Temple Ceiling Quotes

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Been thinking of my grandfather, whose wayward brilliance skipped my father’s generation. Once, he showed me an aquatint of a certain Siamese temple. Don’t recall its name, but ever since a disciple of the Buddha preached on the spot centuries ago, every bandit king, tyrant, and monarch of that kingdom has enhanced it with marble towers, scented arboretums, gold-leafed domes, lavished murals on its vaulted ceilings, set emeralds into the eyes of its statuettes. When the temple finally equals its counterpart in the Pure Land, so the story goes, that day humanity shall have fulfilled its purpose, and Time itself shall come to an end. To men like Ayrs, it occurs to me, this temple is civilization. The masses, slaves, peasants, and foot soldiers exist in the cracks of its flagstones, ignorant even of their ignorance. Not so the great statesmen, scientists, artists, and most of all, the composers of the age, any age, who are civilization’s architects, masons, and priests. Ayrs sees our role is to make civilization ever more resplendent. My employer’s profoundest, or only, wish is to create a minaret that inheritors of Progress a thousand years from now will point to and say, “Look, there is Vyvyan Ayrs!” How vulgar, this hankering after immortality, how vain, how false. Composers are merely scribblers of cave paintings. One writes music because winter is eternal and because, if one didn’t, the wolves and blizzards would be at one’s throat all the sooner.
David Mitchell (Cloud Atlas)
But…” Hazel gripped his shoulders and stared at him in amazement. “Frank, what happened to you?” “To me?” He stood, suddenly self-conscious. “I don’t…” He looked down and realized what she meant. Triptolemus hadn’t gotten shorter. Frank was taller. His gut had shrunk. His chest seemed bulkier. Frank had had growth spurts before. Once he’d woken up two centimeters taller than when he’d gone to sleep. But this was nuts. It was as if some of the dragon and lion had stayed with him when he’d turned back to human. “Uh…I don’t…Maybe I can fix it.” Hazel laughed with delight. “Why? You look amazing!” “I—I do?” “I mean, you were handsome before! But you look older, and taller, and so distinguished—” Triptolemus heaved a dramatic sigh. “Yes, obviously some sort of blessing from Mars. Congratulations, blah, blah, blah. Now, if we’re done here…?” Frank glared at him. “We’re not done. Heal Nico.” The farm god rolled his eyes. He pointed at the corn plant, and BAM! Nico di Angelo appeared in an explosion of corn silk. Nico looked around in a panic. “I—I had the weirdest nightmare about popcorn.” He frowned at Frank. “Why are you taller?” “Everything’s fine,” Frank promised. “Triptolemus was about to tell us how to survive the House of Hades. Weren’t you, Trip?” The farm god raised his eyes to the ceiling, like, Why me, Demeter? “Fine,” Trip said. “When you arrive at Epirus, you will be offered a chalice to drink from.” “Offered by whom?” Nico asked. “Doesn’t matter,” Trip snapped. “Just know that it is filled with deadly poison.” Hazel shuddered. “So you’re saying that we shouldn’t drink it.” “No!” Trip said. “You must drink it, or you’ll never be able to make it through the temple. The poison connects you to the world of the dead, lets you pass into the lower levels. The secret to surviving is”—his eyes twinkled—“barley.” Frank stared at him. “Barley.” “In the front room, take some of my special barley. Make it into little cakes. Eat these before you step into the House of Hades. The barley will absorb the worst of the poison, so it will affect you, but not kill you.” “That’s it?” Nico demanded. “Hecate sent us halfway across Italy so you could tell us to eat barley?” “Good luck!” Triptolemus sprinted across the room and hopped in his chariot. “And, Frank Zhang, I forgive you! You’ve got spunk. If you ever change your mind, my offer is open. I’d love to see you get a degree in farming!” “Yeah,” Frank muttered. “Thanks.” The god pulled a lever on his chariot. The snake-wheels turned. The wings flapped. At the back of the room, the garage doors rolled open. “Oh, to be mobile again!” Trip cried. “So many ignorant lands in need of my knowledge. I will teach them the glories of tilling, irrigation, fertilizing!” The chariot lifted off and zipped out of the house, Triptolemus shouting to the sky, “Away, my serpents! Away!” “That,” Hazel said, “was very strange.” “The glories of fertilizing.” Nico brushed some corn silk off his shoulder. “Can we get out of here now?” Hazel put her hand on Frank’s shoulder. “Are you okay, really? You bartered for our lives. What did Triptolemus make you do?” Frank tried to hold it together. He scolded himself for feeling so weak. He could face an army of monsters, but as soon as Hazel showed him kindness, he wanted to break down and cry. “Those cow monsters…the katoblepones that poisoned you…I had to destroy them.” “That was brave,” Nico said. “There must have been, what, six or seven left in that herd.” “No.” Frank cleared his throat. “All of them. I killed all of them in the city.” Nico and Hazel stared at him in stunned silence. Frank
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Brake.” The frontend dipped into a rut and the force tossed me close to the ceiling. “For God’s sake, flip-flop, flip-flop.” The pickup cut ruts in the wet ground, spun halfway around on the grass before coming to a halt. Somehow I’d wound up with my ass on the floorboard again and my legs on the seat. I glared at Morgan. The flush in his cheeks glowed against his pale skin. He swallowed several times. “Well, at least it went better than last time.” “Jesus, how could that have been better? You almost killed us.” “I didn’t catch the truck on fire.” He fluttered his hand next to his temple. “Or drive into the pond.
Adrienne Wilder (In the Absence of Light (Morgan & Grant, #1))
When Jesus died on the cross, the “velon” (the veil) was torn from the ceiling to the ground. An actual, literal, physical event happened in a literal, physical temple; a supernatural event occurred. But that is not what was most important. The most important thing is what it meant: sinful man was no longer separated from a holy God, and now has access to the Father though the blood of the High Priest. If the Temple is rebuilt—and there is no reason to believe it will not be—and an image is set up; it will only be a reflection of Antichrist being worshiped in Christendom. And it will come about the way it is coming about now—Hellenization: God’s people being swallowed up by popular culture.
James Jacob Prasch (Shadows of the Beast)
Better check on him,” Cara says, nodding to Tobias. “Yeah,” I say. I cross the room and stand in front of the windows, staring at what we can see of the compound, which is just more of the same glass and steel, pavement and grass and fences. When he sees me, he stops pacing and stands next to me instead. “You all right?” I say to him. “Yeah.” He sits on the windowsill, facing me, so we’re at eye level. “I mean, no, not really. Right now I’m just thinking about how meaningless it all was. The faction system, I mean.” He rubs the back of his neck, and I wonder if he’s thinking about the tattoos on his back. “We put everything we had into it,” he says. “All of us. Even if we didn’t realize we were doing it.” “That’s what you’re thinking about?” I raise my eyebrows. “Tobias, they were watching us. Everything that happened, everything we did. They didn’t intervene, they just invaded our privacy. Constantly.” He rubs his temple with his fingertips. “I guess. That’s not what’s bothering me, though.” I must give him an incredulous look without meaning to, because he shakes his head. “Tris, I worked in the Dauntless control room. There were cameras everywhere, all the time. I tried to warn you that people were watching you during your initiation, remember?” I remember his eyes shifting to the ceiling, to the corner. His cryptic warnings, hissed between his teeth. I never realized he was warning me about cameras--it just never occurred to me before. “It used to bother me,” he says. “But I got over it a long time ago. We always thought we were on our own, and now it turns out we were right--they left us on our own. That’s just the way it is.” “I guess I don’t accept that,” I say. “If you see someone in trouble, you should help them. Experiment or not. And…God.” I cringe. “All the things they saw.” He smiles at me, a little. “What?” I demand. “I was just thinking of some of the things they saw,” he says, putting his hand on my waist. I glare at him for a moment, but I can’t sustain it, not with him grinning at me like that. Not knowing that he’s trying to make me feel better. I smile a little.
Veronica Roth (Allegiant (Divergent, #3))
Are you sure you won’t be too bored here, waiting for us to come back? We don’t know how long our time with the Pythia will last; I hope you’ll find something to do.” “Of course I will,” I told him. “I’ll be exploring Delphi.” “No you won’t,” my brothers responded in perfect unison. Then they took turns telling me exactly why I couldn’t do what I wanted. “You wouldn’t be safe,” Castor said. “You’d get lost if you went wandering around the city on your own,” Polydeuces added. “It’s too big.” “Too noisy.” “Too confusing.” “Too busy.” “You could run into the wrong sort of people.” “Dangerous types.” “But sneaky enough so you couldn’t tell they’re dangerous until it’s too late.” “We’re responsible for your safety.” “We have to know where you are at all times.” “It’s not that we don’t trust you, Helen.” “It’s them.” “It’s for your own good.” I flopped down on my bed. “Fine. Go. I’ll stay here,” I told the ceiling. Castor and Polydeuces each grabbed one of my wrists and pulled me back to my feet. “I don’t think so,” Castor said, chuckling. “You’d stay here, all right. You’d stay here just until you saw us go into Apollo’s temple, and then you’d be a little cloud of dust sailing out through the gates.” “You don’t have to come with us,” Polydeuces said. “But if you want to tour this city, you’ll have to do it on our terms.” With that, he left me in Castor’s company. “Where’s he going?” I asked. “Probably to see if the priests of Apollo have an oil jar big enough to stuff you inside for safekeeping.” He winked at me. No matter how much I loved my brothers, I wasn’t in the mood for more teasing. “Aren’t you afraid you’ll insult the Pythia if you don’t go to see her right now? You were summoned. She could foretell terrible fates for the two of you if you keep her waiting.” Castor didn’t seem worried. “If she’s truly blessed with the gift of prophecy, she already knows we’re going to be delayed. And if she can’t foretell that, she’s as much of an oracle as I am, so why should I care what she predicts?” He laughed out loud, then added, “But don’t tell Polydeuces I said that. He’s the devout one.
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
You look at the history of any sentient species and what do you find but tableaux of violence and slaughter. It’s finger-painted on the ceilings of caves and engraved into the walls of temples. Dig a hole deep enough on any world and you’ll find the skulls and bones of adults and children fractured by crude weapons. All of us were fighting long before we were farming and raising livestock.” He held up a hand before anyone could voice an objection. “All of you are exceedingly well educated, and you’re going to start rattling off the names of species and societies where that isn’t the case. And my answer is that those aren’t the beings or the star systems we need to worry about. It’s the rest of them. Violence is hardwired into most of us and there’s no eliminating the impulse—not with an army of stormtroopers or a fleet of Star Destroyers. That’s why we’ve embarked on a path to a different solution. We have a chance to forge a peace that will endure for longer than the Republic was in existence.” “Peace through fear,” Reeva said. “Yes,” Krennic told her, and let it go at that.
James Luceno (Star Wars: Catalyst - A Rogue One Novel)
Azriel straightened a sagging section of garland over the windowsill. 'It's almost like you two tried to make it as ugly as possible.' Cassian clutched at his heart. 'We take offense to that.' Azriel sighed at the ceiling. 'Poor Az,' I said, pouring myself another glass. 'Wine will make you feel better.' He glared at me, then the bottle, then Cassian... and finally stormed across the room, took the bottle from my hand, and chugged the rest. Cassian grinned with delight. Mostly because Rhys drawled from the doorway, 'Well, at least now I know who's drinking all my good wine. Want another one, Az?' Azriel nearly spewed the wine into the fire, but made himself swallow and turn, red-faced, to Rhys. 'I would like to explain-' Rhys laughed, the rich sound bouncing off the carved oak moldings of the room. 'Five centuries, and you think I don't know that if my wine's gone, Cassian's usually behind it?' Cassian raised his glass in a salute. Rhys surveyed the room and chuckled. 'I can tell exactly which ones you two did, and which ones Azriel tried to fix before I got here.' Azriel was indeed now rubbing his temple. Rhys lifted a brow at me. 'I expected better from an artist.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
Oh,” he said, “I expect in a minute the door will be flung back and I’ll be dragged off to some sort of temple arena where I’ll fight maybe a couple of giant spiders and an eight-foot slave from the jungles of Klatch and then I’ll rescue some kind of a princess from the altar and then kill off a few guards or whatever and then this girl will show me the secret passage out of the place and we’ll liberate a couple of horses and escape with the treasure.” Hrun leaned his head back on his hands and looked at the ceiling, whistling tunelessly. “All that?” said Twoflower. “Usually.
Terry Pratchett (The Color of Magic (Discworld, #1))
The room was small, slightly bigger than his bedroom, but far, far more beautiful. It resembled some of the Asian temples he'd seen in his aunt's coffee-table books. The walls were painted in rich hues of red, green, blue, yellow, and gold. When Alex looked up, he saw a dome-shaped ceiling with a sun, moon and stars made out of pearls and gems. The ground was tiled and shaped into a model of forests, mountains, pastures and rivers-like a mosaic. And across the room was a set of jewel-encrusted thrones where two finely carved statues sat. The life-size carvings were different than those of the army outside the chamber. Theses still wore their original colours, preserved perhaps by the lack of fresh air in the room. Instead of armour, the male figure wore a long, regal robe made of small rectangular-shaped tiles. Alex immediately thought of the chain0mail that knights wore in the Middle Ages, except this was made of jade and not metal. The statue of the beautiful woman also wore clothes or richness and royalty, but hers did not include jade, only gold and precious stones. "They must be the Emperor and Empress," Ryan said.
B.L. Sauder (Year of the Golden Dragon (Journey to the East))
You look at the history of any sentient species and what do you find but tableaux of violence and slaughter. It’s finger-painted on the ceilings of caves and engraved into the walls of temples.
James Luceno (Star Wars: Catalyst - A Rogue One Novel)
has it that Josephus himself had come into possession of an Augustan aureus when he was summoned to Caesarea by the Judean authorities to amend his historical work-in-progress, The Antiquities of the Jews. When Harel, my graduate student, found the coin on the wine krater, my imagination didn't have to stretch far to conclude it was most likely the very aureus that had belonged to Josephus." Between the two inscriptions she drew a rough sketch of the emperor's head. "Although it was shadowed with age," she said, "I could clearly make out that the head of Augustus was wearing a crown — with twelve spikes." Ryan was puzzled. "Like the rays of the sun?" Emily's grin showed her approval. "Precisely like the rayed crown worn by Apollo the sun god — and reminiscent of the solar disc, reflecting the zodiac, worn by Horus as the re-born sun on the ceiling of the Hathor Temple where I met Monsignor Isaac.
Kenneth Atchity (The Messiah Matrix)
It’s usually down, and it’s long and black and really crinkly so it looks like a waterfall. But sometimes she ties it up in a knot on the back of her head, really tight, and that’s good too, because it makes her face sort of stand out more, almost like she’s a statue on the side of a temple, holding up the ceiling. A caryatid.
M.R. Carey (The Girl With All the Gifts)
Jesus defied all of these rules. He taught in the outer courts of the Temple so women could join the audience.
Danny Silk (Powerful and Free: Confronting the Glass Ceiling for Women in the Church)
Those whom love has not given wings cannot fly the cloud of appearances to see the magic world in which Selma`s spirit and mine existed together in that sorrowfully happy hour. Those whom Love has not chosen as followers do not hear when Love calls. This story is not for them. Even if they should comprehend these pages, they would not be able to grasp the shadowy meanings which are not clothed in words and do not reside on paper, but what human being is he who has never sipped the wine from the cup of love, and what spirit is it that has never stood reverently before that lighted altar in the temple whose pavement is the hearts of men and women and whose ceiling is the secret canopy of dreams? What flower is that on whose leaves the dawn has never poured a drop of dew; what streamlet is that which lost its course without going to the sea?
Kahlil Gibran (The Broken Wings)
Gwyn ignored the look, instead glancing around before lowering her voice. “Have you seen volume seven of Lavinia’s The Great War?” Nesta scanned her memory. “No. I haven’t come across that one.” Gwyn frowned. “It’s not on its shelf.” “So someone else has it.” “That’s what I was afraid of.” She released a dramatic breath. “Why?” Gwyn’s voice quieted into a conspiratorial whisper. “I work for someone who is very … demanding.” Memory tugged at Nesta. Someone named Merrill, Clotho had told her the other day. Her right hand. “I take it you’re not fond of the person?” Gwyn leaned against one of the shelves, crossing her arms with a casualness that belied her priestess’s robes. Again, she wore no hood and no blue stone atop her head. “Honestly, while I consider many of the females here to be my sisters, there are a few who are not what I would consider nice.” Nesta snorted. Gwyn again peered down the row. “You know why we’re all here.” Shadows swarmed her eyes—the first Nesta had seen there. “We all have endured …” She rubbed her temple. “So I hate, I hate to even speak ill of any one of my sisters here. But Merrill is unpleasant. To everyone. Even Clotho.” “Because of her experiences?” “I don’t know,” Gwyn said. “All I know is that I was assigned to work with Merrill and aid in her research, and I might have made a teensy mistake.” She grimaced. “What manner of mistake?” Gwyn blew out a sigh toward the darkened ceiling. “I was supposed to deliver volume seven of The Great War to Merrill yesterday, along with a stack of other books, and I could have sworn I did, but this morning, while I was in her office, I looked at the stack and saw I’d given her volume eight instead.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
You say her path is drawn,” Eyda said evenly, addressing Valtik. “Can you tell us where that path leads?” The witch spun slowly, examining the gabled ceiling. “You are on it. The lanterns are lit.” Andry fought back another wave of frustration. “If her path is our own, then Iona is correct,” he said sharply. “We’ll find her there. And maybe then I can be rid of you once and for all.” “Be careful what you say before the eyes of Lasreen,” Valtik chided. She gestured to the carvings on the towering columns and spiraled her wrist. The smoke of the hearth fire twisted oddly through her fingers. “In her temple, all things are seen.” “Good,” Andry hissed. “She can see how annoying you are.” While the bone witches recoiled at the insult, Valtik giggled. “Annoying indeed,” she said airily. “But only in need.” Andry felt his eyes roll into the back of his head
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
Muslims, whom he regarded as a people “alien to God.” The Christian soldiers, who would one day be known as Crusaders, breached the city’s defenses on the night of July 13, 1099, and slaughtered its inhabitants, including three thousand men, women, and children who had taken shelter inside the great al-Aqsa Mosque on the Temple Mount. It was Saladin, the son of a Kurdish soldier of fortune from Tikrit, who would return the favor. After humiliating the thirst-crazed Crusader force at the Battle of Hattin near Tiberias—Saladin personally sliced off the arm of Raynald of Châtillon—the Muslims reclaimed Jerusalem after a negotiated surrender. Saladin tore down the large cross that had been erected atop the Dome of the Rock, scrubbed its courts with Damascene rosewater to remove the last foul traces of the infidel, and sold thousands of Christians into slavery or the harem. Jerusalem would remain under Islamic control until 1917, when the British seized it from the Ottoman Turks. And when the Ottoman Empire collapsed in 1924, so, too, did the last Muslim caliphate. But now ISIS had declared a new caliphate. At present, it included only portions of western Iraq and eastern Syria, with Raqqa as its capital. Saladin, the new Saladin, was ISIS’s chief of external operations—or so believed Fareed Barakat and the Jordanian General Intelligence Department. Unfortunately, the GID knew almost nothing else about Saladin, including his real name. “Is he Iraqi?” “He might be. Or he might be a Tunisian or a Saudi or an Egyptian or an Englishman or one of the other lunatics who’ve rushed to Syria to live in this new Islamic paradise of theirs.” “Surely, the GID doesn’t believe that.” “We don’t,” Fareed conceded. “We think he’s probably a former Iraqi military officer. Who knows? Maybe he’s from Tikrit, just like Saladin.” “And Saddam.” “Ah, yes, let’s not forget Saddam.” Fareed exhaled a lungful of smoke toward the high ceiling of his office. “We had our problems with Saddam, but we warned the Americans they would rue the day they toppled him. They didn’t listen, of course. Nor did they listen when we asked them to do something about Syria. Not our problem, they said. We’re putting the Middle East in our rearview mirror. No more American wars in Muslim lands. And now look at the situation. A quarter of a million dead, hundreds of thousands more streaming into Europe, Russia and Iran working together to dominate the Middle East.” He shook his head slowly. “Have I left anything out?” “You forgot Saladin,” said Gabriel. “What do you want to do about him?” “I suppose we could do nothing and hope he goes away.” “Hope is how we ended up with him in the first place,” said Fareed. “Hope and hubris.” “So let’s put him out of business, sooner rather than later.
Daniel Silva (The Black Widow (Gabriel Allon, #16))
You say her path is drawn,” Eyda said evenly, addressing Valtik. “Can you tell us where that path leads?” The witch spun slowly, examining the gabled ceiling. “You are on it. The lanterns are lit.” Andry fought back another wave of frustration. “If her path is our own, then Iona is correct,” he said sharply. “We’ll find her there. And maybe then I can be rid of you once and for all.” “Be careful what you say before the eyes of Lasreen,” Valtik chided. She gestured to the carvings on the towering columns and spiraled her wrist. The smoke of the heart fire twisted oddly through her fingers. “In her temple, all things are seen.” “Good,” Andry hissed. “She can see how annoying you are.” While the bone witches recoiled at the insult, Valtik giggled. “Annoying indeed,” she said airily. “But only in need.” Andry felt his eyes roll into the back of his head.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
I’m given a tour of a Zen temple in the middle of town. It surprises me to see the walls, ceiling and floor looking so spotless, because the temple otherwise seems very old, and I find out I’m right, the temple is old, but the building is relatively new. It’s demolished and rebuilt every fifty years. This is done to preserve the construction technique, because the craft is more important than the object it created, the temple. Maybe it’s also to avoid cultivating attachment to a material thing. Or to avoid cultivating the self, and obliterating the illusion of value?
Jenny Hval (Girls Against God)
She exhaled sharply and flopped back. She stared at the ceiling. When she blinked, tears streamed down her temples. She was breathing hard.
Gregg Hurwitz (Hellbent (Orphan X, #3))
had been Benna’s favourite place in Westport. He’d dragged her there twice a week while they were in the city. A shrine of mirrors and cut glass, polished wood and glittering marble. A temple to the god of male grooming. The high priest—a small, lean barber in a heavily embroidered apron—stood sharply upright in the centre of the floor, chin pointed to the ceiling, as though he’d been expecting them that very moment to enter.
Joe Abercrombie (Best Served Cold)
But the one that really spoke to me was the Temple of Mars Ultor. I mean,who wouldn't dig that red marble crypt with its cast-iron doors? And, inside, that massive statue of the Avenger (no, not one of those Avengers), his scarred face scowling and his spear raised as if to strike whoever dares to enter. Let's not forget the display wall of human skulls and assorted weapons, from the kind that slice and dice to the kind that leave bullet-shaped holes. Even the ceiling pays tribute, with eleven identical and bizarre-looking shields that form the letter M. That military man-cave - sorry, god-crypt was built to intimidate, but the decor was so over-the-top that I broke into giggles while looking at it. I got out of there before I lost control, though. I'm not stupid enough to risk insulting the war god.
Rick Riordan (Camp Jupiter Classified: A Probatio's Journal)
Mechanical devices, optical tricks and combustible chemicals were used to simulate miracles and divine visitations. To give the impression that an idol had been inhabited by a divine spirit and brought to life, a clockwork automaton would be used; a hidden speaking trumpet would produce the voice of an unseen god; light reflected from a hidden pan of water onto a temple ceiling suggested a numinous presence; a skull cunningly fashioned from wax would deliver an oracle and then ‘miraculously’ melt away; a darkened temple vault could suddenly be transformed into the starry firmament by light reflected from fish scales embedded in the masonry; and so on.
David Bentley Hart (The Story of Christianity: A History of 2000 Years of the Christian Faith)
By the time Theophilus attacked Serapis the laws were on his side. But many other Christians were so keen to attack the demonic temples that they didn’t wait for legal approval. Decades before the laws of the land permitted them to, zealous Christians began to indulge in acts of violent vandalism against their ‘pagan’ neighbours. The destruction in Syria was particularly savage. Syrian monks – fearless, rootless, fanatical – became infamous both for their intensity and for the violence with which they attacked temples, statues and monuments – and even, it was said, any priests who opposed them. Libanius, the Greek orator from Antioch, was revolted by the destruction that he witnessed. ‘These people,’ he wrote, ‘hasten to attack the temples with sticks and stones and bars of iron, and in some cases, disdaining these, with hands and feet. Then utter desolation follows, with the stripping of roofs, demolition of walls, the tearing down of statues, and the overthrow of altars, and the priests must either keep quiet or die . . . So they sweep across the countryside like rivers in spate.’ Libanius spoke elegiacally of a huge temple on the frontier with Persia, a magnificent building with a beautiful ceiling, in whose cool shadows had stood numerous statues. Now, he said, ‘it is vanished and gone, to the grief of those who had seen it’ – and the grief of those who now never would. This temple had been so striking, he said, that there were even those who argued that it was as great as the temple of Serapis – which, he added with an irony not lost on later historians, ‘I pray may never suffer the same fate.
Catherine Nixey (The Darkening Age: The Christian Destruction of the Classical World)