Jetsons Quotes

...apart from the seemingly magical internet, life in broad material terms isn't so different from what it was in 1953...The wonders portrayed in THE JETSONS, the space-age television cartoon from the 1960s, have not come to pass...Life is better and we have more stuff, but the pace of change has slowed down compared to what people saw two or three generations ago.

The market economy is delivering miracles by the minute and yet we hardly notice or care; worse, we denounce the realization of this dream of all of history, this coming of heaven on earth and call it decadent and dangerous.

The world has changed to permit ever more people in all corners of the globe to cooperate to their mutual betterment. The very prospect is inspiring people to claim their freedom and use it to make their lives better. By comparison to this activity, the disgusting behavior of nation states appears like a ridiculous anachronism that will be steamrolled by the forces of history.

Dream on, Bullwinkle.” “Oooh, a classic cartoon reference. Now you’re talking my language.” I couldn’t help a grin. “You like cartoons?” “Hell yeah! The classics, though. Looney Tunes, Rocky and Bullwinkle, Mickey Mouse, The Flintstones, The Jetsons, Transformers. I’ll even include the 1990s Batman animated series, but I usually stick to pre-1990.” I

Back in the twentieth century, we thought that robots would have taken over by this time, and, in a way, they have. But robots as a race have proved disappointing. Instead of getting to boss around underlings made of steel and plastic with circuitry and blinking lights and tank treads, like Rosie the maid on The Jetsons, we humans have outfitted ourselves with robotic external organs. Our iPods dictate what we listen to next, gadgets in our cars tell us which way to go, and smartphones finish our sentences for us. We have become our own robots.

Some of these bots are already arriving in 2021 in more primitive forms. Recently, when I was in quarantine at home in Beijing, all of my e-commerce packages and food were delivered by a robot in my apartment complex. The package would be placed on a sturdy, wheeled creature resembling R2-D2. It could wirelessly summon the elevator, navigate autonomously to my door, and then call my phone to announce its arrival, so I could take the package, after which it would return to reception. Fully autonomous door-to-door delivery vans are also being tested in Silicon Valley. By 2041, end-to-end delivery should be pervasive, with autonomous forklifts moving items in the warehouse, drones and autonomous vehicles delivering the boxes to the apartment complex, and the R2-D2 bot delivering the package to each home. Similarly, some restaurants now use robotic waiters to reduce human contact. These are not humanoid robots, but autonomous trays-on-wheels that deliver your order to your table. Robot servers today are both gimmicks and safety measures, but tomorrow they may be a normal part of table service for many restaurants, apart from the highest-end establishments or places that cater to tourists, where the human service is integral to the restaurant’s charm. Robots can be used in hotels (to clean and to deliver laundry, suitcases, and room service), offices (as receptionists, guards, and cleaning staff), stores (to clean floors and organize shelves), and information outlets (to answer questions and give directions at airports, hotels, and offices). In-home robots will go beyond the Roomba. Robots can wash dishes (not like a dishwasher, but as an autonomous machine in which you can pile all the greasy pots, utensils, and plates without removing leftover food, with all of them emerging cleaned, disinfected, dried, and organized). Robots can cook—not like a humanoid chef, but like an automated food processor connected to a self-cooking pot. Ingredients go in and the cooked dish comes out. All of these technology components exist now—and will be fine-tuned and integrated in the decade to come. So be patient. Wait for robotics to be perfected and for costs to go down. The commercial and subsequently personal applications will follow. By 2041, it’s not far-fetched to say that you may be living a lot more like the Jetsons!

It gave me a sudden chill to recognize what it was like without wireless technology that I can't even remember what it was like without it. One day you're a Flintstone, the next a Jetson. As we grow older we're always complaining about how fast time goes, but this made me feel as though I'd raced through the last eighteen years without noticing them.

When I was a child, I enjoyed thinking about the future, and especially loved to imagine flying around in one of those cool bubble cars I’d seen on The Jetsons cartoons. Here we are, fifty years later, and we have the same gas- and oil-guzzling motor vehicles, the same basic planes, the same trains, the same utility companies to monitor and charge for our electricity, gas, and water usage. Jimmy Carter talked a lot about new sources of energy back in the 1970s. So did some of the hippies. And yet, decades later, there has been little progression on this front.

I finally read your book. It's outstanding!

Look. Is The Rock a perfect movie? No. But is it a perfect movie? Maybe! Just describing the plot of The Rock is a lush, lip-smacking thrill, like a piece of bacon that is all fatty rind, like a bowl of Lucky Charms that is all marshmallows—so many elements that could each, alone, be too much, here combined into one film that somehow works, one great, baroque cinnamon roll that is all the middle of the cinnamon roll, The Jetsons Meet the Flintstones, a duck-billed platypus, a place beyond decadence, foie gras on your burger, everything you want and nothing you don’t and then some more. Nicolas Cage, an unchained freak; Sean Connery, virtuosically hammy; Ed Harris, a haunted prince going down with his ship; antihero vs. antihero vs. antihero vs. the president; and gruesome chemical weapons and a heist and a mutiny and a double mutiny and family drama and Alcatraz and mine carts and fighter jets and flames and a rock, stalwart against the sea. All that, but with none of the septic irony, the relentless self-conscious hedging, that infects so much of our lives these days. The Rock does not take one single moment to look you in the eye and say, yes, we know this is a little silly, we are sorry, please know we are cool—there’s no need! The Rock believes in itself, it commits, it is happy to be fun. Coolness is a deadly neurotoxin. Inject The Rock into your heart.

Coffee?’ he called from downstairs. I went and looked down from the low wall overlooking the kitchen. ‘Yes, please.’ ‘Real coffee, or instant?’ ‘Instant’s good,’ I said, and went downstairs to see him reach down two mugs from a shelf in his beige and steel kitchen. ‘Milk?’ he asked, spooning instant coffee from a metal canister. ‘Yes, please.’ He added milk, filled both mugs from a tap in the corner of the sink and passed one over. I looked at it doubtfully – I hadn’t expected to have to request specifically that my coffee be made with hot water – and saw a reassuring wisp of steam. ‘Do you have boiling water on tap?’ I asked. ‘Yep. Cool, eh?’ ‘Extremely cool,’ I said. ‘And the fridge makes its own ice.’ ‘Far out, brussel sprout.’ ‘I know. It’s pretty incredible,’ he said. ‘Do you have a robot to do your vacuuming, like on The Jetsons?’ ‘No,’ he admitted. ‘Sorry.’ ‘Oh well, never mind. The tap’s still impressive.’ ‘Thanks.’ He leant over and kissed me. ‘Good morning.’ ‘Good morning.’ 'What do you want to do today?’ ‘Whatever you like,’ I said dreamily. ‘I don’t mind.’ ‘You’re really not the high-maintenance type, are you?’ ‘I’m just lulling you into a false sense of security,’ I explained. ‘Then I’ll start demanding fur coats and Porsches.’ ‘I see,’ said Mark.

While the vision he had shown in building Trump Tower remained, the discipline he had summoned to get the skyscraper built evaporated. Emboldened by easy money and a laudatory press, Donald went on a massive and ill-considered shopping spree. Among the projects he juggled was a promising expanse on the West Side on the same turf where Zeckendorf wanted to erect Atomic City, and Donald gave the development-in-waiting an equally retro, Jetsons-like label: Television City. As Donald wheelied along, fine-tuning his performance as the business world’s answer to Evel Knievel, the media lavished whopping reams of attention on him. For the most part, reporters didn’t cover Donald’s ventures because what he did was smart. They covered Donald’s doings because what he did was fun to watch. Whether any of them recognized that what they were watching was a slow-motion car crash didn’t matter. It was the ’80s.

If the Jetsons had hired Tim Burton to decorate, it would have turned out like this.

as if it weren’t a two-hundred-foot-high monster whose low railing and nonexistent shoulder made Paul feel like he was driving a flying car, but not in a whimsical, George-Jetson way so much as an oh-this-is-how-I-die way.

The Soviet satellite Sputnik had led to the formation of NASA to oversee America’s space program. In prime time on ABC, Americans could tune in to catch the animated cartoon The Jetsons, about a space-age family who lived with their housekeeping robot, Rosie, and dog, Astro. A couple of years later, Desilu, I Love Lucy’s production company, premiered Star Trek on CBS. Stanley Kubrick’s 2001: A Space Odyssey had a near-omniscient computer named Hal manipulating its astronauts. By the midsixties, the concepts of artificial intelligence and self-driving cars were no longer in the realm of magic or science fiction—they were seen as the logical, inevitable outcome of the American trajectory.

WITH THE ADVENT of the computer and the dawn of the space race, the sixties brought futuristic visions of life to the mainstream consciousness. The Soviet satellite Sputnik had led to the formation of NASA to oversee America’s space program. In prime time on ABC, Americans could tune in to catch the animated cartoon The Jetsons, about a space-age family who lived with their housekeeping robot, Rosie, and dog, Astro. A couple of years later, Desilu, I Love Lucy’s production company, premiered Star Trek on CBS. Stanley Kubrick’s 2001: A Space Odyssey had a near-omniscient computer named Hal manipulating its astronauts. By the midsixties, the concepts of artificial intelligence and self-driving cars were no longer in the realm of magic or science fiction—they were seen as the logical, inevitable outcome of the American trajectory.

It sounds so good: the futurism of The Jetsons meets the self-actualization of Abraham Maslow.

The home of the future is not as sci-fi as we imagine. Instead of whizbang gadgetry and the bells and whistles reminiscent of The Jetsons, the home of the future is all about sustainability, energy-efficient design, an expression of the individual, and a hotbed of creativity and inspiration.