Delicate Butterfly Quotes

We've searched our database for all the quotes and captions related to Delicate Butterfly. Here they are! All 100 of them:

Butterfly. What a beautiful word What a delicate creature. Delicate like the cruel words that flow right out of your mouths and the food that flies right out of your hands… Does it make you feel better? Does it make you feel good ? Does picking on a girl make you more of a man? Well, I’m standing up for myself Like I should have done before I’m not putting up with your Butterfly anymore." (Kiersten slides the sack off her wrist and opens it, pulling out a handful of hand-made butterflies. She takes the microphone out of the stand and begins walking down the stairs as she continues speaking.) “I’d like to extend to others what others have extended to me.” (She walks up to Mrs. Brill first and holds out a butterfly) “Butterfly you, Mrs. Brill.” (Mrs. Brill smiles at her and takes the butterfly out of her hands. Lake laughs out loud and I have to nudge her to get her to be quiet. Kiersten walks around the room, passing out butterflies to several of the students, including the three from the lunchroom.) “Butterfly you, Mark. Butterfly you, Brendan. Butterfly you, Colby.” (When she finishes passing out the butterflies, she walks back onto the stage and places the microphone back into the stand.) “I have one thing to say to you And I’m not referring to the bullies Or the ones they pursue. I’m referring to those of you that just stand by The ones who don’t take up for those of us that cry Those of you who just…turn a blind eye. After all it’s not you it’s happening to You aren’t the one being bullied And you aren’t the one being rude It isn’t your hand that’s throwing the food But…it is your mouth not speaking up It is your feet not taking a stand It is your arm not lending a hand It is your heart Not giving a damn. So take up for yourself Take up for your friends I challenge you to be someone Who doesn’t give in. Don’t give in. Don’t let them win.
Colleen Hoover (Point of Retreat (Slammed, #2))
It occurs to me that the peculiarity of most things we think of as fragile is how tough they truly are. There were tricks we did with eggs, as children, to show how they were, in reality, tiny load-bearing marble halls; while the beat of the wings of a butterfly in the right place, we are told, can create a hurricane across an ocean. Hearts may break, but hearts are the toughest of muscles, able to pump for a lifetime, seventy times a minute, and scarcely falter along the way. Even dreams, the most delicate and intangible of things, can prove remarkable difficult to kill.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
Ugh," she muttered, tugging his hair. "Your are so pretty. Like delicate butterfly beneath my boot." "Ugh, " he replied, pulling one of her own curls, which were thick and coarse. "You are so mad. Like a rabid hound that needs to be put down.
Kiersten White (And I Darken (The Conqueror's Saga, #1))
Symbolism and meaning are two separate things. I think she found the right words by bypassing procedures like meaning and logic. She captured words in a dream, like delicately catching hold of a butterfly’s wings as it flutters around. Artists are those who can evade the verbose.
Haruki Murakami (Kafka on the Shore)
I want you to have this.” He extended his hand. On his palm sat the beautiful butterfly he had carved. Silver spots on the wings glinted in the sunlight, and a silver chain hung from a small hole drilled into its body. Valek looped the necklace around my neck. “When I carved this statue, I was thinking about you. Delicate in appearance, but with a strength unnoticed at first glance.” His eyes met mine.
Maria V. Snyder (Poison Study (Study, #1))
When I think of Simone now, I think of butterfly wings. Beautiful and excruciatingly delicate. Touch them once and they might disintegrate.
Nick Sagan (Idlewild (Idlewild, #1))
(Ravic speaking of a butterfly caught in the Louvre) In the morning it would search for flowers and life and the light honey of blossoms and would not find them and later it would fall asleep on millennial marble, weakened by then, until the grip of the delicate, tenacious feet loosened and it fell, a thin leaf of premature autumn.
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
As soon as a Western man comes into contact with the East -- he's already confused. The West has sort of an international rape mentality towards the East. ...Basically, 'Her mouth says no, but her eyes say yes.' The West thinks of itself as masculine -- big guns, big industry, big money -- so the East is feminine -- weak, delicate, poor...but good at art, and full of inscrutable wisdom -- the feminine mystique. Her mouth says no, but her eyes say yes. The West believes the East, deep down, wants to be dominated -- because a woman can't think for herself. ...You expect Oriental countries to submit to your guns, and you expect Oriental women to be submissive to your men.
David Henry Hwang (M. Butterfly)
Maybe the natural world wasn't so jaw-droppingly horrible, appaling, nasty, vile. Sometimes nature could be quite sweet, really, as delicate as a confused and horny butterfly.
Scott Westerfeld (Peeps (Peeps, #1))
I recommend her to you, not as a husband but as an enthusiastic admirer of her work, acid and tender, hard as steel and delicate and fine as a butterfly's wing, lovable as a beautiful smile, and as profound and cruel as the bitterness of life.
Diego Rivera
And just when the darkness became too much to bear and the struggle too hard, the light broke through and the caterpillar emerged a butterfly delicate but unbroken, wild and gentle, finally free to spread its lovely wings and fly away on the wind.
L.R. Knost
Sit down, Montag. Watch. Delicately, like the petals of a flower. Light the first page, light the second page. Each becomes a black butterfly. Beautiful, eh?' ... There sat Beatty, perspiring gently, the floor littered with swarms of black moths that had died in a single storm.
Ray Bradbury (Fahrenheit 451)
She was rain to a parched desert She was color to a gray sky She was the butterfly you longed to possess But I let her fly For fear of breaking her delicate wings!
Avijeet Das
Always remember… A blooming rose bush catches the eye of admirers, but it grew from a seed buried in dirt. A butterfly may be free and delicately beautiful, but it spent days shedding skin and dramatically changing inside its chrysalis so it could grow wings to fly. Accept your process.
Kristin Michelle Elizabeth
They watched her sit, holding the bundle up before her, the lamp just at her elbow belabored by a moth whose dark shape cast upon her face appeared captive within the delicate skull, the thin and roselit bone, like something kept in a china mask
Cormac McCarthy (Outer Dark)
Then what is true love?” she asked audaciously. Derian leaned forward, his focus powerfully fixed on her. His voice turned delicate and compelling as he spoke. “Love is so much more than a feeling. True love, Eena, is something that develops over time. It’s not that initial infatuation nor the shivers and butterflies that take your breath away when you’re first attracted to someone. Those things are nice, but they are barely the beginning of what could become true love. The emotions you speak of are temporary and unreliable, elicited when two people come together. The power I speak of grows ever stronger over time until it is steadfast, even in separation. Then, reunited, it solidifies unshakably.” She shook her head. “I don’t quite follow.” The captain inched closer, fixing her with the sincerest of gazes. His hands cupped as if he were holding his very heart within them. “True love is a developed and intense appreciation for someone. It’s that perfect awareness that you are finally whole when she’s with you, and that hollow incompleteness you suffer when she’s gone. True love takes time, Eena. It’s an earned comfort that tells you she’ll be right there beside you no matter what you do, not necessarily happy with your every action, but faithful to you just the same. Love is knowing someone so deeply, understanding her so completely, that you can finish her thoughts without hesitation, confident in reading her face, her body, even her slightest gesture means something to you. Love is years of devotion, sacrifice, commitment, loyalty, trust, faith, and friendship all wrapped up in one. True love does more than cause your heart to flutter, Eena. It upholds your heart when the infatuation no longer makes it flutter.” “Wow.
Richelle E. Goodrich (Eena, The Return of a Queen (The Harrowbethian Saga #2))
Butterflies are like women— we may look pretty and delicate, but baby, we can fly through a hurricane.
Betty White
I had eventually come to understand that friendship was a delicate, gradual process that mustn’t be rushed or seized upon but allowed and encouraged to take its course over time. I pictured it as a butterfly, simultaneously beautiful and fragile, that once afloat belonged to the air and any attempt to grab at it would only destroy it.
Daniel Tammet (Born on a Blue Day)
That was when I saw the first flash of emerald, then another of blue, then yellow, glimpsed out of the corner of my eye. Not dragonflies. Not butterflies. Something else. Something moving among a cluster of harebells, the delicate white flowers nodding as their petals and leaves were disturbed by the slightest of movements, like a gentle breeze blowing against them and yet there wasn't the slightest breath of wind at the beck that day.
Hazel Gaynor (The Cottingley Secret)
Octavia did what she could to help him hear once more, going so far as to take his head apart and clean it out to see if that would help him make a bit more sense. Inside she found quite a lot of cobwebs, a tiny mouse that was slightly larger than Kitten, three honeybees, and a rather delicate butterfly cocoon attached to a twig.
Lisa McMann (Island of Shipwrecks (Unwanteds, #5))
Beautiful butterflies flap their delicate wings in my abdomen before I clench my abs and drown them in stomach acid.
R.S. Grey (The Beau & the Belle)
In my world travels, I saw a good many varieties of butterflies. They’re incredibly delicate creatures, but they shouldn’t be underestimated. Observing them as I did, I learned a valuable lesson. Sometimes if you surround a butterfly too closely, it couldn’t fly if it wanted to.
Lorraine Heath (Surrender to the Devil (Scoundrels of St. James, #3))
With these surface waters, through a series of delicately adjusted, interlocking relationship, the life of all parts of the sea is linked. What happens to a diatom in the upper, sunlit strata of the sea may well determine what happens to a cod lying on a ledge of some rocky canyon a hundred fathoms below, or to a bed of multicolored, gorgeously plumed seaworms carpeting an underlying shoal. or to a prawn creeping over the soft oozes of the sea floor in the balckness of mile-deep water.
Rachel Carson (The Sea Around Us)
And even to me, one who likes life, it seems butterflies and soap bubbles and whatever is of their kind among human beings know most about happiness. To see these light, foolish, delicate, sensitive little souls fluttering--that seduces Zarathustra to tears and songs. I would only believe in a god who knew how to dance. And when I saw my devil, there I found him earnest, thorough, deep, somber; it was the spirit of gravity -- through him all things fall. Not by wrath does one kill, but by laughing. Up, let us kill the spirit of gravity!
Friedrich Nietzsche
Watch. Delicately, like the petals of a flower. Light the first page, light the second page. Each becomes a black butterfly. Beautiful, eh? Light the third page, from the second and so on, chain-smoking, chapter by chapter, all the silly things the words mean, all the false promises, all the secondhand notions and time-worn philosophies.
Ray Bradbury (Fahrenheit 451)
A tangle of star jasmine spilled across the path and Alice knelt to pluck a sprig, holding it beneath her nose and breathing in the scent of captured sunshine. On a whim, she unlaced her shoes. A delicate iron chair stood in a nook beside the camellia, and she sat, slipping her feet free and peeling off her socks, wiggling her toes in the surprise of the balmy air. A late butterfly hovered at a nearby rosebush, and Alice thought, as always, of her father.
Kate Morton (The Lake House)
There were things in nature that took their beauty from delicate structure and intricate symmetry. Flowers. Seashells. Butterfly wings. And then there were things that were beautiful for their wild power and their refusal to be tamed. Snowcapped mountains. Churning thunderclouds. Shaggy, sharp-toothed lions. This man silhouetted before her? He belonged, quite solidly, in the latter category.
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
Symbolism and meaning are two separate things. I think she found the right words by bypassing procedures like meaning and logic. She captured words in a dream, like delicately catching hold of a butterfly's wings as it flutters around. Artists are those who can evade the verbose." "So you're saying Miss Saeki maybe found those words in some other space—like in dreams?" "Most great poetry is like that. If the words can't create a prophetic tunnel connecting them to the reader, then the whole thing no longer functions as a poem." "But plenty of poems only pretend to do that." "Right. It's a kind of trick, and as long as you know that it isn't hard. As long as you use some symbolic-sounding words, the whole thing looks like a poem of sorts.
Haruki Murakami (Kafka on the Shore)
Do you see the butterfly?” Suri grinned with enthusiasm. “Yes, I see it, but—” “So stunning and delicate; it’s marvelous. No one can see a butterfly and not stop to admire it. I’d love to be one. To go to sleep and wake up a season later with such beautiful wings and the ability to flutter about. That’s the most wonderful sort of magic, don’t you think? To change, to grow, to fly. But…” She paused. “I wonder what the cost would be.” The smile diminished once more. “There’s always a cost when it comes to magic. I suspect there is a great price to go from lowly caterpillar to glorious butterfly.
Michael J. Sullivan (Age of Myth (The Legends of the First Empire, #1))
The button was faded blue, with the imprint of a butterfly. Something borrowed, perhaps? Something blue? 'Almost too delicate to be worn,' Harper said. 'What good are beautiful buttons if they aren't worn?... We will live fragile lives, my dear Harper, if we avoid that which is delicate for fear it might break at the seams.
Ashley Clark
a girl should be a butterfly, beautiful,delicate, but hard to catch
nikki algoe
Both halves of this delicate bivalve are exactly matched. Each side, like the wing of a butterfly, is marked with the
Anne Morrow Lindbergh (Gift from the Sea)
Human life is short. You are not as a tree, stoic and unyielding, but a butterfly. Delicate, fleeting. Inconsequential.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
The ladies egged him on; in Eve's name, they dared him; so he made love with discreet verbs and light nouns, delicate conjunctions. They begged; they defied him to define...define everything. They could not be scandalized—impossible, they said. Indecent prepositions such as in, on, up, merely made them smile, and the roundest exclamation broke upon them like a bubble's kiss, a butterfly's. Smooth and creamy adjectives enabled them to lick their lips upon the crudest story. How charmingly you speak, Reverend Furber, how much you've seen of this wicked world, and how alive you are to it, they said.
William H. Gass (Omensetter's Luck)
They really knew how to work this edge, the Dutch painters―ripeness sliding into rot. The fruit’s perfect but it won’t last, it’s about to go. And see here especially,” she said, reaching over my shoulder to trace the air with her finger, “this passage―the butterfly.” The underwing was so powdery an delicate it looked as if the color would smear if she touched it. “How beautiful he plays it. Stillness with a tremble of movement.
Donna Tartt (The Goldfinch)
Which was why he reflexively turned when a flash of iridescence caught his eye. His first thought was: Morpho rhetenor Helena. The extraordinary tropical butterfly with wings of shifting colors: blues, lavenders, greens. It proved to be a woman’s skirt. The color was blue, but by the light of the legion of overhead candles, he saw purples and even greens shivering in its weave. A bracelet of pale stones winked around one wrist, a circlet banded her dark head. The chandelier struck little beams from that, too. She’s altogether too shiny for a woman, he decided, and began to turn away. Which was when she tipped her face up into the light. Everything stopped. The beat of his heart, the pump of his lungs, the march of time. Seconds later, thankfully, it all resumed. Much more violently than previously. And then absurd notions roman-candled in his mind. His palms ached to cradle her face—it was a kitten’s face, broad and fair at the brow, stubborn at the chin. She had kitten’s eyes, too: large and a bit tilted and surely they weren’t actually the azure of calm southern seas? Surely he, Miles Redmond, hadn’t entertained such a florid thought? Her eyebrows were wicked: fine, slanted, very dark. Her hair was probably brown, but it was as though he’d never learned the word “brown.” Burnished. Silk. Copper. Azure. Delicate. Angel. Hallelujah. Suddenly these were the only words he knew.
Julie Anne Long
Symbolism and meaning are two separate things. I think she found the right words by bypassing procedures like meaning and logic. She captured words in a dream, like delicately catching hold of a butterfly’s wings as it flutters around. Artists are those who can evade the verbose.” “So you’re saying Miss Saeki maybe found those words in some other space – like in dreams?” “Most great poetry is like that. If the words can’t create a prophetic tunnel connecting them to the reader, then the whole thing no longer functions as a poem.
Haruki Murakami (Kafka on the Shore)
Across the valley, a waterfall stumbles down. In a month or two the really hard rains will come down for eighteen hours a day and that waterfall will once again become tough as a glacier and wash away the road. But now it looks as delicate as the path of a white butterfly in a long-exposed photograph.
Michael Ondaatje
Fly (poem from the book Blue Bridge) Delicate, / butterfly winged, / we vainly push against the sky, / each trying to find our place. Yes, we are going to die, / let's not beat about the bush. / Maybe today, maybe tomorrow, / maybe even years from now. Meanwhile, / we have someone who loves us, / someone to love. / Surely there is no need to hesitate.
Jay Woodman
Sit down, Montag. Watch. Delicately, like the petals of a flower. Light the first page, light the second page. Each becomes a black butterfly. Beautiful, eh? Light the third page, from the second and so on, chain-smoking, chapter by chapter, all the silly things the words mean, all the false promises, all the secondhand notions and time-worn philosophies.
Ray Bradbury (Fahrenheit 451)
He told me the story of the butterfly emerging from the hard pupa. Its life begins as an “ugly” caterpillar. When the time is right, it forms a pupa and retreats behind its hard walls. Within its shell, it transforms into a butterfly, unseen, unheard. When ready, it uses its tiny, sharp claws at the base of its forewings to crack a small opening in the hard, protective outer shell. It squeezes through this tiny opening and struggles to make its way out. This is a difficult, painful and prolonged process. Misguided compassion may make us want to enlarge the hole in the pupa, imagining that it would ease the butterfly’s task. But that struggle is necessary; as the butterfly squeezes its body out of the tiny hole, it secretes fluids within its swollen body. This fluid goes to its wings, strengthening them; once they’ve emerged, as the fluid dries, the delicate creatures are able to take flight. Making the hole bigger to “help” the butterfly and ease its struggle will only debilitate it. Without the struggle, its wings would never gain strength. It would never fly.
Amish Tripathi (Scion of Ikshvaku (Ram Chandra, #1))
The moth's enormous wings are velveted in a rich, warm, brown, and edged in bands of blue and pink delicate as a watercolour wash. A startling 'eyespot,' immense, and deep blue melding to an almost translucent yellow, luxuriates in the centre of each hind wing. The effect is one of a masculine splendour foreign to the butterflies, a fragility unfurled to strength
Annie Dillard (Pilgrim at Tinker Creek)
It is not worth it being a public success and a private failure. You can stand out of the crowd, but not at the expense of your family and friends. Find the balance and strike it. Hold onto it dearly and carefully, like the way you cup something delicate like a butterfly in your hands. Hold it too tight and you will crush it, hold it lightly and it will fly away.
Richard Mwebesa (Out of the Crowd)
At present I am undecided whether nature tried 'her 'prentice hand' on them in her earliest youth, or whether, having got thoroughly tired of making the delicately beautiful antelopes, corallines, butterflies,and orchids, she just said 'Goodness! I am quite worn out with this finicking work. Here, just put these other viscera into big bags - I can't bother any more.
Mary H. Kingsley (A Hippo Banquet)
I do not want to live in a world without butterflies. Without the intricate eyes and velvety wings, graceful splashes of color dancing on the breeze. Airy, delicate keepers of hope. Metamorphic symbols of change, growth, maturation. ... I do not want this world without the butterflies. I could not bear the wailing of flowers. --from 'A World Without Butterflies' (a poem)
Christina M. Ward (organic)
The fairy- again, Wendy assumed- was an angry tinkling ball of light with the prettiest girl imaginable inside. Diminutive but... solid, with a scandalous lack of decorous dress. All she wore was a ragged green shift which barely covered her hips and thighs and breasts and was gathered dangerously over only one shoulder. This was both shocking and delightful; it made the tiny creature resemble statues of ancient nymphs and nereids Wendy had seen. Her hair was even done up in classical style, a goddess-like bun of hair so golden it glowed. Tiny pointed ears curved their way through the few dangling tresses. Her eyes were enormous and not even remotely human: they were far apart and glaring. The crowning glory was, of course, a pair of delicate iridescent wings sprouting from her back. Their shape was somewhere between butterfly and dragonfly. They were clear as glass and thin as onion skin.
Liz Braswell (Straight On Till Morning)
The garment he'd sent had straps made of flower petals, a bodice made of ribbons lined in gems as small as glitter and a full skirt formed of hundreds of silk butterflies, all in different shades of blue that together formed a magical hue she'd never seen. Some had sheer blue wings that were almost as pale as tears, others were soft sky blue, a few had hints of violet, while some had periwinkle veins. The butterflies weren't alive, but they were so delicate and ethereal, at a glance they looked real.
Stephanie Garber (Excerpt: Finale (Caraval, #3))
The Greek name for a butterfly is Psyche, and the same word means the soul. There is no illustration of the immortality of the soul so striking and beautiful as the butterfly, bursting on brilliant wings from the tomb in which it has lain, after a dull, grovelling, caterpillar existence, to flutter in the blaze of day and feed on the most fragrant and delicate productions of spring. Psyche, then, is the human soul, which is purified by sufferings and misfortunes, and is thus prepared for the enjoyment of true and pure happiness.
Blake D. Bauer (You Were Not Born to Suffer Sampler: How to Overcome Fear, Insecurity and Depression and Love Yourself Back to Freedome, Happiness and Peace)
life is a world you have to live by… it has its own rules you go by… it gives you joy and struggles… i see a mountain… my goal is not to reach the peak… but to reach the foot of the mountain… you may ask why the foot and not the peak… well come dear one sit down… and i'll tell you the meaning… A butterfly so delicate to touch… so graceful that you are in awe… but what you don't understand is they are like humans… they can't see how beautiful their wings are… but everything else can... we can't see our face but everyone else can… An owl so wise to see… so kind to hear… who it calls… the who is you… the who is one you meet… the who is a friend… A bee so humble… so hard working… and yet still has a whole lot of work to do… we can sting like a bee… for standing up what is right… even though it can be wrong… there is only one path… and you can never go back… all you have to do is to keep going… that path is the journey life awaits… but you have to follow by its rules… and here are the three simple rules… one... you must accept what life gives you… and also what it takes from you… two… never think too much… cause we all don't get the answers to everything… three… is to just deal with it… you create what life gives you, you don't run it… look at my feet… they are worn from all the rocks i had to walk on… but it has dirt that nourished life all the years… look at my hands… yes they are small but look closely… they are torn from climbing… life can try to put a blockage in your path… but all you can do is to climb that blockage… and say is that all… look in my eyes… they seen so many things… things i loss and gained… full of wonder… but if you look closer… you can see a fire burning so bright… i am determined to see beyond my journey… i am being created… creating my life in my own way… and we all have goals… but we all want to achieve a broad goal… that is the peak… but the main goal is to finish your path… the path life put you in… the path that leads to.... nothing for right now cause we haven't made it yet… but it said to be true… the foot of the mountain is a new beginning… we can't stand without a foot… so the question is… how are you going to stand at the peak to oversee the view when you didn't care so much about the foot?
Chelsea Roberts
The lyrics, though, are pretty symbolic, " I venture. "From time immemorial, symbolism and poetry have been inseparable. Like a pirate and his rum. " "Do you think Miss Saeki knew what all the lyrics mean?" Oshima looks up, listening to the thunder as if calculating how far away it is. He turns to me and shakes his head. "Not necessarily. Symbolism and meaning are two separate things. I think she found the right words by bypass­ ing procedures like meaning and logic. She captured words in a dream, like delicately catching hold of a butterfly's wings as it flutters around. Artists are those who can evade the verbose." "So you're saying Miss Saeki maybe found those words in some other space-like in dreams?" "Most great poetry is like that. If the words can't create a prophetic tunnel connecting them to the reader, then the whole thing no longer func­ tions as a poem." "But plenty of poems only pretend to do that." "Right. It's a kind of trick, and as long as you know that it isn't hard. As long as you use some symbolic-sounding words, the whole thing looks like a poem of sorts." "In 'Kafka on the Shore' I feel something urgent and serious." "Me too, " Oshima says.
Haruki Murakami
The two other members of Dain's spy troupe also have code names. There's the lean, handsome faerie that looks at least part human, who winks and tells me to call him the Ghost. He has sandy-coloured hair, which is normal for a mortal, but is unusual for a faerie, and ears that come to very subtle points. The other is a tiny, delicate girl, her skin the dappled brown of a doe, her hair a cloud of white around her head, and a miniature pair of blue-grey butterfly wings on her back. She's got at least some pixie in her, if not some imp. ... 'I'm the Bomb,' she says. 'I like blowing things up.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
One Or Two Things Mary Oliver 1 Don't bother me I've just been born. 2 The butterfly's loping flight carries it through the country of the leaves delicately, and well enough to get it where it wants to go, wherever that is, stopping here and there to fuzzle the damp throats of flowers and the black mud; up and down it swings, frenzied and aimless; and sometimes for long delicious moments it is perfectly lazy, riding motionless in the breeze of the soft stalk of some ordinary flower 3 The god of dirt came up to me many times and said so many wise and delectable things; I lay on the grass listening to his dog voice, crow voice, frog voice; now he said, and now, and never once mentioned forever, 4 which has nevertheless always been, like a sharp iron hoof, at the center of my mind. 5 One or two things are all you need to travel over the blue pond, over the deep roughage of the trees and through the stiff flowers of lightning --- some deep memory of pleasure, some cutting knowledge of pain. 6 But to lift the hoof! For that you need an idea. 7 For years and years I struggled just to love my life. And then the butterfly rose, weightless, in the wind. "Don't love your life too much," it said, and vanished into the world.
Mary Oliver (New and Selected Poems, Volume One)
A Rakshasi did not live here. A princess did. I was staring into the most dazzling garden I had ever seen. Cobblestone pathways meandered between rows of salmon-hued hibiscus, regal hollyhock, delicate impatiens, wild orchids, thorny rosebushes, and manicured shrubs starred with jasmine. Bunches of bougainvillea cascaded down the sides of the wall, draped across the stone like extravagant shawls. Magnolia trees, cotton-candy pink, were interspersed with coconut trees, which let in streaks of purplish light through their fanlike leaves. A rock-rimmed pond glistened in a corner of the garden, and lotus blossoms sprouting from green discs skimmed its surface. A snow white bird that looked like a peacock wove in and out through a grove of pomegranate trees, which were set aflame by clusters of deep orange blossoms. I had seen blue peacocks before, but never a white one. An Ashoka tree stood at one edge of the garden, as if on guard, near the door. A brief wind sent a cluster of red petals drifting down from its branches and settling on the ground at my feet. A flock of pale blue butterflies emerged from a bed of golden trumpet flowers and sailed up into the sky. In the center of this scene was a peach stucco cottage with green shutters and a thatched roof, quaint and idyllic as a dollhouse. A heavenly perfume drifted over the wall, intoxicating me- I wanted nothing more than to enter.
Kamala Nair (The Girl in the Garden)
a man glided out of the limo. He was tall, pale as a statue. Sable hair fell in tousled curls to his shoulders. He was dressed in a pair of opalescent butterfly wings that rose from his shoulders, fastened to him by some mysterious mechanism. He wore white leather gloves, their gauntlet cuffs decorated in winding silver designs, and similar designs were set around his calves, down to his sandals. At his side hung a sword, delicately made, the handle wrought as though out of glass. The only other thing he had on was a loincloth of some soft, white cloth. He had the body for it. Muscle, but not too much of it, good set of shoulders, and the pale skin wasn’t darkened anywhere by hair. Hell’s bells, I noticed how good he looked.
Jim Butcher (Grave Peril (The Dresden Files, #3))
How wonderful that the universe is beautiful in so many places and in so many ways. But also the universe is brisk and businesslike, and no doubt does not give its delicate landscapes or its thunderous displays of power, and perhaps perception, too, for our sakes or our improvement. Nevertheless, its intonations are our best tonics, if we would take them. For the universe is full of radiant suggestion. For whatever reason, the heart cannot separate the world’s appearance and actions from morality and valor, and the power of every idea is intensified, if not actually created, by its expression in substance. Over and over in the butterfly we see the idea of transcendence. In the forest we see not the inert but the aspiring. In water that departs forever and forever returns, we experience eternity.
Mary Oliver (Upstream: Selected Essays)
A late yellow butterfly hovering past caught at his attention, and he watched it dance downward and settle on a dusty stem of shepherd's purse beside the way. And for a sort of gleam of time, he seemed to see it not only with his eyes, but with all of himself, the delicate veining of the yellow wings that quivered and half-closed and fanned open again, the dark velvety nap on the butterfly's slender body, the gray-green heart-shaped seedpods of the shepherd's purse, stirring in the stray breath of wind, sharing with the butterfly the last warmth of the autumn sun, and the shadow of both tangled in the hillside grass. Part of him longed to catch the butterfly, to hold it very carefully prisoned in his cupped hands and feel the life of it there and the flutter of its wings against his hollowed palms, as though in that way he could keep the small, shining moment from escaping. He had tried that once, when he was much younger, but the butterfly had turned broken and dead in his hands, and he had killed the moment and the shine and the beauty instead of keeping it, and been left with nothing but an empty feeling of desolation in his stomach because he could not mend the butterfly again.
Rosemary Sutcliff (The Witch's Brat)
Ram laughed softly. ‘You know, Guru Vashishta had said to me, when I was a child, that compassion is sometimes an overrated virtue. He told me the story of the butterfly emerging from the hard pupa. Its life begins as an “ugly” caterpillar. When the time is right, it forms a pupa and retreats behind its hard walls. Within its shell, it transforms into a butterfly, unseen, unheard. When ready, it uses its tiny, sharp claws at the base of its forewings to crack a small opening in the hard, protective outer shell. It squeezes through this tiny opening and struggles to make its way out. This is a difficult, painful and prolonged process. Misguided compassion may make us want to enlarge the hole in the pupa, imagining that it would ease the butterfly’s task. But that struggle is necessary; as the butterfly squeezes its body out of the tiny hole, it secretes fluids within its swollen body. This fluid goes to its wings, strengthening them; once they’ve emerged, as the fluid dries, the delicate creatures are able to take flight. Making the hole bigger to “help” the butterfly and ease its struggle will only debilitate it. Without the struggle, its wings would never gain strength. It would never fly.
Amish Tripathi (Scion of Ikshvaku (Ram Chandra, #1))
She closed her eyes and listened to the drone of bees as they moved lazily among the flowering bursts of deep pink hydrangea and delicate tendrils of sweet pea that wound through the basket-bed borders. Although she was still very weak, it was pleasant to sit in warm lethargy, half-drowsing like a cat. She was slow to respond when she heard a sound from the doorway... a single light rap, as if the visitor was reluctant to disrupt her reverie with a loud knock. Blinking her sun-dazzled eyes, Annabelle remained sitting with her legs tucked beneath her. The mass of light speckles gradually faded from her vision, and she found herself staring at Simon Hunt's dark, lean form. He had leaned part of his weight on the doorjamb, bracing a shoulder against it in an unselfconsciously rakish pose. His head was slightly tilted as he considered her with an unfathomable expression. Annabelle's pulse escalated to a mad clatter. As usual, Hunt was dressed impeccably, but the gentlemanly attire did nothing to disguise the virile energy that seemed to emanate from him. She recalled the hardness of his arms and chest as he had carried her, the touch of his hands on her body... oh, she would never be able to look at him again without remembering! "You look like a butterfly that's just flown in from the garden," Hunt said softly.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
She fell asleep rapidly, swimming through a haze of pleasant images... walking through the forest in Hampshire... dangling her feet in a cool pond on a hot day... pausing in the kissing gate, while the smell of sun-warmed meadowsweet rose thickly to her nostrils. She closed her eyes and tilted her chin upward, relishing the sultry rays, while a butterfly's wings brushed lightly against her cheek. Entranced by the delicate tickle, she held very still. The silken strokes moved over the tip of her nose, the sensitive periphery of her upper lip, the tender corners of her mouth. Searching blindly, she lifted her face to the brushes of warmth and was rewarded by a gentle pressure that opened her lips and drew a moan from the upper part of her lungs. Lord Sydney was standing with her in the kissing gate, his arms trapping her against the painted ribs of latticework. His mouth searched hers so gently, his body firm against hers, and she writhed in a mute plea for him to hold her more tightly. Seeming to know exactly what she wanted, he pushed his knee into her skirts, right against the place that felt swollen and yearning. Gasping, she curled her fingers in his glossy hair, and he whispered for her to relax, that he would take care of her, satisfy her- "Oh." Blinking hard, she stirred from the sensuous dream as she realized that she was not alone. The bed curtains had been drawn aside, and Nick Gentry's long body was entangled with hers. One large hand was cupped beneath her hips, while his leg wedged more intimately between hers. His breath surged against her ear, filling the shell with moist heat, and then his lips wandered back to hers in a searing path. He absorbed her protest as he kissed her, his tongue searching her mouth, his body levering over hers.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
My ice-cream is melting just as quickly as Danny’s and is dripping down my chin, across my wrist, and onto my thigh. I laugh, throwing my head back and covering my eyes so as not to be blinded by happiness, and it is in this moment of weightlessness that I am suddenly aware of the lightest touch on my skin, like the wings of a butterfly. It flutters against my thigh then lingers on my wrist, but before its delicate wings reach my face, I force my eyes open and see only fragments: pink lips, a tanned cheek, the features and lines of a face silhouetted against the bright sunlight. My nostrils draw in his scent for the very first time and it is so strong that he is not just next to me but intimately close. His smell instantly takes me prisoner, overpowering me to such an extent that I have forgotten who and where I am. I know that, moments before, Alex was using his lips and tongue to clean the melted ice-cream off my thigh and wrist and inadvertently treating me to the most ecstatic experience of my life. My body and mind are adrift in a sea of bliss, the sounds of the park suddenly fade away, and the world and everyone in it cease to exist. All I can see is a blindingly bright light and all I can feel are a man’s moist lips touching mine. Alex’s hot, passionate mouth is kissing me greedily as if there is finally enough air; as if he had been suffocating, but now he can breathe. I know that a kiss like this is neither flirting nor dating and can sense with every fibre of my being that it was a sudden impulse, unplanned and impetuous. When Alex comes to his senses and realises what he has done, I am already staring meaningfully into his eyes. He pulls away slowly and starts to apologise, but I assure him there is no need, just not to do it again. He replies that he won’t, but his eyes say otherwise: he looks as overwhelmed as I feel.
Victoria Sobolev (Monogamy Book One. Lover (Monogamy, #1))
She canted her wings and soared toward the top of it, where she could see a never-ending line of trees tossing violently in the wind. The hurricane made one more effort to throw her back into the sea, but she fought with her last reserves until she felt earth beneath her talons. She collapsed forward, clutching the wet soil for a moment, grateful to be alive. Keep going. They’re not safe yet. Clearsight pushed herself up and faced the trees. They were coming. The first two dragons she would meet in this strange new world. What would it be like to face unfamiliar tribes, completely different from the ones she knew? There wouldn’t be any NightWings like her here. No sand dragons, no sea dragons, no ice dragons. She’d glimpsed what these new dragons would look like, but she didn’t know anything yet about their tribes . . . or whether they would trust her. They stepped out of the trees, eyeing her with wary curiosity. Oh, they’re beautiful, she thought. One was dark forest green, the color of the trees all around them. His wings curved gracefully like long leaves on either side of him, and mahogany-brown underscales glinted from his chest. But it was the other who took Clearsight’s breath away. His scales were iridescent gold layered over metallic rose and blue, shimmering through the rain. He outshone even the RainWings she’d occasionally seen in the marketplace, and those were the most beautiful dragons in Pyrrhia. Not only that, but his wings were startlingly weird. There were four of them instead of two; a second pair at the back overlapped the front ones, tilting and dipping at slightly different angles from the first pair to give the dragon extra agility in the air. Like dragonflies, she realized, remembering the delicate insects darting across the ponds in the mountain meadows. Or butterflies, or beetles. She sat up and spread her front talons to show that she was harmless. “Hello,” she said in her very least threatening voice. The green one circled her slowly. The iridescent one sat down and gave her a small smile. She smiled back, although her heart was pounding. She knew she had to wait for them to make the first move. “Leefromichou?” said the green dragon finally, in a deep, calm voice. “Wayroot?” Take a breath. You knew it would be like this at first. “My name is Clearsight,” she said, touching her forehead. “I am from far over the sea.” She pointed at the churning ocean stretching way off to the east behind her. “Anyone speak Dragon?
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
Her enormous eyes were staring straight into his silver ones. He couldn’t look away, couldn’t let go of her hand. He couldn’t have moved if his life depended on it. He was lost in those blue-violet eyes, somewhere in their mysterious, haunting, sexy depths. What was it he had decided? Decreed? He was not going to allow her anywhere near Peter’s funeral. Why was his resolve fading away to nothing? He had reasons, good reasons. He was certain of it. Yet now, drowning in her huge eyes, his thoughts on the length of her lashes, the curve of her cheek, the feel of her skin, he couldn’t think of denying her. After all, she hadn’t tried to defy him; she didn’t know he had made the decision to keep her away from Peter’s funeral. She was including him in the plans, as if they were a unit, a team. She was asking his advice. Would it be so terrible to please her over this? It was important to her. He blinked to keep from falling into her gaze and found himself staring at the perfection of her mouth. The way her lips parted so expectantly. The way the tip of her tongue darted out to moisten her full lower lip. Almost a caress. He groaned. An invitation. He braced himself to keep from leaning over and tracing the exact path with his own tongue. He was being tortured. Tormented. Her perfect lips formed a slight frown. He wanted to kiss it right off her mouth. “What is it, Gregori?” She reached up to touch his lips with her fingertip. His heart nearly jumped out of his chest. He caught her wrist and clamped it against his pumping heart. “Savannah,” he whispered. An ache. It came out that way. An ache. He knew it. She knew it. God, he wanted her with every cell in his body. Untamed. Wild. Crazy. He wanted to bury himself so deep inside her that she would never get him out. Her hand trembled in answer, a slight movement rather like the flutter of butterfly wings. He felt it all the way through his body. “It is all right, mon amour,” he said softly. “I am not asking for anything.” “I know you’re not. I’m not denying you anything. I know we need to have time to become friends, but I’m not going to deny what I feel already. When you’re close to me, my body temperature jumps about a thousand degrees.” Her blue eyes were dark and beckoning, steady on his. He touched her mind very gently, almost tenderly, slipped past her guard and knew what courage it took for her to make the admission. She was nervous, even afraid, but willing to meet him halfway. The realization nearly brought him to his knees. A muscle jumped in his jaw, and the silver eyes heated to molten mercury, but his face was as impassive as ever. “I think you are a witch, Savannah, casting a spell over me.” His hand cupped her face, his thumb sliding over her delicate cheekbone. She moved closer, and he felt her need for comfort, for reassurance. Her arms slid tentatively around his waist. Her head rested on his sternum. Gregori held her tightly, simply held her, waiting for her trembling to cease. Waiting for the warmth of his body to seep into hers. Gregori’s hand came up to stroke the thick length of silken, ebony hair, taking pleasure in the simple act. It brought a measure of peace to both of them. He would never have believed what a small thing like holding a woman could do to a man. She was turning his heart inside out; unfamiliar emotions surged wildly through him and wreaked havoc with his well-ordered life. In his arms, next to his hard strength, she felt fragile, delicate, like an exotic flower that could be easily broken. “Do not worry about Peter, ma petite,” he whispered into the silken strands of her hair. “We will see to his resting place tomorrow.” “Thank you, Gregori,” Savannah said. “It matters a lot to me.” He lifted her easily into his arms. “I know. It would be simpler if I did not. Come to my bed, chérie, where you belong.
Christine Feehan (Dark Magic (Dark, #4))
like a delicate butterfly to us, who, carefree and exhilarated, fluttered right into the lamp of life, scorching her fine wings. uns jedoch ein zarter Schmetterling, der, sorglos beschwingt, an der Leuchte des Lebens seine feinen Flügel vor der Zeit verflattert und versengt hat
Ernst Benkard
She ignored the boy’s protest and kept walking. He shouldn’t be watching street fights at his age, impressionable as he was. Uncle and Auntie Yin had enough to complain about without her being a bad influence on her little cousin. The swordsman caught up with her easily, keeping an arm’s length between them while they walked together down the dusty street. There was none of the posturing and swagger she’d come to expect from Zhou’s lackeys. From outward appearances, they could have been joining one another for an afternoon stroll. “Those are exquisite.” He was talking about the swords. Twin blades; short, light and quick. Many called them butterfly swords, but there was nothing delicate about them. They were ideal weapons for a woman fighting a larger opponent. Heaven forbid he’d look at her with the same interest. She sniffed, but a thread of doubt worked loose inside her. He was the first to be interested in her skill rather than the novelty of this odd girl who dared to challenge men. “You don’t seem like one of Zhou’s thugs,” she said.
Jeannie Lin (The Taming of Mei Lin (Tang Dynasty, #.5))
Dreams give your soul wings. And images from dreams are the exquisite patterns on the wings. Hold your dream as you would hold a butterfly -- in your open, quiet palms. Make sure none of the delicate wing dust brushes off onto clumsy hands. Pinning the dream down with interpretation will tear the wings off the butterfly and kill it. .... Hold your dream images gently enough so that they still can fly.
Jill Mellick (The Art of Dreaming: Tools for Creative Dream Work (Self-Counseling through Jungian-Style Dream Working))
You know, Guru Vashishta had said to me, when I was a child, that compassion is sometimes an overrated virtue. He told me the story of the butterfly emerging from the hard pupa. Its life begins as an “ugly” caterpillar. When the time is right, it forms a pupa and retreats behind its hard walls. Within its shell, it transforms into a butterfly, unseen, unheard. When ready, it uses its tiny, sharp claws at the base of its forewings to crack a small opening in the hard, protective outer shell. It squeezes through this tiny opening and struggles to make its way out. This is a difficult, painful and prolonged process. Misguided compassion may make us want to enlarge the hole in the pupa, imagining that it would ease the butterfly’s task. But that struggle is necessary; as the butterfly squeezes its body out of the tiny hole, it secretes fluids within its swollen body. This fluid goes to its wings, strengthening them; once they’ve emerged, as the fluid dries, the delicate creatures are able to take flight. Making the hole bigger to “help” the butterfly and ease its struggle will only debilitate it. Without the struggle, its wings would never gain strength. It would never fly.
Amish Tripathi (Scion of Ikshvaku (Ram Chandra, #1))
a girl should be a butterfly, beautiful,delicate, but hard to catch
my friend
All those stories I've told you are as delicate as butterflies.
Arnold Arre (The Mythology Class: A Graphic Novel)
Modern ballet costumes are very delicate, and some cannot even be washed at all. These costumes are hung up to air out and sprayed with freshener.
Jenna Jones (Facts for Girls: Fun Facts and Trivia about Unicorns, Fairies, Mermaids, Dolls, Disney Princesses, Butterflies, and Ballerinas)
The elite began to evacuate from the forest. They were the future of their guilds and were delicate flowers that their guilds had worked hard to cultivate. They couldn't let themselves be ravaged by Lord Grim.
Butterfly Blue (The King's Avatar)
The river waters were bright honey, as intensely colored as paint. A faint mist drifted over its surface. The forest massing on either side was so dense it looked black, except where, strangely delicate, a slash of flowers glowed white, or tear-shaped mangoes dripped pale green. Strange smells seeped out of the foliage, savory and disturbing. There was the sense of unknown things hiding beneath that painted-honey water, behind the screen of trees, even below the slowly creaking planks of dock we stood on. Animal noises rumbled together in an ever-present background thunder, but no life was actually visible, apart from a single butterfly tumbling over the water, its wings flickering red as a racing heart.
Rinsai Rossetti (The Girl with Borrowed Wings)
it's so delicate here. but it's where i'm the most brutal. it's where my raging gets careless, and the delicate things end up crushed. i fight my hardest fights trying to love the deepest love, but i've never been more unkind than i've been in these close quarters …in this head, and to this heart. and when others have been unkind, how quick i've been to betray myself and just agree. and i've let it all hurt so much that unworthy has felt like the only feeling i may ever again know… like a flower whose every last petal has been torn away and thrown to the wind with nothing left to recognize as beautiful. just wilted. and bare with pain. but what if it hurts this way for a reason… because that ache in me is the fight in me to learn to feel different. because somewhere deep inside i know that i want to be delicate here… desperately. and when they're unkind, and when i'm unkind, somewhere deep down, i know that i fiercely. disagree. and there's a wild blossom in me and it's too beautiful to ever just be torn away and thrown to the wind. and there's a tenderness that i'm made of and an intimacy that i'm part of… one that i'm going to learn to take such delicate care of.
butterflies rising
smoke & sugar… you’ve got too much gravity in your head. so take it easy. and put the heavy down. we could be delicate here. or not… you could come mix that smoke on your lips with the sugar on mine and we can kiss slow and wild until we forget time and collapse.
butterflies rising
maybe sometimes we’re delicate, and unsure, and we don’t know what we’re ready to want, so all that we’re really looking for are people with good intentions towards us… hoping for gentle in the unknown
butterflies rising
And my shadow touched hers as though in an embrace. Then, as if taken with a fleeting thought, I stepped over to the window and laid the rose I had just broken off in Maria's lap. I then slid silently away, as though I feared being caught in the act. How often was this little course of events, which seemed so significant to me, repeated! I scarcely know. To me it is as if I had laid a thousand roses in the ailing Maria's lap, as if our shadows had embraced innumerable times. Never once did Maria mention this episode; yet from the gleam in her great radiant eyes, I sensed that she was happy about it. Perhaps these hours, when we two sat together and in silence enjoyed a great, tranquil, deep joy, were so beautiful that I felt no need for any that were more beautiful still. My old uncle quietly left us to ourselves. One day, however, as I sat by him amongst all the resplendent flowers over which great golden butterflies hovered dreamily, he spoke to me in a quiet, thoughtful voice: 'Your soul is drawn to suffering, my boy.' And therewith he laid his hand upon my head as though wishing to add something more. Yet he remained silent. Perhaps he didn't know either what he had awakened in me by this, and what was mightily stirred to life in me from that day. One day, as I again stepped over to the window where Maria sat as usual, I saw that her face had turned pale and rigid in death. Sunbeams darted across her bright, delicate form; her untied golden hair fluttered in the wind and it seemed to me as if no illness had carried her off but that she had died without visible cause - an enigma. I placed the last rose in her hand. She took it with her to the grave. Soon after Maria's death I left for the city. But the memory of those tranquil days filled with sunshine have remained alive in me, more alive perhaps than the noisome present. I shall never again see the little town at the bottom of the valley - yes, I am loath to return to it again. I believe I should be unable to do so, even though I am at times seized by a deep yearning for those ever youthful things of the past. For I know that I should only look in vain for that which is lost without trace; I would no longer find there what lives on in my memory alone - just like the here and now- and what would that bring me but endless torment.
Georg Trakl (Poems and Prose)
I made you nervous? I was ready to get on my knees, Em." My heart flipped over in my chest, and I covered the moment by fumbling with the string holding the box closed. It slipped free with a jerk, and the box, designed to open like a flower, revealed its gift. A gasp escaped me. Nestled in a white cloud of spun sugar was a perfect little sphere-shaped gâteau covered in chocolate so dark and glossy it shone like midnight. But that wasn't what had my mouth falling open in awe. Resting on the very top of the orb was a pink-and-gold butterfly made of sugar glass. The delicate wings were so fine and thin the light shone through them. It looked so real I half expected it to fly away. "Lucian..." "This is how I see you sometimes," he said in a low voice, eyes on the gâteau. "Beautiful and rare, something not to be contained but treasured.
Kristen Callihan (Make It Sweet)
He had a special fondness for the moving parts of women, their wrists, their butterfly-shaped ankles, their shoulder blades like a swan’s folded wings. In particular he treasured their knees, especially the back of them, where the skin was pale, milk-blue, with delicate fissures, little fine cracks, as in the most fragile old pieces of bone china. — John Banville, April in Spain (Hanover Square Press, 2021)
John Banville (April in Spain (Quirke, #8))
Emeline...?" Her mother's voice was no longer a rasp, but a soft, quivering thing. Emeline spun to find the Vile behind her, glimmering like a mirage. The air shone, delicate as a cobweb, then changed. Like a butterfly abandoning its chrysalis, the Vile before her fell away, until a monster stood before Emeline no longer. In the monster's place was a middle-aged woman, beautiful as the moon. Her raven-dark hair fell in waves around her shoulders, her eyes were the bright blue of robins' eggs, and down her body spilled a silk dress the color of storm clouds. Emeline let out a shaky breath. "Mama?" Rose Lark dropped the knife and the sharpening stone. They hit the soft earth with a thud. The roots of the cavern immediately grew over them, pulling both blade and stone deep into the earth where they couldn't be retrieved. Staring at her daughter, Rose took a hesitant step before lifting shaky fingers to Emeline's face. "I'm so sorry," she whispered as tears trembled down her pale cheeks. Emeline shook her head furiously, reaching for her. "It wasn't your fault." She wrapped her arms around her mother's frail shoulders, pulling her close. Her hair smelled sweet, like rosewater. Her thin body shook like a sapling in a gale. Weeping, Rose held her daughter tightly, as if, this time, she didn't intend to let go.
Kristen Ciccarelli (Edgewood)
She heard the door shut and then he was kneeling before her, pushing her dress up to the top of her thighs. In one movement it seemed, he slipped off his jacket, pried open her legs, and lifted her thighs over his shoulders so that she fell back onto her elbows. She gripped the bed linens as his tongue shot into her and rolled expertly about, and when he drew it out to flick at her like butterfly wings while his fingers pressed down inside her, and orgasm climbed within her. He felt it, pushed her farther up the bed, and stood up, looking down with an expression of simple intent at her womanhood. "Not yet," he told her, dropping his clothes to the floor. His body was toned, hard, perfect; she longed to run her tongue over his washboard stomach, the gentle mounds of his pectoral muscles. "Please." The pulsing between her legs was turning to a pounding. He smiled down at her then. He was making her wait of course. He climbed up onto the bed and knelt between her thighs, teasing her with the tip of his manhood. Circling her waist with his arm, he flipped her onto her stomach. He pulled a pillow under her hips and drew her apart. And then... and then nothing. Only the creak of the bed. She expected his touch, but it didn't come. She felt his breath all over her excitement. His chest was obviously flat to the bed, his face almost touching her. He was looking at her, really looking at her, her hairless smoothness, engorged, trembling, and the thrill of it, of knowing he was looking, but not being able to see him looking, the anticipation of being touched, made her body burn and quiver. She felt him breathing against her. She lost track of how long, how long she lay there in a frenzy of anticipation, not knowing would he touch her, would he plunge right into her. She felt her dampness spreading across the pillow beneath her hips. When he did finally touch her, so lightly, just a finger, exploring her, she cried out. It was almost unbearable. And then the creak of the bed again and he filled her. She lifted her hips higher to meet him, and he pushed her dress up higher to take her hips bare in his hands and pull her closer. He ground into her desire like the base of a palm kneading dough, pressing, lifting, pressing, smoothing her with the perfectly timed and pressured movement of a master into something light and delicate and trusting and pliable. He bent one of her legs and lifted the spiked heel of her stiletto so that it dug into his chest, turning in the movement onto her side. Then he slipped her lower leg around his hips without her heel in that foot even touching him and twisted her. Without his having withdrawn even once, she was on her back looking up at him, knees pressed back to her breasts still scooped in her dress. She reached for him, but he shook his head. He wanted to control this. He lifted her stilettoed feet onto his shoulders, and with two parted fingers closed her eyes. He spread her arms. And then he drove himself into her with such force that it hurt. And then again, and again. She could have opened her eyes, pushed him back, regained some control, but something in her wanted this. She had needed for so long to be so strong, so impervious, it felt an incredible relief to have her vulnerable femininity driven home.
Karen Weinreb (The Summer Kitchen)
The canopy is high, like a cathedral, and I glide through a landscape of light and shadow. Ferns cascade from the trunks amid pink lichens the size of measle spots, and the cypress knees stick up from beneath the surface like the hats of submerged gnomes. I spot a delicate "Florida butterfly" orchid, with a heart-shaped blotch at its center, clinging to a trunk.
Virginia Hartman (The Marsh Queen)
Truth is a butterfly: it lands on this flower and that. You run after it with a net. If you capture it, you are happy. But it won't live long. Truth is a delicate thing.
Elif Shafak (The Architect's Apprentice)
Why does lightning strike on a humid day? Why does the sun follow the moon, trailing at dawn on its pale heels? The flakes on a butterfly's wings are not as vital or delicate as you. There are things in this world that we simply can't explain. Your beauty is unexplainable.
Nick Oliveri (Her)
An insect hovers nearby. She can't remember what it's called: smaller than a dragonfly, with delicate mother-of-pearl wings. It skims the surface of the beck. She stays like that for a long time, listening to the birds, the water, the insects. She shuts her eyes, opening them again when she feels something brush her hand. The dragonfly-like creature with the iridescent wings. The word swims up from the depths of her brain: a damselfly. Tears well in her eyes, surprising her. She was fascinated by insects as a child. She remembers begging her mother to spare the moths that fluttered out from wardrobes, the gauzy spider's webs that clung to the ceiling. She'd collected vividly illustrated books about them. About birds, too. She would hide under the covers reading, in the small, silent hours of the morning while her parents slept in the next room. It hurts now, to think of that little girl, her innocent wonder: flashlight in hand, turning the glossy pages and marveling at the wild and wonderful creatures. Butterflies with eyes on their wings, parrots in candy-colored plumage.
Emilia Hart (Weyward)
Yesterday,’ she said, referring to the collective past of her tribe, ‘the people of these forests knew the secret. They made the finest silk thread from the cocoon of a beautiful sleeping butterfly. The women reeled the silk thread on the spinning wheel, slowly and gently. Such delicate work it was, that the silk remembered, at last, the moth which had created it. And the women were awed at the silver shine of the silk produced. If the silk is so divine, they thought, what must be the beauty of the butterfly waiting to be born? They stopped breaking the cocoons and looked for the crimson wings of the butterflies emerging from the torn nests of raw silk. The sight took them aback. They became sages and storytellers..
Lidija Stankovikj (The Outcasts - A Thousand Dreams of Redemption)
Yesterday, she said, referring to the collective past of her tribe, the people of these forests knew the secret. They made the finest silk thread from the cocoon of a beautiful sleeping butterfly. The women reeled the silk thread on the spinning wheel, slowly and gently. Such delicate work it was, that the silk remembered, at last, the moth which had created it. And the women were awed at the silver shine of the silk produced. If the silk is so divine, they thought, what must be the beauty of the butterfly waiting to be born? They stopped breaking the cocoons and looked for the crimson wings of the butterflies emerging from the torn nests of raw silk. The sight took them aback. They became sages and storytellers. My mother’s mother was one of them.
Lidija Stankovikj (The Outcasts - A Thousand Dreams of Redemption)
Trust me,” he said with a chuckle. “You’re not delicate like a butterfly. You’re delicate like a landmine.
Maggie C. Gates (Cry About It)
when a woman herself becomes pregnant, it is as if she links directly back into an intact matrilineal network where all the mothers, all the wombs, all the foetuses and infants are connected. This does something peculiar to maternal temporality: it has the ability to stretch time out in linear directions to the distant past and future, and equally to concertina in upon itself to a point that is always in the present. Folding out, folding in, the past and the future, hinged together like delicate butterfly wings. In the way that matryoshka dolls can be opened out and displayed in a long line from smallest to biggest, or packed one inside the other, becoming one body, one space, one time.
Pippa Grace (Mother in the Mother: Looking Back, Looking Forward - Women's Reflections on Maternal Lineage)
As I write this now, it occurs to me that the peculiarity of most things we think of as fragile is how tough they truly are. There were tricks we did with eggs, as children, to show how they were, in reality, tiny load-bearing marble halls; while the beat of the wings of a butterfly in the right place, we are told, can create a hurricane across an ocean. Hearts may break, but hearts are the toughest of muscles, able to pump for a lifetime, seventy times a minute, and scarcely falter along the way. Even dreams, the most delicate and intangible of things, can prove remarkably difficult to kill.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
Then it’s not just the butterflies I can feel on my arms. There’s the ghost of a hand resting on my waist, another tilting my chin upwards. There’s a warm chest pressed against mine. There’s a delicate kiss like a butterfly on my lips. It’s so real, as if I’m seven years old and playing in the garden, as if I’m fourteen years old and having someone’s hands on my hips and their lips on mine for the first time.
Tegan Anderson (Paper Forests (The Paper Forest, #1))
There is only the stunningly fragile human body, a holy creation capable of loving with such astonishing strength but which is weak to the curses of a fallen world. It is the frailty of flesh and blood that causes us to succumb to forces greater than ourselves. We are like butterflies, delicate and wonderful, here on earth for only a brilliant moment and then away we fly. Death is appointed merely to close the door to our suffering and open wide the gate to Paradise. If we were made of stone or iron, we would be impervious to disease and injury and disaster, but then we could not give love and receive love, could we? We’d be unable to feel anything at all, and surely incapable of spreading our wings and flying. . . . Henry
Susan Meissner (As Bright as Heaven)
Kat opens her eyes and gasps as the butterflies fly toward her and circle her head. She looks like a goddess or a queen, with them her moving crown. Then they delicately land on her head, her shoulders, her arms, their wings occasionally opening but content to stay in place. “Look at you,” I say in awe. “Queen of the butterflies.” “Vlinders,” she says breathlessly. Yes. My vlinder.
Karina Halle (Hollow (A Gothic Shade of Romance #1))
healing is an intimate, delicate, unique, fingerprint… take the journey you need to get there
butterflies rising
self-love… the most delicate intimacy
butterflies rising
Consider earth, our home. Let your eyes savor the brilliant hues and delicate shadings of a summer sunset. Tunnel your toes into wet sand, stand still, and feel the dependable foam and spray of an ocean tide. Visit a butterfly garden and study the abstract designs: 10,000 variations, more imaginative than those of any abstract painter, all compressed into tiny swatches of flying fabric. Belief in a loving Creator is easy among these good things.
Philip Yancey (Where Is God When It Hurts?)
There is only the stunningly fragile human body, a holy creation capable of loving with such astonishing strength but which is weak to the curses of a fallen world. We are like butterflies, delicate and wonderful, here on earth for only a brilliant moment and then away we fly. Death is appointed to merely close the door to our suffering and open wide the gate to Paradise.
Susan Meissner (As Bright as Heaven)
unfolding into yourself… what a tender, delicate thing
butterflies rising
i think i've always fought stillness with chaos… maybe because it feels easier… you can't be shaken from your footing if you've never even had it, right? but now i'm being asked to stay still in the uncertainty, to try to learn to breathe easy in all this delicate nuance… to start to question the way i've made such a habit out of fearful, so breath-held and chest-tight, always just hoping for gentle in the unknown… because what if life doesn't have to just “not hurt”… what if there could be something so beautiful waiting for me in the unknown
butterflies rising
the story of the butterfly emerging from the hard pupa. Its life begins as an “ugly” caterpillar. When the time is right, it forms a pupa and retreats behind its hard walls. Within its shell, it transforms into a butterfly, unseen, unheard. When ready, it uses its tiny, sharp claws at the base of its forewings to crack a small opening in the hard, protective outer shell. It squeezes through this tiny opening and struggles to make its way out. This is a difficult, painful and prolonged process. Misguided compassion may make us want to enlarge the hole in the pupa, imagining that it would ease the butterfly’s task. But that struggle is necessary; as the butterfly squeezes its body out of the tiny hole, it secretes fluids within its swollen body. This fluid goes to its wings, strengthening them; once they’ve emerged, as the fluid dries, the delicate creatures are able to take flight. Making the hole bigger to “help” the butterfly and ease its struggle will only debilitate it. Without the struggle, its wings would never gain strength. It would never fly.
Amish Tripathi (Scion of Ikshvaku (Ram Chandra, #1))
I told her one of the few stories that she'd told me of myself as a child. We'd gone to a park by a lake. I was no older than two. Me, my father, and my mother. There was an enormous tree with branches so long and droopy that my father moved the picnic table from underneath it. He was always afraid of me getting crushed. My mother believed that kids had stronger bones than grownups. "There's more calcium in her forearm than in an entire dairy farm," she liked to say. That day, my mother had made roasted tomato and goat cheese sandwiches with salmon she'd smoked herself, and I ate, she said, double my weight of it. She was complimenting me when she said that. I always wondered if eating so much was my best way of complimenting her. The story went that all through lunch I kept pointing at a gaping hole in the tree, reaching for it, waving at it. My parents thought it was just that: a hole, one that had been filled with fall leaves, stiff and brown, by some kind of ferrety animal. But I wasn't satisfied with that explanation. I wouldn't give up. "What?" my father kept asking me. "What do you see?" I ate my sandwiches, drank my sparkling hibiscus drink, and refused to take my eyes off the hole. "It was as if you were flirting with it," my mother said, "the way you smiled and all." Finally, I squealed, "Butter fire!" Some honey upside-down cake went flying from my mouth. "Butter fire?" they asked me. "Butter fire?" "Butter fire!" I yelled, pointing, reaching, waving. They couldn't understand. There was nothing interesting about the leaves in the tree. They wondered if I'd seen a squirrel. "Chipmunk?" they asked. "Owl?" I shook my head fiercely. No. No. No. "Butter fire!" I screamed so loudly that I sent hundreds of the tightly packed monarchs that my parents had mistaken for leaves exploding in the air in an eruption of lava-colored flames. They went soaring wildly, first in a vibrating clump and then as tiny careening postage stamps, floating through the sky. They were proud of me that day, my parents. My father for my recognition of an animal so delicate and precious, and my mother because I'd used a food word, regardless of what I'd actually meant.
Jessica Soffer (Tomorrow There Will Be Apricots)
Death is not our foe. There is no foe. There is only the stunningly fragile human body, a holy creation capable of loving with such astonishing strength but which is weak to the curses of a fallen world. It is the frailty of flesh and blood that causes us to succumb to forces greater than ourselves. We are like butterflies, delicate and wonderful, here on earth for only a brilliant moment and then away we fly. Death is appointed merely to close the door to our suffering and open wide the gate to Paradise.
Susan Meissner (As Bright as Heaven)