Jewelry Fashion Quotes

True friends are like diamonds – bright, beautiful, valuable, and always in style.

Costume jewelry is not made to give women an aura of wealth, but to make them beautifu

You don’t need fashion designers when you are young. Have faith in your own bad taste. Buy the cheapest thing in your local thrift shop - the clothes that are freshly out of style with even the hippest people a few years older than you. Get on the fashion nerves of your peers, not your parents - that is the key to fashion leadership. Ill-fitting is always stylish. But be more creative - wear your clothes inside out, backward, upside down. Throw bleach in a load of colored laundry. Follow the exact opposite of the dry cleaning instructions inside the clothes that cost the most in your thrift shop. Don’t wear jewelry - stick Band-Aids on your wrists or make a necklace out of them. Wear Scotch tape on the side of your face like a bad face-lift attempt. Mismatch your shoes. Best yet, do as Mink Stole used to do: go to the thrift store the day after Halloween, when the children’s trick-or-treat costumes are on sale, buy one, and wear it as your uniform of defiance.

He does not want a girl who trifles with Christianity. He wants a woman who is radically given to Christ. He does not want a girl who prays tepid, lukewarm prayers. He wants a woman who lives in defiance of the powers of Hell. He does not want a girl who is self-adorning with the latest fashions and trends. He wants a woman who is adorned with the inner jewelry of Christ-given holiness. He does not want a girl who dishonors and belittles her parents. He wants a woman who honors the authorities God has placed in her life and serves them with charity and gladness. He does not want a girl whose Bible is an accessory to her wardrobe. He wants a woman whose hunger and thirst is to know the Lord, and who diligently feasts upon His Word. He does not want a girl whose tongue is a deceptive weapon of selfishness. He wants a woman whose words drip with the honey of the name of Jesus.

Jewelry maybe is more expensive than clothes, but clothes are more important than jewelry.

Well, the ancients might not have been very heroic. Most of them were probably like Mother, crouched somewhere trying to work out how to make fake jawbone jewelry that would look like the real thing.

I love jewelry because, no matter how much weight I gain or lose, it always fits. Sorry I'm not notable person, but this quote got a lot of "Likes" on Facebook.

The all-powerful Zahir seemed to be born with every human being and to gain full strength in childhood, imposing rules that would thereafter always be respected: People who are different are dangerous; they belong to another tribe; they want our lands and our women. We must marry, have children, reproduce the species. Love is only a small thing, enough for one person, and any suggestion that the heart might be larger than this may seem perverse. When we are married we are authorised to take possession of the other person, body and soul. We must do jobs we detest because we are part of an organised society, and if everyone did what they wanted to do, the world would come to a standstill. We must buy jewelry; it identifies us with our tribe. We must be amusing at all times and sneer at those who express their real feelings; it's dangerous for a tribe to allow its members to show their feelings. We must at all costs avoid saying no because people prefer those who always say yes, and this allows us to survive in hostile territory. What other people think is more important than what we feel. Never make a fuss--it might attract the attention of an enemy tribe. If you behave differently you will be expelled from the tribe because you could infect others and destroy something that was extremely difficult to organise in the first place. We must always consider the look of our new cave, and if we don't have a clear idea of our own, then we must call a decorator who will do his best to show others what good taste we have. We must eat three meals a day, even if we're not hungry, and when we fail to fit the current ideal of beauty we must fast, even if we're starving. We must dress according to the dictates of fashion, make love whether we feel like it or not, kill in the name of our country, wish time away so that retirement comes more quickly, elect politicians, complain about the cost of living, change our hair-style, criticise anyone who is different, go to a religious service on Sunday, Saturday or Friday, depending on our religion, and there beg forgiveness for our sins and puff ourselves up with pride because we know the truth and despise he other tribe, who worship false gods. Our children must follow in our footsteps; after all we are older and know more about the world. We must have a university degree even if we never get a job in the area of knowledge we were forced to study. We must never make our parents sad, even if this means giving up everything that makes us happy. We must play music quietly, talk quietly, weep in private, because I am the all-powerful Zahir, who lays down the rules and determines the meaning of success, the best way to love, the importance of rewards.

Today, Chanel sells nothing other than its griffe; the griffe is an absolute symbol for 'fashion' which, having become historical, is now able to sell this history better than it could sell fashion. Chanel's lasting success proves that fashion has become self-referential: the fetish of the mere name shows how it has begun to revolve around itself. The House of Chanel produces what Coco most abhorred: a thing of the past, dead. The visible, outwardly displayed griffe has become the opposite of individualized style: instead it confirms the latent uniform collectivity, which had always defined Chanel-wear; in the end, it signifies membership of an expensive club. The Chanel woman does not want to display her own taste, she wants to belong. In order to be certain, she is laden with Chanel signs and accessories, like amulets to protect against the evil eye; on the pocket, on the belt, on the dress buttons, on the watch, on costume jewelry, proudly stand the initials of the founder of the house, to which she knows she belongs.

Beneath the hundred thousand women of the elite are a million middle-class women, miserable because they are not of the elite, and trying to appear of it in public; and beneath them, in turn, are five million farmers' wives reading 'fashion papers' and trimming bonnets, and shop-girls and serving-maids selling themselves into brothels for cheap jewelry and imitation seal-skin robes. And then consider that, added to this competition in display, you have, like oil on the flames, a whole system of competition in selling! You have manufacturers contriving tens of thousands of catchpenny devices, storekeepers displaying them, and newspapers and magazines filled up with advertisements of them!

How much time, after this realization sank in and spread among consumers (mostly via phone, interestingly), would any micro-econometrist expect to need to pass before high-tech visual videophony was mostly abandoned, then, a return to good old telephoning not only dictated by common consumer sense but actually after a while culturally approved as a kind of chic integrity, not Ludditism but a kind of retrograde transcendence of sci-fi-ish high-tech for its own sake, a transcendence of the vanity and the slavery to high-tech fashion that people view as so unattractive in one another. In other words a return to aural-only telephony became, at the closed curve’s end, a kind of status-symbol of anti-vanity, such that only callers utterly lacking in self-awareness continued to use videophony and Tableaux, to say nothing of masks, and these tacky facsimile-using people became ironic cultural symbols of tacky vain slavery to corporate PR and high-tech novelty, became the Subsidized Era’s tacky equivalents of people with leisure suits, black velvet paintings, sweater-vests for their poodles, electric zirconium jewelry, NoCoat Lin-guaScrapers, and c.

There are four simple ways for the observant to tell Mr. Croup and Mr. Vandemar apart: first, Mr. Vandemar is two and a half heads taller than Mr. Croup; second, Mr. Croup has eyes of a faded china blue, while Mr. Vandemar’s eyes are brown; third, while Mr. Vandemar fashioned the rings he wears on his right hand out of the skulls of four ravens, Mr. Croup has no obvious jewelry; fourth, Mr. Croup likes words, while Mr. Vandemar is always hungry. Also, they look nothing at all alike.

Ever since I’d met Edna Parker Watson, I tried to wear suits whenever possible. Among other lessons, that woman had taught me that a suit will always make you look more chic and important than a dress. And not too much jewelry! “A majority of the time,” Edna said, “jewelry is an attempt to cover up a badly chosen or ill-fitting garment.

He was dressed in odd and garish fashion and his clothes were embroidered with signs that had about them the geometric look of instructions, perhaps a game. He wore jewelry of jade and silver and his hair was long and blacker than his age would seem to warrant. He told the boy that although he was a huérfano still he must cease his wanderings and make for himself some place in the world because to wander in this way would become for him a passion and by this passion he would become estranged from men and so ultimately from himself. He said that the world could only be known as it existed in men's hearts. For while it seemed a place that contained men it was in reality a place contained within them and therefor to know it one must look there and come to know those hearts and to do this one must live with men and not simply pass among them. He said that while the huérfano might feel that he no longer belonged among men he must set this feeling aside for he contained within him a largeness of spirit which men could see and that men would wish to know him and that the world would need him even as he needed the world for they were one. Lastly he said that while this itself was a good thing like all good things it was also a danger.

That night Serena dressed to meet Zahi. She used a metallic green eye shadow on the top lids and the outer half of the bottom lids so that her eyes looked like a jungle cat's. Two coats of black mascara completed them, and then she smudged a light gold gloss on her lips. She took a red skirt from the closet. The material was snakelike, shimmering black, then red. She slipped it on and tied the black strings of a matching bib halter around her neck and waist. She painted red-and-black glittering flames on her legs and rubbed glossy shine on her arms and chest. Finally, she took the necklace she had bought at the garage sale and fixed it in her hairline like the headache bands worn by flappers back in the 1920's. The jewels hung on her forehead, making her look like an exotic maharani. She sat at her dressing table and painted her toenails and fingernails gold, then looked in the mirror. A thrill jolted through her as it always did. No matter how many times she saw her reflection after the transformation, her image always astonished her. She looked supernatural, a spectral creature, green eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more forceful and elegant- an enchantress goddess. She couldn't pull away from her reflection. It was as if the warrior in her had claimed the night.

She was a tall and slender woman, possibly in her early thirties. Her skin had the extraordinary fineness of grain, and the translucence you see in small children and fashion models. In her fine long hands, delicacy of wrists, floating texture of dark hair, and in the mobility of the long narrow sensitive structuring of her face there was the look of something almost too well made, too highly bred, too finely drawn for all the natural crudities of human existence. Her eyes were large and very dark and tilted and set widely. She wore dark Bermuda shorts and sandals and a crisp blue and white blouse, no jewelry of any kind, a sparing touch of lipstick.

A bunch of Latinas at Pitzer College decided to let white girls know that they shouldn’t wear hoops anymore, because that’s appropriating a style.... I’ve never worn hoop earrings for the purpose of “feeling ethnic,” nor have I ever associated hoop earrings with a certain culture. They’ve always been an accessory I like. It’s really as simple as that....I can’t wear hoops because I didn’t “create the culture as a coping mechanism for marginalization”? I can’t wear hoops because I’m not a feminist? I can’t wear hoops because some Latinas can’t afford it? I can’t wear hoops because I refuse to buy into your hypersensitive BS?....Does anyone else realize how completely ridiculous that sounds?

Their degeneration was even more rapid than their rise. Astyages, who succeeded his father Cyaxares, proved again that monarchy is a gamble, in whose royal succession great wits and madness are near allied. He inherited the kingdom with equanimity, and settled down to enjoy it. Under his example the nation forgot its stern morals and stoic ways; wealth had come too suddenly to be wisely used. The upper classes became the slaves of fashion and luxury, the men wore embroidered trousers, the women covered themselves with cosmetics and jewelry, the very horses were often caparisoned in gold.7 These once simple and pastoral people, who had been glad to be carried in rude wagons with wheels cut roughly out of the trunks of trees,8 now rode in expensive chariots from feast to feast.

Neliss, why is this rug wet?” Legna peeked around the corner to glance at the rug in question, looking as if she had never seen it before. “We have a rug there?” “Did you or did you not promise me you were not going to practice extending how long you can hold your invisible bowls of water in the house? And what on earth is that noise?” “Okay, I confess to the water thing, which was an honest mistake, I swear it. But as for a noise, I have no idea what you are talking about.” “You cannot hear that? It has been driving me crazy for days now. It just repeats over and over again, a sort of clicking sound.” “Well, it took a millennium, but you have finally gone completely senile. Listen, this is a house built by Lycanthropes. It is more a cave than a house, to be honest. I have yet to decorate to my satisfaction. There is probably some gizmo of some kind lying around, and I will come across it eventually or it will quit working the longer it is exposed to our influence. Even though I do not hear anything, I will start looking for it. Is this satisfactory?” “I swear, Magdelegna, I am never letting you visit that Druid ever again.” “Oh, stop it. You do not intimidate me, as much as you would love to think you do. Now, I will come over there if you promise not to yell at me anymore. You have been quite moody lately.” “I would be a hell of a lot less moody if I could figure out what that damn noise is.” Legna came around the corner, moving into his embrace with her hands behind her back. He immediately tried to see what she had in them. “What is that?” “Remember when you asked me why I cut my hair?” “Ah yes, the surprise. Took you long enough to get to it.” “If you do not stop, I am not going to give it to you.” “Okay. I am stopping. What is it?” She held out the box tied with a ribbon to him and he accepted it with a lopsided smile. “I do not think I even remember the last time I received a gift,” he said, leaning to kiss her cheek warmly. He changed his mind, though, and opted to go for her mouth next. She smiled beneath the cling of their lips and pushed away. “Open it.” He reached for the ribbon and soon was pulling the top off the box. “What is this?” “Gideon, what does it look like?” He picked up the woven circlet with a finger and inspected it closely. It was an intricately and meticulously fashioned necklace, clearly made strand by strand from the coffee-colored locks of his mate’s hair. In the center of the choker was a silver oval with the smallest writing he had ever seen filling it from top to bottom. “What does it say?” “It is the medics’ code of ethics,” she said softly, taking it from him and slipping behind him to link the piece around his neck beneath his hair. “And it fits perfectly.” She came around to look at it, smiling. “I knew it would look handsome on you.” “I do not usually wear jewelry or ornamentation, but . . . it feels nice. How on earth did they make this?” “Well, it took forever, if you want to know why it took so long for me to make good on the surprise. But I wanted you to have something that was a little bit of me and a little bit of you.” “I already have something like that. It is you. And . . . and me, I guess,” he laughed. “We are a little bit of each other for the rest of our lives.” “See, that makes this a perfect symbol of our love,” she said smartly, reaching up on her toes to kiss him. “Well, thank you, sweet. It is a great present and an excellent surprise. Now, if you really want to surprise me, help me find out what that noise is.

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A long time ago, I collected the flower petals stained with my first blood; I thought there was something significant about that, there was importance in all the little moments of experience, because when you live forever, the first times matter. The first time you bleed, first time you cry — I don’t remember that — first time you see your wings, because new things defile you, purity chips away. your purity. nestled flowers in your belly, waiting to be picked. do you want innocence back? small and young smiles that make your eyes squint and cheeks flare the feeling of your face dripping down onto the grass, the painted walls you tore down, the roads you chipped away, they’ll eat away at you, the lingering feelings of a warm hand on your waist, the taps of your feet as you dance, the beats of your timbrel.’ ‘and now you are like Gods, sparkling brilliant with jewelry that worships you, and you’re splitting in order to create.’ ‘The tosses of your wet hair, the rushes of chariots speeding past, the holy, holy, holy lord god of hosts, the sweetness of a strawberry, knocks against the window by your head, the little tunes of your pipes, the cuts sliced into your fingers by uptight cacti fruits, the brisk scent of a sea crashing into the rocks, the sweat of wrestling, onions, cumin, parsley in a metal jug, mud clinging to your skin, a friendly mouth on your cheeks and forehead, chimes, chirps of chatter in the bazaar, amen, amen, amen, the plump fish rushing to take the bread you toss, scraping of a carpenter, the hiss of chalk, the wisps of clouds cradling you as you nap, the splashes of water in a hot pool, the picnic in a meadow, the pounding of feet that are chasing you, the velvet of petals rustling you awake, a giant water lily beneath you, the innocent kiss, the sprawl of the universe reflected in your eyes for the first time, the bloody wings that shred out of your back, the apples in orchards, a basket of stained flowers, excited chants of a colosseum audience, the heat of spinning and bouncing to drums and claps, the love braided into your hair, the trickles of a piano, smell of myrrh, the scratches of a spoon in a cup, the coarseness of a carpet, the stringed instruments and trumpets, the serene smile of not knowing, the sleeping angel, the delight of a creator, the amusement of gossip and rumors, the rumbling laughter between shy singing, the tangling of legs, squash, celery, carrot, and chayote, the swirled face paint, the warmth of honey in your tea, the timid face in the mirror, mahogany beams, the embrace of a bed of flowers, the taste of a grape as its fed to you, the lip smacks of an angel as you feed him a raspberry, the first dizziness of alcohol, the cool water and scent of natron and the scratch of the rock you beat your dirty clothes against, the strain of your arms, the columns of an entrance, the high ceilings of a dark cathedral, the boiling surface of bubbling stew, the burn of stained-glass, the little joyous jump you do seeing bread rise, the silky taste of olive oil, the lap of an angel humming as he embroiders a little fox into his tunic, the softness of browned feathers lulling you to sleep, the weight of a dozen blankets and pillows on your small bed, the proud smile on the other side of a window in a newly-finished building, the myrtle trees only you two know about, the palm of god as he fashions you from threads of copper, his praises, his love, his kiss to your hair, your father.

Styled by Kitty Black Perkins, an African-American designer whom Mattel hired in 1975, Black Barbie made her debut in 1980. Barbie had had black friends since the late sixties, but by 1979, Mattel determined that America was ready for the dream girl herself to be of color. Because the new doll was likely to be scrutinized, Mattel fashioned her with sensitivity: her hair is short and realistically textured; her face, if not aggressively non-Caucasian, is at least different from blond Barbie's; and her dress, while corporate, is livened up with jewelry evocative of African sculpture. Hispanic Barbie, who appeared the same year, is another story. Decked out in a peasant blouse, a two-tiered skirt, and a mantilla, the doll looks like a refugee from an amateur production of Carmen; she even has a rose pinned at her neck. Mattel's designers could hardly be unacquainted with Hispanics:

choosing a gown of a dark blue-gray so soft that in the shadow it looked almost indigo. The line of the neck and the sweep of the skirt were both very flattering, and cut in the fashion of the moment. Deliberately she wore no jewelry, except very small diamond drop earrings. Her shining silver hair was ornament enough.

giving you the ultimate Moscow fashion tour,” she said directly into the lens. “We’re in front of Cartier, but not because I’m going to show you any jewelry or accessories. I want to tell you about a nineteenth-century celebutante named Anna Annenkova, whose house stood on this very spot. Anna was part of Russian nobility and was so worried that she might be unprepared for any sudden high-society happenings that instead of pajamas, she went to bed every night fully dressed in a ballgown with silk stockings and shoes. Talk about your fear of missing out.

No matter the karats on a person's body, without kindness all karats cause extinction.

the University of the South, a Tennessee liberal arts college with a handful of graduate students, known informally as Sewanee (because that’s the name of the town). The first thing you’ll notice on visiting Sewanee is that most of the men are wearing jackets and ties, while most of the women are wearing makeup and skirts. Forty years ago, most colleges had a similar dress code. Today, Sewanee is one of a handful. The majority of students pledge fraternities and sororities and social life revolves around a never-ending stream of “big-weekend” beer bashes. The biggest of them all is homecoming weekend, where students get a date and dress up for a huge see-and-be-seen fashion show that includes innumerable cocktail parties before and after. Conservative, well-heeled, and All-American, Sewanee is the perfect place for a carefree 1950s-style college education. In the words of one student, Sewanee has “the happiest college student body I have ever encountered.” No one would ever say such a thing about Bard College, a school of similar size about an hour north of New York City. Though the students may find happiness there, too, it is well hidden beneath a thick veneer of liberal artistic angst. Bard students, it seems, carry the weight of the world on their shoulders. If there is an oppressed group anywhere to be found, Bard students can be counted on to buy T-shirts, sell buttons, and organize protests on its behalf. As for clothes, you would be hard-pressed to find a Bard man who even owns a jacket and tie. Nor would the typical Bard woman be caught dead in a dress—unless it was paired with combat boots. Jewelry and makeup worn in traditional ways are nonexistent, but there is plenty of spiked hair, fluorescent hair, tattoos, and piercings protruding from every conceivable body part. As for football and fraternities? Take a wild guess. The biggest social event of the year at Bard is called Drag Race, where everyone dresses in drag and parties nonstop.

Raven My heart skips a beat when I see Ares leaning against his car as he waits for me in front of my office building. I pause for a moment and take him in. His dark hair, that sharp jaw, those green eyes that are identical to Sierra’s. It isn’t fair that he continues to get more handsome the older we get. Each time I see him, he feels a little more out of reach. Ares looks up and straightens when he notices me standing by the entrance, a smile transforming his face. “Hi!” I tell him as he holds the door open for me. Ares grins at me, and I smile back at him. There’s a good chance I’ll regret giving into him later, but until then, I’m going to enjoy every second of it. “Where are we going?” I ask when he gets in beside me, his hands wrapping around the steering wheel. Ares leans back against the headrest and tilts his face toward me. “Raven,” he says, sounding petulant. I can’t help the way my heart races when he says my name like that, and I involuntarily turn toward him, facing him. “Why don’t I ever see you anymore?” Ares genuinely looks distraught, as though he really has missed me, and that fire I keep trying to douse reignites once more. “I’ve just been busy.” My voice is weak, soft, as though I can’t make myself lie to him with authority. “I’m working really insane hours. I’ve got so many modeling contracts, and I’m trying to grow my fashion brand at the same time. Honestly, some days I barely have time to eat or sleep.” He nods and drags his gaze away, a hint of concern in his expression as he starts the car. “Don’t overwork yourself, Rave. Remember to take care of yourself, okay? You can’t always be working. You need to have a social life too. When was the last time you saw your parents?” I force a smile onto my face and cross my arms. The older I get, the less I see my parents. Their entire world revolves around Hannah, and I hate going where I’m not welcome. I shouldn’t feel excluded in my own home, but I do. “Sierra was actually just in my office,” I tell him. “I do have friends, you know.” He glances at me the way he does sometimes, as though he can see straight through my lies and deception, but he nods nonetheless. “What are you thinking of buying this year?” I ask him, my tone light and friendly. He glances back at me with a smile on his face. “What do you think of some jewelry, maybe?” I nod. “A new statement piece, perhaps?” Ares looks at me with such a blank expression that I burst out laughing, and that just makes him smile in return. “I haven’t heard you laugh in so long, Raven. I missed it.” My smile melts away and I look down at my lap, my heart aching. I wish he wouldn’t say things like that. He sees me as an

In the summer of 1416, about a decade before Friar Bernardino gave his address condemning feminine vanities, a woman identified only as “Allegra, wife of Joseph” was arrested in the Italian city of Ferrara and fined ten ducats for appearing in public without her earrings. Her crime of fashion was in failing to exhibit a visible sign of her community. Allegra was a Jew and the law dictated that Jewish women wear “rings hanging from both ears… uncovered and visible to all.” The symbolism could not have been clearer: in an era when superfluous adornment was condemned as a sign of sin, Jews were required by law to wear conspicuous jewelry. The dress codes that condemned jewelry as vanity also made it a mandatory sign of Judaism.

She has had all of her jewelry melted down and fashioned into a big heart, not knowing how else to express her pain. She has a hole in her chest, and she must be mindful of it; it hurts and oppresses her. And so she had cast of prosthesis out of gold, a crutch for the heart.

So, what do you do when you’ve invested heavily in an endeavor and then begin to realize that you may have backed the wrong horse? Simple. What did Rhodes and Oppenheimer of De Beers do after they cornered the market on diamonds, then realized they’d found so many that the stones were practically worthless? Lie. You lie and you try to make that lie real by making everyone else believe it. It’s called PR. Whether the story is about the alleged scarcity of diamonds or the boundless treasures of the New World, it’s all about good old-fashioned spin.

Fashion is something comes within you. Fashion Blogger

Soldier's fashion accessory is his weapon just like a jewelry for women.

France’s national image was the product of a collaboration between a king with a vision and some of the most brilliant artists, artisans, and craftspeople of all time—men and women who were the founding geniuses in domains as disparate as wine making, fashion accessorizing, jewelry design, cabinetry, codification of culinary technique, and hairstyling. There was a second collaboration: between Louis XIV and a series of brilliant inventors, the creators of everything from a revolutionary technology for glassmaking to a visionary pair of boots. Each of these areas seems modest enough in and of itself. All together, however, they added up to an amazingly powerful new entity. Thanks to Louis XIV, France had acquired a reputation as the country that had written the book on elegant living.

The power in a sincere compliment is enormous. There is nothing that makes people feel more special than to have their finer traits noted and appreciated. You can compliment someone on a new hairstyle, an item of clothing, a piece of jewelry, or physical appearance. However, not all compliments are created equal. A good compliment acknowledges the object of admiration: - That’s a nice sweater you’re wearing, or What an unusual tie. An excellent, top-of-the-line compliment goes beyond that to give conversation material by expounding on why you like the item. For instance, you might elaborate on the sweater by saying, - I love your sweater. That shade really enhances the color of your eyes. You can turn your appreciation of a good-looking tie into a more powerful compliment by saying, - That’s a great tie. Its unusual design really sets it apart, I always enjoy it when men make fashion statements with their ties.

REGINA By all that is divine, behold thy bracelet— A stunning piece of jewelry it is! How didst thou come by such a lovely thing? CADY My mother fashion’d it and gave it me. REGINA ’Tis worthy of the public’s admiration. GRETCHEN So fetch it is, it fetcheth ev’ry glance. REGINA What is this “fetch” and, pray, whence cometh it? GRETCHEN A word come swimming ’cross the ocean blue, From England’s ruddy shores. Know’st thou this country?

He has a very strong sense of beauty, he has. You're to dress entirely in black and white and silver." "Why?" "Ask him yourself, miss. He'll be here in a minute." "He certainly won't!" Emma cried, leaping for the black dress and pulling it over her head, slapping away Mrs. Rumson's clumsy attempts to assist her. The gown was barely around her shoulders when the door opened, without so much as a knock. Beneath the yards of filmy material, Emma allowed herself a quiet snarl. "Arguing with Mrs. Rumson again, my angel?" Emma yanked the gown down, half hoping it would rip. It didn't, and the clinging black silk gauze settled around her curves perfectly. "I'm not used to dressing in front of an audience," she said sternly. Killoran had already availed himself of the most comfortable chair and seemed prepared to enjoy himself. "Accustom yourself, Emma," he said. "It is quite the fashion. Great beauties have their cicisbeis to guide their choices of jewelry and maquillage. Think of me as merely a servant to your exquisite loveliness." She scowled. "I am not a great beauty," she said, advancing on him as Mrs. Rumson struggled behind her, trying to fasten the myriad of tiny black buttons. "I don't wear maquillage, and I have no jewelry." She halted, her anger carrying her so far and no farther. She was already dangerously close to him, and he simply looked up at her, that cool, assessing expression on his face. He said nothing for a long moment, merely let his eyelids droop as he surveyed the length of her. "Perhaps you're right," he said finally. "You are no common beauty. You are, however, quite... magnificent." There was an undercurrent of heat in his words that terrified her, but a moment later it had vanished, and he was leaning back, watching her with detached interest.

A lady recently said to me, “Lebo, the passion you have for women is so deep. I don’t think I have half the passion you have for my own self and I’m a woman.” Truth is, every man inherently has this drive whether they aware of it or not. We, as men, whether gay or straight, live to unravel the sensual mystery/beauty of the feminine energy. Not to sound like a male chauvinist, but I believe this is one of the biggest reasons why as Tom Ford said, “Men are often better designers for women than other women.” It is this approach of “mining” and wanting to “unravel” the sensual feminine mystery/beauty that serves as our biggest drive or motivation. Male designers (i.e. David tlale, Gert Johan Coetzee, Christian Louboutin, Tomford, ME, etc.) are very exceptional at their craft because I believe they have this deep acknowledgement that they were first and foremost “CALLED” TO PUT WOMEN ON A PEDESTAL, and that means understanding that women want to feel overwhelmingly desired rather than rationally considered. By the way, women are not given the luxury to unravel their own sensual feminine mystery/beauty as men are. Women in general tend to have a very limited perspective of themselves which prevents them from reaching their fullest sensual feminine potential. Blame it on the society. Their biggest challenge is seeing themselves beyond their insecurities; they’re trapped by their own views of themselves particularly as women in a patriarchal society. But men (NOT patriarchal men), on the other hand, are able to see beyond women’s insecurities; they can see women’s potential than most women can see themselves. AND AWAKENED MODERN MEN WANT TO FULLY MAXIMIZE THAT POTENTIAL. This is why I strongly believe that a man’s ultimate role in the 21st century is to help carve the definition of what it means to be a woman. I know most feminists are pissed to hear me say that. The legendary photographer Peter Lindbergh said, “The most important part of fashion photography, for me, is not the models; it is not the clothes. It’s that you are responsible for defining what a woman today is. That, I think, is my job.” If women are diamonds/gold, then men got to be jewelry designers.

Trish had to tell her they were mine or her mother would probably have killed her.” Then she’s up again. “Do you know what I really wanted to show you? It’s here somewhere.” She’s pulling open drawers, humming to herself. Then she swings around. “Do you remember this?” A gold-and-lapis pendant, the size of a silver dollar. I’d forgotten how ’90s it looks, which I suppose is back in fashion. My niece has threaded it onto a gold chain, which she fastens around her neck. “I wish I had a picture of her wearing it.” Something to match the color of your eyes, our mom had said when she gave it to Emily for her sixteenth birthday. I found it just before Hannah left. Somehow it had made its way back into Mom’s jewelry box. They were always sharing things. Your mother wore it all the time when she was your age, I had told Hannah. And I remember there hadn’t been time to find a box, I had wrapped it in old tissue paper. “Isn’t this chain perfect?” my niece says, fingering it. “It’s eighteen karat.” The pendant glints in the light, and I’m reminded of all the times it flashed on my sister’s jean jacket or smock dresses. I feel a little light-headed. Something about seeing this young version of my sister—with her confidence, her mannerisms.

Awareness is what separates warriors from soldiers or fighters. Soldiers follow orders and fight. Warriors don’t need orders because they know what needs to be done. Nor do warriors fight for petty reasons; their job is to maintain and protect the tribe. Once you lose sight of what is going on, you slip into either soldier or fighter mode. That’s not good. A soldier blindly follows orders, even if it means getting killed. If the people giving the orders have gone bad, the amount of damage can be unbelievable (look at Nazi Germany). A fighter, on the other hand, is like a rabid dog; he’s hurt and fucked up and wants to share the wealth. Toe tags are not fashionable jewelry, but being a fighter or soldier usually leads to them. Un- fortunately, our culture generally gives you a choice only of being a fighter or a soldier. This book tells you what you need to know to be a warrior.