kentuckian walking the vale of the Elkhorn in my deer-skin leggings, a Louisianian or Georgian, A boatman over lakes or bays or along coasts, a Hoosier, Badger, Buckeye; At home on Kanadian snow-shoes or up in the bush, or with fishermen off Newfoundland, At home in the fleet of ice-boats, sailing with the rest and tacking, At home on the hills of Vermont or in the woods of Maine, or the Texan ranch, Comrade of Californians, comrade of free North-Westerners, (loving their big proportions,) Comrade of raftsmen and coalmen, comrade of all who shake hands and welcome to drink and meat, A learner with the simplest, a teacher of the thoughtfullest, A novice beginning yet experient of myriads of seasons, Of every hue and caste am I, of every rank and religion, A farmer, mechanic, artist, gentleman, sailor, quaker, Prisoner, fancy-man, rowdy, lawyer, physician, priest. I resist any thing better than my own diversity, Breathe the air but leave plenty after me, And am not stuck up, and am in my place.
Walt Whitman
Imagine you are Siri Keeton: You wake in an agony of resurrection, gasping after a record-shattering bout of sleep apnea spanning one hundred forty days. You can feel your blood, syrupy with dobutamine and leuenkephalin, forcing its way through arteries shriveled by months on standby. The body inflates in painful increments: blood vessels dilate; flesh peels apart from flesh; ribs crack in your ears with sudden unaccustomed flexion. Your joints have seized up through disuse. You're a stick-man, frozen in some perverse rigor vitae. You'd scream if you had the breath. Vampires did this all the time, you remember. It was normal for them, it was their own unique take on resource conservation. They could have taught your kind a few things about restraint, if that absurd aversion to right-angles hadn't done them in at the dawn of civilization. Maybe they still can. They're back now, after all— raised from the grave with the voodoo of paleogenetics, stitched together from junk genes and fossil marrow steeped in the blood of sociopaths and high-functioning autistics. One of them commands this very mission. A handful of his genes live on in your own body so it too can rise from the dead, here at the edge of interstellar space. Nobody gets past Jupiter without becoming part vampire.
Peter Watts (Blindsight (Firefall, #1))
Religion is the opium of the people. He believed that, that dyspeptic little joint-keeper. Yes, and music is the opium of the people. Old mount-to-the-head hadn't thought of that. And now economics is the opium of the people; along with patriotism the opium of the people in Italy and Germany. What about sexual intercourse; was that an opium of the people? Of some of the people. Of some of the best of the people. But drink was a sovereign opium of the people, oh, an excellent opium. Although some prefer the radio, another opium of the people, a cheap one he had just been using. Along with these went gambling, an opium of the people if there ever was one, one of the oldest. Ambition was another, an opium of the people along with a belief in any new form of government. What you wanted was the minimum of government, always less government. Liberty, what we believed in, now the name of a MacFadden publication. We believed in that although they had not found a new name for it yet. But what was the real one? What was the real, the actual, opium of the people? He knew it very well. It was gone just a little way around the corner in that well-lighted part of his mind that was there after two or more drinks in the evening; that he knew was there (it was not really there of course). What was it? He knew very well. What was it? Of course; bread was the opium of the people. Would he remember that and would it make sense in the daylight? Bread is the opium of the people.
Ernest Hemingway
Consider the following sequence of cases, which we shall call the Tale of the Slave, and imagine it is about you. 1. There is a slave completely at the mercy of his brutal master’s whims. He is often cruelly beaten, called out in the middle of the night, and so on. 2. The master is kindlier and beats the slave only for stated infractions of his rules (not fulling the work quota, and so on). He gives the slave some free time. 3. The master has a group of slave, and he decides how things are to be allocated among them on nice grounds, taking into account their needs, merit, and so on. 4. The master allows the slave four days on their own and requires them to work only three days a week on his land. The rest of the time is their own. 5. The master allows his slaves to go off and work in the city (or anywhere they wish) for wages. He also retains the power to recall them to the plantation if some emergency threatens his land; and to raise or lower the three-sevenths amount required to be turned over to him. He further retains the right to restrict the slaves from participating in certain dangerous activities that threaten his financial return, for example, mountain climbing, cigarette smoking. 6. The master allows all of his 10,000 slaves, except you, to vote, and the joint decision is made by all of them. There is open discussion, and so forth, among them, and they have the power to determine to what use to put whatever percentage of your (and their) earnings they decide to take; what activities legitimately may be forbidden to you, and so on. 7. Though still not having the vote, you are at liberty (and are given the right) to enter into discussion of the 10,000, to try to persuade them to adopt various policies and to treat you and themselves in a certain way. They then go off to vote to decide upon policies covering the vast range of their powers. 8. In appreciation of your useful contributions to discussion, the 10,000 allow you to vote if they are deadlocked; they commit themselve3s to this procedure. After the discussion you mark your vote on a slip of paper, and they go off and vote. In the eventuality that they divide evenly on some issue, 5,000 for and 5,000 against, they look at your ballot and count it in. This has never yet happened; they have never yet had occasion to open your ballot. (A single master may also might commit himself to letting his slave decide any issue concerning him about which he, the master, was absolutely indifferent.) 9. They throw your vote in with theirs. If they are exactly tied your vote carries the issue. Otherwise it makes no difference to the electoral outcome. The question is: which transition from case 1 to case 9 made it no longer the tale of the slave?
Robert Nozick (Anarchy, State, and Utopia)